Suche:pit

Styles
Alle
ANNA BUTTERZ - MIGHTY VERTEBRATE LP

Mighty Vertebrate is the International Anthem debut from Anna Butterss. The Adelaide born bassist / composer has been a first call for LA tour and studio work since relocating there in 2014 – racking up credits with notables across the experimental, jazz, and pop worlds alike – but their most notable contributions to the burgeoning LA scene have been as a member of both Jeff Parker’s ETA IVtet and rising proto-trance supergroup SML, who Pitchfork says “represents the thrilling next phase of a vibrant L.A. community.”

“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."

I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.

The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

24,33

Last In: vor 19 Monaten
James Alexander Bright - Cool Cool

Timeless soul, 'Cool Cool' is the standout title track from James Alexander Bright's recent album. It's an immediately enchanting gem, with tendermusicianship and a stripped back production highlighting James' voice, pitchedsomewhere between Eddie Chacon, Beck and Michael McDonald. Athens of theNorth's in-house band East Coast Love Affair add a delightfully psychedelic Balearicpiquancy with an beautiful dub version on the flip.

'Cool Cool' has been enjoying a plethora of worldwide support; seeing James insession for Gilles Peterson, suppling a Block Party mix for Huey Morgan, interviewedby Bandcamp Weekly, and played across tastemaker shows on stations includingBBC 6 Music, FIP, Jazz FM, KCRW, KEXP, Les Inrocks, NTS, Soho Radio, Triple R,WDET, WNXP.

The past six years has seen James release a veritable treasure trove of music:'Mallorca' and 'Strange Folk' EPs, debut album 'Headroom', joyous second 'Float', analbum of collaborations and reworks with cosmic Americana-disco DJ/producer duoFlying Mojito Bros, and a new project with Groove Armada's Tom Findlay as Bright &Findlay. 'Cool Cool', his third solo album since 2020, was released on 26th July 2024.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

12,82

Last In: vor 14 Monaten
Xylitol - Anemones LP

Xylitol is the alias of Catherine Backhouse, producer and DJ under the name DJ Bunnyhausen. She was a resident DJ at Kosmische, the now dormant Krautrock club and is a fan of jungle and hardcore. She currently co-hosts the radio show Slav To The Rhythm, which focuses on vintage central and eastern European pop and electronica and she's also co-writing a book on Yugoslavian pop culture. 'Anemones' is a total project from the cover to the music. Backhouse is fascinated by early botanical illustrations of anemones and other aquatic fauna, and how the act of taxonomy reveals as much about human psychology, desire and sublimation as it does about the organic specimen as a thing in itself. Each track is a microcosm of this 'other life', an allegory for the extraordinary potential latent within bodies that the dancefloor has the power to activate. Using early jungle and garage as starting points to connect dots and open up contrasts between dance music and vintage electronics, Backhouse finds a sweet spot which, in her words "feels like something that's simultaneously still and ancient yet propulsive and ecstatic." Not afraid of letting the the hiss and flutter of the music show, 'Anemones' holds attention with ancient bubbling synths and gracefully drifting arpeggiations, occasionally brought to heel by charming melodies, all accompanied by breakbeats that explode like fireworks. 'Anemones' has a lively and unpolished aesthetic that's a kindred spirit to Nondi_'s 2023 album of smeary, water-damaged footwork, 'Flood City Trax'. 'Moebius' pits the spaced out neon chords of the track's namesake against absolutely tearing breaks, allowing time for this almost overwhelming combination to become near enough transcendental, while the bleeping melody and sad slavic chorus motif in 'Okko' feels like an artifact from an alternative future. The Drexciya meets 2-step garage of 'Dobro Jutro' creates a welcome respite at the album's midpoint before the flow builds up again to 'Daša' with its glassy sounds from a lost radiophonic workshop miniature meeting bruising kicks and snares. Meanwhile 'Iskria' has purring synth chords and 8-bit melodies evoking the cosmonaut age. The subliminal influence of the Yugo era is felt in DIY synthesis and Mitteleuropean melody and seen in song titles such as 'Jelena', 'Miha', 'Daša' (named after novelist Daša Drndič) and 'Iskria' (taken from the fictitious Balkan region in Ottessa Moshfegh's bleak fable 'Lapvona'). 'Anemones' very effectively folds experimental genres from different times and places into a very enjoyable new sound.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

25,17

Last In: vor 19 Monaten
STAVROZ - KICK UP THE DUST

Stavroz

KICK UP THE DUST

12inchMFV010
MOODFAMILY
09.10.2024

"A Seamless Symphony of Harmonious Electronica" - Jazziz

Emerging from over a year of creative hibernation following their debut album, Stavroz's upcoming EP "Kick Up the Dust" jolts them back into action. The EP flows gently, yet the overall mood of the journey isn’t always easy to pinpoint. There’s a certain vagueness to Stavroz’ sound which allows for bizarre experiments to seep through without interrupting the course. “We like to keep it lightly twisted, like a wink with a frown,” says the band.



In the title track however, Stavroz boldly steers towards the heart of the dance floor: efficient, remorseless, powerful, intense and most of all... elegant. Guiding you harmoniously through the club is a delightful duet of trumpet and saxophone, timed perfectly to heal you where it hurts most.



"Her Eyes Were Red" does what it says on the cover. There's melancholy - without sadness. Power - without force. Love - without lust. Stavroz's music possesses a distinct power that feels both natural and organic, never resorting to brute force or aggression. In their own way, the Belgian quartet offers an astonishing journey of saxophone & duduk, supported by broken beats and chopped vocals.



In Dae-El, a track featuring the Brussels-based producer and sound designer Poltrock, ethereal-sounding synths and duduk are combined with ghostly high-pitch distortions. Despite a backbone of muffled beats, the tune has vaporous qualities, reverberations that wobble and tinkle into space – it’s an easy listening experience but in a trippy, spaced-out way. “We’re trying to go for the sweet spot between the couch and the club”.



Adding further depth to their EP, Stavroz collaborates with Brazilian singer and composer Castello Branco in "Valente." Here, intimate Sade-like vocals harmonize with rubbery scratches, acoustic guitar, and horn segments, crafting a lush lounge piece that seamlessly balances both relaxation and empowerment, transparency and provocation. It's a testament to Stavroz's versatility and their knack for creating music that defies easy definition, leaving listeners eagerly anticipating the next twist and turn in their captivating musical journey.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

12,19

Last In: vor 12 Tagen
Mark William Lewis - Pleasure Is Everything / God Complex LP

Mark William Lewis’ acclaimed ‘Pleasure Is Everything’ & ‘God Complex’ receives a limited vinyl press on tastemaker London label Scenic Route Records.

Mark William Lewis’ acclaimed ‘Pleasure Is Everything’ & ‘God Complex’ receives a limited vinyl press on tastemaker London label Scenic Route Records.

Scenic Route Records is proud to announce the first vinyl press of Mark William Lewis's critically acclaimed EPs Pleasure Is Everything and God Complex. These releases, which have collectively amassed nearly 3 million Spotify streams, capture the raw and evocative sound that has earned Mark a dedicated following within London’s underground music scene. Influenced by left-field pop, ambient, and indie rock, is deeply personal, reflecting his experiences and the unique perspective gained from living on the 18th floor of a tower block in London.

Mark's music has been widely praised for its emotional depth and innovative songwriting, with support from publications such as Pitchfork and The Fader praising his ability to create atmospheric soundscapes that resonate with listeners on a profound level. This vinyl press offers fans a chance to experience these early EPs in a format that enhances the warmth and texture of his music.

As Mark continues to build his presence with sold-out shows at Cafe Oto & and international tours alongside NYC rapper MIKE, this pressing serves as both a celebration of his early achievements and a milestone in his artistic journey. Whether you're a long-time fan or new to his music, the repress of Pleasure Is Everything and God Complex is an essential addition to your collection, offering a deeper connection to the intricate, emotive world of Mark William Lewis.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

28,78

Last In: vor 15 Monaten
Aphex Twin - Selected Ambient Works Vol. II (LP 4x12")

Mit der "Selected Ambient Works Volume II (Expanded Edition)" feiert Aphex Twin das 30-jährige Jubiläum seines legendären Originalalbums. Das mit Anfang 20 von Richard D. James geschriebene SAW II wurde sowohl bei Veröffentlichung als auch im Nachhinein von der Fachpresse hochgelobt (10/10 Pitchfork, #2 Best Ambient Album of All Time). Der Einfluss von Aphex Twin und SAW II ist bis heute ungebrochen und gewinnt über Generationen hinweg neue Bedeutung.

Mit der Expanded Edition enthalten zum ersten Mal alle Formate sämtliche Titel, darunter #3 (bisher CD/digital-only) und #19 (bisher Vinyl-only), sowie die beiden Digitaltracks "th1 evnslower" (aphextwin.warp) und "Rhubarb Orc. 19.53 Rev" (Soundcloud, 2015), die erstmals offiziell und auf physischen Tonträgern erscheinen, letzterer in bislang ungehörter Qualität.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

52,06

Last In: vor 21 Tagen
Chubby and the Gang - And Then There Was.

Charlie Manning ist Chubby and The Gang. Der Mitte 30-jährige gebürtige Londoner startete das Projekt 2019 mit der Absicht, Hardcore-Punk mit den
ansteckendsten Elementen des 70er-Jahre-Rock'n'Roll und Doo-Wop zu vermischen. Charlie brachte eine „Gang“ rotierender Instrumentalisten ins
Spiel, die auf den Alben Speed Kills (2020) und The Mutt's Nuts (2021) mitwirkten. Jetzt ist es soweit: Chubby and the Gang schließt sich dem
langjährigen Hardcore-Label Flatspot Records an und veröffentlicht das neue Album „And Then There Was...“.
Das Album besteht aus 16 von Charlie geschriebenen und gespielten Songs, produziert von Jonah Falco und aufgenommen und abgemischt von James
Atckinson. Es ist eine Mischung aus Kontrolle und Chaos, Liebe und Einsamkeit, Wut und Verletzlichkeit. Die Songs schreien förmlich danach, live
gehört zu werden, fühlen sich aber genauso wohl, wenn sie über die Lautsprecher einer schummrigen Kneipe laufen. Auf „And Then There Was...“
stellt Charlie sein Talent für Melodien und die Offenlegung seines wahren Ichs unter Beweis.
In den fünf Jahren, die es Chubby and the Gang gibt, hat die Band mehr erreicht als die meisten in der doppelten Zeitspanne. Es ist keine
Überraschung, dass die Band weltweit und in den Medien gelobt wird: Rolling Stone, Pitchfork, The Guardian, NME und viele mehr haben über sie
berichtet

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

26,68
Chubby and the Gang - And Then There Was. (TAPE)

Charlie Manning ist Chubby and The Gang. Der Mitte 30-jährige gebürtige Londoner startete das Projekt 2019 mit der Absicht, Hardcore-Punk mit den
ansteckendsten Elementen des 70er-Jahre-Rock'n'Roll und Doo-Wop zu vermischen. Charlie brachte eine „Gang“ rotierender Instrumentalisten ins
Spiel, die auf den Alben Speed Kills (2020) und The Mutt's Nuts (2021) mitwirkten. Jetzt ist es soweit: Chubby and the Gang schließt sich dem
langjährigen Hardcore-Label Flatspot Records an und veröffentlicht das neue Album „And Then There Was...“.
Das Album besteht aus 16 von Charlie geschriebenen und gespielten Songs, produziert von Jonah Falco und aufgenommen und abgemischt von James
Atckinson. Es ist eine Mischung aus Kontrolle und Chaos, Liebe und Einsamkeit, Wut und Verletzlichkeit. Die Songs schreien förmlich danach, live
gehört zu werden, fühlen sich aber genauso wohl, wenn sie über die Lautsprecher einer schummrigen Kneipe laufen. Auf „And Then There Was...“
stellt Charlie sein Talent für Melodien und die Offenlegung seines wahren Ichs unter Beweis.
In den fünf Jahren, die es Chubby and the Gang gibt, hat die Band mehr erreicht als die meisten in der doppelten Zeitspanne. Es ist keine
Überraschung, dass die Band weltweit und in den Medien gelobt wird: Rolling Stone, Pitchfork, The Guardian, NME und viele mehr haben über sie
berichtet

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

16,60
SKINNY LISTER - Pub Shed Bootleg (Live EP)

Skinny Lister's 'Pub Shed Bootleg' EP recorded live in the legendary pub shed The Forge
And Flagon and showcases the band's fun and energetic performances. Squeezed into the
tiny garden tavern, the band played through 6 tracks from their most recent album 'Shanty
Punk', to produce a collection full of the raucous, chaotic and spirit of a typical Skinny Lister
show. Songs include the singles 'Mantra' and 'Company Of The Bar'; the Radio 2 supported
'13 Miles' and the instant classic 'William Harker, sung by Party George.

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

22,65
DAWN RICHARD, & SPENCER ZAHN - QUIET IN A WORLD FULL OF NOISE LP

Dawn Richard and Spencer Zahn share a common collaborative ethos, a genuine sense of musical curiosity, and a cosmopolitan eagerness to escape the conventions of genre. That shared vision first brought them together on 2022's Pigments_icy and warm, stripped-down and grand, familiar and otherworldly_and now it has reunited them for Quiet in a World Full of Noise. By turns intimate, soul-baring, spectral, and startling, Quiet in a World Full of Noise blends atmospheric and orchestral soundscapes with mellifluous soul, jazz, and journalistic vocalizing_driving it all home with stark, confessional lyricism. The new album finds Richard at her most raw and exposed. This year, Richard's musician father experienced mini strokes while being diagnosed with cancer; and last year, her cousin Cisco was fatally shot seven times in New Orleans. Richard channels the emotional impact of these traumatic experiences of loss into her lyrics and vocal performances, which are left bare and human here, raw and unprocessed across the album. Quiet expands the definitions of what constitutes progressive, avant-garde R&B by rewriting them altogether. On paper, Richard and Zahn's audacious, impressionistic musical collaborations feel like a surprising match. Richard, a New Orleans-reared visionary, has had an improbable journey from late 2000s reality television and mainstream pop with girl group Danity Kane to become one of the most prolific, experimental, and visible indie R&B singer-songwriters of the last decade and a half, with seven solo albums under her belt. Zahn is an East Coast-raised multi-instrumentalist and composer working at the intersections of jazz, Americana, classical, and ambient pop. His growing solo discography includes People of the Dawn, Sunday Painter, Pale Horizon, and Statues I & II, as well as the duo's first release, Pigments. "Pigments was one of the best projects I've ever made," Richard says, "and the furthest I've ever been pushed as an artist." The album was a critical hit, hailed as Best New Music by Pitchfork and receiving praise from Stereogum as Album of the Week, NPR Music, Bandcamp Daily, The Fader, Bitter Southerner, and Edition, among many other publications. The making of its follow-up, Quiet in a World Full of Noise, began in 2023 in upstate New York. Fresh from a break-up, Zahn sat at his piano and poured himself into writing and recording instrumental compositions. "I wrote all these stream-of-consciousness pieces on piano, and they were eerie, spacious piano tracks," he said. He used a piano that had been unconventionally tuned to the room rather than to standard pitch. These oddly-tuned, eerie instrumental recordings were never intended to be an album. Six months later, he listened to the recordings again and sent them to Richard who immediately recognized their potential and said, "Oh, this is the next album." Richard went into the studio the next day and wrote and recorded melodies and lyrics to Zahn's piano recordings. Zahn brought in gifted musicians like Bryan Senti on strings (violin, viola, and violoncello da spalla) and CJ Camerieri on brass (French horn, flugelhorn, and trumpet). In some cases, like on the track "Life in Numbers," Zahn used only the original first-take piano recording and scratch vocal, resulting in an intimate close-up of both Richard and Zahn.

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

24,79
Nails - Unsilent Death

Nails

Unsilent Death

12inchLORD127LPY
Southern Lord
04.10.2024

'When Southern Lord picked up and re-released their 2010 debut LP Unsilent Death after its smaller first pressing sold out, they offered a comparison of 90s AmRep bands and early Cro-Mags going faster than either. That sort of works. So does Eyehategod's songbook played by 2013 Converge. This music is more suffocating than it is Suffocation; it also pulls largely from hardcore and comes with plenty of raw emotion attached to it.'' PITCHFORK

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

23,95
ANNA BUTTERZ - MIGHTY VERTEBRATE LP

Mighty Vertebrate is the International Anthem debut from Anna Butterss. The Adelaide born bassist / composer has been a first call for LA tour and studio work since relocating there in 2014 - racking up credits with notables across the experimental, jazz, and pop worlds alike - but their most notable contributions to the burgeoning LA scene have been as a member of both Jeff Parker"s ETA IVtet and rising proto-trance supergroup SML, who Pitchfork says "represents the thrilling next phase of a vibrant L.A. community."

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

25,84
Tachycardie - Musique Pour Structures Sonores Baschet LP

After a triptych released by Un je-ne-sais-quoi, in barely 3 years, under the name Tachycardie, Jean-Baptiste Geoffroy, musician, composer but also visual artist, continues his very singular journey to the heart of sound matter, with an album composed on Baschet sound structures.

From the 1950s, the Baschet brothers created a truly innovative set of instruments which has since fascinated musicians seeking new sound experiences.

Both sculptures of glass, metal and instruments of great acoustic sharpness, these sound structures have made rare but remarkable forays into recordings of contemporary music (Bernard Baschet, Jacques Lasry, Luc Ferrari, Toru Takemitsu, Jonathan Fitoussi…).

The Baschet brothers were also keen to use these instruments for educational purposes in the form of workshops, cultural action projects or simply by inviting the public to try these instruments at the end of concerts. It is in the Ateliers Baschet, a place aimed at preserving and transmitting the work of the brothers (workshops, conferences, residencies) that Tachycardie recorded this new album.

After having combined on his previous albums, analog synthesis, audio-naturalism and percussion in an overwhelming balance, he explored here all the sonic variety of Baschet structures. He then just sculpted this sound material in his studio, using simple effects: editing and pitch.

The result is a new path to explore in Tachycardie’s world, made of subtle percussive crackles, beneficial chaos and restorative oscillations.

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

23,32
Blu - Good To Be Home  LP 2x12"

Blu

Good To Be Home LP 2x12"

2x12inchNSD162LP
Nature Sounds
04.10.2024

Blu’s music has been championed by outlets like XXL, Pitchfork, Okayplayer, HipHopDX, and more. In recent years, he has been interviewed by Billboard, Complex, LA Weekly, Noisey, Red Bull Music Academy, and more. Blu has collaborated with prominent artists like The Roots, Logic, Miguel, MF DOOM, Madlib, Anderson .Paak, Lupe Fiasco, Freddie Gibbs, Aloe Blacc, Roc Marciano, Slum Village, 9th Wonder, and more. Classic 2014 album on gatefold 2LP vinyl, now available after years out of print. Good To Be Home features guest appearances by Evidence, Fashawn, Alchemist, Casey Veggies, MED, Planet Asia, Oh No, Pac Div, Strong Arm Steady, Thurz, Visionaries, Chace Infinite, Cashus King, and more. L.A. rapper Blu burst onto the scene in the late 00s with the widely acclaimed Exile collaboration Below The Heavens, igniting a West Coast hip-hop renaissance in the process. With his cool Cali demeanor and undeniable lyrical talent, Blu drew praise from fans and tastemakers alike, launching a remarkable career that continues thriving to this day. His first ever double album, the 2014 masterpiece Good To Be Home is an essential part of this story. An unapologetic celebration of Los Angeles music and culture, the album takes listeners on a vivid journey through Blu’s storied stomping grounds. With sweeping strings and hypnotic bass lines supplied by producer Bombay, Good To Be Home features a host of West Coast hip-hop luminaries, including Evidence, Fashawn, Alchemist, Casey Veggies, MED, Planet Asia, Oh No, Pac Div, Strong Arm Steady, Thurz, Visionaries, and more. A cohesive collection with 20 tracks and no filler, this classic release is now available again on vinyl after years out of print.

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

37,40
Dawn Richard and Spencer Zahn - Quiet in a World Full of Noise LP

Dawn Richard and Spencer Zahn share a common collaborative ethos, a genuine sense of musical curiosity, and a cosmopolitan eagerness to escape the conventions of genre. That shared vision first brought them together on 2022’s Pigments icy and warm, stripped-down and grand, familiar and otherworldly and now it has reunited them for Quiet in a World Full of Noise. By turns intimate, soul-baring, spectral, and startling, Quiet in a World Full of Noise blends atmospheric and orchestral soundscapes with mellifluous soul, jazz, and journalistic vocalizing driving it all home with stark, confessional lyricism. The new album finds Richard at her most raw and exposed. This year, Richard’s musician father experienced mini strokes while being diagnosed with cancer; and last year, her cousin Cisco was fatally shot seven times in New Orleans. Richard channels the emotional impact of these traumatic experiences of loss into her lyrics and vocal performances, which are left bare and human here, raw and unprocessed across the album. Quiet expands the definitions of what constitutes progressive, avant-garde R&B by rewriting them altogether. On paper, Richard and Zahn’s audacious, impressionistic musical collaborations feel like a surprising match. Richard, a New Orleans–reared visionary, has had an improbable journey from late 2000s reality television and mainstream pop with girl group Danity Kane to become one of the most prolific, experimental, and visible indie R&B singer-songwriters of the last decade and a half, with seven solo albums under her belt. Zahn is an East Coast–raised multi-instrumentalist and composer working at the intersections of jazz, Americana, classical, and ambient pop. His growing solo discography includes People of the Dawn, Sunday Painter, Pale Horizon, and Statues I & II, as well as the duo’s first release, Pigments. “Pigments was one of the best projects I’ve ever made,” Richard says, “and the furthest I’ve ever been pushed as an artist.” The album was a critical hit, hailed as Best New Music by Pitchfork and receiving praise from Stereogum as Album of the Week, NPR Music, Bandcamp Daily, The Fader, Bitter Southerner, and Edition, among many other publications. The making of its follow-up, Quiet in a World Full of Noise, began in 2023 in upstate New York. Fresh from a break-up, Zahn sat at his piano and poured himself into writing and recording instrumental compositions. “I wrote all these stream-of-consciousness pieces on piano, and they were eerie, spacious piano tracks,” he said. He used a piano that had been unconventionally tuned to the room rather than to standard pitch. These oddly-tuned, eerie instrumental recordings were never intended to be an album. Six months later, he listened to the recordings again and sent them to Richard who immediately recognized their potential and said, “Oh, this is the next album.” Richard went into the studio the next day and wrote and recorded melodies and lyrics to Zahn’s piano recordings. Zahn brought in gifted musicians like Bryan Senti on strings (violin, viola, and violoncello da spalla) and CJ Camerieri on brass (French horn, flugelhorn, and trumpet). In some cases, like on the track “Life in Numbers,” Zahn used only the original first-take piano recording and scratch vocal, resulting in an intimate close-up of both Richard and Zahn.

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

30,67
Better Lovers - Highly Irresponsible  LP

"A group of tried-and-true musicians got together and found the sort of camaraderie and kinship you typically only find once in a lifetime. They didn’t overthink it. They didn’t waste a second. They simply left their blood, sweat, and tears on tape—like they’ve always done. For as much as Better Lovers represents the union of former Every Time I Die members Jordan Buckley guitar,Steve Micciche [bass], and Clayton “Goose” Holyoak [drums] with The Dillinger Escape Plan and Killer Be Killed frontman Greg Puciato [vocals],and musician (Fit For An Autopsy/END) and GRAMMY® Award-winning producer, Will Putney [guitar], it really cements the bond of five friends around a shared vision. That vision is as uncompromising, unapologetic, and undeniable as anything they’ve individually done, yet it’s refined by experience and a commitment to a future together. They’re in it for the long haul... “To me, this band is refreshing,” exclaims Jordan. “Looking back, I’m so happy everything got me to where I am. The pandemic and the last few years made me hungrier and more grateful. This isn’t a hobby. This isn’t temporary. This is the next evolution for each of us. Greg and Will rejuvenated me and made me even more confident.



Now, everybody needs to know we’re a wild animal that just broke out of the zoo—there’s no trying to put it back in the cage.” “Better Lovers definitely feels like its own thing,” states Greg. “I’m in so many lanes right now, so it was important that one lane didn’t step on another. However, nothing I’m doing is this vicious. This is full-on scathing. It’s been really fun. I forgot how much I liked that.” As the story goes, Jordan ended up back in Buffalo, NY, jamming in a basement rehearsal spot with Steve and Goose during the winter of 2022. After working with Will on the last two Every Time I Die records, they shared a handful of early demos with him to produce. As the year progressed, Jordan caught Greg on the road with Jerry Cantrell in Las Vegas, mentioning the new music. Once ideas solidified, he shared them with the vocalist who replied at 3am one night in December. “The text said, ‘Let’s give these motherfuckers what they want’,”chuckles Jordan. “I went to bed smiling and laughing. There is no one like Greg on stage, off stage, or over text. Once I told Will, he was like, ‘Can I play?’ We said, ‘Of course!’ That’s how it was born.” “Once I pick up the scent, I’ll go for the kill,” smiles Greg. “We’ve all hung out, gotten to know each other, and it’s all fire now. Everyone has already been through shit. You know yourself better. Your ego isn’t as big as it used to be. You can share your opinions. It’s a cool dynamic.” Fittingly, they introduce this era with the single “30 Under 13.” A seasick guitar groove bleeds into an incisive riff punctuated by Greg’s vitriolic and venomous screams, “Hold onto me, try to let go of me, let go of what you’ll never be. ”This barrage unpredictably subsides on a haunting clean vocal, only to ramp back up into a pit-splitting thrash crescendo and rapid-fire solo played at warp speed. “We always try to up our game,” notes Jordan. “This is the next step for all of us. There’s just constant forward motion, and we don’t want to compromise that. We want to keep going. We’re doing a lot of shit we haven’t done before in Better Lovers. I’m not going to spoil it for you, but get ready.” “For some reason, this song got me,” recalls Greg. “Once that happens, you have the toe of the dinosaur skeleton in the dirt. You start brushing it away, and soon you have a fucking T-Rex.” The name might give you a hint of what’s coming—or it might not. So, what does the future hold for Better Lovers? Well, it’s entirely in their control. Expect a lot of touring. Expect more music. Expect these five guys to leave a trail of destruction in their wake—really would you want anything less? “We feel like we’re going to explode if we sit around any longer,” Jordan leaves off. “This is my life’s work. I learned all of my lessons, passed all of the tests, and took all of the right turns and the wrong turns. It turns out what I thought were wrong turns got me here, and that’s all that matters. I have no regrets. I know this is what I’m supposed to be doing.” “I just want you to view this on its own merits,” Greg concludes. “I hope it reaches some new people. For me, the enjoyment is making the music and putting it out. The second it’s released, I don’t look back. You drop the bomb and keep flying the plane. You don’t circle back to see how much destruction you cause. You keep moving, which is what we’re going to do.” "

vorbestellen04.10.2024

erscheint voraussichtlich am 04.10.2024

35,25
Lehnen - Negative Space: Gradients (TAPE)

Austria band Lehnen embarks on something of a new beginning here as they unveil a new four-track work, Negative Space: Gradients, which comes on cassette via Past Inside The Present. This project was initially thought of as a four-song experiment and one that continues where the last album left off. That is to say with lots of lush synth layers and ambient textures of its parent album but all turned up a notch. It will still be familiar to fans but while the last album Negative Space funnelled post hardcore and post rock energy, this one joins things together and the result is a work full of healing compositions full of hope.

vorbestellen03.10.2024

erscheint voraussichtlich am 03.10.2024

13,87
Lia Kohl / Daniel Wyche - Movie Candy (TAPE)

Over the past four years and under his Tyresta alias, Nick Turner has been integral to operations at PITP's sister label, Fallen Moon Recordings. His meticulous curation for FMR showcases top-tier sound collages and experimental electronic music and that dedication shines in Lia Kohl and Daniel Wyche's latest release, 'Movie Candy. It's a captivating exploration of free-spirited electronic music that seamlessly blends cello, guitar, synths, voice, field recordings, and electronic treatments into a record that brims with both nostalgia and innovation. Wyche describes it as an homage to the obscure ephemera of films-like the allure of candy wrappers and the mesmerising cinema carpets-forging vivid memories that linger and evolve through time.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

14,71

Last In: vor 19 Monaten
Royal Trux - Twin Infinitives LP 2x12"

Ltd Double Silver Vinyl, Monochrome edition artwork, DL card. Originally released in 1990, Royal Trux’s ‘Twin Infinitives’ is being re-issued in all its (yet to be translated) alien glory, by Fire Records. A dismantled overture that sprawls out over two records, an avant-garde masterpiece that was the spark for Drag City Records and generations of new sound seeking musicians. Hailed in the same immortal breath as Beefheart’s ‘Trout Mask Replica’, the Velvets’ at their frenzied peak and Ornette Coleman at his most avant-garde, the duo of Pussy Galore’s Neil "Michael" Hagerty and Jennifer Herrema recorded ‘Twin Infinitives’ while imbibing all kinds of mind-altering substances to create an inadvertent blueprint for what the duo was building with Moogs, guitars and melodicas to name a few ingredients. It is the legendary second album from the masters of the genre mashup - long before “genre mashups” even existed. Arguably, the term “mashup” was coined to describe what Trux, as they subconsciously scrolled through the radio stations of their lives. The album’s chaotic sound and offbeat construction laid the foundations for a string of Royal Trux albums that spiralled between genres, tunings, and noise. Through the 90s they would re-invent the rock ‘n’ roll ethic, straddle alien surf music, re-align boogie rock, not to mention 80s hair metal, and confound critics by their wildly meandering and courageous rites of passage. Remastered as part of a career spanning catalogue deal with Fire Records. The infamous and influential duo of Jennifer Herrema and Neil Hagerty will be delving into the archive with a comprehensive reissue series, unearthing the vaults and revisiting what made them such a compelling benchmark for their contemporaries and imitators. Reawakening their prolific output within a new monochrome vinyl series covering 1988-1993, they begin with their seminal deconstructed rock masterpiece Twin Infinitives. “Sounding like a subway ride inside a television inside an earthquake inside the end of the world and a pounding death rhythm of apocalyptic now.” Pitchfork. Track List: Disc One: A1 Solid Gold Tooth A2 Ice Cream A3 Jet Pet A4 RTX-USA A5 Kool Down Wheels B1 Chances Are The Comets In Our Future B2 Yin Jim Versus The Vomit Creature B3 Osiris Disc Two. C1 (Edge Of The) Ape Oven D1 Florida Avenue Theme D2 Lick My Boots D3 Glitterbust D4 Funky Son D5 Ratcreeps D6 New York Avenue Bridge

vorbestellen30.09.2024

erscheint voraussichtlich am 30.09.2024

30,21
SUZANNE KRAFT - WHAT YOU DO TO ME

US IMPORT** **COMES WITH DOWNLOAD CODE inc EXTRA track** LIMITED COPIES available....

SK delivering an ace cover of a sublime rock obscurity backed with a dubbed out version from L.A. veteran, Secret Circuit. TIGHT.

" Suzanne Kraft covers Sugarcane's unforgettable soft-rock-meets-modern-soul ballad "What You Do To Me." Originally released as a limited 45 and featured on WDVE's first Pittsburgh Rocks compilation in 1980, and subsequently featured on the 'Soft Rock for Hard Times Vol. 2' Mix CD in 2014. Recorded and produced by Suzanne Kraft with a pitch perfect synthesizer solo by Jordan Czamanski (Jordan GCZ) - this version expertly matches the original song's private press essence with a full sound and dynamic arrangement that is recognizably Suzanne Kraft.

Secret Circuit delivers an extraordinarily heavy dub on the flip, launching Suzanne Kraft's cover forward with bass and drums under waves of delay and echo, bouncing the song towards the iconic synth solo which Secret Circuit sends into pure soundsystem bliss.

This is the debut release of the new Soft Rock For Hard Times imprint. "

vorbestellen30.09.2024

erscheint voraussichtlich am 30.09.2024

15,92
Niagara - Afire LP

Niagara

Afire LP

12inchEVERLANDPSYCH013LP
Everland Psych
27.09.2024

"Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King. Also present on the sessions were percussionists George Brown, Sabu Rex and Norman Tolbert. The phenomenal rhythms contained on this LP have made it a very sought after piece among those looking for cool samplers to mix.

Klaus Weiss is considered one of the best drummers of the German jazz scene, he was always very active and played with a lot of USA jazzmen travelling Germany like Hampton Hawes, Herbie Mann, Mal Waldron or Johnny Griffin, as well as with German greats as Klaus Doldinger, George Gruntz, Friedrich Gulda, etc. "

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

24,79

Last In: vor 19 Monaten
Vended - Vended  (LP)

Vended

Vended (LP)

12inch39157531
VYDIA/VENDED
27.09.2024

'Vended' ist das mit Spannung erwartete selbstbetitelte Debütalbum der gleichnamigen Nu-Metal-Band aus Des Moines, Iowa.
Die 2018 gegründete Band besteht aus Griffin Taylor (Gesang) und Simon Crahan (Schlagzeug) – Söhne der Slipknot-Mitglieder Corey Taylor und Shawn „Clown“ Crahan - sowie Cole Espeland (Gitarre), Jeremiah Pugh (Bass) und Connor Grodzicki (Gitarre).
Bekannt für ihre rohe Energie, ihren aggressiven Sound und ihre unverblümten Texte hat sich die Band schnell einen Namen in der Heavy-Metal-Szene gemacht.
Ihr Name wird auf der zweiten Silbe betont ausgesprochen: „ven-DEAD“, in Anlehnung an das Wort Vendetta (Blutrache).

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

24,33
Klara Lewis - Thankful

Klara Lewis

Thankful

12inchEMEGO313V
Editions Mego
27.09.2024

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

The opening track Thankful resides as a direct tribute to the track recorded under his PITA moniker, the timeless 'Track 3'. A track of which the impact has been vast and deep, still rattling the walls of the now enormous worldwide experimental electronic scene. Countless new youth carve and project wildly distorted melodic digital matter which all falls back with a knowing or unknowing wink back to this original ground zero monster. Klara's take on this is one that resides as a tribute to Rehberg with a cascading emotional melody gradually succumbing to a euphoric digital abyss. Thankful also comes across as a farewell gesture to her deceased friend with its beautiful, almost funerale tone. The abrupt ending is not only a method Rehberg would have relished but also a signifier of a life suddenly cut short.

Lewis was 21 when her first album Ett was released by Editions Mego in 2014. Now at 31 years of age Editions Mego is very proud to present Thankful, a profoundly mat

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

22,65
TRIO TERNURA - VOU MORAR NO TEU

Trio Ternura

VOU MORAR NO TEU

7"-VinylBRZ45069R
Mr Bongo
27.09.2024

Uptempo funk-soul ’Vou Morar No Teu Sorriso’ is a real favourite of ours and a regular spin in DJ sets. Tough drums, breaks and percussion, big vocals, horns and bass.
Taken from their self-titled LP from 1971.
Dancefloor Samba-funk-MPB business on ’Quem Vai Querer’,
originally released in 1977 on RCA.
A rolling samba groove, layered percussion and a lovely lead vocal from Eliana build into a big chorus and increased drum pressure!

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,24

Last In: vor 12 Monaten
MERCE LEMON - WATCH ME DRIVE THEM DOGS WILD

Within the quiet, cascading corners of Pittsburgh lies a community - essentially one large family - that spans neighborhoods and generations. Upon this foundation, Merce Lemon built her latest album: Watch Me Drive Them Dogs Wild. These are earnest songs, of belonging and longing, in which romantic and familial love rip into and out of themselves in a flurry of reckoning. There is a fierceness, a persistence in this vulnerability, that is matched by the wildness of her band. Merce took a step back from music in 2020, after releasing her debut album Moonth, to reassess. "Music was just something I'd always done, and I didn't want to lose the magic of that - but I was just having less fun." In this time of restless confusion, she got back to her roots. "I got dirty and slept outside most of the summer. I learned a lot about plants and farming, just writing for myself, and in that time I slowly accumulated songs." A creative hunger, supported by her community, had been newly fertilized. From this rediscovery, imbued with the vitality of earth's green magic, Watch Me Drive Them Dogs Wild sprouted forth.

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

21,22
MERCE LEMON - WATCH ME DRIVE THEM DOGS WILD

Limited Bubblegum Pink Vinyl. Within the quiet, cascading corners of Pittsburgh lies a community - essentially one large family - that spans neighborhoods and generations. Upon this foundation, Merce Lemon built her latest album: Watch Me Drive Them Dogs Wild. These are earnest songs, of belonging and longing, in which romantic and familial love rip into and out of themselves in a flurry of reckoning. There is a fierceness, a persistence in this vulnerability, that is matched by the wildness of her band. Merce took a step back from music in 2020, after releasing her debut album Moonth, to reassess. "Music was just something I'd always done, and I didn't want to lose the magic of that - but I was just having less fun." In this time of restless confusion, she got back to her roots. "I got dirty and slept outside most of the summer. I learned a lot about plants and farming, just writing for myself, and in that time I slowly accumulated songs." A creative hunger, supported by her community, had been newly fertilized. From this rediscovery, imbued with the vitality of earth's green magic, Watch Me Drive Them Dogs Wild sprouted forth.

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

22,27
LIZZARD - MESH LP

Lizzard

MESH LP

12inchPELV266
Pelagic Records
27.09.2024

France-based, prog-rock power trio LIZZARD are out to reclaim the creative, collaborative energy that has fueled them for over a decade. On `Mesh', the band's fifth full length album, LIZZARD capture the energetic, lightning-in-a-bottle optimism of the late `90s post-punk/art-rock scene and reinvigorate it as something empowering, inspiring and simmering with potential. Recorded by the band in the abandoned factory they use as their creative base and produced again by now long-time friend and collaborator Peter Junge, `Mesh' is LIZZARD unleashing the raw, spontaneous might of their pent up live sound through the production precision of their studio experience. As such, themes of duality and control, whether it's regaining it or letting it go, run right through the album. Resounding with Elwell's inimitable, thundering drums and a barrage of colossal riffs, `Black Sheep' explores the dichotomy of body and mind, of black and white, that we all wrestle with on a daily basis whilst the mellow polyrhythms and plaintive melodies of `Mad Hatters' ask pressing questions of the people who are supposedly in charge of society. Epic album closer `The Beholder' captures the reinvigorated LIZZARD at their bracing best; bittersweet guitar refrains are bolstered by Will Knox's signature driving basslines and crashing half-time grooves as frontman Ricou considers the great cycle of life from his own perspective. Testament to the band's formidable compositional prowess, `The Beholder' ends as it starts, a closed loop. With only Ricou's playful, pithy refrain of "What goes around, comes around" left ringing in our ears, LIZZARD masterfully frame `Mesh' as both a poignant conclusion to the last chapter and as a bright new beginning.

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

21,22
LIZZARD - MESH LP

Lizzard

MESH LP

12inchPELVC266
Pelagic Records
27.09.2024

France-based, prog-rock power trio LIZZARD are out to reclaim the creative, collaborative energy that has fueled them for over a decade. On `Mesh', the band's fifth full length album, LIZZARD capture the energetic, lightning-in-a-bottle optimism of the late `90s post-punk/art-rock scene and reinvigorate it as something empowering, inspiring and simmering with potential. Recorded by the band in the abandoned factory they use as their creative base and produced again by now long-time friend and collaborator Peter Junge, `Mesh' is LIZZARD unleashing the raw, spontaneous might of their pent up live sound through the production precision of their studio experience. As such, themes of duality and control, whether it's regaining it or letting it go, run right through the album. Resounding with Elwell's inimitable, thundering drums and a barrage of colossal riffs, `Black Sheep' explores the dichotomy of body and mind, of black and white, that we all wrestle with on a daily basis whilst the mellow polyrhythms and plaintive melodies of `Mad Hatters' ask pressing questions of the people who are supposedly in charge of society. Epic album closer `The Beholder' captures the reinvigorated LIZZARD at their bracing best; bittersweet guitar refrains are bolstered by Will Knox's signature driving basslines and crashing half-time grooves as frontman Ricou considers the great cycle of life from his own perspective. Testament to the band's formidable compositional prowess, `The Beholder' ends as it starts, a closed loop. With only Ricou's playful, pithy refrain of "What goes around, comes around" left ringing in our ears, LIZZARD masterfully frame `Mesh' as both a poignant conclusion to the last chapter and as a bright new beginning.

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

23,95
Hella - The Devil Isn't Red

Hella

The Devil Isn't Red

12inchLPGERC082
5RC
27.09.2024

20 year anniversary pressing, remastered for vinyl !

Limited edition of 1000 copies on devil red vinyl / Includes the original 12x18 promo poster

"Zach Hill (Death Grips) and Spencer Seim (The Advantage) “‘The Devil Isn't Red’ systematically shakes down like it was the rocker's score to upper- level Tetris – no matter how swiftly the pieces descend, Hella manage to drop them in place.” – Pitchfork-

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

33,82
Various - Bridgerton Season 3 LP 2x12"

Der Soundtrack zur dritten Staffel von der Netflix Hit-Serie „Bridgerton” erscheint endlich auf Vinyl!
Mit einer frischen Mischung aus orchestralen Pop-Covern u.a. von Billie Eilishs ”Happier Than Ever”,
BTS’ ”Dynamite” und Sias ”Cheap Thrills”, neu interpretiert vom Vitamin String Quartet, und einzigartigen Originalkompositionen ist der Soundtrack wie gewohnt eine stimmungsvolle Symbiose zwischen
klassischer und zeitgenössischer Musik.
Weitere Highlights sind u.a. die Coverversionen zu Nick Jonas’ ”Jealous” von Shimmer und Taylor Swift,
und Lana Del Reys ”Snow On The Beach”, gecovert vom Atwood Quartet, bis hin zum #1 Global Viral
Spotify Hit ”Give Me Everything” von Pitbull, gecovert von Archer March.
Der Soundtrack ist ab dem 27.09.2024 als goldfarbene 2LP erhältlich.

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

32,73
DJ GAWAD - DJ GAWAD Presents: VOLUME 1 (MC) TAPE

Warped and dragged through the murky underbelly of the Levantine underground comes 'Volume 1' the x-rated left-field debut from the pseudonymous DJ GAWAD.

Via pitched up vocals dripping with delay, DJ GAWAD takes us on a tour of the region's most urgent artists, his interjections oscillating between cocky boast and frustrated lament.

Through this new persona, DJ GAWAD pulls back the curtain to reveal himself as the protagonist of the mixtape-like album, as replete with features as it is with expletives, an enigmatic ghoul in the back of the studio with an endless supply of broken sample flips, giving the album its old school feel while still speaking to contemporary hip hop aesthetics.

A Jordanian/Palestinian Memphis gangster rap parody par excellence, the album is infused with satirical commentary on the state of the contemporary music scene, yet DJ GAWAD shows as much as he tells, expertly fashioning a sound that makes you wonder about the identity of the artist behind the braggadocious persona of the self-titled "best producer in the Middle East."

Drawing heavily from the Memphis rap mixtapes of the mid 1990s, DJ GAWAD has clearly identified the same brooding atmosphere in his own surroundings. On Mat3'anish (feat. Bleng & Fara7) DJ GAWAD makes his most explicit reference to the Memphis sound, twisting the hallmark cowbells that defined that movement to reflect the equally raw nature of his own setting.

Similarly, in Bandana (feat. Jurum), DJ GAWAD finds the perfect tension between his romantic sampling tendencies and the brutal sensibilities of his featured artist. As if liberated by DJ GAWAD's anonymity and irreverence, his menagerie of artists appear to have been emboldened, embracing the obscene free naturedness of the album, setting their lyrical prowess free to wander.

No expense was spared in the post production treatment of DJ GAWAD's debut, with Iraqi-American artist Mark Gergis incorporating the Nakamichi Dragon cassette deck in the mastering process, as is evidenced by the crisp saturation of the album's sonics.

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

19,29
Montell Fish - Charlotte LP
auch erhältlich

Opaque Red[24,16 €]


Der aus Pittsburgh stammende Montell Fish ist ein Multiinstrumentalist, Produzent, Sänger und Komponist, der sich auf die Entwicklung von Projekten konzentriert, die Welten schaffen. Montells unvoreingenommene Herangehensweise an das Songwriting erlaubt es den Zuhörern, sich in seiner Welt willkommen
zu fühlen, in der er der Autor, Regisseur und Star ist. Charlotte ist das mit Spannung erwartete Nachfolgealbum des JAIME-Albums von 2022 und der zweite Teil seiner Jaime, Charlotte, Marshall-Album-Trilogie.
Mit jeder Veröffentlichung hat er einen mehrschichtigen Turm aus Referenzen und Metaphern aufgebaut,
der mit den Ängsten eines begabten jungen Menschen schwankt, der die Widersprüche der Welt in Einklang
bringen will: in der Liebe, in der Religion, in der Kunst und im Glauben. Es ist die Art von Musik, die
intensive Gefühle und Fangemeinde hervorruft. Auf seinem neuesten Album Charlotte, dem Nachfolger
seines Durchbruchsalbums Jamie aus dem Jahr 2022, denkt Fish gerne über die großen Fragen des Lebens
nach: Wie prägt die Kindheit einen Menschen? Was bedeutet es, eine Gabe zu haben, zu der die Welt
Zugang haben will? Fish, der in einem streng religiösen Haushalt aufgewachsen ist und nun selbst in der
Welt unterwegs ist, um seine Kunst zu machen, hat eine grenzenlose Neugier auf die Art zu leben und zu
schaffen. Charlotte ist sein bisher vollendetstes Projekt, der Klang eines Generationstalents, das in seine
Kraft tritt.

vorbestellen27.09.2024

erscheint voraussichtlich am 27.09.2024

28,53
Pitch Black - Electronomicon LP 2x12"

2024 Repress

Pitch Black’s “Electronomicon”, a landmark album in New Zealand’s electronica scene, finally gets pressed on vinyl.First released in 2000, “Electronomicon” shows Pitch Black developing their deep dubby sound further by creating long and involved song structures that traverse a range of sonic experiences. The resultant album journeys from organic ambience and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds it all together.

“Electronomicon” reached 28 in the New Zealand album charts and led to a sell-out 30-date tour of New Zealand and Australia. It has since gone on to become one of the duo’s most popular albums, regularly finding new fans around the world.

To celebrate the 20th anniversary of the release, the band dug out the original audio files and Angus McNaughton has remastered them for this vinyl release. Hamish Macaulay has also adapted the original artwork, creating a brand new collage for the centerfold out of pictures taken at the time.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

24,79

Last In: vor 4 Jahren
Krystal Klear & La Raf - Boli Boli

German Powerhouse Labels Public Possession and Running Back Team up to bring you a nostalgic tribute to 80s Disco-Synth-Pop and Balkan Self-Pity. In a blend of cultural nostalgia and contemporary resonance, be-friended artists Krystal Klear and La Raf are set to release their first collaborative record titled "Boli Boli" (It hurts, it hurts) this autumn. The record is a steamy homage to the 80s disco-synth-pop. La Raf’s vocals equipped with Krystal Klear’s sound remind us of the bittersweet memories of the bygone yet still beloved music-era from former Yugoslavia.
The song came to life during a spontaneous creative outburst when Krystal and Raf reunited in a studio in London last year. Singer La Raf, a Croatian native based in Berlin, channeled the raw emotions of a not so recent break-up regret into the lyrics of "Boli Boli."
Infused with Balkan self-pity, the song delivers a very personal experience of pain and regret, not as mere sorrow but as a confident, joyful indulgence in one's own grief. This emotional depth finds a perfect counterpart in Krystal Klear’s talent for crafting melodies
that evoke both happiness and melancholia. Together, they have created a track that is as introspective as it is danceable, offering its listeners a glimpse into a world where sadness is embraced with a sense of pride and joy, capturing the cultural tapestry of the Balkan region.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

11,72

Last In: vor 19 Monaten
Ian Carr’s Nucleus - Roots

Ian Carr’s Nucleus

Roots

12inchBEWITH102LP
Be With Records
20.09.2024

What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.

Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.

Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.

The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.

The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.

Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.

The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.

And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.

Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.

This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

20,71

Last In: vor 4 Jahren
J. Doursou - The Deafening Veil MC (TAPE)

Following on from his 2022 debut release on American Dreams Records, 'Choreographies of Decay', J. Doursou offers a critical reflection in 'The Deafening Veil' of the West's warped relationship with war in other regions.

The Deafening Veil has early support with reviews confirmed with MOJO Magazine, Headphone Commute (single premiere), A Closer Listen, and Noise Narrative. A writer from Quietus is also pitching to editorial with a review TBC. Doursou began the creative process of the album when Russia invaded Ukraine. The album's lead single, 'song for Elena', is a tribute to Doursou's close friend from Ukraine. The rest of the album critiques the silence that surrounds war in other regions.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

11,35
Nubya Garcia - Odyssey LP 2x12"

Nubya Garcia isn’t an artist you can easily classify. Is it jazz? Sure, the London-born saxophonist, composer and bandleader grew up studying the genre under the noted pianist Nikki Yeoh at Camden Music. But it isn’t until you listen to albums like 2020’s Source and 2024’s Odyssey that you hear broader creativity shining through: It’s jazz, classical, dub, R&B and whatever else Garcia wants to convey. It all comes from a place of exploration and self-study, of wanting to do all the things across all disciplines while ignoring arbitrary boxes that don’t t.

Garcia’s sophomore album Odyssey, out in September 2024 via Concord Jazz, is a majestic feat on which she blends orchestral arrangements with R&B, jazz, broken beat and dub, resulting in a grand, nuanced record that feels airy and celestial without sacricing the groove. It’s a deeply personal oering about her trek to falling back in love with musical composition over the past four years.

Source, her 2020 debut album, was released via Concord Jazz to massive critical acclaim, an NPR Tiny Desk (Home) Concert, a Pitchfork “Best New Music” review and a Rolling Stone “Album of the Month” mention. In a prole, The New York Times called Source “a sweeping set of jazz with Afro-Caribbean inuences that funnels a life’s worth of experiences into an hourlong listen.” Also upon release, the album entered the UK charts in the Top 30, and she was just one of three artists selected to perform live at Glastonbury’s 2020 Experience, which aired on the BBC to thousands of viewers. Source was also nominated for the Mercury Prize, a prestigious award given to the best albums from the UK or Ireland.

In 2022, Garcia toured the US in support of Khruangbin, performing in sold-out venues including Radio City Music Hall in New York, the Ryman in Nashville and the Met in Philadelphia. She then headlined her own tour in the UK and US, performing at various festivals including Glastonbury, Love Supreme, Pickathon and Newport Jazz.

Garcia continues to tour worldwide while also collaborating with major brands like Lululemon, Paul Smith, Labrum, Nicholas Daley and Burberry. She was one of three creatives selected for Fossil’s “Moment In Time” campaign, which was published globally in VOGUE, GQ, and GLAMOUR magazines. Elsewhere, Garcia has been featured in numerous print publications, including Mojo, Vogue and Ebony.

As a composer, Garcia’s original music has been placed with Apple TV (Ted Lasso); OWN Network (Cherish The Day); FX TV (Atlanta); EPIC GAMES (Fortnite); and on multiple podcasts (including the theme tune for Anika Noni Rose’s Clio award-winning podcast Being Seen).

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

32,14

Last In: vor 3 Monaten
Nubya Garcia - Odyssey LP 2x12"

Nubya Garcia isn’t an artist you can easily classify. Is it jazz? Sure, the London-born saxophonist, composer and bandleader grew up studying the genre under the noted pianist Nikki Yeoh at Camden Music. But it isn’t until you listen to albums like 2020’s Source and 2024’s Odyssey that you hear broader creativity shining through: It’s jazz, classical, dub, R&B and whatever else Garcia wants to convey. It all comes from a place of exploration and self-study, of wanting to do all the things across all disciplines while ignoring arbitrary boxes that don’t t.

Garcia’s sophomore album Odyssey, out in September 2024 via Concord Jazz, is a majestic feat on which she blends orchestral arrangements with R&B, jazz, broken beat and dub, resulting in a grand, nuanced record that feels airy and celestial without sacricing the groove. It’s a deeply personal oering about her trek to falling back in love with musical composition over the past four years.

Source, her 2020 debut album, was released via Concord Jazz to massive critical acclaim, an NPR Tiny Desk (Home) Concert, a Pitchfork “Best New Music” review and a Rolling Stone “Album of the Month” mention. In a prole, The New York Times called Source “a sweeping set of jazz with Afro-Caribbean inuences that funnels a life’s worth of experiences into an hourlong listen.” Also upon release, the album entered the UK charts in the Top 30, and she was just one of three artists selected to perform live at Glastonbury’s 2020 Experience, which aired on the BBC to thousands of viewers. Source was also nominated for the Mercury Prize, a prestigious award given to the best albums from the UK or Ireland.

In 2022, Garcia toured the US in support of Khruangbin, performing in sold-out venues including Radio City Music Hall in New York, the Ryman in Nashville and the Met in Philadelphia. She then headlined her own tour in the UK and US, performing at various festivals including Glastonbury, Love Supreme, Pickathon and Newport Jazz.

Garcia continues to tour worldwide while also collaborating with major brands like Lululemon, Paul Smith, Labrum, Nicholas Daley and Burberry. She was one of three creatives selected for Fossil’s “Moment In Time” campaign, which was published globally in VOGUE, GQ, and GLAMOUR magazines. Elsewhere, Garcia has been featured in numerous print publications, including Mojo, Vogue and Ebony.

As a composer, Garcia’s original music has been placed with Apple TV (Ted Lasso); OWN Network (Cherish The Day); FX TV (Atlanta); EPIC GAMES (Fortnite); and on multiple podcasts (including the theme tune for Anika Noni Rose’s Clio award-winning podcast Being Seen).

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

32,14

Last In: vor 14 Monaten
BUTTHOLE SURFERS - Locust Abortion Technician LP

"Locust Abortion Technician" was relased for the first time in 1987. Without anyone looking over their shoulders, the band really rose to the occasion with "Locust Abortion Technician." From the opening track, "Sweat Loaf," which quotes Black Sabbath with results both hilarious and bowel-stomping, to the scuzz-guitar riven "found" vocals of "22 Going on 23," "Locust" is a non-stop face-full of hallucinogenic gas. Maniacal sludge guitar figures and Gibbytronix vocals are smeared everywhere, with most "Locust..." LP OLE-2058-LP 191401205818 excellent results. For many folks. "Locust" represents the album with which the Buttholes fully fulfilled their insane potential.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

21,81
Laurie Styvers - Let Me Comfort You: The Hush Rarities

Let Me Comfort You: The Hush Rarities collects the bonus tracks from High Moon Records’ critically lauded CD Gemini Girl: The Complete Hush Recordings. Appearing on vinyl for the first time, these 11 alternate takes, demos and previously unissued songs hail from the sessions for Laurie Styvers’ two unjustifiably obscure LPs Spilt Milk and The Colorado Kid, recorded in early 1970s London, and recently tagged by Pitchfork as “a sharp and idiosyncratic snapshot of how it feels to try growing up.” Akin to a “lost” third album, this remarkably well-rounded package is a further showcase for the honey-voiced intimacy of this youthful Texas singer-songwriter, with a program of lovelorn gems doused in splendid orchestration. RIYL Carole King, Judee Sill, Weyes Blood. Packaged with a four page lyric insert.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

28,15
Girl Ultra - blush (LP+MP3)

Girl Ultra

blush (LP+MP3)

12inchBD315
Big Dada
20.09.2024

Die neue EP, „blush“, ist eine Hommage an den eklektischen Sound der frühen 2000er Jahre, die nahtlos Elemente aus Club-, Rock- und Garagenmusik miteinander verbindet. Sie wurde von Girl Ultra in enger Zusammenarbeit mit ihren engen Freunden, Sam Katz und Kiddie, produziert. Die Songs mischen nahtlos Elemente von trockenem, klarem Gesang, resonanten akustischen Gitarren und pulsierenden Drums mit einem ansteckenden, von Clubmusik inspirierten Flair. Im Herzen der „blush“-EP liegt eine zutiefst emotionale Geschichte, die von der turbulenten Überschneidung von Anziehung, Verlangen und Melancholie erzählt. Girl Ultra teilt eine ehrliche Erkundung der modernen Weiblichkeit, die sich mit der komplexen Dynamik von Selbstbild und Sexualität auseinandersetzt, mit einem ergreifenden Hauch von Bitterkeit. Die neue Musik von Girl Ultra folgt auf ihre bahnbrechende, in Deutschland jedoch gänzlich übersehene EP, „EL SUR“, aus dem Jahr 2022, die in der New York Times, Pitchfork und Harper's Bazaar besprochen wurde. Der internationale Rolling Stone beschrieb die herausragende Single, „Punk“, mit Little Jesus, als „aufregende klangliche Wendung... ruhig, intensiv und unendlich eingängig“ - der Song hat mittlerweile mehr als sieben Millionen Streams. Nach der Veröffentlichung der EP nahm sie Sessions bei NPRs Tiny Desk Concert und KEXP in Seattle auf. Weitere Presseunterstützung erhielt sie von COLORS, DAZED und gal-dem.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

24,16
Karen O & Danger Mouse - Lux Prima LP

First re-press since the initial 2019 release of critically acclaimed album featuring Yeah Yeah Yeahs' lead vocalist Karen O, and Danger Mouse, one of the most influential artist/producers of the 21st Century.

Debuting in March 2019, Lux Prima was hailed by Pitchfork as a “dreamy and poignant collaboration.” It featured the single “Woman,” which was accompanied by a memorable Spike Jonze-directed live performance on The Late Show with Stephen Colbert. The single was also nominated for the Best Rock Performance Grammy.

The new package includes the original artwork plus a 16 page booklet highlighting their interactive exhibition “An Encounter with Lux Prima”, held at Los Angeles’ Marciano Arts Foundation featuring a 360 degree soundscape of the album mixed at famed Skywalker Ranch.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

30,04
Ibukun Sunday - Harmony/Balance LP

Nigerian electronic musician and violist Ibukun Sunday debuts on Phantom Limb with Harmony / Balance, a brooding, introspective take on Afro-ambient music that follows two acclaimed digital-only albums for Phantom Limb imprint Spirituals.


Based in Lagos, Ibukun Sunday has expertly positioned himself between the rarely-married cultures of ambient and West African musics. He entwines his compositions with field recordings from his native Nigeria and deeply considered philosophies of existence, humanity, and society. The themes of Harmony / Balance derive from Swami and Hare Krishna founder A. C. Bhaktivedanta and his work Bhagavad-Gita Eng: “As It Is”, a script on the duality of human nature. In Bhaktivedanta’s text, two cousins - warriors from the sacred Hindu text the Mahābhārata - and their armies are pitted against each other. The humility, self control, and devotion of one cousin against the arrogance, envy, and pursuit of power of the other. Bhaktivedanta writes that from this battle we see the necessity to cultivate and nurture our love and faith, but to simultaneously understand our selfishness and hubris. Appropriately, in Ibukun Sunday’s music, a heavy, apocalyptic dread contrasts fascinatingly with passages of light. The static-spiked, corrosive sound design of Harmony / Balance conjures darkness, but its skipping rhythmic patterns and melodic contours are made of beautifully vibrant colours.



Though Sunday excels in the kind of drawn-out elegance also found in the work of Kali Malone, William Basinski or Fennesz, and also in a magisterial repetition akin to Terry Riley or Manuel Göttsching, his unique practice, classical training, and core culture shine through in a pure and singular way. Scattered throughout Harmony / Balance are unexpected melodic antiphonies closely aligned with African music, interspersed between huge, spacious drones and field recordings.



Lead track “Arrayed On The Battlefield” evokes mythical and deific wars with hissing, buzzing synthesis that could be dystopian if not for a levitational, sunlit harmonic structure. It rolls and shimmers, transcendent frequencies alive with rhythm. Later, “Enemy Of My Enemy” employs shimmering, meditative chord pads and blissful negative space, while towards the end of the record, “To Fight With” could have been taken from a Denis Villeneuve sci-fi - the fizzing, fiery distortion at its peak gradually, carefully yields a rumbling, distant thunder as it closes. Throughout the record, Sunday’s education as a classical viola player is also evident. A honed musicality and developed ear for harmonic resonances lend the work a measured eloquence, even amidst deep, spiritual intuitiveness. This intensely personal and powerfully expressive creativity is key to the grace with which he crosses divides.


Ibukun Sunday is a solo electronic musician and violist based in Lagos, Nigeria. He has released two albums with Phantom Limb’s digital-only imprint Spirituals, which enjoyed rightful acclaim as unique and powerful works of experimental ambient music. He also performed at Phantom Limb’s 5th anniversary celebrations in 2023, playing alongside Richard Skelton at St. John’s on Bethnal Green in London, UK.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

26,01
Interior / NILS-UDO - Sculpture of Time (Apocalypse)

WRWTFWW Records is happy to further its collaboration with Japanese electronic/ambient group Interior by releasing their never-heard-before soundtrack for environmental artist NILS-UDO’s 1987 Laserdisc Sculpture of Time (Apocalypse). The intriguing sound design/kankyo ongaku/new age album is available as a limited edition LP housed in a heavyweight 350gsm sleeve and comes with a obi strip. It is also available in digital format.

In 1987, Intermission published a Japan-only Laserdisc showcasing one hour of works created by renowned German environmental artist NILS-UDO. To accompany the visuals, they commissioned electronic music group Interior, fresh off their Haroumi Hosono-produced self-titled debut (also available on WRWTFWW Records) and their Windham Hill Records-released sophomore album Design. For the first time ever, the soundtrack is now available in full HD glory, demonstrating Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto’s precise, subtle, and spellbinding approach to ambient sound design.

Calming nature sounds, ritualistic synths, meditative atmospheres, and eruptive forays into darker territories mesh superbly in a 4-part soundscape that flirts with oeuvres such Midori Takada’s Through The Looking Glass and Hiroshi Yoshimura’s Green, making Sculpture of Time one of one of the best kept secrets of kankyo ongaku – a must have for mystery hunters and levitating music lovers.

Sculpture of Time (Apocalypse) follows WRWTWW’s reissue of Interior’s debut album and precedes the upcoming release of Tarzanland, band member Daisuke Hinata’s pitch perfect solo from 1989.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,81

Last In: vor 19 Monaten
crys cole - Making Conversation

crys cole returns to Black Truffle with Making Conversation, her third solo release for the label. After the intimate song-like constructions of Other Meetings (BT096), Making Conversation documents a different facet of cole’s work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

The side-long title piece is a stereo version of an 8-channel sound installation exhibited in 2023 at the Tabakalera Art Center in Donostia / San Sebastian, Spain. The piece uses a multitude of instrumental, vocal, concrete and electronic sounds to evoke the soundscapes cole encountered during nocturnal listening session in Bali, Indonesia in 2018 and 2019. In this world of night sounds, she explains, she ‘observed the complex interplay between amphibian, lizard, bird and insect communication, domestic animals (roosters, dogs), man-made sounds (airplanes, vehicles, conversations and evening activities) and sounds that were difficult to place’. Drawing on field recordings as memory aids (but including none in the finished piece), cole’s piece uncannily reproduces the spatiality and pacing of environmental sound without attempting strictly to replicate it. We hear insect-like twittering and birdsong fragments, resonant thuds and distant roars, furtive crunches and taps, muffled breath and metallic scrapes. While at times it can be difficult to imagine the source of these sounds, at other points they are clearly instrumental or electronic in origin; in its placement and layering, though, the whole assemblage suggests the glorious, unthinking richness of a non-musical sound environment. Suggesting at once the electronic gardens of Rolf Julius and the little instrument expanses of classic AACM, the piece is a brilliant enactment of the Cagean drive to ‘imitate nature in her manner of operation’.

‘Valid ForeverrRrrRRrrr… (pt. 1)’ began as cole’s contribution to an Issue Project Room commission to realise a score from Alison Knowles and Annea Lockwood’s Women's Work, a 1975 collection of text and conceptual scores by women artists and composers. cole’s piece begins from Beth Anderson’s Valid for Life, a complex arrangement of the letter R in various typefaces. Where the composer suggests a realisation on a trio of acoustic instruments (playing rolls with velvet beaters), cole translates the piece into her characteristic sound and object language as a trio of rolling sounds on ‘two large similar paper things and one 5-pin bowling ball’. Rolling from one side of the stereo field to the other, the bowling ball’s uneven movement is the heart of this immersive textural array, created with the simplest materials, which generates phantom sensations of pitch and phasing effects solely through amplified friction.

On ‘Valid ForeverrRrrRRrrr… (pt. 2)’, cole makes a first foray in translating her signature approach into conventional instrumental sounds, here in the form of a transcription for MIDI percussion ensemble. The result is refreshingly puzzling, comparable perhaps only to the sparsest moments of Keiji Haino’s classic “C’est parfait…” Accompanied with extensive liner notes, photographic documentation and a download code, Making Conversation is an exciting next step in cole’s work, extending her signature concerns in new sonic and conceptual directions.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,32

Last In: vor 19 Monaten
GIRL TALK & FREEWAY - BROKEN ANKLES EP

Girl Talk (aka Pittsburgh's Gregg Gillis) has been constructing meticulous sample-based music since 2000. His early work was known for its raw experimental nature, but by the release of his 2006 album, Night Ripper, that style evolved into genre-smashing, breakneck-paced party jams. Night Ripper consisted of over 300 songs, from wildly disparate Top 40 genres and eras, mashed up and layered together into one cohesive collage. It received critical acclaim, and the attention resulted in a rapidly growing fan base. Gillis ended up quitting his biomedical engineering day job one year later.

Girl Talk continued to develop his signature style with the release of Feed the Animals in 2008 and All Day in 2010. Each album grew increasingly detailed and complex. He steadily toured over the following years, bringing his renowned confetti-covered and sweat-soaked performances to venues ranging from house party basements to major festivals. By 2014, Gillis began focusing on collaborative work producing hip hop for some of his favorite rap artists. That same year, he released "Broken Ankles," an EP with Freeway. Since “Broken Ankles”, Gillis has steadily earned an impressive list of production credits and collaborations with his artistic contemporaries including, but not limited to, Wiz Khalifa, T-Pain, Tory Lanez, Young Nudy, Bas, Cozz, Erick The Architect (from

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

24,33
TERRY GROSS - HUGE IMPROVEMENT

Terry Gross

HUGE IMPROVEMENT

12inchTHRILLX616
Thrill Jockey
20.09.2024

Few bands are as primed to capture their ecstatic live energy in masterful sonic detail like Terry Gross. Composed of three renowned engineer/producers (recording artists like Wooden Shjips, Moon Duo, Earthless, Big Business, and more) whose studio doubles as their jam spot and communal gathering place, the trio"s penchant for longform psychedelic escapades is able to be recorded with granular precision. The potency of the fellowship formed by drummer Phil Becker (Lower Forty-Eight, Peace Creeps, Pins of Light), bassist Donny Newenhouse, and guitarist Phil Manley (Trans Am, Oneida, Life Coach) lies in their ability to utilize their prowess as both players and record engineers to translate feeling with immaculate clarity. On Huge Improvement, Terry Gross embody a complex web of emotion with songs as ferocious and precise as they are agile and care-free, delighting in the catharsis of excising tension alongside one"s most trusted peers. Huge Improvement"s tongue-in-cheek title is rightfully earned. Like their debut Soft Opening, the pieces on Huge Improvement began as improvised studio jam sessions without expectations. The trio"s ability to plug in, play and have each experiment thoroughly documented opens up unparalleled avenues for further exploration and honing. The four mammoth slabs that make up Huge Improvement are driving, unrelenting excursions into the unknown. Whether burning white-hot or smoldering in plumes of smoke, the pieces stretch as much inwardly as they do cosmically, embracing every surprising turn. Terry Gross"s Huge Improvement morphs the trio"s search for communal connection and reprieve into a transcendent respite, a burst of focused energy to be enveloped in while facing the senselessness around us with a smile.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

28,15
PERFUME GENIUS - TOO BRIGHT - 10TH ANNIVERSARY REVISIONST HISTORY EDIT.

2024 marks 10 years since the release of Perfume Genius" critically acclaimed album Too Bright (Matador). The third studio album by Perfume Genius (Mike Hadreas) marked a significant departure from his earlier work with its bold, avant-garde sound and introspective lyrics. The LP featured the standout single "Queen"- Hadreas" confrontational dissection of "gay panic" which Pitchfork said "sounds like triumph amid the pathetic relevancy of its subject matter in 2014." The song was jolt in the cultural discourse and has since become a fan-favorite. Hadreas grew up in Seattle, WA and started his music career in 2008. He put himself on the map with the release of debut album Learning in 2010 via long-time label home Matador Records, earning him widespread praise from music critics and fans around the world.The momentum only intensified with his subsequent albums, 2012"s Put Your Back N 2 It, and 2014"s Too Bright, which exhibited a massive leap forward in both production and confidence.

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

26,01
CHRIS CORSANO / BILL ORCUTT - MADE OUT OF SOUND LP

REISSUED!!! Received an 8.1 rating from Pitchfork. "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by this long-time duo—but if you've been able to listen past the overmodulated icepick fidelity of Harry Pussy, it should surprise you not an iota that Orcutt's style is rooted as much in the fractal melodies of Trane and Taylor as it is in Delta syrup or Tin Pan Alley glitz. As for Corsano, well, it may seem daft to call this particular record 'jazz' (because duh, it has a drummer), but to me Corsano is beyond jazz, almost beyond music, his ambidextrous, octopoid technique grappling many stylistic levers and spraying a torrent of light from every direction. Corsano's ferocity has elevated many 'mere' improv records to transcendence, but here he's crafted his polyrhythms within more narrative channels, bringing to mind his 'mannered' playing in the lamented Flower-Corsano duo. It's not 'groove' playing precisely, but it follows many grooves simultaneously, much like Orcutt's own melodic musings—which is why they're so naturally lock-in-key here. Which maybe makes it all the more surprising that Made Out of Sound was in fact recorded in different rooms on different coasts at different times, and stitched together by Orcutt on his desktop. Corsano recorded the drums in Ithaca, NY, and (as Orcutt states), 'I didn't edit them at all. I overdubbed two guitar tracks, panned left/right. I'd listen to the drums a couple times, pick a tuning, then improvise a part, thinking of the first track as backing and the second as the 'lead', though those are pretty fluid terms. I was watching the waveforms as I was recording, so I could see when a crescendo was coming or when to bring it down.' Fluidity ties the tracks together. With a little more groove and a little less around-the-beat maneuvering, one could almost hear the boiling harmonic layers as Miles-oid in 'Man Carrying Thing,' but with new-found Sharrockian modalities, Corsano accentuating the tumbling nature of the falling notes. The Sharrock vein continues with 'How to Cook a Wolf,' its Blind Willie-esque melodic simplicity and repetition extrapolated 360-style in a repetitive descending riff that falls into Cippolina-isms (by way of Verlaine ) until the end crashes upon the shore. Much like Orcutt's last solo album, Odds Against Tomorrow, there's a gentler, almost pastoral flow to some tracks ('Some Tennessee Jar,' 'A Port in Air,' 'Thirteen Ways of Looking') that calls to mind the mixolydian swamplands of Lonnie Liston Smith—but unlike Odds , other tracks ('The Thing Itself') smash that same lyricism into overdriven, multi-dimensional melodic clumps that push several vector envelopes at once in an Interstellar Space vein. With the help of Corsano, Orcutt has managed to slither even further out of the noise/improv pigeonhole lazy listeners/writers keep trying to shove him into. Looking at the back cover of Made Out of Sound , we should not see Orcutt hurling a guitar into the air with post-punk bravado, Corsano toiling behind him in the engine room—we should witness an instrument levitating from his hands, rising on invisible major-key tendrils of melody, fired by percussion, spiraling into an invisible event horizon..."—Tom Carter

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

33,19
Jack Jones - Jack Jones  LP

Having established himself as a guitar slinging matinee idol fronting Welsh riot starters Trampolene and riding shotgun in Peter Doherty’s band the Puta Madres, Jack Jones releases his debut solo album ‘Jack Jones’. For this album Jack Jones has put away his guitar and embraced a fresh and highly contemporary sound in which to couch his hard-hitting state of the nation poems of existential fear and loathing. His lyrics tackle many of today’s burning issues: mental health, drug addiction, mortality, and the tortuous demands of technology. There’s also joy and hope in there. With some of his catchiest tunes so far, it’s a record that’ll both open up this natural-born star to untapped audiences, and reveal hidden depths to those already ‘on the team’. Much like the first Specials album at the turn of the 1980s, you can imagine ‘Jack Jones’ being useful to youngsters in 2024 trying to navigate the problems of today – swap birth control and street violence for mindless hedonism and mental-health struggles, and you have an equally bold and connective roadmap to the pitfalls of contemporary young-adult living. Jack Jones has enjoyed Top 10 success with TRAMPOLENE on the Independent Album Charts with three Top 10 Albums, hit the road as special guest to Liam Gallagher at the personal request of the iconic frontman, supported The Libertines on an Arena Tour as ‘Tour Poet’ and had the honour of being the first act to headline Swansea Arena. Headline tour dates are: November 2nd Glasgow The Poetry Club SWG3, 3rd Liverpool Jacaranda, 6th North Shields Three Tanners Bank, 7th Manchester YES Basement, 8th Cambridge The Six Six Bar, 9th Shrewsbury Albert & Co Frankville, 13th Bristol The Exchange, 14th London Old Blue Last, 15th Swansea Bunkhouse, 16th Cardiff The Moon

vorbestellen20.09.2024

erscheint voraussichtlich am 20.09.2024

27,31
Hinds - Viva Hinds LP

Hinds

Viva Hinds LP

12inchLUCKY175LPX
Lucky Numbers Music
18.09.2024

Beloved Spanish indie rockers Hinds are back with their utterly triumphant fourth album, VIVA HINDS. Written by the band’s co-founders, co-vocalists, co-guitarists and co-songwriters Carlotta Cosials and Ana Perrote, it features their first-ever fully Spanish language songs, as well as first collaborations with the likes of Beck and Fontaines D.C.’s Grian Chatten. Recorded in rural France, the album was produced by Pete Robertson (Beabadoobee), engineered by the GRAMMY-nominated Tom Roach, and mixed by GRAMMY-winning engineer Caesar Edmunds (The Killers, Wet Leg).

Shortly after the band made their debut ten years ago, they hit what felt like an insurmountable obstacle – they had to change their name from Deers to Hinds for legal reasons. But, as their fans began to greet them at shows by cheering “¡VIVA HINDS!”, the band soon realized that what initially felt like an ending was actually just the beginning. Fast forward to 2023, and VIVA HINDS was written by Cosials and Perrote after a series of endings. They hit a creative rut after releasing their 2020 album The Prettiest Curse, and their bassist and drummer devastatingly decided to leave the band. They also split with their management team, lost touring revenue due to lockdowns, and were without a label for the first time. But when Perrote and Cosials got together to write again it became clear that their connection, one so special that they call themselves “millionaires in friendship,” would be all they needed to get them through. VIVA HINDS – the most accomplished, sonically adventurous, honest and celebratory record of Hinds’ career – is only the beginning.

PRESS/ONLINE: “The track, though signaling a new era for Hinds, arrives rapturous and catchy, as Perrote and Cosials trade verses and riffs. ...'Coffee' is a sweeping first chapter of where the duo aims to
“‘Coffee’ is a a gorgeous punk-indie cross contamination, instantly memorable, grungy” - Wonderland


“They bring the energy of a thousand rock bands, entrancing the crowd with their searing indie riffs, the constant interlocking of guitars and smiles, and deeply charming banter” - Rolling Stone

“The Prettiest Curse is an evolution. It is striking, complex, uncompromising indie-pop. More than that, it makes a bold statement: it canonises Spanish indie-rock” – Loud and Quiet 9/10
“They’ve taken their sound and unashamedly experimented with it. They’re all the better for it” – NME 4/5

“The Spanish group’s second album displays the superior songcraft of the band, as vocalists Ana Perrote and Carlotta Cosials wade through love’s messy feelings with confidence and exuberance” - Pitchfork

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

28,99

Last In: vor 19 Monaten
Jomni, Jori - Ponder EP

Jomni,Jori

Ponder EP

12inchGRN001
Gorin
18.09.2024

Jomni and Jori is an electronic music duo that has been deeply involved in the Japanese club scene, consistently producing sounds with an emotional and spacey vibe while bringing out the gem in electronic music to create unique club experiences. The record lovers who met in Kyoto have now dispersed to Cologne, Kyoto, and Tokyo, and have started a new label influenced by old records yet dedicated to exploring fresh sounds together with Miki.


"Slips" is a captivating blend of swinging beats and retro sound, featuring lush pads, melancholic chords and the randomly pitched synths. "Naizo" includes the catchy lead synth that serves as a guiding light, encouraging acceptance and self-discovery with its unforgettable melody and infectious mid-tempo groove. "Neuk" transports listeners to a world of liberation, where shimmering pads evoke the luminous breeze beyond deep-sea caverns. Underpinned by an expansive sub-bass that conjures visions of vast landscapes, it embodies an unwavering devotion to the art of dance. "Hitoshio" unveils the pulsating stab synths project the afterimage of the body onto the dancefloor with accelerating drums and anchored by classic house vocal samples.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,66

Last In: vor 11 Monaten
Pitch Black - Echoes of the Night (The Adrian Sherwood Remixes)

They say you should never meet your heroes, but for Mike, meeting the legendary Adrian Sherwood has been a transformative experience, leading to creative collaborations that have benefited both of them.

Nearly 30 years after first being mesmerized by OnU Sound’s releases, a cheeky bit of radio ripping serendipitously led to Mike helping Pats Dokter, the label’s official archivist, with his work restoring master tapes, and eventually to him creating visual content for Adrian’s live shows.

A while after this collaboration began, Adrian offered to remix some of Mike’s music, either by his solo project @misledconvoy or our tunes, and it’s four cuts by us that grace this heavyweight platter.

From the dreamy dub of Transient Transmission to the rolling rhythms of A Doubtful Sound, our originals have been re-arranged and dubbed to $%># in Adrian’s signature style, with fluid melodies, pounding basslines and vocal samples awash in a wall of effects.

Trumpets by David “Ital Horns” Fullwood bookend the release, haunting in the first track and celebratory in the last, while Doug Wimbish (Tackhead) added an extra bassline to the heaving version of 1000 Mile Drift, which also features the voice of the iconic Lee “Scratch” Perry.

Reflecting on the collaboration, Mike says, “the whole experience has been slightly unreal, from working on Adrian’s videos to being in the OnU studio and watching him dub-mixing the tracks I’ve made, something I could never have imagined happening!”

Mike isn’t the only OnU fan, as a pivotal moment for Paddy was “watching Adrian mixing Tack>head at the Powerstation in 1995 and seeing the cause-and-effect of what he was doing and hearing the unbelievable sounds coming out of the speakers. It was the first time I’d ever seen somebody dub mix like that.”

The cover of Echoes of the Night is based upon an original artwork by Hamish Macaulay, while the vinyl has been pressed using a 100% recycled compound known as eco-mix, making each record totally unique as the colours subtly change across the pressing run.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

16,60

Last In: vor 11 Monaten
Jade Hairpins - GET ME THE GOOD STUFF LP

Jade Hairpins waste no time fulfilling their second album's titular demand. From its harmony-drenched opening note to its baroque-anthemic conclusion, Get Me the Good Stuff is positively loaded with musical ideas, an absurdist buffet of sound and aesthetic that comes with one hell of a floorshow as the Hairpins stack those ideas higher and higher, almost daring them to crash to the floor. Instead, those elements - punksploitation, power pop, baggy, funk, and Italo disco are just some touchstones - are not only held aloft, they defy gravity and convention. These pyrotechnics are, in true Jade Hairpins fashion, something of a sleight of hand. While the music swaggers and gallops, Get Me the Good Stuff grapples with anxiety and self-doubt, obfuscating pain and alienation with sparkling wit and some straight-up ravers. Get Me the Good Stuff opens with one of those, "Let It Be Me," in which Jonah Falco shouts lyrics about being alone with one's shortcomings against guitars, synths, and harmonized vocals that are on the verge of closing in. The song is just over 90 seconds long, hitting with the gnarled-barb ferocity of punk and the gleeful insanity of theatrical art rock. It is, in other words, overwhelming. Or it would be if Jade Hairpins - Jonah Falco and Mike Haliechuk - weren't remarkably nimble in their ability to bring unity to sounds by placing them in competition against each other. When those sounds are adjacent, like the glam and disco that saturate "Drifting Superstition," the thrill of those universes colliding in the heat of an absolutely filthy clavichord line turns its lyrics, about the habit of solving personal problems by ignoring them, into a winner's anthem on the order of Bowie or Hot Chocolate. Get Me the Good Stuff arcs towards unequivocal joy as Falco, Jade Hairpins' primary lyricist, breaks these cycles and attempts to run away with his dreams. The arc is roughly analogous to how the album came to fruition. Four years removed from Harmony Avenue, an album of material that proved too strong to be contained within the narrative universe of Fucked Up's Dose Your Dreams, Jade Hairpins have gelled as a live act - with Tamsin M. Leach and Jack Goldstein centering them on stage - and planted their flag in the UK punk scene in which Falco has embedded himself. Working out new material live, Falco noticed that crowds were digging into his unfinished lyrics, and the album tightened around the anxieties of being in the spotlight, of being worthy of attention. At times, those songs are eager to please, like the album's title track in which a winking self-deprecation rubs up against the self-congratulatory bombast of Freddie Mercury, Falco simultaneously turning heads as a shooting star and a burning car. Elsewhere, as in "Better Here Than in Love," Jade Hairpins pitch themselves towards creating gorgeous soundscapes that exist nowhere else, channeling postpunk through the glimmering haze of '80s Japanese electronic music. Theatrical and personal, absurd and true-to-life, playful and serious, Get Me the Good Stuff is album of tremendous personal and artistic growth that signposts towards dozens of potential futures to come. It's not only worth the attention, it continuously rewards it.

vorbestellen13.09.2024

erscheint voraussichtlich am 13.09.2024

23,49
Jade Hairpins - GET ME THE GOOD STUFF LP

Jade Hairpins waste no time fulfilling their second album's titular demand. From its harmony-drenched opening note to its baroque-anthemic conclusion, Get Me the Good Stuff is positively loaded with musical ideas, an absurdist buffet of sound and aesthetic that comes with one hell of a floorshow as the Hairpins stack those ideas higher and higher, almost daring them to crash to the floor. Instead, those elements_punksploitation, power pop, baggy, funk, and Italo disco are just some touchstones_are not only held aloft, they defy gravity and convention. These pyrotechnics are, in true Jade Hairpins fashion, something of a sleight of hand. While the music swaggers and gallops, Get Me the Good Stuff grapples with anxiety and self-doubt, obfuscating pain and alienation with sparkling wit and some straight-up ravers. Get Me the Good Stuff opens with one of those, "Let It Be Me," in which Jonah Falco shouts lyrics about being alone with one's shortcomings against guitars, synths, and harmonized vocals that are on the verge of closing in. The song is just over 90 seconds long, hitting with the gnarled-barb ferocity of punk and the gleeful insanity of theatrical art rock. It is, in other words, overwhelming. Or it would be if Jade Hairpins_Jonah Falco and Mike Haliechuk_weren't remarkably nimble in their ability to bring unity to sounds by placing them in competition against each other. When those sounds are adjacent, like the glam and disco that saturate "Drifting Superstition," the thrill of those universes colliding in the heat of an absolutely filthy clavichord line turns its lyrics, about the habit of solving personal problems by ignoring them, into a winner's anthem on the order of Bowie or Hot Chocolate. Get Me the Good Stuff arcs towards unequivocal joy as Falco, Jade Hairpins' primary lyricist, breaks these cycles and attempts to run away with his dreams. The arc is roughly analogous to how the album came to fruition. Four years removed from Harmony Avenue, an album of material that proved too strong to be contained within the narrative universe of Fucked Up's Dose Your Dreams, Jade Hairpins have gelled as a live act_with Tamsin M. Leach and Jack Goldstein centering them on stage_and planted their flag in the UK punk scene in which Falco has embedded himself. Working out new material live, Falco noticed that crowds were digging into his unfinished lyrics, and the album tightened around the anxieties of being in the spotlight, of being worthy of attention. At times, those songs are eager to please, like the album's title track in which a winking self-deprecation rubs up against the self-congratulatory bombast of Freddie Mercury, Falco simultaneously turning heads as a shooting star and a burning car. Elsewhere, as in "Better Here Than in Love," Jade Hairpins pitch themselves towards creating gorgeous soundscapes that exist nowhere else, channeling postpunk through the glimmering haze of '80s Japanese electronic music. Theatrical and personal, absurd and true-to-life, playful and serious, Get Me the Good Stuff is album of tremendous personal and artistic growth that signposts towards dozens of potential futures to come. It's not only worth the attention, it continuously rewards it.

vorbestellen13.09.2024

erscheint voraussichtlich am 13.09.2024

23,49
Jungle By Night - Synergy LP 2x12"

Jungle By Night

Synergy LP 2x12"

2x12inchVVNL49521
V2
13.09.2024

In their musical journey spanning 15 years, Jungle by Night always knew their music isn't about individual talent, but in the blend of all elements its members bring to the table. This realization birthed the theme of their seventh album, “Synergy”. With the mantra "the whole is greater than the sum of its parts" echoing in their minds, Jungle by Night embarked on a mission to make an album that is recorded right in the moment, and as live as possible, to capture the energy between musicians. And to take it a step further, they threw open the doors of their studio in Amsterdam and invited some of Holland’s most prolific vocalists such as: Spinvis, Sef, Merol, Pitou, and Meral Polat. Each vocalist brought their unique style to the mix, infusing the tracks with depth and emotion. Recorded in their beloved studio in Amsterdam Noord, "Synergy" captures the essence of Jungle by Night's creative spirit. Here, imperfection is embraced, and spontaneity reigns supreme. It's about capturing the energy of the moment, where music comes alive in all its vibrant glory. So, dive into the world of "Synergy" and experience the crazy world Jungle by Night, and friends. It's more than just an album – it's a testament to the beauty of coming together and creating something greater than the sum of its parts. Jungle by Night are seven Dutch guys who together form a live act to be reckoned with. This Amsterdam band consists of a lot of synths, drums, bass, guitar and percussion enhanced by a trumpet and trombone. From more brass-heavy earlier albums to a stronger focus on the electronic groove on their latest, they bravely go where no band has gone before and now find themselves in the goldilocks zone between analogue dance music, nu-disco, Krautrock, 70’s funk and 80’s electro. The transfer to a more electronically driven sound might have been a small step for this merry band of highly skilled musicians, but it became a giant leap for the people on the dance floor. Their radiant and energetic live shows have become the must-see festival act that festivalgoers all over Europe include as a staple in their concert schedule. They know this won’t be a show, it’ll be a downright party. It’s like that tree in the forest. Was it really a festival if you didn’t see Jungle by Night? What constitutes this ever-present attraction is the highly danceable and addicting build up of their set, in which they take their audience by the hand and lead them into the groove. What happens when you come out on the other side? Depends. Just know you won’t be the same.

vorbestellen13.09.2024

erscheint voraussichtlich am 13.09.2024

26,68
Christian Nielsen - Love Struck EP

Warehouse Find!

Swedish DJ/Producer Christian Nielsen debuts on Maceo Plex's Ellum imprint with the ‘Love Struck’ EP this May.

The four track EP continues a strong start to 2020 with releases from Raxon and Avision and, true to the label’s form, is all about weighty, characterful cuts from Nielsen, an artist who has previously chalked up releases for the likes of Kompakt, Of Unsound Mind and Play it Down.

The titular opener of ‘Love Struck’ is a swaggering, low slung affair with a growling bassline underpinning a pitch shifted vocal refrain and piercing rave stabs - a mutant beast which fuses techno, Garage and rave aesthetics in anthemic style. The skeletal rhythms and gritty acid flair of ‘For Myself’ follow in a track that, through some nifty builds, manages to pull off a big room energy as much as it does a basement vibe. ’Switch’ is next up and, with a rock solid groove, vocal sample and subaquatic tones, displays just how well Nielsen can create a monster with few elements. The heaviest track, ‘Pulse’, rounds off ‘Love Struck’ with a huge, padding kick drum and resonant percussive lead doing the heavy lifting while counterpointed by judiciously employed warm, cossetting jazz flute licks

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

9,87

Last In: vor 31 Tagen
DELVON LAMARR ORGAN TRIO - I TOLD YOU SO
  • Hole In One 04:34
  • Call Your Mom 03:59
  • Girly Face 04:16
  • From The Streets 04:27
  • Fo Sho 04:10
  • Aces 04:41
  • Careless Whisper 05:34
  • Right Place, Right Time 04:33
  • I Don't Know 05:12

Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. The M.G.’s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It’s a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat.

The band features organist Delvon Lamarr, a self-taught virtuosic musician, with perfect pitch who taught himself jazz and has effortlessly been able to play a multitude of instruments. On guitar is the dynamo Jimmy James who eases through Steve Cropper-style chanking guitar, volcanic acid-rock freak-out lead playing, and slinky Grant Green style jazz. From Reno, Nevada is drummer Dan Weiss (also of the powerhouse soul and funk collective The Sextones). Dan’s smoldering pocket-groove drumming locks in the trio’s explosive chemistry.

Founded by Lamarr’s wife and manager Amy Novo, the trio started from humble beginnings in 2015, but since then has released two Billboard charting albums and toured the world to sold out venues. The trio returns now with their second studio album, I Told You So, with even heavier grooves and more confidence. It may have been several years since their most recent studio effort, but they haven’t missed a beat.

vorbestellen09.09.2024

erscheint voraussichtlich am 09.09.2024

26,01
ACT! - Face to Face, Day by Day LP

On August 16, Toronto-based musician and producer David Psutka aka ACT! (fka Egyptrixx / Anamai / Ceramic TL) will release his latest project ‘Face to Face, Day by Day’ for his own Halocline Trance imprint.

This is is Psutka’s third album proper as ACT! following the release of the “sonic mixtape” ‘Universalist’ in 2018 and the augmented reality soundtrack ‘Grey Matter AR’ in 2021; a series of Snapchat filters created by artist Karen Vanderborght and soundtracked by ACT! which explored the poetic and existential potential of AR and social media.

“Aesthetic accidents in the periphery of the ‘work’ can be the message. In 2018, at an Egyptrixx concert at Bagni Misteriosi de Teatro Franco Parenti - a gorgeous, sprawling outdoor pool theatre in Milan - I had a clarifying moment. Gigs around then had mostly been in pummelling, dark music venues, so I wasn't prepared for this expansive space (and the thoughtful work of the organisers who had layered sheets of plastic film on the pool to parallel eco-materialist themes from a previous album). It was the midday soundcheck that struck me most - brittle digital sounds from the set echoed off the colonial Milanese facades and ricocheted down the Via Carlo Botta, pinging off buildings in the distance and clashing with the noise of traffic, tourists and whatever else. It was a strange, collisionist moment, and a reminder that my essential approach to music is, above all, a preoccupation with the materiality of sound. 

Everything on Face to Face, Day by Day began as an improvisation. Openness to accidents and the emotional complexity that comes from centering them in composition has become important to my work, and helps the music go beyond the possibility of what is playable, imaginable. I also wanted to channel adventurous solo pop records of the 1970’s and 80’s, like Yasuaki Shimizu, Jon + Vangelis and Stevie Wonder. These came from an interesting era in commercial music as studio production techniques became increasingly formalised as compositional devices, like AMS RMX16 percussion sounds and early digital stereo effects. 

Like many musicians, I’ve been travelling and performing less since the pandemic and as a result, have wanted studio sessions to feel more collaborative and improvisational. There were great writing and recording sessions for this album. Vox, synth, sax and guitar jams - much of what ended up on the record isn’t edited much, if at all. I jammed a sm57 into Colin Fisher’s sax bell and created feedback loops using various preamps and distortion units. The clunky sounds were sampled and used as percussion elements. I also had a great synth jam session with Jeremy Greenspan at Barton Building Studio in Hamilton, which was recorded by filmmaker Liz Adler. 

I’ve had a few months to sit with this album and see clear throughlines connecting it to previous projects. There are aspects of the experiential and structuralist sound design ideas from the EGYPTRIXX records; and also some arrangement tricks borrowed from ANAMAI - specifically, the use of interruptionist sound events. Perhaps most of all, it feels connected to the Ceramic TL + Ipek Gorgun record ‘Perfect Lung’ and its splattered take on musical complexity. “ (David Psutka)

In addition to ACT!, Psutka has released music with numerous projects including Anamai, Egyptrixx and Ceramic TL, he has collaborated widely with artists such as Junior Boys, Ipek Gorgun, and Kuedo as well as Jessy Lanza (2016) and an official remix for Massive Attack’s ‘Hymn of the Big Wheel (2012). The contributions on this album, from Robin Dann and Ben Gunning, reflect the deeply collaborative nature of the Halocline Trance label and the Toronto creative scene more broadly.

Many of Psutka’s releases have received critical acclaim from media outlets such as Pitchfork, Exclaim, The Quietus and Resident Advisor. As a live performer, he has toured extensively including performing at Sonar Festival, Roskilde, Mutek, MOMA PS1 Warm-UP and CTM Festival. He’s also presented sound installations at various institutions such as Galeria Civica Commune di Modena, and Art Gallery of Ontario (AGO).

In 2015, Psutka launched Halocline Trance as a home for his various sound projects, events and collaborations. Now a creative collective and label, it has grown to include a diverse array of artists including Casey MQ, Xuan Ye, Myst Milano, Colin Fisher and others. The label is described as “genre-agnostic” and conceptually open, supporting work across a wide spectrum of creative fields including soundtrack recording, AR design and traditional artist albums. Their impeccable roster also includes, theorist/improviser Eldritch Priest, and AR/VR artist Karen Vanderborght. In recent years, Halocline Trance has established itself as a platform that facilitates many of Canada’s most exciting creative music projects. Many of the releases have received critical acclaim from outlets including Pitchfork, Exclaim, Bandcamp and Resident Advisor.

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

17,23
The Flaming Lips - The Soft Bulletin LP 2x12"

The Flaming Lips

The Soft Bulletin LP 2x12"

2x12inch0093624844440
Rhino
06.09.2024

The Flaming Lips will celebrate 25 years of their seminal 1999 album, The Soft Bulletin, with the brand new The Soft Bulletin 25TH Anniversary Vinyl out September 6. It will be available in limited-edition 2LP Vinyl with stunning Zoetrope designs notably co-created by Drew Tetz and band frontman Wayne Coyne. Plus, it boasts brand new sleeve artwork in addition to an insert with text penned by Wayne.

The Flaming Lips first unveiled The Soft Bulletin on May 17, 1999. Anchored by staples such as “Race for the Prize,” “Waitin’ for a Superman,” and “Feeling Yourself Disintegrate,” it earned some of the highest critical praise of the band’s career. Pitchfork placed it at #3 among “The Top 100 Albums of the 1990s,” hailing it as “godlike music” and professing, “Remarkably, the band's music maintains a general air of feel-goodness while their lyrics concern sobering subjects as bleeding, bites, and mortality.” Moreover, Entertainment Weekly bestowed an “A” rating upon the record, Spin scored it “9-out-of-10,” NME applauded it with a “9-out-of-10,” and Pitchfork delivered a rare perfect “10.0” score.

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

60,46
Hinds - Viva Hinds LP

Hinds

Viva Hinds LP

12inchLUCKY175LP
Lucky Numbers Music
06.09.2024

Beloved Spanish indie rockers Hinds are back with their utterly triumphant fourth album, VIVA HINDS. Written by the band’s co-founders, co-vocalists, co-guitarists and co-songwriters Carlotta Cosials and Ana Perrote, it features their first-ever fully Spanish language songs, as well as first collaborations with the likes of Beck and Fontaines D.C.’s Grian Chatten. Recorded in rural France, the album was produced by Pete Robertson (Beabadoobee), engineered by the GRAMMY-nominated Tom Roach, and mixed by GRAMMY-winning engineer Caesar Edmunds (The Killers, Wet Leg).

Shortly after the band made their debut ten years ago, they hit what felt like an insurmountable obstacle – they had to change their name from Deers to Hinds for legal reasons. But, as their fans began to greet them at shows by cheering “¡VIVA HINDS!”, the band soon realized that what initially felt like an ending was actually just the beginning. Fast forward to 2023, and VIVA HINDS was written by Cosials and Perrote after a series of endings. They hit a creative rut after releasing their 2020 album The Prettiest Curse, and their bassist and drummer devastatingly decided to leave the band. They also split with their management team, lost touring revenue due to lockdowns, and were without a label for the first time. But when Perrote and Cosials got together to write again it became clear that their connection, one so special that they call themselves “millionaires in friendship,” would be all they needed to get them through. VIVA HINDS – the most accomplished, sonically adventurous, honest and celebratory record of Hinds’ career – is only the beginning.

PRESS/ONLINE: “The track, though signaling a new era for Hinds, arrives rapturous and catchy, as Perrote and Cosials trade verses and riffs. ...'Coffee' is a sweeping first chapter of where the duo aims to
“‘Coffee’ is a a gorgeous punk-indie cross contamination, instantly memorable, grungy” - Wonderland


“They bring the energy of a thousand rock bands, entrancing the crowd with their searing indie riffs, the constant interlocking of guitars and smiles, and deeply charming banter” - Rolling Stone

“The Prettiest Curse is an evolution. It is striking, complex, uncompromising indie-pop. More than that, it makes a bold statement: it canonises Spanish indie-rock” – Loud and Quiet 9/10
“They’ve taken their sound and unashamedly experimented with it. They’re all the better for it” – NME 4/5

“The Spanish group’s second album displays the superior songcraft of the band, as vocalists Ana Perrote and Carlotta Cosials wade through love’s messy feelings with confidence and exuberance” - Pitchfork

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

22,48
CALLAHAN & WITSCHER - THINK DIFFERENTLY LP

`Think Differently' is the debut LP by the duo of Callahan & Witscher. Jeff Witscher has been one of the most daring voices in underground American music for two decades, highlighted by releases on Pan and NNA Tapes. Jack Callahan's focused, uncompromising approach to sound caught the attention of both Demdike Stare's DDS label and Swiss composer Jürg Frey, who took Callahan on as his first composition student. Fans of their individual work might expect opacity, disruption, or rhythmic irregularity from their collaboration, but `Think Differently' sounds like a pitbull in a convertible, a sand-kicking beach party, the dopamine hit you get from 311 or Smash Mouth. It's a punchy, crunchy, highly infectious record. How did Callahan & Witscher cut the path from the ghostly margins of avant garde musics to the gutters of post-grunge American hard rock? In the words of Callahan, "at some point, you start to need a stronger drug." The most potent characteristic of this stronger drug is the guitar. And not just any guitar, but a sassy, contagious, blithe guitar. Its presence is a drastic shift for two guys who've combined to make dozens of records over the years, not a single one of which has a recognizable guitar sound on it. Alongside the cool breezes and hyperactive fretwork of Callahan's guitar playing, the songs are backboned by strutting, groove-happy vocals: all bark, all bite. Every song is a careful collage, light but dense, ornate with gang choruses, soulful femme vocals, autotune and whisper scratches. This accumulation almost manages to hide the record's potent undertow of dread. `Think Differently' unfolds carefully, a slow-motion demolition that reveals the anxiety of second guessing, the exhaustion of tour, creative bankruptcy, willful misunderstanding, the pain of caring. Setting this lyrical cynicism against such sonic glee isn't a spoonful of sugar, it isn't a bait-and-switch, it isn't a prank. After all, the dumb bliss of Sugar Ray's "Fly" shades a song about Mark McGrath's mom dying. "All Star" is about climate change. Most Sublime lyrics are a bummer. But there's still room for a raised beer, for a dumb grin. Like these ancestors, Callahan & Witscher aim at maximum uplift, at sounds that warm and dazzle like a sped-up sunrise. In spite of overdraft fees, in spite of bad art, in spite of self-doubt.

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

22,65
Lukas de Clerck - THE TELESCOPIC AULOS OF ATLAS

Lukas de Clerck brings us the ancient greek instrument, the aulos, of which his new interpretation of long form expression is coaxed forth on this tremendous recording. Lukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times_navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument. Lukas de Clerck has interpreted information from the rare archaeological resources and visual art of the classical Greek period to recreate both playing technique and possible sound timbres with the instrument. With his contemporary approach to drone, post-minimalist music, and contemporary folk, we find a deeply satisfying and compelling, even playful set of songs, timbral exercises and compositions. An important document of new music meets contemporary archaemusicological research via Stephen O'Malley of SUNN O)))'s label Ideologic Organ. _ The telescopic aulos is speculative: might it have existed? It takes on features from the historical aulos, a double-reed instrument of which we know how it looked but little about what music was played on it or how it would have really sounded. It's an instrument without the limitations of canon or manual, providing creative freedom and awakening curiosity. The new instrument featured on this album is ancient and futuristic at once. The aulos has no tone holes; instead, each of the two tubes consists of three parts that can slide into each other. In this sense, the metal pipes bear a certain resemblance to the principle of a trombone. However, since both hands are already in use to hold both tubes, the sliding has to be done by way of gravity and the help of a «phorbeia», a leather mask which helps keep the reeds in place. The aulos's material is metal (instead of wood), which gives it a certain electronic allure and intensity, as well as a variety of sonic possibilities and textures. It produces overtones efficiently and allows them to play with their microtonality. The aulos Lukas plays on this recording was developed at Brasserie Atlas, a temporary occupation of a former brewery in the heart of Brussels where Lukas lives. It is quite a poetic coincidence that the birthplace of the instrument is named after the Greek titan condemned to carry the sky, while this instrument needs to be turned skywards to lower its pitch with the help of gravity. At Brasserie Atlas, Lukas has found collaborators who have shared in the process of building this new instrument: the collective Noir Métal has constructed the tubes, in this way becoming instrument builders; the phorbeia has been manufactured by Jot Fau; a former water reservoir in the vast cellar of the building carried the instruments' resonance for its first sounds. The place has left an imprint on this new instrument. With all of the telescopic aulos' layers, its sonic, musical and extra-musical components are still unfolding their potential as a medium for discovery and research, next to being an instrument of great musical potential. The music on The Telescopic Aulos of Atlas reflects this spirit. In several miniature pieces, it presents an encyclopaedia of musical possibilities that the instrument offers while keeping an intense and corporeal sonic specificity. The short pieces are studies that reflect on the sonic possibilities of this instrument that are yet to be explored. It meanders, searches and interacts with itself and the space. It needs to answer common expectations of old instruments being harmonious or pleasing. It transports a kind of experimental archaeology that, by formulating hypotheses in the present, allows us to reflect on what might have been in the past and simultaneously questions concepts of beauty, harmony or virtuosity. However, in the end, this instrument might have never existed before. -Julia Eckhardt

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

22,27
1-800 Girls - That's Just How I Feel

Straight off the back of his first live headline tour, 1-800 GIRLS continues his journey of binding genres through emotion with his debut EP ‘That’s Just How I Feel’ on Seb Wildblood’s label all my thoughts.

Mirroring his previous works, this four-track collection is a tapestry woven around themes of transformation and progression. Evolving with each production, this release is a strong statement of intent for how he means to go on.

The EP itself is made up of 4 scantily clad, lovestruck dance tracks that feel purpose built for the summer festival run. Proudly bearing all the hallmarks of a UK production, pitch vocals are inked onto the body of each track with detail and care. He demonstrates his ability to stir emotion with simplicity, and seasons each production with tastefully chosen found sound recordings.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

16,39

Last In: vor 8 Monaten
Marko Letonja / OPS - Cinema Classics

Marko Letonja/Ops

Cinema Classics

12inch5021732275738
Warner Classics
06.09.2024

This collection is reviving the most popular pieces from blockbuster movies by offering a fully fledged state-of-the-art orchestral sound. As the Original Soundtracks for many tracks are recorded in sound quality of the 50s/60s or even in mono – this recording brings a truly revolutionary listening experience to those pieces.

Damien Quintard, who took care of the mastering, co-founded with Brad Pitt “Miraval Studios” in 2021, a recording studio inside Chateau Miraval, bringing back to life the iconic “Studio Miraval”, considered in the 70s till the late 90s as one of the most prestigious studios in the world, recording acts such as Pink Floyd (The Wall), AC/DC, Rammstein, Sting, Muse among others.

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

22,27
Paul Sawtell & Bert Shefter - The Last Man On Earth LP 2x12"

Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks! “Rob Zombie Presents” features several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker.

“I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie

Rob Zombie and Waxwork Records are thrilled to announce the debut vinyl release of THE LAST MAN ON EARTH Original Motion Picture Score by Paul Sawtell & Bert Shefter. The Last Man On Earth is a 1964 post-apocalyptic science fiction horror film based on the 1954 novel I Am Legend by Richard Matheson. Starring Vincent Price, the plot follows Dr. Robert Morgan (Price) who lives in a world where the human population is infected by a plague that has turned them into undead, vampiric creatures that cannot stand sunlight, fear mirrors, and are repelled by garlic. Every day, Morgan follows a routine where he marks days off the calendaqr and sets out to hunt the vampires, killing as many as he can and then burning the bodies.

After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a life-long fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, The Legend of the Seven Golden Vampires, and many selections from the HAMMER film library.

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

48,95
BEN SALISBURY & GEOFF BARROW - CIVIL WAR O.S.T.
  • Lovefingers
  • Headshot
  • Execution
  • Rocket Usa
  • Flashback
  • Refugees
  • Lost
  • Aftermath
  • Twilight Zone
  • Address
  • Camp
  • Body Pit
  • Breakers Roar
  • Moving Out
  • Dream Baby Dream

Original Score for A24's CIVIL WAR by Ben Salisbury and Geoff Barrow. Featuring selected needle drops from the film, including original songs by Suicide, Silver Apples and Sturgill Simpson. Pressed on neon green vinyl.

vorbestellen06.09.2024

erscheint voraussichtlich am 06.09.2024

27,31
EINSTÜRZENDE NEUBAUTEN - RAMPEN (APM: ALIEN POP MUSIC) LP 2x12"

Schwarzes 140g Bio-Doppel-Vinyl mit bedruckten Innenhüllen ohne Beilagen



Einstürzende Neubauten präsentieren ihr neues Album. Sie suchen nach neuen Formen. Nach dem unentdeckten Ton und dem noch unausgesprochenen Wort. Seit ihrer Gründung am 1. April 1980 verschieben die Einstürzenden Neubauten die Parameter von Mainstream und Subkultur, um das Unhörbare hörbar zu machen. Und vielleicht auch das Unerhörte. Ein sich über vier Dekaden erstreckender Feldforschungsversuch, der nun ins nächste Stadium tritt. In ihrem 44. Bestehensjahr geht die Formation weit zurück zu ihren Wurzeln, um sich gleichzeitig neu zu definieren. Ein verändertes Selbstverständnis, für das das Berliner Quintett plus eins 2024 sein eigenes Genre kreiert hat: apm - alien pop music. Ständige Weiterentwicklung - so könnte man das Schaffen der Einstürzenden Neubauten kurz und knapp zusammenfassen. Eine musikalische Evolution, die beim 1981 veröffentlichten Albumdebüt "Kollaps" beginnt und sich nun auf dem im April 24 erscheinenden Album "Rampen - apm: alien pop music" manifestiert, auf diesem präsentieren sich Blixa Bargeld, N.U. Unruh, Alexander Hacke, Jochen Arbeit, Rudolph Moser und Felix Gebhard nun von ihrer unberechenbarsten und eigenwilligsten Seite. Auf ihrem neuen Album setzen die Neubauten nun allen Sound-Spekulationen ein - wenn auch spätes - Ende. Schon seit Mitte der 1980er-Jahre experimentieren die Einstürzenden Neubauten auf der Bühne mit sogenannten Rampen: Öffentliche Improvisationen mit offener Entwicklung und Ausgang; Abschussrampen ins noch Unerforschte, die die Band im Jahr 2022 auf ihrer letzten "Alles in Allem"-Tournee im Zugabenteil performte und deren Mitschnitte als Basis für das neue Album dienen. "Rampen - apm: alien pop music" ist Popmusik für Paralleluniversen und Zwischenwelten. Für Hyperräume und Interzonen. Mikrokosmisch und intergalaktisch zugleich. Eine demimondäne Behauptung außerhalb aller physikalischen Gesetze, mit der die Einstürzenden Neubauten ein stilistisches Niemandsland zwischen Vergangenheit und Zukunft betreten. Rückkehr zu den Wurzeln einerseits, andererseits entsteht aus lärmgewaltigen Kracheruptionen, auf kryptische, oftmals fragmentarische Lyrics treffend, eine neue Kunstform: Populäre Musik für Aliens und Außenseiter. Aus Anti-Pop ist Alien Pop geworden. Fremdartig. Kokonhaft versponnen. Ungehört. Sonus inauditus. Nicht ganz unabsichtlich erinnert das reduzierte Coverartwork an das ikonische Layout des "Weißen Albums" von den Beatles. "Ausgehend von der Idee, dass die Einstürzenden Neubauten in einem anderen Sonnensystem ebenso berühmt sind wie die Beatles in unserer Welt", so Blixa Bargeld über die Gratwanderung zwischen Avantgarde und Augenzwinkern, Provokation und popkultureller Diskontinuität. Womit auch direkt das zentrale Thema vorgegeben wäre, das sich wie ein roter Faden durch alle Songs zieht: Veränderung, utopische Gedankenspiele und Vergänglichkeit. "Ich habe auf der Platte ein paar Lösungen gefunden und Dinge formuliert, wie ich sie vorher noch nicht formuliert habe, weil sie mir noch nicht so klar waren. Ich bin jemand, der denkt, durch Musik Erkenntnisse zu gewinnen. Das war schon immer so. Die Überzeugung, in der Musik etwas zu finden, was ich vorher nicht wusste. Und etwas zu singen, was ich vorher nicht wusste. Etwas, was sich dann als Wahrheit herausstellt. Oder zumindest als sinnvoll, wenn man es ein wenig kleiner halten will." Dieses Album repräsentiert die nächste Stufe der Evolution, auf der man die bekannte Sprache schließlich hinter sich gelassen hat. Und die Eröffnung weiterer, unendlicher Möglichkeiten: alien pop music.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

27,52

Last In: vor 20 Monaten
Patrick Cowley - Afternooners 2x12"

Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, The San Francisco Sound.' Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70's, Patrick's synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like You Make Me Feel (Mighty Real)', Dance Disco Heat' and Stars.' This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer's I Feel Love' and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12 singles, like Menergy' and Megatron Man'. He also had founded Megatone Records, the label upon which he released his debut album, Menergy'. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, Do You Wanna Funk' for Sylvester, and Right On Target' for Paul Parker, as well as a second solo album Mind Warp'. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scenes. The result was the VHS collections Muscle Up' and School Daze' released in 1979 and 1980. Afternooners' is the third collection of Cowley's instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we've used the titles from Fox Studio's 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick's time spent in the bathhouses of San Francisco. The songs on Afternooners' reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick's 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,95

Last In: vor 6 Monaten
VELVET UNDERGROUND - Loaded LP 2x12"

After The Velvet Underground cut three albums for the jazz-oriented Verve label that earned them lots of notoriety but negligible sales, the group signed with industry powerhouse Atlantic Records in 1970. Label head Ahmet Ertegun supposedly asked Lou Reed to avoid sex and drugs in his songs, and instead focus on making an album "loaded with hits." Loaded was the result. It was the group's swan song, with Reed leaving the group shortly before its release. With John Cale long gone from the band, Doug Yule highly prominent (he sings lead on four of the ten tracks), and Maureen Tucker absent on maternity leave, this is hardly a purist's Velvet Underground album. Still, AllMusic gives the album 5 Stars and Pitchfork calls it a "perfect rock 'n' roll record — 40 minutes long, five songs to a side, and not a single wasted note." Loaded is the sort of proper album that feels like a greatest hits collection, with each track thoroughly inhabiting and mastering a dominant rock archetype. Although the songs "Sweet Jane" and "Rock & Roll" distinguished the band as a "seminal proto-punk" act, "The trifecta of 'Who Loves the Sun,' 'Sweet Jane' and 'Rock & Roll' is among the best three-song openings on any rock and roll record," wrote Paste contributor Jeff Gonick Analogue Productions has given Loaded the deserving full reissue treatment: Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.

vorbestellen31.08.2024

erscheint voraussichtlich am 31.08.2024

86,51
Oceanator - Everything Is Love And Death LP
  • A1: First Time
  • A2: Lullaby
  • A3: Cut String
  • A4: Happy New Year
  • A5: Get Out
  • A6: Home For The Weekend
  • B1: Be Here
  • B2: All The Same
  • B3: Drain The Well
  • B4: Drift Away
  • B5: Won't Someone

Auf ihrem drittem Oceanator-Album stellt die Brooklyner Musikerin Elise Okusami ihr aussergewöhnliches Gespür für Pop unter Beweis und liefert 11 Songs voller melodischer Tiefe und lebendiger Energie. "Everything Is Love And Death" wurde vom Grammy-nominierten Engineer/Produzenten Will Yip (Title Fight, Turnstile, Bartees Strange) produziert und enthält einige der kühnsten Songs, die Okusami je geschrieben hat, wie z.B. das hymnische "Drift Away" mit Backingvocals von NNAMDÏ. Szenemedien wie Stereogum, Pitchfork oder SPIN loben Oceanator als "die Art von Stimme, die einen Raum zum Schweigen bringen kann".

vorbestellen30.08.2024

erscheint voraussichtlich am 30.08.2024

24,92
STEVE WYNN - MAKE IT RIGHT LP

Steve Wynn

MAKE IT RIGHT LP

12inchFIRELP763C
Fire Records
30.08.2024

Das brandneue Soloalbum von Steve Wynn von The Dream Syndicate, das gleichzeitig mit seinen Memoiren erscheint. Make It Right ist ein Kommentar zwischen wörtlichem und metaphorischem Sinnieren - ein Dialog zwischen Memoirenschreiber und Musiker - eines verletzlicher, nachdenklicherer klingenden Wynn als oftmals zuvo. "Make It Right" enthält bemerkenswerte Beiträge von Mike Mills (R.E.M.), Vicki Peterson (The Bangles), Chris Schlarb (Psychic Temple), Emil Nikolaisen (Serena Maneesh), Linda Pitmon (The Baseball Project) und einer Reihe von Dutzenden weiteren. ,Ich schrieb und nahm diese Songs parallel zur Arbeit an ,I Wouldn't Say It If It Wasn't True` auf, meinen Memoiren, welche in derselben Woche wie ,Make It Right`, mein erstes Soloalbum seit 2010, bei Jawbone Press erscheinen. Bei jedem Kapitel kamen mir Ideen für Songs, die durch das tiefe Eintauchen in meine Vergangenheit inspiriert waren und umgekehrt. Nach einer Weile verwoben sich die Reflexionen, ein gegenseitiger Kommentar zwischen wörtlichem und metaphorischem Wiederhohlen. Es war ein Dialog zwischen dem Memoirenschreiber und dem Musiker, ein Ein-Mann-Frage-und-Antwort-Spiel, ein sanfter Volley auf dem Tennisplatz meiner Gedanken. 40-Love -Spiel, Satz und Sieg". Obwohl "Make It Right" selbst nicht autobiografisch ist, beginnt es mit Santa Monica - der Stadt und dem Boulevard, in dem Wynn geboren wurde - und endet mit der ,Roosevelt Avenue", der Hauptstraße des Queen's-Viertels in New York City, das er heute sein Zuhause nennt. Wynn wird in diesem Herbst auch durch Großbritannien, Europa und die USA touren, um die Veröffentlichung zu begleiten, als Solo-Show, in der sich die Songs und Texte und Geschichten zu einem ganzen Paysley Underground-Leben und darüberhinaus verbinden. "The Dream Syndicate frontman's a veritable Ph.D. of timeless rock songcraft" Chicago Tribune. "A force to be reckoned with and cherished." The Sunday Times Limitiertes, klares Vinyl mit DLC, Digisleeve-CD mit Poster-Booklet!

vorbestellen30.08.2024

erscheint voraussichtlich am 30.08.2024

25,17
Laurie Anderson - Amelia LP

Laurie Anderson

Amelia LP

12inch75597909340
NONESUCH
28.08.2024

Nonesuch Records releases Laurie Anderson’s Amelia, the 2024 Grammy Lifetime Achievement Award recipient's first new album since 2018’s Grammy-winning Landfall. The record comprises 22 tracks about renowned female aviator Amelia Earhart’s tragic last flight. Anderson, who Pitchfork says, ‘sees the future, but she starts by paying attention’, wrote the music and lyrics for this subjective narrative piece. On the album, she is joined by the Czech orchestra Filharmonie Brno, conducted by Dennis Russell Davies, and Anohni, Gabriel Cabezas, Rob Moose, Ryan Kelly, Martha Mooke, Marc Ribot, Tony Scherr, Nadia Sirota, and Kenny Wolleson.



Earhart was a passionate pioneer of early aviation, achieving fame as the first woman to cross the Atlantic, in 1932. Five years later, she embarked on a flight around the world. Before she could complete the voyage, her plane disappeared without a trace; it has never been found. “The words used in Amelia are inspired by her pilot diaries, the telegrams she wrote to her husband, and my idea of what a woman flying around the world might think about,” Anderson says. First premiered at Carnegie Hall in 2000, the updated piece was recently performed across Europe.



Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Her work, which encompasses music, visual art, poetry, film, and photography, has challenged and delighted audiences around the world for more than 40 years. In a recent 60 Minutes profile, Anderson Cooper said she ‘is a pioneer of the avant-garde, but ... that doesn’t begin to describe what she creates. Her work isn’t sold in galleries. It’s experienced by audiences who come to see her perform: singing, telling stories, and playing strange violins of her own invention... she blends the beautiful and the bizarre, challenging audiences with homilies and humor. She blurs boundaries across music, theater, dance, and film.’ The Washington Post has said she ‘doesn’t just tell stories; she draws out every word with a kind of physical pleasure, tasting its flavor as she probes the everyday mysteries of life,’ and the Guardian has called Anderson ‘one of the great popular artists and storytellers of our time.’



Anderson released her first album with Nonesuch Records in 2001, the critically lauded Life on a String. Her subsequent releases on the label include Live in New York (2002), Homeland (2010), the soundtrack to Anderson’s acclaimed film Heart of a Dog (2015), and her Grammy-winning collaboration with Kronos Quartet, Landfall (2018). Additionally, Anderson’s virtual-reality film La Camera Insabbiata, with Hsin-Chien Huang, won the 2017 Venice Film Festival Award for Best VR Experience, and, in 2018, Skira Rizzoli published her book All the Things I Lost in the Flood: Essays on Pictures, Language and Code, the most comprehensive collection of her artwork to date.



Recent exhibitions and installations of Anderson’s work include Habeas Corpus at New York’s Park Avenue Armory; her largest exhibition to date, The Weather, at Washington, DC’s Smithsonian’s Hirshhorn Museum of Modern Art; and Looking into a Mirror Sideways at Stockholm’s Moderna Museet, which was her largest European exhibition to date. Anderson recently toured with Sex Mob, performing her piece Let X=X. Earlier this year, she was awarded the 2024 Stephen Hawking Medal for Science Communication, along with Christopher Nolan and David Attenborough, and the International Astronomical Union named a minor planet in her honour: Asteroid 270588, Laurieanderson.



Nonesuch released a re-mastered edition of Anderson’s landmark 1982 album Big Science in 2007 for its 25th anniversary, followed by a vinyl LP re-issue in 2021; its beloved single, ‘O Superman’, became a surprise viral hit on TikTok earlier this year.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

31,89

Last In: vor 20 Monaten
Fake Fruit - Mucho Mistrust

‘The Oakland band’s wide-ranging debut is a whirlwind of biting critique, nervy post-punk guitars, and absurdist humor. Rarely does a first record speak with such a trenchant voice.’ 7.5 PITCHFORK
‘Post-punk lovers have a new act to follow" - PASTE
Fake Fruit’s visceral indie rock operates so firmly in the present that it’s transportive and unmooring. The Oakland trio’s songs careen with volatile energy and lead singer Ham D’Amato’s lyrics are enveloped with acerbic humor and resonant perceptiveness. Though their new LP Mucho Mistrust is a sly reference to a beloved Blondie lyric, the title encapsulates both the anxieties of daily life, a bloodless music industry, and global capitalism as well as the clear-eyed skepticism needed to rebel against it. Across 12 propulsively unpredictable tracks, the album is both their most collaborative and most immediate yet.
Following the 2021 release of Fake Fruit’s self-titled debut LP, the band’s personal lives hit a turbulent and transformational period. “There were big life changes and I was so close to boiling over,” says D’Amato. “I left a bad relationship, entered a more stable and loving one, got diagnosed with alopecia, and I'm turning 30 soon too.” This personal upheaval was channeled into the explosive lead single “Mucho Mistrust.” The track is simultaneously disorienting and direct, with clanging guitars from Alex Post, off-kilter drums from Miles MacDiarmid, and D’Amato snarling, “How you gonna blame me / when you could’ve done something about it / it’s not right / How you gonna marinate me / in shitty things overnight.” She explains, “This song was a snapshot of how I got through a difficult year.”
Recorded live at the Bay Area’s Atomic Garden studio with producer Jack Shirley (Deafheaven, Home Is Where), the band’s palpable ferocity shines throughout the record. Single “Más o Menos” is searing punk, with buzzsaw guitars and surging bass. It’s a clenched-fist song, one where D’Amato sings, “I decided to assert myself / After I lost all my sense of self.” Later in the track, D’Amato, who is Chicana, sings in Spanish, “¡No me hables! / ¡No escuchare!” While some of these songs deal in heartbreak, they are charged with way bigger themes. “There's also wanting to break up with capitalism and feeling upset about things politically,” says D’Amato.
For the band, these themes are personal. “I'm managing us while I'm in between changing diapers in my day job as a nanny,” says D’Amato. “Everyone in the band still believes in it and is motivated to keep wading through the bullshit.” On this album, they had no choice but to bet on themselves and each other. No track broadcasts their evolution better than the single “Cause of Death,” which morphs from a gorgeous sax-laden banger to something cathartic and anthemic.
As adventurous and righteous as Mucho Mistrust gets, there’s still an inviting core that never takes itself too seriously. From the ripping “Cause of Death,” which self-deprecatingly takes aim at anxiety and indecision, to the searing title track, Fake Fruit imbue their songs with humor and heart. “Our band is fun,” says D’Amato. “My number one coping mechanism for all of life is to joke about it. Even when the album talks about serious things, I am proud of how funny it can be.”

vorbestellen23.08.2024

erscheint voraussichtlich am 23.08.2024

21,43
WELDON IRVINE - YOUNG, GIFTED AND BROKE LP

The musical "Young, Gifted and Broke", written by Weldon Irvine as writer, musical director, and full lyricist/composer, was originally released in 1977. The musical was inspired by the Black Civil Rights anthem "Young, Gifted and Black," which Weldon wrote with Nina Shimone. The recording session brought together a group of talented musicians, including Marcus Miller, whose name had not yet reached international prominence, to breathe new life into Weldon's distinctive inserts. The recordings were discovered in the early 2010s and released on CD in 2012, and P-VINE is proud to be the first in the world to release them on vinyl!

vorbestellen23.08.2024

erscheint voraussichtlich am 23.08.2024

32,73
Gilligan Moss - Speaking Across Time (LP + MP3 + Postcard)

Gilligan Moss - das aus Brooklyn stammende Duo, bestehend aus den Kindesfreunden Ben und Evan - ist mit seinem neuen Album “Speak Across Time” zurück auf ODESZA’s Foreign Family Collective!

Auf „Speaking Across Time“ kapselt jeder der zwölf Tracks des Albums persönliche Momente durch eine Linse der Zeitlosigkeit ein. 90er-Jahre-Rave, Old Country, 70er-Jahre-Soul, Honky-Tonk-Piano-House und sogar ein Sample des Dichters und langjährigen Mentors, David Mason, kollidieren unter Gilligan Moss' gekonnter Einbindung von Samples und moderner Tanzmusikproduktion.
Die Band arbeitete mit der bildenden Künstlerin, Orly Anan, in Mexiko-Stadt zusammen, um farbenfrohe Kostüme und Masken für das Single- und Album-Artwork zu kreieren. Das Kunstwerk ist eine Erkundung von Dualität, Spaltung, Zwillingsschaft und Zusammengehörigkeit. Orly war von entscheidender Bedeutung für diese Aufgabe.
Das Duo trat bereits auf namhaften Festivals wie Coachella, Pitchfork Paris und Electric Forest auf und spielte im Vorprogramm von u.a. Glass Animals, Toro Y Moi, Tourist, Chromeo, ODESZA, Elderbrook und vielen mehr.

vorbestellen23.08.2024

erscheint voraussichtlich am 23.08.2024

27,69
Søren Skov Orbit - Adrift

Søren Skov Orbit's debut album, "Adrift," is at once subtle and profound. The saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines

Danish tenor and soprano saxophonist Søren Skov (Debre Damo Dining Orchestra) and keyboardist Peder Vind co-founded the trippy quintet Søren Skov Orbit in 2016 to explore “more jazzy ideas,” as the saxophonist puts it. Joined by a rhythm section steeped in contemporary improvisation and psychedelia, bassist Casper Nyvang Rask, drummer Rune Lohse and percussionist Ayi Solomon of the legendary 80's Ghanaian roots/highlife band Classique Vibes, the Orbit belts out a richly focused helping of broadly African-inspired modern jazz with a hazy sheen.

On the opening “Notifications of Nothingness,” Skov digs in his heels, a steely but languid unspooling of burnished tenor lines atop condensed, quavering piano and the thick footfalls of bass and percussion. As a tenor player, Skov has done his homework and has a kinship with Albert Ayler, Archie Shepp, J.R. Monterose, and the Dutchman Hans Dulfer, but he clearly has got his own robust phraseology and expressiveness. He also cites multi-reedists John Gilmore, Yusef Lateef, and Bilal Abdurahman as, “some of the players I’ve been listening to the most for the last 10-15 years.”

A healthy dose of reverb is present throughout the album, echoing Alton Abraham’s studio wizardry with the Sun Ra Arkestra or the trance-inducing and compressed fidelity of certain Ethio-jazz and Mystic Revelations of Rastafari sessions. Skov notes that, “everything is recorded live at the same time in the same room. I wanted to do it that way in order to catch the dynamics and authenticity of the music.” There is, in fact, a complex teeter- totter between crisp and hazy execution, achieved by a delicately balanced mix that keeps the group’s sound simultaneously advancing and receding. Vind’s phrasing is terse and introspective, a vibrating echo that nudges and reflects on Skov’s brusque tenor in a dance of sonic displacement.

“Orbiting” pits a chunky backbeat and the teetering, taut hand-rhythms of Solomon against an infectious, almost microtonal piano riff, while Skov’s arpeggios are clean and florid as he patiently rises up from under a carpet of funky loops. Following the freer “Reflections of Rif,” “Naration” lilts with a wink at “Footprints” and tugs between up-tempo polyrhythmic drive, clanging keyboard accents, and the innately steadfast keenness of the bandleader. The coupling of Solomon and Lohse is a big part of the group’s detailed energy; as the leader puts it, “Ayi knows everything about regional differences in drum patterns. He is always listening and super responsive, and his and Rune’s dynamics are amazing.” The music both presents a “vibe” and keeps the door open for engaging well under the surface as repeated listens will be extremely rewarding.

vorbestellen23.08.2024

erscheint voraussichtlich am 23.08.2024

28,78
Artikel pro Seite:
N/ABPM
Vinyl