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KOSMO SOUND - FRUIT OF THE VOID LP

Upcoming album 'Fruit Of The Void' to be released later this fall.
Kosmo Sound is a perfect balance of tight rhythms and extended melodies, and they constantly strive to push boundaries with their sound. Having worked together with dub legends Daniel Boyle and Alpha & Omega and having played as the support act for Adrian Sherwood, The Twinkle Brothers and Omar Perry, heavily inspired, they took refuge in the studio to record this album full of meditative sounds and dense grooves.

“It's a slow motion dub explosion.” - Woodburner

“As a mixture of Slimmah Sound, El Michels Afffair and Khruangbin in which deep dub basses flirt with thin desert blues guitars, jazzy drum patterns and tufts of saxophone.” - Indiestyle

“The canvas that these six musicians span as Kosmo Sound has a musical breadth that effortlessly ranges from dub over jazz to psych.” - daMusic

"an amalgation of styles that tickle the senses" - ReggaeVibes

“This remarkable debut makes one curious about future releases” – Irie Ites

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19,96
Tiger Stripes - Nocturnes EP

Tiger Stripes

Nocturnes EP

12inchDC261
Drumcode
29.11.2022

Tiger Stripes returns to Drumcode for his annual EP outing, crafting a pair of blue-ribbon dancefloor weapons inspired by the night.
The Swedish artist is a cherished act on the label, his involvement with DC going back to 2009. One of the most creative in his field, he typically mines influence from across the musical spectrum. Indeed, a Tiger Stripes track could employ subtle nods to everything from rock and pop, to reggae and hip hop, all seamlessly integrated into a dynamic techno palette.


For his latest outing, he's drawn on his love of classical music, specifically Chopin, for the powerful ‘Nocturne’. "I loved listening to his compositions as a toddler when my mother played her vinyls for me. I still love and listen to his piano music today and it might be where my taste for drama comes from. In my ears his music still sounds very modern and cool,” he tells. 'Nocturne' switches between driving dancefloor business and a lilting piano-laden break, the energy amplified by his peak-time arrangements.


In ‘Renegade’, his love of rock, electronica and indie is at the fore, as propulsive techno rhythms give way to an emotion-charged mid-section laden with breakbeats. When the beats kick back in, we’re lobbed back into exhilarating laser-kissed territory.

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13,66
DON CARLOS - AQUA LP 3x12"

Don Carlos

AQUA LP 3x12"

3x12inchIRM2202
Irma Records
18.11.2022

Originally released in 1994 on Calypso Records / Irma Records in a triple vinyl promo white label version, Don Carlos's album Aqua is the
second album by the Varese-based DJ producer, already then known for his first two singles Alone and Mediterraneo, then both included in
his first album entitled Mediterraneo and released only in Compact Disc format in 1992 for the American market printed and distributed by
IRMA U.S.A., the American subsidiary of IRMA Records Italy.
The same fate will also have the Compact Disc format of the Aqua album, again printed only on the American market.
But the triple vinyl, printed in a limited edition of 500 copies in a white generic envelope, was never reissued and has become a rare record
over the years.
After almost thirty years, after countless requests for reissues, especially in the last few years in which the name and music of Don Carlos
has made a comeback, Irma Records has decided to reissue the vinyl in exactly the same original triple version.
DJ Don Carlos (born Carlo Troja) with his productions in the 90s has become one of the cult producers for DJs around the world.
His track Alone released in 1991 for Calypso was and still is one of the classics of House Music, played by all the major American and British
DJs.
At the time of its publication it was considered an underground song and therefore did not sell very much, but over the years its myth has grown
thanks to its subsequent productions as for example his second single, the EP entitled Mediterraneo, title which it will then inspired his first CD
album printed in the USA with the same title.
Several other singles followed, another album, always printed only in the USA, entitled Aqua, from which a triple promo vinyl was extracted which
today is one of the artist's most requested rarities.
In Italy his third album was released in 2002 entitled The Music In My Mind where Kim Mazelle, Michelle Weeks, Taka Boom and Kevin Bryant
were present as vocal guests. In 2009 a collection of the first two albums released in the USA titled Mediterraneo-Club Favourite Collection '90-
98 and in 2010 his fourth album entitled The Cool Deep which reproduced the sounds closest to his first productions.
Also active as a remixer for Italian and international labels, one of his most important works is the remix of Byron Stingily of the song You Make
Me Feel of which he made a worldwide hit. As a producer he also used other pseudonyms such as Montego Bay, Aquanuts, Sotterranea and
Love 2 Love Orchestra. He has played and plays in different countries such as London, New York, Miami and at various festivals, such as the
Robot and the Stickermule Festival in an evening with Apparat, Derrick May, DJ Koze, Lil 'Louis, Young Marco and Ellen Allien, LTJ Xperience

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25,84
RAMIN DJAWADI - Game Of Thrones Season 7 (2x12")

The seventh and penultimate season of the HBO fantasy drama series Game Of Thrones premiered in 2017. The series received 22 nominations for the 70th Primetime Emmy Awards and won Outstanding Drama Series and Outstanding Supporting Actor in a Drama Series for Peter Dinklage (who plays the role of Tyrion Lannister).

The music for this seventh season was composed by Ramin Djawadi, just like the previous six seasons. The albums opens with a new version of the well-known main title. Djawadi is best known for his scores for Iron Man, Pacific Rim, Prison Break and Westworld amongst many others. For his work for Game Of Thrones, he has won two consecutive Emmy Awards and a nomination for a Grammy Award.

Game Of Thrones Season 7 is available as a limited edition of 1000 individually numbered copies on smoke coloured vinyl, is housed in a gatefold sleeve and includes an insert.

• 180 GRAM AUDIOPHILE VINYL
• GATEFOLD SLEEVE
• INCLUDES INSERT
• PVC PROTECTIVE SLEEVE
• MUSIC BY RAMIN DJAWADI (WESTWORLD, PACIFIC RIM, IRONMAN)
• GOT SEASON 7 RECEIVED 22 NOMINATIONS FOR THE PRIMETIME EMMY AWARDS AND WON 2 (OUTSTANDING DRAMA SERIES AND OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES FOR PETER DINKLAGE)
• GOT SEASON 7 RECEIVED A GRAMMY AWARD NOMINATION FOR BEST SCORE SOUNDTRACK FOR VISUAL MEDIA
• LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON SMOKE COLOURED VINYL

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39,45
Various - Sounds of Transonic EP

Various

Sounds of Transonic EP

12inchSAIS004
SAISEI
14.10.2022

SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004.

Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day.

The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer.

With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl.

SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

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11,72
Saint Abdullah & Eomac - Patience Of A Traitor

Tehran-born, NY based brothers Mohammad and Mehdi collaborate with Ian McDonnell, a.k.a. Eomac on a new record entitled "Patience of a Traitor". Inspired by the traditional bath houses in their native Tehran, the brothers say: "This record speaks to preserving the things that are timeless, through revisiting the past. The traditional Persian bath house — its architecture, the role it played in keeping, building community, the bathing rituals — served as our ultimate symbol. Now we drink from one cup, and fill the jar with the other."


Saint Abdullah is the moniker of Mohammad and Mehdi, New York based Iranian-Canadian brothers working across sound. Inspired by Iran’s religious, political and cultural history, the project was formed out of “a deep frustration with the way the West perceives – and treats – Muslims and the Islamic faith”. They aim to “challenge stereotypes and act as a conduit between unnecessary enemies”. They have released on labels such as Purple Tape Pedigree, Cassauna, Psychic Liberation, Important Records and Room40. Ian McDonnell, a.k.a.

Eomac, is a composer, producer, DJ and label owner. He has released genre-spanning music via The Trilogy Tapes, Stroboscopic Artefacts, Bedouin Records, Killekill, his own Eotrax imprint and the iconic label Planet Mu with his 2021 album, 'Cracks'. His music draws from obscure samples and raw sound design in an ongoing search for musical and collective unity through intense, visceral music for body and soul.

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20,13
OKRAA - 1994 LP

Despite the title sounding like an archive collection, 1994 is actually the debut album from OKRAA. It has an emphasis on live performance and makes for a gorgeously immersive and even evolving listen from the aways excellent A Strangely Isolated Place label. All four pieces are over with minutes but they are worthy of their playing time for the way so much unfolds in such engaging fashion. Synths are cold and innocent on 'Ola De Luz' while 'Heartless' is more textural, dark, heavy in its mood. The title track is another heavy and introspective one while 'Plasma' has a more optimistic feel that lifts the spirts.

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22,82
Danny Toeman - When The Lights Go Down

A vibrant and powerful performer, Danny Toeman seamlessly blends the classic vibes of Funk and Soul's golden age with his own inimitable London edge that modernises his work, giving it a fresh 'neo-vintage' flavour. 
 His gravel tones combined with an altitude-defying falsetto set him apart, creating a sound oozing with character and emotion. With his backing band 'The Love Explosion', Danny Toeman stages an electrifying show filled to the brim with feel-good funky soul, designed to make everyone get on up! Born in London, Danny was well acquainted with the Soul, Funk, and Rhythm and Blues of artists such as James Brown, Aretha Franklin, and Ray Charles from an early age, before graduating onto the hard hitting Souther Soul of artists like Wilson Pickett and Bobby Womack, and the refined uptown Philly Soul of artists like the O'Jays and the Spinners. A guitarist since the age of seven, and a singer before that, he grabbed any opportunity to perform his songs on stage for an audience. Danny Toeman truly set out to on his musical career after graduating University (where he won the regions official Battle of the Bands contest). Soon after, he was in demand as a supporting act for a number of great Soul artists, including Charles Bradley of Daptone, Michael Kiwanuka, Queen of Rare Groove Betty Wright, and 4-time Grammy winner Robert Cray. Around the same time, Danny's music reached a worldwide audience when a song of his was discovered on Soundcloud by scouts, and placed on the in-store playlists of Abercrombie & Fitch. Since then, his music has appeared in film and television shows around the world, most notably Saturday Night Live (NBC). Danny continued to perform nonstop around the UK, occasionally travelling to continental Europe for appearances. From 2019-2021, he hosted and promoted a series of headline shows at the famous Pizza Express Jazz Club, which garnered sold out crowds every night. The pinnacle of the support slots came in 2019, when Danny was chosen as the primary support act for Kool and the Gang at their o2 Arena show in London, in front of 10,000 spectators.

In Mid-2020, as the world was shutting down, Danny was approached by LRK Records to release his track 'She's Got Something About Her' on vinyl.

Within 3 months of release, the disc completely sold out due to demand, taking the European Soul Scene by storm. It garnered multiple radio plays, including from BBC 6 Music's Craig Charles, and veteran BBC DJ Robert Elms pronounced it 'his new favourite song'.

In 2022, Danny received his first spin on BBC Radio 2 for the single, 'Shake the Blues Outta Your Shoes', and was chosen out of thousands of competitors by industry professionals to act as the opening act for the legendary Diana Ross at one of her rare UK performances!

As the world starts to open up, Danny looks forward to releasing more new music, and taking his show across Europe and around the World.

Limited edition 45. Only 300 copies pressed.

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8,40
Julien Gasc - Re Eff LP

Julien Gasc

Re Eff LP

12inchCD002
Corps Double
16.09.2022

Originally Re Eff (pronounced Ri Èf) was a bunch of texts. One hundred and fifty pages that Julien Gasc wrote by trying his hand at the art of cut-up: a literary and political act of counter-fiction based on William Burroughs’s method. It was also Julien Gasc’s response to the isolation of 2020, while he was seeking refuge in the Southwest of France, with time as far as the eye could see, and a piano.

For a long while, it hadn’t been about songs, but about expressing the indescribable by cutting randomly from books and his own notes, attempting to fleetingly strike a balance, find a beauty, a happy accident. Incidentally, it was almost by accident, while recycling a piece that he’d composed for steel guitar pedal, that Julien Gasc sketched the first draft of “Ce soir les bouteilles dansent” (“Tonight the Bottles Are Dancing”). This was combined with a version of “Rosario Bléfari”, recorded on an inexpensive Casio synthesizer. These were Re Eff’s baby steps.

While everything was at a standstill, in stasis, Julien Gasc wanted to send a group message to some friends, to his family, a message from a confinee to those who weren’t answering, friend or foe, imaginary or otherwise. It was this collective recipient that he nicknamed Re Eff. The name comes from “re” (re-) and “effacer” (erase), words found during a cut-up and transformed into ri èf for added euphony, like a facetious grief (grievance, reproach in French) without the “g”.

Like its title, a kind of serious joke, the album is one long interplay between humour and gravitas, sense and nonsense, shadow and light, aiming to fully describe feelings in terms of their ambiguous and contradictory elements.

Through a return to regular piano practice, calm recovered at a holiday resort town, and literary experimentations, to which he added transcribed dreams, as in “La scie de la vision modern” (“The Saw of Modern Vision”), Julien Gasc composed ten demos on his computer. These demos were then rerecorded at Syd Kemp’s Haha Sound studio in London, in December 2021. The mix was completed there again, in February 2022, by Syd and Julian.

Play to play and write to write, those are the keywords of Re Eff, in which memories are freely combined (“À travers le regard de l’indienne” / “Through the Amazon’s Eyes”), the theme of enclosure and passion (“Amour velours” / “Velvet Love”), melodrama ("Délivrance"), and romantic novella (“Tout ne peut pas nécessairement donner quelque chose” / “Not Everything Leads to Something”). Music resolutely oriented towards the piano, towards bold and filmic harmonic movements that make a successful form of lyrical poetry possible. Because all in all, by singing about current events – his own and those of the world – in an elegiac tone, like bards, Julien Gasc was gradually transformed from pop singer into poet.

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11,77
FAXE - Time For Changes EP

We’re happy to announce the reissue of this italo club classic on 12″ vinyl. Written by Goomy aka Duke Lake aka Antonio Gabelli and produced by Alessandro Zanni and Stefano Cundari for the legendary Memory Records imprint back in 1983. This action-packed-track was one of those few italo disco productions that made it to the US airwaves with radio play on stations like WBMX. The original release was a double A-side while it mistakenly stated it had an instrumental version. This instrumental was nowhere to be found on the master tapes, so our in-house production duo Vanzetti & Sacco made one for the flip side after almost 30 years! Time for changes, time for love…

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13,66
Tacit Group - Tacit Group 2X12"

Tacit Group

Tacit Group 2X12"

2x12inchWESA001
Wesa
24.06.2022

Clear Vinyl

Tacit Group is an audio-visual group founded in 2008 with a vision of creating new art for the 21st century. Based in Seoul but working globally, the group comprises composer Jaeho Chang and electronic musician Gazaebal(Lee Jinwon).

With audio-visual art as its core content, Tacit Group has expanded in a contemporary and experimental way in multimedia performances, interactive installations, and music installations. Representative works such as ‘Hun-Min-Jeong-Ak,’ ‘Game Over,’ ‘Morse ㅋung ㅋung,’ combine a systematic worldview weaved through intuitive materials and technology inspired by normal everyday activities such as games and text chatting. In particular, works that utilize the beauty and communica- tion power of characters are among their most striking.

“It’s like wind chimes,” says Tacit Group’s Jeaho Chang. “The creator makes the pipes, but the wind makes the music.” He’s talking about the algorithmic music that Tacit Group creates. Jaeho and Gazaebal create audio/visual systems using code that the pair work within to unleash their utterly compelling AV performances, each show, each track, as unique as a snowflake. The pair met at Korea National University of Arts in 2006. Jaeho Chang was a media installation artist and composer who’d studied classical composition in Korea and electronic music at Den Haag’s Conservatoire. Gazaebal, who’d moved to the US as a teen, had worked at the renowned Quad group studios as a sound engineer, recording acts including Rage Against The Machine, Wu Tang and Janet Jackson. Returning to Korea, he had found success as a K-Pop producer, (founding the act Banana Girl, and writing their No.1 Korean hit ‘Shake Your Ass’) and DJing under the moniker Gazaebal, before deciding to go ‘back to school’ to learn to create more challenging music.
The quiet and reserved Jae and the more outgoing Gazaebal bonded over a shared vision, forming Tacit Group in 2008. And until recently, everything they have done has been through the medium of their globally acclaimed live shows, playing all over the world from Lincoln Center in NY, the Museum of Contemporary Art in Chicago, MMCA (National Museum of Modern and Contemporary Art) and Nam June Paik Art Center in Korea, Aarhus Festival in Denmark, Stereolux in France and NYU Abu Dhabi.

Each show an utterly unique and compelling event, a synthesis of music and visual art that has echoes of the concept of synesthesia: “we love the idea that the audience can ‘see’ the music.” says Gazaebal, “the way that you can hear a painting like Edvard Munch’s ‘The Scream’.” The frameworks and systems are created in advance using code such as C++ and max/M- SP(sometimes combined with analog and modular synthesizers), often growing out a of a simple idea (one of their first composi- tions, ‘Game Over’ explored the idea of a Tetris gameplay as a musical score) while on stage the pair react to the audience, creating new inputs and variables that can lead the performance in ways that are unexpected and even self sustaining - some of their installations could in theory continue to evolve and run on into infinity.

For Tacit Group, the process is as important as the outcome, and every bit as fascinating for the audience, who’ve been known to react like the crowd at a rock band gig to tracks / installations like ‘Hun-Min-Jeong-Ak’ which sees abstract geometric shapes based on the Korean alphabet evolve (through the process of live text interchanges between the pair) to become almost an immersive call and response.With that in mind, the duo have long been reluctant to commit to the idea of releasing via a ‘fixed medium’ it was actually the release of an acclaimed (and beautifully designed) book Tacit.print0_Anthology that convinced them to share their work more widely through an album.

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20,13
DJ Oji - Cranes In The Sky EP

Limited Edition - Transparent Blue Vinyl

‘Cranes In The Sky,’ was originally written by Beyonce’s baby sister Solange alongside Raphael Saadiq, for her album back in 2016 that was cited by Rolling Stone as one of the most important 500 records of all time. The words exploring a fearless journey inward, pulling up the root of a problem, and the first glimpse of blue sky after the storm has passed.

Fast forward to 2022 - Ross Allen and Andy Thompson’s Foundation Music Productions enlist the expertise of Baltimore club legend, Dj Oji, together with Tracy Hamlin (Pieces Of A Dream), to take Solange’s breakout delivery to the dancefloor. Soulful vocals will heal you, while the mid-tempo moments will mellow the masses, and UK Funky grooves will keep the shuffle moving along way into the early hours. Three remixes come in the form of the ethereal DJ Pope Funkhut Reprise, a signature Joe Goddard groover and the Star One. KDA. Meltdown Dub.


Press:

Gazza Premiere

House Salad Music Premiere

Madoras Premiere

Music Is 4 Lovers Review

Le Visiteur Review

Hot House Picks

Faith In The Defected Basement - Livestream play


DJ Feedback:

FRANCOIS K
Yes! I played the vocal version the other day again.

KAI ALCE
Dope re-interpretation from Baltimore stalwarts OJI, POPE & Tracy!

GREG WILSON
What's not to like? Love the orig Solange jam!

DANNY KRIVIT
Nice, I like a lot of DJ Oji.

SOUL CLAP/ ELI GOLDSTEIN
Fire right here

DAZ I KUE/ BUGZ IN THE ATTIC
Yea I love this one…cool vibes.

THATMANMONKZ
Oh yeah, love the Solange original, and I’m a big Oji fan! That reprise version might come in very useful for the right set!

TERRY FARLEY/ FAITH
Got to be contender for single of the month with that story x

HOT TODDY
Simply beautiful.

CRAIG SMITH/ 6TH BOROUGH PROJECT
Loved the original of this from Solange a few years back, this is a real nice interpretation of it. Liking the reprise and Dub, handy tools

CHARLES WEBSTER
Nice soulful groover. Like this.

FISH GOO DEEP/ GREG DOWLING
Lovely re imagining of one of my favourite tracks of all time

FRANK BOOKER
Love this package. Reprise mix is the one for me. Very cool!

NICK V/ LA MONA
Thanks a lot I actually prefer the dub version :)

JIMPSTER/ FREERANGE
Killer groove on this and really nice to hear a housed up version of Cranes which is such a stunning song in it’s OG form. Def something I’d like to play out.

FELIX JOY/ SWU.FM
Yes ! I flippin love a good reprise mix and this one is doing it for me. Love the original version by Solange and this is a really great rework!

STEVE PARRY / FOR SASHA
Really Smoove love it.

GROOVE ARMADA/ TOM FINDLAY
THIS IS LOVELY!!

RALPH SESSION/ HALF ASSED RECORDS
Wow the dubstrumental really gives it new life.

QUENTIN HARRIS
I love this package.

GRAME PARK/ THE HACIENDA
This is tremendous

HECTOR ROMERO/ DEF MIX
Good to see this one got picked up. I’ve played this a few times since 2018 but will get it back in rotation. Glad to see this song is getting some traction. I look forward to the unreleased versions.

ANDY BUCHAN
What a sun-dappled slice of beauty! Full support on this, what a gorgeous EP. And those drums are ace, really propulsive.

DANIELLE MOORE/ CRAZY P
Yeah I really like this. I mean I love the original but theres something quite interesting about this. Nice yeah x

MARC MEISNERE/ SOL POWER SOUND
Yes please! Can’t wait to play this one!

STEFANO TUCCI/ HELL YEAH
This is one of the best best vocal of recent times, I love It, the crescendo towards half of the track is nothing but gorgeous!

TREVOR FING/ GRAFITTI KINGS
Love these remixes.

MAX P/ HELL YEAH
Yeah, full pack is what I needed !

HORSE MEAT DISCO/ SEVERINO
Really into this!

SEAN JOHNSTON/ ALFOS
I wouldn't play it, but it's a beautiful piece of work

GRAEME PARK/ THE HACIENDA
I’m gonna enjoy playing this its lovely.

NICK V/ LA MONA
Thanks a lot I actually prefer the dub version :)

TREVOR FUNG/ GRAFITTI KINGS
Love this !!

QUENTIN HARRIS
Being a fan of the Original I love everything about this.

ALAN DIXON/ MIDNIGHT MAGIC
Killer!!!!

DAVE JARVIS/ FAITH
This is amazing! Absolutely love xx

NICK V/ LA MONA
This is a fantastic track!

MAX P/ HELL YEAH
Oh yeaahhhh

RICK GILL/ OUTLAWS YACHT CLUB
Beautiful soulful house. Quality production and top draw vocals.

MICKEY JUKES/ 1BTN
Ooof! Such a strong record to step to but i love this. Classy production, vocals are killer. All round winner!

TOMMY TURBO JAZZ/ JAXX MEDICINE
I was a fan of the OG but I really needed this cut!!

RUSSELL FORMAN/ PIKES/ HARRYS KEBABS
This is great .... I'm writing an article on the Coney Island Boardwalk house parties atm.

JIM LISTER/ 1BTN
Loving the reprise and the dub!I'm a big fan of the Solange original, so it's nice to hear a new angle on it

CHRIS DE BEURRE/ THE EAGLE
Gorgeous vocal! And such a deep production - really like this! Infectious x

DAIRMONT/ ROOM WITH A VIEW
Amazing track. Loving it!

STEVE PARRY/ FOR SASHA
Beautiful super smooth.

LES CROASDAILE/ FREIGHT ISLAND
Tune this, reminds of Southport weekender!

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12,82
E. Lundquist - Multiple Images LP

Piano, synthesizer enthusiast, composer, and arranger, Eric Borders aka Captain Supernova, makes first release under new moniker, E. Lundquist. Pushing the boundaries of funk fusion, it’s as much 70s library music, as it is Pink Floyd and The Flaming Lips at times. It often feels as if the planet is going to unfold.

Borders, born and raised on the westside of Los Angeles, is known for his cinematic and cosmic compositions that push jazz into a different time and space. ‘Multiple Images’, the debut release as E. Lundquist, is the composer's first attempt at making a Library Style record. A genre that lends itself well to the Sci-Fi and Jazz Fusion vibes that Borders has been known for in the past. The music often plays as if it is the soundtrack to something happening both simultaneously in and out of this universe.

“As we finished the record it sort of evolved from a library piece into a full fledged album with a mix of different inspirations from blaxploitation, 70s funk, soundtrack, themes, cinematic, and contemporary jazz-funk. It only felt right to break away from the fictional character and give this music a composer name as if you read it on the back of a KPM record. Then E. Lundquist was born.”

The new name pays homage to old family bloodlines, and is the last name of his biological grandfather. While Eric Borders was his given name, Borders has no actual blood relation to his family, it was the name his father had adopted from his Step-grandfather. The name of the album “Multiple Images” is an ode to one of Lundquist’s favorite Library tracks by Brian Bennett “Images”.

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25,17
Harald Björk - Lust

One of my first record releases was on Traum Schallplatten in 2007. I was living in Berlin and Traum was at its peak launching acts like Extrawelt, Dominik Eulberg, Gabriel Anada, Minilogue, Fairmont… The era of melodic minimal…

The release of Luftlust hit the big DJ's like Sven Väth etc. And I was truly overwhelmed by the support. But the version on the 12" was actually pitched up 5 BPM. And in the end the mastering was not in my personal preference. Watering my feel of it, once or twice a year people actually ask me to do a remaster. Over the years it has been a track circulating the web and playlists, haunting me.

Last year I dug in the past and actually wrote a masters exam in philosophy about being a youngster in the techno scene and how to keep up creativity while working with record labels. Somewhere in that process I decided to face the old ghost and make it happen. Time was ready for the re-release of Luftlust, on my terms on my own label Kranglan Broadcast.

Justus Köhncke Remix
For a time frame of a decade I have asked Kompakt veteran and Whirlpool Productions legend Justus Köhncke to do a remix on my Kranglan imprint. Herr Köhncke to me (and to everyone who has followed Kompakt) is one of a kind! A punk soul, dead serious while smiling, always putting hooks and fragments out of music history on Kompakt sound plates with precise grace… The last years he have replied he's been busy in the studio with Can member Irmin Schmidt, working on soundtracks but... suddenly one day when I wrote the man he said "I love Luftlust, send me the stems".

Listening to Justus interpretation I was blown away… like riding a cabrio through the German landscape of fields and deciduous forests a sunny day in late May! And wait for that outro bridge at 5:56! Like being hugged by the warm mother autumn.

Özgur Can Remix
Anjuna Deep cofounder Özgur Can and I have known each other since high school. Özgur was the first DJ I ever booked to one of my early raves in the forests of Nacka. From releasing our first records with our common buddy Petter on Peter Van Halls label 'Deep' we have walked a parallel path in life, Özgur with a wider span of releases and 100's of nights at sweaty dance floors. No one does the deep driven heartfull arpeggios like Özgur. They swell and they swirl. A true Music lover and true talent!

Lust
Time has flewn since 2007, and that winter break in Barcelona 2006 hanging out with James Holden and the Border gang at Razmataz… the weekend when I actually started working on Luftlust…

Working on a re-release of Luftlust I just got hit by lust to work a version of it from the position where I am at, the 2021 me. I went with lust and it just happened a late summer night in Stockholm being by myself for a brief moment doing what I love the most, making music.

Luftlust Original 120BPM Version
And at last the never released original version of the title track. Correct tempo as it was written. Mastered by Andreas Lubich aka Lupo, the very person to master this type of music if you take a brief glimpse at his back folder! Finally!

I love this project, and I love making it happen at Kranglan Broadcast. Bringing together thoughts and people you have thought of bringing together for a long time. Lust KLN014 is here.

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Alex Kassian - Leave Your Life

For our fifth release, P&f Recordings is pleased to welcome Berlin-based musician, producer, and DJ, Alex Kassian.

Over the past few years, Kassian has made a name for himself in Berlin and beyond as a solo act, as well as with his project Opal Sunn, via a clutch of well received, dancefloor-focused 12s. But on our first release of 2021, Kassian swaps the techy pulse of the German capital for a sound that’s altogether more melodic and atmospheric.

Side A kicks off with 'Leave Your Life (Lonely Hearts Mix)' which began as a way for the producer to realize some of his early—and so far unrequited—dreams of playing in a rock band.

Next up he delivers 'Leave Your Life (Dance Mix)', which ups the energy and echoes some of the production that made the musician’s 'Oolong Trance' (Love on the Rocks) one of 2020’s best club tunes.

On the flip, the gorgeous 'Spirit of Eden' unfurls like a lost Lyle Mays classic, but with a mesmerizing loop that keeps the song’s feet placed firmly on the dancefloor.

Concluding the EP is a bass-heavy remix from none other than U.S. dub legend Bill Laswell. 'Eden’s' melodic focus is underpinned by a propulsive groove and filtered through Laswell's trademark sonic dynamics.

The EP, comes packaged in a full-color jacket from Parisian artist Alexis Jamet with OBI strip.

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Various - Nervous Records 30 Years (Part 2) 4x12"
 
17
also available

Black Vinyl[33,57 €]


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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Placid Angles - Touch The Earth 3x12"

Placid Angles

Touch The Earth 3x12"

3x12inchFIGURELP07
Figure
29.03.2021

When the first Placid Angels album dropped in 1997, John Beltran was already an established force within dance music’s then-emerging scene. He had a knack for both the melodic side as well as intricately designed rhythmic programming. A signature style that went for his early records in the 1990s as much as it does for this new installment of the Placid Angles series. The blissful synths, Aphex Twin-era IDM and loose percussive patterns take you right back to where it all began when genres didn’t mean anything and Beltran was just starting out to experiment with any sound that would elevate your consciousness. The Michigan-born artist since has spanned a career of nearly four decades, remaining relevant all the while, by playing the music he found himself most drawn to express. By working with artists like Detroit veteran Carl Craig, labels such as R&S or more recently his LPs for Delsin or his joint work with Four Tet. Whether it be his more Techno-leaning or New Wave-inspired works, his takes on Ambient, or the more Latin-influenced productions - he has always stayed active and re-invented himself while painting his records with a clearly own palette that is full of beautiful melodies and a timeless sound-design. The album Touch The Earth itself comes as diverse as the artist’s own legacy, ranging from skittish, colorful UKG to proper pulsing sub-basslines as it progresses deeper into intelligent drum programming and further into the melodic ventures of what’s at the core of Beltran’s work.

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Caiphus Semenya - Streams Today… Rivers Tomorrow

Caiphus Semenya, AKA Mr Letta Mbulu, is a South African legend and Streams Today… Rivers Tomorrow, his second solo LP, is perfect. A ten out-of ten album if ever we heard one. It’s also incredibly rare, especially in good condition, so Be With is delighted to present this reissue.

Now a revered composer, musician, and arranger, Caiphus left apartheid South Africa in the 60s for self-imposed exile in Southern California together with his wife, Letta Mbulu. Settling in Los Angeles he started working with the likes of Hugh Masekela and Miriam Makeba and other exiled and semi-exiled South african artists, as well as, of course, his wife Letta.

Caiphus also found himself working with and composing for a broad range of jazz and pop artists, including Lou Rawls, Nina Simone and Cannonball Adderley. His facility with both jazz and African forms served him well. His LA stay also the beginning of an ongoing collaboration with Quincy Jones, the fruits of which can be tasted in Caiphus’s African compositions for the scores to Roots and Spielberg’s adaptation of The Color Purple.

Originally released in 1984, Streams Today… Rivers Tomorrow is not just a musical masterpiece, it is also the soundtrack to the life of many South Africans - both then and now. Fusing the US-heavy sounds of boogie, disco and funk with Afrobeat and traditional African elements, it’s truly a spectacular listen. Jabu Nkosi handles keyboards on the album, with synths by Caiphus and Craig Harris. Sipho Gumede is on bass and Condry Ziqubu is on guitars.

The Afro-Cuban grooves of “Mamase” open the record. Continuing where Listen To The Wind left off, this is another horn-heavy call-and-response ode to a positive life. Life as an invitation to party, to take part, to “get involved”. But only if you’re willing to let in the transcendent power of music. “There’s gonna be a Mardi Gras, there’s gonna be a carnival; there’s gonna be a jamboree, there’s gonna be a bacchanal”. Who can resist that? Vibrations everywhere.

It’s followed by the joy of “Aida”. Gleeful, dayglow keys and synths *just* on the right side of mid-80s sleaze are accompanied by a killer bassline, slick, skipping drums and proud horns. Infectious funk.

The tempo is taken down a few notches for the powerful “Nomalanga” and the lamentations of a heartbroken man who must leave his wife Nomalanga and their children to join the fight against apartheid. It’s an emotional song, no question, but it doesn’t bring you down. The uplifting music and optimistic vocal delivery from Caiphus and his backing singers in the second half offer hope.

Breezy drums and contemplative keys act as a backdrop for the stunning backing vocal harmonies in the intro of “Moshanyana”. This gives way to stuttering beats, a bassline to die for and Caiphus giving it his all, over guitars, marimba and synth strings. Another slo-mo winner.

Side two opens with “Dial Your Number”, an uptempo English-language boogie-funk workout, complete with mid-song cutaway to a random telephone call. Whether or not this propels the song into “key track” status, we’ll let you decide.

What’s not up for debate is the brilliance of “Matswale”. This was a hit in South Africa in the mid-80s and you can still hear why. It might just be our favourite Caiphus hit. Wow. This is some damn fine breezy, beautiful, emotional pop. The restrained playing, the guitar licks and the gentle keys are out of this world. The beats? Thundering, direct and slick. The singing? It’ll give you goosebumps. As for the sentiment? This is Caiphus singing to his in-laws about their daughter’s adultery, begging them to intervene and help him save his marriage. Not your typical pop single story-telling!

The ferocious “Ndi-Kulindile” closes the set with a nod to the coming sound of the States. The hard-edged, electro-influenced drum patterns and bouncing, elastic bassline are something of a departure from the album’s predominant sound, yet one wonderful constant, Caiphus’s exceptional delivery and his sparring with his backing vocalists, is satisfyingly present and warmly deployed.

With Simon Francis handling the mastering of this Be With edition, you know it sounds as fantastic as ever. The stunning sleeve has been restored, with its painting of a dream-like cosmic vista, as a lone figure takes in a scene that’s part distant planet, part urban sprawl. One listen and you’ll be transported.


Caiphus Semenya, AKA Mr Letta Mbulu, is a South African legend and Streams Today… Rivers Tomorrow, his second solo LP, is perfect. A ten out-of ten album if ever we heard one. It’s also incredibly rare, especially in good condition, so Be With is delighted to present this reissue.

Originally released in 1984, Streams Today… Rivers Tomorrow is not just a musical masterpiece, it is also the soundtrack to the life of many South Africans - both then and now. Fusing the US-heavy sounds of boogie, disco and funk with Afrobeat and traditional African elements, it’s truly a spectacular listen. Jabu Nkosi handles keyboards on the album, with synths by Caiphus and Craig Harris. Sipho Gumede is on bass and Condry Ziqubu is on guitars.

One listen and you’ll be transported.

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ASOK - MISTRESS 14

ASOK

MISTRESS 14

12inchMISTRESS014
Mistress Recordings
27.02.2020

The Liverpool-based DJ and producer ASOK returns to DVS1's Mistress Recordings with his most diversified EP yet: "Mistress 14" unfolds ASOK's raw, analog-heavy sound aesthetic full of broken kick drum patterns, stepping basslines, and lush synths.



With 25 years of record collecting, DJing, and promoting parties around the UK, there is little of the dance music spectrum that Stu Robinson has not been involved with. The Liverpool-based artist has amassed a fine understanding of a wide array of scenes, styles and sounds from drum & bass to electro-funk, disco to house and techno – underpinned by a love of breakbeat. The music under his alias ASOK is an amalgamation of this diversity that has found favor with labels like M>O>S, Lobster Theremin, Crème Organization, and Mistress Recordings.



"Mistress 14" opens with "Space Rockets" which is a nod to his breakier love affairs without using actual breakbeats. While second track "Is Anyone" displays his take on classic Chicago House with a little Roland JD-800 euphoria thrown in. On the flip, "Last Refuge" explores driving, rhythmical techno with ASOK's typical ravey pad-like break in the middle until "The Alchemist" closes the 12-inch by laying more focus on melody and texture with a growing, always changing bassline and an ethereal synth that carries the track's energy. The digital bonus track "Apano Sin" concludes the package with a scruffy somewhere in between everything vibe.



ASOK about Mistress 14:



"Mistress 14 is probably the most important EP I have ever made in terms of showing all the different things I am into. I’m difficult to pin down because I’m not really a techno DJ, or a house DJ, or anything like that. I like all forms of electronic dance music. As a DJ, I mix up old and new, familiar with unfamiliar, playing everything from Italo disco to really dark high-bpm breakbeat. As a producer, it’s not easy to put an EP together that covers a little of everything, yet still sounds cohesive. Especially considering that all my tracks were recorded in long live takes, then edited down with no ability to change parts. Sometimes that requires some pretty heavy editing, but that’s one of the good things you get when making music this way. I’m in control of the creative process, rather than feeling like some kind of colored block administrator drawing blocks out on arrangement view of my computer."

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RICHENEL - PERFECT STRANGER LP

Music From Memory return with a further six tracks from Dutch musician Richenel. Continuing with recordings taken from his debut album 'La Diferencia', originally released in 1982 on the cult Amsterdam cassette only label Fetisj, the tracks on Music From Memory's second EP 'Perfect Stranger' includes alternate takes drawn from Richenel's personal copy of the album alongside a further composition which didn't make it onto the original Fetisj cassette.
.
Studying set and costume design whilst making a name for himself as a singer and performer in Amsterdam's underground clubs, Richenel played with several disco acts and cultivated an extravagant cross-gender stage persona before connecting with members of the local label. Hooking up through their time together at the Rietveld art academy in Amsterdam, Fetisj was an experimental multi media collective which revolved around a loose mix of various young artists and musicians. Having developed a house band with artists going by a number of different pseudonyms the label set up their own small makeshift studio and would produce and sell the cassettes through their distribution network and at events across the city. Recorded amongst the turmoiled punk and squatter scene of Amsterdam against a backdrop of drugs and social unrest, the 'La Diferencia' sessions reflect a unique mix of punk aesthetics with a synthesized bedroom funkiness.

A somewhat illustrious figure in Dutch pop history with his flamboyant appearance as well as having one of the more exceptional male voices to come out of the country, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. This largely unknown album on Fetisj however, seems to embody the spirit of another time; a particularly unique and richly creative moment in Amsterdam's musical and cultural history and one that is deserving of a much wider audience.

'Perfect Stranger' is co-compiled by Orpheu De Jong

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