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The third collaborative album by ASC & Sam KDC is here, entitled Surfacing. A six track excursion through sombre mood setting drones, relaxing hypnotic melodies, with a heavy slice of melancholy setting the scene throughout.
Pressed on clear/white heavyweight 180gram vinyl, with a high quality picture sleeve, designed by ASC.

There is propably no single event that has as potent of an
effect on the german Techno- scene as the fall of the Berlin
Wall. A city divided suddenly, in one single night, became
uni¦ed, opening up both sides for the new experiences and
ways to view life the other might have. Berlin’s eastside with
it’s empty, unused warehouses proved to be a fertile breeding
ground for free spirits and those carrying a newfound ¦re in
their eyes. This was the zero hour. The Consolidation. And it
is this mindset, spirit and ¦re of Consolidation that Shaleen
conjures on her debut EP of the same name. The title track
opens up by sampling John F. Kennedy’s legendary “Berlin”
speech from 1964, before absolutely caving in the concrete
with a beyond-heavy kickdrum and a very stripped down but
effective 909-percussion section. Spursed in along the track’s
runtime are droning sirens and JFK continuing to beckon you
to lose yourself in the metropolitan bowels. This is the
anthem of a past revolution. On Deconstruction, Shaleen
goes down a slightly more basement oriented route. The
Percussion shares the title track’s stripped down
effectiveness, but the Groove is more rolling, the Vocal
samples are more distorted and there are sharp synths
cutting through the beats like shards of broken glass. Of
course, a revolution wouldn’t be complete without a mob so
both Cadency aka Hector Oaks and New Frames have put
their spin on the EP’s title track. Mr. Cadeny is up ¦rst and,
being no stranger to revolutionary anthems, has given
Consolidation an almost contemplative mood in his Remix,by adding a very subtle melody. This doesn’t mean it hits any
less hard, mind you, there is an incredibly strong drive to the
track, paired with an almost constantly looping vocal and the
sirens going into overdrive, this would be the track to drive
crowds into a frenzy. Meanwhile New Frames’ track is the
kind of thing you wouldn’t want to encounter alone in a dark
alleyway. The sub-basses are heavy enough to terraform
Mars, the Jungle-esque Synthlines roar and snarl at the
listener and every drop feels like a right hook to the chin. The
original’s vocal is cut in a way that it only adds to the
stomping rhythm, putting you in a mood to throw bricks. So
while this record showcases an aggressive sound and a
mood for revolution, it is important to remember it’s title.
Consolidation. It echoes a message of uni¦cation. Of
standing together. Because together we are, have been and
will always be stronger than by ourselves.

Inland Knights’ reputation for delivering groove-centric, melody-driven tracks has made them household names in the house music community. This collaboration not only serves as a nod to their contributions but also introduces their sound to a new generation of listeners through the vinyl revival.

The tracks selected for this special vinyl re-issue are 'The Game,' 'Deep In Original Mix,' and 'Slumming It.' These selections are celebrated pieces within the house music scene, known for their groovy basslines, compelling melodies, and polished production, embodying the essence of Inland Knights’ impact on the genre.

Adding a contemporary twist to the re-pressing, Housetown Records has also enlisted Jake Childs to provide a special remix, enhancing the release with his innovative touch. Childs, whose releases on Drop Music have garnered significant acclaim, brings a fresh perspective to the project, promising a unique listening experience that honors the legacy of the original tracks while pushing into new sonic territories.

Warehouse Find!

Introducing Satelliet Studio, a multidisciplinary brand established in the world of clubbing and the production of related creations for several years. Satelliet represents a fusion of music and design, with a deep focus on the early underground dance cultures.

Bread & Souls is a new project dreamt up by Italian entrepreneur and music lover Franco Fusari. Franco invited Mark de Clive-Lowe on board to direct and produce an album of collaborations with some of our favorite artists including the likes of Bembé Segué, Vanessa Freeman, Paul Randolph, Rich Medina, Tommaso Cappellato and more...

Opening with the broken beat, soul-drenched I See You featuring Detroit’s Paul Randolph on vocals along with Taku Hirano on percussion Chapter 3 is here! Vanessa Freeman and Bembe Segue absolutely radiate on the head-nod of Little Did I Know, complete with Marcus Machado lacing classic D’Angelo-meets-Prince guitars. You heard the Domu remix on Chapter 1, and finally here’s the original! The EP wraps up with two remixes courtesy of Alex Attias and LTJ Xperience. Alex reworks the Bembe Segue featuring Never Gonna Leave into a deep tech house dancefloor workout while Italy's LTJ Xperience’s remix brings the mid tempo 4/4 to Rich Medina and Bembe Segue on Working On It (original version still to come!).

ETC Records proudly presents the official follow-up to RADIUS’ highly acclaimed limited 7”, Infinite Roots Vol.1. Chicago-born worldwide documentarian & respected producer/performer, RADIUS unveils Infinite Roots Vol.2, produced and recorded from 2015 to 2023. This volume showcases his diverse range of styles: Chicago Jazz roots, bboy/hip hop & house music lineage, Detroit techno connections, dub/Rastafari dissporic expansions, and cinematic soundscapes.

Infinite Roots Vol.2 features heavy hitters from RADIUS’ previous digital only releases, live performances, dance competitions, and unreleased gems. Created within Brooklyn where he was based early pandemic time, as well as throughout Mexico, Detroit, Barcelona, Berlin, Rotterdam, and of course Chicago. These diasporic roots run deep and are a reflection of everything: as above so below, as within so without, infinite. The sounds are meant to be Banged loud and proud!

Esencia is beyond proud to share the fourth and final album by Culross Close. Like previous albums it’s both inward and outward facing, something for the individual and the group and ‘Learning To Let Go’ follows this tradition.

Becoming Present is a peaceful refrain, littered with percussion and devotion,encouraging the listener to sit with what is, while Reactive State taps into something else entirely. It’s a hard-hitting ride filled with percussion and decimated drums, woven into a serenading flute that captures the mind for the song’s duration.

The mood changes with Attachments. A tale of two halves, twisting between hypnotic and swirling. Surrender requires time and immersion, as the listener bears witness to an enthralling interaction between drums and keys,eventually drifting into the soul-inflected Grounding.

The magic in Letting Be unfolds naturally. From the majestic string and harp arrangements, to the metronome of the percussion, each musician finds equanimity, place and peace in the composition. Letting Go…well, that speaks for itself.

The album closes with Forward, Only. This is the sound of a group of musicians comfortable in their stride and confident in their thinking. Ready to move with whatever happens.

2024 Repress

Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.

The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.

As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.

An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.

Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to.

2024 Repress

Ferdinger returns to his own label with an eagerly anticipated 8th vinyl release, an EP titled "Second Nature." This captivating EP features two original tracks from Ferdinger himself, as well as two remarkable collaborations with renowned artists Introversion and JakoJako, who shouldn't require any introduction.

The EP begins with the collaborative tour de force "Air France," where Introversion and Ferdinger effortlessly blend percussive elements, groovy rhythms, and dubby chords. Intricate layers of delay create a mesmerizing atmosphere, delivering on the ethereal promise suggested by the title. Following this captivating opener is "Bottom Lines", a relentless and uncompromising pounder infused with hypnotic acid lines that will leave listeners spellbound.

Flipping over to the other side of the record, we encounter the title track "Second Nature", a high-octane and melodic journey that showcases the artistic synergy between JakoJako and Ferdinger. With finesse and elegance, they expertly merge their individual styles, building up to a breathtaking climax that will undoubtedly leave a lasting impression.

Closing out the EP is the introspective and somber track "Heart Break", which transports us back to the dubby stratosphere first introduced in the A-Side. Its more intimate nature provides a reflective and introspective conclusion to the EP, leaving listeners in a contemplative state.

One of the key 45s in the output of Prince Jazzbo's Ujama label during the digital era of the late 80s - originally reissued via NYC's Deadly Dragon some 15 or so years back - gets a much needed new cut & press via Death Is Not The End's 333 series.

The late Earlando Neil aka Early B first started performing on soundsystems in the late 1970s, often appearing with his young apprentice Wild Apache, later known as Super Cat. It was alongside Cat that he is credited as a key driver behind the popularisation of the King Majesty and Killamanjaro stables in the early 1980s, following which he had a string of hit records for the likes of Harry J's Sunset imprint, Ossie Thomas' Black Solidarity and Jah Thomas' Midnight Rock label amongst many others.

Following a run of stellar LPs in the mid 1980s Early B's output began to wane as the sound of digital production began to take precedence, but not without firing off one the most killer shots ever recorded on a computerized rhythm for Jazzbo's Ujama in 1987. Reportedly the first time around for the hallowed Replay version, Imitator's subject matter takes aim at the new kids on the dancehall block ripping off the veterans, while he simultaneously pays hard-earned dues to the dancehall's foundation deejays such as Jazzbo himself, U-Roy, Big Youth, Dennis Alcapone, King Stitch, Trinity & Dillinger.

2026 Repress

West London’s Slip ‘N Slide presents a special four-track package on wax for the first time, as Seth Troxler and Franck Roger deliver remixes of the 1997 Blaze favourite ‘Lovelee Dae’. An iconic artist who needs little introduction, Seth Troxler’s name is synonymous with American house and techno of the last two decades, with his formative years in Detroit shaping his sound before moving to the techno capital of the world Berlin. His ventures as a label boss, and with Night Tales, further cemented the talent as an underground hero - he now joins the likes of Carl Craig, Roman Flügel, and Isolée in giving ‘Lovelee Dae’ an expertly crafted remix, building from minimal grooves to a grand and immersive wash of sound. Also stepping up on remix duties is Parisian producer, crate digger and label boss of Real Tone Records, Franck Roger, who adds his signature beat focussed approach to the iconic track. This vinyl package also includes Blaze’s striking original, as well as one of the very first remixes from the late 90s, the 20:20 Vision remix of which used copies go for big money. This is an essential 12 inch EP for any true house fan.

A vibrant kaleidoscope of sound, colour and emotion, British multi-hyphenate James Alexander Bright's new album 'Cool Cool' is set for release on 26th July via Athens Of The North. A dynamic set of urgent funkers, gentle soul ballads, head-nodders, fuzzy folkers and straight-up disco bangers span 10 songs that soundtrack fertile daydreams, esoteric dancefloors, languorous reflection, and wild excursions in nature and beyond. James' voice, pitched somewhere between Eddie Chacon, Beck and Michael McDonald, takes a confident lead on this new record. Whether tenderly caressing on the title track's beautiful soul minimalism or deployed passionately on boogie machine 'Straight Line'; it's an immediately recognisable signature. Impressive multi-instrumentalism sees him perform on guitar, bass, keys, programming, percussion, production and myriad quirky effects; across song subjects that cover searching for truth, imagining the distant future, teen nostalgia, relaxation exploration

Damian Lazarus invites Kristin Velvet to Crosstown Rebels for ‘Wasp Nest/Get Down’, featuring and remixed by house icon Fred P. Delivering her first material on the iconic label, the Arms & Legs boss serves up two diverse productions, including a collaboration with Fred P, with the New York favourite also providing two slick interpretations of his own.

Rising to prominence over the past decade as an artist backed by a wealth of support from BBC Radio 1, Australian-born DJ/producer and label boss Kristin Velvet has garnered consistent support from The Blessed Madonna to Fat Boy Slim and Carl Cox, seamlessly blending her roots with influences from her adopted homes across the globe, including London, Tokyo and most
recently, Berlin and Ibiza. Collaborating with Felix Da Housecat while releasing material via Josh Wink’s Ovum Recordings, Cassy’s Kwench and Hot Since 82’s Knee Deep In Sound, plus her own Arms & Legs which she co-manages with Daniel Steinberg, she continues a busy 2024 with a visit to Damian Lazarus’ Crosstown Rebels for the very first time with her two-track EP ‘Wasp Nest / Get Down’ - featuring a collaboration with house pioneer Fred P who also serves up two trademark, deep dives.

Warping and twisting, armed with robust drums and ever-evolving synths, ‘Wasp Nest’ is a trippy excursion through an amalgamation of textures, delivering a driving production with twists and turns at every moment, while the slick ‘Get Down pairs crisp percussion and smooth grooves with Fred P’s iconic vocal for a classy house outing. Delivering his own takes on the production, Fred P’s first reshape is a delightful dive through dubby pads and hazy chords before serving up a cosmic excursion across his ‘Deepness’ reshape to close things in style.

We’re glad to be back with the second installment of our new series of DJ and Artist curated 12” mini compilations: Melodies Record Club.

Ben UFO is up next for volume two, following Four Tet’s selection a few months back. Available early October in loud 12” format and digitally. Here we have two tracks which have been staples in Ben’s DJ sets at different times, but neither were originally produced with a club setting in mind, which is why they’ve never been available in this format before.

On one side, we have “Drums” from Laurie Spiegel’s 1980 experimental electronics album “The Expanding Universe”, a collection of tracks produced between 1974 and 1976 using a computer playing the actual sounds by controlling analog synthesis equipment under control of the GROOVE hybrid system developed by Max Matthews and F.R. Moore at Bell Labs. Drums is a percussive seven minute computer generated workout inspired by Laurie’s interest in African and Indian musics, and which brings to mind the most far out kosmiche music of the period to modern day techno. A connection Ben has tried to make explicit by including it in his first BBC essential mix back in 2013.

On the flip we have a track by Olof Dreijer from the Swedish band the Knife who’s work you might also be familiar with under the moniker Oni Ayhun. Back in 2009 his artist friend Adnan Yildiz curated an exhibition called “THERE IS NO AUDIENCE” in Montethermoso, dedicated to public imagination. Adnan commissioned a single piece from Olof called “Echoes from Mamori”, that played on loop during the exhibition and was subsequently released only on CD. A contemporary piece more clearly indebted to house music, Olof built the track around arpeggios generated using sounds of frogs he recorded in the Amazon and birds around Berlin, fed into a sampler.

Musician, composer, bandleader and musical rubik’s cube, Laurent Bardainne is a saxophonist who trained at The Paris Conservatory.
He’s collaborated with Pharrell Williams, Cassius and Philippe Katerine to name just a few and presents here his latest project, ‘Tigre d’eau Douce’ Also co-founder of electro rock band Poni Hoax (Tigersushi Records), Limousine, a duet with Camelia Jordana and more recently Sabrina & Samantha for Ed Banger. This album, sees a return to his first love of jazz, The Tigre d’eau Douce, represents a species doomed to disappear. So using melodies, chants and solos as an escape guide, his tenor saxophone takes us to a higher place,
one where John Coltrane and the great figures of jazz reside. These LP tracks bounce between the grooves and soul of the 1970’s, where
percussion and saxophone pave the way. ‘Marvin’ allows the fluffy keys of the Hammond organ to open out into a pensive melody that feels familiar. Carrying on the journey, the tough asphalt of hip hop is visited on tracks like ‘Bachibouzouk’ and ‘Felin M chant’, whereas more tropical themes are explored on tracks like ‘Kinshasa’.

Repress !

Heavy House Society starts 2022 with a high quality EP from Cologne based German artist DJOKO, and this also comes with a remix from the head honcho himself Sidney Charles.

DJOKO’s sound takes influences from funk & soul, garage, deep house and everything else in between that is both underground and raw. He’s released on an impressive selection of underground labels like PIV, Berg Audio, Talman and Rutilence, garnering numerous genre number 1’s on the download stores whilst also accruing over 11 million streams on Spotify alone.

For his debut release on Heavy House Society, we bring you his Rapture EP. The title track to the EP, Rapture is a classy deep and minimal house affair, with his house beats combining with a driving bassline, the cleverly constructed filters organs and pads giving this a sublime journey feel.

The second track is Inside of Me, which has more a skip to the beats, weighty bassline, and well worked samples. Add the lead melody line and this is a great track to get people moving.

The third track is My Crib, a bassline led track with an old school flavour to it which combines atmospheric pads which provide depth, delicate and intricate melodies and leads.

The last track is the Sidney Charles remix of My Crib, for his remix he takes this a little deeper which offers a great alternative to the excellent original mix. A more sub bass groove free’s up frequencies in the mix giving more space for the melodies to breathe in the track and take this on a stunning floating groove.

This is a superb release featuring 2 amazing artists, and for sure this with deliver the goods for Heavy House Society yet again

Maria Rita is a musical pioneer that was ahead of her time. On first hearing her song, 'Cântico Brasileiro No.3 (Kamaiurá)’, we thought it sounded like a contemporary remix that an artist such as Carl Craig could have produced. In fact, it came out in 1988 and was taken from Maria's 'Brasileira' album, released on the Brazilian, independent Acorde imprint. The song would go on to gain cult status with its inclusion on John Gomez's superb 'Outro Tempo' compilation, released on the Music From Memory label in 2017.

The album fuses new-age electronics with indigenous vocals and Amazonian rhythms. It is beautiful and unique and takes you on a journey through different moods, textures and ethereal planes. Through the sounds Maria created, you join her on a timeless voyage gazing into the future whilst embracing her powerful roots.

Maria Rita Stumpf was born in the southern inland of Brazil, in the mountains of Aparados da Serra. She started writing music at the age of 14, and through participation in festivals and song contests, she developed her material and sound. A move to Rio de Janeiro in 1985 furthered her career and led to the release of the 'Brasileira' album. The record features the legendary pianist Luiz Eça, alongside the group Uaktí and Ricardo Bordini.

1993 saw the release of 'Mapa das Nuvens (Map of the Clouds)' on CD via the Leblon label, but soon after, Maria would have a hiatus from the music industry, dedicating herself to her cultural and arts agency, Acorde. She left the stage and recordings behind, but quality always shines through and years after its original release, international diggers, producers and DJs rediscovered the greatness of Maria's music. This would lead to a re-issue of the ‘Brasileira’ LP, and later Optimo Music/Selva Discos released a 12” EP of ‘Brasileira’ remixes by Selvagem, Carrot Green and Joakim. Maria also spoke at the Red Bull Music Academy Festival in São Paulo, performed at both the Kino Beat Festival and the Brazilian leg of the Dutch festival, Dekmantel. Her two latest albums received critical acclaim, ’Inkiri Om’ in 2020 and ‘Ver Tente’ in 2022. At last, Maria has got the credit and kudos she deserves, inspiring new and future generations of producers and music lovers.

Though previously re-issued, it was after a conversation with Maria that we learned that she wanted to keep this sublime record in press, and this was something that we couldn’t wait to put into action. So here it is, the Mr Bongo pressing of ‘Brasileira’, housed in a gatefold cover.

Recorded almost entirely in a single day at the legendary Total Refreshment Centre in London, JOY MACHINE brings together some of the most exciting musicians in London’s new jazz explosion. With features from Alabaster DePlume and trumpeter Jonathon Enser (Nubiyan Twist), vocals from Dizraeli (Worldwide Music Awards Best Album nominee), drums from Ben Brown (Alfa Mist, Mulatu Astatke), bass from uk jazz scene favourite Daisy George, synths from Joseph Costi (Yusef Cat Stevens, Bahla) and saxophone from free jazzer Ronan Perrett.



In the tradition of Miles Davis’s Bitches Brew, the band came to the studio in October 23 with only one pre-written track (the uplifting summer anthem Greek Summer) and once that was recorded, spent the rest of the day improvising wild, explosive music laced with Dizraeli’s rap and spoken word lyricism. The result is JOY MACHINE, a record bursting with urgency, intensity and life, and one that cements Dizraeli’s position as an innovative wordsmith, bringing both personal depth (as in Abigail, a homage to the sister who died before he was born) and fierce political commentary (as in Dear Cousin, a goosebumps-inducing narrative that transports the listener aboard the boat Adriana carrying refugees across the Mediterranean, which sank in June 2023 drowning 500 people, and then confronts a very English bigot in the second verse).

"Following on from May's "ECHOES Part 1 & 2" this is the second single of three to be released as an introduction to the next album project of Ulrich Troyer - TRANSIT TRIBE - to be released later this year.

This time it's one for the reggae fans and dubheads with contributions from Diggory Kenrick who has been busy over the last few years adding the distinctive sound of his flute to many new reggae productions. He is also an associate of the U.K. reggae label Pressure Sounds that specialises in reviving classic sounds from the roots and dancehall eras of the genre. Also joining the production is Takafumi Noda aka Mystica Tribe, a Japanese producer and musician who has specialised in a new form of dub techno and is known for adding the signature sound of his melodica to productions of dub friends from around the world.

The subject of travel, especially along modern, fast routes has long been subject to fascinate musicians, from the days of Kraftwerk's "Autobahn" and now the whole genre of dub techno seems to be one built for listening on long journeys. The Autostrada Del Brennero / Brennerautobahn is one of the most important motorways in Italy, as it connects the Po Valley with Austria through the Brenner Pass and features many modern bridges and overpasses that are ready built illustrations for the covers of dub techno albums! On this release this major European truck route is celebrated musically by Ulrich Troyer with inputs from Diggory and Taka to create two modern dub classics."

Steve Barker (DJ, Radio Presenter - On the Wire, BBC 1984 – 2023,

now Slack City Radio & reggae/dub columnist and contributor to The Wire)


Credits:

Diggory Kenrick: flute

Taka Noda: melodica

Didi Kern: drums

Ulrich Troyer: analog synthesizers, analog drum-machines, sampler, dub effects

A written by Diggory Kenrick & Ulrich Troyer

B written by Taka Noda & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except flute recorded by Diggory Kenrick at Holloway Studio, London / melodica recorded by Taka Noda at Mystica Sound Studio, Tokio

Mixed & arranged by Ulrich Troyer at 4Bit Bungalow, Vienna

Produced by Osman Murat Ertel & Ulrich Troyer

Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin

Cover Drawing by Ulrich Troyer


Special thanks to Steve Barker, Osman Murat Ertel, Diggory Kenrick, Eva Kelety and Takafumi Noda

Kindly supported by the City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bozen (IT)

Having spent the last decade evolving into one of dance music’s most sublimely effective producers, CWPT is delighted to welcome Theo Kottis at the peak of his powers, delivering a further four tracks that demonstrate a playful mastery of widescreen sounds for wide-eyed dancefloors.

Capturing the light still shining from his beloved ‘Lighthouse’, finally released earlier in 2024 via Dekmantel and escalated into notoriety thanks to support from trusted selectors such as Ben UFO, Francesco Del Garda and our own Palms Trax, title track ‘Rain’ retains a similar, blindingly authentic nineties reverence, finding ecstasy in a wash of cascading synths, powerful plunges of sub-bass and layer upon layer of elasticated everything.

The Scottish producer’s positive education in the foundations of club music with real personality makes itself known without indulgence; a belief in the subtle tweaks and imagination of classic tech-house, alongside a welcome flirtation with the over-the-top elements that create something potentially anthemic. In this regard, ‘Benirras’ proves to be pure pleasure for dancers who love to be toyed with, its stripped back opening giving way to slowly-escalating, wobbly-jawed hysteria.

On the flip, ‘Grazie’ proves as cordial as its title, a warm and refined slice of sleek house minimalism, a roller with Alfa Romeo sensibilities. Things take a more aquatic turn on ‘Lowkey’, a logically headsy conclusion that sees Kottis sensually bounce the word ‘electro’ around in that very style, its slower tempo and wider space allowing the impressive intricacies of his productions to float up for fresh air.

Jose James has showcased his rich and graceful baritone voice through a series of unpredictable projects that have blurred the lines between traditional and contemporary jazz, soul, funk, rock, house, and other genres. Now, with a new collaboration on the "Saturday Night" remixes with Grammy winner Louie Vega, Jose proves his versatility and variation in his unique vocal ability, able to adapt to all types of grooves with ease. "Saturday Night" is a feel-good summer song penned by Jose James himself and seasoned songwriters/Grammy winners Talia Billig and Kaveh Rastegar, who have worked with Moby, Aloe Blacc, and Bruno Mars, to name a few. Taking it to the clubs, as we say in nightlife, Jose takes us on the dancefloor once again all around the world! Enjoy the Louie Vega remixes with long versions of each interpretation and the hot guitar dub on Vega Records, with license courtesy of Rainbow Blonde Records! Available at all digital outlets and a vinyl double pack coming to you early summer 2024!

NECHTO introduces the first compilation to the catalogue be released on a 12" vinyl remaining open to both fresh talent and known faces on the label roster. The record features six dynamic tracks, which have been road-tested on global dance floors by NECHTO founder Nastia. Gifted producer Namhar, featured on the compilation with his powerful track 'Run Baby Run' , and Mexican producer JNKS, debuting 'Refill', are no strangers to NECHTO, as their tracks have previously been featured on digital releases. New faces are the Italian powerhouse Fabrizio Di Santis who's track '90128' has debuted during Nastia's Mixmag In The Lab set along with the high-energy banger 'Go With U' by Croatian techno sensation Insolate and 'Serpents' by promising Ukrainian talent Kichi Kazuko. 'Go Back' by Jay York's rounds up the compilation, introducing a new but familiar face to the minimalistic intelligent techno scene.

This compilation is a potent mix of energetic tracks, showcasing electronic music in its most vibrant and unfiltered form. It introduces skilled producers from Italy, Croatia, Mexico, India, the USA, and Ukraine

Los Angeles-based video artist and producer Laskfar Vortok makes his first appearance in the EVAR catalogue with "Erbsat Esrhosc." An unusual title that reflects the artist's interest in the bizarre, whether he's making music or producing videos and visuals, "Erbsat Esrhosc" bristles with erratic patterns, anarchic atmospheres and glitchy soundscapes. The Mexican-born talent explores ideas based on the hypothetical concept of a planetwide city, otherwise known as an ecumenopolis, weaving such ideas against a cinematic backdrop, nodding to his long-running love for cinema. Across the five-track EP, he also draws inspiration from the heated and hectic energy of L.A, where he's resided most of his life.

Produced in memoriam of Michael Gregory Harrison, aka Bad Timing, and following a period of introspection and creative and personal challenges, Laskfar Vortok began work on "Erbsat Esrhosc" in 2018. The EP honours Michael's brilliance as an artist and a friend;the title being an anagram of a phrase that they shared between them.

"Eclipse" opens the EP on a haunting note. A spidery melody and chilling pads punctuate the witchy soundscape before syncopated sequences collide with snafued textures, signifying a sharp left turn into breakcore. With its nebulous atmosphere, this track offers the first glimpse into the concept of an ecumenopolis. On "Hyperdrive", frenetic percussion dominates while zappy noises and a doomsday melody slink in and out of earshot. Bursts of broken wub exacerbate the uneasy mood while cinematic, almost ethereal chords twinkle in the background.

"Base" offers a moment to recover one's brain cells after the nosedive into the near future. A lugging kickdrum and broken, woody percussions swirl around the troposphere while creepy pads convey a sinister aura. "Mutation" catapults us back into chaos with claustrophobic polyrhythmic structures, smatterings of kickdrums, and a sporadic mad-scientist-type synthline, adding a jittery layer. An unexpectedly orchestral outro completes the bizarre nature of the track.

Closing out on "Send Off", Laskfar Vortok blends freezing-cold chords with snaggy synth notes and a tangle of drum constellations tied up with a gossamer melody and splattered across an eerie terrain.

Using Bitwig Studio, orcλ, TidalCycles and Renoise as his modus operandi, Laskfar Vortok produces a trip that intrigues but disturbs, serving a shimmering yet terrifying squint into a technoid-led utopia. And we're only just getting started.

Introducing the brand new label from renowned party Full Scale ! We are thrilled to announce our debut release, 50 Kills EP from the immensely talented French producer Olivier Romero. Garnering recent acclaim and support from industry giants like Dyed Soundorom and Shonky, Olivier Romero is making waves with his innovative sound.

Our first release features the electrifying track "The Fantastic," which has already become a favorite in many of Raresh's sets, eliciting amazing crowd responses and setting dance floors ablaze. This track showcases Olivier's unique ability to blend compelling rhythms with infectious energy, making it an instant classic.

We are excited to include a special collaboration on this EP. We invited the esteemed Tripmastaz to remix Olivier's track "50 Kills." Known for his distinctive style and production prowess, Tripmastaz brings a fresh and exciting dimension to the release, ensuring that this EP is a must-have for any music lover.

For their third limited edition release, LOK Records welcomes Techu with his first ever solo vinyl EP. He presents 3 strong tracks that perfectly showcase his style: powerful basslines, minimalistic drums, evolving pads and hypnotic synths. On remix duties we have Hungarian talent Pauli with a beautiful, dreamy reinterpretation on the B side.

2024 Repress

BOY Records is honored to present you very soon some the labels best releases back on vinyl/cd! Starting with "Time Modem - Transforming Tune".
This album will be available for the first time on double vinyl, including for the first time "Mantel Der Nacht" as bonus track! A modern classic from 1992!

2025 Repress

Raffaele Attanasio drops his first EP for two years as he heads to SHDW & Obscure Shape's Mutual Rytm for his 'Quasar' EP.

A product of Naples' rich techno history, Italian DJ, producer and musician Raffaele Attanasio is an artist who represents the city's iconic sound while drawing from influences across the Atlantic and the genre's home of Detroit. Garnering plaudits from artists including Jeff Mills, Len Faki and Ben Sims, while releasing on Mills' Axis alongside Non Series, Third Wave Black, and his own Letter From Jerusalem imprint, Attanasio's eclectic sound now delves into Italian techno of the early 2000s as he makes his label debut on Mutual Rytm - revealing his first EP in over two years and showcasing a new side to his sound with 'Quasar'.

Title track 'Quasar' brings a tunnelling groove beneath floating melodies and zipping synths, before A2 'Asterion' combines dubby stabs and punchy kicks effortlessly. On the flip, 'Blazar' is a squelchy acid-led trip guided by sharp metallic hats, with 'Axial Inclination' utilising jittering drums and slinking bass to keep the energy levels rolling.

'Clara' shapes up the physical package, a skipping, spirited and classy cut fusing hazy textures and crisp percussion, while digital exclusive 'SGR' sees things return to acid territories, with purchasers able to access a darker impactful take on techno.

2024 Repress

After appearing on the label's recent 'Federation of Rytm II' release alongside some of the industry's most iconic artists, Steve Redhead is back on Mutual Rytm, taking over the label from SHDW & Obscure Shape with a 6-track solo EP delivering driving, furious and old-school influenced techno.

The eleventh installment of Mutual Rytm opens with the rolling grooves and choppy vocals of 'Blokhut', which flows smoothly into the highly effective drums and strings of 'Sea Choy', while 'Bruusk' closes the first side of the vinyl with a hypnotic, well-crafted 90s influenced techno anthem. On the flip side, the title track 'Eastbook Isle' is all about its rolling bassline, retro/electro influences and a mesmerizing melody, while on the B2 'Planet Phatt' closes the record perfectly with a classic old-school sounding cut, made to be the last track of the set or those early morning moments. Last but not least is the digital bonus track 'Monster Madness' and as the name implies it is the hardest of the bunch, with aggressive late night grooves wrapped in deep, repetitive and
evocative chords.

Undoubtedly one of his best works to date, the Belgian producer keeps up the good work with his second appearance on the label in the form of his Eastbook Isle EP.

2024 Repress

Lars Huismann is back on Mutual Rytm with the much-anticipated third volume of his 'Sounds From The Past' trilogy.

A core part of SHDW & Obscure Shape's ever more crucial Mutual Rytm imprint thanks to his timeless techno offerings as part of his ongoing 'Sounds From The Past' series, Berlin-based DJ/producer Lars Huismann's stock continues to rise release by release as a talent merging influences from the past with forward-thinking nuances of the future. Drawing on the early 2000 techno sound, he embellishes it with his own perspective, as evidenced by his earlier releases on the label. This latest six-track offering is another accomplished outing from this unique talent as he concludes the three-part series on the label in style.

The title track 'Sound From The Past III' opens up with a finely filtered chord groove that provides a smooth and hypnotising foundation. A subtle bassline, buoyant kick drums, and embedded vocal patterns harmonise with the synths, unveiling a smooth linear groove that soon sweeps you up.

'Fusion' brings more intensity with its barreling drum kicks, a dirty driving bassline, and melodies flashing by like headlights on an intergalactic motorway, with the overhanging pent-up energy inescapable. Next, 'Shimmer' rides on vast, heavy layered drums that are warm, and comforting as the track travels through a journey of diverse dub techno elements.

Like in 'Loucura', taken from 'Sounds From The Past II', Lars again showcases his strong influences from Brazilian and Latin music. On 'Estar Farto', the drums and bass are tightly interwoven, racing beneath bright and funky synth lines that bring ever-evolving shades of colour. A jazz drummer himself, the music transports into the groove via intelligent brass chord progressions and fine-tuned vocal and percussion elements.

It's straight dance floor business on the closing vinyl production 'Bittersweet', with its muted synth smears darting over more macho drum programming, while digital bonus 'Dusty Lick' is an unrelenting, jazzy, percussion-driven banger that hits hard and heavy in all the right places.

2024 Repress

Chontane returns to Mutual Rytm with a more raw and aggressive sound than before across six powerful new tracks on his latest EP, 'Permanent'.

Berlin-based Ukrainian DJ/producer Chontane has had a busy twelve months. Capped off by recently launching his own new TANE label, the exciting talent has been working hard to reinvent and refresh his sound in the studio. Mastering new techniques to push things to the next level, this EP and return to SHDW & Obscure Shape's Mutual Rytm proves he has succeeded and then some. Where previous works on the likes of ARTS and Rekids were full and more melodic, here he has restricted himself and gone for a more visceral sound. Developed and built in all new ways with an innovative approach to sound design and arrangement, the tracks on the package showcase a more serious and harder-hitting side to his sound as he unveils his impactful 'Permanent' EP.

Opener 'Graze' has a monstrous feel to it, with ghoulish synth loops and industrial textures all coming on strong and heavy. As it bangs along, incendiary hi-hats and lithe pads all bring extra weight and detail. 'Cumaru' is a highpaced techno workout with a frenzy of synths and percussion, all making for dense layers of heavily textured sound. 'Schima' brings some big techno bounce in the drums and more hurried, rusty synth loops that lock you into the darkness. Showing yet another side, 'Lauan' is a little more paired back with pounding tribal grooves and bright synths, bringing relentless yet funk-fuelled intensity. 'Vevis' is the most melodic of the lot - a heavy track but with subtle optimism in the rising background synths that will surely get hands in the air.

Last of all is digital bonus 'Makore', a cauldron of intensity with scraping hits and relentless drums, vastly oversized hi-hats and slamming bass. This high-impact, beautifully brutal yet groove-heavy techno takes Chontane's sound into new realms, and delivers an impressive return on a label continuing to push the genre forward.

"I am in shock of what you are saying and don’t you go anywhere else and spread such false information”

Inspired by the underground night life in Iran, where Salar Ansari’s journey as a selector started in the mid-2000s, each cut on 'Chi Gofti? Nagi Jayi!" touches on a specific mood & scenario.
"Dorehami Melo دورهمی ملو", referring to a mellow get together after the last rave being raided;

"Tu Jaddeh Savaarkaar تو جاده (سوارکار)" is the rush of driving through the mountains listening to driving beats, heading to a party on the outskirts of Tehran through mountains

"Raghs e Ghalamou رقص قلمو" touches on the artist's commitment to painting sonically to unify with his people through creativity and resonance

"Long before discovering house music as a teenager I was bred as a dancer, a slave to the rhythm, in my parents vibrant house parties of dancing the night away till you drop. This is my culture, to surrender, to give in, to react to the rhythm, every corner of it. PGS is family to me and I am so happy to have this music that is very dear to me, come out through this imprint. PGS is about community, Hamtramck is about community, Detroit is about community, Iran is about community, this music is about community." - Salar

Written, produced, recorded by Salar Ansari
Design by Salar Ansari & Ben Saginaw
Thanks for: Ahang Ahmadi, Sina Matinsefat

"Tu Jaddeh Savaarkaar تو جاده (سوارکار)" music video by Vinnie Massimino, shot by friends in Iran

[a] A1. Dorehami Melo [دورهمی ملو]
[b] B1. Tu Jaddeh (Savaarkaar) [تو جاده (سوارکار)]
[رقص قلمو]

From Pasha With Love (love in times of war)

Pasha is a soldier on the front line, fighting those who till the day before were friends from the town next door, probably fighting his
own brothers-in-law, Natasha’s brothers, his great love, mother of his children in a senseless war if only wars had a meaning …

In the evening when the madness slows down.. Pasha takes his cell phone and talks about the horrors and the desperation but also the
infinite gratitude he feels for having had her as a gift in his life. His texts always end with "From Pasha with Love"

The atrocities, pain and the inhumanity he experiences every day, every hour, are alleviated in the pauses between one explosion and
another by his most intimate memories... Natasha's laughter as they chased each other in the sunflower fields in their first summer
together, his Yes! to her at the altar, her kisses first thing every morning.

While he runs surrounded by the screaming of the wounded and the whistling of bullets in the woods, in every moment that could be
the last, he searches for that tree where at their first date they carved that little heart with the words ..
Pasha & Nasha-Timele.

Review: Three German instrumental talents - Chris Haertel, David Nesselhauf, Julian Gutjahr - make up The Drawbars, whom together describe their music as 'off jazz'. Following up their prior outing for Basel's BurningSole, on which two instrumental originals stuck out like raw thrums, their latest is an unexpected curveball in the form of a standout rare groove version of Billie Eilish's modern classic 'Bad Guy'. Riffing of its madhouse hooks by way of a watery high electric keyboard part, the essence of the track pairs timely well the Northern-soulful form of breaks, fills and bass jaunts. The B, 'Smokes & Mirrors', returns to OG songwriting and hears electric glisses and portamento synths dance across sultry, incense-filled rhythmatic rooms and navy-noted blueses.

After the standout success of last year’s maiden edition, Drumcode returns with volume two of its acclaimed Elevate compilation featuring no less than seven label debutants. The compilation’s manifesto is simple. Platform a broader range of emerging artists on Drumcode and help elevate the next generation to make strides in their careers. At the same time, the project gives fans a taste of the future and a sneak peak of some of the names you can expect to see featuring on the label and at showcases over the coming year and beyond.

Anonymous British funk studio outfit Ultrafunk was spearheaded by Blues & Soul magazine proprietor John Abbey, who ran a fashionable record shop and label called Contempo in London’s West End during the 1970s; he conceived of the group as the UK counterpart to US studio bands like Mfsb. Arranger Gerry Shury, who had worked with Barry White and Maurice Gibb of the Bee Gees, drafted guitarist Chris Rae and bassist Frank McDonald (who often composed library music together) and future Rubettes drummer John Richardson to form the group, in situ. A lack of band photos, suggestive song titles and a predilection for American cover tunes led many to believe the band was US-based. Their self-titled debut LP is where the myth all begins, with a number of truly atmospheric and cinematic hard funk instrumentals, given added textural depth through full orchestration, including covers of Bill Withers’ “Use Me” and Stevie Wonder’s “Living In The City.” Though not quite as compelling as the better-known follow-up set, Meat Heat, there is still plenty to savour on Ultrafunk, making this debut companion disc a must-have for all true funk aficionados.

Oliver Dollar unveils part two of his ‘Contemporary’ EP on Rekids.The release features collaborations with Brillstein and Harvard Bass.

Part two of Oliver Dollar’s ‘Contemporary’ EP will be released this July via Rekids. It follows part one, released in April of this year, which saw him team up with ADMN, Austin Ato, and APROPOS and featured a remix from Brian Kage. With the first part winning support from the likes of Laurent Garnier, Nightmares On Wax, and Dam Swindle, this next EP continues with an equally promising cast behind the wheel, as Dollar brings in Brillstein and Harvard Bass for more irresistible house funk across three tracks in part two.

First up on the ‘Contemporary Part Two’ EP, Jesse Rose, Diplo and Switch collaborator Brillstein joins Oliver Dollar for ‘Pill Popper’, a real dancefloor-igniting underground cut with an unforgettable hushed vocal over infectious rhythms. It is followed by Oliver Dollar and Harvard Bass’ ‘Funky Brewster’, which sees the Tuskegee, Relief Records, and Turbo artist complement Oliver’s house style with signature jackin’ flair. A repeating vocal and hard-hitting drum beat keep centre in this party anthem before Dollar flies solo for ‘Funked Up’, in which a low-slung groove and dreamy, chopped-up vocal work in harmony before breaking down into a jazz-inflected midsection,
making for the perfect outro to a fantastic two-part series on Radio Slave’s Rekids.

Acquit Records takes it back to its roots with ACQR00 marking a new beginning with Synaptic Voyager. This artist always cooks up Detroit-influenced techno and house tracks that ooze sophisticated synth craft and absorbing atmospheres. This fantastic seven-track double 12" features more club-ready stunners like 'Auditory Imagery' which marry disuse chords with tightly programmed beats. 'Echo Location' has punchy analogue beats softened with widescreen chords straight from the Motor City and 'Preordained Destiny' goes slower, with percolating bass funk and wispy, glowing keys slowing worming their way into the cosmos.

White Vinyl Repress!

Techno pioneer Thomas Schumacher celebrates 25 years of his groundbreaking track "When I Rock” with a stunning remix by trailblazing DJ and producer talent. A.D.H.S.In 1997 Thomas Schumacher broke new ground with the release of "When I Rock," a track that defied genre boundaries and captivated listeners across the globe.

With its unprecedented blend of raw Hip Hop energy, infectious Rap vocals and relentlessly driving Techno rhythms, "When I Rock" marked a watershed moment in electronic music history. By infusing the track with his signature touch, A.D.H.S. maintains the essence of the original while seamlessly integrating contemporary sounds and production techniques. The result is a remix that captures the essence of the past while propelling it into the present.

To top it off Thomas’ adds a fresh remix of the Uber-Classic that is “House Of House” by Cherrymoon Trax. Essential.

Bliss Point is proud to present the long awaited reissue of lost italo house gem Soft Keys – Bubbles.

Recorded in Trieste in 1993 by Edoardo Milani and Tullio Battisti, “Bubbles (Soap Mix)” is a slice of colorful, sun-soaked euphoria, a track delightfully leftfield and playful in a way so rarely found in club music. Originally released on Italy’s Promo Music label, it was quickly lost to time, a masterpiece locked away on an extremely hard to find 12”, soon growing in notoriety among DJs and collectors.

Bliss Point’s reissue of this classic includes two remixes from contemporary luminaries, each interpreting the timeless sound of Bubbles for the 21st century. Tokyo’s boys be kko explores the soaring complexity of the original, and New Yorker Olive T offers a thumping take on its deep and tender heart. The original “Acapella” version is also included.

This reimagining of Soft Keys – Bubbles is remastered and recut by Dubplates & Mastering, and features an homage to the original 12” sleeve designed by Brandon Oxendine.

Contra009. Embark on an auditory voyage through the heart of Detroit's finest dusty crates with "The Vault Vol. 1," a compilation of beats and melodies meticulously crafted by esteemed producer Reggie Dokes.

Dokes unveils a treasure trove of his finest deep house creations, never before released on vinyl. Delve into the hypnotic rhythms, lush harmonies, and pulsating basslines that define Dokes' signature sound, as he seamlessly blends elements of house and soul to create an immersive sonic experience. With "The Vault Vol. 1," Reggie Dokes invites listeners to rediscover the essence of soulful electronic music.

This anthology also features two mesmerizing tracks from his acclaimed 'Napi Hedz' collaboration with Pirahnahead, adding an extra layer of depth and complexity to an already stellar collection.

Anaconga”, the fourth Dome album by Bluey and Citrus Sun, is an homage to jazz and soul greats from back in the day, and is the band’s first to be released as a gatefold 2LP.

The album opens with the gorgeous Maynard Ferguson tune “Mister Mellow” from the Seventies, with backing vocals from Tony Momrelle and Deborah Bond. Bluey and Richard Bull share the production . “Down For The Third Time”, the album’s lead single, is a deliciously funky remake of a classic Bobby Caldwell groove from 1978, with Natalie Duncan on vocals and Dominic Glover and Charlie Allen tearing it up on trumpet and guitar respectively.

“Mystic Brew” was originally written and recorded in the Seventies by funk, soul and jazz keyboard legend Ronnie Foster and Bluey includes it “to say thank you for his massive contribution to the music we love and are inspired by”. Erykah Badu’s “Honey”, also with vocals by Natalie Duncan, features beautiful trumpet and flugelhorn from Kevin Robinson.

The stand-out new songs on the album are “Santiago”, which features the young Indonesian harmonica player Rega Dauna, who starred on the band’s “Hard Boiled” instrumental hit from their last album “Expansions & Visions”, and “In Search of the Blue Note”, with Dominic Glover on flugelhorn and Graham Harvey on keyboards, which Bluey says is “inspired by New York City’s jazz history and nightlife”.

Bluey sums up the mood of the album: “I hope that the rhythms wrap themselves around your consciousness and the music slithers into your soul, whilst you bask in the light of the Citrus Sun! Unconstricted love, Bluey”.

Citrus Sun is the mainly instrumental-oriented side project which runs alongside Incognito and features many of the same musicians. The band released their first Dome album “People Of Tomorrow” in 2014.

AGT Records is onto release 007 and it’s a certified killer.

In the early 2000’s KAELO and DJ Jet AKA Kaelo Gallagher and Jesse Goldfarb combined to create JK47. They produced and pressed their records out of their own pocket with no distribution, handing them to local record shops in and around Toronto. When the shops eventually closed the records found their way out into the world, leading us to today.

The Plastic Aviator EP was a passion project of the duo in 2005. Its influences stretch beyond any one era or genre and you really do get a taste of everything here. The balearic feel of the original mix (shoutout to Queen of the Worms on the guitar) is nicely balanced with the dub inflected UKG attitudes of the Scene Heads and Loopity Goofs Mix, while the previously unreleased Hernan Gutmer mix brings the EP to a deep and head-spinning close.

This is a record to be packed and played throughout the night and day, and we’re happy to have the chance to get it back onto turntables - all in good time.

Diagonal welcome the return of Iranian composer and sound artist, Ata Ebtekar (SOTE), for his first outing for the label since 2019's "Parallel Persia" and "Artificial Neutrality". His catalogue runs to 15 albums (both under the Sote moniker and as Ata Ebtekar), plus a clutch of 12"s, remixes and a number of other projects via Mute, Opal Tapes, Warp and more.

"Soundsystem Persepolis" is Ata's response to the iconic performance at Persepolis by Iannis Xenakis in 1971. It's a five track collection of a futurism, a pummelling, rhythmic and harmonically complex trench of computer music.

If you're looking for some summer fire from the Soul-Funk-Disco world then look no further than this new from Micky More & Andy Tee. Groove Culture Bosses teamed up with Angela Johnson and Dj Meme Orchestra for the cover of the classic Rose Royce's song 'Is It Love You're After'. Strings, Horns, synthesizers, guitars, bass etc... All here is played live, more than twenty musicians worked on this project. 'Is It Love You're After' is a track that contains the beauty and the essence of Soul-Funk-Disco: Instrumentation and vocals of the highest level. Package sees Legendary New York City DJ Danny Krivit providing a dj-friendly edit for the dancefloor plus a housy Mix From Da Lukas. A MUST HAVE!

EVERLAND
...where music is timeless and tenaciously deep

DRIVETRAIN/Hyperlock
An energy eruption, spewing seismic levels of low frequency turbulence and sound manipulation.

BLAKTONY/Butt Naked
Layers of velvety pads sweep the soundscape of a charismatically deep, enchanted odyssey.

FUNTOM/Wisdom
A tribal tempo controls elegant chord progression with an intelligent succession of acid bleeps.

HUGHES GIBOULAY/Kickin That Feelin
Animated and brimming with character from a spirited vocal hook and a hypnotically commanding solo.

As 15th installment Chat Noir Tools releases its first split EP! For his second appearance on the label our dear Lungo is joined by Numero 6, a producer on the rise you already heard on Velvet Spirit or La Boomerie! These two merrymakers provide your summer soundtrack with four quirky house tracks perfectly crafted for your sunniest afterhours sessions.

Jaden Thompson returns to Crosstown Rebels with ‘Downtown’, with remixes from HoneyLuv and Ghoulish. Marking his first solo outing on the label following ‘Talking Walls’ alongside Seth Troxler, the fabric resident impresses once more following recent material on Classic Music Company, PIV and his own Midnight Parade imprint.

A new school talent whose sound takes cues from Chicago while pointing to the future with forward-thinking allure and energy, Jaden Thompson’s ascent is well-documented, having been tipped by an endless list of industry heavyweights and global media outlets from an early age. Releasing on labels such as Cuttin’ Headz and Classic Music Company, amongst others, plus his own Midnight Parade imprint, Thompson’s sound and dynamic sets have seen the UK talent become a favourite for many while also hosting his ongoing Rinse FM show and curating mixes for the likes of Circoloco and Keinemusik through to Nike for it’s annual Air Max Day. Having made his label debut on Crosstown Rebels in 2022 with his standout collaboration ‘Talking Walls’ with Seth Troxler, Thompson now returns to Damian Lazarus’ legendary imprint as he serves up his first solo record on the label ‘Downtown’ - backed by remixes from surging US DJ/producer HoneyLuv and emerging UK talent Ghoulish, who makes his debut on the imprint.

Merging various shades and sounds from across the electronic sphere, ‘Downtown’ brings vibrant vocals, energy-charged synths, and sharp metallic percussion, all balanced perfectly, to the fore. HoneyLuv’s remix brings jacking drums while warping the original’s vocals todeliver a peak-time interpretation before Ghoulish flips the script, utilising off-kilter drums and spiralling lasers amongst heavy low-ends.

Situated at the heart of the Mediterranean Sea, Corsica and its inhabitants are surrounded by the abundance and cultural diversity of the region. In celebrating this richness, we have curated a collection that embraces the eclectic musical styles and creative spirit that characterize this historic geographic area. With 6 producers hailing from Aiacciu, Bastia, and Sicilia, prepare yourself for a journey full of surprises.


Discover the spacey and epic electro beats from Jimmy Batt's secret mind, then delve into the medieval chiptune-infused vibes of Human_Aventura, before being carried away by the romantic dark disco of Pasqua.



Explore the B-side of the EP and be enchanted by the schizophrenic and haunting house of Blinkduus Dischetto, Monica Venturella's acidic electro with special triple-blade effect, before finally getting lost in the powerful and sensory anarchy of Ørsø. The choice is yours: unleash the Mediterranean power on the dancefloor or immerse yourself in our underground culture with ease at home. Oh yeah, as Aiaccini, we put our name big in the title. That's why we're Bastardi.

New Release "Gypsy Heart / Beautiful Lies SKYLINE RECORDINGS Is proud to be release another OG banger from the wonderful Ms Betty Black "Gyspy Heart" is a driving dancer with sassiness and flair, just how Betty like it. Power vocals with a punching back beat, screaming for the dance floor. Betty goes back to the beginning when Rhythm met the Blues under the watchful eye of Gospel and the African-American Spiritual. It's mystical and cinematic but gutsy, and funky to boot! Roots Revival Soul with a sophisticated twist. On the flip "Beautiful Lies" Perfect song, uptempo dancer - which throws you staright into a story, where Ms Betty Black takes you into another world, but one that so many women, in particular, can relate to - another strong vocal mover, with a motown overtone. Summer fun. SL45030 x400 copies includes paper insert slv "I always expect excellence from her and she's delivered again" - Craig Charles, The Craig Charles Funk & Soul Show, BBC Radio6, 01.06.24...

R.A.N.D. Muzik Recordings proudly welcomes Dresden’s
mpeg to the label for a 4-tracker of deep tech house
nostalgia

The four horsemen are the rhythm section of The 18th Parallel riding down the plains to the sound of an heavyweight stepper inspired by the late 70s playing of the Revolutionaries at Channel One. Slow, refined and powerful, the interaction of the drums, bass and organ leaves room to an otherworldly horns chant calling everyone to dance and sing along. Probably one of Fruits Records heaviest release ever!

The first 7“ of this series features Spanish based UK singer Benjammin known for his superb work with Roberto Sánchez. He chants down all ‘Warmongers’. His singing style reminiscent of BurningSpear’s greatest days sends shivers down your spine! Dub by Roberto Sánchez on the flip.

The second 7” introduces to the world The Mighty Gravillons, an obscure vocal trio bringing us right back to the golden days of roots reggae. With powerful and thought-provoking lyrics, ‘Crumbling World’ is a desperate cry to the world we’re building for the next generations. How can we leave such a world of wars, political conflicts and environmental crisis to our kids? The B side shines by it’s simplicity: The 18th Parallel invited one of their favourite musicians of today’s reggae scene to blow his spellbinding saxophone, Anant Pradhan. The legacy of Tommy McCook, Roland Alphonso or Cedric Brooks has found its worthy embodiment. New York saxophonist graces us with ‘Peace Treaty’.

Motion Potion Records presents its debut vinyl-only release, showcasing two rising artists out of Sydney, Australia.

Hilit Kolet returns to Rekids for the ‘Snap Talk’ EP. It follows her ‘Hot Mess’ single for the storied imprint and features Kameelah Waheed's vocals on the title track.

Continuing her hugely successful run of 2024 releases, Hilit Kolet returns to Radio Slave’s revered Rekids label with the two-tracker ‘Snap Talk’, following in the footsteps of ‘Hot Mess’ (Rekids) and ‘Everything Is Amazing’ (Bush).

The two dancefloor favourites won DJ support from Laurent Garnier, TSHA, HAAi, Maya Jane Coles, Roman Flügel, Chloé Caillet, Jennifer Cardini and countless others while earning an extended string of radio plays from Danny Howard, Jamz Supernova and Sarah Story, who tapped Hilit for a Future Dance Mix.

For ‘Snap Talk,’ the fast-rising East London DJ and producer turns in yet another drop of striking, jackin’ power-house, this time propelled by Brazillian baile funk rhythms, a homage to her days as a samba dancer at London’s Notting Hill Carnival. Fellow Rekids alumnus Kameelah Waheed's seductive spoken-word vocals ride and push the driving 909-fuelled number, and the result is an outstanding 2 AM track that seriously cuts through the noise.

On the flip, Hilit’s ‘Gate 33’ combines tightly looped percussion opening up into a naggingly insistent drum-heavy cut that employs favela funk-patterned cowbells, a throbbing bottom end and a mix of passionate vocal and unnerving airport announcement samples to create an utterly compulsive late-night groove. Hilit Kolet has been integral to London’s underground scene ever since she was slinging vinyl at Soho’s legendary Black Market Records. Her distinctive, energetic DJ style established her behind the decks, playing everywhere from Ibiza to Berlin via Shanghai and Oslo.

URIN one of the most sought after arcana bands in Berlin, having broke barriers down and represent hard with a core so unyielding for the true punk anima. SZYBCIEJ (SPEEDY) showcases the outrageous rapture and SAMA CHĘĆ NIE WYSTARCZY equalize the EP with guitar thrashed out beyond the curtain call fuckery.

S.A.T.I.N, the new project by Infinity Division & Ireen Amnes, brings doom-electronics, squeezing out post rock sensibilities in the short form is no mean feat but the duo all chemicalize for a creation of experiential motifs. 'Dirt' leads the charge with perpetual drum programming sliced beside thashed vox, 'Nothing is real' blows the walls off with complex ambienta and doom metal.

ART by Stachu Szumski & Ash Luk

Yellow Vinyl

Seba smashes his way into 2022 with the much anticipated release of his third studio album, "Ingaro".

Prepare yourself for ten brand new tracks of Seba. Secret Operations presents the first LP in almost ten years, from a producer who believes albums are not to be taken lightly.

"Ingaro" takes it's name from the small island outside of Stockholm, which Seba has called home for the last 20 years and is also where he spent his formative years.

The new LP takes the listener on a soaring journey through the entire Seba sound. Whether it's the dark and insistent forces of "Horse Power", which grow and fold in on themselves throughout the track, or the blooming euphoric roller "Public Beauty". A fresh collection of tracks which contain the unmistakeable Seba DNA, which has helped cement the name Seba firmly into the world of drum and bass.

Any album is not complete without some guests joining along the way and Seba has also enlisted some helpers on the journey and the LP includes collaborations with Collette Warren, Björn Berglund, Samuel Lancine and Blackeye.

For many, Seba is a name they are very familiar with. From his early releases on Good Looking right through to the present day Seba has made a name for himself for his exciting and varied production.

His music draws influence from far and wide across the musical spectrum and his work alongside the legendary Paradox and vocalist Robert Manos have gone down in Drum and Bass history.

Not just famed for his work in the studio, Seba's sets have gained a reputation for their energy and emotion. One of the scene's unique veterans. Seba's work is inspiring producers and fans more than ever. An album which sets the bar high for 2022!

DJ Support: Enzo Siragusa, Archie Hamilton, Fabe, Fleur Shore, Us Two & VITO (UK).

UK based rising star DXNBY debuts on TRMNL Records as they reveal their next eagerly awaited EP on the Birmingham based imprint, and one of Holland’s newest hottest exports Marsolo completes the package on remix duties.

One of the main artists at the forefront of Bandcamp’s thriving underground market alongside releases on East End Dub’s Belief, Max Dean’s neXup and Ben Rau’s META to name a few, DXNBY brings his in demand signature garage and underground house crossover sound to the label with two killer cuts. The label has already offered up a plethora of sounds across the underground electronic spectrum with releases from credible names including East End Dubs, Yaya, Djebali, Ray Mono and Samu.l

Title track ‘Ozone’ oozes everything that TRMNL as a brand and the second city champions - warping basslines laid down in a fast-moving fashion for those peak time moments. ‘No Return’ continues the mind-bending journey with cleverly manipulated vocals, skippy drums and hypnotic samples before dropping into another uniquely assembled heavy hitting bassline.

Dutchman Marsolo follows up from impressive EP’s on Prunk’s PIV and East End Dub’s Eastenderz by stepping up with his take on ‘Ozone’ - as the remix takes you into after hours territory with skippy drums and a cutting bassline that creates moments encapsulating the true essence of the underground

Barcelona based dj and producer Flavio Folco is the man
behind the third release on Abstract Rhythm. With his Rise &
Fall EP he delivers four solid tracks in his own signature
sound between electro and breakbeat. Flavio knows exactly
how to program the machines and tweak the knobs the right
way to create those deep grooves and atmospheres that take
you on a journey.

Morevi Records from Tbilisi present their first EP - MRV001, after several releases on various formats (lathe-cut, digital) Morevi is back with 4 Tracks of Tbilisi's finest Skyra!

Expect some atmospheric, warm, dubby deepness!

This is a 1999 album by Weldon Irvine, who gained new recognition with the rise of the hip-hop scene and the rare groove movement in the 90's and beyond, including appearances on Q-TIP and Mos Def albums! Now, for the first time ever, P-VINE is releasing this historically significant work on LP, as the original CD is hard to find.

Featuring guests such as Q-TIP, Mos Def, Talib Kweli, and other artists representing the street scene of the time, the jazzy and tight groove is a must-listen, with a crossover of 70s feeling and 90s sound!

2024 Reissue

Led by Danny Leak, a guitarist who was active in the Chicago soul scene in the 60s and 70s, the legendary group 100% PURE POISON brought together a total of nine artists and released only one album.Their only album, "Coming Right At You", was released only in the UK in 1974, but it was appreciated worldwide during the rare groove movement of the 80's and continues to be appreciated by collectors around the world.The opening track, "You Keep Coming Back," is a soul-tastic song with fresh vocals that seem to stretch out forever, and the horns in the background are wonderful. This is the song that starts the party. The following song, "No More City, No More Country," has a funky guitar riff that invites you to dance, and the flow from the female chorus to the trumpet solo in the middle of the song is irresistible. Windy C", the first track on the B-side of the record, is the highlight of the album, with its dramatic interplay between Danny Leak's strong guitar and Steve Maxwell's pleasant organ, and its wordy vocals, making it a song that can reach a wide range of rock fans other than soul and funk.Throughout the album, you'll find a good balance of soulful, comforting songs to upper-key, funk-inducing, dance-inducing tunes!

The Knife’s Olof Dreijer introduces Colombian - Swedish percussionist and DJ Diva Cruz with a new collaborative EP on Dekmantel Records. The 'Brujas' EP follows the debut of their exciting hybrid live show at Sonár Istanbul and ahead of upcoming performances at Sónar Barcelona, Dekmantel, and Øya Festival. Together, opposing patriarchy, racism, colonialism, capitalism, and immigrant challenges, they joined forces in Olof's studio, resulting in the creation of the ‘Brujas’ EP, where Diva debuts her voice. The 'Brujas' single and the entire EP, meaning "Witches" seeks to inspire us to find that powerful ancient energy within ourselves.

"I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone," says Diva Cruz.

As a percussionist Diva brings a combination of fierce live percussion together with a rhythmic blend of tunes from all over the world during her energetic DJ-sets. She has also been the lead percussionist for both Fever Ray and Robyn on their world tours.

Olof quote: I’m very excited about sharing this music with the world especially since it’s been a few years in the making. I’m very grateful to work with Diva. She has shown me a new world of music and I feel like I keep evolving and learning new things all the time, especially with our new live show when playing percussion together.

Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.



Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public

When speaking of Keinemusik as the performing unit featuring Rampa, &ME and Adam Port, one easily can assume the last months being quite momentous. Wherever you look on the globe, chances are one of their frenetically celebrated shows has been taking place there just recently. And the prospects of the upcoming months are looking even brighter. That’s where this highly anticipated new single comes in. Emotively reminiscing all the past touring memories and building up momentum for the ones to come, „Thandaza“ boils down the Keinemusik sentiment to the essence, shaping yet another one of those set-highlights that will turn heads and hips alike. And for this one, they brought in congenial assistance by South African producer Arabic Piano, gracing the tune with his heartwarming croon and old companion Alan Dixon providing one of his utmost catchy and touching piano lines.

Ivan Iacobucci & Stella Fiore team up again and present their second discography project, a synthesis of their production research.

The duo picks up the rock rhythms of the track "Close di Door" from Perlon 136 and create a new Ep "Rock da Foz", the first record on their new independent label 'Klopfgeist'.

"Rock da Foz" is a bold declaration of mutual and all-encompassing love that comes to life through the two artists' passion for music.

Their common desire for a fresh and unexpected sound has produced an EP that encapsulates a great musical affinity, while being at the same time the result of their different individual paths. This chemistry is what they also create with each of their b2b DJ sets.

Polyrhythmic, innovative and varied, the courageous EP consists of three tracks. In the first track, 'Rock da Foz', we find distorted guitars that stand in contrast to the sweet and melancholic melodies of the last track "What is inside?". In the middle of the two, 'Brigitte' recalls the elegant Parisian ‘50s with its vocals, inviting you to dance with each repetition of ref. A small journey, leading the listener into a strongly evocative atmosphere, full of energetic, unexpected sounds.

VINYL ONLY. For this seventh edition, Giacomo Silvestri, labels owner, invite his talented friends ALEXIS CABRERA with his fantastic elegant remix, makes this vinyl perfect for a dancefloor situation. The style of this release looks back at previous projects and goes in a fresher and more renewed direction, remaining faithful to the quality of his underground house sound. This vinyl is recorded at 45rpm and 180 grams to give greater listening quality.

Don't let him escape

Igor Radošević aka Cosmic G is next to join the E&X roster with his encapsulating “Human Spirit EP” for our first delve into 2024.

The Serbian DJ & Producer has been in high demand over the past 12 months releasing a plethora of well received records on respected labels such as Haws, Goddezz & Neptune Discs, ensuring a rapid rise through the progressive house & trance scene.

Both originals are backed by two stunning remixes from up and coming French talent Clint who has added plenty of raw energy into both his renditions, turning this record into a must have for any discerning DJ or record collector.

Wrapped in Latex, in Berlin, Alone is the latest EP coming from Pletnev. Its four tracks trigger a dooming introspective look in an increasingly isolated, digital world, while simultaneously providing an extraterrestrial escape route.

Glockoma 2 is the third studio album from Memphis rapper Key Glock, and follow-up to the wildly successful mixtape, Glockoma. The deluxe physical release sees the addition of 8 new tracks, and includes 3 singles released shortly after the digital deluxe release. As we’ve grown accustomed to with Key Glock’s solo albums, Glockoma 2 features all material written and performed by Key Glock, and only Key Glock. Standout tracks from the album include “Work,” “Dirt,” “Chromosomes,” “Presidential Rolex,” & the explosive single, “Let’s Go,” which saw its own moment of virality upon its cinematic music video release and was recently Certified Gold by the RIAA. The 2xLP deluxe vinyl release is pressed on Cobalt marbled vinyl with Red Splatter, and housed in a gatefold jacket with poly-lined sleeves.

Fledgling label Shadow Pressings already made a mark with their debut release in March entitled the Chicago EP, garnering love from Hunee, Terry Farley and Luke Solomon to name a few.

Striking while the iron is hot, the label are serving up four more heavyweight club tracks which include acidic edits, crunchy deep house, 808 electro grooves and dusty breakbeats.

Lead track Find A Friend jacks up the perennial classic with 808 rims and toms and additional synths but keeps things loopy and rolling.

Holding One Shoe continues with the 808 theme whilst injecting a healthy dose of acid resulting in what sounds like a long lost Yazoo B side filtered through a lysergic lens.

Train Of Fools decontextualises a well known acapella making for a deep and techy basement jam which will keep the floor moving and the speaker pumping.

Closing out the EP we have More Music In The Night, which chops up some familiar samples and layers up an 808 electro groove and breakbeats for a fresh take on early 90’s house.

THE WORLD'S FIRST EVER 'LIVE-TO-DIGITAL' ALBUM RECORDING, RELEASED IN 1979.
This album - dedicated to Einstein on his centenary - is now viewed by fans as one of the highpoints of Giorgio's career.

Cash Box magazine named Moroder as Producer of the Year on the basis of this album. American music trade paper Record World rated 'E=MC2' as 'unquestionably Giorgio's most accessible work'.

Giorgio rode the disco tidal wave of the Bee Gees in the 1970s and went on to become a legendary producer, performer and composer. In 2013, he was once again at the forefront of a major comeback, through his work with award winning act Daft Punk, and his high profile continues to date.

From the golden period
of Unity Sound, previously ureleased 80s pre-digital bizniz

Jackpot Recordings is a fresh sub-label brought to you by London-based production duo Club of Jacks. Their debut release showcases solo sessions from one half of the COJ crew, Max One aka MX1, and stays true to their signature UK garage-influenced house sound. The EP commences with 'Down Like That,' which has lively beats, resonant analogue sub-bass, and velvety chords with classic r&b samples while 'Waiting On' has swung beats and chord stabs with more captivating vocals. Don't Give Up' then brings a little sun to the grooves with funky undertones and 'Work Me' closes the EP with a more moody late-night vibe.

Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.

Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, and more.

From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.

No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.

No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’.

2xLP, Gatefold Jacket, Picture Disc, cut at 45rpm. First pressing limited to 500 copies.

Scriptum returns with four original tracks from our esteemed label residents.

After nearly a year of preparation, we present an exciting collaboration between Komey & Wyro, tracks from the innovative D I N, rising star Kame2, and the renowned Direkt.

This release is a must-have for every DJ's vinyl collection!

Modularz label head Developer returns just in time for Summer. 2024. Presenting a new vinyl release pushing new limits recording with slightly increased BPMS and focusing more on driving dark rhythms and tribal hypnotic funk-infused drama cuts. After releasing over 100 records in the last 10 years the man continues to push into the next 100 with sure thing works and gaining the pressure knob on every track. this is a must if you want to destroy buildings. TIP!