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In 2005, when they formed Cotonete, the Parisian musicians secretly dreamed of playing 70s Brazilian funk in Brazil. Having become specialists in the style, the dream became a reality 12 years later thanks to Brazilian singer and actress Simone Mazzer (awarded Newcomer of the Year), who decided to hire the Parisian group to record her second album.
The engagement quickly turned into a collaboration, with Cotonete taking part in the selection of the repertoire, the arrangements, and the production of the album. It was prepared and recorded in Paris at Studio Prado in July 2016. It would be mixed and released in Brazil in 2017.
And so, Simone finally invited Cotonete to come and set foot on Brazilian soil. Five concerts, including two wonderful ones at the SESC Copacabana in Rio, were organized for the album's release. It was during this tour that the band met singer Di Mélo, with whom they recorded the album "Atemporel" in Sao Paulo, featuring the track "A.E.I.O.U."

Nearly 10 years after its recording, the album "Simone Mazzer & Cotonete" is finally being reissued on vinyl on Prado Records. It has been remixed for the occasion by Fabien Girard.
Simone Mazzer will be in France in September 2025 and performing at the Studio de l'Ermitage on September 19th for the official vinyl release.

Didjits verbanden ihre Liebe zu Hard Rock (AC/DC, Black Sabbath, Cheap Trick), Punk (Sex Pistols und vor allem die metallische Kunstshow von The Plasmatics) und Rock'n`Roll der 50er Jahre (insbesondere Jerry Lee Lewis und Little Richard) zu einer Marke, die, wie Dexter Holland von The Offspring treffend beschreibt, ,ein wackeliger Zug war, der kurz vor der Entgleisung stand". Bei chaotischen Live-Shows brachte Gitarrist und Sänger Rick Sims das Publikum gekonnt gegen sich auf und trug so zur Raserei des rasanten Rocks bei, den sie langsam perfektionierten. Jello Biafra, ein früher Unterstützer der Didjits, bewunderte ihre Fähigkeit, das Punk-Publikum zu vergraulen und es dennoch mit offenem Mund und Hörverlust zurückzulassen. Ab 1988 veröffentlichten die Didjits fünf Alben in voller Länge bei Touch and Go Records (darunter eine Neuauflage ihres 1986 selbst veröffentlichten Debütalbums Fizzjob) sowie zwei Singles und eine EP. Es folgten MTV-Videos, ausverkaufte Clubs, Tourneen durch Europa und Nordamerika - bis 1994 (ironischerweise das selbe Jahr, in dem The Offspring ihr Platin-Album "Smash" veröffentlichten, das ein Cover von ,Killboy Powerhead" aus Didjits 1990er Veröffentlichung "Hornet Pinata" enthielt). Diese LP, gepresst auf 180 Gramm schwerem, opakem lila Vinyl, ist ein Archivdokument der Band von ihren Anfängen im ländlichen Illinois bis zu ihrer Auflösung über ein Jahrzehnt später. Die ausgewählten Tracks vereinen 17 Fan-Favoriten aus Didjits' Touch and Go-Diskografie auf einer einzigen LP.

The Keith Tippett Group's Dedicated to You, But You Weren't Listening is a landmark in cutting edge fusion/avant-jazz. A vital and profoundly adventurous Jazz-Rock record that still swings very hard, it was first released on Vertigo in 1971.

Original copies are now very tricky to score and, as most of you really should know, it’s aged ridiculously well.

A legendary work, this Be With re-issue has been newly remastered from the original Vertigo master tapes, demonstrating just why this deserves to be back in press. The stunning gatefold jacket fully restores Roger and Martyn Dean's original, arresting album artwork to complete this must-have reissue.

Alive and bursting with a joyful energy that has to be heard to be believed, Dedicated to You, But You Weren't Listening flirts with perfection. It's truly magical and forever essential.

A brilliant jazz pianist, composer, arranger and bandleader "who could make the outlands of modern music feel like the most hospitable of places" (The Guardian), Keith Tippett's second album is oft-regarded as his Canterbury album.

Indeed, not only does he draw heavily on Soft Machine members past, present and future but the album title itself archly references a Soft Machine composition. Ray Babbington handles bass alongside Neville Whitehead and the drums are shared between Brian Spring (Nucleus), Robert Wyatt(!) and Phil Howard (who would go on to replace Wyatt in Soft Machine). Gary Boyle (Isotope) is on guitar whilst the great percussionist Tony Uter is enlisted for his conga and cow bell expertise. Elton Dean on Alto Saxello, cornetist Marc Charig and Nick Evans on trombone round out this quite stunning ensemble.

Dedicated to You, But You Weren't Listening presents a collective of superhuman musicians really, *really* enjoying themselves in the studio. The sheer exuberance of the performance is totally infectious. It's wild, energetic, atmospheric and, bluntly, bordering on chaotic at points. In a word, it's beautiful.

Robert Wyatt's drumming opens the record with a bang on the majestic Be With favourite "This Is What Happens". Some have described his work here as "easily the most inspired of his career on record." It's an ultra-funky conga-driven groove that truly sparks via the duelling interplay between the three horn players. In the background, Keith's insistent piano, in conversation with those unignorable drums, is the anchor that keeps this piece rollicking away. Breathtaking.

The epic, energetic "Thoughts to Geoff" is a 10-minute jammer that tends towards the dissonant and improvisational but becomes more fluid, laconic and melodic as it unravels. The interplay between soloists and ensembles is particularly dazzling here - blazing solos by Evans, Charig and Tippett himself in a flourish of angular arpeggios interspersed with chordal elocution. Phew.

Up next, the no less-urgent Mingus-referencing "Green and Orange Night Park" is a soaring example of ambitious jazz mixed with rock aggression, with Dean strutting his stuff by launching into a scorching solo. An absolutely jaw-dropping piece. Arguably the highlight of this album of huge highlights!

Though much of the album tends to fall on the raucous side ("Gridal Suite" approaches free-jazz at its most chaotic and, dare we say it, "difficult"), there are a few more sedate, at times spacey numbers, such as the deeply impressionistic "Five After Dawn". The rhythmically complex "Black Horse" is the most accessible track here, a sort of swinging Big Band number with tight grooves, soaring horn & reed melodies, a sizzling Boyle guitar solo and tasty electric piano riffs from Tippett. An hypnotic climax to a staggering record.

This Be With edition of Dedicated to You, But You Weren't Listening has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at Abbey Road Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored in all its brainchild glory so you know you're dealing with the definitive reissue, here. Now, are you listening?

Mutant, in association with Walt Disney Music and LucasFilm, are proud to present a 20th anniversary celebratory pressing of John William's original score to the iconic final chapter of the Star Wars prequel trilogy - Star Wars: Episode III - Revenge of the Sith.



Following a powerful return to cinemas this spring, George Lucas' 2005 science fiction epic has continued to capture the hearts generation after generation. Returning for his sixth Star Wars film, John Williams brings the tragedy of Anakin Skywalker to life with a masterful flair. From the opening fanfare's hard pivot to the action packed dogfight, Williams weaves between kinetic adventure, and haunting heartbreak with grace and precision. In a series full of the absolute pinnacle of music ever committed to film, Revenge of the Sith sits proudly side by side, while feeling wholly unique.



Long out of print on physical media, and only being pressed on Vinyl for the second time ever, this limited edition release features incredible original artwork by Matt Ferguson and is pressed on 2x 140gm black vinyl.

Mutant, in partnership with Back Lot Music, are proud to present the physical media debut of Universal Pictures’ Jurassic World Rebirth Original Motion Picture Soundtrack with music by two-time Grammy® and Academy Award®-winning composer Alexandre Desplat.



To create the score for Jurassic World Rebirth, director Gareth Edwards turned to a distinguished friend, two-time Oscar® winner Alexandre Desplat (The Grand Budapest Hotel, The Shape of Water), who worked with Edwards on Godzilla. “I feel very fortunate to be doing the music for a movie franchise like this, which entertained me so greatly, as a filmgoer, for decades,” Desplat says. “I dreamed of writing music for movies like this since I was a teenager, and now, here I am,” he adds with a laugh, “part of Jurassic World, almost a teenager.”



Rebirth represents the second time that Desplat has stepped into a franchise and inherited and adapted iconic musical motifs written by an artist he considers his “forever idol,” the legendary John Williams: Desplat previously took on that challenge with Harry Potter and the Deathly Hallows Parts 1 and 2. “John Williams wrote a fantastic melody for Jurassic Park that I now get to reinvent, rejigger and resculpt in ways benefit our movie,” Desplat says. “My desire was not to quote John’s score bluntly but subtly echo it or make use of it in the original score I have written for the film in playful and meaningful ways.”



"Continuing in the legacy of composers like John Williams, Don Davis, and Michael Giacchino - Alexandre Desplat brings the action packed Jurassic World: Rebirth to life with equal parts bombast, and tenderness." says Mo Shafeek, co-founder of Mutant. "Beautiful piano melodies give reprieve from thundering percussion, in this beautiful and essential addition to the Jurassic franchise.”

Amsterdam indie stalwarts Pip Blom and Willem Smit, respectively the songwriter & vocal force behind Pip Blom and the driving creative mind behind Personal Trainer, have come together after a decade of intermittent collaborations to launch a new project: Long Fling. The duo's self-titled debut album arrives 3rd of October, 2025, unveiling a collection of charming, offbeat guitar and drum machine, kraut-rock tinged anthems, touching on everyday oddities like socks, shoes, and the allure of staying home.

Unlike typical duets, Long Fling doesn’t focus on harmonies or traditional back-and-forth vocals. Instead, Pip and Willem trade lines over minimal, melodic arrangements that reflect their shared sensibilities. The songs are direct but often playful, shaped by a mix of guitars, drum machines, and off-the-cuff lyrics.

Over the course of ten years, Willem and Pip’s songwriting process evolved from tentative beginnings filled with creative tension to a natural, collaborative flow. Willem reflects: “Over the years, I feel we’ve grown more comfortable making music together... Assembling a record we have been accidentally making without the goal of making a record was fun, but also weird. It felt a bit like archaeology sometimes. We tried to change things... but found out quite quickly that it made most sense to stay true to the initial ideas we had.”

we each asked our dads whether the album sounded more like a Willem album or a Pip album, they both said the other’s name. I really feel like we made this album together - it’s a true blend of the both of us.

DEADLETTER frontman Zac Lawrence’s latest solo venture hones in on the songwriter’s love of the contemporary folk scene of the 60s. Though not necessarily a conventional “Folk” sound, the acoustic guitar led songs intertwine the singer’s passion for lyricism and literacy with heart-string tugging melodies and arrangements. With the first single from this project expected in the summer of 2025, he brings a new band together made up of Misty Miller on vocal duties, Blossom Caldarone (English Teacher) on Cello, and Nathan Pigott (also of DEADLETTER) on clarinet. Antithetical to what we know from him as the frontman of the aforementioned, expect laid back, fingerpicked numbers that take you anywhere from Hamburg’s most gruesome hotel, to him imagining himself as a fifty something looking back on a life that he didn’t live in the way that was intended.

Brussels-based guitarist Benjamin Sauzereau is one of the most respected figures in Belgian jazz, working across the full spectrum-from elegant jazz to adventurous improvisation. You may know him from projects such as Les Chroniques de l'Inutile, Hendrik Lasure Warm Bad, Book of Air, and Fur. Over the past few years, he has written a large number of compositions under the umbrella of 'REMORQUE', performed in various line-ups-a concept somewhat reminiscent of John Zorn's Masada compositions.



These pieces share a clever and imaginative approach to composition, improvisation, and arrangement. Typically short but vibrant, they shimmer with color and atmosphere-sometimes lyrical and contemplative, other times playful, whimsical, or slightly prickly. Each piece opens up a small, self-contained universe full of nuance, refinement, and space, interpreted by musicians who navigate fluidly between classical discipline and free improvisation.



Following the first release Un on W.E.R.F. Records, Sauzereau now presents the highly anticipated follow-up: DEUX. This second chapter dives even deeper into the sonic world of REMORQUE-further refining its playful contrasts, rich textures, and poetic unpredictability. With DEUX, Sauzereau cements his reputation as a composer who continuously reshapes the boundaries between structure and freedom, offering a listening experience that is as intimate as it is exploratory.

Mutant, in partnership with Searchlight Pictures and Hollywood Records, is proud to present the premiere physical release of Nate Heller's soundtrack to the film NIGHTBITCHfrom Marielle Heller, featuring exclusive artwork by Mira Mariah (GirlKnewYork).

Mutant, in partnership with WaterTower Music, are proud to present the premiere physical release of Hrishikesh Hirway's score to COMPANION. Hrishikesh Hirway's (creator of the award-winning podcast Song Exploder) score begins by earnestly paying tribute to the plucky romance at the center. It invites you, lovingly into its rose-colored world just long enough to lower your guard before deftly switching gears into the twisted genre score buried underneath. Chaotic as that may sound, the score is continually grounded with an incredible melodic hook incorporating lead actor Sophie Thatcher's voice ("Iris' Theme"), that pays homage to another fractured fairy tale, Rosemary's Baby. But don't read too much into that comparison. The twists and turns of COMPANION are uniquely their own, and best avoided for the optimal experience. Featuring artwork by Greg Ruth, and pressed on 140 gram pink marble vinyl.

Mutant, in partnership with Sony Classical, is proud to present Academy Award® Winner Ludwig Göransson's (Oppenheimer, Black Panther, Creed, The Mandalorian) original score to this spring's runaway sensation - Ryan Coogler's SINNERS

Mutant, in partnership with Sony Masterworks, is proud to present the soundtrack to this spring's runaway sensation - the Various Artists soundtrack to Ryan Coogler's SINNERS

Zeitlose Meisterwerke: Mozarts Bläserkonzerte mit Abbado auf Vinyl Zwei der bekanntesten Bläserkonzerte Mozarts, unter der einfühlsamen Leitung von Claudio Abbado, erscheinen nun gemeinsam auf Vinyl. Diese Veröffentlichung vereint zwei Referenzaufnahmen: Emmanuel Pahud: Flöte und Harfe in Harmonie Emmanuel Pahuds hochgelobte Einspielung von Mozarts Konzert für Flöte und Harfe in C-Dur aus dem Jahr 1996, gemeinsam mit der Harfenistin Marie-Pierre Langlamet, besticht durch Pahuds elegantes und ausdrucksstarkes Flötenspiel. Sein bemerkenswert warmer und voller Ton ist sofort erkennbar. Kritiker lobten insbesondere das fesselnde Zusammenspiel des Duos, das im langsamen Satz eine unwiderstehliche Anmut entfaltet. Sabine Meyer: Die Bassettklarinette in ihrer ganzen Pracht Ebenfalls mit den Berliner Philharmonikern und Claudio Abbado entstand 1998 Sabine Meyers bedeutende Interpretation von Mozarts Klarinettenkonzert in A-Dur. Meyer spielt das Werk auf der Bassettklarinette, dem Instrument, für das Mozart das Konzert ursprünglich konzipierte. Dies ermöglicht eine tiefere und reichere Klangpalette, besonders im unteren Register. Ihre Wiedergabe des erhabenen Adagios wird oft für ihre exquisite Zartheit und tief empfundene Lyrik gefeiert.

A Milan-born multi-instrumentalist of Venetian heritage, Alberto Baldan Bembo was a gifted vibraphonist, organist, pianist, arranger, and composer whose work bridged jazz, pop, and film music. By the early 1960s, he was performing with Italy’s leading ensembles, including I Menestrelli del Jazz and Bruno De Filippi’s group, and soon became an in-demand session musician. For several years, he toured with the legendary Mina, providing the piano and organ backbone to her live shows—a role that sharpened the cinematic sensibility and refined musicianship that would later define his soundtrack work. In the years to come, he would be celebrated for his scores to films such as L’Amica Di Mia Madre (1975) and Lingua Argento (1976), earning a place alongside Piero Umiliani, Alessandro Alessandroni, Berto Pisano, and other luminaries of Italy’s golden age of soundtrack and library music.

Io E Mara is the soundtrack to a film that was never made. Originally released on the CGD label in 1969, this debut album from the brilliant Maestro Baldan Bembo is a sophisticated concept-album tracing 24 hours in the life of two young lovers. Told entirely through music, the record unfolds as a continuous suite of ten tracks, where cinematic lounge, bossa, and jazz flavors mingle to create a dreamlike atmosphere. Baldan Bembo’s signature piano and organ are masterfully complemented by Mara’s ethereal vocals, while immersive soundscapes of crashing waves, seagulls, and rain showers enhance the feeling of a deeply personal and intimate journey. A cast of exceptional musicians brings this vision to life, including Bruno De Filippi on electric guitar and sitar, Carlo Milano on electric bass, Rolando Ceragioli on drums, and Pasquale Liguori on sound effects. This singular work not only showcases the burgeoning talent of a future soundtrack master but also features the original pop art front cover by Italian cult illustrator Guido Crepax.

Formed in Hakata, before moving to Tokyo in 1984 AKEBONOJIRUSHI were a six piece band who played a wild mix of New-Wave and Funk-Jazz elements condensed into unconventional Pop songs. Originally released on DIW in 1987 “Paradise Mambo” stands as a great example of pure 80’s Japanese post-modern sound.

"In association with Back Lot Music, Waxwork Records is thrilled to release M3GAN 2.0 Original Motion Picture Soundtrack by Chris Bacon.The murderous doll who captivated pop culture in 2023 is back.

And this time she’s not alone. Two years after M3gan, a marvel of artificial intelligence, went rogue and embarked on a murderous (and impeccably choreographed) rampage and was subsequently destroyed, M3gan’s creator Gemma (Allison Williams) has become a high-profile author and advocate for government oversight of A.I. Meanwhile, Gemma’s niece Cady (Violet McGraw), now 14, has become a teenager, rebelling against Gemma’s overprotective rules.

Unbeknownst to them, the underlying tech for M3gan has been stolen and misused by a powerful defense contractor to create a military-grade weapon known as Amelia (Ivanna Sakhno; Ahsoka, Pacific Rim: Uprising), the ultimate killer infiltration spy. But as Amelia’s self-awareness increases, she becomes decidedly less interested in taking orders from humans. Or in keeping them around.

Daniil Trifonov, „einer der beeindruckendsten Pianisten unserer Zeit“ (New York Times) veröffentlicht sein
mit Spannung erwartetes Tschaikowsky-Album!
Der Starpianist erkundet darin ausgewählte Werke von Tschaikowsky für Klavier solo. Diese offenbaren die
intimere, private Seite des romantischen Komponisten, denn „Tschaikowsky war kein mürrischer Sonderling,
sondern pflegte vor allem in jüngeren Jahren sehr fröhliche Freundschaften und fand großen emotionalen
Rückhalt in seiner Familie“, sagt Trifonov.
Zu hören sind die frühe Klaviersonate in cis-Moll, „ein zu Unrecht übersehenes Meisterwerk“, welches
reich an wechselnden Stimmungen und originellen Ideen ist, das Thème original et variations in F-Dur und
das Kinderalbum op. 39. Zusammen eröffnen diese Werke einen Einblick in das, was Daniil Trifonov die
„private Ebene Tschaikowskys“ nennt – „einen Geist, geprägt von Erinnerungen an Jugend und Familie“.
Das Album endet mit der farbenprächtigen Suite aus Dornröschen. Diese wurde 1978 von dem damals erst
21-jährigen Pianisten und Dirigenten Mikhail Pletnev transkribiert, der im selben Jahr – genau wie Trifonov
33 Jahre später im Jahr 2011 mit einem spektakulären Sieg – den Internationalen Tschaikowsky-Wettbewerb
gewann. Pletnevs Bearbeitung für Soloklavier von Highlights aus dem beliebten Tschaikowsky-Ballett ist
für Daniil Trifonov „ein meisterhaftes Klavierwerk in sich“.

Francois Kevorkian (Wave) : Lovely EP, atmospheric vibes.
Chris Udoh (Various) : Lovely !!!
Lea Lisa (Phonica Records / Folklor Club) : Fred P is a master of deep house. Live Long Love & When in Miami for me.
Will Hofbauer (Third Place, Wisdom Teeth, Rinse) : nice n deep ty!
Radio Slave (Rekids) : The King is back and what an EP ! Full support.
Jon Hester (Rekids, EDEC, Les Enfants Terribles, L.A.G.) : Lovely vibes on When In Miami and Live Long Love!
Jacques Renault : Nice EP, into When In Miami and The Heights in particular
Danny Howells (Dig Deeper) : Love Fred so much, always the highest quality music with soul. All four are stunners.
Dan Beaumont (Chapter 10 / NTS) : Always brilliant.. deeep! When in Miami for me
DJ Sprinkles (Comatonse) : thank you
Kai Alce (Real Soon) : Live Long Fred P!
Tomoki Tamura (Holic Trax) : pure class, deep house
Raresh (ar:pi:ar) : super! thanks
Laurent Garnier : FRED P alwayssssssssssssssss
Marcel Dettmann : thx
Archie Hamilton (Microhertz / FUSE) : Nice thanks
DVS1 : thanks
Alinka (Twirl, Classic, Crosstown Rebels, Batty Bass) : Beautiful tracks
Pat Hyland (Northside Loft Society) : Fred P is a master of deep. AWEsome EP!
Thor (Thor-Thule Records) : Another great release by the master of Deep House. Full support
Colin Dale : One of my fave producers from way back! Excellent 4 tracker with all the cuts 'hittin' the mark'. Will rotate & support.
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Jaye Ward (Dalston Super Store / Netil Radio) : Syncrophone just continues to churn out the goodness.. love Fred P too. so deep and full of the good soul ace! thx
Ame (Innervisions) : thanks
Domenic Cappello (Subclub) : love this
Greg Gow (Restructured / Transmat / KMS) : cool vibes full support
Jerome Sydenham (Ibadan) : When Miami is the business! Overall nice E.P!
Bill Brewster (NTS) : FRED P RETURNS!
Bailey Ibbs (Metafloor Records / Habits / Dansu Discs) : Live Long Love <3