We welcome you to the third installment of Scala. Each new release on Scala Muziek reflects the evolving mindset of its founder. For the third chapter, Pascal Benjamin delivers Soul Extension EP, an exploration of movement, mood, and the subtle shifts that define his sound. A1: Almost Fact sets the tone with taut rhythms and shimmering low-end pulses, balancing tension and release in constant motion. A2: Shift Happens dives deeper into modulation, its warped stabs and filtered delays gradually building a shifting, evolving energy. On the flip: B1: Extension expands into rolling grooves and atmospheric layers, blending vintage warmth with modern precision. B2: Phases closes with a sparse, contemplative mood—fragmented voices and echoes creating a hypnotic sense of drift. Soul Extension captures Pascal at a point where artist and label move forward as one, shaping the next chapter of Scala Muziek’s identity.
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- A1: Come As You Are 2:40
- A2: Russian Roulette 3:22
- A3: Egyptian Reggae 1:02
- A4: Ramblin’ Rose 2:16
- A5: Johnny Guitar 1:48
- A6: I Love Joan Jett 4:00
- A7: Purple Haze 2:04
- B1: The Sad Skinhead 2:06
- B2: Brown Sugar 3:00
- B3: Sheena Is A Punk Rocker 2:02
- B4: Green Fuz 3:18
- B5: Sunny Afternoon 1:04
- B6: Girl From The North Country 1:36
- B7: Mother Of Earth 2:44
- B8: Dali's Car 1:26
I first encountered Pascal Comelade’s music thirty years ago—and nothing has sounded quite the same since. I was immediately captivated: he is an artist like no other, whose sincere and selfless love of music is always evident, especially in his tender reworkings of other people’s songs.
Comelade seems to work like a watchmaker: meticulous, precise, and obsessive—yet always drifting into something dreamlike. His music opens hidden doors, telling strange and beguiling stories filled with obscurity, kindness, and reserved humour.
Back then, my fascination was instinctive. Today, with a few more words at my disposal, I look to this exceptional 70-year-old French musician and feel exactly the same pull.
Métaphysique Du Hit-Parade is the first vinyl compilation devoted to Pascal Comelade’s favourite cover versions. It spans a forty-year career and traces sixty years of rock and roll history along the way. “Sheena Is a Punk Rocker” becomes a soft, soothing lullaby that may well have made the Ramones weep. Then there are his idiosyncratic tributes to Jonathan Richman (“Egyptian Reggae”) and The Kinks (“Sunny Afternoon”), alongside nods to formative heroes such as The Gun Club, Captain Beefheart, and MC5.
Two exclusive recordings stand out particularly: Bob Dylan’s “Girl from the North Country” and Nirvana’s “Come As You Are”—a song that shaped my early youth. Both were recorded especially for this release.
Jan Lankisch, January 2026
Dive into our latest release, a tribute to the vibrant spirit of Guadeloupean music. This track, born from the improvisational magic of the '70s, weaves together the legacies of the Latour brothers and the soulful essence of jazz. With a rich history of collaboration and creativity, we honor the past while
breathing new life into cherished melodies. Experience the rhythm, feel the memories, and let the good vibes flow.
Play it loud!
At the crossroads of tradition and experimentation, Damiano von Erckert's sonic identity is forged in the fertile space between house and techno - a spectrum he navigates with instinct and intention. On Magnolia, his debut for Polifonic Records, von Erckert distills his musical ethos into a concise, emotionally rich release that bridges soulful euphoria and rhythmic introspection.
Radio City EP marks the vinyl debut on DOTS. Music, showcasing three distinctive cuts from Dutch producer Pascal Benjamin, along with a standout remix by Argentinian artist Alexis Cabrera. Built around tight grooves, warm analog textures, and playful percussive details, the EP captures a rhythmic, dynamic, and dancefloor-ready energy.
Opening the A-side, Radio City blends sexy chord stabs with Rhodes keys and tiny vocal fragments that lock effortlessly into the groove. Cabrera’s remix flips the original into funkier territory, adding a gliding bassline, electric guitar riffs, and an irresistibly rolling swing that complements the original’s flow while offering a fresh twist.
On the flip, Rewind explores a more underground dimension with sharp drum programming, subtle acid touches, and chopped vocals. A groovy, short-note bassline drives the rhythm forward, while deep chords make the track equally effective in afterhours sessions or peak-time club sets.
Flat Sprite closes the EP with a forward-driving acid hook riding over rolling snares and synths — a functional groove weapon with hypnotic momentum.
With Radio City, Pascal Benjamin delivers a tightly curated selection that merges minimalistic sound design with groove-driven charm — a confident debut that balances functionality with character on the dancefloor.
Burnski's high-quality Constant Black is back with more essential club-ready sounds. Donnie Cosmo and Pascal Benjamin step up for one side of action each. Cosmo's 'Holo Glitch' is first and pairs balmy synth work that is colourful and silky with some punchy tech drums and rolling bass that pulls you in deep. 'Echo Drift' is another lithe and lively one to get you on your toes while the groove flows and 'Airplane Mode' is another stylish mix of lush synth design and great rhythm. Benjamin's trio on the flip is a little more gritty with industrial-space-tech many the most fitting way to describe these curious cosmic cuts.
Scala Muziek presents its second vinyl EP, Next Horizon, building on the success of the debut release. After a remarkable year of music and events, this EP embodies the spirit of exploration that defines Scala. Produced by label head Pascal Benjamin, the four tracks blend hypnotic grooves with forward-thinking soundscapes—each crafted to leave a lasting impression.
A1: Personallity opens the EP with minimalist, richly textured rhythms. Its bouncy, infectious groove and subtle shifts in bass and melody create a dynamic flow, making it perfect for both dancefloor energy and introspective moments. Pascal’s attention to detail shines through, balancing personal and expansive sounds. A2: Progress delves deeper into rolling rhythms and uplifting sonic layers, with ethereal synths floating above a driving beat. The track unfolds gradually, building momentum with a continuous, evolving motion. B1: On the flip: Shifting Grounds brings a sense of exploration, with gurgling synths and subtle modulations creating a cerebral yet physical experience. It's an atmospheric, groove-laden track perfect for late-night sessions. B2: Far From Clear closes the EP with a moody, introspective energy. Eerie vocal snippets and sharp minimalism weave together to create a haunting, mysterious atmosphere, rounding off the release with a deep dive into uncharted sonic territory. With Next Horizon, Scala Muziek offers a refined selection that showcases Pascal’s artistic growth and the label’s commitment to immersive, forward-thinking music.
- A1: Fragments (Extraits)
- A2: Park Güell
- A3: Disque Raye?
- A4: Valse De L'aiguille Creuse
- A5 4: Rroses Pour Marie
- A6: La Catedral D'escuradents
- A7: Your Labios As Tulips
- A8: Souvenirs De Vernet Les Bains
- B1: Arthur Cravan Was A Flor Fina
- B2: The Skatalan Logicofobism
- B3: Sardana Dels Desemparats
- B4: A Glass Of Gaz
- B5: Les Places De Gra?Cia (1)
- B6: Les Places De Gra?Cia (2)
- B7: Patafisiskal Polska
- C1: I Put A Barbara Steele On You
- C2: Chanson De Charme Pour Faux-Nez
- C3: The Lollobrigidada Fox-Trot
- C4: Third Eye Of A Cubist Guitar
- C5: Le Fakir De La Chapelle
- C6: On Se L'hegel En Enfer
- C7: Un Train Direct Pour Charenton
- C8: Love Too Soon
- D1: L'argot Du Bruit
- D4: Back To Schizo
- E1: To Be Dammit Ornette To Be
- E2: The Blank Invasion Of Schizofonics Bikinis
- E3: Sardana Dels Desemparats
- E4: Sense El Resso? Del Dring
- E5: Contre Le Style
- E6: A Figueres
- F1: The Hallucinogenic Espontex Sinfonia
- F2: La Societat Del Piano-Obstacle
- F3: Ge?Ge?Ne
- F4: Petite Escena Nocturna
- F5: A Farrutx
- F6: Le Soir Du Grand Soir
- F7: Souviens-Toi De Ces Douces Soire?Es
- G1: Stranger In Paradigm
- G2: La Vedette Del Molino
- G3: Jopo De Pojo Not Dead
- G4: The Indian Of The Group
- G5: Il Luna-Park Galactico
- G6: Don't Touch My Blue Oyster Shoes
- G7: Sans Les Mains ! (Zappambarretina)
- H1: El Misteri Del Triangle Del Vermut
- H2: Two Maniaco-Depressive Beatnicks Squabbling Over A Jane Russell Mozzarela's Bikini
- H3: Vals Burlesco
- H4: Flan Sin Nata Inzenight
- H5: Despintura (A) Fo?Nica
- D2: To The Last Of Imaginary Solutions
- H6: Europe Change Bad
- I1: El Bolero Del Raval
- I2: O Dancing Del Gran Fumisme
- I3: Hydropathes Marchant Sur Les Os
- I4: Spinoza Was A Soul Garagist
- I5: El Pianista Del Antifaz (Born In Candolle)
- I6: Portrait De L'artiste Avec Des Lunettes Pour Voir Les Femmes À Poil
- I7: La Bella Dorita
- J1: Deviationist Muzak
- J2: Dancing Le Mômo
- J3: Roll Over Fuzmanchu
- J4: Stigmates De La Ligne Crade
- J5: Evaporisme Sonor
- J6: L'horizon Perdu Du Cornet À Gidouille
- J7: La Filosofia Del Plat Combinat
- K1: Coucher De Soleil Sur L'adriatique
- K2: Unicazzz
- K3: Des Rails En Mou De Veau
- K4: E?Le?Vation De Marie-Madeleine
- K5: No Sympathy For Symphony
- K6: Sardana Meca?Nica
- K7: Ha Passat Un Angel
- L1: Skin Saxo Derivato
- L2: Apparition Du Visage De Bela Lugosi Sur Une Tranche De Salami
- L3: Musique Hypertrophique Des Remontoirs
- L4: Cimetie?Re De La Photographie
- D3: Toti Al Soler
- L5: Alzina Muntanera
his ultimate 6LP Boxset presents the works of Pascal Comelade from 1984 to 2024 and his 40 years producing instrumental music. Each vinyl has been thought as an album in itself , with its own identity, that could be listened as it is. According to the artist, "Improperies- compositions et enregistrements magnétiques (1984-2024)" is a music puzzle which doesn't obey to any rule with the exception of Pascal Comelade's creation and art thoughts that kept moving over the years.
Limited numbered to 500 copies - 6 x Black Vinyl in spineless sleeve, heawyweight cardboard slipcase/custod numbered at the back, includes an insert-photo signed by the artist. The boxset artwork is an original creation by Miquel Barceló.
Metroplex Records welcomes Pascal Hetzel to the label. The Berlin-based producer and DJ (who is also half of the duo CYRK) delivers something a little different for Juan Atkins' label institution. The EP serves four slices of funky, dub-infused and chord-driven techno, aimed squarely at the dance floor that pay tribute to the Motor City legacy while carving out their own euphoric permutation of classic Detroit techno tropes. Four tracks to heat up dance floors worldwide!
- Suffire (En Duo Avec Elodie Frégé)
- L'archipel Des Séquelles (En Duo Avec Zazie)
- Son Âme D'enfant (En Duo Avec Carla Bruni)
- Le Désamour (En Duo Avec Isabelle Boulay)
- Inestimable
- Le Rire (En Duo Avec Anne Sila)
- Inconsolables (En Duo Avec Nawel Ben Kraiem)
- Plaire (En Duo Avec Sharon Laloum)
- La Dernière Fois (En Duo Avec Nolwenn Leroy)
- Ne Serait-Ce
Pascal Obispo, französischer Singer-Songwriter aus Bergerac, begann 1988 ber der New-Wave-Band Senso als Bassist und übernahm später die Rolle des Leadsängers. Sein erstes Soloalbum, Le Long du Fleuve, erschien 1990 und wurde mit den Mitgliedern von Senso aufgenommen. Das Album blieb von den Kritikern weitgehend unbeachtet, aber es verhalf Pascal Obispo zu einem Plattenvertrag mit Epic, wo 1992 Plus Que Tout au Monde erschien. Mit dem Titeltrack und anderen Singles wie Tu vas me manquer" festigte er seinen Status als einer der am schnellsten aufsteigenden Stars der französischen Popmusik. Diesem Erfolg ließ er 1994 Un Jour Comme Aujourd'hui folgen, das Platz 17 der französischen Charts erreichte und mit Platin ausgezeichnet wurde. Sowohl Superflu (1996) als auch Soledad (1999) erreichten in Frankreich Platz 2, und das Live-Album Live 98 (1998) brachte ihm seine erste Nummer-1-Platte ein. In den folgenden Jahren wiederholte Pascal Obispo dieses Kunststück noch einige Male mit den Alben Studio Fan - Live Fan (2004), Les Fleurs du Bien (2006), Millésimes (2013) und Billet de Femme (2016). France, sein elftes Album, erschien 2021 und verfehlte nur knapp den Spitzenplatz der Albumcharts und landete auf Platz 2. Das neue Album L'Archipel des Séquelles besteht aus unveröffentlichten Songs von Pascal Obispo - aufgenommen und abgemischt von seinem treuen Begleiter Youri Benaïs in seinen Pariser Studios. Dieses Konzeptalbum mit intimen, akustischen, jazzbeeinflussten Liebesliedern wurde erneut von seinen beiden New-Wave-Jazz-Freunden Fred Nardin und Max Pinto produziert und basiert ausschließlich auf Begegnungen mit Künstlerinnen mit inspirierenden Stimmen: Da wären Zazie, mit der Obisipo seit ,Les meilleurs ennemis" nicht mehr gesungen hatte, mit einem Lied, das sie gemeinsam geschrieben und nie aufgenommen hatten, Carla Bruni, die zwei Songs beisteuert, Elodie Frégé, mit der er bereits auf ihrem Album ,Le grand amour" gemeinsam aufgenommen hat. Oder Nolwenn Leroy, für die er seine allererste Single ,Cassé" produziert hat. Anne Sila, die grandiose Interpretin der Maria in seinem Musical über Jesus von Nazareth. Sharon Laloum, die Interpretin der Myriam in der neuen Version der Zehn Gebote, und nicht zu vergessen sind Isabelle Boulay, die große Künstlerin aus Quebec, für die er bereits Lieder geschrieben hat, und Nawel Ben Kraïem, die junge tunesische Künstlerin, mit der er an seinem ersten Musikprojekt gearbeitet hat. Der Rest des Albums wurde gemeinsam mit Pierre-Dominique Burgaud geschrieben. Mit dem Album ,L'archipel des Séquelles" setzt Pascal Obispo seine Suche nach Schönheit und Stille fort. Als CD oder farbiges Vinyl.
Pascal Gaigne, born in France in 1958 and installed in San Sebastian since 1985, is a musician with a vast trajectory composing music for films. He has composed for more than 50 movies, won 16 awards (including a Goya award, Spanish Oscar equivalent) and had 15 nominations. He has worked with some of the most interesting new directors in Spanish cinema (Víctor Erice, Icíar Bolláin, Salvador García Ruíz, Daniel Sánchez Arévalo, Montxo Armendáriz), and foreign directors like France (Le cou de la girafe), Finland (Matka Edeniin) or Cuba (Omerta).
Early in his career, before working in cinema, he collaborated with some of the most interesting artists and voices in the short history of Basque folk music, including well known Amaia Zubiria (check the two records he made with her “Egun Argi Hartan” & “Kolorez eta Ametsez”), as well as Basque traditional chant avant-gardist Beñat Achiary. It is together with Amaia & Beñat that he paired himself up to create “music pour le ballet du Iguzki Hauskara”, an entire album of compositions made for the 80’s French Basque Ballet group “Ekarle”. Originally released on cassette only in 1984, it is now reissued by Hegoa including three unreleased pieces taken from a second album that was never published.
Limited edition of 250 black vinyl LP’s housed in a coloured reverse board cover recreating the original hand painted artwork.
- Le Riffifi Brille En Jaune
- Elvis Has Left The Building
- Hypnose En Bas De Gamme
- Fin Du Monde
- Playitloudornotatall
- Le Retour De Black Sabata
- Contortionne-Toi Toi-Même
- Solo De Boxe En Conserve
- Concinacion
- J'entends Des Voix Qui Ont Mauvaise Haleine
- Ceci Est Un Enregistrement Magnétique
- One Ne Mange Pas La Choucroute De Veronica
"Boom Boom" is the follow up of 2015's "Traité de guitarres triolectiques à l'usage des portugaises ensablées" . Pascal Comelade and Lionel & Marie Liminana aka The Liminanas wrote& performed together another album.12 new songs,written by Pascal Comelade & Lionel Liminana. Featuring "solo" guitarists long time friends of Pascal Comelade : Ivan Telefunken (from Bel Canto Orquestra, also playing live with The Liminanas), Xarim Aresté & Lalo Lopez.
- Le Beau Qui Pleut
- J'étais Pas Fait Pour Le Bonheur Feat Giordana Angi
- Comment S'aimer
- Les Longueurs Feat Alexia Gredy
- Jamais
- Le Mur
- Le Temps Qu'il Me Reste
- J'ai Pris Ta Main
- Presqu'île
- Mon Piano S'est Jeté Par La Fenêtre
- Devenir Pierre
- La Belle Vie Qui Commence
- Au Fond J'étais Heureux
- Pour Que Les Rêves
- La Mélancolie Des Météorites
- Au Revoir
- Piano-Moi
Seit den 1990ern ununterbrochen erfolgreich, ein Superstar in Frankreich, asl Solo-Künstler und auch Songschreiber. Dies ist Pascal Obispo's 14. Album mit bislang nicht veröffentlichten Songs. Aufgenommen in seinen Studios in Paris, Frankreich. Produziert von den beiden New-Wave-Jazzern Fred Nardin und Max Pinto. 17 Titel auf Doppel-Vinyl und 14 auf CD. Auf dem Album sind als Gäste Giordana Angi, ein französisch-italienischer Star, und Alexia Gredy, eine junge französische Liedermacherin, mit dabei. Das Album zum ersten Mal gemeinsam mit Pierre-Dominique Burgaud geschrieben, der jetzt mit Alain Chamfort zusammenarbeitet, aber auch für seine Arbeit an Le Soldat rose und Gaëtan Roussel bekannt ist. Begleitet wird er von berühmten Musikern wie Manu Katché und Laurent Vernerey und einem Gastauftritt von Gautier Capuçon. Es ist ein Album mit Liedern, die sich um das Thema der sublimierten oder demontierten Schönheit drehen. Aufgenommen und gemischt von seinem Partner Youri Benaïs und gemastert von Miles Showell in Abbey Road, ist "Le beau qui pleut" eines der poetischsten Alben von Pascal Obispo.

















