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NOW Music is proud to present the newest addition to the ‘Yearbook’ series: NOW – YEARBOOK 1982. 3 LPs of 44 defining tracks that ruled the charts in 1982.
Featuring number 1s, including ‘Eye Of The Tiger’ (Survivor), ‘Ebony And Ivory’ (Paul McCartney), ‘Town Called Malice’ (The Jam), and 1982’s biggest seller ‘Come On Eileen’ from Dexys Midnight Runners.
1982 saw the first huge hits from a wealth of new artists including Culture Club, Wham! and Tears For Fears, as well as an incredible line-up from artists who had established their chart presence in the prior 18 months and would produce some of the greatest tracks of the decade; Duran Duran, Spandau Ballet, ABC, Haircut 100, Soft Cell, The Human League, and a newly solo Adam Ant.
‘Fame’ was the TV phenomenon of the year, and Irene Cara’s theme from the original 1980 film enjoyed massive success.
As ABBA released their last singles for nearly 40 years, pure-pop from Bucks Fizz, Blondie, and Madness is celebrated alongside synth-pop gems from New Order, Simple Minds, Visage and Japan.
Leading artists from the punk scene enjoyed continued and renewed success, including The Stranglers, The Clash and Pretenders, whilst Foreigner, Meat Loaf with Cher, and Steve Miller Band provided radio-favourite rock and power ballads.
1982 saw a huge chart presence for dance music – from the hi-NRG of Boys Town Gang, to the electro-infused beats of Malcolm McLaren, and Rockers Revenge, the 1980’s disco of Shalamar, alongside soul classics from Marvin Gaye and Donna Summer… plus stellar ballads from Elton John, Lionel Richie, and Roxy Music.

Als sich Frank Sinatra und Produzent Quincy Jones 1984, nach zwanzig Jahren erstmals wieder für eine
gemeinsame Albumproduktion im Studio trafen, hielt die Musikwelt die Luft an. Eine Bigband aus TopMusikern und prominente Gäste wie George Benson, Lionel Hampton und Bob James rundeten das Treffen
der beiden Entertainment-Giganten ab.
“L.A. Is My Lady” schaffte es auf Platz 58 der Billboard-Pop- und auf Platz 8 der Jazz-Charts. Der für
Sinatra ungewöhnlich poppige Titelsong, der es sogar auf eine MTV-Rotation brachte, und die restlichen
Titel im klassischen Swing-Stil gehören längst zu den beliebtesten Alben im Spätwerk des Sängers.
Die “40th Anniversary Deluxe Edition” wurde jetzt vom damaligen Tonmeister Larry Walsh brandneu
remixed. Die CD-Version beinhaltet zusätzlich sechs alternative Versionen der Albumtracks “Mack The
Knife“, „Body And Soul“, „After You’ve Gone“ und „How Do You Keep The Music Playing”, von denen
drei hier ihre Weltpremiere feiern!

NOW Music is proud to present the newest addition to the ‘Yearbook’ series: NOW – Yearbook 1981. NOW – Yearbook 1981; a celebration of the eclectic and creative brilliance of the year in pop. 4 CDs of 85 tracks that defined the charts in 1981. Available on a 4CD special edition which is housed in ‘hard-back book’ packaging, including a 28-page booklet with a summary of the year, a track-by-track guide, a quiz, and original singles artwork, and as a standard 4-CD package. A limited edition 3LP set pressed in translucent red vinyl, limited to 3,000 units and a 4CD set

"A mere two years on from their formation in London towards the end of 2007, Mumford & Sons released their
debut album, Sigh No More. Introducing the group’s signature blend of folk and rock music with heartfelt lyrics and
soulful melodies, the album was instrumental in propelling the folk-rock resurgence into the mainstream at the
end of the 2000s.
Peaking at No.2 in both the UK and the US, and winning British Album of the Year at the 2011 BRIT Awards, Sigh No
More paved the way for a career that has seen the group release three further acclaimed albums, scooping up a
second BRIT Award, plus two Grammys and an Ivor Novello, along the way. The group’s lasting impact on the music
industry can be traced back to this record – now reissued on ultra-clear vinyl for National Album Day – and its
game-changing singles, among them ‘Little Lion Man’ and ‘The Cave’, which have, respectively, reached nearly 45
million and more than 20 million streams this year alone.
"

History must take its course.
Demon Records presents, for the first time on double 140g green and
yellow translucent vinyl, the complete narrated TV soundtrack of ‘Doctor
Who: The Crusade’, with linking narration by William Russell.
The TARDIS travellers materialise in 12th Century Palestine, where
English Crusaders are engaged in a holy war with Saladin, ruler of the
Saracens. When Barbara (Jacqueline Hill) is abducted in a Saracen
ambush, the Doctor (William Hartnell), Vicki (Maureen O’Brien) and Ian
(William Russell) find themselves guests at the palace of King Richard
the Lionheart (Julian Glover).
First broadcast in March and April 1965, the story has become a noted
classic among Doctor Who historical adventures, with a guest cast
including Julian Glover and Jean Marsh.
Only two of its four episodes survive in the BBC TV archive, but this vinyl
release features the complete audio soundtrack. Includes beautifully
illustrated individual sleeves featuring Radio Times-style billings for each
episode.
This release is dedicated to the memory of narrator William Russell, who
died in June aged 99.
Doctor Who is available now on BBC iPlayer in the UK and on Disney+ in the rest of the world,

Vom Opener bis zum letzten Track vermittelt Soul-Crooner Joseph Malik dem Hörer, dass er sich auf einer musikalischen Entdeckungsreise durch äußerst originelle Soundlandschaften befindet und dass PROXIMA EBONY den Beginn einer neuen Ära der Zusammenarbeit mit internationalen Musikern markiert. Zu diesen zählen Hip-Hop/Rap-Künstler*innen wie Antoine Green aka Capitol A, Kameelah Waheed und DJ Nasty P und Top-Musiker wie Shuya Okino (Kyoto Jazz Massive), Chris Franck (Smoke City, Zeep) und die renommierte Jazzharfenistin Alina Bzhezhinka, die alle einen Trip durch vielfältige Genres mit Einflüssen von Afro-Futurismus über Dirty Soul und Punk Funk bis zu 1970'/80'er Disco und Acid Techno unternehmen.

4 track 12", with Jah Mega over the "Little Way Different" riddim, with Sister Jahian voicing The Gladiators' "Jah Works", pecked by the Peckings crew on the flip.

The group formed by the legendary Joseph Hill, accompanied by his two acolytes Albert Walker and Kenneth Dayes, delivers an album recorded at Mixing Lab and mixed at the Lion & Fox studio (reference studio for the RAS label) in 1989.

Recorded with 3 brass instruments, bass, drums, keyboards and percussion, it's in the pure roots tradition, with a few interesting dub twists. There's also a tribute to Bob Marley entitled ‘Psalm of Bob Marley’ and the excellent ‘Cousin Rude Boy’.

This is a pure roots album remastered to the highest standards, with a 350g cardboard sleeve showing off the full extent of Mitch Goldberg's graphic design. Never reissued on vinyl since its release, and only once on CD in the 90s.

Stepper Hight Ranking with blessed Murray Man !!

2026 Repress

Un-American Activities is the 11th Studio album by Molly Nilsson. Written and recorded entirely on location in California at the former home of writer, poet and early opponent of the National Socialist regime in 1930s Germany, Lion Feuchtwanger and his wife Marta. An album of experimentation, genre-mashing and, above it all, Nilsson’s instantly recognisable melodic skill and empathy, it continues the songwriter’s explorations of power, freedom, oppression and its opposing force, a love unbound.
After accepting an artist residency as part of the Villa Aurora program, Nilsson began work crafting a new album from scratch in a new environment, afforded the freedom, space and time to challenge her practice and take her music into new territory. The resulting work, Un American Activities, is a love note not only to the artist who was among the very first to be declared an “enemy of the state” by the Nazi regime but also to both the eternal struggle he fought and the human spirit that pervades all of Nilsson’s best work. It is also a double-pointed poison pen letter: a critique of the new forms of oppression wielded by her temporary adopted country of the USA but also an acknowledgement of the promise it always offers but never fulfils.
Along with the novel use of colour and photography in the artwork for Un-American Activities, there are swathes of new techniques, genres and timbres new to Molly Nilsson’s music in evidence, 16 years into her music career. On Jackboots Return is an icicle-cold New Beat track that deals directly with the current situation in Germany and the resurgent Nazi-affiliated AfD. The question the song asks is, what’s the timeframe we’re talking about? Is this the 30s, or somewhere a lot closer to home? The beat is picked up on The Communist Party, Nilsson’s deepest bow to House music, evoking the early 90s Rave pioneers, Belgian 80s music and Vogue-era Madonna. Here the lyrics are direct quotes from the McCarthy-era, anti-Communist pamphlet 100 Things You Should Know About Communism in the U.S.A. The Beauty Of The Duty does to pounding Electro what Nilsson’s last album Extreme did to Metal: subsume it into the Molly Nilsson aesthetic. It goes hard.
While Un-American Activities finds Nilsson experimenting, creating instinctive music on a first-thought-bestthought basis there are still “classic” Molly moments liberally spread throughout. Excalibur feels like the Molly of old, an absolute star of a chorus refrain smudged with the vaseline of fuzz and hope, Red Telephone is wide-eyed, slathered in reverb and chorus effects, distorted with soaring melody, a heart-tugger that tugs the body upwards to the heavens with each evolving wave. Glistening digital tones wash through the album, providing a Y2K etherealness to Nilsson’s audacious Stars and Stripes reference to Wetcheeks. Perhaps the album’s standout, however, is Palestine (Somewhere Over The Rainbow), which is suffuse with empathy, solidarity and, in referencing the classic socialist-penned canon song from The Wizard Of Oz, speaks directly to the tradition of fighting oppression with full hearts of hope.

Andreas Vollenweider erklomm den Loreley-Felsen. Nicht um hier die schöne Aussicht auf den Rhein zu genießen und sich von Lore Lay, der Zauberin, auf Grund ihrer Schönheit den Verstand rauben zu lassen, was dann - der Sage nach - unweigerlich zu seinem Tod geführt hätte. Eher hatte er vorgehabt, mit seinen "Friends" (Walter Keiser - drums, percussions und Pedro Haldemann - percussions) am Abend des 29. August 1982 auf der Bühne des wunderschönen Freilichttheaters ein atemberaubendes Konzert zu geben. 1982 - die außergewöhnliche Karriere des jungen Andreas Vollenweiders, damals 28 Jahre alt - nahm gerade so richtig Fahrt auf. Ein Jahr zuvor hatte er sein Album "Behind The Gardens - Behind The Wall - Under The Tree" veröffentlicht. Ein Mega-Erfolg, weltweit. Mit seinem unverkennbaren, eigenen Stil, seiner sehr farbigen, dynamischen Musik, auch geprägt durch die Vielfalt an exotischen Klangfarben, begeisterte Vollenweider in kurzer Zeit ein Millionenpublikum. So gelingt es ihm auch mit seinen Mitstreitern, diese Magie an dem Abend auf dem Loreleyfelsen zu entfachen und das Publikum in seinen musikalischen Bann zu ziehen. Die sagenumwobene Lore Lay konnte sich zurücklehnen, ihre Zauberkünste waren nicht gefragt. Das erledigte der Zeremonienmeister Vollenweider persönlich, zusammen mit seinen beiden "Gehilfen": Sie verzauberten (musikalisch) das Publikum. Kleines Novum am Rande: Dieser Rockpalast wurde aus welchen Gründen auch immer nie gesendet. Umso mehr erfreulich, dass es ihn jetzt in toller Aualität gibt. Einzigartiges live-Konzert des damaligen 28jährigen Andreas Vollenweider, aufgenommen vom WDR beim Loreley Open Air Festival am 29.08.1982.

PRESSED ON MYSTIC EYE COLORED VINYL HOUSED IN A GATEFOLD JACKET WITH LINER NOTES INCLUDING AN INTERVIEW WITH KRS-ONE

Last August marked the 50th anniversary of the birth of Hip-Hop and we continue to honor the artists and albums that had a significant impact on the culture. In partnership with Sony's CERTIFIED, we are following up on our RSD reissue of BDP's Edutainment and KRS-One's Return of the Boom Bap with a long overdue reissue of KRS-One's 1995 self-titled album, KRS-One. Two years after the release of Return of the Boom Bap, KRS-One got back in the studio and behind the boards and enlisted for additional production DJ Premier, Showbiz, Diamond D, Norty Cotto, and Big French Production. In August of '95 KRS-One dropped the Preemo-produced lead single "MC's Act Like They Don't Know" with "Represent The Real Hip-Hop" featuring Das EFX on the B-side of the 12-inch, boasting KRS-One's lyrical skills and backing up his status as one of the best live performers in the game. KRS-One knocked it out of the park on his second solo effort with another Premier single about the current state of Hip-Hop on "Rappers R, N. Dainja" and straight-up Boom Bap rap on the Fat Joe assisted track "De Automatic." He offers political and social commentary on "R.E.A.L.I.TY.", "Hold", and "Free Mumia" with Channel Live and continues to diss sucker MCs on "Wannabemceez" with Mad Lion. Get On Down is proud to present this deluxe reissue packaged in a gatefold jacket with a new interview by Check The Technique author Brian Coleman, complete with a foldout lyrics sheet.

Das neue Album der französischen Reggae-Legende Big Red, eine Hälfte des Duos Raggasonic, ist ein Trip in die Welt der Soundsysteme und des modernen Dub, ein gekonntes Navigieren zwischen Roots-Reggae und heutiger Bassmusik. Begleitet wird er von der jungen Generation französischer Dub/Reggae-Produzenten wie OnDubGround (ODG), Little Lion Sound, Radikal Vibration, Bisou Dub, Irie Ites und DJ Absurd, die den Tracks ihre eigene Note verleihen. Mit seinem unnachahmlichen Flow befasst sich Big Red mit sozial engagierten Themen wie institutionellen Rassismus, Polizeigewalt und die Exzesse unserer Gesellschaft.

Entdecken Sie zum ersten Mal auf Vinyl, das 4. Album der großartigen Crew von Yellow Productions: Africanism All Stars. Unter der Leitung von Bob Sinclar und mit dJ Spen, Federico Scavo, Roger Sanchez, Eddie Amador, Bt&Baker, Martin Solveig, DJ Gregory...

repress !

* A brand new recording from the legendary Max Romeo whose recording career spans six decade. Max is of course best known for hits such as `War in a Babylon', `Chase the Devil' (aka `Iron Shirt' - as sampled by The Prodigy), `One Step Forward', `Wet Dream' and so on.
* This is a recent collaboration with producer Daniel Boyle from Rolling Lion studios who has been nominated for a Grammy Award for his recent album he produced with Lee Perry: `Back on the Controls'.
* This crisp musical biscuit features Max's vocal cut, a horns piece from Hornsman Coyote plus a dub version.
* This will be sure to move fast and won't be repressed

Endeckt weitere Perlen der elektronischen Musik. Wieder ausgewählt vom besten französischen Radio für dieses Genre: FG Radio. "The Drum"N"Bass" Anthologie ergänzt diese spezielle Vinylsammlung. Mit dabei sind: Goldie - Roni Size - Calibre - Nookie - Dc Breaks - Souljah - Dj Gilb"R...

DJ Support: Derrick Carter, Mark Farina

Whiskey Disco #74 follows up Michael The Lion’s stellar single with a return to classic Whiskey Disco form; a mix of somewhat recognizable samples tweaked for the floor or the poolside.

Summer is in full swing and so are the artists on the latest Whiskey Disco ode to summer parties. The A side showcases a long lost gem from Cole Medina that never quite saw the light of day. It’s a longtime honour to be able to put this song on the label and we can’t wait to have a loud 45 side in our hands to drop at the choicest of rooftop parties, poolside, beachside, or to break the tension after a dirty underground session. On the flip, we see Love Athletics breaking out with All of My Love, a cheeky vocal sample underpinned by a rocking bass groove and high hats that are more than a nod to Sex Shooter. The flanged groove will be perfect for day or night tie parties. Closing out, label boss, Sleazy McQueen provides an all analog cut up with palpitating drums and hypnotic grooves, with a nice surprise to break things up a bit.

Pt. 3 of the 'Dub me crazy' series by Mad Professor. This one features the much played killer, Bengali Skank .. TIP!
Originally released in 1983 on the same Ariwa imprint. True D.I.Y. business from this UK dub pioneer.

Der Sänger und Gitarrist MIKE TRAMP kehrt mit 'Songs Of White Lion - Vol. II' zurück. Auf den zehn Tracks des Albums interpretiert TRAMP wieder ausgewählte Stücke seiner ehemaligen Band White Lion neu.
MIKE TRAMP wurde mit White Lion, die 1983 gegründet wurden, in der Musikwelt bekannt. Nachdem die Band bei Atlantic Records unterschrieben hatte, feierte sie 1987 mit ihrem zweiten Album "Pride", das die Hits "Wait" und "When the Children Cry" enthielt, große Erfolge. Das dritte Album "Big Game" (1991) und das vierte Album "Mane Attraction" (1992) setzten die Erfolgssträhne der Band fort, doch schließlich lösten sich WHITE LION 1992 auf. Nach WHITE LION gründete TRAMP die Hard-Rock-Band Freak Of Nature, die eine deutlich dunklere und härtere Stimmung als White Lion hatte. Freak Of Nature veröffentlichten drei Studioalben, bevor sie sich 1996 auflösten. 1998 startete Tramp seine Solokarriere mit dem Album
"Capricorn"; 2002 erschien sein zweites Soloalbum "Recovering The Wasted Years".

Seit 2009 schreibt und nimmt TRAMP als Solokünstler auf und hat neun Studioalben veröffentlicht, darunter sein letztes, For Første Gang" von 2022. Außerdem ist er ständig auf Tour, sowohl als akustischer Solokünstler als auch mit einer Begleitband, und er hat nicht vor, in nächster Zeit kürzer zu
treten

BBsitters Club is a rock band based in Chicago that features Doug Kaplan and Charlie Olvera on guitar and vocals, Max Allison on bass, and Paul Birhanu on drums. As the label’s de-facto in-haus band, BBsitters Club satisfies Hausu Mountain co-founders Allison and Kaplan’s urge to remain connected to the rock and roll music they grew up loving and playing — far across the spectrum from the experimental electronics featured on the lion’s share of HausMo releases.

A solid four years after the one-two-punch releases of BBsitters Club & Party, the band’s 2020 debut studio album, and Joel’s Pick’s Vol. 1, the first volume in a series of audience-recorded live takes from shows around Chicago, we find the BBs reviving the Joel’s Pick’s series with Vol. 2. Charged with the energy of a close-knit group of friends willing to follow along with each other’s most outlandish ideas both in composition and live performance, JPV2 offers us a bewildering yet always tongue-in-cheek palette of ideas cherry-picked and mashed together into amalgams that both embrace “rock traditions” and defy them with a cherubic grin.

BBsitters Club’s amorphous compositions land somewhere between the world’s most baked prog band and a jamband that’s never content to lapse into wheel-spinning complacency. On JPV2, BBsitters Club cartwheel between eras and styles of rock music with abandon — a TV stuck flipping channels after your dad falls asleep with one leg on the remote. We encounter the elliptical dueling guitars and autumnal atmospheres of midwest emo / math rock, the gregarious stomp of electrified country rock, blues rock that has melted from ingesting one too many hallucinogens, and fried Devo-style art punk that breaches into the realms of ska before melting into free-form noise rock flecked with the bizarro imitative instrument tones of Kaplan’s MIDI guitar.

Vibronics is one of the most established names in UK Dub/Reggae music achieving millions of views on YouTube, millions of Spotify streams and many tens of thousands of vinyl record sales. Collaborators include Michael prophet, Macka B, Iration Steppas, Soom T, Aba-Shanti and more.
Meet some of the amazing artists involved in this album:

Radio Play : BBC 6Music Don Letts / BBC On The Wire / Worldwide specialist shows

Das von Josh Kaufman (The Hold Steady, Bonny Light Horsemen) produzierte 'In the Shadow of the Holy Mountain' verleiht dem elegant komponierten Folk/Indie-Rock von Blind Pilot eine neue, kraftvolle Energie. Das vierte Album der Band - das erste seit 'And Then Like Lions' (2016) - ist ein großer Schritt nach vorn und entfaltet sich mit einer exquisiten Leichtigkeit, die die Chemie, die sie als Special Guest von The Shins, Andrew Bird und Gregory Alan Isakov und auf Festivals wie Lollapalooza und Bonnaroo gezeigt haben, voll ausspielt.

First Aid Kit neu bei Sony Music: nach den beiden Independent-Alben "The Big Black & The Blue" (2010) und "The Lion's Roar" (2012, beide Wichita Recordings) veröffentlichen Klara (21) und Johanna Söderberg (23) mit "Stay Gold" ihr drittes Album nun bei Columbia Records. Die Söderberg-Schwestern stammen aus dem Stockholmer Vorort Enskede, wo sie 2007 damit begannen, eigene Songs zu schreiben. Bereits ein Jahr später nahm sie das The Knife-Label Rabid Records unter Vertrag, bei dem im selben Jahr die Debüt-EP "Drunken Trees" erschien. Der Re-Release der EP beim Indielabel Wichita Recordings 2009 enthielt zusätzlich eine Coverversion des Fleet Foxes-Stückes "Mountain Peasant Song", mit dem First Aid Kit 2008 bei YouTube für Furore gesorgt hatten.

Nachdem den beiden mit dem Debütalbum "The Big Black & The Blue" der Einzug in die Top 30 der schwedischen Charts gelungen war, schafften sie gleich mit dem zweiten Longplayer "The Lion's Roar" den internationalen Durchbruch.

Die erste Single aus "Stay Gold" (VÖ 6. Juni) heißt "My Silver Lining".

Geschmiedet aus demselben Sheffield-Stahl wie Def Leppard, entstiegen auch Crimes Of Passion dieser Stadt mit der Leidenschaft und dem Ziel, unseren Vorbildern auf dem Weg an die Musikspitze folgen. Eine Band, die das Glück hatte, die einflussreiche Ära von Dio, Ratt, Queensryche und Journey miterlebt zu haben, aber keineswegs zu sehr in der Vergangenheit zu stecken, um das Songwriting vom
damaligen Emo/Metalcore-Sound beeinflussen zu lassen.

Es war offensichtlich, dass Crimes Of Passion das gewisse „etwas" hatten, denn innerhalb eines Monats nach der Gründung und dem
Schreiben der Songs für das erste Album ging die Band auf Tour mit Bands wie Tyketto, White Lion, Great White, Gotthard und durfte auch
bereits auf mehreren Festivals auf dem ganzen Kontinent spielen - die Stahlkugel aus Sheffield kam tatsächlich ins Rollen!

Celebrate the 30th anniversary of Disney’s The Lion King with the music from the film, for the first time on zoetrope vinyl. Watch the characters from the film come to life while listening to iconic songs including “Circle of Life,” “I Just Can’t Wait to be King,” “Hakuna Matata,” “Can You Feel the Love Tonight” and so much more!

Scottish experimental/electronic musician Drew McDowall's lifelong interest in an elegiac solo bagpipe style called pibroch (ceòl mòr in Gaelic) has been an inspiration for much of his previous work (including Coil's legendary Time Machines). This form, often traditionally used for laments and for tributes to the dead, fuses modal drones with flickering dissonance and plaintive melody evoking an ancient, solemn mood. His latest work, A Thread, Silvered and Trembling, both incorporates and transforms these elements via exploratory electronic processing, weaving an electro-acoustic tapestry of strings, shudders, voids, and voices, alternately disembodied and displaced. Co-produced with engineer Randall Dunn at Circular Ruin Studios in Brooklyn, the collection's four pieces capture McDowall at his most elevated and elusive, in thrall to "the ineffable - that which refuses to be spoken." McDowall's palette here is unusually eclectic, sourced from a dynamic orchestral ensemble arranged by Brent Arnold and comprised of cello, viola, violin, harp (Marilu Donovan of LEYA), and french horn. Ebbing between shrouded electronics and enigmatic, sometimes spectralist orchestration, the album moves with a seething, simmering energy, surging into elegant, uneasy crescendos. The first two pieces are inspired by a liberatory hijacking and inversion of a grim biblical story (and by a cryptic and strange UK simple syrup branding). Opener "Out of Strength Comes Sweetness" shivers with short echo and resonant pads, before shifting into the album's centerpiece: the 14-minute saga "And Lions Will Sing with Joy." A murmuring electrical storm of keening strings and disorienting drones gradually grows darker and denser, until suddenly there's a crack in the clouds, revealing mutated choral voices and sparkling harp. McDowall describes the track as "an incantation to help usher in a break, and a new beginning." The record's latter half evokes a deep untamed animism shot through with spiraling radiance. "In Wound and Water" sways with harp, plucked strings and eerie cello undertows while lush layers of disorientated electronics hang in the dusk. There is no resolution, only a faint gradient of fragile dissipation, leading into the album's harrowing and climactic closer, "A Dream of a Cartographic Membrane Dissolves." Processed voices (credited on the liner notes to "The Ghosts Who Refuse to Rest") contort, whisper, and gather as the rest of the ensemble sharpens, poising to strike. Then it does - grand, tragic stabs of strings and horns lashing the sky, storming heaven by force. The fallout is poetic and inevitable, raining embers into a dark sea. But the journey and catharsis of A Thread linger long after it goes silent. Like so much of McDowall's multifaceted catalog, this is music of immanence and alchemy, attuned equally to the sacred and the profane, to the tile and the mosaic.

Lionheart is the sixteenth studio album by English heavy metal band Saxon, released in 2004. The title is inspired from Richard the Lionheart, a 12th-century King of England. ""Beyond the Grave"" was released as a single with complementary video. Lionheart is a pure heavy metal album -- the Saxon that old-timers know and love. Such standouts as the album-opening ""Witchfinder General"" and ""Man and Machine"" would not sound out of place on such earlier classics as Denim & Leather and Power & the Glory. Lionheart is available as a limited edition of 1000 individually numbered copies on gold colored vinyl and includes an insert. This special edition contains an additional and exclusive cover print.

“Come my lady/Come-Come my lady/ You’re my butterfly, sugar baby”…If there was a song-track to the turn of the millennium, Crazy Town’s “Butterfly” was it, starting with its appearance on the 1999 album Gift of Game and winding up with its reign at #1 in the charts in February 2001. Anchored by a sample of Red Hot Chili Peppers’ “Pretty Little Ditty,” it forever defined the term “nu-metal power ballad,” and was a rare-for-the-genre love song to boot! But the album from whence it came didn’t fly as high as it did, with over 2.5 million copies sold, just because of “Butterfly.” The Gift of Game brings the noise with an all-out alternative metal assault, and the band’s rappers—bolstered by guest appearances from KRS-One and Mad Lion—are markedly better than their rap/metal contemporaries. And then there’s the album art, created by member Shifty Shellshock’s father and uncle, which lends a vivid rendering to the fantasies of every teenage boy listening to “Lollipop Porn.” In short, this was a freakin’ HUGE record that somehow…somehow!...has NEVER been on vinyl. So how to handle its momentous debut on its 25th anniversary? Well, first, we’ve created an inner sleeve with all of the lyrics (and there are a lot of ‘em). Our sources also tell us that the very explicit hidden bonus track on the CD release has mysteriously made it on here. But when it comes to the vinyl, given what we anticipate is going to be, ahem, crazy demand, we have pressed the record in two different colors, one in “Red Devil Velvet” vinyl and the other in “Yellow Butterfly” vinyl. Come dance with us and Crazy Town…twice!

"Enjoy The Toons Records in conjunction with Lionsgate proudly present Little Monsters Original Motion Picture Soundtrack. Composed and Conducted by David Newman, the score to the 1989 film is available on vinyl for the first time. Little Monsters stars Howie Mandel, Fred Savage & Ben Savage.The fantasy comedy tells the adventures of a boy who befriends the monster under his bed, discovering a world of mischievous monsters below!

Little Monsters Original Motion Picture Soundtrack features new art by Garreth Gibson, and the 2xLP is housed in a 350gsm gatefold jacket and black poly lined inner sleeves."

Enjoy The Ride Records in conjunction with Lionsgate, SModco & Destro Films proudly presents the Clerks III Soundtrack. Curated exclusively for vinyl and cassette tape by Kevin Smith and Enjoy The Ride Records, the Clerks III Soundtrack contains a selection of James Lewis Venable's score to the film, along with a collection of songs played throughout the film.

The vinyl release features Matt Taylor's art on the gatefold jacket and has a double-sided full-color insert, featuring stills from the film and additional art from Matt Taylor. Pressed across 5 colorful themed variants RST THC, Clerks III Swirl, Quick Stop, Smoke (Secret Stash), and a Mondo Exclusive Split, this pressing is limited to 1,500 copies.

Live LP from cult French punk / new wave band Dogs - limited white vinyl plus obi.

In the spring of 1984, the Dogs give a concert in Rouen, their hometown, at the Exo 7, the local venue. They play as a quartet, Dominique, Mimi, Hughes and Antoine. They are under contract to EPIC and have just released their 4th LP "Legendary Lovers" the previous year.

The concert, of course, will be rock and, in the band's image, elegant. It will be recorded and will remain unpublished to this day. With this record, you're holding in your hands the very essence of a rock concert as it should be: a small, smoke-filled venue (it's not compulsory) with no giant screen, no need for binoculars to see a tiny singer on stage waving to 25,000 spectators. The magic created by 16 strings, four electric guys, can only work this way. That's what you'll find here. Dry and clean.

"Live at Home" is that concert, finally available.

Lionel Herrmani

The album “Capuchin Swing” by Jackie McLean, released in 1960, is a seminal work in hard bop jazz. Recorded with renowned musicians such as Blue Mitchell on trumpet, Walter Bishop Jr. on piano, Paul Chambers on bass, and Art Taylor on drums, the album stands out for its intensity and inventiveness. Tracks like “Francisco” and “Capuchin Swing” showcase McLean’s exceptional talent for blending technique and emotion, making this album a must-have for jazz enthusiasts.

Animal Collective feiern das 15-jährige Jubiläum ihres bahnbrechenden Albums Merriweather Post Pavilion mit einer Deluxe-Vinyl-Neuauflage, die am 28. Juni bei Domino erscheint. Das Album wird zum ersten Mal auf farbigem Vinyl gepresst und ist als 2xLP in Translucent Green und Bluish erhältlich.

- 140G 2LP im blau-violetten und translucent grünen Vinyl inkl. bedruckten Innenhüllen und Downloadkarte

Alternate mixes engineered at King Tubbys studio, produced by Tappa Zukie, with killer King Tubby version on the flip. Pressed on coloured wax.

Lionel... Plays Drums, Vibes, Piano is a seminal album by Lionel Hampton and His Orchestra, where Hampton excels on tracks such as “Flying Home” and “Stardust”. His mastery of the drums, vibes, and piano is showcased, blending jazz, swing, and blues with unparalleled energy. This work, rich in innovative arrangements and memorable performances, embodies Hampton’s musical genius and his indelible impact on the world of jazz. Unavailable for many years, it is now released in a limited edition on TRANSPARENT ORANGE vinyl.

Nothing Makes Sense Without It, the seminal sophomore LP by Kind of Like Spitting, is finalyl getting the deluxe reissue that it deserves.. The group's second album, originally released in 2000, is a heartbreakingly tender effort, with songwriter Ben Barnett's signature, sullen voice aching across twelve slow-burners. Now, 24 years after its original vinyl pressing, the album has been reissued as a deluxe 2xLP featuring an entire extra LP of demos and unreleased tracks. Whether you're replacing your worn out original pressing or just discovering Nothing Makes Sense Without It, this reissue is a must have for both longtime die-hards or any fan of the music of Kind of Like Spitting's northwest indie contemporaries like Death Cab For Cutie, Pedro The Lion and Elliott Smith.

Emilíana Torrini erwacht aus der Pause mit einem brandneuen Album, MISS FLOWER. Es ist die Rückkehr zu einer illustren Karriere, die Chartstürmer wie "Sunny Road" und "Jungle Drum" von gefeierten Alben wie "Fisherman's Woman", "Me And Armini" und "Tookah" sowie ikonische Soundtracks wie "Der Herr der Ringe: Die zwei Türme" umfasst. Emilíana hat mit ihrem vielseitigen Stil aus Folk-, Pop- und elektronischen Einflüssen eine Grammy®-Nominierung, Ivor Novello- und isländische Musikpreise erhalten und eine Generation unauslöschlich geprägt. Ihr neuestes Werk, MISS FLOWER, verspricht, mit ihrem unnachahmlichen Gesang und innovativen Kompositionen das Publikum erneut zu fesseln.

Inspiriert von einer Kiste mit Briefen, die sie an die Mutter ihrer Freundin Zoe – Geraldine Flower – schrieb, begibt sich Emilíana Torrini mit ihrem neuen Album auf eine zutiefst persönliche Reise. Diese Geschichten lösten Torrinis kreative Vision aus und hauchten der fesselnden Erzählung, die sich durch MISS FLOWER zieht, Leben ein. Verspielt und frei, experimentell und erwachsen taucht Emilíana Torrini in verschiedenste Welten ein, lebt in den einzelnen Songs grosse Liebesgeschichten, kleine Dramen und intensivstes Leben. Und baut damit nicht nur der unnachahmlichen Geraldine Flower ein Denkmal, sondern auch weiblicher Selbstbestimmung und Unabhängigkeit.