Cerca:pete

Omega, die erfolgreichste ungarische ProgRock Band, veröffentlichte sein bestes Material in den 70er Jahren, und "Time Robber" gilt als der musikalische Höhepunkt in der Omega-Diskographie. Kernstück der LP ist der Titelsong, flankiert von "House Of Cards Part I & II". Das fast 13-minütige Werk bündelte exakt, was Omega 1976 ausmachte: Progressiver Space Rock versetzt mit Hard-Rock-Elementen. Nach vier Studio-Alben und einer Compilation waren die ungarischen Top-Stars Omega im Westen immer noch nur ein Geheimtipp. Eine steigende Tendenz bei den Absatzzahlen war aber zu erkennen, selbst wenn die Verkäufe längst nicht durch die Decke gingen. Darüber hinaus hatte sich die Band entwickelt, war live und in ihrem Erscheinungsbild professioneller geworden. Die Bacillus/Bellaphon-Verantwortlichen wollten Omega demnach auf jeden Fall behalten und verlängerten 1976 den Vertrag mit dem Quintett bis 1980. Und dieses zog mit Peter Hauke in die Offenbacher Europasound-Studios und spielte dort "Time Robber" ein. Die LP wurde im Westen Omegas Durchbruch. Bis heute soll sich das Album an die zwei Millionen Mal verkauft haben. Und dieser Erfolg kam nicht von ungefähr, lieferten die Ungarn doch erstmals ein komplexes, in sich geschlossenes Werk ab.

"Greatest Hits 1982–1989 is the third greatest hits album by the American band Chicago, released by Full Moon/Reprise Records on November 21, 1989.1 It became one of Chicago's biggest selling albums. Spanning from Chicago 16 in 1982 to Chicago 19 in 1988, the set includes founding vocalist Peter Cetera and his successor Jason Scheff. It includes a remix of ""What Kind of Man Would I Be?""
Highlights: On a sea blue colour vinyl for the first time as part of Rhino’s Summer Vinyl Campaign"

Two times UK Blues Award winner second album for APM Records released on CD. HSLB carries the narrative of a bluesman upto no good who when his world falls apart, admits what he’s done and atones. Produced by Phil Dearing (Eliza Carthy, Gretchen Peters, Lauran Cantrell). Features special guest Vaneese Thomas (daughter of Rufus and sister to Carla Thomas). Radio for HSLB : no.1 IBBA radio chart two months running , Top 50 iTunes Blues album chart (US) / no.3 Roots Music Report Blues Album (Global)/ no.1 Roots Music Report Blues song ‘Blind Leading The Blind’ (Global) / Top10 Living Blues radio chart (US) / Top 20 National College Radio (US), airplay on 50 stations (US) / airplay in Netherlands, Australia, Canada, Switzerland, Croatia, France, Italy, Germany, Israel Press for HSLB : Blues In Britain front cover, reviews Blues Matters, Blues in Britain, Rock & Reel, Living Blues (US), Blues Blast (US), Charlotte Blues Society (US), Blues Roadhouse (US), Big City R&B (US) Bluestown (NL) “Mississippi MacDonald riffs like a fabulous Albert King circa his Stax days”. • Mississippi MacDonald is playing: Love Fields Stage-Glastonbury, Linton Blues Festival, Dereham Blues Festival, Brightlingsea Festival, Over The Hill Festival, Mississippi MacDonald won Traditional Blues Artist of the Year 2024 and Acoustic Blues Artist of the Year 2024 at the UK Blues Awards in April. HSLB Nominated for UK Blues album of the year

Discover the incomparable musicality of Peter Kraus with this unique vinyl collection of his greatest hits. Peter Kraus, the legendary German rock‘n‘roll star and variety singer, has had a decisive influence on the musical landscape since the 1950s.

This album is a must-have for all fans and collectors who want to enjoy the timeless hits of this exceptional artist again and again. Rock out to “Tutti Frutti”, “Susi Rock”, “Mit Siebzehn”, “Wenn Teenager Träumen”, and much more.

An incredible, uplifting joint from New Zealand soul artist Arjuna Oakes. His second release on the Albert’s Favourites imprint overflows with the clear enjoyment of the band featuring legendary Nathan Haines. We’d say there’s a reasonable nod to D'Angelo’s essential Spanish Joint within these grooves.

The b-side delivers a vinyl exclusive – a downtempo, moody little number with an emotional drive that is deeply compelling – one to get lost inside.

DJ Feedback:

Gilles Peterson (BBC Radio 6 Music) - 'Watch out for a great singer from New Zealand called Arjuna Oakes' Gilles Peterson (BBC Radio 6 Music)

PANORAMA Records is thrilled to announce the reissue of 'Salsa Na Ma' by the legendary Colombian band Fruko Y Sus Tesos. Known for their infectious rhythms and vibrant energy, this track captures the essence of salsa with a dynamic blend of percussion, horns, and vocals. Originally released in 1973, 'Salsa Na Ma' is a timeless classic that continues to ignite dancefloors, with the B Side 'El Preso' originally released in 1976, pairing nicely here.

Following the successful reissues of Gitte and Inger's electrifying cover of 'Can't Hide Love' and Gustav Brom's dancefloor gem 'Calling Up The Rain,' PANORAMA Records once again proves its dedication to bringing hidden musical treasures back into the spotlight. This limited 7 inch release of 'Salsa Na Ma' comes remastered and packaged in a vintage-styled sleeve, complete with a handstamp for an authentic feel, as if you found it in a dusty crate in Bogotá.

The label has garnered serious support from a stellar lineup of tastemakers and selectors in just the first 2 releases, including Patrick Forge, Rainer Trüby, Gilles Peterson, Zag Erlat, and more. This reissue is a must-have for collectors and dj's, promising to deliver a heavy dancefloor reaction. Don't miss out as Panorama Records continues to set the standard for quality reissues in the music world.

Finnish drummer/Producer Teppo "Teddy Rok" Mäkynen returns with his alias The Stance Brothers with "Sao Paolo / Timmy", a new 7"/digital single release on July 26th on We Jazz Records. Lauded by the likes of DJ Koco aka Shimokita, Kenny Dope and Gilles Peterson, Mäkynen's studio creation released the new album Duktus in November 2023, the project's first full length in more than 10 years. Back a new version of album cut "Sao Paolo" polus an unreleased new track, "Timmy", the project a treasure-trove for everyone into crunchy jazz funk à la Bob James & CTI, but this is no retro exercise. Teddy Rok moves forward in all directions, constantly bringing new elements into his sound, which is more layered and deep than ever before. At the same time, the crunch & the breaks are there when you need them.

The Stance 7" sides are often dominated by crunchy drums and crystal clear vibraphone melodies, and that's the overall vibe here, too. That being said, Mäkynen keeps things moving forward at all times, achieving moments of pure bliss with tracks that sound compact but expand far and wide both emotionally and musically.

The Stance Brothers are active live as a four-piece band, appearing live over the summer in Finland at Odysseus Festival and Flow Festival in Helsinki, plus G Livelab Tampere.

The Brazilian composer, pianist and producer, Mário Castro Neves and his group, Samba S. A.'s self-titled album from 1967 is oozing with class. It possesses that archetypal 60's bossa nova, jazz, samba sound. We’d place it up there with Sergio Mendes at his finest, Tambo Trio or Milton Banana. It’s a breezy ride that touches on easy listening at times, but it holds it together with a cool swagger. Biba and Thaís Do Amaral's vocals are on point, with a relaxed delivery that compliments the tracks with the sublime beauty à la vocal groups such as Quarteto Em Cy, who Biba also sang with, as well as with Antonio Adolfo's e A Brazuca. Also appearing on the record is bassist extraordinaire, Novelli who worked with Milton Nascimento, Nelson Angelo E Joyce, Airto, and many of the greats of Brazilian music of the time.

The album has long been a favourite with DJs and collectors over the years, with songs selected for compilations by Gilles Peterson and Nicola Conte. One of the centrepieces of the album, 'Candomblé’, has been sampled by Cut Chemist on his track 'Povo De Santo'. The song 'Naña' is punchy and light with dancefloor-jazz appeal. The gloriously catchy 'Vem Balançar' is a brilliant bossa shuffler. A superb listen throughout, the album sticks to a framework but delivers in spades.

Though released on the major-label RCA Victor, original copies are elusive, sought-after items with a price tag to match. For this reissue, we have opted for the Mono master, mirroring the original 1967 Brazilian pressing. Instantly familiar, the album has a welcoming feeling of nostalgia and is something that stays with you from the first listen.

Big thanks to a certain Mr. Gilles Peterson who first alerted Paul Murphy, Head of Jazz Room Records to this Spiritual Jazz meets Bebop gem when he played the track "I've Known Rivers" on his show on BBC6 MUSIC. Paul immediately took steps to contact Mr. Noviello with a view to release this previously unknown (to him anyway) hidden delight. It's Frank Noviello's debut album and a mixed bag of Jazz Standards and highly original covers and originals. Randy Westons's "High Fly" has a really grooving arrangement, Vocal Bebop in the original "Tribal Dance" and the highlight in the Gary Bartz/Langston Hughes Spiritual Jazz outing "I've Known Rivers". If you're known to glide in and around to that Mark Murphy bag then this is hip to the trip for you!...

Heavenly Recordings are pleased to announce they will be releasing Mildlife’s new single ‘How Long Does It Take?’.

The original version of ‘How Does It Take’ plus two remixes by Italo-disco legends Daniele Baldelli and Marco Dionigi will be released across all digital platforms on April 12th, followed by 12" vinyl on May 12th.

“’How Long Does It Take’ is an homage to the dance floors and clubbers who championed our music from Day 1,” the band say of the single. “We’ve been delighted to watch heaving crowds burn holes in the dance floor as we close our set with it so now we’re equally delighted to offer it up on record as a late night thumper.”

The B-side of the ‘How Long Does It Take’ 12" comes with remixes from Daniele Baldelli and Marco Dionigi, the originators of legendary Italo-disco club night Cosmic Disco, found on the shores of Lake Garda in the late 1970s. The band met Baldelli on tour in Sicily where they had been invited by Giles Peterson to play at his Ricci Weekender on the outskirts of Catania. They bonded over a mutual sound and Baldelli jumped at the opportunity to remix the song.

Ever since the 2003 release of her debut, Another Mind, Hiromi has electrified audiences with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop, taking improvisation and composition to new heights of complexity and sophistication. On her most recent album, Silver Lining Suite, Hiromi further exemplifies her virtuosic hybridity and emotional range, finding strength and hope amidst the turmoil of the pandemic. 
 

Born in Hamamatsu, Japan in 1979, Hiromi’s first piano teacher, Noriko Hikida, exposed Hiromi to jazz and introduced her to the great pianists Erroll Garner and Oscar Peterson. She enrolled in the Yamaha School of Music and started writing music. 

 

Hiromi moved to the United States in 1999 and studied at the Berklee College of Music in Boston. Among her mentors was jazz bassist/arranger Richard Evans, who took Hiromi’s demo to his friend, the legendary pianist Ahmad Jamal. Evans co-produced Another Mind with Jamal. 

 

Another Mind was a critical success in North America and Japan, where the album shipped gold and received the Recording Industry Association of Japan’s Jazz Album of the Year Award. Hiromi’s astonishing debut was but a forecast of the shape of jazz to come. 

 

In 2009, she recorded with pianist Chick Corea on Duet, a live recording of their concert in Tokyo. She also appeared on bassist Stanley Clarke’s Grammy-winning release, Jazz in the Garden. 

 

In the summer of 2021, Hiromi performed at the opening ceremonies of the Tokyo Olympics. 

Das ist schon ein historischer Moment: Exile On Mainstream bringt erstmalig eine Wiederveröffentlichung einer Platte, die seit Jahren restlos ausverkauft ist und am 25. April 2008 nur auf CD erschien. Erstmalig auf Vinyl, remastered: Heavy Zooo von BEEHOOVER. Die Band schreibt dazu: "Endlich! Oft gewünscht, drüber nachgedacht und wieder verworfen. Aber jetzt, endlich, kann mit Hilfe unseres Lieblingslabels Heavy Zooo so kommen, wie wir uns das die letzten 15 Jahre gewünscht haben: auf Vinyl!" Ist es Metal? Ist es Stoner Rock? Ist es Jazz oder gar Avantgarde? Weißt du was? Vergiss doch einfach mal die ganzen Schubladen in deinem Kopf und beantworte folgende Frage: Wann hat das letzte Mal jemand versucht, die Melvins zu klassifizieren? Oder Primus? Siehst du! Ladies & Gentlemen - der Heavy Zooo öffnet seine Tore! Treten sie ein und bestaunen sie eine Sammlung der unglaublichsten Geschöpfe dieses Planeten. Schimären aus Groove und Intelligenz. Sounds, so vertraut und doch so neu. Nichts hier ist eindimensional. Nur mit Bass und Drums schaffen Beehoover die Quadratur des Kreises - verrückte Arrangements mit Arsch, die dir das Tanzbein zucken lassen, dich aber trotzdem große Augen machen lassen. Damit sind die Eckpfeiler gemauert, zwischen denen sich die Sounds einer der wohl außergewöhnlichsten deutschen Bands dieser Tage spannen. Eine Kategorisierung erscheint unmöglich, wenn auch Beehoover Einflüsse aus traditionellen Stilen miteinander verweben. Im wahrsten Sinne des Wortes - das Ergebnis ist ein Teppich aus Bass und Drums, aus emotionalen Ausbrüchen und psychotischer Melancholie. Claus-Peter Hamisch (Drums) und Ingmar Peterson (Bass) versuchen dabei konsequent herkömmliche Strukturen zu vermeiden und neue Wege zu gehen, ohne jedoch den Song aus dem Auge zu verlieren. Ihre Herangehensweise ist avantgardistisch, das Ergebnis aber trotzdem melodisch. Ihre Auseinandersetzung mit Sounds ist intelligent und Kopf-betont. Das Resultat hingegen geht direkt in den Bauch - eine Wirkung, die heute nicht viele Bands erzielen können. Die Presse schrieb im April 2008: Dieses Duo ist ein echter Geheimtipp! ... ein echtes Original! ... Einfach nur großartig! (Eclipsed) Ein erneut bärenstarkes Album! (Rock Hard) Amtlicher Irrendoom, nur mit Ballerbass und Drums fabriziert. Ein herrlicher, fachmännisch fröhlicher Krach. Funktioniert eins a, absolut nicht zu klassifizieren.(Intro) ... die schwäbische Antwort auf die Melvins ... brachial-tighte Riffmaschine unter Dampf ... fette Prog-Schwarte, nie affektiert oder klugscheißend, sondern immer mitreißend komplex. (VISIONS) _ eine Mischung aus der Verrücktheit und technischen Brillianz von Primus, dem feinsinnigen Humor und der Vielseitigkeit der Melvins, der Heaviness und Brachialität von Neurosis und der Rhythmik von Kyuss (METAL HAMMER) Beehoover sind sie der lebende Beweis dafür, dass ein Bass, ein Schlagzeug und ein gepflegter Testosteronüberhang ausreichen, um die Musikgeschichte auf Lightning Bolt, Led Zeppelin, Melvins und Unsane einzudampfen und dein Trommelfell inklusive allem was dahinter liegt in die ewigen Jagdgründe zu schicken. (VICE) _ Es grenzt an ein Wunder ... Heavy Zooo steht als untrüglicher Beweis dafür, dass musikalischer Minimalismus tatsächlich maximale Brachialität und Wirkung erzielen kann (Legacy)

Magic Words, a new project from NY-based producers Eli Cohen and Peter Hargarten, make their debut on RNT with the Wabi Soba EP, a perfect summertime record. If the title track sounds a bit familiar it’s because it’s been in Harvey’s hands for a while and has made many appearances in his sets around the world. Based around an emotive and dreamy loop, the song basically embodies Balearica, dripping with Spanish guitar and wistful, melancholic harmonies. Toronto’s Jex Opolis turns in a massive remix that preserves all the delicate texture of the origi-nal and lays it lovingly over a pulsing clubby drum foundation. Already getting a huge re-sponse in the RNT crew’s club sets, this is a special record that’s got some serious sum-mer anthem buzz!

Reflection is also-ran late-'60s British blues-rock, with more rock-oriented takes on the kind of approach used by heroes Freddie King and B.B. King. B.B. King's "You'll Never Know," in fact, is covered here, though most of the material was penned by the band. Steamhammer doesn't put much of an original spin on its sources, or on the British blues-rock form, though this is competent and does generally have a moodier, more downbeat feel than most of the band's competition in the genre. The expressive qualities of Kieran White's voice, though, are limited, as though he's being pinched by something that keeps him from letting go too much. The best moments come when they venture just a little outside of the ordinary U.K. blues-rock model, particularly when Harold McNair adds some jazzy flute; "Down the Highway" sounds a little close to some of early Jethro Tull. Future Jefferson Starship member Pete Sears plays session piano. The 2002 CD reissue on Akarma adds two bonus tracks from 1969 singles, "Windmill" and "Autumn Song," which are more explicit forays into the more melodic jazz-blues-rock direction mined by the likes of Jethro Tull, Colosseum, and Davy Graham in the late '60s, again with prominent flute. ~ Richie Unterberger

Having been ‘discovered’ working in Liverpool’s Probe
Records during the punk rock explosion of the late 1970s,
Pete Burns found himself fronting his own band,
Nightmares In Wax who mutated into the more familiar
Dead Or Alive, eventually bringing Pete into the UK pop
mainstream, and a star was born.
Bringing together two-self-released 1982 singles and a collection
of early versions of Hi-NRG tracks which would eventually find
their way onto the band’s debut album, ‘Let Them Drag My Soul
Away’ showcases the blossoming of one of the 80s pop scene’s
most colourful characters. Unapologetic, unfiltered, loud and
proud – Pete Burns singularly brought a punk rock mindset to the
pop paradigm, providing a much needed antidote to the sexless
Thatcherite stars beginning to dominate the UK pop charts
during the middle of the decade – this collection of recordings
captures something of that spirit and the energy of the driving
force behind it.
Pressed on deep red vinyl and housed in a cover photograph by
Dead Or Alive’s then manager Francesco Mellina, ‘Let Them
Drag My Soul Away’ presents a last glimpse at a pre-stardom
Pete, and a long overdue back story accompaniment for fans and
collectors alike.

Inhaltsangabe:Lautes Gekrächze und Hilfeschreie schallen durch den Park. Peter eilt zu Hilfe, als ein Mann von einem wild gewordenen Schwarm Krähen attackiert wird.Mit ihren spitzen Schnäbeln hacken die Vögel wütend auf den Mann ein und lassen nur schwerlich von ihm ab. Was hat die Krähen so in Aufregung versetzt? Justus, Peter und Bob folgen dem Ruf der Krähen und stoßen auf ein geheimes Projekt, das die Zukunft der Menschheit auf den Kopf stellt. Sprecher:innen & MitwirkendeErzähler: Axel MilbergJustus Jonas, Erster Detektiv: Oliver RohrbeckPeter Shaw, Zweiter Detektiv: Jens WawrczeckBob Andrews, Recherchen und Archiv: Andreas FröhlichGoldie June: Uli HeissigGordon Dust: Till HagenRoy Hancock: Nicolas KönigKimberly Cryder: Viktoria FleerBuch und Effekte: André Minninger - Regie und Produktion: Heikedine KörtingRedaktion: Maike Müller - Titelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Constantin Stahlberg Cover-Illustration: Silvia Christoph - Design: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von André Minninger, erschienen im Kosmos Verlag, Stuttgart. © 2023Based on characters created by Robert Arthur. Mit freundlicher Genehmigung der Universität Michigan. Die drei ??? © 2024 Franckh-Kosmos Verlags-GmbH & Co. KG. (P) & © 2024 EUROPA a division of Sony Music Entertainment GmbH

Inhaltsangabe:Lautes Gekrächze und Hilfeschreie schallen durch den Park. Peter eilt zu Hilfe, als ein Mann von einem wild gewordenen Schwarm Krähen attackiert wird.Mit ihren spitzen Schnäbeln hacken die Vögel wütend auf den Mann ein und lassen nur schwerlich von ihm ab. Was hat die Krähen so in Aufregung versetzt? Justus, Peter und Bob folgen dem Ruf der Krähen und stoßen auf ein geheimes Projekt, das die Zukunft der Menschheit auf den Kopf stellt. Sprecher:innen & MitwirkendeErzähler: Axel MilbergJustus Jonas, Erster Detektiv: Oliver RohrbeckPeter Shaw, Zweiter Detektiv: Jens WawrczeckBob Andrews, Recherchen und Archiv: Andreas FröhlichGoldie June: Uli HeissigGordon Dust: Till HagenRoy Hancock: Nicolas KönigKimberly Cryder: Viktoria FleerBuch und Effekte: André Minninger - Regie und Produktion: Heikedine KörtingRedaktion: Maike Müller - Titelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Constantin Stahlberg Cover-Illustration: Silvia Christoph - Design: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von André Minninger, erschienen im Kosmos Verlag, Stuttgart. © 2023Based on characters created by Robert Arthur. Mit freundlicher Genehmigung der Universität Michigan. Die drei ??? © 2024 Franckh-Kosmos Verlags-GmbH & Co. KG. (P) & © 2024 EUROPA a division of Sony Music Entertainment GmbH

Oscar Peterson's Frank Sinatra tribute features his trio with bassist Ray Brown and drummer Ed Thigpen. The renditions are all under four minutes and are highlighted by "Come Dance with Me," "Just in Time," "I Get a Kick Out of You," and "How About You?" This is one of OscarPeterson's most essential dates — swinging and enjoyable. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.