Earl Lindo production from 1984... TIP!
Teenage twins Ruffy & Tuffy deliver an apocalyptic slab of synth drenched Rub a Dub with what could be the first use of Vocoder in Reggae for 1982’s If The 3rd World War Is A Must. This release draws from both the original 12” and the master tapes combining the best vocal cut and dub versions.
Though not prolific musicians, many may recognize the twins sparring in matching red Pony track suits in Ted Bafaloukos’ iconic 1978 film Rockers. Ahead of its time in almost every way, the lyrics dealing with global war and the nefarious use of technology, sadly seem as relevant now as they did in 1982 though some of the actors may have changed. Surrounded by elite reggae musicians from childhood it was nothing unusual for the brothers to be in the presence of elders like Gregory Isaacs, Burning Spear, Augustus Pablo, Jacob Miller and especially Bob Marley at recording sessions and in daily life.
If The 3rd World War was their first venture into the studio as solo artists in 1982 first at Channel One and then Tuff Gong where Wailers alumni Earl Wire Lindo and Tyrone Downie (keys and Vocoder) laid down their space age additions to the track creating a genre bending Reggae /Electro/ Dub concoction that still sounds fresh 41 years later. Wire Lindo & the twins took the mastertapes to Texas based mechanical engineer and producer Stephen “Iya” James who ran Marcus Garvey Records and the label African Unity Productions in the unlikely Reggae hub of Austin Texas. The track was not released until two years later in 1984 as a 12” which had a run of only 500 copies and is no easy find these days.
Buscar:p unity
Better Together Records, a label created with the idea of unity at its core, aims to share the sounds of the beloved harbour city, Sydney/Eora.
For the first release on BTR, label boss Chetch takes the reins and delivers six analog ethereal cuts from his hard drive, creating an oasis of escape from the drivel of modern day.
By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired... In this OASiS we believe in the unreal and manifest the nonexistent...
Solace in unity at the end of eternity.
Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.
“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!
“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.
"We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life." — Sara Oswald + Feldermelder
The 3rd collaboration of prolific cellist Sara Oswald and electronic musician Feldermelder evokes captivating sensations that oscillate between impending doom and hope. The albums' sonic journey is highly immersive, transporting the listener from one cerebral landscape to another. The transformative nature of metallic elements being integrated in sustained orchestral tones weaves the sonic tapestry, resulting in a captivating experience for the listeners. The organic sounding — reminiscent of minerals' timbres — brings a touch of brightness and a distinctive edge, while the orchestral harmonic structures lend a sense of grandeur and continuity. The origins of this music remain enigmatic, while the tracks of the album gradually unveil concealed aspects and the hidden truth.
One can step into a realm where melodies are reborn, as Sara Oswald's cello spins tales and emotions burst forth. Nature's eternal splendor intertwines with the essence of music, as she infuses harmonies with the soul of mountains. Vibrant hues come alive with delicate strokes, and cascading notes resonate with a select few. Feldermelder conjures profound echoes that swirl like ancient whispers of the earth's primordial past. He sculpts textures, from fragmented glitches to expansive atmospheres, that warp the fabric of reality. The two musicians merge together harmoniously, blending the acoustic and electronic worlds into a transcendent unity. This fusion of contrasting elements adds a unique and intriguing quality to the music. The cello's warmth merges with pulsating electronic beats, creating a symphony of contrasts and sonic upheaval. Each composition is woven in intricate layers, combining electroacoustic architecture with delicate precision. A subtle balance of chaos and control permeates the music as it meanders through the labyrinth of the mind. The soundscape unfolds like a grand tapestry, distant echoes murmuring like grains of sand.
Trained in baroque cello and advocating improvised music, Sara Oswald is the perfect match for sound artist and electronic musician Feldermelder. She plays solo, composes for film and theatre and collaborates with musicians like The Young Gods, Pascal Auberson, Sophie Hunger and Julian Sartorius. Feldermelder is a polymathic creative whose artistry spans composition, sound design, installation and code. He is co-founders of -OUS and part of Encor.studio, a collective of artists who specialise in creating immersive audio-visual installations. Through his work, he explores the idea of secrecy and its impact on our lives, using music and sound to create a thought-provoking and immersive experience for his audience.
Steyoyoke proudly presents “Couple Affair 10”, a remarkable double vinyl showcasing the collaborative spirit of the esteemed label members. This release features six tracks created through dynamic collaborations between Soul Button, Clawz SG, Monarke, MPathy, Haffenfold, Grammik, Lost Rhythm, and Michael Warren. “Couple Affair 10” serves as a testament to the unity and passion within the Steyoyoke family, further solidifying their commitment to the Ethereal Techno scene. With each track, this significant release beautifully encapsulates the creative synergy and collective talent that defines Steyoyoke, offering a truly immersive and transcendent musical experience. Vinyl enthusiasts and electronic music connoisseurs alike will be captivated by the sonic journey presented on “Couple Affair 10”.
Repress!
One of the gems on the smash hit album 'Soulmatic', Purple Disco Machine & Boris D'Lugosch's, 'Love For Days' gets the remix treatment three ways.
First up the master Kenny Dope - crisping up that shuffling rhythm with some added percussion and synthesiser arps to turn what was already a peak time soulful anthem, into a close to 8 minute extended journey drawing you in more and more with each build up and breakdown. Next up the PDM offers up an extended mix of the original, a welcome sight for those DJs on the club scene who have been rinsing this since the album dropped last year.
Finally, Motez takes you into raunchy, r&b tinged, garage territory, really honing in on Karen Harding's incredible vocals whilst incorporating brooding pads and sweeping fx's to create a special twist on the original.
DJ Support:
Aeroplane (Aeropop / Eskimo Recordings), Klingande / Kungs / Michael Calfan c/o (Unity Group Promo Sorter), Autograf (Counter Records), Treasure Fingers (Psycho Disco! / Fool's Gold), Malente (Southern Fried Records), Satin Jackets c/o (Eskimo Recordings / N.E.W.S.), Eric Sharp (9G Records), Gregor Salto c/o (Spinnin' Records), DJ Blake Jarrell (Armada Music), Jerome Price (Throne Room Records), DJ Licious (Spinnin' Records), Travis Emmons (Weapons Music), Electronic Youth (KMS), Solidisco (Fool's Gold / Ultra) :: Mark Knight c/o (Toolroom Knights), Mike Mago (Boemklatsch), Muzzaik (Spinnin' / Toolroom), The Disco Boys (We Play Music), Trevor Mac (Jalapeno Sound System), Ferdinand Weber (Spinnin' Deep), LCAW (Ultra), Plastic Plates (Sweat it Out), Mark Lower (Nurvous), Don Diablo c/o (Axtone / Spinnin' Records), Eton Messy, Après (Love & Other Records), Spada (Ego Music / Hysterical), Eelke Kleijn (Spinnin' / Suara), Horsemeat Disco (Strut Records / K7! Records), Horsemeat Disco (Strut Records / K7! Records), Adriana Lucia (Get Physical), Broc Roc (Dj B-Roc of The Knocks), Chordashian (Mullet Records), Hector Romero (Saw Recordings), Just Kiddin (Nervous Records)
Idris Elba c/o (Connaisseur Records / 7Wallace), Klingande / Kungs / Michael Calfan c/o (Unity Group Promo Sorter), Shiba San c/o (Suara / CUFF), Malente (Southern Fried Records), Rudimental (Asylum / Big Beat), Sirus Hood (Under No Illusion / Dirtybird), Marc Spence (This Ain't Bristol / Skint), Martin Solveig c/o (Spinnin' Records), Horsemeat Disco (Strut Records / K7! Records), Riva Starr c/o (Hot Creations), Mike Mago (Boemklatsch), Kokiri (Love & Other), Fred Falke (Work It Baby Records), Claptone c/o (Exploited), Roger Sanchez (Stealth Records / Astrx), Don Diablo c/o (Axtone / Spinnin' Records), Icarus (FFRR / SubSoul), Pezzner (Dirtybird), Jourdan Bordes (Phonetic Recordings), Mahalo (Toolroom / Bunny Tiger), AC Slater (Night Bass), Chordashian / Felix Feygin (Mullet Records), Fei-Fei Wang, Kristina Sky (Ultra / Armada), Thee Cool Cats (Toolroom / Bunny Tiger), Solidisco (Fool's Gold / Ultra), Infected Mushroom c/o (HOMmega Productions), DJ Blake Jarrell (Armada Music),Travis Emmons (Weapons Music), Human Life (LIFEX / Exploited), Treasure Fingers (Psycho Disco! / Fool's Gold), Hector Romero (Saw Recordings), and Danny Howard (BBC Radio 1 / Nothing Else Matters)
- A1: Permeate
- A2: Unity Gain
- A3: Eyes Shut Feat Faye Houston
- A4: What Is The State Of Our State (Part 1) Feat Repeat Beat Poet
- A5: Your Invasion Is A Lie Feat Idris Rahman
- B1: Unforgotten, Unforgiven
- B2: What Is The State Of Our State (Part 2) Feat Repeat Beat Poet
- B3: Flames Feat Faye Houston & Tamar Osborn
- B4: Refuge (Interlude)
- B5: Refuge
Albert’s Favourites label founder Scrimshire is set to release bold new album 'Paroxysm'. In the last few weeks of October 2022, Scrimshire wrote a new collection of songs with the descriptive working title "Scream". A direct response to the absurdity of the breakdown in the UK government, the horror of the treatment of refugees arriving on our shores and the callous disregard for the trauma being caused to low-income people or anyone considered "other". While self-preserving Conservative MPs fought for their jobs, record profits were announced by energy companies as they were gouging crippling amounts of money from people's pockets. The anger, sadness, mourning, and frustration he felt was poured into these recordings.
Originally named “Scream 8”, ‘Unity Gain’ was one of the early outpourings from those sessions. Piano and drums bubble up until it fully boils over with huge stabbing synthesiser and string sounds in an outburst of frenetic energy. "Division seems to characterise our daily experience”, says Scrimshire. “How does a society stop the callousness and corruption from seeping into its bones?".
Singer Faye Houston features on both ‘Eyes Shut’ as well as, alongside saxophonist, composer, and multi-wind instrumentalist Tamar Osborn, on ‘Flames’. About the latter Scrimshire explains, “One person can breathe fire into your life and the world, leaving an indelible mark. The album was influenced hugely by a friend we sadly have lost. I think of it like the heat you still feel after a fire has gone out”.
London-based poet and emcee The Repeat Beat Poet captures moments of time, thought, and feeling on ‘What Is The State Of Our State’, a furious yet succinct stream-of-consciousness diatribe in two parts. From afrobeat and reggae-influenced London band Soothsayers, clarinetist and saxophonist Idris Rahman features on ‘Your Invasion Is A Lie’, an ever-progressing, cosmic-jazz track.
The elegiac ‘Unforgotten, Unforgiven’ features saxophonist Nat Birchall, on which Scrimshire says "This is dedicated to the politicians who have forced refugees into life-threatening decisions. Pushing people into the hands of traffickers, into small boats and too many beneath the waves of our seas. Who force the lives of men, women, and children into more danger, in the hope of escaping war, poverty and persecution only to meet more cruelty and persecution. It won't be forgotten, and it won't be forgiven".
Scrimshire’s last album, 2021’s 'Nothing Feels Like Everything', received an Album of the Year nomination at the Gilles Peterson Worldwide Awards and last March he was named by the Guardian as one of three producers behind the new wave of UK soul, alongside Inflo (Michael Kiwanuka, Sault, Lil Simz) and Swindle (Joel Culpepper, Greentea Peng, Kojey Radical). Albert’s Favourites was formed by Adam, Dave Koor, and Jonny Drop, who designed the logo and artwork, and has released records by The Expansions, Hector Plimmer, Huw Marc Bennett, Pie Eye Collective, Qwalia, Ronin Arkestra.
Early support from Huey Morgan, Amazing Radio specialist playlist, Gideon Coe. Previous support from Gilles Peterson, Mary Anne Hobbs, Jamz Supernova
- A1: Everything I Own
- A2: Silver Words
- A3: I Wish It Could Be Peaceful Again
- A4: Artibella
- A5: Lady With The Starlight
- A6: Walk Away From Love
- A7: Why Baby Why
- B1: Is It Because I'm Black?
- B2: Freedom Street
- B3: Live Good
- B4: Let Go
- B5: Can't Fight Me Down
- B6: Your Feeling & Mine
- B7: You're No Good
- C1: Crying Over You
- C2: It's Gonna Take A Miracle
- C3: Who Gets Your Love
- C4: Say You
- C5: (That's The Way) Nature Planned It (That's The Way)
- C6: Now I Know
- C7: I'm Not For Sale
- D1: Freedom Day Aka Freedom Time
- D2: Love & Unity
- D3: Somewhere
- D6: Got To Get Away
- D7: Love Don't Love Nobody
- D4: Rasta Never Fails (Feat Lloyd Charmers)
- D5: Satta Massagana
Ken Boothe, der wohl begabteste jamaikanische Musiker seiner Generation, gilt heute als lebende Legende, dieüber einen Zeitraum von rund 60 Jahren unzählige Ska-, Rock-Steady- und Reggae-Klassiker aufgenommen hat.
Nach seinem Aufnahmedebüt im Jahr 1962 erlebte Ken Boothe eine äußerst erfolgreiche Karriere in Jamaika, bevor er 1974 mit seiner Interpretation von "Everything I Own" und dem Top-10-Nachfolger "Crying Over You" internationalen Ruhm erlangte.
Diese beiden äußerst beliebten Titel sind auf dieser Sammlung enthalten, die Teil der neuen "Essential Artist"-Serie von Trojan Record ist und die beliebtesten Aufnahmen einiger der größten
Musiktalente Jamaikas präsentiert.
Erhältlich als 28-Track-Doppel-Vinyl-LP und als umfassende 2CD-Compilation, zeigen beide Veröffentlichungen das außergewöhnliche Gesangstalent eines der besten und gefühlvollsten Interpreten, die der modernen Popmusikszene seit den Sechzigern ihren Stempel aufgedrückt haben.
2023 Clear Vinyl Repress! nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work.Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's. The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb.Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depth-charged technoid closer. For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.
MOOD CHILD is the new artistic platform of DJ/Producers, SIRUS HOOD & MANDA MOOR.
Evolving from a collective idea during our difficult pandemic period, MOOD CHILD is, at its centre, about community, collaboration, friends and family. Working together, feeding each others creativity and forging fresh and exciting new sounds and projects.
MOOD CHILD is an invitation to a journey that blends different feelings, emotions and desires. To activate your inner child. Reinvigorate the wild, primitive and unfiltered state of being and create an almost divine sense of unity. All through the power of music and art.
Their collective sensibility is nurtured upon the dancefloor and last summer they were blessed to have presented a first MOOD CHILD experience in collaboration with Hï and Café Mambo in Ibiza. The mood then took them to Bagatelle in Zürich and Lovefest in Serbia and they now prepare to launch their 2023 campaign alongside the elrow family for a sold out event in Andorra 1st of April.
However, what is a party without its soundtrack? Their first release, as its title suggests, brilliantly displays the labels primal perception… ‘Homo Sapiens’ is the mood child of Sirus Hood and Malikk. Four carnal creations, all guaranteed to ignite a rabid dancefloor response.
‘Booty Side’ uses its compass to expertly navigate its way through bubbling acid and rolling snares as we go in search of Jack, while the title track will have us going ape to its chest-beating bump and knuckle-dragging groove.
Silverback beats swing low on the flip too as ‘King MTF Kong’ bites hard with its heavy Chicago hustle and detuned synth, while the feral Juke-infused finale, ‘Gorilla Walk’, is a break-neck bass-driven and bruising encounter that is more Jersey club than Empire State building.
The ‘Home Sapiens’ EP is released on the 14th April and will be available on vinyl and digital formats, alongside a series of exclusive NFTs.
MOOD CHILD’s official online store will launch soon and feature not only the music and digital art projects, but also an official clothing brand, sample packs and exclusive content from their artists.
It’s time to connect with your MOOD CHILD.
Holly Lester’s Duality Trax Label has quickly become synonymous for its blend of future facing sonics and mind-warping melodies, served together with a healthy dose of nostalgia. A label just as focused on making dancefloor destroyers as it is exploring left-leaning, personal projects, it’s within this duality where the label has found its success, never afraid to shy away from b side oddities or tracks edging more towards good-old-fashioned-fun.
DUALITY5 steers towards the latter, with Manchester based DJ & producer Aiden Francis providing the serotonin on tap with three lively dancefloor cuts, including a huge remix from Italy’s Matisa. Aiden had a big 2022, releasing music on Magic Carpet, Gestalt and beloved music platform and label Houseum, solidifying himself as one to watch in the euphoric unity of house, trance and techno.
Title track ‘Plastic Fantasy’ is the star of the show, a suitably sassy roller that places everyone's favorite blonde icon front left of the speakers. Subtle old school strings contrast with alien electronics, providing familiarity in an otherwise unfamiliar world. A bubble-gum vocal then rolls in cheekily over a driving bassline and dynamic percussion - used in a way I’m not sure the original creators had in mind. ‘Future Proof’ meanwhile demonstrates Aidens’ knack for contemporary progressive house music. With warm pads, swirling sonic textures and moments of blissful euphoria, it’s energetic enough to move a dancefloor, but gentle enough for home listening too.
The record comes to a close with ‘Aquamarine’, with Aiden opting in favour of free flowing breakbeats and mind expanding synths, together radiating a feeling of warmth and hope for days to come. Italian DJ and producer Matisa is on hand to round the EP off with a bass-heavy rendition of ‘Plastic Fantasy’ a no-holds-barred speed garage licked stomper, with the power to lure smokers back inside the club with their feet firmly planted on the dancefloor.
UV1 is the debut release by Unity Vega. Scaling BPM's from 140 through 210, the EP reveals a one of a kind sonic vision. Head-spinning percussion and higher dimensional synths mesh with club-ready rhythms across all four, deftly spanning many moods and eureka moments.
- A1: Purelink - Personal Velocity
- A2: Tammo Hesselink - Half Learned
- A3: Lara Sarkissian - Eternal Repose
- A4: Feloneezy - Lipstick On My Double Chin
- A5: Spivak - The Fucking Bed On The Floor
- B1: Civilistjavel - Fyrkant
- B2: Salamanda - Drink Wisdom
- B3: Hiroma Keo - Broken
- B4: Slowfoam - Mirror Stone
- B5: Ssiege - Virgo Oscura
Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly.ambient
Electronic pop music superstars Röyksopp present their extraordinary ‘Profound Mysteries’ project, released through Dog Triumph. Röyksopp worked with a cast of global visual and musical collaborators to create an incredible 30 tracks, 30 artefacts, 30 visualisers and 30 films that have been revealed throughout the year.
‘Profound Mysteries’ brings together some of the most talented music artists in the world, including Alison Goldfrapp, Pixx, Susanne Sundfør, Astrid S, and Karen Harding.
Welcome to BM-18 the biokinetic realm created by Dana Kuehr, a lush audio environment where organic and synthesized matter coalesce. As we float disembodied above this verdant pixel plain, Dana offers us shifting repetitions and sequences in disguise, each track a landscape within a world created in the utmost detail, from the minute bleeps and chirps to the enveloping and bumping bouncy basslines. Flickering drums explode like dandelion seeds in a breeze, searching for a place to lay, grow, and flourish. Sounds are captured (fingers tapping, rain patter, Belgian parakeets released from a '70s zoo, vocal oohs and ahhs) and hybridized with patterns, samples, and musical manoeuvres (jungle breaks, west coast hip hop, layered drums, IDM crunch and twinkle, reverb, delay, '90s R&B, underwater video game soundscapes). As in any imaginary sphere, there are characters who exchange and converse: rivers, coasts, clouds, lakes, echoes of dolphins, and peaceful frogs. Amidst their complex chatter, the sounds of BM-18 extend an invitation to dance, to feel our bodies alive and present, to acknowledge the impulse of movement and the pulsing heartbeats of each track. An ode to the Taoist consideration that all creatures live together in mystic unity, co-evolving and feeding each other, Dana brings together cloud ethereal with earth pounding, and like an orca's tail upon a restless sea, it slaps!!! All tracks written and produced by Dana Kuehr between April 2020 and November 2021 in Brussels, and mixed by Dan Piu at Checkpoint Charly Studio in Zurich between November 2021 and March 2022. Mastered and cut by Stefan Betke at Scape in Berlin. Original artworks by Camiflage and text by Ailsa Cavers. A1 was first digitally released on Ojoo Music. Dana thanks Michiel, George, Jakob, Camiel, Ailsa, Tania, Victor, Jill, Karen, Daphne, Arne, Oscar, Joe, and Gwenan for the love and inspiration. True voyage is return!
Home is a powerful concept with an abstract definition. This solo album takes those subjective ideas and unifies them under one roof. Evolving from Jerve’s #dailypiano posts in 2019, ‘The Soundtrack of My Home’ relays thoughts and improvisations that trace his journey from childhood home to adult and now, father. Nurturing a mood or feeling, each song begets a sonorous story of someone close to him, expressed through the language of piano playing.
Jerve makes use of his hands as a human step sequencer, often programming two or more motifs of varying lengths in a polymetric fashion. These melodic patterns and arpeggios evolve at varying rates but grow around clear progressions with standard 8-bar forms.
The first track - ‘Kjetil’ enters with an earnest, gentle and endearing character - like a young river near its source. As with such a river, it will grow to varied sizes throughout the album but must begin as a humble expression from the source. The following titles sketch his interpretations of the people that have made up his home.
There is a theme across the album that unites the songs, so much so that differentiating tracks can at times be difficult. Though, Jerve punctuates this overarching mood with a few distinct structures, as found in tracks ‘Karoline’ (wife), ‘Espen’ (brother) and ‘Sven’ (father). ‘Turid’ (daughter) and ‘Jon Eirik’ (brother) seem less directive and welcome more intrigue, reminiscent of a curious child wandering through the dappled light of a forest.
‘Iben’ (daughter) and ‘Eivor’ (daughter) have a hypnotic, three-pointed melodic structure that leaves the listener suspended; transfixed - while ‘Sussi’ (cat) carries unique momentum and suitably feline autonomy. ‘Mette’ (mother) has a mood of ascending, like that of a child's upward gaze at their maternal carer. Utterly nuanced in structure, Jerve leaves ample space for subjective interpretation and allows the listener to weave their own life into the tones.
As expected from the founder of Dugnad rec - this album signifies a deeply personal sentiment. Sometimes we are forced to confront the music and other times, we are left to wonder. Here, we find a balance and unity that allows little thoughts and worries to drift away, bringing us warmly to rest in the present. The LP edition's bonus track features producer/performer extraordinaire Stian Balducci, drawing a line to the next chapter of piano-based music from Dugnad rec: TOKYO TAPES: PIANO RECYCLE.
Tehran-born, NY based brothers Mohammad and Mehdi collaborate with Ian McDonnell, a.k.a. Eomac on a new record entitled "Patience of a Traitor". Inspired by the traditional bath houses in their native Tehran, the brothers say: "This record speaks to preserving the things that are timeless, through revisiting the past. The traditional Persian bath house — its architecture, the role it played in keeping, building community, the bathing rituals — served as our ultimate symbol. Now we drink from one cup, and fill the jar with the other."
Saint Abdullah is the moniker of Mohammad and Mehdi, New York based Iranian-Canadian brothers working across sound. Inspired by Iran’s religious, political and cultural history, the project was formed out of “a deep frustration with the way the West perceives – and treats – Muslims and the Islamic faith”. They aim to “challenge stereotypes and act as a conduit between unnecessary enemies”. They have released on labels such as Purple Tape Pedigree, Cassauna, Psychic Liberation, Important Records and Room40. Ian McDonnell, a.k.a.
Eomac, is a composer, producer, DJ and label owner. He has released genre-spanning music via The Trilogy Tapes, Stroboscopic Artefacts, Bedouin Records, Killekill, his own Eotrax imprint and the iconic label Planet Mu with his 2021 album, 'Cracks'. His music draws from obscure samples and raw sound design in an ongoing search for musical and collective unity through intense, visceral music for body and soul.
- A1: South Funk Blvd - Skying High (Getting Off On Your Lovin')
- A2: Ad Libs - Don't Need No Fortune Teller
- A3: Atlantis - Hung Up About You
- A4: Smoke Inc - Waitin' For Love
- B1: Mandisa - Summer Love
- B2: City Lites - Now You've Gone Away
- B3: Papaya - Favela
- C1: Alcione - Este Mundo Tem
- C2: Quintaessencia - Serrado
- C3: Superior Elevation - It Was September
- C4: Keith Chism & Light - My Life & Song
- D1: Belita Woods - Magic Corner
- D2: Spare Hare - Ain't No Doubt About It
- D3: Sammy Acuna - Never Found A Girl
- D4: Sweet Mixture - House Of Fun & Love
Yellow Vinyl[30,67 €]
Here we are at the dawn of a new compilation series and we’re kicking things off with an absolute gem that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along. They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity.
‘With Love: Volume 1’ has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk/AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.
Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it’s the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.
In 2018, when just 24, Miche became a music programmer for London’s illustrious Spiritland group of venues. From this musical sanctuary, he was able to listen, learn and meet some of the best selectors from around the world. It was a musical education, and he was particularly drawn to the deep sessions by DJs such as Mark Taylor, George Arthur, Kev Beadle, Patrick Forge, Dr. Bob Jones, and Colin Curtis to name a few. He also used this time to begin running his re-issue label Discs of Fun and Love with co-owner and friend Frederika.
Sometimes the cynical knock compilations, there is certain snobbery amongst some about the original pressing, but music shouldn't just be about lucky collectors giving over large sums of money to record dealers. It's also about a bridge to the past, a celebration of the legacy of somebody’s art, and a second chance for initially overlooked work to shine. As with all the best compilations, it has been compiled with love…
Less than a year after the well-received release of “Quicksand”, Stand High Records presents “Midnight Rock”. A new fundamentally Roots 7” single, the result of a second collaboration between Joe Yorke, Eeyun Purkins and Stand High Patrol.
This brand new single was mixed the old school way at the Kerwax studio. In a true traditional roots reggae manner, the A side offers Joe Yorke’s vocal version while Pupajim’s “Deejay Style” reply sits on the flip. These two tunes address social divisions in our modern society, which is in contrast with the unity felt and temporarily expressed within the dancehalls. Grooving all together to the rhythm, fuelled and constrained by our individual social condition, as soon as the music ends we remain alone.
On the two sides, the words “Midnight Rock” resonate on a riddim built for soundsystem sessions. “Midnight Rock”, an invitation for all skankers to enjoy the moment and make it last after the lights come on, a call to fight together against what divides us. “Midnight Rock”, time to join the dance. “Midnight Rock”, time to engage in combat.
- A1: Soul Wun - 96 To Albert Park
- A2: T U.r.f. - Easy Way Out
- A3: Joe Cleen – Chainsmoker
- B1: Jesse Bru - Yellow Sunshine Machine
- B2: Felipe Gordon – Avalancha
- B3: Erik Ellmann - Private Talk
- C1: Kristy Harper - Blissful Denial
- C2: Amy Dabbs – Nebel
- C3: Fede Lng & Mojeaux Ft Raw Takes - Mackie Acid
- D1: Two Half Circles - Daisy’s Groove
- D2: The Revenge - High Time
- D3: Metropolitan Soul Museum - Four Dancers
London's SlothBoogie return with the second instalment of their 'Dancing With Friends' series this August, featuring exclusive new music from Kemback, Felipe Gordon, Mak z, Bill Mango, The Revenge and more.
Following the success of the inaugural 'Dancing With Friends', which featured the likes of Kassian, Letherette, Joe Cleen and Ruff Stuff amongst others, the crew are back with that ever so tricky... second album. This sequel however, will not disappoint. The team have scoured the four corners of the globe to provide listeners with a comprehensive follow up that showcases more brand-new music from their favourite producers.
'Dancing With Friends Vol.2' is a deftly curated selection of the diverse styles synonymous with the SlothBoogie sound, ranging from the hazy deepness of cuts by Amy Dabbs, DJ Counselling, Bill Mango, Metropolitan Soul Museum and Kristy Harper to Disco tinged, jazzy, bumpy numbers from the likes of Jesse Bru, T.U.R.F. and Felipe Gordon through to more tripped out acid workouts by The Revenge, Fede Lng & Mojeaux, Togethrs and Pablot.
With this latest collection you can trust SlothBoogie to bring some much-needed dancefloor unity and sun-drenched energy to the world for the summer of 2021. The perfect soundtrack to reconnect and begin dancing with friends once again.
The vinyl format will come as a Gatefold Cover with 2 x 12" cream speckled clear vinyl and will include the full digital album download cards.
2020 sees Jazz & Milk celebrating its 15th anniversary! Since 2005 the label, founded by Dusty, offers an experimental playground for international artists that share a passion for organic and soulful dance music. Many legendary club nights and over 30 releases later, Jazz & Milk has become a household name amongst the eclectic music imprints. The focus has always been to transcend genres, including a broad spectrum of styles ranging from jazz, soul, brazil, afrobeat to house, broken beat and electronic music.
For this very special occasion, the label presents six exclusive tracks by the likes of Steve Spacek, Àbáse, Sam Irl, Feater, Bongani GiveThanks and Moe Fabrik - the club focused collaborative moniker of Wayne Snow, Ziggy Zeitgeist and StyleBoi 92.
With this compilation project, Jazz & Milk is not only celebrating an illustrious 15 years of operation. The label also wants to take the opportunity to highlight the importance of 'community', at a time when racism, greed, injustice and a deadly pandemic are jeopardizing our ability to harmoniously exist with one another.
Peace, Love & (Comm)Unity!
In The Land of Silence is the first full length album by experimental artist Ireen Amnes. The founder of the London based collective Under My Feet. debuts on Sonic Groove with an immaterial journey contemplating suffering, liberation, the importance of affection and unity. This ambient album reveals a hidden connection between these human emotions. From anger and rejection, to love and unity, the sounds explored by the artist represent a recent journey within. Recollections of distant memories are expressed with nostalgic sounds; by contrast, darker tracks are symbolic of those moments when it is more dif ficult to accept reality for what it is. Ireen expresses in this album that there wouldn’t be any joy without suffering.
Sounds created out of emotions that cannot be spoken. Beats that pulse out of gestures that can no longer be performed. Tones that screech out of bodies that can no longer be human. Echoes of all unspoken words reverb into the wounds of time; that constant ebb and flow of existence; that relentless stomping of exchanges. The slur of life is now noise – she collects its torn pieces with her bare hands and holds them close to her pounding flesh. She now sways in and out of consciousness, transported by nothing but his will to life, his ecstatic memory, his murmured love that now forms this soundtrack to her life.
The ‘Art On Ice’ EP is a tasty preview of the forthcoming ‘Ski Infinity’ LP by ‘The Steaming Jeans’: the official soundtrack for the ‘Winter Of Love’! The legendary ‘Winter Of Love’ was an athletic event of unprecedented scope and ambition held throughout the 1980s. For one beautiful decade, ice lovers from all four corners of the globe gathered at Mount Unity for two weeks of spectacular competition, dazzling snowscapes and glittering nightlife.
Contains exclusive instrumental version of ‘Art On Ice’. Limited edition of 150 copies on snowy white vinyl!
2023 Repress
For over 25 years, KOMPAKT strives to bring Techno, House and everything in-between to the dance floors of generations that come from (or live) in the past, present, and future. Today, we proudly present an anthem that truly speaks to us in the spirit of what lead us to create our SPEICHER series.
ANNA returns for her third round on SPEICHER following an incredible year of non-stop touring the globe, remixing JON HOPKINS and contributing to a recent AFTERLIFE compilation. KITTIN (formerly known as MISS KITTIN) needs no introduction - she is nothing short of a trailblazer in dance music history by contributing countless times through her voice, music and DJing.
Together they are FOREVER RAVERS - dispatching a message of everlasting unity for the dance floor community. ANNA brings her most voracious production skills to date interwound with KITTIN sounding at her best in an explosive consequence that we can only describe as being a must-hear Techno hymn.
ANNA takes the original past the stratosphere with her RAVING IN SPACE MIX. Not to be misinterpreted as a dub version, ANNA keeps the potency of the original but expands the core instrumental elements that moves from suspension to release in a decisively throttling means.
300 pages, 175 x 129mm paperback book w/ french flaps.
DINTE mint their short run book publishing imprint, The End books, with this vast collection of flyers for dances, clashes and blues parties from across the UK between the early 1970s and mid 1990s. Comes complete with intro by David Katz (People Funny Boy: The Genius of Lee 'Scratch' Perry, Solid Foundation: An Oral History of Reggae) and outro by Kevin Le Gendre (Don't Stop the Carnival: Black British Music, Children of the Ghetto: Black Music in Britain). Colour scans sit alongside scuzzy photocopies amassed over several years with the assistance of multiple archivists. The material presented in A Night to Remember is not just valuable musical history, but the story of a community and a culture that revolutionised sound culture in the UK.
"The flyers collected in A Night To Remember speak to the burgeoning sound system underground that flourished in Britain in the 1970s, 80s and early 90s. There are held events on hallowed ground as well as lesser-known sets. Flyers for house parties remind that shebeens remained an important feature of social life in black communities and the many sound clash and cup clash events emphasise the rivalry and camaraderie that has always been at the heart of the culture, as friends go head-to-head with their dub plates, vying for that definitive crown. Dances featuring guest appearances by name-brand artists such as Sugar Minott, Lone Ranger, Barrington Levy and Admiral Bailey, as well as sound systems such as Jack Ruby, King Jammies, Ray Symbolic, Arrows, Black Scorpio and Metro Media remind how closely the local sound systems remained to their Jamaican roots, even as sounds such as Saxon, Unity, Java and Diamonds carved out a distinctly British niche. All hail the enduring sound systems of Britain – long may they reign!" — David Katz
Melodize is bringing the world back on the dance floor with Lauer and his 4-track “K1m Fantasy” EP. Behind the label is Brooklyn-based DJ and musician Beartrax, who is known for his groovy yet moody compositions. Philipp Lauer, known as Lauer, is a true veteran in the electronic music sphere, with over 20 years of experience, yet his sound remains novel and fresh.
This time, Melodize and Lauer shape the world of a fantasy dance floor where everything is possible. “K1m Fantasy” starts with Lauer letting his confidence shine through as an experienced professional with a signature sound in the first track “Boss Electro”, which will inevitably showcase why he’s the boss.
The playful tune of “Rabbits” takes the listener on a journey through electro-induced synths much like the image of curious rabbits playing on a grass field. The eponymous B-side “K1m Fantasy,” with its steadily unfolding mellow soundscape, is an introspective piece exploring the fantastical world of the techno dance floor where all becomes one.
Lauer’s last treat is “Choirs,” where brassy exclamations take turns with a haunting choir of electronic voices, reminding us that unity is key to pleasure and existence.
2026 Repress
Straight out of Switzerland, D&B duo QZB continue their Critical charge picking up where their "Unity" release left off earlier in the year. The "Take It All EP" features an array of dark, techno infused drum & bass with label regular Charli Brix adding the vocal respite on the brilliant title track
BBMXI!! What a ride. Eden is back with another (un)holy 4 Track Ep.
You can not stop the Big Beat Manifesto, it is here to capture dancefloors across the globe, gaining
new followers by the minute.
Give in to it, surrender to the beat & move your feet. Bless you in the morning. Peace and unity.
Marking his return to Mind Against’s HABITAT imprint, German DJ/producer Sam Shure steps forward with ‘Best Of Me’ - a sophisticated four-tracker that reflects his continued evolution as a producer and performer. Known for fusing adventurous electronic design with melody-driven storytelling, Shure’s latest EP captures both the energy of the dancefloor and the introspective moods that define his sound.
Title track ‘Best Of Me’ opens with warmth and precision, balancing vivid melodies with propulsive rhythm and infectious vocals to form an emotionally charged journey. ‘CV Winds’ dives deeper into hypnotic territory, layering fluid percussion and enveloping synths in a piece built for late-night connection. On the B-side, ‘The Vibe’ sees Shure link with Turkish pairing Drumstone for a magnetic collaboration, a heady, trippy, and earworming dive into both artists’ sonic worlds. Closing with ‘Together’, the EP’s finale brings a sense of unity and release, blending tension and release with intricate grooves to round out the journey.
Having begun his musical journey under the guidance of his father, the Egyptian jazz musician Basem Darwisch, Sam Shure has evolved into an artist renowned for his expressive and forward-thinking sonic approach. Following releases on TAU, Cercle Records, and Magnifik, ‘Best Of Me’ reaffirms Shure’s reputation as a unique voice within the modern electronic landscape, making him a perfect fit for HABITAT’s expanding vision.
- A1: We Gon Win
- A2: Silver Lining
- A3: In The Sunrise
- A4: Stuck In My Head
- A5: Separate Ways
- A6: Cheirinho (Feat. Yoùn)
- A7: Cheirinho (Feat. Yoùn) (Acoustic)
- B1: We Gon Win (Instrumental)
- B2: Silver Lining (Instrumental)
- B3: In The Sunrise (Instrumental)
- B4: Stuck In My Head (Instrumental)
- B5: Separate Ways (Instrumental)
- B6: Cheirinho (Feat. Yoùn) (Instrumental)
- B7: We Gon Win (Acapella)
- B8: Stuck In My Head (Acapella)
Adi Oasis returns with Silver Lining, her boldest EP yet, exploring strength through surrender and vocal freedom. Blending neo-soul, funk and retro-future R&B with producer Carrtoons, this new EP showcases Adi’s soaring vocals and stage ready energy, a modern diva moment designed for movement, empowerment and joy.
Don’t believe your ears - Pepper’s Ghost is the latest offering from NYC project Nuke Watch.
Whatever you think it is - it is not. By the same token it really can be whatever you want - electronica, jazz, improv, noise, new age, ambient - it’s none and all of these. Like the primitive visual illusion it’s named for - Pepper’s Ghost is a projection of a thing, it’s not the thing.
The Nuke Watch method - like that of Aaron Anderson and Chris Hontos’ other primary project Beat Detectives - leans almost entirely on live improvisation, with some advanced studio alchemy in post. Where the Beat Detectives palette draws from club music tropes, Nuke Watch blends recognizable tones (hand drums, woodwinds, keys, fretless bass) with sounds of providence unknown, the line between organic and synthesized instrumentation unintelligibly smudged. What is real and what is projection? It’s hard to say. What do our ears tell us? This is where we arrive at Pepper’s Ghost.
Warped as the sounds may be, the playing belies a crew of deeply expressive, learned improvisers who have their craft honed. Their friendship and psychic connection enhances the ritualistic rhythms, mutant modular synthesis, nimble keyboard runs, absurdist sampling and unidentified skronk. They’re wonderfully complemented across several tracks on this set by Cole Pulice’s levitational, sublime saxophone.
As unhinged as this might all appear, once the mind and music meet on the same wavelength this is profoundly moving, energizing and uplifting Alive Music that recalibrates the sense of what music can be.
Nuke Watch is Aaron Anderson and Chris Hontos, with an array of friendly guests. They’ve released records as Nuke Watch on The Trilogy Tapes, Commend and Moon Glyph. As Beat Detectives they’ve released records on Not Not Fun, 100% Silk and their own studio imprint NYPD Records.
Pepper's Ghost was written and produced by Aaron Anderson and Chris Hontos. Additional instrumentation on these recordings by Cole Police, Leonard King, Eric Timothy Carlson, Chris Farstad and William Statler. It was mixed by Chris Hontos and mastered by Jack Callahan. Painting on the cover is “The Unity Of Being” (2020), by Ry Fyan. Design and layout by Aaron Anderson.
RIYL - Musical illusions, puzzles and magic tricks, downtempo, music of the spheres, good journey, Eddie Harris, Ketron, "world building", orange sunshine, suspension of disbelief.
Crystal Tides’ long-awaited debut album Toothpaste is the sound of a band truly coming into their own. Written and recorded completely independently, the record embodies the spirit of resilience, creativity, and raw honesty that has carried the Portsmouth outfit through their journey so far. “We wanted the focus of this album to showcase our independence as a band. We felt it important, given our journey thus far, that it come from us in as raw form as possible.” The seeds of Toothpaste were planted back in 2022 with rough voice notes on lead singer Billy’s phone, evolving into a collection of songs that capture both the band’s infectious energy and their most personal reflections to date. From collaborative writing sessions in the practice room to late-night home demos, every track carries the DNA of Crystal Tides’ unity and determination. Working with long-time collaborator and producer David Evans, the result is a bold, heartfelt body of work that celebrates their independence while delivering polished, stadium-ready anthems. The album takes its name from one of its most intimate tracks. Toothpaste was born out of Billy’s battle with Ulcerative Colitis, which led to life-changing surgery. A passing joke about naming the album after the song became a moment of clarity. It's unusual, striking title felt like the only choice, a symbol of the band’s authenticity and ability to find meaning even in the unexpected.
- Side A. Stay By My Side
- Side B. Strawberry Girl
●STAY BY MY SIDE (Youth Of Roots)
This is the title track from Young Israelites' 2021 debut EP, which made them a household name.
Its catchy, pop melody has captured the hearts of reggae fans worldwide, and Youth Of Roots' KON RYU has covered it in Japanese.
It blends seamlessly with the song like a long-time favorite, bringing out the original's charm with a new brilliance.
●STRAWBERRY GIRL (Young Israelites)
A popular song that shines with sweetness in Youth Of Roots' repertoire, which is filled with roots-conscious, message-driven songs.
Young Israelites' English cover, with its melancholic vocals, further enhances the quality of the original.
YOUTH OF ROOTS
A roots rock reggae band formed in Kanagawa in 2016. Their multi-generational sound and spiritual musicality, rooted in their experiences in Jamaica,
define their sound. They've released numerous singles, including their latest album, "LOVE IS THE ANSWER."
They connect with their audiences at live shows, conveying the spirit of "One Family." Their overwhelming sense of unity and sincere message transcends
borders, earning them praise from international fans as "the best reggae band."
[YOUNG ISRAELITES]
A rocksteady/roots reggae band consisting of three members from Israel. Building on a vintage Jamaican sound, their familiar melodies and soulful,
passionate performances have garnered attention from reggae fans worldwide. Since their debut, they've released a string of EPs and full-length albums,
and have expanded their global reach, including airing on the BBC and performing at the world's largest reggae festival, ROTOTOM SUSPLASH.
This new-generation band vividly revives the spirit of rocksteady and roots reggae for the modern era.
180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL
Desmond Dekker recorded some of his best known songs together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard). Their debut album 007 (Shanty Town) includes their single of the same name, which made him Jamaican music's first outernational superstar, reaching the 14th place in the UK charts. You'll hear how the Ska music from the mid-60s is developing to the Rocksteady sound. This was 'Ska' or 'Blue Beat'—(or its new name for the slower tempo 'Rock Steady'), and the lyrics come from the Calypso-Mento method of telling about current events in music. So in a groovy way, Desmond, James and Barry (the Aces) have given a report of love, politics, nagging women, the celebration of the Fifth anniversary of Independence, and gang warfare. This is were it all started before Desmond became the international star.
Even before Bob Marley and Jimmy Cliff Jamaica already had their own international superstar, Desmond Dekker was his name. Famous because of his international hits, such as 'Israelites' (1968) and 'It Miek' (1969).
007 (Shanty Town) is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.
13Monkeys Records have picked four fresh tracks screaming out that Spain is here and Oldskool never died on their second vinyl offering so far. And beware that this one's strictly vinylized and no digital availability. In other words... Oldskool.
In 2017, at Documenta Kassel (but in Athens), I invited José Jiménez Bobote, a remarkable gitano artist from the Tres Mil Viviendas neighbourhood in Seville, to record a series of actions in specific locations in the Greek capital. Ancient Greece and modern Greece. I wanted him to draw sound from the city, to strike it as only a flamenco artist can, with his feet. To hit the ground and make it moan, ring out with noises evoking significant moments in history: from Diogenes the Cynic and the Apostle Paul’s sermon at the Areopagus to Rosa Eskenazi’s resistance to the Nazi-German occupation, and the ups and downs of police Inspector Costas Haritos’s survival at the European Bank during the PIGS crisis. Bobote struck the ground and Athens responded, sending back echoes of the past, in an exceptional anachronistic exercise. In flamenco it is possible for several times to sound simultaneously.
We took seventeen hours of footage, and water from many wells.
I then shut away producer, musician, and friend Raül Refree with this material so that he could take the long titles and use them as scores, turning them into mere songs. It was very important to think in terms of songs. The tracks had to have the capacity to be songs, the kind of thing one whistles while absent-mindedly walking down the street. Generally speaking, the scores—that is, the texts—defended the use and abuse of the loose coins that people carry around in their pockets. Loose change as a kind of everyday fetishism against big financial capital. Pistis! Refree managed to coax that distinctive unity of songs, their bright catchiness, from the amalgamation of sounds that would, in other hands, end up being labelled concrete music. Peter Szendy would be pleased and grateful. Being able to sing under one’s breath something that others consider simply noise.
Seven songs, yes. And if you get the chance, take a stroll through Athens with them: the locations are clearly defined. If not, then let Athens fill your home with all its ancient wisdom, boring into your ears like worms, making holes in history.
Listen, and, as people used to say, turn up the volume!
Pedro G. Romero, Santa Marta, Colombia, November 2025
Comes with booklet with song lyrics written by Pedro G. Romero. Limited edition of 250 vinyl records.
- 1: Velkommen Til Livet
- 2: Den Der Ingenting Ved Tvivler Aldrig
- 3: Natmaskinen
- 4: Arveskam
- 5: Flagellanternes Sang
- 6: Svanesang
Red vinyl[27,52 €]
Faellesskab reveals their most critical and emotionally charged work to date, a deeply personal voyage into the heart of Nordic black metal, where raw emotion and melodic depth keep reveling in sorrow and longing beauty. Translating to "Community", Faellesskab's six tracks weave a strong musical oeuvre within the Afsky canon; their walls of haunting melancholia, interwoven with vital intensity, have never been more powerful. Yet, this new work also sees the band at its sharpest in social criticism, as Ole Luk of Afsky notes: Faellesskab - Overture to the Downfall. Here, community is praised like herd animals fleeing responsibility.
A parade of moral superiority, where truth is trampled in the name of consensus. Where unity means silence, and doubt is a crime. Six songs of shame disguised as care, of freedom suffocated, and of the solitary few who still dare to question. A chorus of hollow words, where silence screams the loudest. Welcome to the celebration - the curtain hasn't just risen, it's been torn away! Afsky will mark the release with a special show in Copenhagen on October 17, graced by a full European album release tour kicking off the following week. Two singles are set to be unveiled in the lead-up to the release. While Afsky continues to refine their signature sound, this release is set to be another landmark in the band's uncompromising discography.
After Differently (released in 2024), The Tighters (Roots Reggae) are back with a
new showcase album: Lovely Love — a celebration of unity, spirituality, love, and
freedom.
Side A brings together the vocal versions, while Side B features the dubs. The album was mixed and dubbed by Roberto Sánchez at A-Lone Ark Muzik Studio (Spain) and mastered on tape by Dr Charty at Bat Records Studio (France).
Recorded at Jah Jazz Studio with Julien “Yout” Barker, Lovely Love captures all
the spontaneity and strength of the band.
The album unfolds like a spiritual and emotional journey: from the meditative
Countryside to the love song Lovely Love, and the radiant Worship the Sun. The high point comes with Africa Will Rise, a true freedom anthem performed by the legendary Jamaican duo Keith & Tex (on the Lovely Love riddim).
After their acclaimed collaborations with Oku Onuora (Balance) and Jah Myhrakle
(He is Haile) in 2025, The Tighters continue their path with this new opus, asserting
their identity within the international reggae scene.
A sincere album, blending rich musicality with a powerful, deeply relevant message.








































