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Including soundtracks of : TwinBee / Stinger / Twinbee 3: Poko Poko Daimaō

Including soundtracks of : Castlevania / Castlevania II: Simon's Quest / Moai kun / Akumajō Special: Boku Dracula-kun!

Including soundtracks of : Castlevania III: Dracula's Curse / QUARTH

Including soundtracks of : LAGRANGE POINT / Falsion

Including soundtracks of : ESPER DREAM / ESPER DREAM 2

Including soundtracks of : Ganbare Goemon Gaiden: Kieta Ōgon Kiseru / Ganbare Goemon Gaiden 2: Tenka no Zaiho

Including soundtracks of : Meikyū Jiin Dababa / Exciting Billiard / GetsuFumaDen: Undying Moon / Arumana no Kiseki

Including soundtracks of : Parodius / Yume Penguin Monogatari / Crisis Force

Including soundtracks of : Crackout / Exciting Soccer: Konami Cup / The Adventures of Bayou Billy / Yie Ar Kung-Fu / Knightmare II: The Maze of Galious / Bio Miracle Bokutte Upa

Auf BLIP teilt Rapper NAHreally witzige Alltagsbeobeachtungen zu luftig-melodischen Beats von The Expert. Für das originelle, unprätentiös unterhaltsame Album wird das Duo von Open Mike Eagle, Hemlock Ernst (aka Samuel T. Herring/Future Islands), Dillon (Full Plate) und Jesse The Tree (Strange Famous Rec.) begleitet. BLIP markiert einen Kollabo-Hattrick für The Expert. Das letztjährige RITUAL mit Stik Figa zählt zu den besten Hip-Hop Alben 2023 und erhielt auch Probs von Chuck D./Public Enemy. Davor begann The Expert mit Jermiside und THE OVERVIEW EFFECT eine Reihe psychedelischer Hip-Hop-Platten. Für Rapper NAHreally ist BLIP das Vinyldebüt nach diversen digitalen Tapes.

Milky Clear Vinyl

Driven by lust-fueled limerence and drifting far from conformity, Butterflies Don't Go Away captures Majesty Crush's transient, yet subversive mark on the landscape of American shoegaze to come. Tracked between 1991-1995, the quartet reimagined the collapse of the American rust belt as a late-night, nail biting fever dream/revenge fantasy. This deluxe 2xLP compiles their Love 15 album, singles, EPs, and rarities, all remastered from the original tapes, with thorough annotation and visual documentation in a 24-page booklet. An immortal transcendence if there ever was one.

Diese strikt limitierte Schallplatte beinhaltet Live Broadcasts aus den 80er und 90er Jahren des englischen Rock-Superstars Mick Jagger (Rolling
Stones). Inklusive allen Alltime-Klassikern und raren Songs. Limitierte Auflage, Originalaufnahmen, pinkes Vinyl.

Diese strikt limitierte Schallplatte beinhaltet Live Broadcasts aus den 80er und 90er Jahren des englischen Superstars und The Beatles Musikers Paul
McCartney. Inklusive allen Alltime-Klassikern sowie raren Songs. Limitierte Auflage, Originalaufnahmen, gelbes Vinyl.

Debut album from Italian trio of Gabriele Mitelli, Pasquale Mirra, and Cristiano Calcagnile, longstanding members of the Italian jazz community who over the past ten years have collaborated in various formations with the likes of Rob Mazurek, Jeff Parker, Alexander Hawkins, Damon Locks, Danilo Gallo, Chad Taylor and many others.

The Elephant was first formed in 2017 with one of their first performance at the Venice Biennale, within the French Pavilion as part of the opera set up by Xavier Veilhan. Since then the trio has continued to work together across different projects but never made enough time to record a full project.

This changed in 2023 and In The Room presents the trio's vision for jazz with an intimate collection of musical polaroids that reflect the expressiveness and potentiality of the music they love.

The album features vocals from Cristina Donà, Damon Locks, and Rob Mazurek.

RECORDED LIVE AT MAISON DE LA RADIO, STUDIO 105 PARIS ON MARCH 2ND 1993.

FEATURING EXCLUSIVE LIVE VERSIONS OF TRACKS FROM ACROSS THE BAND’S CAREER UP TO THAT POINT. A CLASSIC, FAN-FAVOURITE SESSION, REMASTERED FROM THE ORIGINAL TAPES.

ON COLOURED VINYL! NEVER BEFORE RELEASED!

Recorded in Paris – nine urgent Dinosaur Jr classics performed at arguably the band’s 90s peak as a live outfit. Produced in conjunction with the band and INA, France. A companion piece to 2022’s best-selling ‘Seventytwohundredseconds’ MTV EP

An expanded 3-LP edition of Sonny Rollins’ essential and legendary live trio album A Night At The Village Vanguard: The Complete Masters is added to Blue Note’s acclaimed audiophile vinyl series in Q1, mastered for the very first time from the original tapes. (The first release and subsequent reissues were made from a tape transfer.) This deluxe tri-fold edition includes a plethora of great editorial, including a new interview with Rollins in conversation with Blue Note President Don Was.

“As we began to prepare for this album, I made my customary call to Capitol tape vault archivist Jack Arenas to inquire about the analog master tapes. Naturally, I assumed there would be a set of Rudy Van Gelder assembled 15ips analog masters of all the material. Indeed, there was, but then Jack said something that caught my ear. ‘Now there are these other tapes, but they haven’t been assembled, and they are all recorded at 7.5ips.’ I sat straight up and probably looked a bit like the mind-blown emoji. With this issue of Sonny Rollins ‘A Night At The Village Vanguard: The Complete Masters’ we are finally able to hear the actual masters that were recorded that afternoon and evening.” — Joe Harley

After achieving some decent notoriety, and not only in Italy, as an electro-pop duo (thanks mainly to the single 'Short Wave, a small 'classic' in the early years of that decade), between January 1982 and March 1983 Ruins morphed into a new five members line-up. With this fresh option, Ruins restructured the previous repertoire and produced entirely new material.

The original 4 track recording had remained largely unpublished at the time and seemed irretrievably lost. However, thanks to persistent research and with the aid of modern technology, they have been brilliantly recovered from the archives and are now available in this collection aptly titled “BRAIN FLAKES (The Lost Combo Tapes)“, bringing to light the 'explosive' blend of prog, funk, new wave, and electro-pop, that such short-lived lineup managed to create in just over a year of activity.

Yuko Kureyama returns to TAL with the album Heart Fresh, her first ever full length release under her Kopy moniker. All tracks for the album were recorded in Tokyo in June 2023 at the famous live house Ochiai Soup. For the recordings of the ten tracks, Ochiai Soup was swiftly converted into a recording studio as the intimate atmosphere of the club and its perfect room acoustics gave Kopy the chance to record her music like in a live situation.

Amazingly Kopy‘s instrumentation on Heart Fresh consists only of a Jomox x Base 09 rhythm machine and an Elektron Digitakt mini sampler. In the hands of Kopy this fairly basic and common gear creates an unmistakeably intuitive and original approach to drum programming, which is recognizably her very own.

Due to extensive live playing in the past two years, Kopy has garnered a lot of admiration for her consistently unpredictable and fearless club performances and has easily become one of the most exciting and inventive live acts from the ever vibrating electronic music scene in Japan.

However, Heart Fresh seems even more focused, urgent and ambitious than its predecessors, the Paredo EP (TAL12 including a remix by Lena Willikens), the Eternal EP (TAL 24 featuring a remix by Elena Colombi) and the split album Super Mild (TAL15). Nothing on Heart Fresh is subdued. The entire production is resonating with its peculiar frequencies, it is wonderfully evocative, open hearted, full of life and intelligence.

The album opens with Night Sarkas with quirky snare rolls played against slashing, nervy chunks of melody. Samples of organ and chimes evoke an rollercoaster spinning out of tune and synch. Hole Hole is a beat driven and melody free short story for bass drum, snare and hi hat with constantly changing bpm‘s. Tir Tone marks the arrival of annunciatory rhythm patterns and a lovely sprinkling of distorted synths. The album's final track Moonlight Pool is the perfect closer for an album of taut, free wheeling figurations of meter and tone, a nod to classical ambient music as well as to contemporary more experimental digressions.

However, the album’s most startling and unexpected moments come when Kopy follows her futuristic inclinations and matches them with dissonant excoriations that shuttle the mind into a completely different place where all kinds of different activities seem to follow their own individual compasses. Imagine to walk down the noisy streets in Tokyo and you hear all kinds of different sounds infiltrating your ears independently from different sources and directions. In that sense Heart Fresh is the most appropriate soundtrack we can imagine for the contemporary era.

"After releasing three studio albums and lots of touring, Blue Öyster Cult released their first live album On Your Feet or on Your Knees in 197The album is a collection of 12 live recordings from performances that took place in the United States in 197It includes three songs from each of their first three albums, an original instrumental track, and two covers: “I Ain’t Got You” (Billy Boy Arnold, The Yardbirds) and “Born to Be Wild” (Steppenwolf). It was their first gold record in the US and became the band's highest-charting album, which put the band forever on the map as one of the essential rock live bands. On Your Feet or on Your Knees is available as a limited edition of 1500 individually numbered copies on silver & black marbled vinyl, housed in a gatefold sleeve and includes a 4-page booklet. "

On Your Feet Or On Your Knees by Blue Oyster Cult, released 29 March 2024, includes the following tracks: "Hot Rails to Hell", "Seven Screaming Dizbusters" and more.

This version of On Your Feet Or On Your Knees comes as a 2xLP in a(n) Gatefold Sleeve packaging. This release comes with (a) Booklet.

The vinyl is pressed as a marble, silver & black disc. Another vinyl is pressed as a marble, silver & black disc.

"Humble Pie was formed by ex- band member of the Small Faces' Steve Marriott, former Spooky Tooth's Greg Ridley, Peter Frampton, and Jerry Shirley. The supergroup recorded eleven studio albums in total, including the 1970 self-titled album. They recorded it with producer Glyn Johns, who worked with many of the most famous rock artists including the Rolling Stones, the Beatles, Led Zeppelin, the Who and many more. The material was darker than their previous two albums and includes Peter Frampton's gentle ""Earth and Water Song"", a cover of ""I'm Ready"" originally by Willie Dixon, and ""One Eyed Trouser-Snake Rumba"". The front cover features artwork by English illustrator-author Aubrey Beardsley, who is known for his Japanese woodblock influenced grotesque and erotic illustrations. Humble Pie is available in its original gatefold sleeve. "

Humble Pie by Humble Pie, released 29 March 2024, includes the following tracks: "One Eyed Trouser-Snake Rumba", "I'm Ready", "Red Light Mamma, Red Hot!" and more.

This version of Humble Pie comes as a 1xLP in a(n) Gatefold Sleeve packaging.

"I Oughtta Give You a Shot in the Head for Making Me Live in This Dump is the debut studio album by American alternative rock band Shivaree. The album was originally released in 1999 and featured their big hit “Goodnight Moon”, which featured in the tv-series Dawson’s Creek and the films Kill Bill: Volume 2 and Silver Linings Playbook. The album spawned a second single, “Bossa Nova”. I Oughtta Give You a Shot in the Head for Making Me Live in This Dump celebrates its 25th anniversary and is therefore available on vinyl for the first time and includes an insert. "

I Oughtta Give You A Shot In The Head For Making Me Live In This Dump by Shivaree, released 29 March 2024, includes the following tracks: "Daring Lousy Guy", "Oh, No", "Goodnight Moon", "Pimp" and more.

This version of I Oughtta Give You A Shot In The Head For Making Me Live In This Dump comes as a 1xLP. This release comes with (a) Insert(s).

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.


Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

In Menstrual Night was recorded in 1985 by Current 93, who could never be: David Michael Tibet, Hilmar Örn Hilmarsson, Steven Stapleton, Diana Rogerson, John Balance, Ruby Tathata Wallis, Keiko Yoshida, Rose McDowall and Bee. The album was mixed by Steven Stapleton, and was originally released as a picture disc on United Dairies / Maldoror (UD022/M) in 1985.

Primitive Love is the ninth studio album by Miami Sound Machine, originally released in August 1985. The album has sold over six million copies worldwide. Primitive Love was the band’s first appearance on the American albums chart, reaching #21 on the Billboard 200. The album ended the year on the 1986 Billboard Year End Charts at #10. It spawned 4 hit singles; “Words Get In The Way”, “Conga”, “Bad Boy” & “Falling In Love (Uh-Oh)”.

Primitive Love is available as a limited edition of
individually numbered copies on red coloured vinyl. 1000

Black Truffle is thrilled to announce a major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt’s cult 1978 animation Asparagus. Best known to some listeners for introducing Europe to the Moog synthesizer as a founding member of Musica Elettronica Viva in Rome, Teitelbaum’s extensive and radically experimental body of work includes collaborative recordings with master improvisers like Anthony Braxton, Andrew Cyrille and George Lewis, intercultural experiments combining electronics with non-Western instruments such as the shakuhachi, works for computer controlled piano, and large-scale multi-media operas. Recorded at York University, Toronto in 1975–1976, ‘Asparagus (European Version)’ sprawls across both sides of the first LP. Discovered by composer Matt Sargent in Teitelbaum’s tape archive, this is a previously unheard major work for Moog modular and Polymoog synthesizers, unique in Teitelbaum’s oeuvre for its lushness and gently melodic quality. The music unfolds slowly, submerging lyrical melodies and burbling arpeggios into uneasy, glacially shifting harmonic swells, the luscious texture thickened with subtle changes of modulation and phase, calling up the shifting layers of Costin Miereanu’s classic Derives or the kosmische Musik tradition more than any academic synthesizer exercise. Teitelbaum incorporated much of this material into his soundtrack for Suzan Pitt’s Asparagus, which receives its first official release here. Asparagus, famously paired with David Lynch’s Eraserhead for a two-year run of midnight screenings at New York’s Waverly Theatre, uses hand-drawn and stop animation to unfurl an oneiric succession of images, beginning with a sequence in which the female protagonist defecates two stalks of asparagus, which multiply and float out of the toilet bowl to form the letters of the title. Teitelbaum’s soundtrack interweaves delicate drifting tones from the ‘European Version’ with contributions from Steve Lacy and Steve Potts on saxophones, George Lewis on trombone and Takehisa Kosugi on violin. Edited closely to the film, even without images the soundtrack proposes a surreal journey through floating synth tones, squealing horns, propulsive arpeggios, distant chatter, and an old-timey waltz. The final side of the set presents a new realisation of Teitelbaum’s text score ‘Threshold Music’, performed at a memorial concert at Roulette, New York in 2022 by Leila Bourreuil (cello), Alvin Curran (sampler and objects), Daniel Fishkin (daxophone), Miguel Frasconi (glass objects) and Matt Sargent (lap steel). The piece asks musicians to match their instrumental volume to that of the sounds of the environment in which they play, sometimes with the addition of recorded environmental sounds, reinforcing frequencies they encounter in listening deeply to their surroundings. Here the players use a field recording taken at Teitelbaum’s home in Bearsville, New York, their long tones and shimmering, glassy textures delicately emerging from the white noise of the location recording. Released with the full approval of both Richard Teitelbaum and Suzan Pitt’s estates, Asparagus is illustrated with striking images from Pitt’s film and accompanied by detailed liner notes by Francis Plagne. These previously unheard pieces shed new light on the work of a key composer in the American experimental tradition, offering up some of Teitelbaum’s most beautiful and engaging music.

Convinced Friend is the musical project of singer-songwriter Austin Wilson. Originally from an oilfield town south of New Orleans, he relocated to New England in 2018 which led to a renewed commitment to songwriting. The result is a collection of largehearted indie rock songs. From the motorik pulse of album opener “White Collar’’ dissecting the alienation of modern work and wellness, to the dusky waltz of “Safeway’’ addressing lingering questions of long-term commitment, to the pensive and layered arrangements in “Open Bloom” and “When I Go”, the album incorporates a wide swath of dynamics centered on lush guitar work and a clear lyrical voice and resolve. RIYL: Pedro The Lion, Jose Gonzales, Jason Molina, Red House Painters.

The vinyl is pressed as a cream disc.

Convinced Friend is the musical project of singer-songwriter Austin Wilson. Originally from an oilfield town south of New Orleans, he relocated to New England in 2018 which led to a renewed commitment to songwriting. The result is a collection of largehearted indie rock songs. From the motorik pulse of album opener “White Collar’’ dissecting the alienation of modern work and wellness, to the dusky waltz of “Safeway’’ addressing lingering questions of long-term commitment, to the pensive and layered arrangements in “Open Bloom” and “When I Go”, the album incorporates a wide swath of dynamics centered on lush guitar work and a clear lyrical voice and resolve. RIYL: Pedro The Lion, Jose Gonzales, Jason Molina, Red House Painters.

"The Last Rebel is the seventh studio album by American rock band Lynyrd Skynyrd and was originally released in 199This album showcases how this line-up could passionately tear their way through southern rock just as easily as the original line-up. It's a superb collection of songs with the title track being as good as anything the band has ever done! Cool riffing, honky-tonk piano playing, slide guitar and a combination of up-tempo songs and ballads. The old Skynyrd recipe works like a charm on this record. It is the last album to feature drummer Kurt Custer and guitarist Randall Hall. The Last Rebel is available on black vinyl. "

The Last Rebel by Lynyrd Skynyrd, released 29 March 2024, includes the following tracks: "Can't Take That Away ", "The Last Rebel ", "Kiss Your Freedom Goodbye ", "Love Don't Always Come Easy " and more.

This version of The Last Rebel comes as a 1xLP.

The Loch Ness Mouse was started in 1992 by the brothers Ole Johannes and Jørn Åleskjær and has since the beginning been a band constantly moving forward with radically changing style expression from record to record. From the 60's jangly psychedelic debut "Flair for Darjeeling" via the more classic pop oriented "Key West" to the more soul, R&B and jazz inspired expression that characterized their album "11-22". "New Graffiti", is probably The Loch Ness Mouse's sharpest and softest record at the same time. It swings in moods and incorporates everything from organic band-played R&B to electric jazz, pop soul and rock. The band also has some strong guest appearances on the record, including soul singer Myrna Braza and rapper Stella Mwangi who contribute on the album's title track, which also was a single heavily rotated on Norwegian radio. The album is now beautifully remastered and available on vinyl for the first time,

The Japanese alternative band lead by OORUTAICHI Urichipangoon's 2nd Album on vinyl first time.

Original CD was released in 2008.

2LP Gatefold and incert.

They crossover Jazz, Brazilian, Afrobeat and folklore, and on unique Japanese poetry.

Vom HEXWORKS Art-Team entworfene Deluxe-Ausgabe des OST für das Action-RPG "Lords Of The Fallen" (2023), sorgfältig für 180g Triple-Vinyl gemastert. Die mehrfach preisgekrönten Komponisten Cris Velasco und Knut Avenstroup Haugen erzeugen ein aufwändes Dark-Fantasy-Meisterwerk zwischen romantischer Oper, Mozarts Requiem-Messen, dissonanter Klassik des 20. Jahrhunderts und großartigen Horrorfilm-Soundtracks. Teils live aufgenommen mit dem Budapest Scoring Orchestra & Choir, den Solist*innen Eurielle und Jess Dandy, dem Solocellisten des London Symphony Orchestra, David Cohen, und dem Flötisten Tony Hinnigan (bekannt aus Hollywood-Scores wie "Titanic" und "Avatar").

Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts take audiences on a ‘90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers – the Maximals – to join them as allies in the existing battle for earth. It's the seventh instalment in the Transformers live-action film series. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film was released in June 2023. The soundtrack was in hands of Jongnic Bontemps, who gave the film a new sound. The score also features a reimagining of familiar musical compositions from the earlier movies by Steve Jablonsky. Bontemps felt his goal was influencing the score from the first five films directed by Michael Bay, but as the movie takes place after the events of Bumblebee (2018), which deviated from the timeline of the original films, he also needed to provide new fresh music. During the soundtrack's production, different musical styles were experimented with. However, Bontemps said they quickly realized that ""an organic, orchestral, emotional score, that sound we are all familiar with, and has such a deep history, goes a long way for we as the audience to connect with these robots."" Transformers: Rise of the Beasts (Expanded Edition) is available as a limited edition of 500 individually numbered copies on Autobots Red (LP1) vs Decepticons Purple (LP2) coloured vinyl. The vinyl edition features 5 bonus tracks and it includes a 4-page booklet with liner notes by the director, composer, and music executive of Paramount."

Transformers: Rise of the Beasts by Jongnic Bontemps, released 29 March 2024, includes the following tracks: "Autobots Enter", "More Than Meets the Eye", "Museum Heist", "Fallen Hero" and more.

This version of Transformers: Rise of the Beasts comes as a 2xLP. This release comes with (a) Booklet.

The vinyl is pressed as a red disc. Another vinyl is pressed as a purple disc.

Svart Records release NYC crust punk band Nausea’s two legendary EP’s on one remastered 12” in March 2024! Crust punk originates from the misty moors and factory cities of the UK. Since the '80s, countless bands have been established to play their dirty apocalyptic ruckus in the vein of Amebix, Antisect, and Axegrinder. At the same time, across the ocean, in the squats of New York’s Lower East Side, bassist John John Jesse founded Nausea. Svart Records is releasing Nausea’s two legendary EPs in 12” format for the first time ever, including the Cybergod 7” from 1991 - with a bonus track, "Here Today," from the same recording sessions - and the Lie Cycle 7” from 1992. All tracks are remastered from the original, untouched studio tapes by Jack Control (Darkthrone, Kohti Tuhoa, Fear). Tribal and rocking apocalyptic crust for apocalyptic times. The Cybergod lineup might be the most legendary era of Nausea, where the tracks reach almost epic proportions. The EP is pretty much the blueprint of crust, where Vic Venom’s hypnotic and rocking guitar riffs meet the tribal drumming of Roy Mayorga. Al Hoon’s and Amy Miret’s dueling vocals spit out timeless issues dealing with consumerism and the hypocrisies of organized religions. Musically, the Lie Cycle EP rocks out more in the faster and straightforward style, where Discharge meets Motörhead, and lyrics reflect the times when war and nuclear destruction are still the plague of mankind. Nausea’s timeline lasted only seven years, but they managed to create a cult following with their true dedication to the punk scene and played shows in the squats of Europe and the eastern part of Europe. Their music is timeless, unpleasant music for unpleasant times, but hey! At least it’s more fun to rock out to the apocalypse!

Svart Records release NYC crust punk band Nausea’s two legendary EP’s on one remastered 12” in March 2024! Crust punk originates from the misty moors and factory cities of the UK. Since the '80s, countless bands have been established to play their dirty apocalyptic ruckus in the vein of Amebix, Antisect, and Axegrinder. At the same time, across the ocean, in the squats of New York’s Lower East Side, bassist John John Jesse founded Nausea. Svart Records is releasing Nausea’s two legendary EPs in 12” format for the first time ever, including the Cybergod 7” from 1991 - with a bonus track, "Here Today," from the same recording sessions - and the Lie Cycle 7” from 1992. All tracks are remastered from the original, untouched studio tapes by Jack Control (Darkthrone, Kohti Tuhoa, Fear). Tribal and rocking apocalyptic crust for apocalyptic times. The Cybergod lineup might be the most legendary era of Nausea, where the tracks reach almost epic proportions. The EP is pretty much the blueprint of crust, where Vic Venom’s hypnotic and rocking guitar riffs meet the tribal drumming of Roy Mayorga. Al Hoon’s and Amy Miret’s dueling vocals spit out timeless issues dealing with consumerism and the hypocrisies of organized religions. Musically, the Lie Cycle EP rocks out more in the faster and straightforward style, where Discharge meets Motörhead, and lyrics reflect the times when war and nuclear destruction are still the plague of mankind. Nausea’s timeline lasted only seven years, but they managed to create a cult following with their true dedication to the punk scene and played shows in the squats of Europe and the eastern part of Europe. Their music is timeless, unpleasant music for unpleasant times, but hey! At least it’s more fun to rock out to the apocalypse!

Los Angeles-based Fabiano Do Nascimento is a multi-string guitarist and songwriter who melds the traditional idioms of his native Brazil (i.e., samba, choro) with the more contemporary and experimental strains of jazz, pop, and electronic music. Das Nuvens (“The Clouds”), out July 2023 on Leaving Records, is a crisp, frequently blissful, and deceptively groove-oriented showcase from a consummate musician — a rich and varied collection of songs, all of which seem to prioritize, and thrive in, the soft and intentional spaces between notes.

Das Nuvens constitutes the free-form, exploratory work of a musician who, having mastered a distinct musical language, seeks to apply his skill towards broader, more experimental modes of expression. Fittingly, track one — built around a contemplative, pointillistic refrain— is titled “Babel,” a reference to the legend of man’s attempt to build a tower to heaven, and how God thwarted this alleged act of hubris by shattering man’s shared language, sowing chaos and confusion. Though a stern parable on its face, it is a myth that enshrines our world’s dizzying array of languages (of modes of being), and the subsequent beauty of cultural exchange through art. In this regard, it is a fitting opening statement for an album that collapses and collages not only contemporary and classical Brazilian and pop idioms, but also the diverse range of indigenous music that Nascimento has encountered and studied in his travels as a touring musician.

White vinyl w/ pink splatter, limited to 500 copies. New Orleans death grind/hardcore group BRAT are the latest addition to the Prosthetic Records roster. Formed in 2021, BRAT deals out blastbeats, bass-laden breakdowns and old school death metal and New York hardcore inspired riffs. Through the melding of their influences the four-piece's sound stands out from the more sludge orientated sounds that the Crescent City is known for, catching the attention of the Los Angeles label in the process. Speaking on the singing announcement, BRAT comments: "We're thrilled to be part of a label that's put out so many quintessential metal albums of the last 25 years. It's an honor to have the opportunity to contribute to that list. Let's rock." "Upon completion of our record we felt Social Grace, the title track, really encompassed a broad snapshot stylistically of the album at large. The song is an environmental commentary on the effects of the wealthy on the state of our planet and further ties to the greater theme of our album that explores the various plights of mankind. In tandem with the single is our music video that draws inspiration from classic murder mysteries and depicts the ugly realities behind the pomp and circumstance of the aristocracy." BRAT's self described yassified look shirks more traditional metal imagery in favor of a pink-pilled Y2K aesthetic, with plenty of nods to their favorite femme pop icons. As the band sets their sights on making strides in the heavy metal and hardcore world, BRAT's end goal is to "put bimboviolence and barbiegrind on the map". Through a consistent live presence that includes touring alongside NOLA legends EYEHATEGOD, Ringworm, labelmates ACxDC, fellow grindsters in No/Mas and contemporaries in Maul and Morbid Visions, BRAT has garnered praise from the likes of Revolver, Metal Injection, Metal Sucks and many more as a new band to watch.

Voodoo Mambosis And Other Tropical Diseases ist der 2. Teil einer neuen Serie auf Stag-O-Lee. Vier Volumen sind geplant. Die Original Schallplatten stammen aus dem Fundus von unserem geschätzten Duke Jens-O-Matic, seit Jahrzehnten als Grafiker, international gefeierter DJ, Sammler und Jäger unterwegs. Schon damals, als wir Stag-O-Lee das erste Leben einhauchten, war Jens-O-Matic dabei und lieferte vier Volumen der wundervollen Jim Jam Gems 10" Serie ab. Jeweils stilistisch in sich geschlossen. Aktuell arbeitet er an weiteren Jim Jam Gems Volumen, tut sich aber mit den Linernotes schwer, weil, "man hat ja einen pädagogischen Auftrag!". Nun zu dem vorliegenden Tonträger: Was macht ein Freund der obskuren 7", wenn er schon alles im Bereich Rhythm & Blues usw. hat? Er sucht sich weitere Betätigungsfelder. Andere Länder, andere Musik, andere Einflüße. So auch unser Jens-O-Matic. Eine kleine Weltreise hat er für Voodoo Mambosis unternommen, seine neue Liebe den Cumbia einfließen lassen, eine Prise Voodoo drunter gemischt, einige alte Bluesheroen reaktiviert, dazu etwas Exotica - die schadet nie. Die große Kunst ist nun, diese auf Papier disparaten Elemente so zu verbinden, dass etwas einzigartiges, durchweg spannendes entsteht. Voodoo Mambosis And Other Tropical Diseases ist das beste Beispiel dafür! Das Cover, ebenfalls designt von Jens-O-Matic, ist eine Hommage an die wegweisende 84er Compilation Rockabilly Psychosis and the Garage Disease!

Das Album "Hip Walk" von Peter Herbolzheimer Rhythm Combination & Brass und Inga Rumpf wurde im Original 1971 auf Vinyl veröffentlicht. Es ist eine Mischung aus Jazz, Funk und Soul und präsentiert eine dynamische Kombination aus Bläsern und Rhythmusinstrumenten. Die Vocals von Inga Rumpf verleihen dem Album eine zusätzliche Dimension. "Hip Walk" ist ein energiegeladenes und mitreißendes Album, das die Vielseitigkeit und das Talent der beteiligten Musiker zeigt. Es ist ein Klassiker des Jazz-Funk-Genres und hat einen festen Platz in der Geschichte der Musik.

'Lost In The Night' is Palace's debut EP originally released in 2014. Now on Lewis Recordings the vinyl has been remastered and the CD comes as a gatefold. Whilst not a blues band in the traditional sense their blend of blues space rock is undeniably British with bluesy and soulful vintage overtones. Leo's sublime voice perfectly complements the dreamy ambient electric guitars creating a timeless sound, drawing comparisons to early Kings of Leon, Foals and past greats like Buffalo Springfield. Now signed to Fiction Records the band released two albums both critically and commercially acclaimed. Bassist William Dorey left Palace after their first album and now records under the name Skinshape. "It's darkly beautiful, with twilight seeming to break through every note." CLASH. // "It's a romance-bloomed introduction of the highest order." DIY // "Londoners Palace riff on Local Natives and Grizzly Bear's spacious, swooning sound."

Originally rumoured to be a double album the plan was shot down - Dave Thompson in conversation with Melanie managed to work out what it would look like and here we present all newly mastered the deluxe version. Woodstock and Glastonbury Fayre icon Melanie had been working with Easy Action on the deluxe vinyl and CD rerelease of one of the most legendary albums in her long catalogue prior to her very sad passing. In 1972, Melanie and her producer and husband Peter Schekeryk began work on what she intended to be her most ambitious album yet. Stoneground Words was to be a double album - the first such statement from any female rock artist. It would also be the first worldwide release on Neighborhood Records, the label she and Schekeryk established in 1971 - another first, as she entered territory into which only The Beatles, The Stones and The Moody Blues had previously stepped. Even more crucially, however, it was her personal response to the enormous success, earlier in the year, of the hit "Brand New Key" - "the bicycle song," as so many people recall it. Stoneground Words returned to the drawing board. Ten songs were selected; the remainder were placed to one side; and the album was released to generally positive reviews which included Melody Maker's assertion that it was "the most sophisticated she's made. The naiveté of the past has been replaced by deeper, more comprehensive methods of expression." She is the first to admit that the new edition of Stoneground Words is not a true facsimile of the original. The paperwork for all three projects, after all, disappeared long ago, as did the tapes ("who knows where?"). Stoneground Words will be released in March 2024 by Easy Action/Neighbourhood Records o Issued for the very first time as a double LP o Completely remastered. o Limited pressing on Pink Vinyl, CD Presented in large deluxe gatefold sleeve with full colour booklet o Brand new artwork o Originally recorded in New York in 1972 and released on Melanie's own Neighbourhood Records label.