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Harold Melvin & The Blue Notes were one of the most popular groups on Gamble & Huff's Philadelphia International label, clocking up a number of hits in the mid 70's.This release featuring two of their recordings, typify the cream of Philadelphia International and Sigma Sound studios dominance of the mid 1970s dance-floor at the absolute height of their creativity and power. "Bad Luck" spent an unprecedented 11 weeks on the No.1 slot on Billboard's U.S. Dance chart in 1975 and has since become one of the biggest dance-floor staples ever recorded.
On the flip we have the original full version of the classic "Don't Leave Me This Way".Both songs are mixed to perfection by Tom Moulton and both are state-of-the-art lessons in what exhilarating Dance Music is all about.
Fully remastered on limited edition 180 gram heavyweight vinyl.

Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Culture. Under the influences of William Burroughs, John Cage, Pierre Henry and others, he developed tape music studio work. By 1982 he appeared for the first time under the name Alésia Cosmos Furi Show. It was a solo performance on guitar, voice, analog synth and tapes. This experimental show lead to a music project based on Bruno and Pascal's compositions to be performed and recorded with other musicians in the beginning of 1983.

Exclusivo! was the group's debut album recorded and self-released in 1983 on Planetarium. Pascal and Bruno would compose tunes in their personal home studios. Then they would bring the tapes, electronics, guitar lines and lyrics to experiment and rehearse with the other members of the group. Improvisations and adaptations brought more ideas and the album was recorded in a few days. The result was a musical mixing of electronic music, field recordings, North African and Asian percussion, electric guitars and voices, compositions and free improvisations. All four musicians take turns singing onomatopoeic phrases and backing vocals, even sometimes in an unknown language, a sort of mixed bag between Breton and Japanese. All songs have been remastered cut by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a replica of the 1983 cover and includes a 6-page insert with photos, lyrics, reviews and liner notes by Bruno de Chénerilles.

Dark Entries returns to the New Jersey basement studio of Smersh to unearth an 18-minute jam session from 1989, backed with two contemporary remixes. Smersh was the duo of Mike Mangino and Chris Shepard from Piscataway, NJ who began making music together in 1978. They were uninterested in traditional notions of songwriting or live performance. Between 1981 and 1993 they released over 40 cassette albums on their own Atlas King imprint. As these tapes traded their way across continents, Smersh developed a devoted following in places far beyond New Jersey, leading to releases on dozens of other labels from around the globe.

Sideways' was taken from a cassette titled '100', which refers to a 100-minute jam session the band recorded to tape on June 12, 1989 in Piscataway. The track was composed and performed by Mike, utilizing a Roland TB-303, TR-606, SH-09 and an ARP 2600. A frenetic hybrid of techno and acid with driving EBM style beats, Sideways' weaves intricate industrial noises with synth melodies that drift in and out of phase. On the flip are two fresh remixes by different aliases of prolific Ann Arbor producer Tadd Mullinix. As JTC, he expands the sound palette, adding organ stabs and lush pads, drawing on Detroit deep house and UK garage.The Charles Manier remix features chanted vocals on top of an array of pulsating synths, stark percussion, and post-punky guitar effects. Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is sleeved in a replica of the '100' artwork, which designer Eloise Leigh modified using motifs and textures sourced from the original cassette. Also included is an oversized postcard with notes.

Am i right or am i wrong !
I hope that D*** is not too long !
La Peña # 19 has all the answers.
Get up !

First release from dj Silver on Lisbon based Light Channel Recordings.

The Dantze boys Niconé & Philip Bader locked themselves in the studio to deliver a strong & powerful double A-sider with straight Techno !

Yet another highly in-demand 12" from the Philadelphia International stable and an artist who's records never go out of date! This is a killer double-sided beauty with the frenetic and jazzy "Life On Mars" from his debut 1976 album on the top-side and the mellow all-time classic and soul boy anthem "The Sweetest Pain" from 1979 on the flip.

Two very different sides of a great artist, both of which show the level of diversity that he was capable of producing. The last legitimate release of this was back 1999 and a Mint copy will currently set you back circa £50, if you can ever find one. Word of warning: there are some U.S. bootlegs from 2008 that still appear to be in circulation and which are easy to spot since they use the U.S. silver P.I.R. label.

We are currently getting these taken down and hopefully they'll soon be removed from the marketplace. Accept no substitute! All our 12" re-issues are licensed from the copyright owners and legally covered. No time for fakes over here!

Earth, Wind & Fire are obviously one of the greatest bands of all-time and both of these remixes are works of art in their own right. On the A side we have the much in-demand Blaze 'Shelter' remix of "Fantasy" which stretches this classic to 8.55 and finishes with an unbelievable Phillip Bailey acappella.
As though that wasn't enough we've put the much sought-after Masters At Work remix of "Can't Hide Love" - a staple records since its debut in 2002.

Parasole's music fits the bill for cutting-edge electronic music. Infrared Vision is a display of his love for polyrhythmic drum patterns, post-club sketches, twisted dance floor gems and classy, big room-ready tunes.
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Few words of the artist:

''When I started to conceptualize my album I had a few end goals'', explains Parasole. ''I wanted to string my own style through Infrared Vision, so it would be familiar to the people who like my music. In tandem, I strived to produce a fresh voice sonically and experimented with a few new production techniques. I also grabbed ideas outside of techno and house, because I didn't want to be influenced by anything new. I was listening to a lot of jazz, hip-hop, Nine Inch Nails and Prince for example.''

Parasole took his time to write, produce and record Infrared Vision, dividing the process into three steps. ''First I wrote the album in words, pinning down ideas and track concepts on a notepad. Subsequently I transferred my ideas to my gear. Due to a heavy tour schedule I sometimes brought gear with me on the road, to continue my sketch process on the hardware. I then recorded it at home and at Phil Moffa's studio in New York. When the music was fully finished the album morphed to its final version. Phil Moffa laid down the final mixdown at Butcha Sound Studios, while Marco Spaventi handled the mastering.''

'an incredible, funked-out live show and production team with their own modern take on boogie, Philly soul, and NY disco.' - XLR8R The Possé are a new face to many people. The five piece run by Andrew Elston and Ross Ferraro is comprised of veterans from all over Australia's music scene. After a year of knuckling down in the studio and a string of sold out shows they've boiled down their favourite influences into an in-credible, raw, funked out live show and production team. Watch out for The Posse's debut EP, Our Thing, featuring contributions from Andrew Elston (Phy-sique/Toni Toni Lee/Catcall), Ross Ferraro & Jarrol Renaud (The Goods), Michael Di Francesco (Touch Sensitive/Van She) and NZ jazz keys prodigy Andrew Bruce.

Fifth Interval gather together some of the most forward thinking minds in the dub techno sphere for this various artists EP. Those already acquainted with the label will be familiar with the likes of Federsen and Tomas Rubeck, who headed up the first and second releases respectively. They are joined by dub techno luminary Brendon Moller, aka Beat Pharmacy and Alessandro Crimi, for this four tracker of perfectly contrasting arrangements.
Federsen opens the proceedings with the sunset sequence of Bay Blues, cascading keys rolling through the gaps in a subtly broken drum arrangement, making for effortless and captivating listening. Beat Pharmacy contributes his first original material to the label after a brace of remixes last year. Showing true mastery of the board, chromed chord stabs are pushed and pulled around the mix in true dubwise style, drifting over a malleable bassline that packs a serious punch.
On the flip side, Tomas Rubeck crafts a tightly woven backdrop of constantly evolving, organic atmospherics and powerful drum work for IO, and this muscular workout is perfectly contrasted by the swung grooves and kaleidoscopic synthesis of Alessandro Crimi's Fractal Clouds, which closes the EP.

Green Vinyl

On his own Ladies and Gentlemen imprint, Green Supreme is the fourth studio album from house music veteran Phonique: a collection of 11 remarkable songs from one of the scene's most revered producers. To describe Phonique as prolific would be something of an understatement. To date, he has amassed a discography of more than 500 original tracks and remixes - as well as three previous studio albums - for acclaimed labels such as Dessous, Poker Flat, Crosstown Rebels, Systematic, Souvenir and of course his own label Ladies and Gentlemen, a collection which includes some runaway successes. Despite working on Green Supreme, Phonique's fierce production rate has continued unabated in 2016, with highlights including 'T Groove' on Katermukke and his stunning remix of Frank & Friedrich 'Coming Home' which landed on Universal earlier this year.

With an initial release on Cyclo Records in 1999 followed by a re-issue on Phil Week's Robsoul imprint, we are proud to present this classic Gemini tune transcended by a great remix package from well respected UK House Techno producer Richard Sen. The Original mix has also been remastered. So Play it loud !

It took 2 years to finally release these reworks for the debut album by Philogresz. Taped wall of sound kinda drift from The Cyclist aka Buz Ludzha complemented by ZK Bucket's straight on moody jam gives the EP a strained contrast. Not to mention peak time euphoric Philogresz remake of his own Asakusa that is dedicated to the Japanese eels in that neighborhood. Gazing cutsz!

Adam Beyer's Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno's number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary.

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn't fit in their regular EP release schedule.

With an eye on future talent, as much as the label's established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode's multifaceted techno sound, equal parts inspiring and functional.

Led by the stealth techno funk of 'Nine of You', Beyer's deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck.

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O'Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.


Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America.

Vintage Electronica aware smart leftfield House jams & Ambient interludes

In ode to the endless research of the life apart. Sensed and produced by Edanticonf in Amsterdam. Vinyl only.

Rhythm Section look to Poland once more for two of the most uplifting tracks of the year. Earth Trax (known for his productions as The Phantom & one half of Ptaki) and newcomer Newborn Junior pull two absolute classics out of the bag here that do what they say on the tin. Both Sax Track and Flute Track centre around ecstatic MIDI melodies on (you guessed it) Saxophone and Flute! Falling somewhere between the late night deep house excursions of Ron Trent (circa Morning Factory era) and more recent retro-leaning breakbeat driven output from the Pender Street Steppers et al, the Sax & Flute EP is a masterclass in sustain-release. Euphoria Guaranteed - or your money back!

Australian label Nightime Drama, run by Peter Fincher (aka Vibrio) and Shaun Franklin (aka Trebek) now serves up its second standout release of 2016. This four track affair comes hot on the heels of the last by Yoshihiro Arikawa, and is a second release on the label by Aussie live act, DJ and producer Trinity, with Steven Tang and Italian based Andee on the remix. Trinity has also released on OOC, Coincidence and Android Muziq and regularly performs all round Europe. His sound deep and cosmic, heady and hypnotic, as the fresh tracks here prove. Cascade Drive is seven minutes of direct and elastic house with spacey pads and driving drums carrying you through the cosmos. From the Earthmothern label and one half of RK's, Andee strips it back to a slick rubber kick drum then layers in a forceful acid line and icy hi hats to really get you under its spell. The longform groove is physical and cerebral in equal measure. The next original is Expansion, and again finds Trinity serving up a hi tech and soul infused deep techno sound that is lithe and liquid, smeared with great pads and truly timeless. Emphasis boss Steven Tang is the perfect man to remix given his style, and his version flips the cut into a more heavyweight and banging techno effort, but one that is just as littered with sci fi sounds, spaceship trails and intergalactic energies.

It is very difficult to present David Duriez without writing an encyclopedic tome as its influence on the House music in France was decisive. Since its inception in 1992, David released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020Vision, Ovum, Systematic, Pokerflat, F Communication, Under the Counter, Stickman, Crosstown Rebels, The End, etc .. (the list is long, see Discogs to be convinced) and as many remixes for some of the greatest artists (think Moby, Dj Sneak, Gemini, DJ Hell, Llorca, Telex, Random Factor, Johnny Fiasco, Paul Johnson, Jori Hulkkonen, Ralph Lawson, Random Factor, Kenny Hawkes or Mr.C).

Founder of the label Brique Rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as Robsoul with Phil Weeks, Freak n'Chic with Dan Ghenacia (from Apollonia) or Rz Muzik. At a time when David had federated online the cream of the House producers via a forum (far and long before social networks), Ivan Smagghe had nicknamed him "the producer of the producers." , A true House Music activist,

But most of all David Duriez is a devastating dancefloor DJ, He did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. Truly one of the most important players in the French electro scene, David is back on tracks after a few years hyatus. But don't call it a comeback because he has never really gone awol, he has been watching the scene and now he's back in the studio. You can expect a (very) long serie of releases for 2016, you have been warned!

Cute Heels is the solo project of Victor Lenis, a contemporary artist living in Barcelona, Spain. He grew up in Bogotá, Columbia during the 1990s, surrounded by the radial punk scene. Over the years, Victor's passion and fascination for synthesizers and drum machines to produce and compose resulted in various digital-only releases as well as his debut album Spiritual" for Dark Entries in 2014. Cute Heels has been called ''the new blood and spirit for the next step in techno music'' by Electro/Techno pioneer Juan Atkins. Third Skin' is a 4-track EP that connects the dots between Detroit techno, early Chicago house and Belgium electronic body music. Inspired by equal parts Liaisons Dangereuses, Drexciya and Black Devil Disco Club. On the A-side are two fresh compositions recorded in 2015. Third Skin' kicks things in a metallic EBM funk with a pounding bottom end. Lipstick Information' takes the listener on a dark, psychedelic and twisted journey through thrillingly intense arpeggiations. On the flip we present two remixes. The first is from Steffi, House and Techno DJ and producer born in The Netherlands and residing in Berlin. She picks up the pace for an uplifting, percussion-driven, DAF-eque dystopian stomper. The second remix comes from Michel Amato aka The Hacker, French born DJ and producer and frequent collaborator with Miss Kittin. His early musical influences of bands such as Cabaret Voltaire, Throbbing Gristle and Front 242 shine through on this pumping and sophisticated remix ready for any dance floor.
All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes in a custom-made jacket designed by Eloise Leigh featuring a photograph by Corinne Schiavone printed with hi-gloss finish. Each copy includes a postcard with with notes and image for fetish lovers

The French electronic music scene is having quite a renaissance of late and Toulouse based Zendid's debut ep for Infuse, the Understellite EP is indicative of the renaissance currently afoot..
Kicking things off, Second Way is a razor sharp blend of groove led house music with a main room sensibility whilst title track Understellite is quirkier in its approach, its anarchic b-line snaking throughout the track to lend a tripped out edge. Disco Dance rounds things off with a heady slice of bottom heavy phunk.

What if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time That is exactly what Cassius managed to transpose in 15 Again: a carefree music, coloured by some deep songs; like an emancipated soul, but always tormented. The hit 'Toop Toop", sampled by Madonna or David Guetta, among others, and the intense 'La Notte' illustrate perfectly this state of mind of the youth. Pharrell Williams is present on the song 'Eye Water", a beautiful ode to our planet and its natural resources, and Cassius has got further exciting surprises for you. We're releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!

Konstruktivists are a UK Industrial group formed by Glenn Michael Wallis in 1982 out of the ashes of Heute. In the late 70's/early 80's Wallis was heavily involved with Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, SPK and early Clock DVA, Glenn began to record his own material. After several cassette releases through Flowmotion under his own name, Konstruktivists' first LP A Dissembly' was released in 1982.

We are so happy and proud to embark Ambient Noise Level on the Mfd Ship for the 5th release! A.N.L. is a project from our dear friend Daniel Sanchez, who has recently been exploring new sonic territories, fetching sounds from the deepest corners of his universe. He produced a masterpiece of an EP/mini album with seven ambient, dub infused tracks, ear candy all the way. Enjoy!

repressed !

Cellaa Music is proud to present release number 19 with Dennis Cruz & Luliano Mambo. It was obvious then, not to have this young, driven talented artists on board is not an option, they are a gem! Get ready for some colossal dancefloor tech-house heat!

After amazing releases on Insert Coin and Mushroom Smile, Dennis & Luliano lands on Cellaa Music with a smashing ep titled LSD'. Enjoy the hot percussions and the fresh flavors in the three tracks they are proposing you, and put them into your bag. This groove is irresitable!

The Remix comes from Label Head Martin Heyder who totally stick to the vibe yet give it different edges. His Version is deep but is always on point to please the crowd, and rock the Dancefloor...

We hope you enjoy the music!

The second release on Modern Cathedrals includes an original mix by Altstadt Echo supplemented with remixes crafted by Donor, Luigi Tozzi, and Asop. The inclusion of Donor's remix represents a continued effort to link together the Detroit and Brooklyn scenes, while the Luigi Tozzi remix connects Modern Cathedrals to the ghastly, dark styles of techno that Italian artists have become so respected for. As a core member of the Modern Cathedrals team and a primary force behind the label's event series, Asop's remix is the very first public release of work by this incredible new Detroit-based artist.

But while the artist names change from record to record, the philosophy does not. We continue in a desperate attempt to generate meaning during the short spasm of a lifetime we are given in a world that seems to conspire to prevent this effort's realization. This situation might be inescapable, but through the rejection of complacency and dogma, we can approach our end with the bitter comfort that we were at least willing to be honest about our situation.

After starting up the infamous Invite's Choice podcast series in 2011, Tim van Paradijs (a.k.a. Invite) notes that the time feels right to contribute to the techno scene in a totally different way. The long cherished wish of starting up a recordlabel under the Invite moniker and thus propagating his view on electonic music is now to be fulfilled.

Phonology is a deep and droning track which lends itself perfectly for building tension. Plenary is a more repetitive track with less of a deep vibe than the A-side track, but nonetheless is a track that manages to form a bridge between deep tracks and more straight forward ones. The EP is concluded by a short, funky and frivolous track dubbed Bisonspoor. All together the first Invite's Choice Records EP is a very versatile and thought through record with three tracks that stand alone and somehow still manage to form one entity.

After a very promising first release on Mike Grant's Moods & Grooves, Phonogramme is proud to welcome Romanian trio: Lisière Collectif.Lisière Collectif represents the collaboration between the three members: Andu Simion, Dan Gheorghe and Bogdan Ardeleanu.The ' Lisière ' was the place in the suburbs of Ploiesti where they gathered together all the time.Their work approaches simple minimalist themes that highlights the main idea of the project.

Dark Entries is proud to release the sophomore EP from BEZIER entitled Telomeres. Bézier is the moniker of local SF musician ROBERT YANG, who also is part of the illustrious HONEY SOUNDSYSTEM crew. Telomeres is the follow up to Bézier's debut EP Ensconced, released in 2013. The title relates to themes of time, science, analytics and procedures. Bézier integrates the refrains of Spanish new wave and Italo disco with the attitude and aggression of underground styles like synth-punk and industrial. These six tracks were written, produced and mixed by Bézier at his home studio in San Francisco between 2014 and 2015, and feature the debut of his own vocals. All songs have been mixed by Mark Pistel (of Meat Beat Manifesto fame) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a jacket featuring an illustration by in-house designer Eloise Leigh riffing on early 80s computer graphics. The matted sleeve is meant to resemble the side panels of early computing instruments like Macintoshes or the Commodore 64. Each LP includes a postcard with a photograph of actual telomeres captured by a microscope camera by the Blackburn Lab at UCSF. Telomeres' are life's building blocks, changing the lengths of chromosomes to determine lifespan. This music is an investigation of a future in which time elongates as well as contracts.

KiNK (Macro/ Running Back)
I love this! All the tracks are massive! My favorite is the Andreas Gehm remix as it`s the most
weird one, but I`m a sucker for funky acid and this is right up my alley!'

Robert Owens (Chicago/London/Berlin)
Great tracks'

Tensnake (Virgin)
thanks, nice original and Gehm remix'

Dave Clarke (White Noise 2fm)
Dark and groovy'

Luke Solomon (Classic Music)
love love love love hard TON xxxxxxxx'

Tim Sweeney (Beats In Space)
Make me Dance is the one for me'

DJ T. (Get Physical)
thank you for the music!'

ÂME / Kristian (Innervisions)
thanks'

Mark Broom (UK)
FAT mix from Andreas! Respect for the UK!!!!!!!!'

Massimiliano Pagliara (Live At Robert Johnson)
bravi!!'

Mørbeck (Vault Series/Code Is Law)
Make Me Dance!'
Acid Washed (Paris)
MEGA GOOD!!!'
Patrick Pulsinger (Vienna)
love it!'
Angel Molina (Barcelona)
the ultra dark acidic 'Make Me Dance (Andreas Gehm Remix)' is my track on here, although
'Forget About The Music' is a fantastic 80 ´s house track as well. Thanks.'

Paul Woolford (Planet E/Hotflush)
2 thumbs up for the Andreas Gehm Remix. Many thanks!'

Renato Cohen (Brazil)
That's proper music! Forget About The Music sounds amazing. Andreas Gehm Remix is also
huge!'

Adam Beyer is back on Drumcode with an impressive array of tracks that will get the senses tingling and shows us what Drumcode is all about. These 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only Beyer can achieve within his productions. The under lying throbbing of the drums drives this EP into the forefront of the heads down Drumcode sound and have been heard in many of Beyer's phenomenal sets throughout the year.

Fresh from the success of 'Say You Won't Ever', Wallflower return with their second single 'Manifest', an ode to honouring what naturally unfolds through surrendering to the Process; not to be confused with having manifest intent of a desired outcome consistently held in the mind's eye.

Leah Floyeur's vibrant piano and Alison Marks' haunting and
mantric vocals combine beautifully with the deeper moody strings to produce a delicately illuminating piece.

The package includes a couple of strong re-interpretations.

On the A Side by Gerd Janson and Phillip Lauer team up again for Rebirth to deliver a mix set to become a classic, combining an old school house feeling with a pulsing disco bass and atmospheric pads.

The vocals shine once more on what is sure to become a real dance-floor filler ! On the B side, Keinemusik's boss Rampa creates a strong remix combining raw percussion and tambourine with an intense synth line to build tension and energy.

finally repressed !

Here we go with the third edition of "Parquet Most Wanted", featuring another 4 top-notch productions by SOLEE, BOSS AXIS & MICROTRAUMA, UNIQUE REPEAT and MASHK & WHOMI! Already huge DJ support by Dirty Doering (Katermukke), Uner (Cadenza / Diynamic), Oliver Schories (SOSO / Der Turnbeutel), Aka Aka (Burlesque Musique), Reboot (Cocoon), Sascha Braemer (WhatIPlay / Dantze), Eelke Kleijn (Spinnin / Toolroom) and many more. Don´t miss this master class collection of deep melodic sound!

2024 Repress

Als Compilation-Reihe im Jahre 2001 gegründet um ein paar lose Fäden unserer Stammkünstler zu verknüpfen, hat sich SPEICHER inzwischen zu einem Garanten für fortgeschrittene Tanzklänge aus aller Welt weiterentwickelt der es KOMPAKT erlaubt, Musiker aus allen Bereichen des elektronischen Spektrums einzuladen und zu fördern. Für SPEICHER 85 präsentiert der Amsterdamer Tanzflurbeschwörer und produzierende Drahtzieher PATRICE BÄUMEL zwei hocheffektive Technoschieber die für jeden anspruchsvollen DJ auf der Jagd nach Momentum zur Waffe der Wahl avancieren werden.

In glühendem Rot gehalten, bringt SPEICHER 85 neues Material von keinem geringeren als PATRICE BÄUMEL, einem der meistverehrtesten Resident-DJs und Techno-Innovatoren aus dem legendären, leider inzwischen geschlossenen Amsterdamer Trouw Club. Aktiv seit den Mittneunzigern, verdiente er seine Produktionssporen auf so unterschiedlichen Labels wie Trapez, Get Physical oder Systematic, mit aktuellen Highlights wie dem exzellenten Remix für GusGus' OBNOXIOUSLY SEXUAL (KOMPAKT DIGITAL 044) im letzten Jahr, oder dem Labelsolodebüt auf Kompakt SPEICHER 81 (KOMPAKT EXTRA 81), einem rauen und energetischen Werk das sich als bewusstseinsverändernde Maßnahme allererster Güte entpuppte.