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Blaue Blume - Sobs

Blaue Blume

Sobs

10inchHFN70
HFN MUSIC
20.11.2017

he Copenhagen based pop wonders Blaue Blume return with a new EP - 'Sobs'. The band formed around 6 years ago in a provincial Danish town, drawn to each other's love for rich, playful music. Blaue Blume (blue flower) is the epitome of a romantic band, their songs are brimming with love and yearning. Now 'Sobs', the follow up to their 'Syzygy' album in 2015, continues to build their reputation as a best kept secret, about to find a whole new audience of devotees. All four tracks for the EP were recorded in late 2016 in a three story villa, formerly owned by a religious cult. The band used the weird space away from the city to create a framework for the lyrics and the music. The band explains: 'Blaue Blume has been our band for about 6 years. In a bigger provincial town we started playing right out of highschool. At the moment we live in Copenhagen and every day we play, write and work on sounds. It's sort of become a life project. In our heads we make music that is playful, rich in detail and popish or somewhat smiling. For some beautifully inexplicable reason we ended up doing music together. In a way it seems sacred or at least meaningful. Macabre is a happy song about being afraid of dying. Some of us find that even the best life can be lonely sometimes. We found it interesting to address this taboo within the frame of a song that people could potentially dance or sing along to.

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Last In: 6 years ago
The Liminanas - Istanbul Is Sleepy Ep

French psych duo The Limiñanas today released their new single 'Istanbul Is Sleepy' through Because Music. Featuring Anton Newcombe (The Brian Jonestown Massacre) and produced at his Berlin studio, the single is taken from their 'Istanbul Is Sleepy' EP out 17th November. The band, who are set to release a new album early next year, will play their debut London show at Oslo on 5th October. Directed by Jean Luc Moly, the moody, Sixties-inspired video to 'Istanbul Is Sleepy' premiered on Brooklyn Vegan: link here

Reflecting on the single and their collaboration with Newcombe, Lionel explained, "'Istanbul Is Sleepy' is like the classic dream where you become the hero, the Captain Blood or Midnight Sultan(). The one who rescues and seduces Maureen O'Hara or Ava Gardner. Anton is singing and playing guitar on the track. He was inspired, in particular, by The Cult during their 'Rain' period. Last year, Mojo magazine asked us to record a cover for a special Kinks tribute. We chose 'Two Sisters'. Marie and I were thinking for the vocal part it would be great to approach Anton Newcombe, having opened for The Brian Jonestown Massacre at Le Trianon in Paris. The work began like that. We had an album to record and we decided to finish it with him. During the Christmas week we took our demos, flew to Berlin and recorded at Anton's studio. Six days later we had a finished album".

One of France's most beloved treasures, The Limiñanas are Marie (drums/vocals) and Lionel (guitar, bass, keyboards and vocals). Hailing from Perpignan, the duo straddles the boundary between psych, shoegaze, and yé-yé. With hazy, reverb-laden hooks, combined at times with noisy distortion, and fronted by effortlessly cool vocals, reminiscent of Serge Gainsbourg and Brigitte Bardot, the band is at once timeless and quintessentially French.

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7,52

Last In: 8 years ago
The Brian Jonestown Massacre - Thank God For Mental Illness

2023 Repress

This the first time this title has been available on vinyl . At the risk of further labouring a rather obvious point, with Thank God for Mental Illness, their third collection of absolutely stunning music in 1996, the Brian Jonestown Massacre parallels the prolific and effortless brilliance of the Rolling Stones at their fevered late-1960s peak, the sheer scope of their achievements is stunning — rarely are bands quite so productive, or quite so consistently amazing. Thank God is the BJM's down-and-dirty country-blues outing, all 12-odd tracks supposedly recorded on a single July day at a cost of just $17.36 .The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club.Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

pre-ordina ora17.11.2017

dovrebbe essere pubblicato su 17.11.2017

23,32
Phantom Horse - Als Ob

Phantom Horse

Als Ob

12inchUR105
Umor-Rex
17.11.2017

Music for post-apocalyptic deserts. Experimental synth-sounds with hypnotic percussions - imagine Moondog performing with John Carpenter and Cabaret Voltaire.

Relating to their live appearances, Phantom Horse might be named a lazy combo since they are not to be found on stage all too often. Yet their withdrawn approach fits this album very well - Als Ob' is once more a journey through inwardness, a contemplative excursion to the electronic outback, still friendly asking for your attention. There's plenty of things to discover if you listen mindfully, the Phantom Horse rides out where you as a listener like to be lonely. Those ancient synths are still around, playing their melodies as if* there were no time thieves waiting around the corner (*That is what Als ob' means).

Altogether, the sound has become more electric yet not eclectic, the duo has dekrauted, describing their sound as more ritual but of course avoiding any kind of mysticism and fairy-tale dullness.

Since 2015's Different Forces' (also on Umor Rex), Phantom Horse have fleshed out their friendly stoicism that hauls their experimental synth sounds into the area of songs - maybe even pop songs that aren't tangible at least. Welcome to the insular state of Phantom Horse.

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17,19

Last In: 8 years ago
Lea Porcelain - Lea Porcelain Remixed

Remixes from Ruede hagelstein & Amin Fallaha, Scuba, Julien Bracht and Tom (Alt-J) Hymn to the Night is the debut album from rising electronic post-punk duo, Lea Porcelain. The album was writt en and recorded over a two year period in Berlin's FUNKHAUS, a broadcasti ng house created under Soviet supervision that now houses the world's biggest recording studio. We are proud of what we have made and we have learned a lot through the process,' recall the band. The spectrum of the album is extremely wide.

Every song works together, playing with very different moods. We would describe it as atmospheric, cinemati c and melancholic'. Including the singles, 'Bones', 'Out Is In', and 'Warsaw Street' The song is rich in vibrant synthesizers and gentle vocals laced with percussion as lively as a marching band, creati ng a track as quixoti c as a lucid dream. - Stereogum

Ominous motorik kraut rumblings and the thudding electronic trickery of prime era Underworld. - Godisinthetvzine

Music-wise, we're thinking of smooshing together Joy Division with Echo & The Bunnymen (sure) coupled with the modern-downbeatness of The XX. So everything dressed in black basically. Brilliant stuff . - Killing Moon

An electronic duo from Frankfurt, Lea Porcelain have a dark, twisted yet oddly enti cing sound. - Clash Magazine

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Last In: 7 years ago
Emo Kid - Gqomtera Ep

Emo Kid

Gqomtera Ep

12inchGQOM006
Gqom Oh!
13.11.2017

Durban's 23 year-old producer Emo Kid has announced he is to release eight-track debut EP, 'Gqomtera', through Gqom Oh! on September 22nd. Although titled 'Gqomtera', which Emo Kid explains is a slang term he and others use for the music, the record actually explores Sgubhu — another strain of South African dance music that shares many stylistic parallels with Gqom, though is always written with a 4x4 beat. Like DJ Lag before him, an artist widely considered the king of Gqom, Emo Kid is also considered a pioneer in Durban; 'Some people call me the Sgubhu king, but I'm just happy they're enjoying my music', he says. Based in Inanda, in the Etafuleni area township in Durban, Emo Kid's house looks out over an area called Isandlwana — the spot where the Zulu army famously defeated the British Army in the Battle Of Isandlwana in 1879. It is from this backdrop that he has written the majority of his music over the last few years, including new record 'Gqomtera'. At eight tracks long, 'Gqomtera' provides a comprehensive overview of the Sgubhu sound, with the aim of taking the listener on their own 'Durban Journey'. 'I wanted to show the uniqueness of my own style which I would describe as more musical', Emo Kid explains, 'you can feel the music when you listen but it still hits hard with that Gqom flavour.' That Gqom flavour, powered by hard, fast, uncompromising drums, provides a solid core from which everything else functions. Bright, shimmering trance synths feature on 'Futuristic Gqom', while on 'Enkwarini' — 'another word for a party or fantastic get together' — vocalist Fawell skips over light, playful Sgubhu rhythms. There's also space for harder, deeper cuts like 'Ground Shaker', cut with a twinkling melody line, the charging pace and power of 'Insimbi Yase Dubane' and the anthemic 'Asbambeki' featuring local crew TLC Fam, translating loosely to being unstoppable; 'It means you can't catch us basically', Emo Kid says proudly, 'On the dance floor, you can't touch us, we're on fire.' Capturing the raw, street sounds of his city, Emo Kid is the latest Durban artist to take the music global and with 'Gqomtera', put Sgubhu firmly on the map.

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Last In: 3 years ago
Kaitlyn Aurelia Smith - The Kid

In 2017, the musical term electronic' is nearly obsolete given the ubiquity of computerized processes in producing music. Even so, the prevailing assumption is that musicians working under this broad umbrella must be inspired by concepts equally as electrified as their equipment. Kaitlyn Aurelia Smith has demonstrated in her still-blooming discography that this notion couldn't be further from the truth, and that more often than not, rich worlds of synthesized
sound are born from deep reverence of the natural world. Smith (who by no coincidence, cites naturalist David Attenborough as a contemporary muse) has embodied such an appreciation on
The Kid in as direct and sincere a way as possible by sonically charting the phases of life itself.
The album, which punctually follows up her 2016 breakthrough EARS, chronicles four defining cognitive and emotional stages of the human lifespan across four sides of a double LP.
The first side takes us through the confused astonishment of a newborn, unaware of itself, existing in an unwitting nirvana. Smith's music has always woven a youthful thread befitting of the
aforementioned subject. Here she articulates it in signature fashion on the track An Intention,' which serves not only as a soaring spire on The Kid, but on her entire output. There is playfulness here, but it's elevated by an undertone of gravity into something compelling and majestic that is fast becoming Smith's watermark. The emotional focus of side two is the vital but underreported moment in early youth when we cross the threshold into self awareness. The subject is profound enough to fill an entire album, but rarely makes its way into a single track, indicating Smith's ambition to broach subtler and deeper subjects than the average composer. This side offers up another highlight in the form of In The World But Not Of The World' which serves its subject well with epiphanic, climbing strings and decidedly noisy textures over a near-Bollywood low end pulse.

Side three emphasizes a feeling of being confirmed enough in one's own identity to begin giving back to the formative forces of one's upbringing, which is arguably the duty that all great artists
aim to fulfill. This side ends with the exploratory album cut Who I Am & Why I Am Where I Am' recorded in a single take without overdubs on the rare EMS Synthi 100 synthesizer. This humble
piece of sound design serves as a contrast to side four's verdant orchestral moments, all written and arranged for the EU-based Stargaze quartet by Smith herself. This final side represents a
return to pure being, the kind of wisdom and peace that eludes most of us until the autumn of life. On To Feel Your Best' this concept is voiced in the bittersweet refrain one day I'll wake up
and you won't be there' which Smith intended to be a grateful acknowledgement of life rather than a melancholy resentment of loss. The song has both effects depending on the mood of the
listener, and both interpretations are equally moving.
Kaitlyn Aurelia Smith belongs to an ilk of modern musicians who are defined by their commitment to creating experiential albums despite the singles-oriented habits of modern listeners,
and here she represents her kind proudly. The subjects on The Kid are not simple to convey, and yet through both emotional tone and lyrical content, Smith does just that. There is a similar
gravity to both birth and death, and rarely is that correlation as accurately and enthusiastically mapped as it is here.

Alan Watts, another logical inspiration of Smith's, once expounded that people record themselves to confirm their own existence, and as such, echoes and resonance are reminders that we are alive. You're not there unless you're recorded,' Watts muses, if you shout, and it doesn't come back and echo, it didn't happen.' The Kid speaks to this idea directly. As Kaitlyn Aurelia
Smith explores her existence through music, she guides us in gleefully contemplating our own.

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25,84

Last In: 8 years ago
Zombie Zombie - Livity Lp

Zombie Zombie

Livity Lp

12inchVERLP034
Versatile
13.11.2017

It's already been 5 years since the last Zombie Zombie album 'Rituels d'un Nouveau Monde', after which the group explored other territories by signing 2 film scores, namely 'Loubia Hamra' by Narimane Mari and 'Irréprochable' by Sébastien Marnier, as well as creating the music accompanying a contemporary circus show called 'Slow Futur' created by Martin Palisse and Elsa Guérin. Wouldn't these beautiful parentheses make you want to return to the sources After 10 years at Versatile Records, 2017 also marks the decade anniversary of the release of their first album 'A Land for Renegades' in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
'Livity' - Zombie Zombie's latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the cult Métal Hurlant comic series. The title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at
the famous Island Records Compass Point studio in the Bahamas. For the uninitiated 'Livity' or 'Life force' is actually a Rastafarian spiritual concept based on the idea that an energy exists within, and flows through, all people and all living things. The record was recorded last winter in Paris, in a very short time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far away as always from the standards of 'radio play', A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But I:Cube's touch may bring the unique energy that one may find at Zombie Zombie's concerts; on certain cuts like title track 'Livity' that the group recorded in Laos, a wild combination of 808 kick drums and bewitching jungle sounds that sound quite unlike anything else out there, and especially on 'Hippocampe', which gives the impression of hearing an old school hip hop rhythm with the power of a metal band who have replaced their guitars with an army of synthesizers: we recommend you listen to this particular track in a convertible while speeding down the highway.
As with all of Zombie Zombie's music the cinematic component is still strong, on titles like 'Ils existent..' 'Acera' which was originally composed for ciné-concerts accompanying the films of Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions and sonic risks, like on 'Looose', which brings to mind the Art Ensemble of Chicago, or the groove of James Chance in New York in the early 1980's, featuring the free sax solos of Etienne Jaumet and Dr. Schonberg on the trumpet. The group also offers some slower and calmer titles, like 'Heavy Meditation' as well as exploring more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track 'Black Moon'.
Please - Take your time, and enjoy listening!

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13,82

Last In: 7 years ago
Zombie Zombie - Livity Lp (+ Bonus 7")

SPECIAL LIMITED EDITION X 300 WITH BONUS 7 :
Limited special edition with the 7" containing the track "Lune noire", in 2 parts - one per side.
It's already been 5 years since the last Zombie Zombie album 'Rituels d'un Nouveau Monde', after which the group explored other territories by signing 2 film scores, namely 'Loubia Hamra' by Narimane Mari and 'Irréprochable' by Sébastien Marnier, as well as creating the music accompanying a contemporary circus show called 'Slow Futur' created by Martin Palisse and Elsa Guérin. Wouldn't these beautiful parentheses make you want to return to the sources After 10 years at Versatile Records, 2017 also marks the decade anniversary of the release of their first album 'A Land for Renegades' in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
'Livity' - Zombie Zombie's latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the cult Métal Hurlant comic series. The title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at
the famous Island Records Compass Point studio in the Bahamas. For the uninitiated 'Livity' or 'Life force' is actually a Rastafarian spiritual concept based on the idea that an energy exists within, and flows through, all people and all living things. The record was recorded last winter in Paris, in a very short time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far away as always from the standards of 'radio play', A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But I:Cube's touch may bring the unique energy that one may find at Zombie Zombie's concerts; on certain cuts like title track 'Livity' that the group recorded in Laos, a wild combination of 808 kick drums and bewitching jungle sounds that sound quite unlike anything else out there, and especially on 'Hippocampe', which gives the impression of hearing an old school hip hop rhythm with the power of a metal band who have replaced their guitars with an army of synthesizers: we recommend you listen to this particular track in a convertible while speeding down the highway.
As with all of Zombie Zombie's music the cinematic component is still strong, on titles like 'Ils existent..' 'Acera' which was originally composed for ciné-concerts accompanying the films of Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions and sonic risks, like on 'Looose', which brings to mind the Art Ensemble of Chicago, or the groove of James Chance in New York in the early 1980's, featuring the free sax solos of Etienne Jaumet and Dr. Schonberg on the trumpet. The group also offers some slower and calmer titles, like 'Heavy Meditation' as well as exploring more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track 'Black Moon'.
Please - Take your time, and enjoy listening!

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17,61

Last In: 8 years ago
Traxman - Tekvision

Traxman

Tekvision

12inchTEKLIFE006
Teklife
07.11.2017

A leading figure and respected elder in the Teklife family, Traxman has waited patientlywhile releases from young upstarts like Taso and Dj Earl have been enjoyed by footwork lovers all over the world. Now the time has come for Traxman to take centre stage, presenting a collection of new material that demonstrates his mastery of the footwork sound. Tekvision arrives hot on the heels of Teklife 005: Greenlight by DJ Manny, bringing an interesting contrast of production methods and styles. A prodigious crate digger, Traxman has provided the sample sources for many of Footwork's classic tracks over the years. So while DJ Manny recorded the majority of the vocals on Greenlight himself, Traxman uses his expert sample flipping techniques to add the human element to his productions. Traxman is a mainstay of the Chicago underground, with a discography stretching back to the golden era of Dance Mania Records in the 1990s. Ghetto House was an important precursor to Footwork, and Traxman was a key figure during this transition.

Echoes of the Ghetto House sound resonate through Tekvision, with tracks like Drop It Down and Twist The Party Out paying homage to the origins of Juke and Footwork music. Be Gagen feat DJ Earl is a beautiful opening track, with a soulful, melancholic synth unfolding patiently over a half-speed beat. When the bass kicks in after 1 minute 10 seconds it has a profoundly uplifting effect, and the late arriving vocal rounds off the composition perfectly.

Many of the tracks demonstrate brilliant and playful manipulation of vocal snippets, with Let Me Get Up and Control Ya Bitchezzz among the finest examples of this art. Finally,Tone Deaf and Whop Line show yet another side to Traxman's sound with an intoxicating and angular mix of bass and bleeps.

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13,82

Last In: 6 years ago
Violinbwoy - Dod LP 3x12"

Brewing another supremely heavy release on the horizon, Moonshine Recordings is stealing the spotlight once again. Proudly presenting Violinbwoy's first solo album, unadulterated sound system pressure at its finest. Slavic chants and drum rhythms meet the unrivaled power of Violinbwoy's eccentric take on modern bass music 'Fyetisov' kicks off the stellar 3x12" release with a high-powered Stepper emission. Setting the tone with a rumbling bassline and supremely energetic lead instrumentation, full force sound system music down to its core. Shining in a different light, 'Moonspell' reveals its melancholic nature gradually intensifying through otherworldly percussion and anthemic vocal sample placements. Stripped down to its bare bones,'Dubplate' unleashes its detuned, percussive shackles for a massive onslaught of four-to-the-floor, while keeping true to Jamaica's music roots. Warbling tape echo spheres and excellence in emotive expression Violinbwoy's collaboration with singer Marina P turns out to be an anthem by itself enthralling, whoever gets caught into the midst of this hymn of a track. Not backing down one step from the established level of quality, 'Sound System' featuring Junior Dread excels once more in a crystal-clear demonstration of modern roots music mandatory repeat listening. Rejoicing in simplicity, 'Rig Alert' holds true to what the name suggests - cinematic bass meditation, fluidly scaling with the size of its speaker counterpart. Moving on to Dan s vocal skills in 'Wanted': Rastafarian wisdom chanting along a skanking rhythm and orchestral atmosphere. Ethereal bells being submerged in moving air and scattered white noise, 'Run & Hide' demonstrates a more experimental side within the LP exhibiting Downtempo/Ambient inclinations in a magnificent combination with Dub characteristics, only increasing in energy to the call of the dub siren. Ready for more, the title track 'dod' captures us within the expressive, introductory playing of the violin, deserting it for echoes and sub oscillations alike. Calling upon the prowess of Rider Shafique, his harmonic toasting is being escorted by a forward-minded halftime groove in 'Find The Way'. Topping the LP off with Sis' excellence in telling a story through song on a hypnotic instrumental. The nature of last tunes is often powerful, serving to concede with an explosion, appropriate of the session as is the case with 'Surfacing' closing off the monumental EP with visceral lead movements, setting the tone alongside driving drums and one more murderous bassline, sure of receiving countless rewinds in the near future. Encompassing a plethora of current Roots- Dub- and Steppa- influenced styles, Moonshine's next LP installment is sure to be received for what it is: a definitive, quality expedition of what's firing up dance floors around the globe.

pre-ordina ora03.11.2017

dovrebbe essere pubblicato su 03.11.2017

45,34
Aldona Orlowska - Niewazne / Ide

RECORD EXCLUSIVELY TO PLAY ON YACHTS AND IN OPERA HOUSES.
These songs were not born in the club, nor were they written by producers' algorithms. So where did these hits come from Maybe from poolside changing rooms (Aldona Orlowska is the Polish champion in butterfly style swimming) Or maybe from opera singing lessons with Professor Olga Olgina, the melodist born at the beginning of the 20th century in Tsarist Russia She feels as good in performing on yachts as in beautiful churches. Aldona marries the virtues of an opera singer and a disco star. She creates together with her husband, an outstanding instrumentalist and unconventional producer. They don't care about trends, they go where the music is. For a quarter of a century they've been splitting their lives between Malmö
and Mallorca, Swedish piano houses and beaches. Aldona Orlowska. WOW!

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14,66

Last In: 8 years ago
Gregory Porter - Nat King Cole & Me (2x12")

Grammy-winning singing sensation Gregory Porter - one of the most successful jazz artists of his generation - is back with a new album, 'Nat King Cole & Me', to be released on Decca/Blue Note on 27th October. It is a deeply personal tribute to Nat King Cole - the legendary crooner who ignited Gregory's love of music. It's only natural that I go to the root of my inspiration and where I come from. And that root would be my mother and gospel music and Nat King Cole,' he says.

Recorded at London's AIR Studios, the 12-track album features some of Gregory's favourite Nat King Cole tunes including 'Smile', 'L-O-V-E' and 'Nature Boy'. There is also a Nat-inspired arrangement of Gregory's own song 'When Love Was King', originally released on his million-selling hit album, 'Liquid Spirit'.

For Gregory Porter, the influence of Nat King Cole on his life and music runs deep, a through-line that reaches back into some of his earliest childhood memories, and culminates in the release of his new album 'Nat King Cole & Me'. Gregory explains, At five or six years old, Nat's music filled a void in me. My father wasn't in my life and wasn't showing interest in me or raising me and Nat's words were the life lessons, words of wisdom and fatherly advice I needed.'

Gregory's love for Nat's music blossomed so much that he wrote a semi-autobiographical musical, also called 'Nat King Cole & Me', which premiered in 2004. After the play, I felt a lighter feeling about my father and a deeper appreciation for both my mother and the great music of Nat King Cole,' says Gregory. He also found his voice through his own songwriting - It wasn't until I wrote the musical that I was fit to call myself a songwriter. Before that, I would write different poems but they had no music.'

'Nat King Cole & Me' is the follow-up to his Grammy-winning albums 'Liquid Spirit' (2013) and 'Take Me to the Alley' (2016). 'Liquid Spirit' took Gregory from being the biggest name on the jazz scene to being one of the most sought-after singers around today, performing sell-out shows across the UK and being invited to perform on high profile TV programmes including The Graham Norton Show, Strictly Come Dancing and the BBC Music Awards. He has become an adopted national treasure in the UK, having sung for the Queen multiple times, as well as major music festivals including Glastonbury, where he performed on the Pyramid Stage alongside the likes of Muse, Adele and Coldplay. Gregory's ability to transcend genres even extends to his surprise dance hit 'Liquid Spirit Claptone Remix' which became one of the most popular tracks in Ibiza.

After winning over audiences with his rich and soulful voice, there can be no better time for Gregory to return to the music which first inspired him to become a singer. On Nat's legacy and influence Gregory affirms, He was one of a kind. He left such great music - such beautiful things to listen to that you can't help but be influenced by that extraordinary timbre, style, and ultimate cool.'

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30,21

Last In: 8 years ago
Le Babar & Pat Lezizmo Feat. Anano - Last Call

Muzik & Friendz purple patch continues, literally, with a purple screen printed vinyl release from Belgian duo Le Babar & Pat Lezizmo 'Last Call' featuring Anano delivers two impressive originals coupled with a heavyweight international remix package making this the 7th outing for the Belgianbased label.
'Last Call' the original mix brings together tight classic house grooves a killer bumping bass line and the sexy vocals of Anano into a house track with real crossover potential. Denmark based Alvaro Hylander's mix goes deep, balearic and full of filtered rhodes, lush percussion with a tribal edge and breaks highlighting the sweet vocals, a perfect bar grooves shoulder shaker.
London based Frenchman Giom plays the ace card in the package with a foot stomping remix full of his own signature drum workout and ability to weave melodies and filtered breaks into a
package that has seen him release on the likes of Defected, Bunny Tiger, Toolroom and top the charts with his own label Supremus. Already tried and tested on his last US & Canada festival tour we fully expect many outings at the closing parties and festivals later this year.
Closing off the EP nicely the piano led 'Move Me' brings an upbeat and old school vibe full of stabs, vocal chops and a lush sax infused break perfect for sunsets and warm ups to boot.
Designed with the music collector in mind the limited vinyl release will be available packaged in hand made sleeves made from recycled materials.

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8,61

Last In: 5 years ago
Matt Sewell's A Crushing Glow Presents Drumtalk - Out Of The Blackness, Into The Blue

***Strictly Ltd Edition (500) 12' Blue Colour-In-Colour Vinyl & Limited Edition Matt Sewell Phenakistiscope Print With Initial Copies***

Matt Sewell's A Crushing Glow' was a great success upon release in spring 2014. A Compilation album like no other it was lovingly curated & designed by Matt. A most carefully crafted & truly genre-blending collection, it was valued & appreciated by many including Lauren Laverne on BBC6 Music. Recognising the magic within Matt's unique design package, she awarded the
collection her coveted compilation of the week.

Sequentially, last year followed the 50 minutes of The Gayatari Mantra on a golden 12'. Performed by Bollywood playback singer Anuradha Paudwal & her daughter Kavita Paudwal, this holy mantra drew plaudits & acclaim including BBC6 Music plays from Jarvis Cocker & Soho Radio & love from tastemakers Test Pressing & Vinyl Factory.

Now, CTR is proud to offer a brand new A Crushing Glow collaboration with esteemed London based producer DrumTalk, whose output has graced labels such as Tru-Thoughts, Soundway & Huntley & Palmers. Matt has curated this release & created, once again, very lush sleeve artwork.

Speaking of the 12' Matt suggests that Commissioning DrumTalk to make some new music for A Crushing Glow Presents was a crystal clear choice to make. He continues: Those that are down
with his house trax will be aware of a depth that runs through his music. I've known DrumTalk for years and I know that current runs deep. Surfing on synth waves of endless barrels of cosmic
vibrations, DT takes us on a journey from the blackness into the blue and beyond.

DrumTalk himself describes A Crushing Glow imprint as: A series that has been continuously loved by many. Variously described as 'cosmic', 'spiritual', 'joyful', and indeed 'transcendental'.

This latest release in the series, we suggest, is no exception...

DrumTalk aimed to craft a 12' that would unravel gently & then encapsulate the very unique essence of A Crushing Glow. Decide for yourself if you consider this done.

Caroline True Records are very proud to present this deep and lovely work - housed in lush artwork conceived & produced by Matt especially for this release.

pre-ordina ora27.10.2017

dovrebbe essere pubblicato su 27.10.2017

12,40
Djj - Yn Y Ty

Djj

Yn Y Ty

12inch12FCR-06
FCR
25.10.2017

On this new EP, DJJ's trademark jagged take on filtered French house is still present, but with Chicago bump, techno and more random elements thrown in for good measure.I Keep Trying To Convince Myself is the tougher, more rugged and even funkier cousin to DJJ's hotly-hyped 2016 summer anthem just a lil. Chi house meets soca in this carnivalesque new classic, which hits the perfect spot between sweetness and dirt.Yn Y Ty is fast, jerky funk and almost a new genre in itself. Both melancholy and pumping, think DJ Rush meets the Tetris theme in an oddball, groovy-as-hell work of genius.The cut-up, loopy loops and tough, tribal beats on Apilli are deranged in a good way and - as with the rest of the EP - demonstrate a quirkiness and subtle humour akin to Basement Jaxx's early golden period.A big sample drives the jacking, sweaty, glitz of Upsqwar's warped take on handbag, which channels the spirit of Modjo and features a ponderous, almost chiptune melody drifting subtly over the top.The EP closes with the Greek flavoured stomper Glas, which wouldn't sound out of place on Richie Hawtin's 1999 mix album Decks, EFX & 909. This new EP is first release since jus a lil for Crazylegs, which gained high praise from NPR, Resident Advisor, Indie Shuffle, Mixmag, Dummy, Hyponik and FACT - who commissioned a video and coined the tongue-in-cheek genre name 'outsider Ibiza'. Comparisons have been made to Thomas Bangalter, Alan Braxe, Todd Edwards and David Morales - albeit a skewed reinterpretation. Like the punks' assimilation of rock and roll, DJJ's fresh and irreverent take on highlights from dance music history make for some of the most exciting sounds since Daft Punk's first forays.Although distorted and with lowered bit-rates, to call theses tracks 'low fi' is to do them a disservice, as DJJ's manipulation of frequencies, distortion and samples is deceptively simple yet not easily matched. There's a mastery of sonics and leftfield sensibility at play, akin to fellow EQ tweakers Heiroglyphic Being, Aphex Twin and Adrian Sherwood.DJJ is a member of the Bristol-based label/collective Crazylegs, alongside artists including Gage, Sudanim, Finn (all of whom remixed just a lil). He's also one half of ISLAND, whose grime-flavoured Nokia EP was release in 2015 - also on Crazylegs.

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Professor Rhythm - Bafana Bafana

Professor Rhythm is the production moniker of South African music man Thami Mdluli. Throughout the 1980's, Mdluli was member of chart-topping groups Taboo and CJB, playing bubblegum pop to stadiums. Mdluli became an in-demand producer for influential artists (like Sox and Sensations, among many others) and in-house producer for important record companies like Eric Frisch and Tusk. During the early '80s, Mdluli projects usually featured an instrumental dance track. These hot instrumentals became rather popular. Fans demanded to hear more of these backing tracks without vocals, he says, so Mdluli began to make solo instrumental albums in 1985 as Professor Rhythm. He got the name before the recordings began, from fans, and positive momentum from audiences and other musicians drove him to invest himself in a full-on solo project. It was the era just before the end of apartheid and house music hadn't taken over yet. There wasn't instrumental electronic music yet in South Afric a. As the '80s came to a close, that was about to change. Professor Rhythm productions mirror the evolution of dance music in South Africa. They grew out of the bubblegum mold - which itself stems from band's channeling influences like Kool & the Gang and the Commodores - into something based on music for the club. His early instrumental recordings First Time Around and Professor 3 mostly distilled R&B, mbaqanga and bubblegum grooves into vocal-less pieces for the dance floor. Musically, these were a success and commercially the albums all went gold. There were countless bubblegum albums flooding the marketplace, with nearly disposable vocalists backed by mostly similar-sounding rhythm tracks. Most of the lyrical content was light and apolitical. But the keyboards used formed the musical basis for what would come next. By the time Professor 4 and this recording Bafana Bafana - the name references South Africa's national soccer team - were released in the mid-1990s, k waito had fully emerged. Access to instruments and freedom of expression helped its rise in influence among youth. According to Mdluli, "Once Mandela was released from prison and people felt more free to express themselves and move around town, kwaito was becoming the thing." Lyrically, kwaito championed the local township lingo while adapting "international music," house music, into the local context. "International Music," as house music and early kwaito were interchangeably known, in many ways reflects the sounds coming from America. But South Africans made it their own. Today, the largest part of the music industry is occupied by house music and its relatives.

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Extrawelt - Fear Of An Extra Planet LP 3x12"

2022 Repress

HQ Gatefold, 3x12 140g Vinyl, black innersleeve, download code
EXTRAWELT are back! Although in fairness, they were never gone. On the contrary, since their first release on James Holden's Border Community Label dropped in 2005, Arne Schaffhausen and Wayan Raabe have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", their two seminal albums on Cocoon Recordings. The duo are one of the most booked live acts worldwide, commanding a huge fan base. Their performances are the stuff of legend, making them the absolute highlight at every club and festival they play. So it's with great pride and respect, that we can announce the release of Extrawelt's third album for Cocoon Recordings. "Fear Of An Extra Planet" completes the Cocoon trilogy and the excitement growing among their fans represents a new high in the history of EXTRAWELT!
Musically, of course, there's enormous pressure on EXTRAWELT to deliver, but this is dismissed with a playful disregard and they are clearly focused on the job in hand. The album title "Fear Of An Extra Planet" sounds cinematic, like some art-house science fiction film, without giving too much away.
However, from the first seconds of the opening track "Superposition", the album title makes 100% sense and sets the scene for the rest of the trip. We are immersed in wide open spaces and invited to explore dark and dusky worlds that transport us back to their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream like quality that made James Holden's label so influential.
New Release Information Second up, "Gott ist Schrott" takes a much more minimalist approach with its retro 80s drum programming, monster bass lurking in the breaks and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples that gives us a taste of what's in store. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like 'in pursuit' feeling.
With - Das Grosse Flimmern" we cautiously approach the album's high point. It's still in keeping with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade us with an energy and impetus that always radiates from their music. Next in line is "Silly Idol" and here Arne Schaffhausen and Wayan Raabe opt again for a more minimal tack, focusing even more intensely on the dance floor to reveal a pulsing, twisted heart to the album.
"Punch The Dragon" is the hidden gem of the collection, utilising and melting together the most bombastic and playful elements. This one is totally off the hook, a sensory overload in an acoustic widescreen format! Then we have the title track "Fear Of An Extra Planet" which perfectly sums up the album concept. It opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analogue drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album.
As we near our destination, "The Friendly Coroner" really does honour its name. The morbid charm of the title is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. In our mind's eye we see a cheerful medical doctor removing his bloody gloves, hanging his smock in the closet and vibing out in his neon drenched workspace. And there we sit, glued to our cinema seat, submerged in the different textures EXTRAWELT have conjured up on "Fear Of An Extra Planet". Over the course of the last title, the strings usher in the final acknowledgments as the credits roll. The dramatic end of "2084" leaves us transfixed in front of a black screen in a large, dark room safe in the knowledge that we've just witnessed a science fiction epic.

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Muon - Broken Dreams

Muon

Broken Dreams

12inchEX01
EXCISE
20.10.2017

Excise is a vinyl-focused label based out of San Francisco, California. Each release pairs a regional Californian techno artist and a local visual artist, thus serving as a platform to fuse the two local creative scenes. Its first release features label co-owner Muon with 3 hypnotic raw analog tracks. Many of these tracks received heavy play time in the San Francisco underground, and now are seeing a broader release for the first time.

Artist biography:

US based artist, Muon (real name Marc Kelechava) spent his formative musical years in Brooklyn, NYC, but has resided in Northern California since 2013. His initial release on Excise is an attempt to combine hypnotic synth work with heavier dance floor elements: music to get lost to.

As a DJ, he now co-manages the iconic Direct to Earth crew, which started as an Oakland underground rave in 2011. The group's primary goal is to help bring international stars to the San Francisco community for the first time. This year alone they've hosted (or will host) Phase, Cosmin TRG, Yan Cook, Ansome, Marla Singer, and Ben Sims. Muon's an opening mainstay with his hypno-aggressive mixing work.

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2 Katara - Break At Home

2 Katara

Break At Home

2x12inchITL006
INTO THE LIGHT
19.10.2017

'Break at Home' is the collected recordings of the mysterious group '2 Katara' which was formed in Athens, Greece in 1978 by George Theodorakis (keyboards, percussion, vocals) with his close friend Dimitris Papangelidis (bass, guitars, percussion, vocals). TIP!
.
This musical-duo recorded quietly over a decade between Theodorakis' family idyllic home studio in the Philopappou hill of Athens and the nearby studios Theta and SR. For some part, the tracks seem like adventurous experiments or even unfinished samplers or riffs the band starts to develop, but at the same time there are productions that are clearly meant to be the backbone of an album that never came out.

Into the light proudly presents 14 sun-soaked productions from the above-mentioned sterling material from 1981 until 1991 where the band split. This sixth installment is meant to be enjoyed as a journey from proggy pop to TR-909 drum driving compositions to Mediterranean disco-not-disco and further futuristic synth-scapes.

The many elements from the Greek traditional folk music - especially in 'I Can Not' which is an ambient take on a folk lament song from Epirus area and the reverse play recording of a Greek orthodox priest chant on their last ever recorded epic 17min track 'Greek lady' -, the unusual but clever combinations of colorful styles and the intense improvisation put the group in the first line of Athens' best kept secrets

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19,29

Last In: 7 years ago
An-2 & Samos - Nomad Ep

An-2&Samos

Nomad Ep

12inchTHEOM024
Theomatic
16.10.2017

An-2 and Samos have turned the clock back to finish off a couple of sessions they'd recorded together years back. Maxim Samos is our keen friend and sophisticated guitar player from Minsk, Belarus that we know for years. His first appearance on Theomatic was back in 2008 with space-rock tune 'Alpha Storm", which received lots of positive feedback and found its way to the Prins Thomas - Live At Robert Johnson compilation. As well as guitars, Maxim can play almost any string instrument and, on one of his erstwhile trips to Istanbul, he dropped by a music store, picked up a Saz and immediately set it alight, blowing away the entire staff. After scoring a big discount, he came out, clutching it in his hands. An-2 commented on Samos' playing on the Saz during one of his first visits to Minsk, and immediately suggested cutting a track together - something that took 10 years, but the wait's been worth it. What we've got is surreal halal-acid-folk-disco affair, perfect for whirling dervishes or dancing the dhikr. The story's continued on the B-side, where we're treated to a tale of trips in a GTI, before finishing with a Nordic saga about cold fronts coming at us from behind the Polar Circle.

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Chain & The Gang - Experimental Music
  • 1: ) Experimental Music
  • 2: ) The Logic Of Night
  • 3: ) If I Was An Animal
  • 4: ) Rome
  • 5: ) Don't Make Me Dream
  • 6: ) Come Over
  • 7: ) Three Made A Fool Out Of Me
  • 8: ) Temporary Insanity
  • 9: ) Don't Scare The Ghost
  • 10: ) I Hate Winners

hain & the Gang : Ian Svenonius

Chain & the Gang ... the world's only 'DOWN WITH LIBERTY' group ... the best and most radical rock n roll group ever ... have a BRAND NEW long playing record out on RADICAL ELITE records and its a 'head scratcher' for sure ...

Chain & the Gang - known as the dynamic and irresistible live combo that pens provocative, unforgettable odes to obedi- ence and total destruction (e.g. 'Devitalize', 'Certain Kinds of Trash', 'Detroit Music' ) got sick of the simple fare so prevalent at the rock festivals these days. After nodding off to the washed-out zzzounds of the latest five-star folly critic's catastrophe, 'Chain & the Gang' decided to respond with their patented perversity ; they reached to the farther corner of the lab and came up with an immortal classic in the hard-to-hear genre of 'EXPERIMENTAL MUSIC' (!!!!!!!!)

In fact, this record is so confounding, so new and uncharted, they decided to call it 'EXPERIMENTAL MUSIC.' Not only is it a pounding super-classic, but it's the final word in the experimental music genre, answering the questions initially proposed by John Cage, Yoko Ono, LaMonte Young etc., shutting down the need for further experiments forever. The Lab is Closed!

Besides CHAIN & the GANG's 'Chain' — aka Ian Svenonius -- the 'EXPERIMENTAL MUSIC' LP features an all-star cast of avant-garde geniuses such as DANNY KROHA (the Gories, Demolition Dollrods, Danny and the Darleans), FRED THOMAS (Saturday Looks Good to Me, Lovesick, Tyvek, His Name is Alive), SHELLEY SALANT (Shells, Tyvek, SLGTM, Swimsuit), AMBER FELLOWS (Swimsuit), MADELINE MCCORMICK (Chain & the Gang) and BEN COLLINS (Mini- Horse) and was recorded live to four-tracks at WORLD CLASS TAPES in ANN ARBOR, Michigan.

The title track sets forth the premise and the rest of the tunes expound upon it. Its a foot-tapping, head scratching, torso tornado that will crinkle the connossieur's temple in a tantrum of cerebral delight.
Writers in one hundred years will still be piecing together the puzzle of perversity that's named EXPERIMENTAL MUSIC by CHAIN & the GANG on RADICAL ELITE Records.

pre-ordina ora13.10.2017

dovrebbe essere pubblicato su 13.10.2017

17,44
The Effect - Eyes To The Light

Formed in Washington, D.C. in January of 2014, the EFFECTS are Devin Ocampo, Matthew Dowling, and David Rich.

A multi-instrumentalist, Ocampo is a former member of the bands Faraquet, Medications, Smart Went Crazy, and Deathfix, all of whom released music on Dischord. He has also toured and recorded with Mary Timony, Beauty Pill, and J. Robbins.

Dowling was the bassist and co-leader of Deleted Scenes, while Rich was the drummer in the instrumental group, Buildings. Both released music on the experimental-minded (and now defunct) local record label, Sock- ets. Devin met both Matt and David years before and while there had been talk of a possible collaboration everyone had their own projects at the time. However, by 2014 all were between bands and it finally made sense to get together and start something new.

For the trio, playing together was a nice change in routine. It was a new configuration of musicians, rather than a recombination of old friends and former bandmates, which happens regularly in the close-knit music scene of Washington D.C. Matt and David offered a fresh perspective and (possibly) gave the Devin a nudge out of his comfort zone.

Since then, the EFFECTS have performed sporadically throughout the East Coast and digitally released four two-song singles. Their full-length debut, Eyes to the Light, will be out this fall on Dischord.

pre-ordina ora13.10.2017

dovrebbe essere pubblicato su 13.10.2017

19,29
Fort Romeau - Untitled Ii / A Familiar Place

For their second release on the label, DGTL Records asked another one of its festival shows regulars: Fort Romeau. After playing at three different DGTL editions, and an upcoming fourth during ADE, the organization also wanted to propagate his sound with an EP on their imprint. The release consists of two multi-layered compositions, Untitled II and A Familiar Place, and will be available both on vinyl and in digital stores on the 13th of October.

Fort Romeau came into the spotlight with releases on Running Back, Live At Robert Johnson and Ghostly International amongst others. The British talent gained recognition with his cultivated ear and apprehension of all genres of music, that brought him to add something unique to the widespread spectrum of electronic music, both as a DJ and a producer. In 2015 he also set up his own label, Cin Cin, releasing split EPs from established names and newcomers alike, with a diverse musical policy that reflects Fort Romeau his open minded and inquisitive approach.


'Untitled II' is a luminous house tune, with a soundscape on top that takes you on a journey, while 'A Familiar Place' adds a little bit of darkness to the EP. This B-side is made up out of raw elements, a high tempo kick and hi- hat create a sturdy flow that makes it hard to sit still. All in all, it advocates the vision of the festival and its label, in every way.

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Nhk Yx Koyxen - Exit Entrance

Nhk Yx Koyxen

Exit Entrance

12inchDFA2555LP
DFA Records
11.10.2017

'Exit Entrance' is the DFA debut for Kohei Matsunaga aka NHK yx Koyxen.

Kohei has been making / releasing music since 1997 and has recorded for such iconic labels as Mille Plateaux, Important, Pan & Diagonal.

His latest recordings explore intricate drum programming, lush melodies & sparkling arrangements. Touchstones include the legendary 'Clicks & Cuts' compilations from the 1990's as well as Aphex Twin & Autechre. RA called his music bombastic techno funk....unpredictable but rarely disappointing'.

'Exit Entrance' is a collection of new songs that snap and flicker unlike anything Kohei has done in the past. There is a clarity and beauty to these tracks that bursts out of the speakers in a three dimensional way, matching the 3D glasses that the artist wears during all his live performances. The elegant arrangements and crisp drum breaks match the concise song titles - Kohei foregoes the typical impenetrable track names made up of numbers and shorthand, and opts for a more direct emotional sincerity through the sonic themes of the record. Not all the music here falls into the same exact formula.

As the album heads towards a close, after several tracks of harmonious beauty, we get 'Outset (for Mika Vainio)', a sombre hushed techno tune, dedicated to his late friend and musical collaborator, who unexpectedly passed away earlier this year as the record was being completed. What follows after this track is perhaps the real catharsis, as 'Dented' ominously kicks off with acidic stabs and rolls into a tumultuous dirge of gritty techno.

In this regard, 'Exit Entrance' can play out like a life cycle, a mini opera of birth and beauty, of sorrow and mourning.

It is one of the most direct and honest records Kohei has ever made, and DFA is beyond proud to present this work from such an esteemed creative force in the electronic avant-garde world of music.

For fans of Aphex Twin, Actress, Zomby, Kraftwerk, Four Tet.

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24,33

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D&s - Thoughts Ep

D&S

Thoughts Ep

12inchASGORX003
Orbis records
09.10.2017

Orbis X is a sublabel of Orbis Records and will be mainly focusing on softer yet often usable as DJ material for the broader mass interested in Electronic music. This sublabel is an extension of Orbis Records softer, more melodical and experimental side.

Music will be ranging from house, dub, chicago over melodic acid and even breaks. Not any track makes it to this sublabel if it can't stand on its own and stand the test of time! We warmly welcome the Dutch duo Dennis Pors & Stephan de Bruijn to OrbisX. New fresh talent, ready to conquer the world. We feel obliged to support these
fine gentlemen to get their music spread across the globe. Dennis & Stephan know each other through their musical perspectives.
They share a similar taste for music, Detroit techno. Before they worked together, Dennis experimented with deep house through digital synths and learned the ins and outs of programming music in Logic.
Stephan was well known with the detroit techno scene. His passion goes out to well balanced electronic music with hypnotizing emotional feeling to it. Add a layer of atmospheric grooves on top of that and you have the perfect blend to potential timeless music.
Soon enough they made the switch to analog gear to be able to create a cleaner and better sound. After three years of hard work, they have reached the sound they were looking for. And this is it!
Their debut on vinyl. D&S servers a full EP called Thoughts EP. A great cocktail of dreamy and diverse electronic tunes. This EP fits well in the back of any DJ bag to warm up the place or fix the atmosphere on roof-top bar in NYC. Smooth cruising, roof down car music or background music on a spring night with a summery breeze This EP is amazing and works best on a big sounds systems and major festivals! Childs play , what s in a name. Nothing like that melody. Creating a generously opening atmosphere, but actually brilliantly mixed creating the perception of simplicity. Groovy, acid touches and funky. Can t keep still when being played. A-track for sure! Thoughts might have a dark feel to it but evolves in a very uplifting track in just a few moments, making
it very bright and fun to play. Shed light to the place, should have been a great title as well, but thoughts is the best name for this track. The story in this track is definitely there to be told and listened to. Edge Of Insanity kicks of the B-side. Goosebumps, as from the start. Building up slowly to a very melodic and yet simply track, it s the perfect translation for a sunrise at the beach. Potential
Ibiza hit if you ask us. Submission is a track straight out of a movie. Clever, nice build up, dreamy, spacey and above all so amazingly subtle. This is what falling in love should sound like. We re humble. We re amazed. We re honoured to host D&S. We hope this duo gets the attention

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7,69

Last In: 6 years ago
Opolopo - Opolopo Reworks

Version Galore is a newly found label, deeply rooted into the music culture. We are bringing you the selected reworks / re-edits from the top producers in the game, showing lots of respect and care for the original, but elevating it's spirit and taking it somewhere else. It's all about the dialogue of cultures and the idealistic desire to pass the music legacy on! No half-measures, played-out tunes, lazy cuts, or boring "808-kick boosting" biz!
On the first release of the label we are delighted to bring you the chosen cuts from the man that needs no introduction - Opolopo. He knows a thing or two about making a personal version of a track that can easily overshadow the original, and we guess that's the case with the two cuts he prepared for us on this
records. Things escalate fast. On the A-side you will find originally a midtempo mild jam "Go Get It", which is turned by Opolopo into an effectively-upbeat stomper that will inject true feeling and groove in any house or disco set alike.
It's one of those rare occasions when a soulful tune turns out to be super dance-floor efficient no matter what!
The B-side is all about the raw and emotional funky madness of "American Promise". It's infectious groove, pinpointed with growling sub-bass is just devastating. Epithets are irrelevant here - just play it loud, but with caution! "Version Galore - play some more!"

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11,35

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Zara Mcfarlane - Arise

Zara Mcfarlane

Arise

12inchBWOOD162LP
Brownswood Recordings
06.10.2017

On Arise , Zara McFarlane returns to a buoyant UK jazz scene with a head-turning third album. Exploring the musical possibilities of British-Jamaican identity, it's a cultural exchange that's born of London's current musical climate. Released on Gilles Peterson's Brownswood Recordings, it sees her working with much-feted drummer and producer Moses Boyd. Both rose through London's Tomorrow's Warriors programme, a finishing school for many young vanguards of the live, ascendant jazz scene springing up across the UK capital. Sharing Caribbean family heritages, it's a product of their joint exploration of the meeting points between jazz and the rhythms of Jamaica, reggae, Kumina, calypso and nyabinghi, shaded with hints of the psychedelic.

Zara's breakthrough 2012 track, a jazz cover of Junior Murvin's 'Police and Thieves', provided a jumping off point to further explore the blurred, colourful territory in between jazz and roots-reggae. Covering Nora Dean's 'Peace Begins Within', she breathes a syncopated groove into a soulful, reggae classic. A beautifully poised version of the Congos' Fisherman teases out the poignant lyrical content of the 1977 classic. Meanwhile new, original compositions from Zara, like 'Fussin' and Fightin'' and 'Freedom Chain', combine a deep, reverberating bass with a steady-stepping roots rhythm. Album opener 'Ode To Kumina' touches on the kumina tradition brought to Jamaica by indentured labourers from The Congo in the later part of the 19th Century. Part of Zara's deeper research into her Caribbean heritage, it alludes to a deep-rooted culture encompassing music, dance and religion.

Similarly, 'Silhouette' arose from that same research, in this case, however, it was about how records and documents often get lost in Jamaica. It kind of came out of the idea of black history and blackness and feeling like you're trying to find yourself,' she explains. Trying to be proud of your history and who you are. And never forgetting the things that brought you to where you are.' Alongside drummer Moses Boyd on production, the album features a stellar line up of some of the key players on the London scene Binker Golding on tenor sax, Peter Edwards on piano, Shirley Tetteh on guitar, Nathaniel Cross on Trombone and an unusually restrained turn on Clarinet from Shabaka Hutchings.
Shared between all of them is a tendency to find the common points between different musical ilks: from US hard bop jazz, to dub and London-rooted hybrids and permutations, the band on Arise reflect the musical diversity of their home. Boosted by new platforms, like East London showcase Church of Sound and a newly-refreshed Jazz Café, the record surfs the momentum currently propelling jazz-influenced music in the UK.

For Zara, Jamaica's musical legacy is deeply intertwined with her sense of the place itself. Spending whole summers in the hills of Jamaica, it's the sounds and smells which she most vividly associates with her stays there. In particular the local sound systems which were an everyday feature of the local area, be it in shops or bars, each of the small local shacks would have a sound system where they'd play music through the day and evening.

From where my nan used to live, in Cauldwell there's a sound system almost opposite her house,' she says. So you feel this boom of the bass, and then all the smells of the hills and the greenery of Hanover. When you land in Jamaica and you go to walk off of the plane, the heat and the smells hit you and it feels like home away from home for me. When I hear Jamaican music, these are the senses that come.'

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Last In: 8 years ago
Brain Machine - Peaks Remixes One

The return of Brain Machine, with their Peaks album, was one of the highlights of last year for Emotional Response. Juan Tripp (aka Jon Tye of Seahawks), Guido Zen (Vactrol Park) and Kyle Martin's (Spectral Empire/Land Of Light/Vactrol Park) acclaimed kosmiche opus is followed up with 2 remix EPs featuring some of the best proponents, peers and friends of deep electronic music.
Remixes One is given over to a quartet of trusted hands including man of the moment, Tolouse Low Trax, ambient visionary Gigi Masin, afro-techno-dub specialist Harmonious Thelonious and stalwarts Ronny & Renzo.First Detlef Weinrich shows his mastery of a unique percussive sound that has seen his identity become as respected outside of his native Dusseldorf as he is in it for his role as one of the founders and curator of Salon des Amateurs. A brooding, propulsive culmination, the original's haunting ambience is retained for a subtle, driving rework that hits the mark.
Surprise of the EP is Gigi Masin's remix of Crystal Clouds. Eschewing the original's celestial soundscapes, scattered percussion interplays with sub-bass to change the context, giving a rhythmic dimension while retaining the shimmering guitar and arpeggio infused cohesion.Starting the B-side is another Dusseldorf elder statesman, in the afro-visions of Harmonious Thelonious. Solo, as well as one third of The Durian Brothers, Stefan Schwander, has carved a distinct sound. Chrematistic percussion is matched with an atmospheric, dub-techno feel that perfectly fits the EP. Play loud for full understanding.
Finally, Remixes One concludes with the return of Ronny & Renzo. Long time associates of Brain Machine, their 10 minutes plus remix takes the glacial original's ambience to a darker plain, fusing rhythmic pulses with alluding acid intent.

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10,04

Last In: 6 years ago
Step Time Orchestra - Jazz Error Nyc

Step Time Orchestra was the collaborative work of producers Jori Hulkkonen and Toumas Salmela, who began producing music together in the nineties whilst studying in Oulu, Finland. Whilst all their friends would be getting up early to go to university, they would only just be going to bed, having spent the night listening to house records from New York, drinking Whiskey and programming their MPC 2000!

Step Time produced a slew of tracks during this time, some of which were licensed and pressed on 12" singles during the late nineties/early noughties on labels operating in North America and Europe, but not everything they made saw the light of day. Heavily influenced by labels like Ibadan and Spiritual Life Music at the height of the New York House Scene, 'Jazz Error NYC' and '2am in Africa' were never signed, not fitting the profile of their other releases at the time, they were left in the drawer and sadly forgotten!

Skip forward to Winter 2016, and FBNM's Lorenzo, whilst over on a DJ excursion, visits Jori in Finland. Keen to keep working together, he presses him for something uniquely special. Magically, the Ajos E.P jumps out of the drawer into Hulkkonen's hand, and as it turns out, it has aged with a rather remarkable grace. Written using a combination of MPC sequencing and an Atari ST powering vanilla Cubase for some midi programming duties, it features the sounds of the Italian made Siel Opera 6, an Alesis S4 Rompler and other vintage Roland, Yamaha and Kawai Synths. They went full out on this one, even finally learning to play keys for that jazzy piano action. It was recorded live through a soundcraft analog board with outboard Fx, creating a sound that transcended it's time to feel remarkably fresh today!

The Ajos EP is named after an area in their native city of Kemi, Northern Finland, which is where they wrote and produced it in 1999.

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8,36

Last In: 5 years ago
Dom & Roland - Phoenix Ft. Technical Itch/tears In Rain

* Dom & Roland's Label has gone from strength to strength from its conception in 2006. Featuring collaborations by Dom with other Artists such as Noisia, Hive and Amon Tobin the label has continued to push sonic boundaries whilst staying true to it's ethos of 'not selling out'. It is currently in A 'Dubs from the Dungeons' Phase releasing sought after unreleased music from the 90's from various accomplished artists every month on limited edition gold vinyl.

* PHOENIX - DOM ft TECHNICAL ITCH

A straight dancefloor DJ smashout made from two of the featured artists most seminal tracks combined. Dom & Rolands Thunder and Technical Itch's Reborn. Nuf Said!

*TEARS IN RAIN - DOM & ROLAND

A futuristic roller from the 'Bladerunner' Era. It perfectly captures the mood of the film. A big hitter at the Metalheadz sessions in the 90's this was smashed by Doc Scott and Randall in many of their sets. Again featuring a reworked alternating clean and distorted "flow break" and big 808 bass this style of production pioneered the way for Dom's later work. This turning point in Dom's history is now finally mastered and seeing it's release on vinyl 20 years later.

* DJ PLAY: Randall, Fabio, Bryan G, DJ Die, Jumping Jack Frost, Grooverider, Peshay, Loxy, Andy C, Break, Fierce, Doc Scott, dBridge, Goldie, Ant TC1, Gridlok, Marcus Intalex, SB81, Ulterior Motive, Noisia.

* RADIO PLAY: Radio 1, Radio 1Xtra , NRG, Noisia Radio, Many other radio stations around the world.

* PRESS: Bandcamp Interview, MIxmag, DJ , Various blogs, Facebook, Twitter, Snapchat, Instagram.

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9,03

Last In: 2 years ago
Milkplant - The Distance Ep

Milkplant

The Distance Ep

12inchEX02
EXCISE
28.09.2017

Excise Records' 2nd vinyl release is a celebration of both Northern and Southern Californian techno. Oakland's Milkplant has been making heady dancefloor bombs for 2 decades, and Los Angeles icon Developer jumps in with a beautiful retro-hypnotic remix of Far Star. Milkplant's Dust Cloud is a 10 minute epic build with dreamy synth work shattered complex metallic percussion and anchored by a shockingly weighty bassline. The original Far Star is a wild romp with psyched out synth arps and relentless spit-fire hi hats.

Artist biography:

US based artist, Milkplant (real name Justin William Pennell) is originally from Milwaukee,Wisconsin; but has resided in Oakland, California since 2010. He relocated to the West Coast in 2004, lived in Seattle for six years, and started the internationally recognized Techno label and artist collective, From 0-1; with fellow artist, Sone. Schooled in the Midwest and developed on the West Coast, his work encompasses over 30 years of combined DJ/production experience, and 9 years of record label operations.

In autumn 2014 he released 'Time Dilation', a four track 12" EP on From 0-1. Charted by Gary Beck, Paul Mac, and Ben Sims at #2, #1, and #26 in their November 2014 Juno charts, this was a turning point for him. Since then he has released on Planet Rhythm, Wall Music, Dark Net, Etichetta Nera, From 0-1, and Excise. His productions have drawn critical acclaim from many notable artists; showing up in mixes and charts by Ben Sims, Jerome Sydenham, Bryan Zentz, Joachim Spieth, Tommy Four Seven, Submerge, Tadeo, Mattias Fridell, Mr. Jones, Electric Indigo, David Meiser, Samuli Kemppi, Arnaud Le Texier, Abstract Division, DJ T-1000, and many others.

As a DJ he can be found playing a combination of vinyl and CDJs. He has played in various cities across the US, most notably in Detroit at the Blank Code - Droid Interface/Scene party for Movement 2016. His mixes have been featured on Droid's D-Node podcast, the Warsaw Torture Boyz podcast, Blank Code podcast, Drone podcast, and Error Sessions. Regarding upcoming releases: 'The Distance' vinyl EP arrives autumn 2017 on San Francisco based label, Excise; his remix of Sone's 'Australis' arrives on vinyl late 2017 via From 0-1.

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10,04

Last In: 7 years ago
Beta Evers - Eruption

The sub label of Sonic Groove, 'Sonic Groove Experiments', returns after a 4 year hiatus with a stellar re-release of the Electrowave classic 'Eruption' by Beta Evers. Originally released as a Limited Edition 12' back in 2005 on Beta's own Kommando 6 label. Now in 2017 the original pressing goes for quite a fortune on the record collecting market. Often exceeding €60 for a mint copy. For the first time in a dozen years this release is available on vinyl in its original running order but with very sleak new artwork for the normal asking price of a new store bought 12'.

Beta Evers is Brigitte Enzler from Augsburg, Germany. An artist with a substantial amount of accomplished work to her credit including an early release on the storied Hague label, Cre`me and her side project Black Spider Clan. After ceasing Kommando 6 operations, Beta Evers continues on independently releasing music on her other labels Bodyvolt and Venus Noir. Her most recent release is the 2016 awesome 'Delusion' album on legendary Industrial/EBM pioneer Dirk Ivens prestigious Daft imprint.

The opening track's title serves as a warning, titled 'Don't Be Afraid', a cold introduction led by sinister synth lines soliciting our attention to expertly crafted true analog electronic percussion in the EBM/Dark Electro disciplines. Surreal, deep and seductive vocals lie in the wake at the center of the composition giving us a melancholic piece worthy of deep contemplation during listening on or off the dance floor.

The following track 'Move In My Body Rhythm' continues in the same sinister and dark aesthetic in a more driving manner, this track continues to bring forth energy with a precise beat and rhythm accompanied by acidic synth modulations.

Side B continues to hold the heavy weight of this extended player with the track 'Eruptive' This reference track to the title of the EP. is an electronic/vocal robotic analog circuit breaker suitable for dawn light on the floor. Traditional arsenal of classic analog sounds are arranged and rearranged with sonic manipulation at the test. Mutant dance music for cosmic venues.

The closing track, 'Destination Lost' is comprised of lyrics of urban angst and disturbance whispered out through sultry vocals. Dark minimalist and cinematic cyberpunk breaks reinforced by low drone synth waves and crystals of lysergic analog bleeps drifting along the perimeter. Dead serious wave infected electronics.

This sonic document also serves as a good example of a roots approach to creating music whilst at the same time giving us something entirely innovative. This is as futuristic as it is timeless and that reflects the elements of a masterpiece.

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9,20

Last In: 6 years ago
Akmé / Fabrizio Lapiana / Samuli Kemppi - ://about Blank 002

the label of the post-autonomous kindergarden from berlin's east cross awakes after a long beauty sleep. we're back behind the decks with a lineup that is carving out contemporary techno.
finnish producer samuli kemppi, from helsinki, has accompanied us since the beginning of our club. musically, he stands for a minimalist, crystal-cut sound hailing from galaxies far, far away.
fabrizio lapiana is a long-time friend of the house. his sounds are able to expand even the smallest dance floors—he sculpts spacious soundscapes and sends dancers on a deep dive into dark and melancholy travels. we are particularly excited about the presence of our resident akmê, who comes to us with energetic release after his first ep on connwax. he will be bringing his steadfast love of detail and sly playfulness—elements present in all his dj-sets. with these three numbers, the ://about blank 002 has compiled the best of the mdf soundtrack. next stop after powernap: lobby and garden. rave on!

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8,87

Last In: 6 years ago
Sabrina Malheiros - Clareia

Having made her mark on Brazil's rich musical legacy with three best-selling albums to date, Rio's original nu-bossa queen returns with a tour de force of golden-era Brazilian soul music. From the spiritual swing of the early pioneers of modern Samba, to the dizzying hedonism of Brazil's eighties disco/boogie craze, Clareia is a life-affirming journey through the rich and varied sounds Sabrina Malheiros has been immersed in since she can remember. For her most up-lifting and danceable album to date, Sabrina has (as always) enlisted her father Alex Malheiros - bassist of samba jazz-funk legends Azymuth - and visionary London based producer Daniel Maunick (aka Dokta Venom), son of Incognito's Bluey.

Sabrina Malheiros' career has often been characterised by her place in the succession of those special Brazilian women who, with unmistakable talent and effortless grace, have encapsulated the magical energy of Brazil with their voices. Elis Regina, Astrud Gilberto, and Joyce all had it, and Sabrina Malheiros has it in spades.'(MOJO) With her debut album Equilibria in 2005, Sabrina arrived on a wave of instant acclaim, carving out her place as the pioneering voice of a new brand of Brazilian soul music, rooted in the traditions of samba and bossa, but with an edge of contemporary electronic sophistication. Sabrina's innovative nu-bossa sound would continue with the 2006 remix album 'Vibrasons' followed by sophomore 'New Morning' - declared the best album of summer 2008'(Evening Standard), before 2011's best-seller Dreaming.

Six years on, Sabrina returns with Clareia. Itmeans to clear, light, brighten or illuminate, which, after seeing Brazil and the rest of the world go through some very difficult times, is exactly what the writing of this album brought to my life.' All tracks are written by either Sabrina, or in collaboration with her father Alex Malheiros and producer Daniel Maunick. Written and recorded in Niteroi, Brazil, overlooking Gunabara Bay and Rio's beaches, mountains and forests, the music basks in its surroundings and sings of ecological beauty, peace and sanctuary. Echoing Sabrina's emphasis on clarity, Alex notes that the album's title represents an appeal to the minds of our civilization today, to clear our thoughts for good and for peace.'

This pursuit of clarity continued into the studio: It took a little longer than usual' notes Sabrina, which was good in way, as all my previous albums were recorded in rush and we usually had a week for pre-production and another week in the studio, which always gave me the feeling that I could do better. With this album it was different... we took our time.'

Sabrina's unmistakable voice has never sounded better. Packed out with high-octane swinging samba-soul, like the title-track and 'Salve O Mar', the album also features some bottom-heavy Brazilian boogie cuts, like rejoicing album opener 'Celebrar' which harks back to some of Marcos Valle's cult '80s disco output, and 'Sol Ceu E Mar' is a Tania Maria-esque future classic of scorching latin-funk. Mellower moments are found in 'Em Paz', on which Sabrina's beguiling harmonies find an anchor in the rhythmic acoustic guitar of Ze Carlos', who Sabrina heralds as being the best guitarist I have ever worked with'. Azymuth's keyboardist Kiko Continentino's deft Rhodes, piano, organ and synth playing, add ever more textures of distinctly Brazilian brilliance throughout, while tropical brass and flute arrangements on cool bossa-jazz movers 'Vai Maria' and 'Sandore', come from Brazilian saxophone legend Leo Gandleman, a man who has worked with everyone from Gal Costa to Gilberto Gil. The rhythm section combines Daniel Maunick's seamless drum programming and the organic polyrhythms of Brazilian percussion legend Jakare, all punctuated by Alex Malheiros' inimitable (occasionally slapped) jazz-funk bass, giving the album its irresistibly danceable pulse.

Set for release at the height of summer this year, Clareia is an intergenerational masterclass of Brazil's soulful spectrum, led by a pioneering voice of today's scene on the very top of her game. The up-lifting compositions, which take inspiration from the stunning natural beauty amongst which the album was made, and the call for the clarity of mind needed to preserve it, are enriched by this special team of some of Brazil's most established musicians. Like the sun breaking through tropical storm-clouds, Clareia is a vessel of joy, as Sabrina puts it simply, I hope Clareia brightens the soul of whoever listens to it. That's the spirit of this album.'

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18,45

Last In: 8 years ago
She Project/ T Tauri - Mainsqueeze Alex Attias Edit / Key Largo (the Gospel) Stephane Attias Edit

Label is very proud to put out the VOLUME 2 with these two Attias versions unreleased before in a 12' format and officially licenced directly from the artists. Already played by a few international djs, we are definitely confident that this new imprint is promising with great quality for music lovers and vinyl collectors.On the A side we have an early UK vocal house tune produced by the She PROJECT outfit and that came out only on an album in 1991. Never released on a 12 inch before 'Mainsqueeze ' edit by Alex is longer than the original and more 'dancefloor' orientated with extended parts and an amazing mastering to feel comfortable to play out and loud. on the B side you will find an incredible instrumental soulful deep house track from 1991 produced by T Tauri New York duo. Extended from the original tapes and mixed with unreleased versions , Stéphane Attias version is a 9min 21 extended dancefloor journey into the deepness of New York early house music sounds . These two great soulful track will definitely find place in any dj box because its really really Good!

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9,20

Last In: 4 years ago
Mattes Schwarz - I Don't Know

Mattes Schwarz

I Don't Know

12inchMAGAZINE017
Magazine
01.09.2017

The first time I heard of Mattes Schwarz, someone called him 'Stecken-Mattes'. Stecken was a defining, if almost secret, Cologne dance music venue of the 2000s and early 2010s, a minuscule basement without curfew and seemingly any other restrictions, where the up to twelve hour long DJ-sets felt like a tightly knit circle of friends just playing records to each other: The selectors from the night before and the one after reliably sitting right in front of the just over one meter long stretch of the bar that formed its booth, never missing out on a chance to see their mates play, heads nodding and hands clapping through the smoke-filled air, until someone started to sing along, and eventually everyone got up for a few hours of moves on the 15 square meter dancefloor, on a grey Wednesday or Saturday morning at 7 or just as well 10 am.
Mattes Schwarz started DJing in 1982 at age twelve, inspired by, as many West-German kids, the GI-DJs of the roller skating rinks around US army bases. While he got heavily involved in Cologne's BMX scene of the 90s, he never really stopped, and during the main years of being known as Stecken-Mattes and playing there each Friday night, he coincidently lived in Magazine record's homebase, North- Eastern Cologne's old harbour.
One day after Stecken's closure had sent restructuring ripples through the city - I imagine him getting up in the morning and taking a deep breath - he decided to send Magazine a few tracks.
'I Don't Know' is Mattes Schwarz' first release.

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9,37

Last In: 3 years ago
Hauschka - Substantial

Hauschka

Substantial

12inchKALK35LP
Karaoke Kalk
25.08.2017

Don't shoot me, I'm only the piano player.

The Scene: The Welsh mountains, remote and harsh, a special place. A good place to produce a special album. The characters: Volker Bertelmann in his friend Adam Fuests' studio, equipped with only a piano and a laptop. The Project: To record a album of piano music. Title: Hauschka.

Piano music is highly personal music, which is the reason why piano solo albums occupy a particular place of importance in a musician's work - not that Volker Bertelmann wants to hype his first foray to that extent, hence the pseudonym. Nevertheless Hauschka is personal music, simply because it has accompanied him for so long, because it has always been there in some shape or form, because it has always been important. The title points to the fact that it is dealing with something of import, not just a few finger exercises or background ivory-tinkling.

Substantial' is a snapshot of a life spent with the black and white keys, and is simultaneously both moment and history, thought and feeling, yet without turning into a unduly meaningful concept album. Rather, Substantial' is based upon the least conceptual of all concepts: Improvisation. Each track is based upon an opening sequence, the theme of which is extended, modulated and varied with, as far as form or length is concerned, no specific objective in mind. What has come out is music of a differing, well, substance: Eleven atmospheric pieces in which a variety of different techniques overlap and rhythmical images with narrative depth unfold, in which further instruments, such as double bass or vibraphone make a fleeting appearance, at once lending a hint of pop, but at no time detracting from the piano as central instrument, in which experimental and electronic music is accessed without compromising the directness and ease of the improvisational approach.

The confluence of Bertelmann's multiple musical personality can be apprehended here: Whilst the pop-oriented musician plays the melody, the electronic producer gently experiments with sounds, leaving the pianist quite literally to manipulate the piano, - plucking the strings with a plectrum, dampening them or bowing them lengthways to achieve a variety of percussive effects. Following the recording, the tracks were adapted, supplemented and finalized. Using multi-tracking, up to four piano tracks were superimposed, electronic sounds from the laptop added, as well Stefan Schneider's bass (Mapstation, To Rococo Rot, Music A.M.) on three tracks.

pre-ordina ora25.08.2017

dovrebbe essere pubblicato su 25.08.2017

17,86
Fp-oner - 7

Fp-Oner

7

2x12inchMULE216
Mule Musiq
25.08.2017

children are laughing and playing in the back, a baby screams happily: handsome field recordings welcome the listener to the final chapter of fred p's fp-oner trilogy for mule musiq.
the opening tune is called smiles, so children's laughter fit the mode. the idea is that smiles and cries are natural for children and as they grow to adulthood the reality becomes more, therefore the duality of life itself is obvious in the mood of the song.
the new york city native that is working on his very own music for almost 20 years explains about the beginning of his new album that features eleven tunes for deep meditative club use and beyond.
it brings the listener house music full of cosmic realities, odd jazzing moments, japanese spoken word pop, synth spheres for ambient use and an overall outer-national atmosphere, that handsomely dances between roughness and subtle tuned in deepness.
i chose to base this project on numbers in order to impart a bit of depth and substance. 5, 6 and 7 have a meaning in both the literal and esoteric sense. we as a species are a combination of matter and energy, so it is a matter of relating the two in harmony.
my experience as an artist expresses this. it's like a testimony to the human condition and how we relate to treat and mistreat one another. this view is the base of a philosophy that is close to me, be-cause art imitates life.
so rather than doing a project that highlights ego posture, my intent is more about what can i give to the listener. as a human being, as an artist, what can i share it's a part of a philosophical tug of war that goes a lot deeper than the expectation of what one might think a dance album or rather an elec-tronic music album should be.
it's food for thought, not candy and a soft drink, but real substance that stays with you.he reveals about the profundity of his trilogy. at large it is a journey inward, compelling, mesmerising and en-chanting.
for the final chapter fred p mostly produced in his studio in berlin on various synths and with a bunch of mysterious samples, all later organized and programmed in ableton. this project has a beginning mid-dle and end. the record 5 was intended to introduce a meditative energy within a rhythmic construct as the number 5 represents the dynamic and unpredictable.
the whole album carries the energy of that ilk. the album 6 is of an earthly and more harmonious dis-cord. i attempt to bring the inner conflict in the form of natural unnaturalness. the raw energy of the search in this project i think is self explanatory, which is the point i believe to show how flawed one can be but express very specific themes honestly.
finally, with 7 my goal is to merge the two into balance, as one focused state of mind as 7 is the thinker beyond understanding or beyond the illusion. this is my hope people take away from this: a feeling of growth, optimism and positive energy. we are dealing with vibrations every person resonates with, so the idea is where do you want to take that
what do you want to do with that as an artist you can do some good or some harm. for me i choose to give the best that i can and i hope that the people that participate get a sense of that.' true words by a kind and gentle soul that loves to speak in music.
they explain much and then leave things in the dark too, as he basically says: let the music play. so listen deeply, open your doors of perception, dance the atomic mess around, stay small, be true and don't forget: fp oner's music is a traveling zone with a universal meaning. it can mean many things to different people. but thus is the purpose of art.

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17,02

Last In: 8 years ago
Rodion & Local Suicide - Abu Dhabi / True Love Floats Ep

My Favorite Robot welcome the collaborative outfit of Rodion & Local Suicide for their next EP, which comes boosted by
remixes from Los Mekanikos, Moscoman and Fairmont, as well as artwork that is made up 3D prints of the act.
Rodion is an Italian classical piano player and acclaimed producer whose albums and EPs for the likes of Gomma, Nein
& Nang have helped to reshape modern disco. Also one half of Alien Alien and boss of the Roccodisco label, he is a real
studio visionary who for ten years has mixed up classical, trance and psychedelic sounds. He makes everything from
chamber music to computer game soundtracks, has remixed Giorgio Moroder and counts the likes of Tim Sweeney, Erol
Alkan and DJ Hell as fans. Berlin-based duo/couple Brax Moody and Vamparela aka Local Suicide have been
collaborating together since 2007, either as a DJ duo, in bands, or as remixers and producers. They have played all over
the world and are in favour with the likes of XLR8R, Thump and Mixmag for their fusions of slow techno, post disco and
acid.
These original analog tracks were recorded between 2014 and 2016 in Rodion s vintage studio in Berlin. They came about
when they all met following one of his gigs just after he moved there, and after being in touch online for a while. During
one of the nights, Rodion brought friend, producer and singer Ali Bey (part of the Belgrade DJ collective Beyond House
and a famous record digger) to contribute.
Impressive opener Abu Dhabi includes samples from field recordings from all over the world. The most prominent is the
recording from an airport in Bangkok where Brax Moody and Vamparela were waiting to catch their plane to Saigon
and it ended up being the main vocal hook. The alluring track is a wonky feeling number with gurgling synth lines and
gentle releases of white noise lulling you into the groove. A searching synth line and distant siren add urgency and the
whole thing feels urban and futuristic.
Comprised of Mexico City producers Max Jones and Eddie Mercury, Los Mekanikos combine raw hypno-rhythm tracks
with pumping grooves that pay homage to Chicago, Detroit and Berlin. Their special remix is another late night and
unhinged number that encourages you to freak out amongst the panning and paranoid synth patterns and robotic grooves.
Then comes the brilliant True Love Floats with Ali Beys singing and Vamparela s vocoded vocals. The interplay between
the two is tense and alien and makes for a perfectly inhuman groove with popping bell sounds, undulating pads and spooky
deep space ambiance.
Remixing this one is Berlin via Tel Aviv artist of the moment and Disco Halal label head Moscoman, whose raw machine
grooves have impressed on labels like ESP Institute, Correspondant and I'm a Cliche. His slow and purposeful version is
deep and psychedelic with disorientating vocals and blistered synths wallowing in a menacing urban landscape. Buy it
digitally and you will also get a fine remix from label regular and Canadian Fairmont. He runs the Beachcoma label, has
worked with cult outlet Border Community over the years and mixes up dark disco and goth into his own fresh sounds. His
remix here is more direct and driven, with powerful drums and well sculpted synths making it another great rework.
This is a unique sounding package featuring plenty of heavyweight names and marks another cultured outing from the
always considered My Favourite Robot label.

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9,79

Last In: 7 years ago
Frak - Sudden Haircut Ep

Frak

Sudden Haircut Ep

12inchDE109
Dark Entries
11.08.2017

REPRESSED !!
Frak are Björn Isgren, Johan Sturesson and Jan Svensson, a trio of synthesizer lovers from Sweden. The band was formed when Svensson and Isgren's older sisters were best friends and they introduced their little brothers to each other. Inspired by Severed Heads, DAF, Human League, Devo, Skinny Puppy, the boys began collecting analog equipment and started Studio Styrka. While the band were still in their early teens they released the first FRAK cassette album in 1987 on their own record label Börft.

Almost 30 years later, FRAK continue to release their bizarre brand of Scandinavian techno with their debut release on Dark Entries. 'Sudden Haircut' was recorded in 2015, a ten-minute brooding, heavy hitting acid attack full of 808 drum claps aimed at the dance floor. The three remaining songs come from a studio tape the band found in their archives named 'FRAK "After The Silence" 2001-2010' 'Synthgök' and 'Synthfrilla' were recorded in 2010 and originally released on the 'Börft' EP by Sex Tag Mania in 2012. Utilizing a 808, 303, 101 and MS-10, both are supreme cuts of electro leaning acid techno that perfectly fit the sweatiest moments of any club land experience. The deliciously rugged final track 'First Glimt I Ögat' is a vintage unreleased Frak song from 2001 recorded one month before the track 'Second Coming' (later released as B1 on 'Börft' EP).

All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. Designer Eloise Leigh has created a playful DIY jacket based on a mysterious black and white photo of the band in their classic tin foil masks. Each copy comes with a black and white postcard featuring a distorted back stage photo of FRAK in their teens. 'Forget all you know about Swedish electronic music, this is Börft crew, the core underground of "söta bror's" techno history - here represented by Frak - a full out techno acid punch.' Juno Records

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12,40

Last In: 5 years ago
Various - Dlsn001

Various

Dlsn001

12inchDLSN001
Delusion
09.08.2017

Vinyl Only

First VA Release from Delusion..Delusion started at the beginning of 2016 in Bremen, with a same-titled event series in different Venues/Spots hosting some national and international guests, Delusion now offers its own musical output. A project which isn't bound to any specific sound, moving between ambient, drone, experimental but mainly techno, Hardware based and analog influenced structures form harsh resonator sounds in context to playful arpeggiators and deep buzzing basses on sweet acid.

Delusion creates unknown atmospheres.

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10,50

Last In: 3 years ago
Ian Tocor - Tempestaire

Ian Tocor

Tempestaire

12inchCRACKI035
Cracki Records
07.08.2017

Ian Tocor is a smiling ambiance man, into ambient ,deep, dub and techno, half of « Outlander Wax Theory » and « Drnchd » bands, he signed his first vinyl on the American label Love What You Feel in 2014. Played by Fred P, this Ep oscillates between a dub House in lace and a deep and colorful deep house. It has been found on the first compilation of Simple Music Experience with a dreamlike journey called "Blue" or on Label Vastechoses, the latest project built with his friends Sevyce and Lostsoundbytes, adventurous music, intrepid grooves and editions of all kinds are on This platform with evocative name.In short, music is for Ian an outlet, deeply anxious to provoke in various forms links between moving bodies, his dj sets are as rough and strong as they are surrounded by sensitivity.

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11,89

Last In: 7 years ago
Various - 4th World

The House Music Institute is the new label by Pete M.. A recognized face on the Madrid underground scene, Pete M. has been making the city dance for the past two decades mixing House with Future Disco and Techno.

His first EP, LOFT 301 - Fourth World' includes two original tracks plus a remix by Jonny Sender.
Pete M. created two original tracks with a late night vibe using a classic groove and 4/4 rhythms combined with 808 analog sounds and beats.

Pete reached out to Jonny Sender for a remix who's recently released a number of original productions and remixes. Sender, bass player in the legendary band KONK, was part of the early '80s downtown scene in New York City as well as being a long time DJ. Jumping off from the original track, Sender brings some jazzy early '80s flavor while keeping the vibe strongly rooted in the present.

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9,20

Last In: 8 years ago
Don Leisure - Shaboo

This is a journey into sound. A series of journeys across the globe, in-fact. This time with Don Leisure from Darkhouse Family. Let us tell you a story. Firstly, we first need to answer a question. Who is Shaboo

It began in Africa. Nasser Barwani was the son of Shabudin. At the age of 15, Nasser (Don's Uncle) left Kenya and hitch-hiked his way to London. Nasser entered the movie business, occasionally finding himself in front of the camera, acting in Bollywood films. It was then that Nasser changed his surname to adopt a screen name - Shaboo.

According to Don, "Shaboo was the most colourful character in my family. I have fond memories of him playing tabla at family parties. When I was about 17, I was on a journey with my Uncle. Whilst Shaboo drove me around, he was playing the steering wheel as if it were a tabla. It was then I nervously asked "do you think, one day, I'd be able to make music too...". Shaboo was so furious he nearly crashed the car, slamming his hand hard against the wheel. He screamed "OF COURSE YOU WILL!! IT IS IN YOUR BLOOOOOD!!!"...

A week later, inspired by the creative energy of my Uncle, I acquired some music software, and began an all new journey. A journey through the beats..."

Long family car journeys were a constant in Don Leisure's life growing up. "We'd take frequent trips from Wales to London to visit family in the late 80s / early 90s. There I'd mainline into my cousin's record collections, and make full use of the signal radiance to the M4, searching the airwaves for pirate radio stations. However, I wasn't the only one to make use of this. Every trip, my parents would routinely tune their dial into Sunrise Radio - the only Asian radio station around back then.

The soundtrack of these road trips were somewhat unique. Whilst I tried to learn the lyrics to 90s hip hop songs taped off my cousins, my Mum would constantly interrupt, interspersing my boom bap with bonkers Indian radio ads. And here we have the premise of this album. An attempt to recreate this sonic mix, with sounds pulled in from dusty crates and breaks dug from all over the globe."

25 instrumental Hip Hop tracks, linked together in a truly unique style and fashion, this is much more than a beat tape. This is a journey into sound. For real.

Dedicated to Nasser 'Shaboo' Bharwani.

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13,24

Last In: 8 years ago
Om Alec Khaoli - Say You Love Me

Say You Love Me wasn't "Om" Alec Khaoli's first solo recording but the 1985 EP solidified the bass player and songwriter's standing as one of South Africa's most consistently innovative pop auteurs. He built a career on ubiquitous rock, pop and soul hits with groundbreaking bands like the Beaters, Harari and Umoja.

But Khaoli's seemingly endless fountain of music continued outside these ensembles, where he usually played bass and contributed songwriting and vocals. Khaoli released several successful solo works while he made records with Umoja and worked on other productions with friends. This creativity was aided by Khaoli's own recording studio. He was the first South African to have a privately-owned studio.

As black artists were forced to record during lunch breaks and didn't get sufficient access and time in the white-owned studios, having his studio allowed Khaoli to develop in his own way. Hence his productive output during the 80's and early 90's, releasing 5 LPs with Umoja and 5 solo LPs, along with numerous singles and EPs. There's something broad and dynamic about the almost epic pop sound Khaoli creates on Say You Love Me.

Being the first South African to take control his recording process and thereby free himself from one of apartheid's many strictures, he took his vision of music to new realms and made timeless music for the dance floor in the process.

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14,92

Last In: 2 years ago
Post Scriptum - Until You Drop

Post Scriptum is the latest artist to join the Sonic Groove Records roster.
Previously releasing on Function's legendary Infrastructure imprint, Post Scriptum changes gears stylistically in a very big way with his latest release entitled Until You Drop. Leaving his previous looped based purist Techno behind, Post Scriptum takes his sound exploration into the much darker cavernous world of Industrial Techno.


Dark As You Like starts off this musical odyssey with a fierce mid tempo, broken beat groove. The rhythm emits the real feel sensation of live played drums with its hard smashing snares and deep booming bass kicks which surely will have you play the air drums! Layered on top of this beast of a rhythm track, Post Scriptum provides the perfect lyricism with a smooth spoken narrative. Very forward thinking sound design curves its way in and out of the dark negative space the rhythm and vocals provide. Without imitation or sounding even remotely retro this evokes the feel of early Nine Inch Nails and Ministry.


Drop Zone is a highly intense workout with it's pulsing staccato bassline and crackling filtered out lead line which builds into a growling beast of riff that will completely consume the listener. You Won't Find Me (Short Mix/Long Mix) takes things further into the post contemporary realm of present day Industrialized Techno with complex, bass heavy drum rhythms, slicing and dicing their way through a darkened acidic atmosphere of time, space and sound.


The joining of Post Scriptum and Sonic Groove Records is the perfect match with this beautifully crafted Techno-Industrial hybrid EP, a banger for the dance floor but also a delicious delicacy for your home turntable or music player.

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10,71

Last In: 8 years ago
Steve Reich & Ensemble Modern & Synergy Vocals - Music For 18 Musicians: Tokyo Opera City, Tokyo, Japan, May 21st, 2008
  • A1: Pulse Sections I-Iv
  • B1: Pulse Sections V-X

A stunning version of Steve Reich's masterpiece of musical minimalism Music for 18 Musicians' (1974-1976) performed live at Tokyo Opera House in 2008 by The Modern Ensemble and Synergy Vocals featuring the composer as guest performer.

In the 1960s, with Terry Riley and Philip Glass, Reich gave pulse back to experimental music, he discovered tape-based techniques of looping and phasing using recordings of fragments of speech, and then molecules of musical material.

(...)When Steve Reich released Music for 18 Musicians (ECM, 1978), it was a consolidation and major leap forward in the pulse-based music that the minimalist progenitor had been exploring on earlier compositions including Four Organs' (1969), a piece that relied on nothing more than a six-note chord, yet was a near flat-out sonic assault. 18 Musicians was an altogether more complex and sophisticated work, with a broader textural palette based largely on tuned percussion—piano, vibraphone, marimba and xylophone—but also working with maracas, voice, strings, and clarinets to create a sweeping, hour-plus long suite that was hypnotic, melodic, and eminently accessible. With the mathematical precision by which its eleven sections and wrapping Pulses' develop, it's a demanding suite to play (...)"

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21,81

Last In: 6 years ago
18 Rays - 18 Rays Ep

18 Rays

18 Rays Ep

12inchATN036
Antinote
14.07.2017

Summer has not officially kicked in yet but Antinote's new addition to its roster will sure soundtrack perfectly its upcoming warm nights: encapsulating the teenage dream of an endless summer, 18 RAYS is the moniker behind which some of the label's most steady fixtures gave a try at recording music together, somewhere straight in the heart of Paris' 18th arrondissement.
.
Nico Motte, Zaltan & Raphaël Top-Secret have been friends way before each of them occasionally played his part in the Parisian label and it is mainly out of this friendship that they conceived 18 RAYS, a vessel to finally give life to the band they dreamed of in their teenage years. It is safe to say that 18 RAYS has been in their mind for quite a while, but it was only last winter, after a couple of bottles of natural wine on a hazy evening, that they decided that it was time to give it a real go and to pick up the instrument each learned years ago: the guitar, the bass and
the drums.

Produced by Nico Motte - the man behind all the artworks of the label - the trio spent 5 weeks between Synth City (Motte's studio) and Red Bull Studio in Paris working on these 4 songs, each sitting somewhere between some sort of timeless and somehow aquatic dream pop and blurred visions of an eerie grunge sound, that probably
never was.

That being said, the genesis of 18 RAYS might explain why their debut EP turns out to be such an intimate affair: while it took its members down memory lane, the listener will embark on an ethereal trip, taking him to a parallel universe in which the sounds of Cocteau Twins,

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10,46

Last In: 7 years ago
Rich La Bonte - Mayan Canals

Rich La Bonte is a musician, writer and editor from upstate New York born in 1946. At age 11 he figured out how to record a piano backwards with his first tape deck and discovered Monk, Mingus and Art Blakey. In 1965 Rich moved to Ithaca, bought an electric guitar and started singing in garage rock band the huns. After the band dissolved, he moved to NYC and played bass and sang in the original cast production of the musical Godspell. In the late 70s La Bonte moved to Hollywood with Shari Famous, released a a few 7' singles as Dada2, and started fLAtDiSk Records, a vinyl subsidiary of Dave Gibson's Moxie Record Company.

Rich released his debut solo album 'Mayan Canals' in 1981. The seven songs were recorded between 1973 and 1980 while living in New York, Pennsylvania and Hollywood. Influenced by everything from Apple Records to Zappa, the album veers from oozy psychedelia to synthesized breezy folk. Vocally Rich sounds like a cross between Tom Verlaine and Lou Reed. Some tracks feature an EMS Synthi A synthesizer, known to generate the sci-fi sounds from Dr. Who. Other songs utilize feedback from a Maestro Fuzztone box into a TEAC 4-track SimulSync tape recorder. Lyrically La Bonte tackles themes of dying celestial bodies, the birth of his daughter, and a critique of Bowie's character in The Man Who Fell To Earth. Included on this reissue are two bonus tracks originally released on the double A side 7' single Chance Circumstance/Drums Along The Maple Wood, a tribute to Irwin Chusid, the eminent WFMU DJ, with vocals by Shari Famous.

All songs have been remastered from original tapes by George Horn at Fantasy Studios in Berkeley. The jacket features a replica of the original jacket with a Mayan figure screen printed using the original rubber stamps from Rich's archives. Each copy includes a 6-page xeroxed booklet with lyrics, never before seen photos, and liner notes by Rich La Bonte.

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15,08

Last In: 8 years ago
Various - Coop Presents: Selectors Assemble

First Word Records are very proud to present a heavyweight EP in collaboration with seminal groove collective, CoOp: 'Selectors Assemble'.

It's been almost two decades since a bunch of music makers, bored of the genre constraints of their time, began toying with time signature and syncopation to birth what is now known as broken beat. Summer 2017, the 'Selectors Assemble' EP is in our laps and we have a fitting reminder and long-overdue renaissance of one of London's most valuable musical movements.

IG Culture and Alex Phountzi were integral to this movement, the focal point being the CoOp club night, which ran predominantly on the famed floors of Plastic People, up until 2007. CoOp remerged late in 2015 as a Boiler Room session, in which the originators linked effortlessly with new school players such as K15 and Alex Nut. The following day, a session was inspired between an assortment of artists, and the seeds were planted for the 'Selectors Assemble'.

Here we have the first offering. The steady-paced roller of 'Gangz' (IG & Seiji), the dutty wine-ready getdown of Henry Wu's 'Substance', the heads-down low-end theory of '2nd Intention', the dominant soundclash call-out of the 'Spartan Riddim', riding out with the garage-flecked jam 'Can't Hold It', also featuring Sonar's Ghost (Domu). Five tracks deeply rooted in groove and as beautifully diverse as Bruk ever was.

Pressed up lovingly onto 140g vinyl, this release is accompanied with a fully-printed insert, featuring an extensive piece on the history of Bruk, written by Andwot (Touching Bass), classic photography by Sarah Ginn, and full-colour artwork by Mitchy Bwoy, a legendary artist to the original scene in his own right. This is an essential artefact for followers of the sound, new and old.

First Word prides itself on its ethos of musical diversity, and we're ecstatic to welcome aboard the CoOp foundation to the stable. A crew of British dance music pioneers, sound-system legends, and now-school heavyweights, this is but a taste of what's to come. Lead by the don IG Culture, the family spirit has quickly formed, the selectors have assembled.

The stage has been set for bruk's second wind. Be ready.

A A1 | Henry Wu - Substance (IG Culture & Alex Phountzi Remix)

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8,78

Last In: 4 years ago
Caliban - Digital Reggae

Outstanding three track EP from the archives of Caliban (A side project of London musician Milton Myrie, a session guitar player who worked with cult UK buddhist afro and reggae band Ozo as well as on the much sought after Steel and Skin 'Afro Punk Reggae' 12'). Talk about bang for ye buck.. 1 side crucial oddball digital cuts, b side sounds like a UK jazz funk classic... Gold Print Sleeve. BIG TIP!
.

Caliban produced only one self-released 7' 'Open Mind / Digital Reggae' in 1984.

Following the re-discovery of this very little known 7' by Caliban a few years back, UK producer Jackson Bailey aka Tapes managed to track Milton down, who as well as being in possession of most of the stock of the original record, was also sat on a number of amazing unreleased recordings from the Caliban sessions. With an album of unreleased Caliban material compiled by Tapes to follow later on Music From Memory, this EP introduces one of the unreleased tracks, the incredible feel good disco anthem Supernatural'. Taking us on a glittering, rhythm charged rocket tour of the Funk Cosmos, this until-now-unheard future classic will surely set the summer nights alight.

The three track 12' also includes Digital Reggae' which featured on the original Caliban 7'. This computerised dancehall/funk hybrid was partially penned to address the lack of black culture included in the payload of the United States' first space station, Digital Reggae will be included in the Payload of Skylab!'. As well as the original mix, the EP also includes a new dub put together by Milton himself and assisted by riddim specialist Tapes!

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13,87

Last In: 8 years ago
Oberst & Buchner - Emile

Oberst & Buchner are next up on Freeride Millenium and the two Bavaria born, Vienna based producers deliver an EP that offers their interpretation of what 'modern summer togetherness sounds like.' The talented pair started making music together aged 15 and aim to cook up emotionally driven jams. They do so on labels like Heimlich, Underyourskin Records, Schönbrunner Perlen, Lokd, and always get the juices going, as they do once again here. Beginning with the brilliant 'Greg' we dive into a breakbeat bath of summery chords as playful claves dance on the horizon. It is a melodically rich track with spiritual feelings that really bliss you out. On the moodier 'Emile' night time arrives and warm chords mix with jangling, organic glass and percussive tinkles that reflect rays of light. It's a perfectly jazzy and loose number that really suspends you in a rueful place. Last but not least, 'Embrace' is a fluid intergalactic convention with sparse drum kicks weighed down by sombre synths. A skittish, dubstep style groove then comes in and elevates the track with gentle guitar licks and slithering synths adding colour, and overall it has the same zoned out feel as a thousand-yard stare. This is a brilliant mood EP that mixes up the synthetic with the organic, creating some fascinating grooves as a result. The release once again features original artwork from the ever talented Daniel Rajcsanyi. Thanks for purchasing a real copy!

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8,19

Last In: 7 years ago
Magnus International - Synths Of Jupiter Ep

A leopard can't change his spots and Magnus International earned his spots in the sequence hue of Oslo's disco scene. 'Disco is the single thread that runs through all electronic dance music.' After an inconsistent hiatus from recording, the Norwegian DJ had donned the producer cap resolutely for his debut LP, Echo to Echo with us last year in 2016 , the an additional much loved album bonus 12. that all, aside his many other projects for us in the last years. now 2017, Magnus´ 'Synths' are on again , like a breath of fresh air and sunlight, these 4 tracks roll on to the world from oslo´s shores... and as his usually best Magnus is very strong on seamingly endless grooving chords and timing, sweet harmonycentric bliss and tight, on the point drum programming that comes with this 'pull factor' wich makes you want to play or listen out loud over and over again. There´s a Chmmr remix as well so things look really good here!

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7,52

Last In: 6 years ago
Mike Dehnert - Providing Home 2x12"

Celebrating the imprint's 10th anniversary, Mike Dehnert returns to his own Fachwerk label with a new full length LP available in 2x12" and digital, following a striking 12" on DJ Koze's Pampa Records at the end of 2016. Across 10 tracks, here Dehnert explores new territory with a restrained and subtle sound while retaining his commanding touch when it comes to creating deep club music. Intro sets the tone of the album, providing an profusion of tidal tones and textures that soak the listener in sound. Before long though, you're listening to the percussive stabs and pensive drums of Between No Words. Here we hear for the first time on the record the subtle but remarkable vocals of Albert Vogt, who returns throughout the LP. Listeners will also be reminded of Dehnert's skill for crafting complex and emotional music with very few elements, which becomes only more evident as this LP opens up. From here Dehnert traverses through dubbed out techno, deep house and downtempo, all with an experimental playfulness and a lightness of touch that only a producer with his talent and raw experience could pull off. The album peaks with the storming Providing Home 2. With swirling, unpredictable arpeggios, hard hitting drums and a sparingly used vocal hook, this is the track that'll ignite ecstasy across dancefloors for years to come. From here, Dehnert quickly cleanses the palette with the beatless Starground, a ringing and pulsing synth piece, pierced by all manner of klangs and bleeps. This perfectly sets up the album's final epic, Laxwax. Another one aimed squarely at the club, but this time it's for darker dancefloors. In stark contrast to its predecessors on the record, this track is insular, hypnotic and raw. Not content to end on such a note, Dehnert provides one last exertion. Outro is bombastic and pounding, with a rave inspired synth line and heavily swung percussion. Topped with cut up and percussive vocals, the track lives up to it's name summing up the LP and adding to it at the same time. This thoughtful record takes elements of modern pop music and extrapolates them with a patience rarely found within the genre itself. Backed by Dehnert's exceptional experience when it comes to producing club music, the result is an album that's simultaneously poppy and experimental, yet fundamentally rooted in techno. It's for that reason that this will surely be such a crossover hit; it has a palette that is broad yet refined, that will undoubtedly reach new ears while appeasing and surprising familiar ones.

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17,61

Last In: 4 years ago
Mor Elian - Cymatic Ring Ep

Mor Elian

Cymatic Ring Ep

12inchFAM01
Fever AM
30.06.2017

Fever AM comes from a Berlin connection between a pair of artists with roots on either side of the Mediterranean Sea and on both sides of the Atlantic. Label founders Mor Elian and Rhyw (one half of Cassegrain) share many musical reference points reaching back to early childhood right up to the present including the deeper, darker reaches of electronic music. The label is the pair s rawest and truest realisation of these influences.

The first EP will be from Elian, a sublime 4 tracker that has matured after a winter in the studio and is now ready for club play - from heating up peak time dance floors to trippier after hours moments. Sprinkling her trademark stripped back sound with electro and breakbeats the release sets out the label s stall to release vibrant, challenging dance floor music.

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7,86

Last In: 7 years ago
Alan Fitzpatrick - Brianys Proper Dun One

Much may have changed over a two-decade period, but Drumcode's commitment to releasing the scene's most cutting-edge and refined techno remains resolute. 2016 saw releases from heavy hitters such as Adam Beyer, Alan Fitzpatrick, Dense & Pika, Sam Paganini and Joseph Capriati, as well as a much coveted Moby remix package. The label pushes forwards again in 2017; bringing fail-safe, club-ready music to the techno community. 2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafterscrowd at Drumcode Halloween.
He returns to Drumcode with 'Brian's Proper Dun One', marking his first appearance on the label since late 2016 when he remixed Moby's seminal 'Porcelain'. The release opens with 'Brian's Proper Dun One', a track which caused a Twitter meltdown on Alan's profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It's a no holds barred, certified main room anthem. 'Wait A Second' feat. mc r1bbz has been a staple of Adam Beyer's sets of late and has been getting a lot of air time on Drumcode Radio.
This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25.
The release closes with 'Trance, Init'; A homage to Alan's days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

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13,87

Last In: 21 months ago
Pete Herbert & Martin Denev - Made In The Shade

It is summer time in Nang land which means the dials are being set to Balearic. Step forward our all-around good chap, friend and producer buddy Pete Herbert. He has teamed up with Bali based musician and keyboard player Martin Denev to deliver an album of the finest Bali-inspired Balearic House. Hot and balmy evenings here we come.

Recorded on the tropical island of Bali, the album swings from Balearic grooves, to sun-filled terrace house, seaside electronic and swimming-pool funk. We open up with "Batu Karang", summery key stabs, lazy drum machine set the album tone hot, low-slung and swimming in positivity. Things take a more electronic turn with "Time" with its twisting synth-lines and locked on sun-drenched groove.

House music royalty Robert Owens swings by the cabana for a very special guest vocal appearance on "Pass Me By" next. His smooth and powerful soulful vocal compliment the pool terrace house grooves and sneaky thumb piano. As ever, Robert does not disappoint. To close off Side A the title track "Made In The Shade" gives us a slice of Nu Disco summer swing with funky strat and more cowbell of course in for good measure.

The flip side of the album opens up with a hands in the air terrace anthem. House pianos, punchy synth hits and beach disco groove all the way. "Sun Fish" takes things again in an electronic direction. Meandering lead synth lines, walking synth bass giving the perfect back drop to this island hopping anthem. Recent single "Night Boat" is next. Darting firefly arpeggios and lush keyboard layers prevail here. We end on a high with the up-tempo Gamalan inspired "Ruby Star" sending us out on a ocean deep wave..

Welcome to Nang Balearic airlines. Your pilots Pete and Martin hope you enjoy your flight.

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15,08

Last In: 5 years ago
Mohawkestra - Heart Full Of Soul

Mohawkestra

Heart Full Of Soul

7"-VinylRR003REED
REED Records
23.06.2017

Following the 2 previous sell out singles on Reed Records Mohawkestra return with a third salvo of the British Invasion flavour Funk! 'Heart Full of Soul b/w West Coast Boogaloo' available on 7' vinyl and download.

Heart Full of Soul was originally recorded by legendary British group The Yardbirds at a point when Jeff Beck joined and introduced Fuzz peddles and Guitar effects to their recordings. Mohawkestra's arrangement is an instrumental burst of heavy Organ and Guitar driven Funk that we've come to expect for their version and again they don't disappoint!

The flip side is a Mohawkestra original titled West Coast Boogaloo which would be right at home in a Jazzy lounge in California in the 60's, perfectly capturing the West Coast Jazz sound filtered through musicians playing in a British basement studio with a 50 year delay.

pre-ordina ora23.06.2017

dovrebbe essere pubblicato su 23.06.2017

7,52
Avion - Dispersion Ep

'Dispersion' is an EP deep in style, talent and wonder. Embellishing the underground kudos of Berlin-based techno DJ and producer AVION, owner of the hotly tipped, and renowned imprint Crossing, Dispersion is an eclectic mix of cerebral, uncompromising and colorful techno. Title track 'Dispersion' is a gleaming display of spacious dancefloor beats; melancholic, yet industrial. 'Real' is clinical, functional techno, emulating some of The Wizard's influential magic. 'Inverse' blends together a contemporary approach to sonic aptitudes, while remaining a strictly dancefloor and body orientated, while 'Enidan' a colorful moment of ambient beauty, plays the EP out.
It is the first release on Marcel Fengler's regarded, techno imprint IMF in 2017. 'Dispersion' is an ambitious, and unique EP, from a true underground -and mysterious - talent. The EP's style embodies the bright, hypnotic and pulsing music that has characterized his releases to date on Crossing. Talking about the release, Fengler states, 'He got my attention after some pretty strong releases on his own imprint Crossing. I felt that this was something I didn't have on my label, but still reflected the idea of IMF.

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9,20

Last In: 7 years ago
Various - Musica Per L'immagine

With FBNM now celebrating their fifth year of operation, Lorenzo has marked the occasion by assembling his biggest project to date - an impeccably curated collection of obscure Italian production music circa 1974 - 1985. The project, nearly a year in the making, has been very close to Lorenzo's heart - beginning unexpectedly in the record fairs of Buenos Aires and leading him on several trips to Rome and Milan, tracking down the original musicians and licensors.

"In this compilation, I have tried to include some of the most interesting cuts I have collected over the years. Tracks like the entirely electronic "Nitrogen" from Alberto Baldan Bembo's "Sound Orchestra" LP on Star Track Records, featuring a wild evolving bassline leading us through frantic rhythmic experimentations. "In the Space", by French born composer Albert Verrecchia and taken from Italian poliziesco drama 'Il Tempo Degli Assasini' (Season for Assasins), tells the tale of wistful longing, played out with serenity on strings and keys, but unexpected interruption from its stop-start arrangement brings an unforeseen tension into the mix... And how could I not include the wonderfully charming "Screw Driver" by Fabio Fabor, from his collaborative album "Superman" with a young Antonio Arena. Featuring an orchestra of beautifully programmed ARP and Oberheim sonorities alongside the Commodore 64 programmed graphical artwork by Antonio Arena himself."

The music itself was partly sourced from Lorenzo's own collection, archived and then restored especially for this release. Where possible, tracks (such as "Vision", "Nitrogen" and "Blue Magnolia") have been lifted directly from the original master tapes kindly lent by the repertoire owners. Every track, however, has been carefully restored, remastered and cut for vinyl by the cautious hands of Andreas (LUPO) Lubich at Calyx Mastering, Berlin.

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19,29

Last In: 3 years ago
Deltawerk - Passages (4x12")

Deltawerk

Passages (4x12")

4x12inchATMV043
ATOMNATION
19.06.2017

4x12 LP, Limited to 150. Deluxe Outersleeve with Punched Out Centerpiece 'Window' and 4 Printed Innersleeves. Deltawerk is the newly Amsterdam based project of Pascal Terstappen aka Applescal and Polynation member Hessel Stuut. Together they are releasing their debut full length LP, entitled 'Passages",
Applescal has to date released on labels including Ghostly International and Traum Schallplatten, while the efforts for his own label Atomnation have seen him welcome music from the likes of Gidge, Weval, David Douglas and Sau Poler, amongst others. Voted at a very respectable #03 for XLR8R's coveted 'Best New Act' in 2015, Hessel Stuut is a member of Polynation and has significant experience not only playing live music, but as a producer, visual artist and designer too. Together, they form Deltawerk, a dynamically electronic duo whom when united create human and lucid music, which feels as much at home in an underground rave as it does in an open-air live performance. While there is a faint echo of artistic collision, the album undoubtedly provides an eerie sense of unity for both Pascal and Hessel's own discography, conserving the warm subculture of
analog and modular instrumentation.

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29,20

Last In: 8 years ago
Phil Mison - Out Of The Blue V.a.

Phil Mison

Out Of The Blue V.a.

2x12inchLENGLP012
LENG RECORDS
12.06.2017

Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Café Del Mar in 1993 - and the remarkable chain of events leading up to it.

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Café Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of Ibiza style chill out' tunes to give to friends.

In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway's club, the Milk Bar and less than three months later, and clearly impressed by what he'd heard on the tapes, Padilla invited Mison to fill in for him at the Café Del Mar, beginning in April '93.

It's that first trip to DJ in Ibiza - a crazy six-weeks spent dividing his time between spinning records at Café Del Mar, hanging out in Jose Padilla's house in the hills, and meeting some particularly eccentric White Isle residents - that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it's not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you'd expect from a selector of Phil Mison's standing, Out Of The Blue is an outstanding collection. Some will no doubt hear the influence of his mentor - the man he credits with effectively turning his DJing career around - in the undulating rhythms and new age melodies of Kamasutra's Sugar Step', the meandering synthesizer solos and Spanish language vocals of Congarilla's sublime Sacred Tree', and the lilting flamenco guitars of Gambarra', an unreleased mix from Mison's popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf's The End', recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project's ridiculously rare Jelly', a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers' Long Train Running'.

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it's happily one that we can all enjoy.

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25,17

Last In: 6 years ago
Martelli Feat. Ava Loon / Gorbani / Just_me / Nahste Oner - Various Connection Vol.1

MAIN MAIN MUSIC is a record label and event management from Slovenia at the moment based in Berlin.
The word main main is from the Malay language, which means to be playful, playfulness .

"Main Main Music" wish to create a harmony in a word of music and outside of it, which is very important for a success and a great vibe as well as excellent being at our parties.

With our story, we want to put all energy and focus in a quality sound and music made with passion, organic elements, analog sound, true feelings, and character. Through our vinyl releases, we would like to present wide styles of deep, minimal, tech house music with already known and young talented producers from the whole world, which works in a creative way and wants to be recognized for their unique sound.

For our first VA CONNECTION Vol.1 release, we have prepared for you various artists feelings from different countries of the world. On this excellent compilation, you can listen to four original tracks which are flowing between deep warm after hour sound, minimal feelings, tech house groove, organic elements with spacey atmospheric pads and dance floor rhythmic.

With our first opening release, we are introducing you our label boss and producer MARTELLI ( Berlin ) with his uplifting, hypnotic, spacey and organic track A1. " Trippin Birds "which contains a beautiful voice of Slovenian singer AVA LOON combined with live-recorded elements of guitar, percussion and sounds of nature. Our next artist on the board well knows producer GORBANI ( Moldavia ) deliver to us dancefloor killer tracks. " Tanzweise " with very clear sound and spiced with old school tb 303 acid groove. The third artist of our selection is label owner of Mumble records / Druzhba records, JUST_me ( Berlin ) who made it for us really nice deep flow track B1. " Sputnik " which is perfect for some after hours sessions when the music takes you away. The last and not the least is Switzerland talented producer NAHSTE ONER with his super groovy dirty track B2. " Wet " which will definitely stretch your body on the dance floor.

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9,03

Last In: 6 months ago
Mat Chiavaroli - No Stranger To Madness LP 2x12"

Following a number of exciting tunes released on the renowned Quintessentials, here comes Mat Chiavaroli's first long-player 'No Stranger To Madness". Warm Fostex tape hisses and MPC swings, the guy from the Pescara hills delivers 10 tracks for both your dancing and listening pleasure. The A- and B-side tracks are drenched in dusty funk samples, gritty chords and syncopated rhythms. In 'Aroma De Mi Vida' Mat chops obscure Rhodes riffs and layering them with more elements, just like in 'Whoja Vu", a heavy-sampled disco juggler very close to his previous Quintessentials releases. On the flip we find some deep chords melting with powerful gospel vocals, giving life to a track that annihilates boring dancefloors. There's a similar vibe in 'Jeep Ridaz' that reminisces about seminal Atavisme classics with broken detuned bits and agitated cut and pastes give a sense of randomness. The second part of this album shows Mat Chiavaroli's deeper side. 'Double Pain' is a tune that progressively brings you to many aspects of what Mat loves: saturated female vocals stick out while gloomy chords gently develop. 'Storia Losca' has a slightly different attitude with a huge synth presence, live percussion and dreamy pianos. The D side opens with 'The Quiet Bobobo", a distorted floor delight and ends with something closer to Mat's early music, disclosing a fresh collaboration with the young studio fellow P.Lok. 'No Stranger To Madness' fits many bills and is an impressive proof of what Mat's musical ability is.

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15,55

Last In: 2 years ago
Johannes Klingebiel - Nightlife Ep

Welcome to Nightlife. Johannes Klingebiel's debut on RSS Disco's Mireia Records. An atmospheric journey. Melancholic, yet euphoria-inducing. Johannes' five tracks cast their shadows into the darkness, mirroring patches of light that can be found if you wander out far enough. It's simultaneously the soundtrack of sweaty dancers losing their sense of time and place and the hopeful feeling of a new day during a drive into the first light in the hazy morning hours. Johannes is a studied drummer. He released music on labels like Mule Musiq, Ancient Future Now and Feines Tier. He's also one half of Alma & Mater and travels constantly with the bands C.A.R. and Vimes. Oh and he's a great DJ as well. He probably never sleeps. That's how he manages to capture the magic of Nightlife. The vinyl comes in a screen printed sleeve with hand stamped labels and is limited to 300 pieces. Vital Sales Points: - Nightlife EP is a very good record - You might know Johannes from earlier great releases on Mule Musiq, Ancient Future Now, Feines Tier - Johannes is a good boy - songs from this EP have been featured on the last four Laut & Luise podcasts (~25 000 plays each) with lots of interest for the tracks - people on ecstasy really like it - Johannes recently put out an edit of 'Born Slippy' which is being played a lot by Dixon, John Talabot, Ame, Axel Boman etc.

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8,87

Last In: 7 years ago
Rumbleton - Pressure // Ultramagnetic

Damon Yates, AKA martianMan, set up 4th Planet Recordings to release music by people which includes some of his more favorite artists. Artist that simply need to have more music released. It involves the same basic idea that he had when starting up the martianMan volumes which is to release original, high quality jungle with a completely underground feel. Not only the bass and drums are important for the vibes but the whole feel of the music is in play. It can be completely futuristic sounding or full of old school vibes though out. However it's served up just know that it is underground.

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10,50

Last In: 8 years ago
Shit Robot / Felix Dickinson - Lose Control/burning Flame (justin Van Der Volgen Remixes)

A new My Rules release from the always on-point Justin Van Der Volgen featuring two previously unreleased remixes that showcase his varied and unique style.
The A-side sees him take both the original and Spencer Parker remixes found on the the 2016 Shit Robot single Lose Control and through editing, blending and layering of FX concocts one serious bomb of a mega mix .
Think classic DJ bootleg remixes on legendary labels like Razormaid, Disconet and Hot Tracks.
The B-side is an altogether different affair where Justin dispenses with all of the original music and only keeps the vocal from Felix Dickinson's 2014 acid jam 'Burning Flame'.
What comes out the other end sounds like Lee Perry and Murk made a tune once they got back from a sleazy NY after hours.
Early plays and support from Gerd Janson, John Talabot, Tim Sweeney.

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10,88

Last In: 4 years ago
Jlin - Black Origami

Jlin

Black Origami

2x12inchZIQ376
Planet Mu Records
24.05.2017

Planet Mu are very excited to announce Jlin's long awaited second album Black Origami'. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music. Black Origami' is driven by a deep creative thirst which she describes as this driving feeling that I wanted to do something different, something that challenged me to my core. Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound. I chose to title the album "Black Origami" because like "Dark Energy" I still create from the beauty of darkness and blackness. The willingness to go into the hardest places within myself to create for me means that I can touch the Infinity.' Spirituality and movement are both at the core of Black Origami', inspired largely by her ongoing collaborations with Indian dancer/movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival - 'There is a fine line between me entertaining a person and my spirituality. Avril, who collaborates with me by means of dance, feels the exact same way. Movement played a great role in Black Origami. The track "Carbon 7" is very inspired by the way Avril moves and dances. Our rhythms are so in sync at times it kind of scares us. When there is something I can't quite figure out when it comes to my production, it's like she senses it. Her response to me is always "You'll figure it out". Once I figure it out it's like time and space no longer exist.' Similar time shifting/folding/disrupting effects can be heard throughout the record - especially on Holy Child' an unlikely collaboration with minimalist legend William Basinski. She also collaborates again with Holly Herndon on 1%', while Halcyon Veil producer Fawkes' voice is on Calcination and Cape Town rapper Dope Saint Jude provides vocals for Never Created, Never Destroyed . Jlin will be touring extensively this year and is currently lining up appearances including Sonar festival. Later this year she will be collaborating in London with acclaimed UK choreographer Wayne McGregor who played her music recently on Radio 4's Desert Island Discs and described her music as quite rare and so exciting".

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20,97

Last In: 4 years ago
Shankar Jaikishan - Raga Jazz Style

Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity, a collectors' holy grail. Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent.Closely contemporary with the UK-based explorations of Amancio D'Silva, John Mayer and Joe Harriott, Raga Jazz Style takes the melodic, scale-based raga system of Indian classical music and marries it with a swinging jazz rhythm section assembled by Bollywood's most highly acclaimed musical directors, the soundtrack composing duo Shankar Singh and Jaikishan Panchal.Singh and Panchal were a dominant force in Hindi film music from the late 1940s onwards. Shankar had been trained in classical tabla, while Jaikishan was an expert harmonium player. They worked together on well over a hundred films, and their innovative compositions and orchestral scoring revolutionised the music of the nascent Bollywood industry. Central to their sound was regular collaborator Sebastian D'Souza. From 1952 onwards, D'Souza would work on every Shankar Jaikishan soundtrack, eventually becoming Bollywood's most coveted musical arranger.
Originally from Goa, D'Souza had cut his teeth in the dance-band era, arranging and playing with his uncle's jazz bands in Lahore and Quetta. After Partition, he had moved to Bombay to follow the reliable work provided by the film industry, where Goan musicians had become the mainstay of Bollywood's film studio orchestras. Goans were also the core of Bombay's thriving dance-hall and hotel-based jazz scene, with artists including saxophonist Braz Gonsalves, guitarist Amancio D'Silva and trumpeter Chic Chocolate all working in the city during the post-war years.
The team assembled for Raga Jazz Style were drawn from this inventive and forward-thinking milieu. Pianist Lucilla Pacheco, saxophonist Manohari Singh and guitarist Anibal Castro were all fixtures on the Bombay jazz circuit, while drummer Leslie Godinho is reputed to have taught Joe Morello the 5/4 'Take Five' beat when they jammed together during Dave Brubeck's State Department tour of India. To this jazz backbone was added the sitar of Ustad Rais Khan, scion of long line of classical instrumentalists, and nephew of the renowned sitarist Ustad Vilayat Khan. Bombay's jazz modernists had been experimenting with the fusion of ragas and jazz since the 1950s, long before American or British jazz musicians had tuned in to Indian classical music. But very little of this exciting scene was ever captured on record. Raga Jazz Style offers a rare chance to hear the innovative sounds of the Indian jazz scene, as peerless composers Shankar Jaikishan and arranging supremo D'Souza join with veteran Bombay jazzers to explore classical themes in a jazz setting — eleven ragas to a swinging beat!This is a highly impressive inaugural salvo by Outernational Sounds, using original masters and beautifully rendered facsimile artwork, with 180g vinyl pressed at Pallas, in Germany.

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23,49

Last In: 8 years ago
Various - Lifesaver Compilation 3

Some try it with mouth-to-mouth insufflation and cardiac massage. Others with
psychopharmaceuticals or group therapy. Still others with divorce. By going cold turkey. With a new profile pic and a matching hairstyle. Seen it all at Robert Johnson, already endorsed everything - at least as long as it helps: as a lifesaving measure.
But since the year dot, the Offenbach-based club with its affiliated label recommends to all which are undecided or have doubts particularly one thing: Music. And dance.
Every two years, when life newly blossoms during spring, Live At Robert Johnson opens its windows widely, lets new music out and fresh air into the house. The beguiling scent of nature and aviation fuel blends with the scent of sweat and dry ice fog - and causes sundry healing confusion. As soon as the first tone of the Lifesaver Compilation 3 is heard, the swelling grunt of Vincent Feit's 'X04', the scenery of the dancefloor right at the Main river appears before one's eyes.
On Saint Monday Iconoclasts rebel against the age of self-optimization. A crack goes through the parquet of the dance floor (or the dancing party itself). The post-unambiguities era is beginning. The images become blurred. Bass case. Alternative facts. Resonance hole. No reception. And then it's only the queue answering the club emergency hotline. Finally there is a buzz on the line. 'Just drop the images!', it says.

'It's all not that tragic.' This helps.
The Lifesaver 3 Compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a Hague bunker (Lauer), provides data pop with piano crescendo (Fort Romeau), brings the style characteristics of German Schlager music to the breakdance mat (Rolande Garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (Benedikt Frey). There are several new names to discover: Felix Strahd, Benjamin Milz, Vincent Feit; and of course there a many old acquaintances: Massimiliano Pagliara, Orson Wells, TCB, Chinaski. Roman Flügel brings us 'Good News', however: 'From Another Planet.' And Fort Romeau feels 'Lost, Again', but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.
Again and again there are mysterious chants. It's not required to decipher the specific words in order to get the message: Salvation is near. Salvation is here:









[)] e1 | Roman Fügel - Chang

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22,90

Last In: 5 years ago
Various - Rogue Style Ep

Various

Rogue Style Ep

12inchDICA004
Defrostatica
18.05.2017

* Includes a DIN A2long poster inside the 12" sleeve with edition number and music download code

* Rogue Style 1 EP is an international homage to b-boy culture, where the worlds of breakbeat music and breakdance collide. Sinistarr (USA), Kiat (Singapore), Kabuki (Germany) and HomeSick (Canada) are connected in many ways, now they lay bare their hip-hop roots and give something back with a fresh take through the eyes of drum & bass and juke/footwork. Here is what they have to say:

Sinistarr: "As a teenager I grew up as a b-boy, dancing anywhere I could: schools, parks, festivals, you name it, my crew was there with cardboard and a speaker. I eventually got deeper into DJing and making music and learned to bring a sound that's not just for the crowds and the purists, but also for all the dancers!"

Kiat: "Hip Hop has taught me to keep evolving, to explore new forms in all my art. Progression is the key to evolution. -- I met Sinistarr online thru myspace and we had a musical connection which led to our first collaboration 'Black Diamonds' which is still one of my personal favourite tunes I've been fortunate to be part of it's creation. With Kabuki, i've always been a fan of his work since his 'Makai' alias on No U-Turn, despite meeting him only recently thru the label.I've always known him to be constantly progressing his ideas in his music which I respect alot."

Kabuki: "B-boy culture has always been a strong influence on how I pursued my art, mainly because of its DIY ethos and attitude of perfecting your craft. Incidentally these were also the aspects that drew me to Jungle when I first discovered it in the nineties. -- I'm happy to rub shoulders with Kiat, Sinistarr and HomeSick on this release, as I'm a fan of their music foremost, but also because we became friends through the music."

HomeSick: "I was only a child in the 90s and as a result I feel like my understanding of b-boy culture was experienced second hand thanks to 90s/early 2000s hip hop music. I appreciate the parallels I can see with footwork culture, particularly the similarities to the community mentality of break dancing. -- I know Sinistarr through booking him for our local party night in Alberta, Canada called Percolate. Our city must have left an impression on him because a year later he made the move here from Detroit. Had the pleasure of hosting him as a room mate for a little over half a year, the home was a very potent creative space during this time. Kabuki hit me up a few years ago and we very quickly got to sharing tracks and collaborating together. Mans a master of production and a super important part of the global scene."

The idea for a reminiscence of b-boy culture stem from label owner Booga:

"Why am I interested in this so much I grew up in East Germany and as the movie "Beat Street" premiered in 1985 over here I was age 13 and blown away by the energy, the music, the wit, the style - everything in this movie was better than everyday life in Leipzig. So I started saving for a cassette recorder and taped music shows from West German radio and prepared tapes for school disco gigs to the hope somebody would do the "robot" to Arthur Baker "Breaker's Revenge". Unfortunately that never worked out hahaha. But I was hooked since then and as the wall came down in 1989 I travelled to West Berlin just to buy the Beats, Breaks and Scratches 1-4 vinyl box by Simon Harris. The fascination for breakbeats never stopped and before I discovered Jungle around '94 I was down with the British cut up house thing from the likes of Marrs, Krush and Coldcut as another form of breakbeat music. The "do it yourself" spirit from hip hop culture inspired me to start a local website called breaks.org in 2000 to locally promote the drum and bass scene with emerging producers, djs and mcs for a wider audience and I threw in some interviews with Storm, Kabuki, Rob Playford, Klute and John B. That turnt into a multi author blog called itsyours.info in 2004 which still exists - that is where I had the pleasure to introduce Kiat and Ash in 2007. All these years I was listening and playing drum and bass tunes when the occasional "bboy tune" came up, some were obvious like Alex Reece "B-Boy Flavour", Lemon D "B Boyz", Commix "Change" and some were not so much self-explanatory like Digital & Spirits "Phantom Force" and the remixes by T-Power & Codeine or Fracture's Astrophonica Edit - but I felt the hidden force of breakdancing nevertheless. With the Rogue Style series I have the first class opportunity to ask established and new Defrostatica artists to present a current interpretation of b-boy culture. This is a dream coming true."

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9,71

Last In: 8 years ago
White Sea - Tropical Odds

Tropical Odds is the second album by White Sea, the solo alias adopted by gifted American singer, songwriter and producer Morgan Kibby of M83
Born in Alaska, and now a resident of Los Angeles, Morgan fronted The Romanovs before joining acclaimed electronic music group M83 in 2007, co-writing, arranging and playing keyboards on the albums Saturdays = Youth and Hurry Up, We're Dreaming, as well as completing several world tours.
As White Sea, her first solo album In Cold Blood arrived in 2014, a dramatic debut praised by Billboard for its 'canyon-sized hooks, knowingly grandiose melodies and succulent vocals' and judged 'pop's newest break-up classic' by Flavourwire.  
Outside of M83 Morgan has also collaborated with artists such as Greg Kurstin, Panic! at the Disco, Mark Ronson and School of Seven Bells, remixed Ellie Goulding and Britney Spears, and composed the award winning soundtrack to Eva Husson's provocative 2016 movie Bang Gang (une histoire d'amour moderne).
New album Tropical Odds stems from an interactive project launched via White Sea's website featuring digital singles and videos released at regular intervals throughout 2015 and 2016. Explains Morgan: 'Generally being able to create and mix and master my solo material within days has given me the direct freedom to share songs I want people to hear. In short, if I write something that I like, I put it out!'
Now gathered together in album form, the musical moods on Tropical Odds range from the sombre reflections of Gangster No. 1 and Yesterday to the hedonistic rush of Stay Young, Get Stoned and Never a Woman, high drama on Bloodline and Arcadia, and heartbreaking balladry on Secret, One Bad Eye and Lessons.

pre-ordina ora12.05.2017

dovrebbe essere pubblicato su 12.05.2017

15,84
Tim Engelhardt - Moments Of Truth

Cologne's electronic music community keeps on giving, drawing on a dense plethora of fresh talent ready to shake up our little big grassroots industry. The latest ace up the city's sleeve must be Tim Engelhardt, part of a new breed of incredibly versatile young producers that get their cues from all sorts of genres and listening situations, combining profound musical knowledge with intuitive playfulness and multiple perspectives on sound. In Tim's case, we're dealing with a solid pianist background - which becomes rather obvious in the great care he takes over harmonies and an expanded melodic structure. However, that's just one side of the story, as the organic fluidity and atmospheric dexterity of his music most certainly hark back to an upbringing among the rolling hills and sprawling forests of Germany's Westerwald - one of the country's best known mountain ranges that has already inspired artists such as Dominik Eulberg or Gabriel Ananda. Having released your first recordings at the tender age of 14 - as Tim did in 2012 - might put you in a 'wunderkind' category - a flattering, but ultimately risky proposition, finding many a prodigy overwhelmed with the dubious honour. Not so much our hero, who chose to put his skills to work: in only four years, he grew his portfolio with plenty outings on labels such as Traum Schallplatten, WIR, Babiczstyle, Amuse Gueule, Ostwind Records, Popart Music, Playmusic Productions, Parquet Recordings, Manual Music and more - but his breakthrough release was hands-down the 2015 EP 'Everything Is All You Have' on Steve Bug's iconic Poker Flat imprint, followed by 'Enigmatism' on the same label.

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13,82

Last In: 7 months ago
Liz Akhu - Ankhor

Liz Akhu

Ankhor

2x12inchSK340LP / 143731
Sonar Kollektiv
04.05.2017

t's the utmost honor for Sonar Kollektiv to be in the position to introduce 'Ankhor', the brand new album by Liz Aku. Having recorded all sorts of music with different outfits as well as solo projects over the last fifteen years the Belgian soul singer and highly gifted songwriter definitely earned her stripes and is anything but a newcomer to this game. She seems to have found her own, distinctive voice, after traveling to New Zealand and a far-reaching encounter with Mara TK from Electric Wire Hustle. With 'Ankhor' (a combination of the Egyptian symbol for eternal life 'Ankh' and 'anchor') Aku accomplished a masterpiece of Nu Soul, Jazz and Pop, which will make her join the upper league of the players on the scene. For this cause, several allies and efriended producers have helped her out. With Mara TK leading the way obviously, who co-produced three out of the album's twelve songs. On 'Breathing Underwater' and the sublime, for the whole album groove defining opening song 'The Drum Major Instinct' the native New Zealander duets with Aku

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23,07

Last In: 6 years ago
Scarlett's Fall - Scarlett's Fall

The Band > SCARLETT'S FALL is a duo formed in 2014 by Ruth Childs (British-American performance artist and singer based in Geneva) and Stephane Vecchione (Swiss performance artist and musician based in Lausanne). They define themselves as dirty-girlie-kitchen-pop mixing catchy melodies and repetitive looping with fragile vocals and provocative texts. Out of their playfully ironic and poetic universe you can ear shades of CAN, Broadcast and Young Marble Giants. SCARLETT'S FALL toured their first album all over Switzerland and supported Tricky, Peaches and Anika.SCARLETT'S SCARED' is SCARLETT'S FALL ironically seductive second album. It all started with an (blue) demonstration vinyl entitled 'The Incredible Sounds of the Synclavier II' released by New England Digital Corp in 1981 to promote the first digital sampling system. Its content gave the basic atmosphere for the whole album: each of the 10 tracks samples a specific Synclavier sound. Add haunting melodies, mysterious vocals and fun beats and you get 'SCARLETT'S SCARED' complete. As the title suggests 'SCARLETT'S SCARED' is about being scared and takes its roots from vintage movies such as Klute (1971) and Metti Una Sera a Cena (1969) that deals with phone stalkers, insomnia, sexual tension, vampires, ghosts and explosive watermelon attack!

pre-ordina ora02.05.2017

dovrebbe essere pubblicato su 02.05.2017

17,44
Kito Jempere - Sea Monster

Acclaimed Russian producer, DJ and live musician Kito Jempere is back with a stunning second album, this time on Italian label Hell Yeah. Entitled Sea Monster and due for release in early 2017, the nine track album is a fantastic fusion of live instrumentation and electronic production.

Kito Jempere is a musical polymath. The Russian artist, producer, multi-instrumentalist and band leader has been involved in many projects over the last ten years plus. These range from rock to acid jazz to electronic bands and often call upon a rotating cast of other members who are all equally talented.

From playing in small bars to headlining big shows for thousands of people in Saint Petersburg, he has put out a number of albums and singles on labels like Freerange, Room With A View and Hell Yeah and DJs around Europe.

Jempere plays live as the Kito Jempere Band, and here he calls upon his bandmates for their many skills to lend the album a richly musical feel.

Mixed and co-produced by band member Roman Urazov, the album features Artemiy Gunbin aka Noteless, the voice of the Kito Jempere Band and front man of his own rock band Videatape, as well as Ruslan Gadzhimuradov, a long time drummer on many projects, plus Matvey Averin, the bassist but also co-producer for cult group Manizha and finally Sergey Lipsky who here plays guitar and is also half of Simple Symmetry as well as having played for Kito's other project Saint Petersburg Disco Spin Club group.

Sea Monster kicks off with Lifetime Theme, a heavenly groove with loose drums and percussion and gorgeous keys. Form there, Artemiy Gunbin's ethereal and crystal clear vocals take centre stage amongst balearic guitars on album single 'Ampa', and then 'To Talk' is a deeper cut with bumpy drums, long tailed pads and shiny synths all making for a curious and whimsical atmosphere.

'Grid Cells' is a lush instrumental track with clever revel and echo adding a sense of grandeur to the freeform jazz drums and frazzled synths, 'Uohha' is as sunny and laid back as an afternoon on the beach and 'Puzzled' then layers up scuzzy basslines, popping hits and suspenseful synths into something smooth and seductive.

The final third of the album closes out with blissful guitar licks, lazy broken beats and brilliant drum playing that all have you wishing it was summer again.

This is an album with elements of jazz, house, disco, balearic and many more sounds all smoothly blended into one coherent and captivating album full of soul and musical skill.

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19,29

Last In: 8 years ago
Gary Holldman - My Trips

Side A: Indochina, people, nature, instruments - this is "My Trips". It's a story about far places and smiley people.
The other 3 positions on the release are booked for "Musical Gili" - Hindu temples and incenses which let us to zone out.
The second track on the side A is an atmospheric remix from Jacek Sienkiewicz's hands, the owner of Recognition and one of the oldest Cocoon Recordings players.
On the Side B we find "Musical Gili" in original version and Michael Wolski's remix with a strong technical accent at the end. Wolski is our man from International Day Off and TECHNOSOUL

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8,87

Last In: 7 years ago
Fabrice Lig - Border 2 Border E.p.

the label say: What is soul really The answer to that is a various as the music that claims it. We here at WPH HQ do not know the answer either, but we do know an exceptional piece of music when we hear it. Enter Fabrice Lig, Belgian techno legend with his roots in our little country and his ears definitely in that place called Detroit.
Respected by his techno peers and his Detroit inspirations alike, Fabrice's music is always full of funk and emotion. These two qualities are very much in demand in WPH circles, so it was only a matter of time before Fabrice joined the family.
On 'Border 2 Border' Fabrice brings us two tracks, the title track funkin' and swingin' like nothing else and with a big dose of Motor City chords, making for a true mental dancefloor anthem. Word has it that label boss Red D wrote lyrics on the spot when he heard this one out loud...so who knows what's coming in the near future... On the flip side 'Ocean Rising' goes for arpegiatted bliss and a bass line to rumble you out of your bras or pants. Welcome to WPH Mr Lig!

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7,44

Last In: 12 months ago
Verdo - Little Blue Ep

After sending out these tracks last summer and getting great reactions from DJs and dancers alike, Hell Yeah is pleased to finally officially release virtuoso musician Verdo's Little Blue EP, complete with a remix from Lauer. Fully remastered for vinyl, the likes of Lexx, Chris Coco, Soft Rocks, Leo Mas and many more have all be playing these tunes with great results.

The talented Verdo runs the famous Gratis Club in Senigallia on the Italian east coast. It is a place he calls home, and that has really allowed him to hone and sharpen his DJ skills so that now he is a slick, unpredictable and singular DJ with many tricks up his sleeve. Bjorn Torske, DJ Fettburger, Prins Thomas, Kenji Takimi, Glenn Underground and more have all played there in the last decade and Verdo himself is a skilled pianist who has played for Zero7 singer Mozez in the past. He has worked with Hell Yeah before now, as well as releasing on Danny Was A Drag King, and here serves up his biggest bit of dance floor dynamite to date, including his previously digital only cut 'Big Fish' (mixed by DJ Rocca).

Opener 'Little Blue' is a perfectly sunny track with hip swinging claps, bobbling bass and boat party vibes that soothe your soul. Rich with instrumentals and golden synth lines, it's a perfect beat that gets followed up by the retro disco pump of 'Sazerac', another tropical cut with loose drums and rubbery bass to get you up on your toes.

The massive 'Big Fish' then hits hard with its tin pot percussion and wild synths all making you flail your arms like you just don't care. Jumbled jungle vibes and big chords all swell your heart as your feet skip about down low.

Closing out the package is Phillip Lauer (Tuff City Kids), one of the most in demand stars of the day, and his version is a direct house jam with percolating and rugged synths and slapping hits, all demanding you ditch your cocktail and get up and groove.

"all good stuff here! OG for early / mornings and Lauer for peak. really nice release! " Piers - Soft Rocks

"Big fan of Verdo! great tunes here as expected. Sezarac fav at first listen." - Dream Chimney

"Little blue is super nice!!" - Phil South (Golf Channel)

"Yes, some great stuff here. Sezerac and the Lauer mix are really great, perfect sunshine session material." - Chris Coco

"I love Big Fish's keyboards! strong!!! Arigato!!!" - Chida

"Little Blue and Big Fish are fun for sure, def will play em on a rooftop sooooon" - Jacques Renault

"Yeah, feeling Little Blue, heavy rotation this Summer! " - Jason Boardman (Aficionado)

"Little Blue, i like." - Lexx

"This is tremendous. Driving peak time track that you can imagine Joe Claussell really working the dancefloor with." - Andrew Pirie

"killer ep guys!!!" - Discodromo

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13,66

Last In: 8 years ago
30drop - The Time Of Cruel Miracles LP 3x12"

3x12"

I did not know what achievements, what mockery, even what tortures awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past .
Stanislaw Lem (Solaris, 1961).

This paragraph from Solaris, the novel written in 1961 by Stanislav Lem, is the starting point for the concept this 30drop album has been built upon. Science fiction masters like Lem are one of the greatest influences for the artist, who devised this album after the mental challenges that humans should overcome in a future: encounter with beings from other civilizations: capable of interacting with us in a totally unthinkable way so far.

Away from what many a sci-fi blockbuster depicts, this work revolves around the idea that such meeting with alien species will be eminently a mental experience that will shock not only our cultural values but also our very own perceptions about what space/time/reality is a mindbending experience where everything we knew before dissolves around us and propels us to uncharted grounds. Terra incognita so far.

Bypassing the random track collection syndrome that plagues many of today s so-called techno albums this LP was conceived and devised from it s very beginning as a full, complete work in itself, best enjoyed in it s totality. A story-telling journey (very much in the tradition of seminal / genre-defining albums as UR s X-102) were tracks lead you to one another. Tracks can be enjoyed on their own, being all suited for dancefloor and dj-sets alike, but take a complete different meaning when put in the right context within the album.

Musically this long-player combines stripped-down rhythms, sweeping pads and hypnotical bleeping sequences woven together in an intrincate but subtle way, a fashion that harks back to the classic minimalist yet complex mid-90 s sound of Hood, Mills and T.Dixon sounds appealing both the mind and the feet.

Classic and futuristic at the same time, this is a compelling journey that opens with the eerie atmospheres of Our Understanding before really taking off with the cadential NGC1277. The hypnotic Captured Rotation sets the pace for the rest of album which oscillates between the exhilarating cosmic groove of Beyond Language and the contemplative stasis of The Mirror. Other highlights include the entrancing Goldene Spirale or the furiously busy Approaching Light.

The whole package is further rounded up by a set of remixes which showcase the different directions taken by techno producers this days: from Substance s solid Berlin-style to Architectural s spaced-out visions via Rivet s hard-hitting club bangers and Zero Mass abrassive experiments.

Text by: Dj Zero.

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16,77

Last In: 5 years ago
Various - The Adamant Sessions

THE ADAMANT SESSION - 'Various Artists' (Muzik & Friendz Records)
Showcasing the ethos of the imprint by bringing together a collective of friends for the next musical instalment, Belgian label Muzik & Friendz present a four track Various Artist EP of deep, classy productions that will appeal to crate diggers, selectors and collectors alike.
Tune On 'Rice City' kicks off the EP with a moody, atmospheric and haunting cut that blends growling bass and lush pads over dreamy arpeggios creating warm up material heaven. Jazzawesz & Pat Lezizmo 'Playing Games' the second track on side-A warms things up with a groove laden track tinged with deepness and a funk that will fit into any set where quality is the key, sweet keys and clever percussion throughout make this stand out. Tominori Hosoya 'Pray To Father' leads on side-B with a lead line and vocal awash with ethereal reverb over tough driving drums and classy percussion perfect for bringing some vibes from up above. Finally Melodymann 'Let him be heard' closes of the EP packing in a sweet piano hook, disco looped samples and bouncing bass overswinging drums.
Designed with the music collector in mind the limited vinyl release will be available packaged in hand made sleeves made from recycled materials.

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9,87

Last In: 4 years ago
Pixelife - Chimeras In The Matrix 12"

Newly launced Samo Records is setting out to explore the depths of the dancefloor by celebrating the darker, moodier facets of electronic music.The NYC label's first release comes from Pixelife (Sean Dack), a highly accomplished visual artist and veteran of NYC's underground. In addition to releasing on such respected labels as Throne of Blood, Horn Wax, and Let's Play House, he also makes up half of GHOST COP, a band known for its textured synths, iconic vocals, dissonant beats, and captivating live sets. Incorporating the same expert sonic-layering techniques he employs in his live analog sets, he's created a dynamic EP that's both intimate in feel and broad in scope.'Omega Block' stomps out of the gate, all driving rhythms and throbbing basslines with an underlying element of frenetic foreboding — aptly reflecting these geopolitically tense times, while still remaining suitable for losing yourself on the dancefloor. The track gets the remix treatment by Bristol, U.K.-born, Berlin-based Antoni Maiovvi, a self-described 'electrodisco horror mindmelt DJ/live performer/film composer' who heads up Giallo Disco Records with Vercetti Technicolor. Here, he trades his trademark horror elements for successions of staccato beats and a stripped-down sensibility that successfully translates to perfect late-night-at-a-warehouse vibes.Chimeras in the Matrix' soars with gorgeous dystopian melodies overlaying squelchy undertones, revealing labyrinthine layers and anxious crescendos before building to a full-on acid frenzy. Producer/remixer/DJ Tronik Youth (who, like Maiovvi, also hails from the U.K. and currently lives in Berlin) is co-head of the prolific (averaging nearly a release a week in 2016) NEIN Records, which he founded five years ago with Ian Considine; the label has released music from the likes of Rodion, Curses, In Flagranti, Heretic, Man Power, Daniele Baldelli, The Emperor Machine, and Moscoman, to name but a few. He is also a member of Permanent Wave, a spooky, pitched-down, dark-wave-inspired disco project with French singer Justine. He brings a chuggy, bleepy edge to his take on 'Chimeras in the Matrix' with bouncy rhythms, multiple breakdowns, and echoing robo-vocals, taking the original's intensity down while upping the dancefloor quotient.

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11,05

Last In: 4 years ago
Tall Black Guy - Let's Take A Trip

'This is a journey into sound...,' These familiar words, accompanied by the rumble of a distant train, signal the opening of 'Let's Take A Trip', the sophomore album from Terrel Wallace aka Tall Black Guy. Since 2013's '8 Miles To Moenart' TBG has cemented his position as a standard bearer for the current hip-hop / beats scene. Born in Detroit and now residing in the UK, Wallace's signature style of incredibly clever sample flips and deft production chops has won fans across the globe including Gilles Peterson, Lefto, Jazzy Jeff and House Shoes.

Since his debut release in 2011 (a daring and addictive flip of Fela Kuti), TBG has become revered for his unique take on soulful hip-hop production. The swing of the drums, the textures of the instrumentation as well as a fearlessness in taking on the classics (his Soundcloud page includes flips and chops of tracks from James Brown, De La Soul and Michael Jackson) have marked him out from the crowd. One of the best-kept secrets in the scene, his singular talent is now beginning to get the recognition it deserves. In the last 12 months he has remixed Little Dragon and been invited to take part in Jazzy Jeff's Playlist Retreat alongside the likes of Eric Lau, James Poyser, Ali Shaheed Muhammed, Questlove and countless others.

For this album Wallace had a simple inspiration: 'This album is all about taking a journey. As simple as that. Be it physical, emotional or spiritual. It's asking and answering personal questions from myself within some of the tracks and also touching on social issues i.e. racism, inequality and privilege...that have been at the forefront of my mind over last three years.' Sonically there is also a shift: 'Jazz has definitely been more of an influence in this project, as I have been really inspired by so many up and coming musicians who I've been blessed to connect with'. Some of these musicians, including Kenny Keys, Miles Bonny, Diggs Duke and Dee Jackson feature on the project as well as regular collaborators Ozay Moore and Mario Sweet and fellow Playlist alumni Daniel Crawford and Masego. But this is one man's vision, and for Tall Black Guy this trip is just the beginning...,.

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19,87

Last In: 4 years ago
Xiu Xiu - Forget

Xiu Xiu

Forget

12inchUTR091LP
Upset the Rhythm
13.03.2017

The album was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo.

It features guest appearances by fabled minimalist composer Charlemagne Palestine, L.A. Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis.

FORGET was recorded during a period of epic productivity for Xiu Xiu. While writing FORGET, they released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, composed music for art installations by Danh Vo, recorded an album with Merzbow and scored an experimental reworking of the Mozart opera, The Magic Flute. All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works.

Standout track, Wondering' is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of FORGET, it still bears an underlying tension that manifests differently in each piece. From the haunted guitar duet of "Petite", the hilariously fraught lyrics of "Get Up," the advanced industrial boxing match of "Jenny GoGo," or the experimental goth explosion of "Faith, Torn Apart", all the songs, in their own ways, build to a roiling boil of a fate in vanishing.

The calligraphy on the cover translates literally to "we forget." It bows to the universality of everything and everyone's inevitable decline and foggy disappearance. Regarding the album title, Xiu Xiu singer Jamie Stewart said, To forget uncontrollably embraces the duality of human frailty. It is a rebirth in blanked out renewal but it also drowns and mutilates our attempt to hold on to what is dear.' FORGET is both the palliative fade out of a traumatic's past but also the trampling pain of a beautiful one's decay.

Xiu Xiu is Shayna Dunkelman, Angela Seo and Jamie "Butch Jenny" Stewart.

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16,35

Last In: 9 years ago
Ron Bacardi - Ron Bacardi Edits

Ron Bacardi joins RNT with a 4-track inferno of disco edit heat! The A-side races out of the gate with the galloping 'Back For More,' followed by the soulful bounce of 'Circles,' which loops a gritty guitar-driven hook to perfection. The B side kicks off with 'Music Play,' an easy-breezy synth-string, electric piano, and horn-laden affair. Swirling percussion and soaring falsettos take us home on 'Never Dance,'but don't get it twisted: with Señor Bacardi at the controls, dance you WILL!

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10,88

Last In: 6 years ago
Various - Selectors 002

Various

Selectors 002

2x12inchDKMNTL-SLCTRS002
Dekmantel Records
03.03.2017

Repress

After last years slick selection for the series from MCDE, Young Marco steps up with a great set of obscurities. Top Tip!
.
Born Marco Sterk, he certainly doesn't come from a standard DJ background. A former skate rat who grew up loving American post-hardcore and '90s hip-hop as much as early Warp Records, he's been affiliated over the years with Amsterdam institutions such as Rush Hour, Red Light Records (where you'll find him most weekdays!) and, of course, Dekmantel itself. Still, there's no question that he's always followed his own path, even during the years that playing his favorite records meant that he was occasionally clearing dancefloors.

Things are different these days, of course, as Sterk now regularly plays around the globe and has been widely hailed not just for his DJ talents, but also for his digging prowess and uncanny ability to pluck jams out of genres, eras and geographies that even veteran DJs will often ignore.

Still, Marco's entry in the Selectors series isn't some soulless collection of 'Holy Grail' rarities. 'Where's the fun in that' he explains. 'Anybody with an internet connection can check what flavor-of-the-month records are in demand.'

Just like the first Selectors compilation, this is not a mix CD, but a collection of hand-picked, unmixed tracks that Sterk has personally chosen from his own vinyl archives. Moreover, Marco has put together a collection of tracks that represent not only how he plays music, but also how he makes music himself. The songs here are melodic, electronic and bound together by a refreshing sense of naiveté. Nothing sounds overly calculated; the tunes here span several decades and include dollar-bin records, avant-garde records, club records and yes, a few things that collector types have likely been looking to get their hands on. It's not meant to be a grand statement, as Marco would rather provide an honest snapshot of his musical tastes and share a few of his favorite tracks and artists in the proc

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20,97

Last In: 7 years ago
Mudd & Pollard - N7 Odyssey 2x12"

Mudd&Pollard

N7 Odyssey 2x12"

2x12inchC56LP010
Claremont 56
27.02.2017

It was the spring of 2007 when Paul 'Mudd' Murphy and Kevin Pollard announced the arrival of the former's Claremont 56 label with Villa Stavros', a magical frst collaborative 12'. It
seems somewhat ftting, then, that Claremont 56's fnal release of its' frst decade will be N7 Odyssey, the frst collaborative album from Mudd & Pollard. By the time Villa Stavros' came out, the pair had already been regular studio buddies for a couple of years. Initially, Murphy had recruited Pollard - a hugely talented keyboardist and composer - to play on tracks he was working on for Rong Music. One thing naturally led to another, and soon they were joining forces to make music as Murphy's home studio in
Holloway, North London. As the years rolled by, further acclaimed singles followed Villa Stavros' - the bubbly, Rhodes-laden Balearic disco shuffe of Vincent', and the lilting, intergalactic dub disco of Scaffold', most notably - before the duo's other musical commitments began to take precedence. Murphy had his hands full running the Claremont 56 and Leng labels, while Pollard carved out a successful career as a soundtrack composer for both flm and television. Now, the album they set out to make all those years ago is fnally fnished and ready to be
released. N7 Odyssey - titled in tribute to the Holloway studio they recorded in for many years before Murphy moved - draws together freshly re-mastered versions of their previously released singles with a clutch of previously unheard tracks. Built around the duo's own fne musicianship, with Pollard handling synths, keyboards and electric piano, and Murphy guitar, bass and percussion, the album's ten tracks offer a musical journey through their shared love of shuffing grooves, sun-kissed soundscapes and
gentle positivity. Highlights come thick and fast. There's the swirling strings, futtering futes, jammed-out electric pianos and heady female vocals of Far Away', the enchanting new age ambience of December', and the rush-inducing Balearic disco breeze of Mawson's Walk', a former single blessed with sublime horn solos and rising, cinematic strings. Check, too, the head-
nodding beats, fuid electric piano solos and jazzy guitars of Inatin', the gentle Eastern mysticism and vintage ambient house aesthetics of Anura', and the ultra-deep house pulse of N7 Odyssey'. The album fttingly fnishes with a sublime ambient interpretation of Scaffold', arguably the duo's most celebrated track. It may have taken a decade to emerge, fully formed, but Murphy and Pollard have delivered an album that's beguiling, magical, and hugely comforting. Clearly, it's an odyssey worth
taking.

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23,32

Last In: 4 years ago
The Golden Filter - Still // Alone

2x12"

Optimo Music are delighted to present the second full-length from The Golden Filter, "STILL // ALONE".
After relocating to London and playing shows around Europe for a year and a half, self-imposed pariahs Penelope Trappes and Stephen Hindman delved into creating a two-sided existential opus by renting out old studio spaces around the UK and using mostly analog 80's instruments, machines and effects.
An album about being in love with pure solitude, when STILL // Optimo Music are delighted to present the second full-length from The Golden Filter, "STILL // ALONE".
After relocating to London and playing shows around Europe for a year and a half, self-imposed pariahs Penelope Trappes and Stephen Hindman delved into creating a two-sided existential opus by renting out old studio spaces around the UK and using mostly analog 80's instruments, machines and effects.
An album about being in love with pure solitude, when STILL // ALONE is separated into two distinct sides, record one, STILL, is a hypnotic meditation for the nightclub. Wavy patterns of sound and light bounce off of Penelope's literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. The rhythm, ironically forcing the body to move, however internally focused and mindful, still.
Record two, ALONE, takes the club offline and into the fringes of raw, odd pop.

Ever-prominent drum machine beats rule, while love and loss permeate the four atmospheric goth songs. Music for dancing alone.
"Behind the cotton wool is hidden a pattern... the whole world is a work of art... there is no Shakespeare... no Beethoven... no God; we are the words; we are the music; we are the thing itself." - Virginia Woolf

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16,93

Last In: 4 years ago
Cookin' On 3 Burners - Soul Messin

Cookin' On 3 Burners are Australia's foremost organ trio joining the dots between funk, soul, boogaloo & jazz. Long time partners Lance Ferguson (guitar), Ivan Khatchoyan (drums) and Jake Mason (organ) have taken their home brew of soulful Hammond get down everywhere from jazz festivals to after hours bars and clubs. Their top notch reputation led to them supporting Sharon Jones & The Dap Kings in Sydney, jamming live with Breakestra and becoming THE in demand band south of the equator. With a musical CV that includes names like Joe Bataan, Alice Russell, Mark de Clive-Lowe and The Quantic Soul Orchestra, as well as the world beating outfit The Bamboos, it's not surprising this latest CO3B album has generated huge interest even prior to its' release. Their first Freestyle album 'Baked, Broiled or Fried' featured the group in a hardcore funk groove but on 'Soul Messin' sees the sound, feel and influences widened further with some quite magical results. Versatile singer Kylie Auldist (Tru Thoughts Recordings) opens proceedings on the deep funk groove of 'Push It Up' but it is the Freestyle 45 'This Girl' (FSR7057) that provides the mellow, beautiful and incredibly catchy vocal highlight of the entire collection, shimmering horns ride over this laid back, future deep soul classic. We don't yet know what Gary Numan will make of CO3B's version of his 80's synth pop hit 'Cars' (CD only) but Jake Masons organ playing (including simultaneously supplying the super funky bass lines via his Hammond foot pedals and left hand) takes this track in a direction no one was expecting! Drummer and top notch singer Fallon Williams provides his gritty, searing voice on 'Hole In My Pocket' and 'Seen Through Your Disguise' sounding very much like US soul legend Robert Moore and the band display their versatility whilst doffing their caps in the direction of The Meters on the numbers 'Dog Wash' and 'Piranha' The down tempo, moody album closer 'The Proving Grounds' (CD only) once again shows the groups expanding musical textures and rounds off 'Soul Messin' the bands most varied and accomplished recording so far.

Recent Mark Lamar Live Session on Radio 1

"This Girl" has been Freestyle's top selling single of 09 so far !

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18,87

Last In: 7 years ago
Lungfish - Sound In Time

Dischord reissue Lungfish's fourth full-length, Sound in Time, on LP.

Originally released in 1996, the album was recorded at Inner Ear Studios in Arlington, Virginia by Don Zientara. Long out of print, this version has been remastered for vinyl by TJ Lipple.

From their inception in 1988 until their hiatus in 2006, Baltimore's Lungfish music band released 11 full-length albums and played concerts across the United States and in Europe. At the time of this recording,

Lungfish was Daniel Higgs, Asa Osborne, Sean Meadows, and Mitchell Feldstein.

pre-ordina ora17.02.2017

dovrebbe essere pubblicato su 17.02.2017

19,29
Monopol - Weltweit

Monopol

Weltweit

12inchANNA058LP
Anna Logue Records
15.02.2017

Released in 1982, "Weltweit" was the sole output of the band. It has appropriately become quite rare and difficult to find with the resulting high prices to obtain an original copy. Inspired by the greats such as Kraftwerk, YMO and Klaus Schulze, the three members crafted an exquisite collection of electronic pop songs played on a very impressive collection of analog synthesizers (Arp Odyssey, Korg MS series, MiniMoog, PolyMoog, Moog Modular System 55, PPG 360, some Rolands, and Doepfer sequencer), self-builds and drum machines (Roland TR-808) that were considered cutting edge at the time. The band would have recorded a second album but split up before that was possible. Members of the band continued to be involved in the music industry at least peripherally but didn't participate in further collaborations or bands. Also interestingly, MONOPOL was basically a studio-only project and actually never played live (despite some TV appearances).

Definitely a must-have for fans of NDW such as Bal Paré, Grauzone, Piefke & Pafke, Rheingold, Stahlnetz, Ti-Tho and the like.

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22,48

Last In: 7 years ago
System Of Survival - D-votion

Hot on the heels of System of Survival's latest album and exclusively on vinyl comes the D-Votion EP to Get Physical Music. The influential House duo present cuts from the album, 'D-Votion' and 'No Time To Waste', 'D-Votion' is laid out first; a deep and groovy dancefloor track with low end grit and a funky swing it its step . A collaboration with Salvatore Stallone the track is very moving and nearly impossible to resist. 'No Time to Waste' plays a hypnotically rhythmic synth over a steamy stage of sweaty percussion. Next we turn to the brand new vinyl-exclusive acid house number 'Phantom Power' for a heavy dose of midnight action. With a very technoid feel, the acid's presence suspensefully builds a tension throughout while the bassline chugs the track further. Next SuRFBiT joins to present 'Searching for a Wave', another track featured on the album. This one shines more sun with warm synths, soft vocals and gentle melodies. The collaboration ends the EP on a warm note, a special sound for a special dancefloor moment.

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7,19

Last In: 5 years ago
Various - Back On The Street Again

Various

Back On The Street Again

2x12inchFEST601045LP
Festival
10.02.2017

COMPILED BY PETE PASQUAL, ERICA OLSON & DJ KINETIC

Following on from acclaimed compilations like 'Down Under Nuggets' and 'Heavy Soul' (and two other new titles 'Running The Voodoo Down' and 'Dodgy Bossa (& Silly Sambas)' - details below), Festival Records presents another deep dig into the archives, this time shining a light on rare Australian soul-jazz, jazz-funk, and freaked-out groove rock from the late '60s and '70s.

BACK ON THE STREET AGAIN - AUSTRALIAN FUNK, SOUL & PSYCH (MOSTLY) FROM THE FESTIVAL VAULTS is a stunning 20 track CD and 2LP release that highlights a point when the previously disparate styles of rock, jazz and soul all started influencing each other, and exciting new genres were created. To quote the liner notes (by DJ Kinetic):

Australia produced some amazing music during the 60s and 70s that sat outside of the normal rock mould. Avant guard artists like John Sangster pushed boundaries and experimented with the fusion of local and overseas influences, artists like Dalvanius recorded soaring disco music that was lost amongst the popular music of the time, only to be rediscovered by DJs overseas who were searching for unknown sounds, composers like Brute Force and His Drum took risks and recorded left-field funky sounds hidden within their more mainstream compositions, and popular artists like Billy Thorpe occasionally strayed from their A&R directions and took leaves from the books of American artists who were largely unknown in Australia at the time. Beneath the veneer of bland rock and roll lay an unknown multitude of funky sounds hidden from mainstream view.

In addition to the artists that Kinetic mentions (and the compilation features two John Sangster tracks - stunning versions of 'Hair' and the Beatles' 'A Day In The Life'), the collection includes iconic names of the era like the Daly-Wilson Big Band (featuring Kerrie Biddell), Renee Geyer and the Johnny Rocco Band. '60s sides from Ross D Wyllie and The ID (featuring Jeff St John) reveal the various styles' roots in American rhythm & blues, and the unexpected inclusion of some legendary Australian rock outfits like Tamam Shud and Blackfeather reveals the psychedelic and progressive rock influences at play. The full range of the music is highlighted by the inclusion of both cabaret/daytime TV performer Al Styne and outrageous Kings Cross club act Count Copernicus & The Cosmic Fire as well as the in-house studio 'pops' orchestra, Festival Studio 24 Orchestra.

Co-compilers Pete Pasqual, Erica Olson and DJ Kentic to undertake interviews with specialist media around release. Facebook ad's around release.

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30,63

Last In: 7 years ago
Vermont - I I

Vermont

I I

12inchKOM361
Kompakt
10.02.2017

Following their much-acclaimed surprise debut album VERMONT from 2014, Motor City Drum Ensemble's Danilo Plessow and Innervisions' Marcus Worgull reunite for more synth daydreaming on the suitably titled II'. The new outing continues where the first full-length left off, strolling further down the luminous and undulating path that the duo turned into, influenced in equal measures by kosmische, krautrock, minimal wave and synth soundtracks.
This latest batch of instrumental cuts opens with the strictly balearic vibe of NORDERNEY, a softly swinging, light-footed recording with a keen sense for structure. Featuring a guest performance from Robbert Van Der Bildt (aka Kaap) on guitar, it's a telling starting point for the album that - similar to Vermont's self-titled debut - successfully navigates between economic, careful studio arrangements and playful, incidental exploration further pushing into jam session territory. Van Der Bildt's guitar returns on the plucky, curious UFER, where Vermont showcase a renewed sense for jazz-like improvisation - same as on the cuts DSCHUNA, CHANANG and WENIK, which also include contributions from Dermot O'Mahony and Tadhg Murphy on strings.
Still, Vermont's synth contraptions remain the album's main attraction, with the extensive array of gear encompassing an entire panopticon of analog bling - from Arp Oddysey and Moog Prodigy to Fender Rhodes, Juno and Prophet, list-studying gear heads will find lots to drool upon. Consequently, tracks like CHEMTRAILS, UNRUH or GEBIRGE err on the machine side of things, expertly interweaving arpeggiated sequences for maximum atmospheric effect. Foreboding, slightly menacing synth motives as on SKORBUT or CHEMTRAILS are perfectly balanced with the casual ambient of HALLO VON DER ANDEREN SEITE and the nostalgic warmth of DEMUT - while the gentle push of the masterful KI-BOU even carries a whiff of classic deep house, linking the Vermont project to Plessow and Worgull's main careers as dance floor movers and shakers.
Continually intriguing, immersive and texturally rich, each one of Vermont's new pieces betray the experience, precision and determination of the producers involved - while opening up Worgull and Plessow'a vocabulary for patient experimentation and subtle discoveries. A musical treat for synth aficionados - and everyone else, if you ask us.

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16,93

Last In: 8 years ago
Here & Now - Hirundo / Sabbia Magica

Ricky L and Marcoradi have been friends for as long as they can remember. They frst met on the dancefoor of one of Italy's most iconic clubs, Red Zone in Perugia, where Ricky has been a resident DJ for the best part of 25 years. Now, they've joined forces in the studio for the frst time, uniting under the Hear &
Now alias for Claremont 56. Those with a keen knowledge of Italian dance music will know their impressive track records. Both have a history of producing fne deep house records and remixes for the likes of Ibadan, Uomo, Reincarnation, Top Tracks, Restricted Tracks and Vega Records. With Hear & Now, they've decided to step back from the dancefoor, instead producing hazy, emotion-rich music for after-hours listening, and mornings spent blinking into the sunshine. A-side 'Hirundo' is a thing of rare beauty: a gently fowering opus constructed from shuffing, mind-massaging drum rhythms, spacey pads, stretched-out
organ chords and Marcoradi's effortless guitar playing. Lilting, alien synthesizer refrains seemingly tumble from the heavens, intensifying the duo's blissful mood. Flip for an even deeper excursion, the softly spun wizardry of 'Sabbia Magica'.
Here, the duo's house infuences gently rise to the surface. This is slow, deep and dreamy house from the top drawer, with jazz-fecked guitar fourishes and undulating electronics combining effortlessly with hypnotic, metronomic drums,
cascading string lines and a wonderfully dexterous electronic bassline. You can dance if you wish, but you may just want a hug instead.

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11,35

Last In: 8 years ago
The 13th Floor - Steppin' Out

The 13Th Floor

Steppin' Out

12inchBL-55056
BLUE CANDLE
06.02.2017

A real rarity! 1977's "Stepping Out" by obscure Oliver Sain produced Funk/Soul outfit The 13th Floor has always been a tough LP to catch, the only release by this lesser known St.Louis outfit showcased a unique blend of jazz, funk and soul that has intrigued hardcore collectors of rare grooves and black music since it's release. Released on the highly collectable Blue Candle sub label of Miami's TK Disco empire, "Stepping Out" features lots of different musical flavours - from the languid, Ohio Players-esque "Hang loose" and the incessant mid-tempo burner "Leanin" to the dance-floor groove of "Sweet thang", the LP showcases across it's 9 tracks show a band at the top of it's game, completely in tune with each other and firmly in the pocket. This should be no surprise when you consider the opening track of the album is co-written by a young Chaka Khan and members of the band went on to form parts of her band Rufus and played alongside artists such as Patti Austin, Maxayn Lewis, Ronnie McNeir and High Voltage. The overall feel of the album is one of amazing musicians keeping it gritty, soulful and most of all, funky! This album has always demanded high prices on the second hand / used vinyl market and is a truly lesser spotted gem, which is surprising considering the eye catching sleeve artwork!
This is the first time that The 13th Floor's "Stepping Out" has been reissued on vinyl, fully remastered from TK's original tapes, represented the way the the LP was issued in 1977 with all original cover and label artworks intact. Now, almost 40 years after it's original release the album has now been made available again for 2016, fully licensed in conjunction and with the full permission of Henry Stone music / TK Disco, Miami, FL.

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14,08

Last In: 7 years ago
Shigeo Tanaka - Yumi-kagura

Shigeo Tanaka

Yumi-kagura

12inchEM1154LP
EM Records
06.02.2017

'Deep session! It is rare to hear folk music from Japan in such beautiful fidelity and incredible dynamics. This recording is intensely gorgeous and hauntingly disarming. This should open up a whole new world of adventurous listening for folks outside (and inside!) Japan.'Brian Shimkovitz (Awesome Tapes From Africa)

'Sounds absolutely great! Super interesting and engaging.'Ben UFO

'Just Give Me That Old Time Religion, It's Good Enough For Me.'Japan Blues

A hotline to the gods! Kagura is a thousand-year-old form of Japanese Shinto sacred music and dance, accompanying the chanting of myths; the word "kagura" can be translated as "god-entertainment". Passed down over countless generations, the music is rare and recordings even rarer. Shigeo Tanaka was a master of the yumi (bow), an uncommon single-string percussion instrument, which is a true bow: arrows are fired off at the end of each ceremony to fend off evil sprits. The instrument is difficult to play; it's hard to draw out the proper sound and maintain the rhythm.
Yumi kagura is the oldest of all the various forms of kagura. The Tanaka family, based in rural Joge-cho, Hiroshima prefecture, has passed down this yumi kagura tradition for hundreds of years; this lineage continues to this day in the person of his daughter Ritsuko Tanaka. The Joge-cho yumi kagura, which prays for family well-being, bountiful crops and good fortune, was designated an Important Intangible Cultural Property in 1971. The piece featured here, "Takusa saimon", based on the myth "Ama no iwato" (The Rocky Celestial Cave), is mesmeric, reaching back across ages to the time before time, with Tanaka's voice and yumi, accompanied by flute and metal percussion, drawing us closer to the primal activities of the gods. Listeners may find affinities with aspects of musics as diverse as German electronic minimalism like E2-E4, certain Ethiopian music, "spiritual jazz" and more, all tapping into the deep root of forever. Previously available only on a ridiculously obscure 1990 cassette release, Yumi kagura is the first collaborative release by EM Records and Riyo Mountains, a Japanese folk song research team. Available on LP and CD, with the CD featuring a bonus track: "Inagahachiman jinja yumi kagura hono" recorded in 2016 by Tanaka's daughter and successor Ritsuko Tanaka.

+ Direction/liner notes by Riyo Mountains
+ English liner notes & lyrics

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20,80

Last In: 9 years ago
Black Flower - Artifacts

Black Flower

Artifacts

12inchSDBANULP02
SDBAN ULTRA
02.02.2017

Stirred up from deep within, from an abstract spiral of sound and movement, from a sensation of time and space absolving and converging at once, the Black Flower musicians have molded a tangible matter: the album Artifacts. Their second full album sounds international and ageless. Eastern influences, Ethiodub and jazz effortlessly merge. Fantasy and reality seem to fuse. In a word: nourishment for body and soul.

"Psyche-delicious and accessible 20th century Ethiodubjazz. As if John Zorn put on Fela Kuti's shoes and imbibed Mulatu Astatke's whirls."

Piloted by saxophonist /flutist /composer Nathan Daems (Ragini Trio, Dijf Sanders, Antwerp Gipsy-Ska Orkestra), this instrumental band aims for originality. Fellow musicians and 'brothers down the road' are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, Stadt) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas, Antwerp Gipsy-Ska Orkestra) at the bass and Wouter Haest (Los Callejeros, Voodoo Boogie) playing keys.

For many of us, the Ethiopian aspect once made known to the world by Mulatu Astatke will stand out. Still, Black Flower further adds oriental scales, Afrobeat à la Fela Kuti, jazz in a John Zorn way and varied western music traditions such as rock and dub. The resulting melting pot is undoubtedly inspired by Nathan's distant travels and the multifariously colorful city of Brussels.

...Pretty legit if you ask me - LeFto, Studio Brussel

After their well-received debut album Abyssinia Afterlife (2014, W.E.R.F. / Zephyrus Records) that created an atmosphere of mythical figures and psychedelia, Black Flower now reflects on ancient and modern cultures. The album title Artifacts refers to centuries-old fragile objects or tools that empowered the development of human culture. The world today would look entirely different without those artifacts. The seemingly brittle suddenly becomes a powerful welding cornerstone. Add the musicians' personal musical backgrounds and the result is an album with an ageless mystique. Artifacts is the synthesis of different cultures, of the past and present, and personal and collective memories. It is the soundtrack to modern reality, based on the elements that connect us.

Brilliant - Gilles Peterson, BBC Radio 6

One of Belgium's Best Bands of these past years (...) Black Flower does not simply play a tune, they always groove! - Kurt Overbergh, Ancienne Belgique

Uncomplicated originality, plenty of space for fantasy and an organic tone: those are the ingredients for Black Flower to lay claim to an age-old human ritual: dancing! Still, Black Flower also stands out in various other settings. Their audience at a jazz club will have felt exalted, their audience at a late-night show will not have resisted dancing. The band wields influence over their surroundings in a way only heart-and-soul musicians can. This mastery has repeatedly taken them to United Kingdom, France, the Netherlands and Germany.

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16,09

Last In: 5 years ago
Awa Poulo - Poulo Warali

Awa Poulo is a singer of Peulh origin from Dilly commune, Mali, near the border with Mauritania. Largely pastoral and often nomadic, Peulh- (or Fula-)speaking peoples are found from Senegal to Ethiopia but predominate in the Sahel region of West Africa. Awesome Tapes From Africa is proud to release Poulo's newest recording of highly virtuosic folk-pop, fresh from the studio, broadcasting her vision of Peulh music beyond the grazing grounds and central markets of her remote home region in southwestern Mali. It's not very common to find a female singer performing publicly among the Peulh. But Poulo's mother's co-wife is Inna Baba Coulibaly, who is a celebrated singer most Malian music fans know. Coulibaly herself was brought into music by forces outside her control when a regional music contest required an entry from her village and she was chosen to be a singer. So, set in motion by a surprising series of events, young Poulo's entree into the music world was auspic ious as she gained popularity across the region. After several locally released tapes and CDs, this record is Poulo's first internationally-distributed record. On Poulo Warali, she and her band combine the hallmarks of Peulh music—warm flute floating over cross-rhythmic n'goni (lute) riffs and resonant calabash gourd hand percussion—with broader Malian sounds like lightly-distorted guitar and a heavier, rollicking inertia. Shapeshifting layers of rhythm and woody overtones match Poulo's commanding voice in a jocular yet deliberate dance. This is a relatively rare example of Malian Peulh music played in a modern, cosmopolitan context, reflecting the mixed society of Dilly, where Bambara, Soninke and Peulh-speaking people live among each other. Poulo's conscious lyrics about community concerns speak to the distinctive identity of her broadly-flung people. While Peulh represents less than 10% of Mali's melting pot of languages, the dynamic music here powerfully resonates well beyond the linguistic borders.

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23,49

Last In: 7 years ago
Chip Wickham - La Sombra

Chip Wickham

La Sombra

12inchLMNK54LP
Lovemonk
23.01.2017

Translated from Spanish as 'The Shade', Chip Wickham's debut album La Sombra drops after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, Latin and electronica. La Sombra is a monumental record for Chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz and pay testament to his heroes Roland Kirk, Yuseef Lateef & Harold McNair.

Now living in Dubai after an intense and productive six years in Madrid, it was Manchester where Chip studied in the late '80s and became enmeshed in the chaotic and thrilling music scenes emanating from one of the world's most culturally prominent cities of the time. Recording and generally 'keeping things real' with Manchester's hip-hop collective Grand Central Records, Rae & Christian, The Pharcyde, Fingathing, Nightmares on Wax, Graham Massey (808 State), Chip was in a city that was undergoing a music revolution with the Haçienda as its temple. Yet it was the headlights of the M62 motorway and not the strobe lights that were lighting Chip's path during his student years ('88-'92). The lure of the jazz and funk clubs of Leeds, where The New Mastersounds were breaking out and building the blocks that would lead them to UK funk royalty status, proved too strong.

In the 1990s Chip continued to refine his craft in the rainy city and the gigs booked were growing in stature. It wasn't long before he was on the road with Roy Ayers and Badly Drawn Boy. Around that time Chip met up with trumpeter Matthew Halsall that was the beginning of a friendship that lasts to this day. Chip was a recording artist on Matthew Halsall's breakout album Sending My Love and continues to work with him, with live dates confirmed in spring 2017. This close connection with Halsall gave rise to other collaborations, such as with Nat Birchall and Go Go Penguin's Rob Turner.

Three decades after his late night excursions to Leeds, Chip found himself recording with Eddie Roberts from The New Mastersounds in Madrid, as part of their new band, The Fire Eaters, which he'd formed soon after he moved to sunny Spain in 2007 - the same year he released the Fried Samba album under his moniker Malena, his electronic Latin band that became a hit at the turn of the century for Freestyle Records. During his time in Spain he connected with the local scene and brought together many of his musicians colleagues from the UK to Spain and it was for a local and well established label, Lovemonk, that he released two 45s blending raw funk and Latin. These new roads and musical leanings led to an invitation to play for the prestigious Craig Charles Fantasy Funk Band. Based on a poll from Craig Charles' top rated BBC6 radio show, Chip was chosen to play alongside the cream of the UK funk & soul scene: James Taylor (JTQ), Snowboy, The Haggis Horns (Mark Ronson), John Turrell (Smooth & Turrell), and Mick Talbot (The Style Council).

La Sombra takes an altogether more rooted direction than Chip's recent collaborative work, with the jazz of the late '60s and early '70s a dominating influence to the recordings. Comprising of seven tracks recorded in Madrid with musicians assembled by Chip from Madrid's jazz scene, it combines contemplative explorations akin to Yusef Lateef's early work on tracks like 'La Sombra' and 'Pushed Too Far'. There's a fiery cover of Camarón de la Isla's classic 'La Leyenda Del Tiempo' and tracks like 'Sling Shot' and 'Red Planet' are locked in a groove harking back to Freddie Hubbard's Blue Note era and Luv N Haight's Nathan Davis.

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14,92

Last In: 3 years ago
Casino Times - Decoded Ep

Casino Times

Decoded Ep

12inchOMENA15
OMENA
12.01.2017

Born out of a love for Disco records and odd electronics, Casino Times is the project of producers Joseph Spencer and Nicholas Church - a musical partnership that is rooted in House and Techno but often treads into the weird and wonderful.
Since first starting the project in 2010 Spencer and Church have steadily been crafting a back catalog that reflects their varied tastes and unique approach to electronic music. This has seen them release on a wealth of respected labels such as Wolf Music, Futureboogie Recordings & Permanent Vacation, just to name a few.The debut on Omena, 'Decoded EP', consists of four tracks highlighting a distinct development of their musical style.
No need to dissect each and every track here to explain how it sounds, just play it and enjoy. Everyone from your grandparents to your neighbour and best friend will ask for track IDs.

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9,20

Last In: 5 years ago
Melt Banana - Fetch

Melt Banana

Fetch

12inchAZ09
AZAP
Release unknown

From the whip-like crack of Yako's signature staccato vocals and impossible-to-memorize lyrics to the relentless overdrive tempo of their oneof-a-kind prog-core, Melt-Banana have long resided in a cybertopia of their own devising where the limits of technology and human capability are old-world concerns as quaint and cumbersome as bartering with a blacksmith. The demos for Fetch, their first studio album since the severely fried pop-punk of 1997's Bambi's Dilemma, were completed in March 2011, but the Fukushima earthquake changed everything, including
their ability to concentrate on recording. Which stopped completely.

Once they felt ready to return to their music, they decided to approach the songs on a sound-by-sound basis, choosing each tone with meticulous attention to detail, affirming their personal connections, being themselves naturally and openly.


Fetch scrapes glam shimmers off punk's outermost fringes and forges them into a rather intensely technical Deanscape packed with fantastical hybrids. Agata's guitar riffs, seemingly composed in tandem with skipping CD players, are more bad-ass than ever, bright and fractured like the soundtrack for a CC-Hennix-scored biker flick. The album is juiced with electronics and post-rock production, tempering what could easily be a
tiresome and predictable frenzy, yielding unexpected associations: Kate Bush climaxing on Walter White's blue meth; demos of late-period Wire playing metal run through Wasp synthesizers and Autotune; unripe wild
lychees keeping time on an Ankgor Wat tin roof during a monsoon.

They've been performing live as a duo since summer 2012, and will do the same for their '2 do what 2 fetch' tour in support of the album. After nearly 20 years of playing with a live rhythm section, their use of a PC, while opening possibilities for a variety of drum and synth voicings, does not signal a move away from the traditional live band sound, as heard, for example, via the future transmissions from downtown Noiseapolis on
2009's Lite Live: Ver. 0.0. Yako and Agata say they need to feel real band sounds onstage as much as someone in the audience. This is a group that routinely excels at several kinds of impossible simultaneously, so of course any new challenge they come up with for themselves is sure to blow the doors off your Mini Cooper. - First record as a duo expands the M-B sound
into multiple dimensions - LP includes digital download card; first
pressing on clear vinyl

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33,57
Traela - Ep Part I

The artist described the EP as being inspired by many of the heavy concepts that have been concurrent in his life during the process of making the tracks. The sounds have adopted elements of the music that have been experienced during his trips to play out in Berlin's unique music scene. Key to the penning of the tracks are the loss of distinctive sounds, expressive emotion and unparalleled feeling that was once so prevalent in the many of the lesser known and iconic works produced in the earlier years of House music. Channeling the desire to bring back what has been missing in today's formulaic music production design, Traela hopes to find the listeners once again looking inside the content of the music. Finding the emotional substance displayed through healing and the release of lost love, Traela's message on the making of this release: " Many ideas were prevalent during the process of the EP but the most important during this exercise was finding yourself, learning to express and learning to love yourself in order to love others'.

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7,77

Last In: 9 years ago
Bukkha Ft. Junior Dread & Skelli Skell - Ruling Sound // Tmsv Remix

Moonshine Recordings continues to coordinate dub into all sorts of directions with its steady throughput of vinyl releases. This time around, it's the Spanish-based Bukkha to uplift all followers with two up-tempo rollers that take part in his crucial 'Ruling Sound' EP. His name has been all over the news inside bass culture lately, as the American released highly noted physical music on critical labels like Killa Sound and Dub-Stuy Records. He's been working his way to the top and the only thing the Moonshine Recordings imprint can do is support his efforts in pushing dub music to the masses at any given moment of the day.
On top of this wicked news, Portland's dub producer and engineer 'Skelli Skel' joins this session to frame the taste of the 'PDX Mandem' collective from back home. His love for complex rhythms and heavy bass lines fuel his adventure inside dub culture, something you'll hear when listening to 'MS028'. And with the familiar voice from don Junior Dread, who jumps in on the hype by illuminating the dub with carefully selected freedom of speech, it's the collaboration that speaks for itself. To top it all, TMSV is added to the release roster, a producer whose been dealing some serious damage with his inventive music repertoire. Whether it's music on the darker tip, or the more laidback sound, both Bukkha and TMSV know how to uplift and please their followers with bass-heavy, eardrums-teasing bass music.
Bukkha's 'Ruling Sound' leads his way through musicality by portraying the right balance of instruments and not to mention the gigantic bassline that disperses vibrantly through the lower bottom of the mix. The reigning vocal support from Junior Dread and dub techniques from PDX Mandem family Skelli Skell work out fantastically, as it makes this record come to life. Listen to the instrumental part that propagates in the exact sense of 'dub music', regardless of spinning on a higher beats per minute. The version 'Ruling Dub' by Bukkha himself plays a more meditative part inside your headspace; a clipping where basslines and effects will act up in a blurred version. It's the real attention to detail the American producer shares with remix boss TMSV, who hits fans with a darker joint that pays homage to Drum & Bass. It's aggressive stance forms the pinnacle of 'the right' B-side of a Moonshine Recordings plate. Just make sure you experience the second drop of this absolutely mammoth interpretation, as TMSV shuts down the place!

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8,78

Last In: 7 years ago
Matuki - Stutter & Twitch 7" Series

Bristol based Afro-beat band, Matuki are releasing their debut 7 single on December 2nd via Stutter & Twitch, featuring an exclusive remix by Shunya. As each side of the record paints a juxtaposing image, Matuki drives forward as they make a name for themselves as Bristol's most engaging afro-funk band. Side A 'Sanimenteren' showcases fiery horn melodies and liquid guitar riffs, whereas Side B 'INJO' changes direction completely, as Manchester producer Shunya takes the reins. By morphing Matuki's steadfast rhythm into a lucid downtempo glitch, Shunya creates a unique and mesmerizing new perspective towards the urban band's signature style. Likened to the legends Fela Kuti and Afro Manding the authentic Afro band punctured Bristol's music scene after an exceptional debut performance at Glastonbury's Glade Stage, blending jazz & psychedelic influences with urban-funk. The result Mesmerizing tracks and heavyweight horn lines that reflect on how the 12-piece collective are never afraid to venture out of their comfort zone, to create something special.Turbo-boosted grooves and fusing Afro Manding with intoxicating Fela Kuti horn lines, Matuki creates a rhythm so deep and hypnotic, it takes you on a journey' - Rhythm Passport'Matuki mix the classic ingredients - brass, beats, vocals and electricity - into something suitably hot'n'spicy..., If Bristol's Afrobeat scene gets any hotter we might as well move to Lagos' - Canteen Bristol. Fronted by master drummer and vocalist, Abraham Ebou Sanyang (Savanna, Magoma), Matuki mixes traditional afro-beat sounds with heavy doses of contemporary urban funk, into an exciting concoction of world music. The ensemble recently expanded after merging their sound with the Bristol Jazz Student ensemble Jamba Horns, and has previously collaborated with an array of versatile musicians including the Bristol Samba community. After the success of their debut performance, Matuki saw airplay from Bristol based DJ Hiphoppapotamus, and Miles Chambers of Lyrical Minded as well as BCFM, Bristol City Radio, Radio Ujima and Radio Helsinki, as an energizing sound bled into the airwaves. Touring the UK festival circuit, performing at Secret Garden Party, Green Man, Farmfest, Kendal Calling, Glastonbury to name a few, saw Matuki turn unassuming audiences into dancing frenzies, wherever they play.

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8,36

Last In: 6 years ago
Various - The Gold Play

Various

The Gold Play

12inchTNGRM013
TANGRAM RECORDS
02.12.2016

The Gold Play is a compilation of all Tangram-related artists to date.
Tangram Records is an independent Belgian-based record label. It was founded 4 years ago by Up High Collective and Mophito to promote a batch of unreleased beats and live-show by Up High. Throughout the years their releases got picked up by Gilles Peterson, Lefto, XLR8R, Boiler Room, Kutmah...amongst others. Now 4 years later Tangram have introduced a wide-range of talented musicians to the world. Without wanting to limit them to a certain genre you might say their releases are a celebration of electronics and hip-hop.
The compilation itself holds 6 previously unreleased tracks by Up High Collective, Faisal, LTGL, LoneBlue x Halibab Matador (aka YellowStraps), Le Motel and Sokoto. Each side of the vinyl ends with a previously released track on Tangram by Day Fly and Moodprint blending the entire release nicely together.

The artwork release is beautifully crafted by Dzia. Dzia is a graphic artist from Belgium and fine artist in every sense for that matter. His creations range from paintings, through sculpture to taxidermy and street works. This gatefold holds two versions of a fox and a play-full scenery of dear.

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20,13

Last In: 9 years ago
Ramuntcho Matta - Ecoute

Following the recent reissue of Vox Populi!s Aither album, Emotional Rescue further explores the more discerning, esoteric sounds of the French 80s avant-garde scene in coute Visual artist, sound designer, musician, label founder and emotional tree consultant Ramuntcho Matta is a man of shifting, relentless talents. Diagnosed with autism at a young age. Therapy based on yoga and music set him on a path, leading to learn from the likes of composter Cuarteto Cedrn. Discovering avant-music at an early age, he moved to New York to study in the "Third Street School of Music", meeting John Cage and going on to work on projects with Laurie Anderson, Brion Gysin and Don Cherry. His architectural concepts applied to composition were explored on his 3 solo LPs from the 1980s. The middle of these, coute, is possibly his most cohesive, exploring the use of extra-European musicians, especially African and Brazilian percussion, jazz horn playing, as well as Uruguayan singer Elie Meideros. Mexicos Cacau de Queirozs performance on saxophone and flute is stunning, former Gipsy Kings member, Jorge Negrito Trasante attributes much of the LPs Brazilian percussive flavour, while Magmas bassist Jannick Top brings gravitas, including performing a water claps duet alongside Matta on the exquisite O Clapo. As one piece, coute endlessly avoids standard musical formulas, seeking textures of far-flung elements; alchemy against a background of freedom to experiment that would be the theme throughout Mattas career, whether setting up SSR records under the alias Michael Pope or in his more recent output, teaching methodology of doubt

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11,39

Last In: 7 years ago
Lady Wray - Queen Alone

Virginia-born singer/songwriter Nicole Wray has everything you'd want in a singer: an infectious Jackson-5-family-member flare, a range like Aretha's, and a church upbringing that's brought a pure, healing texture to her voice. But the struggle she's been through has made her more than a singer. Nicole Wray is an artist. When talking about Queen Alone, her first solo album in some time, Nicole explains, It's a reflection of my soul. It's who I am today.' And aptly so. Nicole is writing and singing songs about her life. And yet to even start to know her soul, you have to go back to the beginning. Growing up in Portsmouth was tough at times for Nicole. However, at the age of fifteen, life opened up quickly when Missy Elliot paid a visit to Nicole's family home to audition her on the spot. Missy was there on the rumored strength and quality of her voice. Instantly blowing her away, she signed and left with Missy that night. Two years later, at age 17, she had a hit gold single off a solid debut album (Make It Hot). Suddenly she was part of a team that included late '90s R&B and rap royalty: Missy, Aaliyah, Ginuwine, Playa, Timbaland and Magoo. She made it, and fast. However, as rapidly as she achieved success, Nicole then found herself needing to re-make it. By late 2001, her time with Missy and company had run its course. They amicably parted ways and Nicole, once on top of the R&B world, was unsure of what was next. It was a very low, but important, point in her life. While neck-deep in this struggle, Damon Dash and Roc-A-Fella Records called. They signed an album deal and by 2004, in what was starting to be a pattern, just as things were looking up Roc-A-Fella suddenly (famously) split. Nicole found herself in a familiar situation. In 2013, Nicole paired up with London vocalist Terri Walker and released the album Lady. Once again, Nicole was tested. Terri parted ways with the group to pursue her own projects shortly after the album's release. Fast forward to now-the transformation from singer-for-hire to pure artist is evident in this new full-length solo release, Queen Alone. The record was written and recorded in 10 days at the legendary Diamond Mine Studios, in Queens NY with Leon Michels and Tom Brenneck handling production. Nicole says she is Singing out loud now-singing from the stomach.' Back in 1998 she was coached how to sing, and told to stay in a pocket that never let her show her range, power, and passion. Today, after stutter-stepping in and out of the industry, there is a new soul and substance to her songs-all of it from her life. They Don't Hang Around", tells the story of her post Roc-a-Fella days, Guilty", is about her brother's incarceration, Make Me Over" tells the relatable story of being broke with expensive taste, and 'Let It Go', a perfect way to end the record, is about the simple act of letting go and moving on. Almost echoing her new record, Nicole says, You have to go through something for it to be real.' She has been living with one foot in fame and the other in real life. The result is clear: she's feeling something real in her music again. And it's hard for us as listeners not to follow suit.

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23,74

Last In: 9 years ago
Fluxion - Vibrant Forms Iii Part 1

Fluxion

Vibrant Forms Iii Part 1

12inchSUBWAXFX004-1
Subwax Bcn
17.11.2016
 
2
disponibile anche

Part 3[9,45 €]

Part 3[9,45 €]


Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Vibrant Forms II is widely considered to be one of the greatest achievements in the genre. As it turned out, Vibrant Forms II became one of the last records to be released on Mark Ernestus and Moritz von Oswald's classic label - a suitable swan song if there ever was one. And that's it, right

Well not quite.

If one would search for Fluxion - Vibrant Forms III, Discogs would come up empty and Google would treat it as a misspelling. Until now.
Konstantinos Soublis, aka Fluxion, and Subwax Bcn have decided to pick up the banner and release Vibrant Forms III as a CD as well as four individual 12" records under 2016. It contains everything you could hope for and more: The massive, booming basses, the clicks and hisses, the atmospheric thunderstorms, the opium smoke-scented streaks of reverb and dub echoes. The warmth. Yes, above all else the warmth: Sometimes moist and dripping as in Safe Harbour, sometimes blisteringly dry as in Variant. It's no easy task, giving cold, dead machines warm breaths. And no-one quite does it like Fluxion.

The Reissue of Vibrant Forms II was an act of cultural preservation. It reminded us about the legacy of the Basic Channel label family, in which Chain Reaction played an important part. Without this legacy, the contemporary body of electronic music would look different and make very different sounds. With the Release of Vibrant Forms III, Subwax Bcn takes it one step further. Fluxion's Vibrant Forms III album remind us of the timelessness of truly great music, never mind the genre.

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9,45

Last In: 3 years ago
Graze - Xup EP

Graze

Xup EP

12inchDKMNTL-UFO6
Dekmantel Records
10.11.2016

Berlin based Adam Marshall and Christian Andersen collaborate as Graze. In the latest installment of our UFO series, the Dekmantel Records offshoot dedicated to experimental and futuristic electronic music, the Canadian veteran producers serve up a 50/50 lethal/dreamy drum trax package. Many have applauded the versatility of Graze, and their Xup EP is yet more proof of their original minds.Xup' is an abstract 4/4 jugular, beating out devious percussive patterns and rattling hi-hats over a grizzled and arpeggiated synth mortar-fire. 'Vast' on the other hand is an esoteric slow-burner, a hallucinatory trip to the depths of analog synth paradise and a perfect intro, outro or home listening gem. On the flip, the hyper-lean gearshift of 'Tryptch' pumps energy through off-kilter and plunderphonic basslines, while 'Shadow Play' is a classic piece of breakbeat bliss including a celestial synth arrangement that makes a perfect soundtrack for slow-speed sci-fi rides.

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8,61

Last In: 9 years ago
Daniel Avery - Daniel Avery Dj-kicks

Daniel Avery

Daniel Avery Dj-kicks

2x12inchK7342LP / 135841
!K7 Records
09.11.2016

Next up to close out a hefty year of DJ-Kicks releases is one
Daniel Avery, bringing with him two exclusive new tracks and
a host of techno heavy goods. In his own words:
"To me, the most appealing thing about electronic music is that
it requires time and patience to fully enjoy. It's about becoming
lost in the repetition and the atmosphere. The warmth of the
kick drum.It's important to remember to take a breath in this world. The studio and the club can offer similar experiences in that regard but it never feel like it's running away from things. It's almost the opposite: it's in those moments where we stop that we can feel the most alive.We're constantly being told that modern generations have no attention span but it's simply not true. There is more out there to distract us but we have not changed as humans. Kids now want to go and listen to a DJ play for ten hours and become locked in their world. A mix CD, like an album, is designed to be listened to from beginning to end. It's something I still firmly believe in.

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22,23

Last In: 8 years ago
Tiger & Woods - On The Green Again

Tiger&Woods

On The Green Again

2x12inchRBTWLP-1
T&W Records
07.11.2016

The Tiger is back - finally on full length again! The second studio album for Tiger & Woods not only marks a desired return to a specific format, but is also a huge leap forward in their area of expertise: their brand of fun and functional dance music gets broadened by influences from electronica, italo disco and up-tempo house, while keeping a groove that is distinctly linked to what some people refer to as boogie. After travelling the world from left to right and from top to bottom with a live-set to boot and skilful DJ sets that resemble that genre melting approach, "On The Green Again" is the result of spending valuable studio time at the "Tiger's Lair" - a carefully-built new work place that plays its own part in the creative process of one of the most prolific production teams of our days, while simultaneously starting T&W Records for all sorts of adventures that are linked to Tiger & Woods, but not narrowed to a specific sound. See "Unleashed Tapes Vol. 1" for further reference. A double A-sided 12-inch that owes as much to disco as an influence as it pays homage to the funkier and brighter sides of house and techno. Honing a craft that is rooted in edit culture as an ethos, but has since long left that bumpy road dependable on samples and their clearance, T&W make "On The Green Again" work as the second album that defies the difficulty usually attached to such ventures. 10 brand-new tracks (and three previously released bonus tracks on the CD version) make up the course between peak-time prime cuts similar to "RockMeLoveMe" or "Come And Get My Lovin" and an almost heart-aching track like "Endless Affair". Mixed with bits and pieces in-between and neatly placed between a classic intro and outro segment, those tracks are testament

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16,09

Last In: 7 years ago
Various - Mr Bongo Record Club - Vol.1 (2x12")

The first instalment in our new 'Mr Bongo Record Club' compilation series - a selection of favourites, recent discoveries and sought after obscurities, which form the basis of our DJ sets and our radio show of the same name. Including cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie Laverne, Barbosa and more. The original concept for 'Mr Bongo Record Club' was a radio show that allowed us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions, not constrained by the need to beat-mix every record, a space where we could play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl. We have always DJ'd across-the-board, but playing in an eclectic way hasn't
always been easy. Recently DJ's such as MCDE, Floating Points, Nick The Record, Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and Young Marco - to name a few - have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco, boogie, jazz, house, techno and beyond.  
We're seeing a rare groove like sensibility. A shift towards the attitude of legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson, where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people have a progressive attitude and a thirst for new-old music. It is a vibrant and exciting time - we are proud to be a part of it.

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22,27

Last In: 2 years ago
Miskotom - Qi Xin Mian Guan Ep

Miskotom is a project from Mik and Andra.Originally hailing from Russia but now both residents of Vilnius Lithuania. Both have a long history of music making going back as far as childhood.Andra was involved in 2Muchahos an ambient project which came out on Beko recordings. Mik came up through the indie scene playing in bands before finally settling in the dj booth and then as a producer....Miskotom's music has a magical dreamy quality, sometimes lovely Balearic or melodic pop sounding like long lost tracks form Wally Baderou, but also sounding like sleazy mid 80s chicago basement jams....Analog synths jam along with guitars ,voca land ,handmade percussion mixed down and recorded onto tape. Sometimes 4/4 sometimes no beat at all.....to round off this EP we have an excellant remix from Kito Jempere, who over the last few years has notched up a steady stream of releases over many labels , most recently a killer edits ep for the mysterious Bahnsteig label.

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10,38

Last In: 6 years ago
Various - Lovebox 2

Various

Lovebox 2

2x12inchMIL009
Music is Love
21.10.2016

finally repressed

Back in February 2013, shortly after their impressive first release as a label, Music Is Love launched a double VA entitled Lovebox: an 8 track double-vinyl release that included tracks from 8 talented up-and-coming producers on their roster. By innovatively previewing the producers in this way, the label laid the foundations for what listeners could expect for each artists' subsequent EPs. The artists who released on it were not hyped up flavours of the month, but rather emerging talents who sat perfectly with the label's musical ethos - quality and original underground house with a contemporary, dynamic feel. Since the VA, the label have gone from strength to strength and have firmly established themselves as one of the most brightest house labels around in the UK.

Just over a year later and following in the success of its predecessor, MIL return with their second VA and with that, a chance for listeners to hear the new additions they've acquired, in addition to some already known faces. Liam Geddes opens proceedings with Untitled. A deep sense of soul permeates the whole track as a rumbling baseline imbues the beat with an ever-present sense of groove that never lets the head stop nodding. Geddes has really fine tuned and matured his sound over the past year, and this track is further evidence of his quality as a producer. The subtle percussive rhythms, electronic bleeps and synth nuances give this track a natural flow, as Geddes conjures something altogether more hypnotic, dark and purposeful.
Mr.KS, one of the newcomers to the label, outlines his coolly crafted style with track (Music) Makes Me Stronger. Brittle drums and deep warped synths suck you in and out and shape the structure of the beat, while afflicted chord patterns combine with the hypnotic repetition of a vocal sample to give the track a gesture towards techno but with a flow that pulls in house elements. Cassio Kohl introducers himself with a warm, melodic house number; rumbling synths circulate in the background of the track while ticking hi-hats and snares play off against the sumptuous vocal sample, which builds and falls back nicely into its original path until electronic glitches sporadically ease in and move the beat forward.

Jamie Trench has been making some serious headway of late and his track I Want You with Rebel serves a timely reminder of a producer on top form. A heavy, rolling baseline resonates intently, building against murky vocal samples, shuffling snares and off-beat key stabs that grow in presence and intensity - a track that will no doubt prove a high point in any DJ set. Label boss Oli Furness has a raw knack for creating crisp, heavy sounds and Take Monday Off remains on a similar path, albeit the beauty lies in the subtlety of arrangements rather than bigger hitting sounds. Chopped shimmying keys tease, filter and build fluently with urgent hi-hats and swinging drums that flourish harmoniously together, while an understated baseline adds weight and rhythmic groove typically inherent in Furness' work.

Italian heavyweight Tuccillo has released on some of the most reputable labels on the circuit - releases for 20:20 Vision and Freerange is evidence enough of his provenance - and this time he brings his baleric house sound with the impeccable sounds of DubFlanged Gru. Shimmering percussion shakes meander against the bumping bassline while the endearing, muffled vocals that threaten to break out are superseded by breeze-block keys that filter and descend into a chattering groove. Dutch producer U Know The Drill brings things back into heavier house territory with a no-nonsense, stripped-back stomper, the type of track we've been used to hearing on Dutch affiliates New Jack City's material. Heavy snares kick with a punch, and the deep drone-like vocal swings against the wobbling baseline and tapestry of electronic bleeps. Other sampled vocals and glitches weave in with the juxtaposing elements playing off one another to huge effect, ensuring that sheer energy pervades the track.

Jackson Ryland rounds off the heavy 8 track VA - scattering hi-hats and swirling pads build, while the shuffling drums roll on until fleeting chord flourishes and a musky vocal hook bring the track into wistful nostalgia. The elements of track balance superbly and are propelled forward by the intricate drum arrangements and well-crafted hi-hat/vocal combo.
The difference in approach and outcome from each artist results in yet another highly impressive outcome, with 8 high grade tracks that show another side to Music Is Love. The sounds are tougher and the mood is darker, but the premise of the whole MIL concept remains more apparent than ever with this release: sourcing fresh underground talent, curating original electronic music and evolving artists already on the roster.

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16,46

Last In: 7 years ago
Dj Di'jital - The Clone Ep

RAWAX proudly welcomes Mr. Lamont Norwood aka Dj Di'jital to the family! A true pioneer from Detroit!

Truly an old school Techno Bass jewel, DJ Di'jital has been a key player in the development of what some call the "Second Generation" of Detroit Techno. Having released on classic Detroit labels like Metroplex, Direct Beat, and Twilight 76, there is plenty of good reason why his name and his work have become so legendary over the years.

Influenced by early groups like Kraftwerk and Parliament, it was no surprise that the 80's fusion of Electronic Music, Funk and Hip Hop that brought about the Electro Funk sounds, would have such an impact on him. As a kid, Lamont Norwood aka DJ Di'jital became acquainted with the idea of mixing two songs together using tape decks, which while being limited, still gave him the drive and passion to pursue a career as a professional DJ. Over the years he played many different house parties and underground clubs, even spending some time as a Cabaret DJ.

Throughout this time, Di'jital became an incredibly skilled turntablist, quickly gaining the reputation of being a formidable force behind the wheels of steel. The year 1996 would prove to be quite a momentous one for Norwood, not only signing to the already well established label Direct Beat, but also becoming the official DJ for one of the label's finest and most important artists, Aux 88. Having already released his first EP, "Prototype", on Direct Beat, this would become a great opportunity that would help seal him as an icon of what was now known as the Detroit Techno Bass scene. Over the next few years,

Di'jital continued recording for Direct Beat, releasing some of the greatest and most unique Techno Bass classics to date, even doing a few remixes for some of Aux 88's most well known releases like "Electro/Techno", "I Need To Freak", and "Break It Down". Hit EPs like "From The Mind Of The Master", and "360 Degrees" became instant classics, still very sought after to this day. He also had some of his songs appear on some of the various Direct Beat compilations that were released between the years 1996 and 1999 like "Xperience De Bass II", which released "Radar2Bass", one of his most notable works, as well as the all time collector's album, "Techno Bass: The Mission".
Perhaps what may have been one of the biggest signs that his career was becoming exactly what he had hoped for, was the opportunity presented to him to remix Aaron Carl's classic "Down", which was released on the iconic Metroplex Records in 1998; Something that to any Detroit native would have been an honor and a milestone, given the reputation and level of success and influence that Juan Atkin's imprint had on the Detroit Electronic Music scene, as well as the global Electro/Techno movement.

Between the years 2000 and 2002, there was a small hiatus in complete EPs or albums being released by DJ Di'jital, although there were 2 different tracks released on the labels Bipolar and Studio iK7. In 2002, he went on to sign to another of Detroit's legendary imprints, Twilight 76, where he released 2 EPs, "Bass Programmers", and Di'jital's Revenge". In 2005, already a veteran and having amassed the necessary skill and knowledge needed to be a true beat warrior, Di'jital was now ready to join the resistance...Underground Resistance that is! Featured on the Interstellar Fugitives Vol. 2 compilation ( also later released as a 2xCD/DVD set ), Di'jital also released on the Electrocuter EP, which featured the previously released "Bang", as well as "Track 19".

In 2006, already well into the digital age ( no pun intended ), Norwood would release his first set of downloadable works, starting with an album called "The Prototype", on Twilight 76, which was completely unrelated to his first EP which was also called "Prototype". Recently, Twilight 76 has also released what is so far a 2 volume set of battle cuts dubbed "Electro Battle Tools".

The only known material that is known to be in the future for DJ Di'jital at the moment is a remix of Morphogenetic's "Techno Bass Is Back!", which was originally released as a free download to members of Technobass, but will soon be released on a 12"/Digital release that will launch the site's own label "Techno Bass Music". There will also be a follow EP by Di'jital, so stay tuned! Over the years, DJ Di'jital has proven to be an unstoppable force in the Techno Bass scene, tirelessly working to push the boundaries of Electro forward with his futuristic and visionary beats that have unleashed mayhem across the globe, not just in his published works, but also in his incredible DJ acts, where one can truly witness one of the few actual turntablists in this style of music. Expect more in the future as Di'jital's revenge continues to spread across the globe with his out of the ordinary approach towards Techno Bass music.

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10,55

Last In: 3 years ago
Luciano - The Great Amarel

Luciano

The Great Amarel

12inchCADENZA111
Cadenza Records
17.10.2016

Originally released in 2014, Luciano's 'The Great Amael' is an enchanting and endearing trip; a lo-fi bubbling groove and dusted Hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. Two years on, and Cadenza Music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in Luciano's catalogue. Having recently released his first album in over 10 years, Matthew Dear AKA Audion boldly steps up to the mantle and stamps his intelligent techno sound all over 'Amael' in the first of our remixes. Cutting a sprightly pace from the off, Audion melts stuttering sine waves and bulging tones over concrete beats, tweaking in the original organ riff and fathoms deep pads whilst adding additional vocal refrains as he playfully teases the arrangement before dropping a superb riff in his 'Backward Melody' Remix, which takes a most psychedelic and unexpected twist! Two other musical heavyweights collaborate on the second of the remixes; Phil Moffa and Seth Troxler are no studio strangers, having released a joint project on the British Hypercolour label last year, and remixed for Tiga a few months back. Their LSOS LOVE/GOD Remix builds from ambient beginnings, save for a rhythm carved out of spongy electronics, a sturdy beat kicking in and setting the controls destination unknown, as the duo steer through breathy vocal cuts and propelling bass, stripping the remix back before leaping back into hyperspace with some adventurous and dubbed out vibes, before coming back down for landing with those unmistakable pads from Luciano's original.

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7,44

Last In: 6 years ago
The Notwist - Superheroes, Ghostvillains + Stuff LP 3x12"

Remember how badly we wanted to join them and be part of those sea-faring adventures: Jack London’s The Sea-Wolf, classic TV shows based on his novel The Road, on Radu Toduran’s novels... back then, a couple decades ago, the titles of these shows alone were enough to trigger some strong gusts in our hearts, salty squalls perfect for imaginary downwind journeys we dreamed of with billowing sails. We wanted to cruise alongside albatrosses, seagulls, and fellow sailors. Floating high above a three-masted vessel, we watched our own adventures unfold far below, an imagined movie scene complete with a whole crew that worked the rigging, and all the rest. Cutting waves. Amidst the storm and stress of sounds hitting our eardrums far out in the ocean. Combined with the sounds of rotors, of tropics crossed, of marimbas and cabin wood pounded, of strange music spotted in the distance. And even though it was merely for an hour or two that we were rescued by that seal-hunting ship “Ghost,” as Jack London had it, plus, even worse, often found ourselves surrounded by villains: it was a great escape, for we’d successfully set sails – to new and exciting places.

Both around their own Weilheim shores and elsewhere, brothers Markus and Micha Acher have launched various musical vessels, bands and free-floating constellations over the past three decades – and yet: amid all these other speedboats and unlikely sonic barges, The Notwist has always remained the mother ship. This new album documents the latest live incarnation of this very band, which also features Andi Haberl, Max Punktezahl, Karl Ivar Refseth, and Cico Beck. Recorded on December 16, 2015 on the second of three consecutive, sold-out nights at UT Connewitz in Leipzig, Germany, "Superheroes, Ghost-Villains & Stuff" indeed feels like a first-hand live experience caught on triple vinyl. That’s why it’s the definitive album of The Notwist’s career.

Although there is one song that points to the early, “louder years” of The Notwist – “One Dark Love Poem” off the album Nook –, the rest of the night’s set sees the band perform all the major hits off Neon Golden, The Devil, You + Me, and Close To The Glass. However, these are different, organically enhanced versions, new interpretations and combinations that feel much more alive; thanks to Olaf Opal’s incredible mix, they sometimes even outshine the original studio recordings. Listening to "Superheroes, Ghost-Villains & Stuff" feels like watching these songs evolve and change, moving from one frame to the next, much like a baroque triptych.

What starts out like ‘wimmelbook’ imagery, the music soon folds and unfolds like a Moebius strip: Sans bottom or top, sans inside or outside, the inside becomes the outside and vice versa. It’s all about sonic interconnection, about music as entanglement, music as reconciliation. The rather majestic, cinematic (indie) pop and experimental, kraut- infused jazz, the spirit of the enlightenment and baroque playfulness, the traces of modernism and minimal music, dub leanings, hip-hop lessons, and even hints of house music: here is where they all come together, reconciled in a sound that’s both melancholy and romantic. And ultimately, the spirit of these songs is set free – and the band has released itself, is free at last.

As for the album title, it’s lifted from the song “Kong,” and encapsulates Markus Acher’s motto. Throughout the track, the water theme first appears as a dangerous threat: a force that’s strong enough to wash away an entire house; and yet the fluid state keeps transforming and eventually releases that sense of threat into something rather hopeful, a new musical beginning, a melodic departure that ultimately leads to euphoria and a renewed spirit of adventure. These are the strong gusts mentioned above, it’s the spirit of discovery, the urge to set sail together. The crew’s back at it, working the instruments, the rigging, with sails a- billow, launching the next voyage of discovery, assuming the East in the West and vice versa. And thus the adventure saga continues.

Pico Be (Das Weiße Pferd)

pre-ordina ora14.10.2016

dovrebbe essere pubblicato su 14.10.2016

29,20
Jon Keliehor - The Beginning Of Time

We're extremely pleased here at Invisble Inc HQ to be releasing this amazing new album by veteran multi-instrumentalist and ethno-musicologist Jon Keliehor.
Originally from Seattle and musically active since the 1960s Jon started out playing drums and percussion in bands like The Daily Flash and Bodine all the while becoming known as a venerable session and touring musician in his own right. Not many people can claim to have played alongside Jim Morrison AND James Brown....but Jon certainly has.
Moving to London in the '70s where he lived until the mid '80s, Jon started composing music for theatre, drama and dance. During this time his own work veered toward the more experimental and it was during this period that two of his 'cult' library music albums saw the light of day (East Meets West on Bruton and Avantgarde on Studio G).
Returning to Seattle in the early '90s Jon joined Gamelan Pacifica where he developed his knowledge of Javanese and Balinese gamelan and for whom he became a primary composer of non-traditional pieces. In the late '90s Jon moved to Glasgow with world renowned percussionist (and his then partner) Signy Jacobsdottir and they both became staple members of Gamelan Naga Mas with whom they are still active today.

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11,30

Last In: 7 years ago
Vitruvians - Spaghetti Saloon

In the summer of 2014, producers Frankie Valentine and Thomas 'T-Ash' Sciurpa bumped into each other in a London shoe shop. Over a fine selection of brogues and loafers, the conversation drifted onto music. The duo quickly realized they had much in common, and a plan began to form: they would get together and make music as Vitruvians, using the alias as a vehicle for their collaborative work.
Some 18 months and numerous recording sessions in England and Italy later, the first Vitruvians record is ready for release. Dropping on Paul Murphy and Simon Purnell's Leng Records imprint, 'Spaghetti Saloon' is a banjo-pickin' hoedown at the last drinking hole in the Milky Way. Propelled forwards by a restless drum machine rhythm, the duo's original version expertly combines winding synthesizer melodies, wild honky-tonk piano solos, clanging 'closing time' bells, and the most loved-up banjo player in the galaxy. Ennio Morricone, eat your heart out.
The flipside of the 12' features a pair of tasty, DJ-friendly revisions. There's the chugging Banjo Dub, where delay-laden bells and undulating banjo lines rub shoulders with a throbbing, space disco groove, and the even more psychedelic and alluring Piano Dub. As the title suggests, this pushes the duo's distinctive keys work to the fore, stretching out the life affirming solos in a bid to incite even greater dancefloor abandon. Down a glass of bourbon, grab a partner, and get dancin

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11,35

Last In: 8 years ago
Wally Badarou - Back To Scales To-night

Wally Badarou was at the cutting edge musically with his fusion of African grooves with the emerging electro sounds of the early 1980s. His debut album 'Back To Scales' in 1980 has been long out of print and is considered a treasure by many connoisseurs. 
Wally plays synthesizer, co-writing and performing Level 42 often considered their 'fifth member'. He also played with Robert Palmer, Talking Heads, Foreigner, Grace Jones and Manu Dibango. He also known for a later hit single Chief Inspector', and Mambo' from the same year (1984) was sampled by Massive Attack
This is a great album deserving appreciation by a wider audience with such an amazing collection of important songs. It was recorded in France, the country of his birth, originally released on French label, Barclay

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17,52

Last In: 4 years ago
Manatee Commune - Manatee Commune - Lp

Debut album from Pacific NW rising star, named "Best Electronic Act" in 2015 by the Seattle Weekly. ** Past Press Coverage as included: A NPR Weekend Edition Feature, Spin, Stereogum, KEXP Live in studio performce, CMJ. ** Past performance highlights: Bonarroo Decibel Festical, Bumbershoot, Capitol Hill Block Party, Sasquatch Festival, What The Festival, & Bonnaroo, as well as national tours with acts like Emancipator, Blockhead, Blackbird Blackbird, Chad Valley, Yppah, ** First single from the album "What We've Got" feat. Flint Eastwood passed 500,000 Spotify plays and 135,000 Soundcloud plays in a month's time.

Amidst the lush environs of his northwest roots, Manatee Commune has fermented an organically molded electronic sound that has been teasing the synapses of audiophiles over the last few years. While not a stranger in the Pacific Northwest, Grant Eadie's tracks have grown tentacles that stretch deep into the dance floor, fueled by natural overtones that he extracts from field recordings. Following the head-turning EP 'Thistle' on Brooklyn-based label Bastard Jazz Recordings (Illa J, Lord Echo, & others) from earlier this year, he comes to the label armed with violin arrangements, nuanced programming and pressure-sensitive LED drum breaks peppering the audio-visual experience of his participatory live performances. His debut album Manatee Commune is set for a September 16th release on Bastard Jazz, and displays the elevated confidence and deft touch of a producer truly finding his footing. Already opening for Bonobo, and recently touring with Chad Valley and Blackbird Blackbird, Manatee Commune has been featured on NPR, Stereogum, and Spin, amongst other outlets.

Eadie describes the inspiration behind his approach: "Learning how to share my creative process with my friends completely revolutionized the last of year of music for me. Inviting those I trusted and loved into my studio to spend even just an hour talking or jamming opened fountains of inventive energy for me, especially from the ones who lacked any musical knowledge. I soon found myself incredibly inspired by the originality of even the smallest interactions with people, and so I pointed my field mic at anyone who had a story, a melody, or a stumbling beat they had been absentmindedly drumming, all in the hopes of capturing their individuality and framing it with my ever expanding insight into audio production."

Reimagining his musical approach by opening his studio and microphone to friends, collaborators and loved ones, Eadie was able to release fountains of inventive energy from these deeply personal interactions, inspired by anybody who had a story, a melody or a stumbling beat to share. Key elements are amplified that get Manatee Commune audiences bouncing, while cultivating his warm and textured production aesthetic to further complexity, layer by shimmering layer.

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15,92

Last In: 2 years ago
Fierce / Zero T - Scatter / Inhibitor

* Quotes:
Marky- 'Whaaat rollers!! I looove it!!!!!! Big tunes 100% support as usual'Ant TC1- 'usual level of quality from a label that never fails, true to the original sound, never swaying from the good old roots this music was built on, it's a 10 out of 10 from me '
Randall- 'Heavy tunes'

* Quarantine continues even further into 2016 with more from Fierce and Zero T, Following their recent Metalheadz release.
''Scatter'' Lay down all thoughts...
"Inhibitor" Surrender to the void...
* Both these tracks continue to establish the return of Quarantine and have been getting supported and played by Friction, Fabio, Doc Scott, Randall, Hype, Bailey, Marky, Ant Tc1 and many more.

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7,14

Last In: 3 years ago
Ishan Sound Ft. Rider Shafique - Trojan - 2x10"

Ishan Soundft.Rider Shafique

Trojan - 2x10"

2x10inchPENGSOUND008
Peng Sound
12.09.2016

Peng Sound Records kick off the year 2016 with their first set of 10' discs - the original dubplate format does seem rather fitting for what is perhaps one of the biggest and most in-demand cuts from Ishan Sound & Gorgon Sound in recent years, a big contribution to their unstoppable rise in soundsystem music territory. Trojan, the grime-tinged steppers is reminiscent of the seminal 'Find Jah Way' by his peers Gorgon Sound, yet it's still an unmistakeable Ishan Sound production, in the way it's sonics are laid out and presented. In perfect combination fellow Young Echo cohort Rider Shafique steps up in authoritative style, going full charge at the walls of babylon with lyrical firepower. The Ishan Instrumental and the Gorgon Remix have been staples in sets from the likes of Iration Steppas, Kahn & Neek (aka 'Gorgon Sound') Mala, Dubkasm and and of course Ishan Sound himself. The list of selectors who have played this is small but refined, this one has been kept close to the chest, in true tradition to the dubplate ethos of exclusivity. In addition to the instrumental cuts, Peng Sound Records present the burning vocal cut with Rider Shafique. Flip the disc, and the Version awaits, letting the rhythm take full control, for extended dubwise pressure. For all the selectors out there, this release comes packed with enough version excursion to keep the fire burning 'til the dance is charred and dusted by means of frequency. The second disc comes loaded with the infamous Gorgon Sound remix, sonically pretty much exactly between the sounds of Bandulu and Gorgon, with their extra overdriven low-end and amplified, multiplied kick drum pattern, their version of Trojan is arguably the most explosive of them all. The combination of Ishan, Gorgon and Dubkasm is something we've come to expect from Peng Sound now, but this is the first Record that combines all three on one plate - the final cut on this set of Trojan interpretations gives us an exclusive, brand new Dubkasm counteraction - flipping the energetic steppers on it's head in favour of an uplifting one-drop beat, giving the vocal and rhythm a brand new space and presence. If the first three cuts were there to mash down the place with unhinged, dangerous soundsystem attitude, then the Dubkasm cut could be seen as the cool and easy soundboy burial, cementing Rider Shafique's message with deadly effect.

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15,08

Last In: 7 years ago
Binny / Lee Holman - Resistance Ep

With his first EP on Orbis, Binny is ramping it up, once again.
We're very pleased & honoured to host him, his 11th appearance on a vinyl record so far.
Someone to watch out for!

"Resistance" & "Infinite Ratio" has a brilliant hypnotic tension to it.
We won't bother explaining these two. Simply Binny, UK tension building up and excellent for playing 3 decks.
Excellent DJ tools.

On the B-side, Lee takes it to the raw side of analogue techno.

Lee Holman, a veteran that should ring a bell.
Performing in clubs since the late nineties, he has travelled throughout Europe compounding a reputation for his unique vision on Techno.
Production has earned him international recognition, leaving his mark building a reputation for consistency, originality and delivering his dynamic sound on both cutting edge and classic Techno Labels. In other words, Perfect Orbis material!

"Instructional" is no-nonsense raw material, the way Lee likes to build up his tracks.
Straight forward. No compromises. Plain old good techno.
If you're a fan of some older and raw flavoured repetitive techno, you'll want this to light up the dancefloor!

"Urbanite" well. Quircky, filthy, heavy, stomping,... You get the picture.

We're very honoured to host these the gentlemen,
as we're convinced they are a very good fit that matches our vision: transcending mediocre electronic music.

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7,27

Last In: 4 years ago
Rex Ilusivii - Koncert Snp 1983

Next installment of Rex Ilusivi archive uncoverings - This time a live concert from SNP (srpsko narodno pozoriste / serbian national theatre) in Novi Sad, Serbia. Again it's a sublime masterclass in layering and mixing from the much revered King Of Illusion. TIP!
.
'To this day Rex Ilusivii remains an enigma of the global music culture, caught between late cold war electronic spheres, classic and the power of found sound. A musician from the Southeast European counterculture, whose art today seems to be the worldly intelligence of the modern age. Listening to the early music of Mitar Subotic sounds like catching the future even tough you know here sounds the past. How can somebody be light years ahead of most of his contemporaries in terms of individuality and uncompromising vision, creating such musical narratives with a feeling for outernational space' It must have been the signs of his time in Yugoslavia, that lead him to compositions in which two or more antithetic forces fight each other for the cause of an unheard harmony that melts industrial, sample art, Musique concr'te and ambient. His 'Koncert SNP' from 1983 demonstrates his ingeniousness to the core ' about 38 minutes of experiment and appeal that move playful between demonstrative frankness and seductive sensuality. You hear pulsating synthesizer bliss, widescreen sample art full of Bosch-like images and elusively drama catchiness that absorbs deep. So deep that words can't express their meaning. Only notes can spell out the score. Listening to his live recording several times without a break reveals also a story arc of literary transcendence. And as transcendence is something beyond speech, the music of Rex Ilusivii can't be narrowed down in phrases. Only one thing must be recommended: surrender to it and it will surrender to you.
Michael Leuffen in June 2016

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16,77

Last In: 8 years ago
Quenum - Solitaire

Quenum

Solitaire

12inchCADENZA110
Cadenza Records
05.09.2016

Philippe Quenum returns to Cadenza Music with 'Solitaire', some thirteen years after helping kick start the Swiss label with the 2003 release 'Orange Mistake'/'Funky Dandy'. This groundbreaking single, co-produced with Luciano, has since become a landmark release, not just for the label, but also as the benchmark for the micro-house and minimal tech-house genre that developed over the decade. With a music career than spans back to the mid-80s (dancing in NYC as part of the breakdance troupe, The Magnificent Force), Quenum found his forte with house music, both as a DJ, and as a producer and label owner. Setting up the Access 58 label in 1998 as a platform for his music and collaborations, Quenum has consistently released over the years for labels like Crosstown Rebels, Soma, alphahouse, Thema and Trapez LTD. 'Solitaire' finds Quenum on fine form; on the lead track, dubby FX and bass shaking shots roll out over an urgent disco beat, muted brass and technoid stabs fire from all directions as the tension building pads flourish. Shadowy forces are at play on 'Mystic'; discordant sounds echo and bellow over reverberating percussion and a dense back beat that fire into life with shuffling hi-hats. Wrapping up this welcome return to the label is 'Mystery'; whipping snares and industrial clangs rumble over the urgent drums for more hypnotizing dancefloor work from Philippe!

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7,44

Last In: 4 years ago
Xxxv Gold Fingers / Man Dela - Galegos Bar/the Ritual Epm (anton Zap Remix)

What Ever Not is the variegated music outlet from experienced Dodi Palese and Dan Mela, Italian DJs and producers supporting, selling, playing and releasing instrumental and dance music for two decades. What Ever Not tenth record, 'Galegos Bar / The Ritual', sees a split release signed by Dan Mela and Marco Erroi. Label co-founder Dan Mela inaugurates a new moniker 'Man Dela' for 'The Ritual' - the original track gets remixed by Anton Zap, with whom Mela already collaborated for a digital release on his own Ethereal Sound. Flipping on the other side, Marco Erroi, head of Common Series Ltd, continues his production career with 'XXXV Gold Fingers' for the 'Galegos Bar' side - one of the many different aliases he personifies - also contributing by realizing the artwork. 'Galegos Bar / The Ritual' offers two sides of the same coin and we can have both things with one stroke. The common denominator is the ethnical ritual. It is fully expressed in the Man Dela side with deep and hypnotic ride out turned upside down by Anton Zap with a dynamic electronic waltz. The same item, however, is magically hidden in the XXXV Gold Fingers side, where we can find it in the form of drink beer and play cards just like in most terrible bars in South of Italy.

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9,12

Last In: 5 years ago
These Hidden Hands - Vicarious Memories

After These Hidden Hands re-surfaced earlier this year with the collaborative single These Moments Dismantled featuring Lucrecia Dalt, Tommy Four Seven and Alain Paul a.k.a. Shards are set to release Vicarious Memories, their second full length LP, on August 8th 2016. Vicarious Memories builds substantially upon the sound forged with their debut album and brings a considerable new level of detail, complexity, and musicality, which ranges from flowing mellifluous grooves, somber drones, to the outright bizarre and unexpected. Although loosely an instrumental electronic album, the album makes extensive use of guitar and vocals and features prominent guest vocal contributions from underground Berlin based musicians Julia Kotowski and Ale Hop. The album's preceding single, SZ31X71, a track which features on the LP is out July 11th, featuring a remix by revered Tri Angle artist, Roly Porter. Vicarious Memories will be released via the group's own imprint, Hidden Hundred available both digitally and as a 12 vinyl LP featuring gatefold cover art by Norwegian illustrator Anders Røkkum. Vital Sales Points: - Upcoming press: The Quietus, Thump, I-D Magazine, XLR8R, Future Music, Boiler Room, Mixmag, Resident Advisor, Ransom Note, Tsugi, Rockerilla & more - These Hidden Hands play Berlin Atonal, August 2016

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13,99

Last In: 4 years ago
Man Friday - Love Honey Love Heartache

Vinylmania: As classic disco came bounding through the late '70s and into the electronically orientated sounds of the '80s, New York was one of the undisputed frontiers for the latest developments in dance music culture, nightclubs and the art of DJing. At the center of this seminal time for vinyl culture was a store called Vinylmania, set up by Charlie Grappone in the heart of Greenwich Village, Manhattan, just as the culture of 12-inch singles and promo copies was taking hold. From supplying Levan, Tony Humphries and many more with the latest imports to championing the emergence of house music in the mid-'80s, Grappone and his staff played a significant role in New York's own dance music story. Through the '90s and up until closing in 2007, Vinylmania was a store that catered to DJs from across the complex mixture of racial, social and sexual demographics that made up New York and its legendary nightlife. Man Friday: As the NYC Peech Boys came to an end, Man Friday became Larry Levan's newest production project. Fronted by Kofi Morny and Brodie Williams, their dubut single 'Love Honey, Love heartache' was released by Vinyl Mania in 1986 with Larry Levan at the helm of the mix. Love Money: In the spirit of most dance music borrowing elements from other sources, 'Love Honey' was heaviliy inpired by another Paradise Garage & Loft classic from 1980 and its remix in 1981 by UK Outfit Funk Masters / TW Funkmasters. A dubbed out track big in the Jazz-Funk scene in the UK, it became a hit among underground Deejays in Both NYC & Chicago. Love Honey: No matter what list you look at. 'Love Honey' is always attached to Larry Levan's tenure at the Paradise Garage. All the elements of a Garage Track are here; Dub Echoes, Synth Basslines, Percussions that linger, FX -that one can only dream of hearing on a Richard Long System- and an Organ, because after all, they say the Garage was like going to Church. Remember when you'd buy a record after hearing it at the Club We miss that. As a result, We are proud to Introduce Get On Down Sound with the aim to bring back our favorite Dance 12's to a new generation of Vinyl-DJs. Re-mastered for optimal club use, these are official re-issues of some of Dance Music's most influential cuts.

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21,81

Last In: 7 years ago
Timmy P - Safety First

Timmy P

Safety First

12inchDES133
Dessous Records
08.08.2016

Timmy P's latest outing on Dessous Recordings continues the long list of illustrious labels that have been home to his house vision. Now based in London, Timmy has a string of emphatic releases under his belt, not least on influential imprints such as Local Talk, Extended Play, Dirt Crew and MadTech. With Safety First, Timmy's playful approach to the deeper side of house shines though. The title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. The fantastically named 'Grim Fandango' is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. Timmy's balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. 'Bosh' is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while James Dexter's remix is a robust, deep roller. This is house music made with joy and passion.

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7,27

Last In: 3 years ago
Fierce / Zero T - Expose / Clandestine

Marky- 'Whaaat rollers!! I looove it!!!!!! Big tunes 100% support as usual'
Ant TC1- 'usual level of quality from a label that never fails, true to the original sound, never swaying from the good old roots this music was built on, it's a 10 out of 10 from me on both releases, Expose was an insta-fave for me upon first hearing'

Randall- 'Heavy tunes'

* Quarantine continues into 2016 with more from Fierce and Zero T, Following their recent Metalheadz release.

* ''Expose'' This stepping roller has been getting a lot of love of late. A misleading intro lulls you into a false sense of security, before the bass drops!

* "Clandestine" Another big break roller, echoing styles of long ago. Providing conscience for those who have none...

* Both these tracks continue to establish the return of Quarantine and have been getting supported and played by Friction, Fabio, Doc Scott, Randall, Hype, Bailey, Marky, Ant Tc1 and many more.

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6,68

Last In: 2 years ago
Tobias. - Helium Sessions

Tobias.

Helium Sessions

12inchOSTGUT96
Ostgut Ton
29.07.2016

Tobias. explores space and gasiform substances with his Helium Sessions on Ostgut Ton. Following his recent image and sound collaboration with visual artist Valentina Berthelon as Recent Arts, Tobias. now delves into the idea of music reminiscing gas leaking into space with four new tracks.
While we all agree that there can't be sound in a vacuum, Science Fiction taught us the opposite, that space can potentially sound hyperfuturistic, hostile yet exciting. And since the Chandra X-ray Observatory discovered the deepest sound in the universe near a supermassive black hole - why should analogue synth jams with the stars seem impossible
With Helium Sessions Tobias. proposes an acoustic representation of the gaseous state of matter in space. LAGEOS 1' on A1 already sets the tone with meandering drones atop a gnawing synth pad and distorted flickering percussion. The title refers to the satellite LAGEOS-1 which will continue to orbit planet earth in 5,860 kilometers altitude for another 8.4 million years (or 4,418064E+12 minutes) - we'll let you do the maths of how often the 6:03-minute LAGEOS 1' could be played until the satellite's returnal.
Nucleon' on A2 comes with a more dubby, deep and throbbing feeling, Helios' on the flip features epic noise textures with shimmering melodic synth leads and a multi-layered break beat vibe, while Spectrum V' on B2 closes this 12 with another dub cut, detailed synth explorations and alienated vocal bits.
Helium Sessions offers four new zero-g tracks from Tobias. spread out over 27 minutes on this extended EP, his third full-length album will be landing in 2017.

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11,72

Last In: 11 months ago
Marek Hemmann - Moments

Marek Hemmann

Moments

12inchFATLP015
Freude Am Tanzen
19.07.2016

The third time is the charme...that's right. Thus, the joy about the third album by Marek Hemmann is huge. Likewise, the third album is perceived as an important brand which ought to show the actual extent of a musician's potential. Either hold one's ground or dare something new Marek Hemmann is not deterred by such expectations. He was merely in the mood for new tracks. The eight newcomers on Moments' sound accordingly - easygoing, detached and characterised by the same profoundly and harmonically balanced musicality for which Marek Hemmann is world-renowned. Anyhow, a just continue as before' mentality is not an option for the Berliner my choice - from the beginning, his music effortlessly blurred the established genre lines. In this vein, his new work is influenced by a great candour.
As already accomplished with his highly esteemed albums In Between'and Bittersweet', in Moments' Marek Hemman takes the listeners - and certainly the dancers - on a journey through different spheres of contemporary electronic music. Nestled in Helio' and Bob' branches to significantly different moods are introduced from silent pauses to weightlessly lifting off to dancing around dreamily. Yet, within the many interwoven details, a noticeable sophistication can be picked out. Even more seamless and subtle, Marek Hemmann manages to unite euphoria and sweet melancholy, playful and sublime sounds, warmly shifting basses and sweeping synth-melodies.
Moments' provides moments of life and moments on the dancefloor with the fitting soundtrack. We are very happy
about this.

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10,50

Last In: 6 months ago
Frank And Tony - Under The Jaguar Sun,

Fresh off the heels of the success of their 'Waiting Ground' EP, the boys in black, Frank & Tony, are skating back onto the scene with another four track summer stomper, 'Under the Jaguar Sun'. The A-side starts things off with the titular track, a rollicking deep house number primed for sunset raves. A bouncing and lush bass line is the back bone of the track, as crisp hi-hats, distant, yearning pads, and shimmering bells propel dancers forward into eyes closed euphoria. Things ramp up quickly into peak-time ecstasy on the Breakaway edit of Solo Andata's A Ballet of Hands.' A whirling dervish of delicate music boxes, bowed guitars, delicate music boxes, and distant horns swirl around and weave in and out between a skipping drum pattern, pushing and pulling alongside a gruff and stuttering bass, perfect for those late night rooftop ventures. The B-side takes listeners into early morning after hours territory, starting with the groovy Difficult Loves.' An airy and luscious double bass keeps things bouyed as introspective pads shimmer alongside pillars of aquatic synths. Backed by a classic, shuffling NY House drum groove, this one is best served late into the evening. The boys wrap things up on a high note with the latin vibes of Sargasso.' Crisp tambourines keep things light as dense kicks and a bass line deeper than the deepest canyon pull dancers deep into the floor with a warm embrace. The star of the show is the bouncing and earnest synth line, which is partnered up with a pair of playful toms in a game of cat and mouse, making this track a weapon anywhere you place it in a set.

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7,44

Last In: 2 years ago
Monomite - Pondicherry

Monomite

Pondicherry

12inchVRTV002
Vertv
13.07.2016

After a refreshing and sold-out opening release by Mad Rey (Hotel La Chapelle), VERTV returns with Pondicherry, the second EP of another incredible young French newcomer: Monomite.

The multifaceted musician is sneaking around genres like House, Broken Beat, Hip Hop and Breaks revealing his signature sense of groove (Gimme Da Lighta Plez, Whatchulookinat), humor (Flying Saucers), depth ($$$) and his ability to funk, playing sensual hypnotic bass-lines and syncopated drums (Lovindabass Mon Frer, Les Baffes de Georges Moustaki).
VERTV is really proud to introduce you to this touching artist, Monomite's Pondicherry EP is an open window to his complex personality.
RIYL : Dego, Kaidi Tatham, Theo Parrish, Glenn Astro, Funkineven

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10,21

Last In: 6 years ago
Nortasun - Saft12

Nortasun

Saft12

12inchSAFT12
Saft
01.07.2016

Saft welcomes 'Nortasun' to it's expanding roster of artists. With not too much info being available about the artist, the music should do the talking. 'Nortasun' comes up with a sample drenched EP that consists out of swell basslines, mind expanding chords and outlandish percussion works. ''Untitled 1'' opens up with a carefully placed disco sample that hovers over the rhythms very nicely. The percussion section and the ascending chords serve the overal ambiance while Nortasun plays with the extended loop pattern that maintains of interest. ''Untitled 2'' serves as a very deep but functional voyage into tribal territory. A vary of percussion sets in and smartly exchanges tones with FX cuts. On the B side ''Fudge Fingas'' debuts on SAFT with an atmospheric beast of a remix for ''Untitled 1'' that constantly grows and cleverly uses vocal cuts that change up the original atmosphere and makes the overall a very broad work of house music. The Stevie Wonder like clava hit + piano solo's that come in when the remix progresses are all in courtesy of the Edinburghian producer himself.

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7,35

Last In: 4 years ago
Tigerskin & Grambow - Looking For Mushrooms Ft Das Eb

Our latest Looking for Mushrooms' EP comes to us from a collaboration between long time Dirt Crew resident Tigerskin and gifted jazz pianist and composer Grambow. We first heard from Grambow when his fluid key stylings featured on Tigerskin's Faint' in 2015. The title track is a suspenseful and moody journey, lead by live double bass from feature artist Das Eb". Building in intensity with Tigerskin's warm production and steady percussive instrumentation until Grambow's live lead on a gritty synth growls in over the top. A true modern electronic classic as far as we are concernred. Tsukiji' is a playful deep house groover. Balmy tuned percussion and shaken highs roll along under the light hearted piano which cruises along throughout the whole tropically touched endeavour. This track has Party' written all over it! Octocat' is a tougher italo disco tainted work out, tightly programmed live and analogue percussive elements push along, while wailing keys lick over a tenacious grunting bass. You can really taste and feel the long studio sessions the guys had to compose this great track. It is so much more than generic dance music. Red Fox' is a divine culmination of the pair's compositional prowess and dance music knowhow. A cinematic and spirited house track that glides and glistens via delicate piano, plucky percussive riffs, bright strings and woodwinds. We are very honoured to release this outstanding musical release by Tigerskin and Grambow.

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7,44

Last In: 7 months ago
Personable - Oyster

Personable

Oyster

12inchBOP007LP
Black Opal
27.06.2016

The master jammer returns! Opal are so proud to release this set of four beautiful, sun filled pieces of pure electronic music. Ged Gengras' Personable project is the boiled down syrup of many years spent learning his craft within synthesis. Captured directly from live home studio recording, each track lives and breathes in it's own space, 'Gambetti' serves a light structure of rattling snares and resonant bass boops dressed up with gorgeous, almost gothic hanging notes. 'Window' is a funked slice of Ged at his best, referencing grime/garage structure but extended out into am 11+ minute epic that conjures buccolic idyll, like funky sunshine. B-side opener 'Oyster' flips the vibe inward into a more paranoid number, similarly long form and rolling but with all melody turning in on itself and riffs decaying away into thin whispers. To close; the stunning 'Cormorant' forms itself from a bed of padded out bliss. Reminiscent of Oval or Pinkcourtesyphone, the track haunts with a breathy sadness which pulses forwards into squash court squeaks and deep forward facing kick drums. Every time I listen to Personable I'm hearing someone who approaches their instruments as a player, no concepts or grand ideas, just playing a synthesiser and doing it so well.

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9,20

Last In: 7 years ago
Wolfgang Tillmans - 2016 / 1986 Ep

Wolfgang Tillmans

2016 / 1986 Ep

12inchFRAGILE01
Fragile
27.06.2016

Wolfgang Tillmans designed Cover with Innersleeve

How to introduce the first record by Wolfgang Tillmans Now considered one of the most significant visual artists working today, his very first passion in life lay with music. This record features on its B-side three songs recorded in 1986 in his home town of Remscheid. The A-side features two pieces recorded in 2015/2016. The 29-year gap in between were marked by Tillmans exploring music, pop and club culture from many different angles. 'Make It Up As You Go Along' is a pulsing dance track based on the recordings of a book printing press in a factory in Stuttgart. Morphed through various production stages, the press's syncopations and his Tillmans' serendipitouspenditous vocals merge into an intoxicating track that could become a summer festival early a.m. favourite. 'Triangle / Gong / What' is an experimental offering made up ofwhich combines the sounds of playing a special alloy triangle, a 999 fine gold gong and a vocal, fused through a particular gain manipulation during the recording process. The 1986 side features three songs which Tillmans wrote and recorded with collaborator Bert Leßmann. A single channel recording from the rehearsal room was all he had from back in the day. With the help of Tim and Klaus Knapp the recordings were filtered and eq'ed and then supported with precise reconstructions of the original instruments. Out of this production process spanning 30 years a unique time capsule emerged, which portraits a small town teenager with some ambition. 'Time Flows All Over' is a haunting reminiscence of the angst and energy of the mid-1980s, infused with surprising contemporary relevance.

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7,44

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Weval - Weval 2x12" + CD

Weval

Weval 2x12" + CD

2x12inchKOM352
Kompakt
10.06.2016

When Kompakt came across Amsterdam-based Harm Coolen and Merijn Schotte Albers aka WEVAL back in 2014, we were blown away when we heard their slow-burning, darkly emotive tracks.

Their debut EP 'Half Age' on Atomnation featured painfully intimate and surprisingly kinetic electronic chamber pop that convinced us they were a perfect fit in Kompakt's family. Following two widely acclaimed EPs for Kompakt and playing numerous festivals including DGTL, Reeperbahn, Iceland Airwaves and Piknic Electronik, we now see the two tackle their self-titled debut full-length WEVAL. What you have before you is not a mere collection of tracks, but a complete listening experience with organic flow, emotional heft and a narrative thread.
Smitten with WEVAL's uniquely personal and catchy approach to producing dark electronic music, it didn't take much to win us over... and so came WEVAL's acclaimed 2014 label debut EASIER EP (KOMPAKT 318), followed by the bold and beautiful 2015 offering IT'LL BE JUST FINE / GROW UP (KOMPAKT 344) which saw the two soundsmiths digging deeper into the granularities of electronic funk than ever before. However, Harm and Merijn's music - while astonishingly fully-formed even in its earliest stages - always seemed destined for more, a bigger format, more space to explore the nooks and crannies of their rapidly evolving sound cosmos. Simply put, they needed to think about an album and their beloved living room studio wasn't cutting it anymore.
An old school building became WEVAL's new home, repurposed to house small creative businesses - but in the summer of 2015, it was abandoned most of the time, with everybody out in the sun while our heroes turned the building's attic into a sweet spot to make some noise, have 24-hour access and lose track of time. And apart from a sketchy tenant being evicted, the occasional soccer game with friends and live gigs across Europe, there really was no interruption to the focussed vibe. It's not like they were looking for distraction anyway: "working on the album all by ourselves in this bloody hot attic was all we had on our mind", the artists admit. And they decided that their album shouldn't sound too clean: "We try to find the beauty in imperfection. It makes things sound more human".
Weval draw their inspirations from no single genre of music but a cumulation of music that inspires them. The results present an astonishingly coherent vision - cuts like the dramatic THE BATTLE, bass growler I DON'T NEED IT or the trippy epic MADNESS share the same DNA of zestful nostalgia, a knack for immersive sound-sculpting and that certain kink in the groove. They also feed on deeply personal experiences and moods, as exemplified by the haunting electronic ballad YOU'RE MINE, the carefully layered, polaroid-tinted JUST IN CASE or the beautifully voiced closer YEARS TO BUILD. And sometimes, it's just an old, out-of-tune piano that stands in the hallway: "Whenever I'd pass by it, I couldn't resist playing it", says Merijn, "so Harm decided to start recording and it became an integral part of YOU MADE IT (PART I)". No doubt about it: this is WEVAL's most powerful and organic material yet - which means a lot, considering the amount of skill already on display in their small, but weighty portfolio.
(de) Als sich 2014 in Amsterdam Kompakts Wege mit denen von Harm Coolen und Merijn Schotte Albers aka WEVAL kreuzten, waren wir sofort Feuer und Flamme für ihre schwelenden, emotional aufgeladenen Tracks. Ihre Debüt-EP "Half Age" auf Atomnation präsentierte intimen und überraschend kinetischen, elektronischen Kammer-Pop, der wie angegossen zu Kompakt zu passen schien. Nach zwei vielbeachteten EPs auf dem Label und einer Reihe von Festvialgigs (inklusive DGTL, Reeperbahn Festival, Iceland Airwaves und Piknic Electronik) nehmen Weval nun mit dem gleichnamigen Release ihr erstes Album in Angriff. Und legen dabei nicht einfach nur eine Ansammlung von Tracks vor, sondern kreieren eine komplette Hörerfahrung mit organischem Flow, emotionalem Gewicht und einm roten Faden.
Angetan vom einzigartig persönlichen und mitreissend düsteren Klang WEVALs brauchte es nicht viel um uns zu überzeugen... und so kam es 2014 zum gefeierten Labeldebüt EASIER EP (KOMPAKT 318), gefolgt vom kühnen und wunderschönen 2015er Release IT'LL BE JUST FINE / GROW UP (KOMPAKT 344), für das die beiden Soundtüftler tiefer denn je in die Granularitäten des elektronischen Funks abtauchten. Nichtsdestotrotz - und obwohl sie schon von Anfang an ausgereift klang - schien die Musik von Harm und Merijn auf dem 12"-Format stets bestimmt für mehr: mehr Freiraum um auch die äussersten Winkel ihres rapide expandierenden Soundkosmos zu erkunden. Sie mussten schlichtweg zum Langspielformat wechseln, und ihr heissgeliebtes Wohnzimmerstudio konnte da nicht mehr mithalten.
Ein altes Schulgebäude wurde schliesslich WEVALs neues Zuhause, umfunktioniert für kleine Kreativunternehmen - doch im heissen Sommer 2015 stand es zumeist leer, da alle draussen in der Sonne badeten, während unsere Helden im Schweisse ihres Angesichts das Kellergeschoss in ein lärmfestes Aufnahmestudio verwandelten. Mit Studiozugang rund um die Uhr liess es sich bestens die Zeit vergessen. Und abgesehen von der Räumung eines zwielichtigen Nebenmieters, dem gelegentlichen Fussballspiel mit Freunden und natürlich Live-Gigs in ganz Europa, gab es auch keine Ablenkungen vom hochkonzentrierten Kreativfluss. Ablenkungen, die das Duo ohnehin nicht suchte: "ganz allein in diesem verdammt heissen Keller am Album arbeiten war alles, was wir im Sinn hatten", geben die Künstler zu. Und sie entschieden sich, dass ihr Album nicht zu sauber klingen sollte: "Wir versuchen die Schönheit im Makel zu finden. Es lässt die Dinge einfach menschlicher wirken."
Weval beziehen ihre Inspiration nicht aus einem einzelnen musikalischen Genre, sondern eher aus einer Akkumulation von Musik, die sie inspiriert. Die Ergebnisse zeichnet eine beeindruckend kohärente Vision aus - Aufnahmen wie das dramatische THE BATTLE, der Bassknurrer I DON'T NEED IT oder die Trip-Saga MADNESS teilen diesselbe DNA aus schwungvoller Nostalgie, einer Schwäche für immersive Klangschnitzerei und einer gewissen Delle im Groove. Sie nähren sich auch aus zutiefst persönlichen Erfahrungen und Stimmungen, wie zum Beispiel bei der eindringlichen elektronischen Ballade YOU'RE MINE, dem vorsichtig geschichteten, polaroid-gefärbten JUST IN CASE oder dem wunderschön gesungenen Schlussakt YEARS TO BUILD. Und manchmal ist es nur ein altes, verstimmtes Klavier, das im Flur herumsteht: "Immer wenn ich dran vorbei lief, musste ich darauf herumklimpern", erklärt Merijn, "also wurde es ein zentraler Bestandteil von YOU MADE IT (PART I)". Kein Zweifel: dies ist WEVAL's stärkstes und organischstes Material bisher - was durchaus was bedeutet, wenn man das Talent bedenkt welches bereits in schmalen, doch gewichtigen Portfolio der Band steckt.

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19,96

Last In: 4 years ago
Mammal Hands - Floa LP

Mammal Hands

Floa LP

12inchGONDLP014
Gondwana Records
10.06.2016

Mammal Hands are a trio of like-minded musicians: Nick Smart piano, Jesse Barrett drums and tabla, and Jordan Smart saxophones. Floa is their second album for Gondwana Records and in the 18 months since their debut, Animalia, they have carved out a growing following both here and abroad for their hypnotic fusion of jazz, folk and electronica: winning fans from Bonobo and Gilles Peterson to Jamie Cullum. Landmark live performances have included shows at King's Place in London and the RNCM in Manchester, as well as a barn-storming debut at the Montreal Jazz Festival. Drawing on a rich well of influences from Sufi and shamanic African trance music, Irish and Eastern European folk music, to Steve Reich and Philip Glass and more contemporary electronica influences, their music is built around deceptively simple sounding ideas that are lent power through the use of repetition and rhythmic loops. They have been compared to both Portico Quartet and GoGo Penguin for the way in which they navigate the choppy waters between contemporary dance music and jazz. Floa (an old Norse word that means to deluge or to flow) is the sound of a more confident, experienced band: one that has grown together naturally through touring and gigging and through mammoth writing and rehearsal sessions where all three bring rhythmic, improvisational and melodic ideas to the table. Floa was recorded at Gondwana's home from home, 80 Hertz Studios in Manchester, reuniting the band with producer Matthew Halsall and features some of the Gondwana Orchestra strings who played on Halsall's acclaimed album Into Forever. Together they have crafted a wonderful sounding record, the richness of which perfectly illuminates the band's music. Artwork is from Gondwana's in-house design maestro Daniel Halsall whose artwork of symbols created from older symbols perfectly illustrates the creative ideas that drive the band's music.
The release is supported by an extensive UK tour including dates in Norwich, Bristol, Brighton, Manchester and beyond. The band support Matthew Halsall at St John's Hackney on May 26th and have their own head-line show at the Jazz Cafe, Camden on 31st May. Confirmed airplay from Jamie Cullum BBC Radio 2, Gilles Peterson 6 Music, Radio 3 Late Junction, BBC Scotland Jazz House, Jazz FM, John Kennedy X and full servicing to all specialist and online radio stations. Reviews from The Guardian, Mojo, Record Collector, Jazzwise, Nos Magazine, Nowthen and local press. Online support from AllAboutJazz, Quietus, Access All Areas, Bebop Spoken Here and beyond.

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25,84

Last In: 3 years ago
Fat Freddy's Drop - Blackbird 2x12"

Fat Freddy's Drop

Blackbird 2x12"

2x12inchDRP019LP
THE DROP
01.06.2016

Heavyweight soul providers Fat Freddy's Drop are about to take flight once again with the worldwide release of new album Blackbird on 24th June 2013. Blackbird is the third full-length release from the New Zealand band and will see Fat Freddy's Drop exceed half-a-million album sales worldwide, the result of playing over 800 shows in their career-to-date, clocking up 412 appearances in Europe, 27 Australian Tours and over 300 shows in their homeland.

Fat Freddy's Drop celebrate a decade of European touring by releasing Blackbird in East London. The already sold-out show at Village Underground attracted over 4,000 hopeful ticket ballot entries in just 24 hours for only 500 lucky spots.

Featuring nine tracks, Blackbird was written and recorded at Bays, the band's own studio, which was one of the last vinyl pressing plants in New Zealand and then an apostolic church. Fitchie says, 'What you hear on the album is the sound of Bays, the room itself, the vibe of the place and the performance we can get out of the band in there.'

'Blackbird is truer to FFD's musical philosophy than anything else we've done', says Chopper Reeds. 'The song structures are open and unruly - just like our live shows - whilst we've pushed ourselves to deliver rich and deeply layered arrangements that showcase Joe Dukie's exceptional voice. We feel totally at home melding together this unholy mix of disco, rootsy dub, blues, soul and electronic funk - it's what we do.'

Fat Freddy's Drop have released two studio albums, 'Based On A True Story' (2005) and 'Dr Boondigga & The Big BW' (2009), two live albums, 'Live At The Matterhorn' (2001) and 'Live At Roundhouse' (2010) and a stash of limited edition vinyl singles, including the now legendary 'Midnight Marauders' and 'Hope For

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26,01

Last In: 2 years ago
D. Baldelli / Dionigi - Sit Back

QND Philosophy starts with a new project from veteran cosmic disco originator Daniele Baldelli and his long time partner in crime Marco Dionigi . The two Gents will take us into a spaced out galaxy of sounds. So Sit Back , Fasten your seat belts and enjoy the trip .... SALES POINTS: Daniele Baldelli (Baia Degli Angeli/Cosmic) Considered worldwide as a truly innovator for his 'cosmic style trademark' a mix of African music, disco, psychedelic rock, krautrock and dub, often played at the wrong speed, he's a very active dj and respected artist. Marco Dionigi Resident DJ of top italian club Alterego since '89. Besides being the Mastermind and founder of Quantistic Division/QND Philosophy labels. He is a popular dj and and experienced producer KEY RELEASES ' Baldelli & Dionigi Cosmic Disco !' Cosmic Rock!!!' (Eskimo Recordings) ' Baldelli & Dionigi The Units Remix High Pressure Days' (Opilec Music) ' Baldelli & Dionigi Adaptors The Music of Richard Bone' CD (Prismatikone Records/Word And Sound) ' Baldelli & Dionigi Phil Manzanera Caracas - Mental Remix ' ( LN/CC Recordings) ' Baldelli & Dionigi Museum Of Love Remixes (DFA Records)

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7,44

Last In: 8 years ago
Cassius - Action

Cassius

Action

12inchBEC5156429
Because Music
30.05.2016

Ibifornia, the new album of Cassius, will be released the 24th June. The French duet composed of Zdar & Boombass is back with its filth album. Take a piece of Ibiza ("Ibi") and another one of California ("fornia"), and you'll get all what you need to dance and dream beneath the sun of Ibifornia. For this new record, the 2 acolytes have once again managed to surround themselves with talented artists such as their old partner in crime, Pharell Williams, a totally transformed Cat Power, the great Mike D (Beastie Boys), and the over-playful guitarist Matthieu Chedid, among other names. Action", the first single that features Pharell Williams and Cat Power will be out in EP vinyl as a first teasing support, one month before the release of the album. It features as an exclusiveness the long version of the song Action", and 2 remixes that have already taken us elsewhere, as we're getting ready for the next sound jetlag...rendez-vous at Ibifornia's!

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7,44

Last In: 7 years ago
Mirko Loko - Comet Plan

Mirko Loko

Comet Plan

12inchCADENZA109
Cadenza Records
23.05.2016

Swiss DJ & producer, Mirko Loko, continued to indulge in his intergalactic persuasions on last year's long player Comet Plan". Released on Cadenza, Mirko's second album was enthusiastically received and picked up many fans for its collection of blissfull and wide-eyed electronica and techno sounds. Featured guests on the album included dOP's vocalist, JAW, and Francesco Tristano. 12 months on, and Comet Plan' gets revisited and remixed by two stellar names from the electronic dance community. Sebastian Mullaert is well known for partnership with Marcus Henriksson as Minilogue, the Swedish duo responsible for killer albums & singles for the likes of Cocoon, Silver Planet and Wagon Repair. Mullaert plumps for a solo remix of Venus' of epic proportions, split into two versions, Phaze One' and Phaze Two". An organic trip through the cosmos, Mullaert tweaks and teases over two seductively trippy versions, showing us a master class in minimal electronics. Hailing from Dallas, Brett Johnson has become synonymous with masterful jackin house music via singles for Derrick Carter's Classic, DJ Sneak's Magnetic, Freerange and Visionquest. Brett tackles U Special' featuring JAW, and turn in a very tasty Remix and Instrumental version. Soulful, spacey and groovy in equal doses, Brett delivers the goods in abundance on these mixes. A tight remix package that bows respectfully to Mirko's original visions, and a timely reminder, to the uninitiated, to check out the album for further inspection.

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7,44

Last In: 4 years ago
Alter Ego - Rocker / Gate 23, The Tuff City Kids Remix

Who would have thought that Gerd Janson and Phillipp Lauer, aka The Tuff City Kids, delivering a 'Rocker' mix for Alter Ego, wich is not only one of their best up to this date remixwork, but also probably one of the biggest electro-summerhits in 2016. The Tuff City Kids production work is quite similary eclectic like in Roman Flügel and Jörn Elling Wuttke's original version. They know exactly how to juggle with different styles, until they come up with a fresh new sound that transforms an ordinary rave into an unforgettable happening. In this case they are mixing real performed krautrockdrums, 90's prototrance-balearicstrings and an unexpectedly new, enthusiastic way of working with Alter Ego's trademark melodyhook. This melody-theme is dripping formally out of every programmed bass and synthesizer line without beeing to cheesy, superficial or over the top. Even their 808 electro-remix for the track Gate 23 is keeping to the premise of the legendary New York punk rock band The Ramones, that a good party track should not illustrate the effects of psychedelic drugs, the music has to be the pill itself. The rich details and playfulness of the mixes are showing Gerd Janson and Phillipp Lauer as real fans of the original versions.In the same spirit, they are trying to melt pop-appeal, art-sensibility and clubhit-function in one piece of vinyl.

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8,87

Last In: 4 years ago
Rosas Nievas - Going Away Soon

Nearly a year after his acclaimed debut EP, 'Every Inch of You', a musical project meant as an ode to the memory of a once great man, his Grandfather, the enigmatic, Rosas Nievas, steps up to the plate with a sophomore outing for Scissor and Thread, Going Away Soon' On the A-side, the bombastic opener, wastes no time getting its feet moving with charged up percussion, guitar licks, and playful sampling with a clear ode to the likes of Matthew Herbert. Nearly Lost You, Though' sees Rosas Nievas pair up with the singer Poppy Roberts on an emotional house jam primed for a peak time lovers rave . A rock steady kick and shuffling percussion are the anchor, as smooth pads and ethereal, hypnotic vocal snips swirl around the listener before the singer's voice emerges forward with a heartfelt, soulful ode. The b-side takes things down several notches with the funky and loose, Roses are Dead, Violets are Blue,' a hypnotic rhythm cycle flanked by a powerful bass line a reverb-laden piano and a sax ensemble emerging as we are lead with eyes closed on a euphoric early morning dance ritual. The closer, Edge of Keys", continues the shuffling rhythmic patterning of the latter track, but couples with a loose form Rhodes piano, finishing off the EP on a gentle tone, as if coming to terms with loss, bittersweet and full of joy.

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8,70

Last In: 2 years ago
Duktus - Hannah

Duktus

Hannah

12inchTL011
ThinkLoud
28.04.2016

The warm dim light of the bedside lamp conjures up a kind of shadow theatre, sends the little stars on the ceiling into a spin, and fills the bedroom with a sense of profound peace. A small music box rounds out the evening atmosphere with soft little melodies. Perched at the side of his daughter's little bed, he watches over his little beat princess' slumber and her dreams, all while enjoying with satisfaction the unencumbered lightness of being at night...

The EP Hannah by the Leipzig-based beatmaker Duktus is a musical tribute to his three-year-old daughter and a personal instrumentalization of fatherhood.

A story told from Duktus' point of view in six different pieces, we can become part of little Hannah's world, as she plays in her room and runs around the playground, goes on adventures during the day and dreams at night.

In EP Hannah, Duktus casts his musical gaze backward in two different ways - both in terms of the experience of being a father and the moments, great and small, that this involves, as well as in terms of his musical influences over the past three years. This produces an atmosphere which, however, does not waver from Duktus' musical direction between uptempo broken beats and downbeat house grooves.

The EP Hannah cover was painted by Hannah herself at the age of two. And it is being produced in a complicated silk-screen process, printed in purple - Lila's favorite color! - on uncoated paper, making for a tactile homage to the little beat princess.

It is only a matter of time before Hannah discovers the record for herself as well. She already got her own record player as a present - from her dad, of course - and is a big fan of old fairy tale records. In the eyes and ears of a DJ and beatmaker, this is all a matter of early musical education.
- I dedicate this record to my daughter Hannah'
- Duktus -

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12,56

Last In: 8 years ago
A Sagittariun - Elasticity

A Sagittariun

Elasticity

2x12inchEDREAMSLP002 2X12"
Elastic Dreams
25.04.2016

Ambient techno exponent, A Sagittariun, fires off another full-length album transmission this April on his own Elastic Dreams label. 'Elasticity' is the Bristol based artist's second long player, and the follow up to his acclaimed 2013 debut, 'Dream Ritual'. Having last released a trio of singles in early 2015 (for Hypercolour, Secret Sundaze and Elastic Dreams), 'Elasticity' marks a return for A Sagittariun, and fans of the slippery and elastic sounds that hallmarked his debut album will not be disappointed. 'Dream Ritual' helped firmly establish A Sagittariun as an artist whose musical chops and integrity operate largely outside of the mainstream and a producer who chooses to put the music firmly center stage, whilst opting to remain relatively anonymous within the music scene. A Sagittariun explains, Elasticity was recorded over quite a short period, but the sketches and ideas have been germinating for some time, so sonically it's very coherent and consistent and moves in a way that I personally like albums to move in, with a narrative and flow that holds you right to the end. The recipe for Elasticity was always to be malleable and pliable with the sounds and tempos, for me it's all about the listening experience, and creating a landscape and a world within that one can really get deep into and explore, it's optimistic and progressive music for the head, heart and feet. I really do advise the listener to don headphones and take the trip with me".

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15,92

Last In: 6 years ago
Camille Rodriguez - Andalusian 2.0

The BTRAX records label is back after few years off, and we are sure that new EP will not disappointed you. We are very proud to put out 1 stunning track made by one of the label artist : Camille Rodriguez from Paris - France.Electronic music drives his life for over 10 years now, he has developed his own style incorporating all his influences. He is passionate about the live, and create that way with synthesizers, sequencers, BAR and samplers... He likes pushing himself sweating behind his machines, improvising at every moment, keeping control of every sound in order to play more intuitively, getting a better communication with the crowd...
'Andalusian 2.0' comes in two guises, the Original Mix which delivers some perfect techno keys and claps over its stomping techno beat, giving it live performance style flavor. The Traumer Remix takes it into darker warehouse territory but still retains the warmth and groove. Kaine's Remix delivering some tough dub techno workouts that still have just the right amount of funk and groove.

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8,28

Last In: 20 months ago
Arena - S/t

Arena

S/t

12inchSIR013LP
The Roundtable / Northside
16.04.2016

The Roundtable & Northside Records are pleased to offer this long awaited and special Record Store Day reissue of this highly collectible Australian rare groove LP.
If you can imagine the gathering of a group of Australian session musicians channelling the sounds of Herbie Hancock Headhunter's and Marc Moulin's Placebo, recording an album out of hours at a TV studio and then releasing a privately pressed hard hitting jazz funk record then what you have is Arena, one of Australia's most revered and scarce rare groove records.
This was the name given to a pick-up group of session players led by Ted White, a veteran of the British big band jazz scene (an associate of Ted Heath and Basil Kirchin) who had immigrated to Australia in the 1960s to work in the burgeoning television industry. This one-time studio project (recorded only to test out the facilities for a new studio) barely yet thankfully saw an LP release in 1975. Pressed in minute quantities only with limited distribution, the album was subsequently forgotten and obscured by time, only to be resurrected in the 90s by DJs and collectors seeking out lost and rare records.
The album has since become one of the country's most celebrated and collectible jazz funk recordings and has proved to be a pivotal point in Australian jazz, marking a shift from the modern jazz and R&B sounds of the previous decades to the cross pollinating electric jazz funk of the 70s. Characterized by the heavy use of electronically treated saxophone, psychedelic guitar, Moog and spacey Fender Rhodes, the album is a classic of the genre.
While acknowledging the often compiled and sampled breaks track, The Long One, the complete album offers much more, exemplified by its complicated and obsessive jazz rhythms, abstract and middle-eastern horn lines and pulsing electric funk.

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15,92

Last In: 6 years ago
Bushido - Grandmaster Cash

Up next to bat for the Astral Black label is Glasgow's Bushido and he looks set to hit his debut 4-track EP straight out the park. Over the past 18 months Bushido's playful, dance-hall infused take on UK club-music has built a steady reputation, with his soundcloud page showcasing a blaze of radio rips lifted from 1xtra, Rinse & NTS. His Beach Stage set at last years Outlook Festival was picked by The Daily Street as their personal highlight and his collaborations with label-mate DJ Milktray & contributions to releases from Liminal Sounds & LuckyMe's 14/15 advent calendar have picked up DJ support from the likes of Hudson Mohawke, Mssngno & Nina Las Vegas as well as press from the likes of The Fader & FACT.

On 'Grandmaster Cash', Bushido turns in 4 sweltering, hyper-tropical, club tracks - the arpeggiated cowbells & vocal chops of opener 'Palm Trees' sounding like you've hit the jackpot on a fruit machine. 'Palm Trees' has become a firm favourite in sets from the likes of Mr Mitch & Murlo and its clear to see why. The sino-centric 'Cherry Blossom' is up next, it's half-step breakdowns offering some mild respite before culminating in an arsenal of pan-flute chops & triplet hi hats. The mavado-sampling 'Just Us' rings out at the top of side B, a stripped back offering of anthemic vocal-chops, 808 kicks, sub bass and rim shots. Finally, leaving the B'more bounce of Boxed-favourite 'Jersey' to seal the deal.

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8,19

Last In: 6 years ago
Beaner - Coopted & Exoticized Ep

We here at L A MISSION like to whip out our politics in public. We kinda get off on it. And so we're especially excited to slip you B EANER' s first solo outing on the label . From track titles to sound samples to magazine articles to packaging, this record / magazine / performance package highlights im/migration, the brown experience, and stripped identity. La Mission knows from brown. The collective is run by a crew of devastatingly handsome deviants whose racial identity is, well...it's complicated. We've lived our lives being neither white enough nor brown enough to fit neatly into racial categories. And so we took some time out from our usual exploits (like our MultiDirectional Playground Tire Swinging' orgies and Elected Candidate/Dead Pig/HungerGames slashfic) to focus on brownness. People started talking about cultural appropriation' when Miley Cyrus started twerking. We couldn't throw shade fast enough. But cooptation and exotification runs rampant in all genres of music-including dance music. We here at La Mission feel pretty fucking awkward about it. We've seen queerofcolor culture turned into whitedudebro business ventures. And as brown folks with stripped and fragmented identities, we're never sure of what culture is ours to use and abuse, anyway. Can we honor our own roots if they're messy and broken When we're inspired' by the music of other cultural groups, is that solidarity or stealing Nothing we have is whole. We can only work with the fragments we have at hand, well aware that there's unfinished business... BLACKMOUTH is the live version of the classic soul/disco sampling house tune. Take the work o f o t h e r s w h o c a m e b e f o r e y o u a n d t u r n i t i n t o a d a n c e a b l e j a m . G O T B L U E S u s e s t h e w o r k o f a b l i n d 1930s blues bongo player to form a weirdo repetitive rhythm tool: another example of using a forgotten artist for one's own gain.

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10,04

Last In: 6 years ago
Rebelsteppa Ft. Stikki Tantafari & Sista Sherin - None Shall Escape / Give Unto Jah

Outstanding and miraculous, this record is an international effort, resulting in a great combination, relevant for both bagging it or playing out on a soundsystem. The original music is by one of Russia's most prolific and gifted reggae musicians - Rebelsteppa. Melodic instrumental music, a swing-stepper with a saxophone.

None Shall Escape the Judgement', vocals by Stikki Tantafari from Jamaica is on the A side of the record. This song is rough and tough, dynamic and persistent. Stikki Tantafari has previously released music with Paul Lush on Nucleus Roots Records.

On the B side "Give Unto Jah' by Sista Sherin, the German singer. Compared to the record's first side, this one is smoother, the voice of this young lady is glorious and captivating - positive vibrations.

Both sides feature Rebelsteppa's dub-mixes - His style is always a mixture of classical energy combined with peculiar intelligence of sound given by restrained echoes, created for the soundsystem.

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8,36

Last In: 9 years ago
Moderat - III LP 2x12"

Moderat

III LP 2x12"

2x12inchMTR064LP
Monkeytown Records
31.03.2016

You can call them a »supergroup«, but Moderat understands that it's the »group« aspect that makes them interesting.

Gernot Bronsert, Sebastian Szary (aka Modeselektor) and Sascha Ring (aka Apparat) have been working together as a trio almost as long as their two separate projects have existed. We've seen their collaboration grow from »laptop boy-band,« (as Ring playfully puts it) in 2003—with computers synched using software Ring himself had written, because at the time, »there was just no live performance software around.«

Ring confesses that Moderat wasn't »really meant to be a recording act ,« with Bronsert agreeing that, »it was really just about fun.« This maybe explains the six-year break that followed Moderat's first EP before they finally returned in 2009 with their selftitled debut album. Intent on creating something that contrasted with their own projects, the group started the cycle which blossoms on their second album, aptly titled II, culminating now in the trilogy's completion, III. Whereas I was the combination of two separate entities, II brought the members closer together, and in III, the final chapter in the trilogy, Moderat sounds like one band.

Both Szary and Ring will tell you that Moderat moved progressively from making tracks towards a more traditional writing approach of making songs - a process more fully realized on III. That's partly why the vocals have become more prominent. Mostly, you hear Ring singing (there are no guests this time), as he so often does as Apparat, but listen closely to »Ghostmother« to hear Bronsert and Szary backing him up. Stepping out of their comfort zone is the kind of thing that helped create their interplay between pop and electronics; doing it right won them the Resident Advisor Best Live Act honor as early as 2009, and they continue to gain popularity while remaining independent and underground.

Szary describes the idea behind Moderat as, »imagin(ing) yourself sitting in the cinema and watching a movie with an incredible soundtrack.« This is true with Moderat in general, but III in particular pairs an emotional pull with sensual imagery, creating dynamic sound and depth with lyrics such as »the calming scent of lavender fills the air,« or »burning bridges light my way.« You'd have
to ask them whether they're intending to manipulate the listener in the same way that John Williams or Hans Zimmer might with traditional orchestras.

One of the best parts of Moderat is their use of electronics to achieve orchestral diversity. They update the songwriting tradition with an intriguing palette, borne of careful attention and skill, informed by their »experiences with sounds of nearly 25 years of suband club culture.«
Let's not forget that these three were brought together by Berlin's now legendary rave scene. With this as their common foundation as individuals, III signifies Moderat's maturation in modern pop — an achievement shared under their collective belt.

Bronsert explains that, »the new album isn't based on jams. We went into the studio and knew exactly what we needed to do.« This is reflected in the sophisticated themes explored in the music. Take »Ghostmother,« which ponders inner peace, acceptance, fear of the unknown and how facing that fear often reveals something not so scary. Or »Running,« which is about being part of a mass that constantly needs to move to function, but doesn't have the power to decide the direction of motion. Or how about the wisdom of »Reminder,« which recognizes the world for its flaws and our role we've each played in that, but choosing to act differently and light the way to something better.

Given that, it's a bit of an understatement when Bronsert says, »I'd say our music has definitely matured.« Successful in their own endeavors, now they've mastered the »group«. It doesn't mean the end of Moderat, but it does mean they'll have to find something else to excel in.

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25,84

Last In: 3 months ago
Das Ding - Missing Tapes

Das Ding

Missing Tapes

12inchMW061
Minimal Wave
29.03.2016

Minimal Wave present an album of long lost tracks by Dutch electronic music pioneer Das Ding, entitled 'Missing Tapes'.

Danny Bosten formed Das Ding as a solo project in the early 1980s and released his music and friends' music via his own cassette label called Tear Apart Tapes. At the time, he was studying graphic design at art school, and in turn he ended up designing the artwork, cassette-sleeves and illustrations for the label himself. Meanwhile, he recorded his own music as Das Ding. Powerful dark electro, he made several addictive and danceable tracks which later become Minimal Wave hits. Danny made all his music in his bedroom which essentially turned into a small recording studio. He went on to release many of his own tapes and also played some live gigs.

Old tapes were uncovered around 2010, and Minimal Wave released a remastered version of 'H.S.T.A.' and select other tracks. A wave of renewed interest followed the record's release and soon people were in touch to propose live shows. Twenty years later, and after some deliberation, Das Ding was reincarnated under its old moniker but now with a revised line-up and a working set-up that reflected inevitable technological change.

Recently, Danny came across further tape archives from those early days. And from the batch, we selected our favorites to present to you in vinyl release form. 'Missing Tapes' is a limited edition LP pressed on 180 gram creamy yellow vinyl, and housed in a heavy weight printed glossy black and white sleeve featuring one of Danny's original illustrations from 1982.

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22,65

Last In: 2 years ago
Bing Ji Ling & Alex From Tokyo - Bing Ji Ling & Alex From Tokyo Present

The multi-talented musician/producer Bing Ji Ling (Tummy Touch Records/Ubiquity Records/Lovemonk Records/Claremont 56) and DJ Alex from Tokyo are very excited to share with you a brand new, collaborative track Not My Day', that encapsulates their experience in New York, as well as their friendship. It's been a few years in the making, but well worth the wait! Alex and Bing moved to New York around the same time, and met in a bar (filled with Loft heads) after one of David Mancuso's Loft parties. Bing recognized Alex's voice from his weekly Shibuya FM radio show in Tokyo, and went up to introduce himself, being a fan. Turns out, they have many friends in common in New York, Tokyo, and beyond. They were instant friends, family. The track came out of several listening sessions from Bing's basement studio in the East Village, where Alex shared some tracks he'd be digging, across a wide range of genres, eras, tempos, etc.. Everything was very easy, very natural...Back in Tokyo Alex and Isao bring their club vibe and remix the funky and groovy Not My Day' into a magnifique electronic deep house anthem!


On the flip is Bing's version of Lil Louis' club classic Lonely People' Alex has been playing non stop, providing along here his own DJ friendly Tokyo Black Star retouch club version. Bing's version was originally recorded for his covers album called Sunshine For Your Mind' that was first released in Japan on the label Rush Production. This album came about, after years of playing solo/acoustic covers with a looping pedal in Japan. Bing has since performed the song live in New York, London, and at Croatia's Garden Festival with rave reviews!


Bing Ji Ling and Alex now live just minutes from each other in New York City as well as the Catskills, and enjoy frequent meals, music and mountains. We hope you enjoy...Happy Spring!

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10,29

Last In: 4 years ago
Fold - Lenny's Jam

Fold

Lenny's Jam

12inchAUS1695
Aus Music
21.03.2016

The next installment on Aus Music sees the return of a relatively new addition to the roster Rob Glassett aka Fold. Throughout previous 12s on Manmakemusic and Electric Minds and on his outstanding 'Netflix & Chill' debut for Aus last year - Fold has laced together dusty House grooves built with a classic approach to sampling Funk, Disco and Soul records. Next up - his 'Lenny's Jam' EP starts up with a dub techno groove built with delayed and panned stabs and sharp, pacy drums. 'Rosie Lea' lays out a rich and sunny groove as a playful sample filters into focus over deftly treated drum kit samples and a buoyant bass line. 'Tracksuits and Tennis Shoes' then follows up with a no-nonsene party jam - a short funk link is set over a booming kick that closes up a nicely varied package".

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7,44

Last In: 8 years ago
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