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10th anniversary, limited Edition pressing of 1000 worldwide, expanded to 2xLP w/ nine demos & live tracks, sleeve jacket art updated with foil elements! Released in 2016, Trophy Eyes' sophomore album, Chemical Miracle, is celebrated as a modern masterpiece for its seamless blend of hardcore grit and pop-punk melody. The record marked a massive evolution for the Australian band, driven by frontman John Floreani's dynamic vocal shifts between raw, gravel -throated screams and soaring clean melodies. The instrumentation perfectly matches this energy, swinging effortlessly from manic, punk-rock aggression to softer, atmospheric alt-rock moments. The album's defining characteristic is its deeply confessional and gut-wrenching lyricism, which offered a mature contrast to a genre typically dominated by simpler themes of heartbreak. Floreani tackles the darkest corners of his life with unflinching honesty, exploring survivor's guilt, suicidal ideation, addiction, and profound loneliness. This emotional weight is best exemplified in the opening track, "Chlorine," which pairs bouncy, energetic instrumentation with the devastating true story of Floreani processing the suicide of the man who saved him from drowning as a child. Culturally, Chemical Miracle elevated the mid-2010s pop-punk scene by proving that catchy music could effectively tackle heavy, complex human experiences. By addressing severe mental health struggles frankly and without glorification, the album fostered a profound connection with fans and provided a vital, relatable outlet for listeners. Furthermore, its massive critical and commercial success helped propel the thriving Australian alternative music scene onto the global stage, cementing Trophy Eyes' legacy in the genre.

A digital dancehall scorcher cooked up by Tapes and veteran singjay chef Sammy Gold, praising the benefits of steamed carrots and sweet potatoes while keeping it at a vicious bubble on the dance floor.

As a second course Tapes serves up a spiced up Dub cut on B – “They Call Me Nothing” – massaging in that bass line even deeper.

This is the first release in a new Jahtari 7” series, coming with silver pantone print on the labels.

Don’t forget to check out number two: Speng Bond x disrupt – Dead Dem A Go Dead.

Soundkiller anthem of the highest order by Birmingham OG fast chat legend Speng Bond, born during an all night Jahtari live session at the Annex bass bunker at Open Ground, now cut onto wax for the very first time.

“Dead Dem A Go Dead” comes with a devastating Dub cut on B by disrupt and silver pantone print on the labels – this dangerous 7” beauty is ready to make other soundbwoys bite the dust in no time.

This is the second release in a new Jahtari 7” series, don’t forget to check out number one: Sammy Gold x Tapes – Ital Food.

Social Distortion's third eponymous album from 1990 turned out to be their best-known work and would come to spawn the most hits, with singles 'Ball And Chain', 'Story Of My Life' and the Johnny Cash cover 'Ring Of Fire'. It mixed Punk with Rockabilly, Blues & Country, and split the difference between Rockabilly and Ramones-style Punk. It is albums like this that prove why Social Distortion was able to survive the demise of the LA Hardcore scene with flair and come out on top!

Duality Trax reaches its tenth release with a defining moment for the label, as label boss Holly Lester steps forward with her debut EP. A personal milestone as much as a catalogue marker, the record channels sounds that have shaped her sound to date - early tech house, the low-end swing of UK garage and breakbeat, the rolling pulse of mid- 2000s European dancefloors, and the emotional lift of ’90s progressive house - all refracted through a distinctly personal lens. Open Your Mind sets the tone with a sense of lift and release: a wide, expansive bassline carries skippy, garage-tinged percussion, while bright piano stabs cut through guided by playful, restless FX. Big Fill pivots into tougher territory, a driving cut built on a rolling sub that pulls you into the groove - equal parts pressure and introspection, with moments of dreamlike suspension between the weight.

On the flip, Tanit drifts into more atmospheric space —an ode to Ibiza that still carries a distinctly UK undercurrent. A squelching, elastic bassline and cheeky, garage-leaning wubs provide a foundational groove but everything around it drifts: gated synths shimmer, drums sparkle, half-heard vocals dissolve into the mix and the track unfolds with a blissed-out, cruising energy. It feels just as natural in a dark room as it does out on open water, coasting past Formentera. For the remix, Holly turns to one of her favourite producers of the moment, DJ Life, who draws Open Your Mind into deeper waters. The Berlin via Australia producer stretches the groove into something more hypnotic and submerged, a patient 5am burner that lingers in the air,equally at home in basements, afterhours, and those inbetween moments as night slips quietly into day

This is a bit of a rare release on the ADR label - it even had its own special catalogue number - XYZ instead of the usual ADR (I need to ask the guys why that was actually!) This EP only came out as a 4 track white label in 1993 and was nicknamed the Untitled EP back then, finally having a proper title in 2026. Two of the tracks were written by Les aka The Pharmacist and the other two were collabs with Dave Charlesworth - so you know the quality will be high... but you I expect most of you know this already from owning or listening to the original pressing. A cracking EP of good vibed hardcore.

John Weldon "J.J." Cale was an American guitarist, singer, and songwriter. Though he avoided the limelight (being temperamentally averse to celebrity), his influence as a musical artist has been widely acknowledged by artists like Mark Knopfler, Neil Young, and Eric Clapton, who described him as one of the most important artists in the history of rock.

J.J. Cale is considered to be one of the originators of the Tulsa Sound, a loose genre drawing on blues, rockabilly, country, and jazz. Cale unfortunately passed away in 2013, but his legacy lives on. Number 10 is Cale’s 10th album and contains another wonderful and laid back/mellow collection of typical J.J. Cale tunes. "Traces", "Artificial Paradise", "Low Rides" and "Jailer" are considered part of his best 1990s songs.

Number 10 is available as a limited edition of 1000 numbered copies on turquoise vinyl, and includes an insert.

Celebrating 30 years since ‘Buena Vista Social Club’ was released, this classic will be made available on limited edition pearl vinyl and features the remastered audio and bonus tracks released as part of the album’s 25th Anniversary in 2021.

Masterminded by the trio of Cuban bandleader Juan de Marcos González, American producer and guitarist Ry Cooder, and British producer and label owner Nick Gold, 'Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album they recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at over 8 million copies, outselling any other record in the same genre.

The acclaim of the original album elevated the artists (including Ibrahim Ferrer, Rubén González, Eliades Ochoa, Compay Segundo and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, a Tony Award-Winning Broadway Musical and contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder and Executive Produced by Nick Gold for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this album will go down as one of the landmark recordings of the 20th century.

Lucid Dream Records is proud to announce its very first release: a reissue of four tracks by German producer Trancefeld, originally released on Sunset Recordings and CTM in the early 2000s. Years after their initial release, these productions still sound remarkably fresh on today’s dancefloors. Pure Fiction and Arcade showcase Trancefeld's tight programming, pairing hypnotic rhythms with progressive and trippy influences. On the flip side,
Seaquence explores deeper and more melodic territory before Outroduction closes off the EP with a richly textured and contemplative downtempo cut. Even today, these recordings remain difficult to place within a single category and together showcase the versatility and timeless quality of Trancefeld's musical output

Following up the launch of his own Dustbin Digs label, Manchester local Rossiter piles four of his own atop the stack of goodtunes97 wax.
Side A lifts off into the clouds with Feels So Good. The rhythmic shuffle, hint of UKG, and a determined bassline get to the gate as spacey chords are cleared for takeoff. Go Straight carries the trajectory, pressurizing the cabin in breezy dubbed transit. Keys vaporize on the periphery as Rossiter mitigates turbulence with careful cadence, maneuvering high-altitude with grace.
With two stops still to go, the B-Side gets off and running upon arrival. Round & Round kicks up dust as the low end stomps out the homestretch, tenaciously hitching a ride to our final destination. P45 is the long awaited return to familiar territory – nostalgic chords carrying beats so blissed they stutter. Interview samples from legendary UK producer/DJ Grooverider give the track a cultural anchor, connecting its contemporary sound to the lineage of UK dance music and the culture that shaped it.
Each side balanced with equal parts heavy and light, Rossiter’s Round & Round EP firms up the fifth release for goodtunes97.
– Forrest Camire

Outlander Wax Records presents its debut record, a story of musical collisions and technoid love, bringing together Ian Tocor and Joseph Schiano di Lombo for this first release

Four years on from the much-loved Shelter EP, Orphic return with the Mambe EP, a long-awaited follow-up that sees the duo push further into their signature world of deep, dubwise techno and hypnotic club music. The record opens with the title track, a slow-burning piece of stripped-back techno that unfolds through submerged chords, rolling percussion and finely detailed sound design. Sitting alongside it are two solo productions from each half
of the Orphic project.

Kieran Jandu’s Back To Mine veers into deep, bass-heavy electro, all cavernous sub pressure, fractured drum programming and smoked-out atmosphere, landing somewhere between the weight of Digital Mystikz and the hypnotic, off-centre psychedelia of a Craig Richards set.

DJ Space Taxi takes a different route with Dream Cycle, an introspective, dreamlike cut where shimmering textures, drifting melodies and restrained rhythm combine to quietly draw
you in.

Flipping the record over, two of the underground’s most distinctive voices reinterpret the title track. Polygonia brings her unmistakable fluid, organic touch, stretching the original into a beautifully detailed, living groove, while Konduku strips things back into a
deeply hypnotic, psychedelic excursion that feels tailor-made for the outer edges of the dancefloor.

A beautifully restrained return from Orphic that more than justifies the four-year wait. Four artists, four distinct perspectives, held together by a shared appreciation for depth, space and subtle movement.

2024 Repress

Alleviated Records is proud to present the new Mr. Fingers EP. After many years of the moniker being dormant and a long journey trying to get back into a creative mindset, we have a new offering. First up, "Outer Acid" delivers up a Minimal-Space-Acid flavor. Next, "Qwazars" continues the Space motif with a Minimal-Tech touch. "Nodyahed" moves toward a Dark Club Bounce with a dash of Tribal flavor. "Aether" offers up a more late-night Ambient-Space-House flavor. Hope you enjoy these selections at the club and at home for a long time to come. Musically Yours...

Tehran-born Sohrab brings a unique mix of influences to the new outing on Iran-based label Shahr Farang. Vocals in Persian and melodies associated with Middle Eastern styles all colour his take on deep techno. 'Santouri (Sange Sabour)' kicks off with a throbbing rhythm and exotic strings that intertwine up top with wirey electronics. It's an intoxicating collision of cultures that also comes as a more direct instrumental. On the flip, 'Rise' is a jacked analogue workout with punchy kick and spangled bass locked in a wrestle as swung percussion and rattling chords all beef things up further.

American Joe Babylon has been steering his Roundabout Sounds label through calming deep house waters for a decade or so. He has recently focussed on assembling this ongoing All Hands series (the name may be a nod to the analogue gear the tunes are made on? Sound-wise, it checks out) and volume three features another fine quartet. First up is DJ Honesty with a fine label debut in the form of the synth-laced swirler 'Walking Down Gratiot,' then label friend Mr. Hazeltinee aka John Tejada layers comic pads into an upright house rhythm on 'Zanzmatic'. San Francisco and more specifically Bay Area man Federsen offers super lo-fi and reserved deep house cuddle 'Sequential' while Babylon himself drops the slow burn shuffle of 'Play It By Ear'.

No apologies needed once again from the Sorry We Play Vinyl crew as they roll out a seventh slab of wax that's packed to the edge with club heaters, but all of them quite different. 'EDIT19' kick off with a tribal steaminess and yelping vocals, oversized organic drums and scraping hits. It's controlled chaos that will demand wildness on the floor. 'EDIT20' flips the vibe with jazzy fingers dancing over an old-school disco groove that slides and slinks its way into your affections and 'EDIT21' then does another about-turn and heads into mean minimal territory with a militant rhythm, synths that roam like prison searchlights and a darkness that is all-consuming.

Aubrey has established Solid Groove has one of the more reliable outlets in the underground and now steps up with his own offering of fresh tracks recorded this year. 'Last Transmission' is a deep techno cut with a shimmering synth line and a subtle sense of hope folded into the futuristic outlook. 'Japanese Drift' is a brilliantly original sound built on a quickly stepping groove with soft electronics and synths infused into the mix. 'The Final Act' ramps up the energy a little more but still stays warm and soft around the edges before 'Diablos Debos' broods with a darker energy, but again stays contained and heady. A tasteful EP.

Gavin Belton's move back to the UK after years in New Zealand brought him back into the fold with old Littlemen cohort Steve Lee. They played a few gigs together then got back in the studio for the first time in 15 years. Belton's use of the Korg Opsix is what gives these deft deep house cuts their character while Lee adds the vocal lines to 'People Are You Ready' for a ghostly, shadowy, low-lit sound. LA-based DJ, producer and HAWT promoter Mikey V steps up on the flip for the lithe dub house of 'Smooth' while Giom pulls it into darker territory that echoes the old Murk sound. Lee rounds things out with a remix of the A-side that has a persuasive late night bump.

Luis Reich and Max Wurden's Reverence traverses superb ambient and electroacoustic territory with sustained tones, radio interference, fragmented speech and plenty of harmonies that shift almost imperceptibly. 'Sono' opens wide with drones meeting distant brass, before 'Lens' marries brooding bass pulses with floating brass top notes that pass by like half-remembered thoughts. The title track strips everything back to a sparse, suspended core and 'Horfunk' brings damaged broadcast noise to a textured soundscape. 'Studio Blue' closes out slowly and patiently with plenty of sonic decay. A subtly dramatic record.

Savy Records' seventh release marks the label debut of Matti Turunen, one half of Finnish electro outfit Morphology and a cult figure across the wider electro scene. Rantaluhta EP is a timeless masterpiece. Synth-heavy throughout, it moves from bass-driven, Detroit-rooted machinery into a more euphoric, rave-leaning close -- a record that shows real range within the electro spectrum. On the flip, veteran producer Carl Finlow, contributes a remix under his Silicon Scally alias, pushing 'Oleanterinkiitaja' into trippy and galactic machine-funk territory.

"Once Turin-based producers Mattia and Massimo joined forces under the Voodoos & Taboos moniker, they quickly became a notable force in contemporary club music. A crafty take on house music, combining groove with sculpted production work and a bent for lush melodies, drawing from a wide range of influences - anything that borders on the electronic genres really, and beyond - fueled their own namesake imprint with 6 EP's and landed them spots on a variety of top-tier labels. We have been keen to work with these artists for a long time, and are thrilled this finally materializes with the release of ALT027. Title track "Sempre Sognar" immediately sets out the duo's floor-focused intentions. Breakbeat-laced drums gradually build momentum before a formant lead drops in. It trades phrases with an equally infectious organ that's eventually joined by a 303 pattern for the track's finale. Similar vibrating, buzzy leads thrust "Take Me" forward. Amid heavily delayed vocal samples, the proggy beat takes a more trippy turn however. Synthesized idiophone interludes create room for moments of repose, although not entirely unambiguous ones. A subtly detuned lead and more sleek acid lines are supported by the type of arp bass that characterizes Voodoos & Taboos' sound on the B-side's "Revolution". A collage of broadcast and war-movie lines alike not only adds color, but underlines the sense of indeterminate imminence that looms throughout the track. B2 "Afterhouse" sees the BPM drop a notch, yet the palette shows no signs of winding down; it is downright exuberant. As different arpeggiated melodies play call and response, tape-delayed chords, alarm-like risers, and sprinkles of guitar add extra flavor. This does not lead to excess, however. Everything is carefully measured and kept in check: after all, at the helm are two artists who understand that perfection lies in getting a great many small things exactly right."

Medusa Outdoor presents the third chapter of its Vinyl Collector series: MO_03 – The Vinyl Collector III, featuring six carefully selected techno tracks across different generations, curated by resident dj's Michael Forzza and Jochen Robberecht. The release brings together internationally renowned artists including Nicole Moudaber, Johannes Heil, Envoy, Frank Biazzi, Flug and Steve Nash. Among its highlights is the long-awaited return of Johannes Heil’s “Paranoid Dancer”, presented as a Re-Mastered Original and appearing on vinyl for the first time since its original 2002 release, alongside Envoy’s timeless techno classic “Dark Manoeuvres” and Nicole Moudaber’s powerful “Movin’ On”. From rare collector material and timeless classics to contemporary techno, MO_03 brings six outstanding tracks together on one distinctive bordeaux-coloured vinyl, housed in a beautiful gatefold sleeve. Six tracks. Different generations. One shared techno legacy.

A well needed vinyl re-issue of these sought after Break 3000 Electroclash classics from the period 1999-2003.
Originally released on Meuse Muzique in Maastricht, The Netherlands.

"Plastique People feat. Zusi" became a club hit again these past few years and saw the original vinyl prices soar on Discogs. "Last Emotion" was previously unreleased and brought back to live again thanks to the great Argentinian label "Calypso's Dream" who did the fine "The Rise Of Poseidon I" release three years ago that also included the fierce banger "Sacrifice", which became a hit back in the days when it was first featured on the massive DJ Kicks compilation by Tiga in 2003. The re-issue by "Calypso's Dream" sold out in a few weeks and was never re-pressed. The vocoder anthem "Emolotion" saw a vinyl only comeback on the cool Italian label "Mondo Phase" from Milan together with "Plastique People" in 2023, these limited copies were gone in days as well.

As a lot of people missed out on these Electroclash anthems by Break 3000 in the first vinyl re-issues we thought now is the right time to give them another run and make them available again. Enjoy!

All tracks were re-mastered by Salz Mastering in Cologne. Music & Art by Break 3000.

The next WOLF Music EP is here, and once again it comes courtesy of a new addition to the label roster. New York-based DJ and producer DJ Alone Again is a natural fit for what we do at WOLF, delivering a sound that hits that sweet spot where deep meets soulful, with the raw, understated energy of the authentic New York underground running through every track.

With a growing catalogue of original productions and edits, DJ Alone Again has released music through labels including YORE Records, House Salad Music, Dobro, Fantin Zoo Records, and Dealt With Records. His musical roots extend beyond house, too. Earlier work with the band Vain Pursuit, alongside a wealth of SoundCloud mixes and underground edits, reveals an artist with a deep appreciation for melody, songwriting and the emotional side of dance music.

Opening the EP is ‘Freedom of House’, a sublime take on the classic NYC-meets-Chicago deep house sound. Warm, soulful and hypnotic chords sit at the heart of the track, surrounded by intricate, skippy percussion and a deep, driving bassline. Carefully placed female vocal snippets drift in and out of the groove, while a spoken-word ode to the freedom and self-expression that house music offers provides the track with its emotional centre. It’s a celebration of movement, individuality and that unspoken connection forged on the dancefloor.

On the A2, ‘State of Flux’ keeps those warm, evocative chords front and centre, building an infectious groove around an instantly memorable melody courtesy of the vibes. Subtle synth strings add depth and atmosphere, bringing a touch of late-night melancholy to the arrangement, while the rhythm rolls steadily underneath. Everything is expertly layered without ever feeling crowded, giving the chords, melody and percussion room to breathe whilst pulling the listener deeper into the track.

‘Horizontal Patterns’ takes the winning formula of ‘State of Flux’, adding a beautifully understated vocal hook that sums this track up perfectly: deep in the groove.

Closing out the EP is ‘In Your Orbit’, a serene, dream house number with a deeply hypnotic edge. Ethereal flute lines drift through the arrangement, weaving around vocal phrases that seem to lift the consciousness somewhere beyond the dancefloor. There’s a sense of weightlessness and escape in the arrangement, but the dance floor pulse courtesy of the warm chord stabs never lets you float too far away. Dreamy yet deeply rooted, it’s a meeting point between introspection and movement; music to lose yourself in.

If this EP had landed on Guidance 30 years ago, it would probably be changing hands for a small fortune on Discogs by now.

Instant classic material.

2026 Repress

From spearheading France’s jazz-house and electronica scenes, to amassing millions of streams for lauded tracks such as Ode To Love, Manhattan To Brooklyn and Artifice, Tour-Maubourg is a flag bearer…

In their countless years of deep digging, Dark Entries has uncovered many curiosities, oddball Italo and synth-wave creatures too rare to live, too funky to die. Dark Entries’s conservationist efforts began with 2020’s Endangered Species Vol 1. Six years later, we are finally treated Endangered Species Vol 2, an even more ambitious effort which features eleven specimens previously deemed extinct, now safely preserved on vinyl. Things kick off with an extended mix of Palazzo di Danza’s “Play That Song For Me,” a lavishly produced German-Italo number propelled by a slinky bassline. Russian Olga Vosconyan’s “Cars” delivers what might be the moodiest song ever produced for a car commercial.

Fuzz Dance maestro Alexander Robotnick appears with a previously unreleased male vocal demo version of “I Wanna Believe,” a legendary track that would later appear under the name Gina & the Flexix. Canadian industrial royalty Dwayne R. Goettel (Psyche) and cEvin Key (Skinny Puppy) team up on the horror-sampling hit-heavy blaster “Bastards.” Belgian EBM progenitors à;GRUMH... report for duty with a slab of machine funk on “The Army.” UK DIY stalwarts Khmer Rouge bring Krautrock-inflected minimalism with “Take Me (Across the Floor Tonight) In Dub.” Endangered Species Vol 2 comes housed in a sleeve designed by Eloise Shir-Juen Leigh, and includes a 16 page booklet featuring liner notes, lyrics, and photographs of each featured project. Please assist Dark Entries in their efforts to preserve the rarest of beasts (and beats).

Ever since the release of his first solo album more than 20 years ago, German musician and producer Christian Kleine has experimented with blending and contrasting the varying textures and approaches of post-rave IDM, breakbeats, shoegaze and punk. His latest album offering, Touch & Fuse, shows he's continued to refine and perfect that combination, which is less a conscious concoction and more of a natural outcome of the music he likes. From the edgy Aphex-isms of 'Val 2' and the heavily filtered breaks of 'Reverse Angle' to the slowed down grunge meets pure electronics of 'Return of the Underground', this is unique, accomplished stuff.

On Board Music returns for its sixth installment of the Various Artists EP series, but this time with a different approach. Five fresh remixes breathe new life into Point C, originally released in 2021 and consisting of tracks from Foreign Material, Hironori Takahashi, Hiver, Sylve and Alan Backdrop.

For the 2024 update, On Board enlists five of the finest deep techno practitioners to twist the originals into bold new forms. US artist Patrick Russell dives deep into his signature, tripped-out zone, with dub and half-time sensibilities grounding the remix in an eyes-down headspace. Estrato Aurora, who remixes Hiver’s cut, goes equally subterranean, perfectly setting up the nimble drumming and bright melodies of Polygonia’s contribution.

'Life As A Duck' marks the return of Fergus Sweetland's imprint Pressure Systems and the label's first vinyl release. The title originates from a joke between two friends - friends that are ducks. These ducks found one another whilst discovering themselves, trying to navigate a world built for humans. Being a duck is another way of saying neurodivergent; existing adjacent to everything whilst trying to make sense of a strange planet, determined to remain as true to themselves at the same time as trying to be accepted in society. The tracks were made in direct response to a challenge presented to Fergus from a close friend: strip it back. The test was to apply brain-licking sound design to as few elements as possible and work them into functional club tracks. 'Tickle My Tism' meets the challenge. Fergus' signature low end captures the hips as the tension builds, expanding into an unexpected soundscape with precise smoothness. 'Trouble In The Bubble' is a dark yet dubby rolling club track full of texture and soundscapes. Nørbak's remix of 'Trouble In The Bubble' strips things down further with the Portuguese Garage (PTG) version, providing a more club-focused slant to the tune. 'Mind Easer' closes out the EP. The concluding track was written to ease the mind of a fellow duck when their feathers were ruffled by life. Its soothing focus allows one to melt into the sound and calm their mind. It tells you that everything is going to be okay. Expect the unexpected as Fergus' distinct sound design carries you through a four-track journey that emphasises that less is more - from a duck just trying to do his best.

Kicking things off, Suavy AF sets the tone with a sensual, groove-driven cut that balances raw energy and playful finesse. Tight drums, cheeky edits and a laid-back swagger make this one built for both heads-down listening or late-night dancefloor moments. Lemon & Mint, showing they're not here to play it safe.

On the flipside, Synkro takes the original into deeper territory, stripping it back and reshaping it with weighty low-end and a more introspective swing. He offers a more hypnotic take that hits just as hard in its own way. A perfect counterbalance that rounds out the release with class!

It’s hard to describe dreamy acid techno without referencing 747’s Aurora Centralis. The title track captivated dancefloors in the late 2010s, serving as an emotional and interstellar reprise. Nine years after its original release, the record returns in this white-out reissue edition. The Aurora Centralis EP is a teleportation into a cosmic dream state through four 303-fuelled cuts. The title track’s surreal electronic vocal levitates us into a reverie. Continuing the excursion, Tenke takes us on a journey to the centre of the earth with a thumping acid bassline, before Night Passage drifts in with gentle allure and neutrally buoyant, disorienting trance. A fourth, vinyl-only version of Tenke sees us off with the hypnotic Oxidized Edit.

Rupert Marnie, co-founder of The Press Group and Remoto Records, makes his debut on Smallville with some serious curveball action.
Once you immerse yourself in the wonderful breadth of Hamburg’s subculture, it is quite likely that you will soon hear about Matthias Schubert also known as Rupert Marnie. Operating in the City's deepest part of the underground, Matthias provides some highlights that you should know about - may it be co-running a vinyl label (The Press Group) and an amazing record-store (remoto records) together with a group of like-minded friends or may it be as a DJ or Liveact, playing house, techno or ambient music at clubs like Golden Pudel, Südpol or Frappant in Hamburg or outside of town (Club der Visionäre/ Berlin, Bassiani/ Tblisi...)- there is quite a lot of things that Matthias has accomplished. And we are very happy to present his latest installment – four raw and gritty tracks, deeply driving yet bouncy, wobbly at times and definitely with a Curveball-appeal and no compromises.
Smallville 77 will be released 4th of September 2026 with a full cover artwork from Stefan Marx.

Following acclaimed releases on Permanent Vacation and Shall Not Fade, as well as their Panorama Bar debut, Rhode & Brown return with their second album, Multitudes.
Across nine tracks, the Munich-based duo showcase their signature versatility, moving seamlessly between dubby tech groovers, bouncy house cuts, and sleek, 90s-inspired downtempo. The LP features collaborations with Italian producer Ferrari (Faith Beat) and London-based Braga Circuit (Rinse), alongside vocal appearances from UK rapper RONNI and Munich/ Mexico-based artist Sianza.

Acid Pauli returns to the curious world of Gwar Is Not The Answer (originally released 2006 on Smaul) with a carefully remastered re-release that includes two new remixes from Jonathan Kaspar and Acid Pauli. The title track unfolds at an unhurried pace, weaving loose acid traces through warm percussion and off-centre melodic fragments that seem to appear and dissolve before settling into place. It drifts forward with a quiet sense of momentum, balancing eccentric textures with a groove that remains firmly grounded throughout. With his new remix Jonathan Kaspar takes the original into leaner territory, sharpening its contours and drawing out its tension while preserving the peculiar character at its core. His remix stretches the track into a more focused club framework where rolling low-end pressure meets finely tuned rhythmic movement, allowing small details to carry unexpected weight. On the flip Acid Pauli revisits the track from a different angle. The remix opens up the source material into a spacious and fluid arrangement where shimmering tones circle around a deep pulse and subtle harmonic shifts gradually reveal themselves over time. Together the three versions explore different dimensions of the same musical language, moving between psychedelic house, understated dancefloor functionality and the kind of idiosyncratic storytelling that has long defined Acid Pauli's work.

Landing on the 4th of September via his own imprint Knee Deep In Sound, ‘Obsessions’ is less a traditional dance record and more a reckoning — with where Daley Padley finds himself now, as an artist and as a person. Written across a period of constant movement, touring and introspection, the album holds the push and pull between intensity and stillness that has come to define his world.

This is an artist who started making music in Barnsley — long nights, small rooms, total commitment to sound. Those early marathon sets weren’t a stepping stone to something else. They were the foundation of everything that followed: global tours, chart success, the creation of Knee Deep In Sound, a career built entirely on instinct rather than expectation. Hot Since 82 has never followed a fixed path. He’s carved out a space that sits somewhere between underground credibility and global reach — and it’s that same restless, uncompromising approach that shaped this album.

“Some days feel heavier, some thoughts harder to hold. But music still reaches the places words can’t. It’s therapy and a reset button.”

That sense of release runs through the entire record. While rooted in house music, Obsessions doesn’t sit in one place for long — not to prove a point, but because that’s simply how Padley hears music. It moves between deep house, breakbeat, melodic electronica and full club focus as naturally as a conversation shifts tone. Moments of euphoria give way to reflection and tensions dissolves into release.

The album opens with ‘All That Matters’ — a track that feels immediately both expansive and intimate and sets the emotional register for everything that follows. From there it unfolds like a journey rather than a sequence.

Lead single ‘Shaded’, landing on the 12th June taps directly into classic house lineage while feeling unmistakably current — a bridge between where this music began and where it’s heading. Elsewhere, ‘Life’s Too Short’ and ‘Eternity’ introduce warmth and movement, weaving piano, breakbeat and subtle Afro influences into the album’s wider palette.

As the record progresses, the light changes. ‘Wow’ leans into darker, late-night territory — tension, restraint, a hypnotic centre. The collaborations with Kuuda on ‘State Of Mind’ and ‘Time’ bring the album back into full club focus: driving, physical, built for scale.

DJ Support: Marco Carola, Funk D'Void, Fish Go Deep, Quentin Harris, Carl Craig, Horse Meat Disco, moodymanc and many more

Me Me Me is back after 2 years on ice, with a new focus and new priorities, built around the regional music community being driven by Man Power and friends in North East England.

Written, recorded, performed and pressed in the North East, Newcastle live artist Mac Seldom's Twenty Twenty-Three EP see's the artist find his stride after early outings on Skream's "Of Unsound Mind" label and Scuba's "Hotflush Recordings" and leans into a more house-not-house rhythmic palette to further cement his status as being one of the most exciting and adept sound designers to recently emerge in club music.

"With just a handful of teasing plays, the ID requests for this tune here have been snowballing out of control. And rightly so. The track is a coproduction of Keinemusik's own Adam Port and California based producer Stryv. Both met in Kreuzberg, exchanged some ideas and came up with „Move" - the undeniably most sensual and well… moving club anthem of the season."

TECHNO Records continues its 2026 release series with a new work by Germany-based artist VNNN., a fixture of the Ruhr area’s underground techno scene for more than a decade.

Built around an intuitive search for bearings within a complex personal identity, the record takes Staza — the Bosnian word for path — as its poetic title.

Noir-toned, hypnotic and driving at its core, the music sets deep tension against insistent momentum and call-and-response energy. Each of the four original tracks refracts the same artistic identity in a different way. Together, they form a cohesive, self-assured techno vision. Raw and direct without sacrificing detail, the release reflects the focus of the artist who has produced extensively, released selectively and remained highly self-critical while refining his own sound.

Nadia Struiwigh reroutes “Prava Ljubav,” turning its central hook into what VNNN. describes as a junglistic firework. Her remix extends this portrait with a contrasting fifth state — a genre deviation that reflects both artists’ broad musical outlook and their willingness to move beyond boundaries when inspiration leads them there.

TECH042 gives physical form to the layered outcome of two singular artistic inquiries, turning it into a functional object and marking the debut of both VNNN. and Nadia Struiwigh on TECHNO Records.

2026 Repress

"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger
man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twatherd - everyone just wants to get laid straight away.

2026 Repress

Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.