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VARIOUS - VIBRACID 2 - RAVE ADVENGERS EP

In the previous episode, the Vibracid technique was discovered as a way to deactivate memories imposed by technocratic elites.

Now, with VIBRACID 2, its real deployment begins: a series of sonic attacks targeting control systems through rave vibrations.

Each track is a weapon. Each producer, a node of resistance. “Vibracid Advent,” the single that launched the assault, opens the mini album with acidic force — delivering the first sonic strike that breaks through imposed control. From the acidic and powerful aggression of Calagad 13 (Spain), through the modular precision and acid techno of C.C.O (Contra Communem Opinionem, Switzerland), to the dark, industrial electro of Mokotron (New Zealand). Atix brings the French 90s rave energy; Wicked Wes, from Florida (USA), builds grooves with bifasic rhythms and glitch textures; and Romphea (Greece) closes with distorted breaks exploring chaos and sonic escape.

Careful sound and mastering, and exceptional design for a limited edition of 150 copies on solid red vinyl.

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17,23
Nørbak - Myelination

Portuguese based Nørbak returns to Soma with his second single for the label, the Myelination EP. Nørbak is quickly making a name for himself in the global scene and has just completed his debut album to much critical acclaim. The young producer has built a wealth of knowledge on sound design and is clearly represented in his music which is deep and rich in sonic experiments whilst retaining dancefloor focus. This latest EP has Spanish techno maestro Oscar Mulero & fellow Portuguese talent Lewis Fautzi, deliver two fantastic remixes that perfectly compliment the originals.

Nørbak's "Myelination" starts the EP with driving percussive elements that propel the track from the opening. Swamped with light & ethereal FX, dark and droning sounds take the track down a ominous path. Lewis Fautzi steps up next with his remix of Myelination. With a more minimalistic interpretation he manages to continue the dark and direct momentum of the original. On the flip, Mirante rattle hards with steady and precise percussion, bolted together with heavy rolling kicks and sub and a perfectly muted rhythm throughout. Techno don Oscar Mulero closes the EP with his version of Mirante. He immediately ups the ante with driving 909 beats and huge atmospheric FX that guide the rhythms. Mulero always on point with his signature sound design and techno aesthetic.

Mastered By Conor Dalton @ Glowcast Mastering.

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10,88
Charlotte de Witte - Pressure EP

Charlotte de Witte

Pressure EP

12inchKNTXT003
KNTXT
11.08.2025

Repress!

For the upcoming release on KNTXT, label boss Charlotte de Witte announces a dual EP release. “The Selected EP and Pressure EP, to me, are the perfect reflection of the music I have been playing over the years.” says Charlotte de Witte. “On the Selected EP people will find the straightforward Techno sound with the Acid twist, that I love to bring to the floor when I’m touring.”
“It’s counterpart, the Pressure Ep, is an extension of the mixes that I assemble for my BBC Residency.

A more ambient approach, that’s rougher around the edges.”“Both releases can be seen as an ode to the techno I love and cherish.” concludes de Witte. On the subject of the dual release Charlotte says “For me this duality is essential to explore my interests both as a producer and DJ. Therefore it also made sense to me to release them simultaneously, as we also combine our label releases with events and our weekly radio show.”

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14,24
LIAM GRANT - PRODIGAL SON

LIAM GRANT

PRODIGAL SON

12inchVHF166
VHF
08.08.2025

VHF debut and second widely-available LP by Liam, part of a new generation of underground “American primitive” guitar players serving the traditions and smashing them up simultaneously. Prodigal Son is a portrait of an artist on the road, changing fast, recording things as they spring from the fountain. The sound here is raw – grass and dirt instead of pre-fab; homemade/handmade instead of high-tech, etc. There’s a visceral quality and immediacy of culture that’s being lost every day in modern life – Prodigal Son is a chance to grab some of it back. “Palmyra” has Liam on weissenborn-style lap steel, the sound fuzzed out and distorted by the guerilla recording technique. “Salmon Tails Up The River” stretches out to nearly 13 minutes, a dense meditation on 12 string that sustains a dark and heavy mood for the entire duration. On the B side, “Insult to Injury” reverses the mood, with an elegant and unhurried 12 string sequel of deep beauty. Liam’s unexpected take on Loren Conners’ “A Moment at the Door” is a perfect translation of Loren’s reverb-heavy electric drift to unadorned acoustic (and tape hiss) – a frozen moment of absolute grace. Wrapping things up is a take on “Old Country Rock,” with fiddle and banjo, just a brief taste of the barnstorming old-time sound of Liam’s touring trio.

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32,35
KOMMUNE - OAST LP 2x12"

KOMMUNE

OAST LP 2x12"

2x12inchSC022
SECOND CIRCLE
08.08.2025

Formed by George Thompson, Kyle Martin and Jonathan Nash, Kommune were active between 2014-2015. As close friends living near each other, their musical journeys were intertwined; Nash and Martin had recently completed their debut album as Land Of Light, while Thompson (aka Black Merlin), at that time putting the finishing touches to his debut album ‘Hipnotik Tradisi’, was also working with Martin as part of the duo Spectral Empire. Sharing equipment and ideas, Kommune arose organically, serving as a creative outlet for exploring analogue machine music in an improvisational context.

Sessions in their North London studios led to a handful of gigs at venues including Hamburg’s legendary Golden Pudel and London’s LN-CC. This fleeting chapter of musical history may well have gone entirely undocumented had it not been for the fortuitous decision to meet up for a recording session in October 2014. Filling a car with their machines, they drove to a converted barn in the south of England, proceeded to set up, settle in and hit the record button. Over the course of two days, fuelled by the experiences of recent performances, the trio immersed themselves in the machines, crafting subtly evolving, long-form compositions with an enchanting balance and flow.

Across the four long-form compositions that make up ‘Oast’, the trio summons barely controllable scrapes, acid-like bubbles, and bleeps from their machines, leaning on dub mixing techniques to give the tracks a sense of depth, dynamism and organic ambience. Mastery of the TR-808 drum machine is central, with remarkably nuanced drum programming imparting a hypnotic rhythm to the work, allowing other elements to emerge and unfold at a beautifully measured tempo.

Recorded entirely live and improvised without any overdubs, ‘Oast’ offers a profound journey into minimalist electronic music while serving as a tribute to friendship, curiosity, and the spirit of experimentation.

Sleeve art and design by Michael Willis.

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25,84
Truck Driver - Computer Rage EP

Back in 1999, nestled in a cramped box room in his parents’ house in Cambridge, George Aretakis, one half of the newly-formed “I Like It” label (ili records) was on a sonic mission. Fresh from releasing their debut 12" All Alone by Hal, he dove headfirst into the world of self-engineering — no acoustic treatment, a sketchy Yamaha sound card, and a PC with a mind of its own.

What came out of that chaos is a collection of raw, imaginative tracks that blend hardware glitches with human quirks. Computer Rage was born from a technical meltdown — literal computer voices, warped vocals, coughing, and all. Its sibling, the Silicon Circus Mix, takes that same glitchy DNA and pushes it even further into bizarro territory.

Then there's Space You Know — a groovy slow-burner driven by a sticky bassline and the haunting vocal of Katie Jeans (courtesy of friends at Tummy Touch), chopped and recontextualized into something beautifully strange.

Rounding it out is Environ Mental, a moment of playful spontaneity made in a single night. Early morning birdsong, passing cars, and absurd vocalizations collide in a whimsical microcosm of lo-fi joy.

This release is a love letter to the unfiltered creativity of early bedroom production — messy, noisy, and bursting with heart. A must-have artifact for fans of DIY electronica and late '90s experimental house.

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13,03
Various - LA TORRE IBIZA - VOLUMEN CINCO LP 2x12"

To mark a decade as one of Ibiza's most iconic musical sanctuaries, Hostal La Torre announces 'La Torre Ibiza Volumen Cinco', a new compilation curated by long-standing residents Pete Gooding and Mark Barrott. Released June 27 on CD and double vinyl, the 15-track collection captures the spirit of the venue that has come to define the golden-hour soundtrack ofthe island's west coast.

Since opening in 2015, La Torre has established itself as a bastion of Balearic culture-set high on the cliffs overlooking the sea, where music flows with the sun rather than the clock. The fifth volume in the celebrated La Torre series is a journey through Brazilian soul, ambient electronica, classic deep house, orchestral minimalism, and dusk-lit Detroit techno-an emotional arc designed to mirror the progression of an evening at the venue.

From timeless icons like Nina Simone, Mazzy Star, Talk Talk (with their Spirit of Eden closer "Wealth"), and Boards of Canada, to boundary-pushers like Auntie Flo, Eden Burns, and µ-Ziq (aka Mike Paradinas), Volumen Cinco weaves together deep-rooted classics and leftfield discoveries. Mark Barrott contributes a brand-new exclusive, 'When Devils Become Gods', while the compilation closes on a rare gem from Yellow Magic Orchestra's Yukihiro Takahashi. Also includedis Software's 'Present Voice', a quietly powerful tribute to the late José Padilla, the spiritual architect of Ibiza's sunset sound.

Volumen Cinco is more than just a listening experience-it's a tribute to La Torre's ethos: open-hearted, genre-fluid, rooted in place and time. Each track is carefully sequenced to evoke a feeling, a shift in light, or a shared memory beneath the fading sun.

Over the years, La Torre has welcomed some of the most influential names in Balearic and electronic music, from José Padilla, Alfredo, and Jon Sa Trinxa to DJ Harvey, David Holmes, Lovefingers, Heidi Lawden, Wolf Müller, Don Carlos, and Phil Mison. With each summer season and each release, the venue continues to build a musical legacy that has earned critical acclaim from Resident Advisor, Phonica Records, Juno, and Piccadilly Records, regularly featuring in their year-end lists.

As Test Pressing once wrote, "La Torre is not a party, it's a place of pilgrimage. It feels almost sacred." That spirit resonates deeply in this anniversary compilation-a celebration of music, community, and connection that spans a decade.

La Torre Ibiza Volumen Cinco is dedicated to the artists, friends, collaborators, and guests who've shaped its story so far-and to everyone who continues to gather, listen, and lose track of time as the sun slips beneath the horizon.

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26,26
E-Dancer ft. DJ Minx - Detroit

E-Dancer ft. DJ Minx

Detroit

12inchKMS313
KMS
05.08.2025

Kevin Saunderson’s E-Dancer combine with DJ Minx to create an instant classic and am anthem for a long hot summer.

If is a triumphant colloboration between Techno godfather Kevin and his son Dantiez, who as well as being part of E-Dancer co-wrote and co-produced this latest gem from Detroit’s electronica lineage.

The result is an insanely catchy proud homage to the Motor City’s Techno roots propelled by one of by one of those unforgettable Reese bass lines.

The Electrifying Mojo, Juan Atkins, Carl Craig, Mayday, Stacey Pullen, UR, Ken Collier, MK, Moodyman, Jeff Mills, Terrence Parker and Octave One are amongst the Area Code 313 legends name checked in the lyrical romp.

DETROIT made its’ debut at the city’s recent Movement celebration of all things Techno and was acclimated as a gem by those who understand that you can’t tell the Motor City’s how to play its’ music. Kevin followed this up with a DJ trip to Ibiza where DETROIT created Detroit mayhem.

“WHATTUPDOE —WE’RE THE D”

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14,08
Various - Motor City Days Vol.2

After the first, extremely successful "Motor City Days Vol.1" release from 2002/04 with all those then-and-now enduring tracks by Jeff Mills, Tronic Pulse, Drivetrain and St. Andy, the "Motor City Days Vol.2" follow-up comes along now as another ambitious showcase of the continous work of that other electronic music axis Detroit-Cologne in full effect!

The extra limited MLP-Vinyl offers 6 more, typical Planet Detroit tracks on the cutting edge of Techno, House, and Electro by Teknobrat (Bunkerbliss, Ottawa), Claus Bachor (remixed by the D's own Lockstep, Soire Rec. Int.), Ferndale Parking Attendants (House Gallery Detroit), Thomas Barnett (Visillusion Rec.), Eno Justin (BangTech 12/ DTM), and Jason Garcia (Cryovac Rec. / House Gallery).
They all pay attention to the innovations that have come before them. And this is where some experiments in the Motor City's E-Funk fusion show a high fondness for the past while sacrificing none of the production tricks of the modern day. Brimming with full spirit and box-energy.

Finally, this is one of those records that when you hear the DJ play it, you'll leave your drink behind and run out to the dancefloor. While all these trainspotters ran up to ask what was playing? So "Motor City Days Vol. 2" is definitely on fire!

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11,72
Jonny Loves House - Sun Trax EP

The Sun Trax EP marks Jonny Loves House’s return to vinyl with four dancefloor ready deep underground house grooves. With elements of funk, disco, house, and techno, it brings a crisp and crunchy sound that fuses classic underground vibes with forward-thinking production.

Feelings has a lively club vibe with its crowd noises, FX, pumping beats and funked-up synth bass holding down the groove. Classic keys and synth melodies come in and out, bouncing off the cut-and-paste female vocal loop.



Hazey Phase takes things deeper, with a minimal guitar lick, jazzy keys and dreamy synths. A subby garage bassline and hypnotic beats hold the track together as it builds up and down throughout.



What You Do To Me takes things a bit harder while still retaining the funk, with its acid-tinged synths, call-and-response rhythms mixed with tight, crispy beats and percussion, a rolling bumping bassline and vocal snippets.



Soundtrack builds a lush soundscape with rich synth textures, an arpeggiated synth, emotive keys and deep bass playing off each other. The crunchy beats and percussion keep things moving along, with spaced-out vocodered vocals drifting in and out over the top.

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13,40
Exos - Infrared 10"

Exos

Infrared 10"

10inchMRX-001RP
Mutual Rytm
Release unknown

10" series

Exos inaugurates the new sub-label on SHDW's Mutual Rytm with four 90s techno cuts, with offshoot imprint X building on the main imprint's DJ-friendly tools to delve deeper into a broader spectrum of electronic music.

Founded in 2022, SHDW's Mutual Rytm label has quickly become one of techno's most supported labels, with wide-reaching love and well-earned hype following a series of carefully curated VA offerings and solo EPs from a wealth of the scene's best. Continuing to push the pace, with more records capturing high-quality, fresh soundscapes, April brings a new project to the mix with the launch of a new sub-label X, with techno pioneer Exos drafted to deliver the first instalment.

Hailing from Iceland, the Planet X boss is a master of crafting perfect dancefloor weaponry. Over the last twenty years, his high-octane sounds have come via vital labels like Figure and X/OZ, never failing to make an impact with both DJs and dancers. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s sound, and he brings this signature sound to four fresh productions across his 'Infrared' EP, marking an impressive debut for both label and artist.

The title cut 'Infrared' opens up the package in style and showcases a track that looks set to be a go-to anthem for many in the months ahead. With searing synth lines and drilling bass, the blistering production delivers a thrilling, high-impact techno sound that will devastate the dancefloor. The well-designed 'Kaldur Klaki' ups the ante even more with tightly coiled loops of drums, rusty hi-hats and stuttering synth lines that canter along with a muscular feel. 'The Bad' is twitchy and paranoid, anxiety-riddled techno that is perfect for dark warehouses and freaky dancers before digital bonus 'DS4BR' lands with a more stripped-back aesthetic with dubby undercurrents and static electricity fizzing across the face of the cut.

Each of the releases on Mutual Rytm X will be available on limited edition, coloured 10" vinyl, hence the Roman numeral X, and Exos' 'Infrared' EP kicks off the series on 19th April ahead of a new wave of killer releases scheduled across 2024.

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11,56
Lovable Rogues - Interger

Lovable Rogues

Interger

12inchEVA003
Evasive Records
Release unknown

Lee Humphreys and Evasive head honcho Rob Pearson returned to the imprint for their 2nd EP together as Lovable Rogues. This followed on from their first collaboration which launched Evasive Records : Look Into Your Eyes / Chica / Twilight Manouvres (EVA001)

For this Ep Rob travelled out to work with Lee in the depths of the German countryside at Lee’s Tofu Studios. EVA003 delivered 3 more tasty underground cuts for main floors and urban warehouse spaces and pleased all the right DJ movers and shakers in the year 2000. It now finds favour in 2024 with Tech House connoisseurs hungry for that early South London Tech sound.

Time Zones delivers some peak time twisted year 2k Tech. Swirling ear candy synths and tripped out almost acidic twangs are the order of the day. A head nodding bass combines with the filtered and sample triggered vocal phrase ‘Eternal Energy Music’. As if the production pair were indeed clairvoyants able to look ahead and prophesize the future state of underground dance floors some 20 years later! This cut has since become a classic requested early noughties gem for those in the know.

On ‘Integer’ Lee Humphreys rides solo to showcase his unique talent and slick production sound. Driving filtered percussion elements and an infectious bass combine with ‘Body Grooving’ vocal cuts and eerie reverse synths and sounds. Lee basically hit this track out of the park here so Rob had no choice but to request this cut and it was snapped up for the EP.

‘Thursday’ see’s Rob & Lee back on the joint production for some Tech Funk shenanigans that are ‘sure to get you high’. Not sure what Mr Humphreys was on to allow Rob to play the lead keyboard solo on this funk fuelled excursion but it stills sounds fresh over 2 decades later.! A very different vibe that has not been equalled or surpassed on Evasive since.

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12,40

Last In: 11 months ago
Autonomy - Autonomy

Autonomy

Autonomy

12inchEVA004
Evasive Records
Release unknown

2026 Repress

In 2000, Leonora Epremian collaborated with Evasive Records' founder Rob Pearson to produce a remarkable three-track EP, marking the fourth vinyl release on the label. Recorded at the renowned Online Studios in Croydon, South London, this EP captures the essence of a pivotal era in London's Tech House scene.

"Remember" and "My Soul" epitomize the quintessential London Tech House sound, their polished production still capable of energizing dance floors 24 years later. The breakbeat track "Promoseus" gained significant traction, becoming a staple in many DJs' collections, notably championed by Adam Freeland in his club sets and on his acclaimed Kiss FM radio show.

Due to the rarity and demand, original copies of this EP have fetched up to £150. This repress offers a unique opportunity to own a genuine piece of Tech House and Tech Breaks history, ensuring that these timeless tracks continue to resonate with new and seasoned listeners alike.

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12,40

Last In: 14 months ago
Regent - Permean

Regent

Permean

12inchMRS-002
Mutual Rytm
Release unknown

2026 Repress

Techno innovator Regent has already made his mark on Mutual Rytm with two previous outings highlighting his refined but powerful style. The Berlin-based artist joins the dots between bold percussive grooves and distinct cerebral layers, with his productions continuing to receive wide support from DJs and tastemakers across the globe. This return to SHDW's flourishing label features one of his most anticipated tracks to date - a truly timeless warehouse anthem that marks an exciting new chapter for both Regent and the label.

'Permean' is a raw but sophisticated piece of techno that merges powerful drums with hypnotic pads. It brims with surgical sound design. While the groove is fierce, a haunting melodic touch adds a soft and deeply emotional edge
as Regent explores the tension between permanence and decay, delivering a timeless and essential track.

The first remix comes from Steve Rachmad under his Sterac guise. This version channels the spirit of his early work - pure, stripped-back techno at its finest. Tightly programmed and deep, it features burrowing bass and impish synths dancing up top to occupy the mind while the body moves.

Next comes a remix from one of the most innovative producers of our time, Rene Pawlowitz, under his Head High alias, a project reserved for his more house leaning sounds. His 'Power Tool Mix' brings his signature loopy style with thudding kicks, raw hi-hats and twitchy synths - already shaping up to be a summer hit. Pawlowitz then steps out under his renowned techno alias Shed. His 'Forceful Pressure Mix' is a blistering and unrelenting weapon, with rusty textures and powerful bass locking you in its glitches, unresolved loops and booming low end.

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11,56
Deetron - Translate Rhythms 10"

Deetron

Translate Rhythms 10"

10inchMRX-003RP
Mutual Rytm
Release unknown

Swiss techno icon Deetron shows his class with a new four-track EP on Mutual Rytm's sub-label, X.

Deetron is one of the most respected producers of his time. From sleek house to deep techno, he brings impeccable sound designs and melodic elegance to his work while remaining true to his authentic signature sound. He always delivers, whether landing via labels like Ilian Tape under his Soulmate guise or via the likes of Axis and Music Man, and that quality is on show once again as he brings the class on this new EP via the sub-label of SHDW's Mutual Rytm.

First up, 'Translate Rhythms' layers jazzy, de-tuned melodies into a quick and slick deep techno groove. It's a colourful and playful sound with a serious impact. 'Cause' is a more heads-down and moody sound with walls of drums and bass rolling beneath raw percussive loops and tight vocal stabs that ramp up the energy levels. The fantastic 'Move' brings grainy pads, inescapable bass weight and bulky drum loops to make for an immovable wedge of serious concrete techno funk. Last is the digital bonus cut 'Orbit', which heads off to the stars with a deepspace
vibe, swirling pads and minimal drums that tap out a rumbling groove.

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11,56
FBD Project - The Remixes 2025 2x12"

Fbd Project

The Remixes 2025 2x12"

2x12inchBTRP006
Bang-In Tunes
Release unknown

Amazing remix capturing the style of 2000 D&B with a modern twist. Madcap's on fire right now smashing out serious quality tracks that are being hammered by all. This remix is getting a lot of attention since being announced.

Pete Cannon (93 Amiga mashup) of The Core.

Pete on a pure 93 jungle darkside tip. Classic Mirage samples with Amiga breaks and edits ensures this is a must play if you are into your 93 Darkside. Pete has smashed it out the park again.

Nookie (Dark rolling 2025) remix of Terminate.

What can we say... Nookie always plays the original of Terminate and has rolled out a D&B deep building head nodder that takes you in. This just rolls and rolls. Get it mixing in a set and take them on a journey of deep darkness.

Vinyl Junkie and Sanxion (Jungle Techno) remix of Terminate.

The final remix... a fierce jungle techno workout with amazing stabs and drums. Four to the floor with Amen always works alongside a nice deep sub to keep you bouncing, add some classic stab workouts and you have an anthem in the making. A perfect nod to 93 Jungle Techno from two amazing producers.

4 tracks, 4 different flavours to suit all types.

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28,99
Tom Peters - CAN U

Tom Peters

CAN U

12inchIS011
...is serving
Release unknown

Berlin-based artist and label head Tom Peters returns to his techno-focused imprint ...isserving with IS011 - CAN U, a refined four-track vinyl-only release that channels groove,hypnosis, and physical intensity in equal measure.
The EP opens with "CAN U", a deep yet propulsive cut built around metallic percussion,textured synths, and a haunting vocal hook. Its stripped precision and subtle emotionalcharge reflect Peters' evolving sound-somewhere between warehouse minimalism andlate-night transcendence.
Ketch, from the SYXT collective, reimagines the title track with raw drive and rhythmicprecision. His remix sharpens the low-end punch while unfolding layers of atmospherictension that feel both industrial and intimate.
On the flip, "Control Conscious" dives deeper into Tom's hypnotic palette-dark, groove-heavy, and cinematic in its design.
Steffi's remix closes the EP with her signature blend of deep techno and Detroit-infusedswing: warm chords, tight percussion, and a dynamic arrangement that nods to bothemotion and functionality.
Pressed on 140g black vinyl in a limited run of 300 copies, CAN U EP encapsulates thecore spirit of ...is serving-techno with groove, depth, and emotional intelligence.

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13,03
Groof - Simulation (Oscar Mulero Remix)

This is a highly limited pressing, please order your desired quantity and we’ll see what we can supply.

We are pleased to be back with the talented Groof, the experienced producer from Madrid’s legendary electronic music scene, who is responsible for our eighth release and his debut on Kontralamakina.

We welcome you to “Simulation.” This EP/LP consists of a collection of 5 tracks that explore repetition and dynamism, with structures generated by various noise sources and algorithmic sequencing with a raw and forceful sound. It consists of excellently stomping techno rawness exercises.

Plus 1 remix by the techno legend Oscar Mulero Remix; Outstanding mind bending tools, Expertly careful Drone treatments, Stunning, deep, atmospheric but energetic Techno voyage.

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17,44
Rob Mooney - Hasty Retreat

Rob Mooney

Hasty Retreat

12inchDSEX003
Drugsex Recordings
Release unknown

We return to 2005 for the next chapter in the Drugsex repress series, revisiting DSEX003 – Hasty Retreat, a record that captured a rising UK producer shaping his sound within the underground. Produced by Rob Mooney with production from Dave Robertson (Reset Robot), the release reflects a period of exploration and technical refinement in his early career.

The A-side, Hasty Retreat, is a driving tech-house cut — tight, physical and weighted for the dancefloor. Robertson’s engineering contribution to Mooney’s fresh ideas and south coast underground house sensibilities added precision and sonic depth that would foreshadow his future work as Reset Robot across house and techno channels.

On the flip, and exactly the same as the original cut Up All Night appears in its remix form from label head honcho Rob Pearson. Pearson’s reinterpretation ensured it fitted like a glove on the Drugsex vibe . Rob deepened the groove, balancing pressure and atmosphere in a way that typified his trademark Croydon Tech sound of the time.

Looking back twenty years, the early Tech House coming out of South London feels as fresh as ever. These records weren’t about tricks or big drops — they were about deep grooves that you could lose yourself in, hypnotic basslines that carried the night, and subtle percussion and atmospheres that rewarded careful listening.

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12,40
Shaleen - Treatise On A Narcissist EP

With the title "Treatise On A Narcissist" hinting at the EP's thematic exploration, the four originals by Shaleen are a masterclass in atmospheric, driving techno-built on powerful basslines, intricate percussion and an unnerving emotional intensity. This formidable body of work is then subjected to four distinct and high-calibre reinterpretations, each pushing the originals into new sonic territories.

Fiedel delivers a masterclass in raw, functional Berlin Techno. His "Treatise on a Narcissist" Remix builds on a foundation of caustic percussion and echoing metallic textures to create a journey into the machine's heart, powered by monolithic kick drums and pulsating, hypnotic sequences. This is peak-time, strobelit intensity-a dark, unforgiving lesson in rhythm and propulsion.

Mareena's sophisticated version of Shaleen's "Treatise On A Narcissist" strips the original back to its essential hypnotic core. It locks into a precise, relentless rhythm with characterizing sharp hi-hats, a focused, pulsating kick drum and creates a sense of deep,
foreboding atmosphere by utilizing subtle, filtered synth drones and echo effects.

Rosati's Remix of Shaleen's "Nymphomaniac" layers hypnotic elements, leading to a massive, euphoric breakdown and creates a captivating, almost obsessive mood. This track demands movement. It's an unrelenting sonic journey characterized by a hard-thumping rhythm section that maintains relentless forward momentum.

JakoJako steps up to deliver a nuanced and immersive re-imagining of Shaleen's "Fused in Desire". Moving away from high-impact euphoria, this remix focuses on dark, driving Techno.
The textural soundscape features a powerful low-end as well as lush, evolving pads and shimmering, modulated synth textures that create a vast, emotional space to establish a profound, steady pulse. Designed for total immersion, this track serves as both a
high-energy peak-time weapon and a hypnotic journey for early-morning dancefloors.

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22,48
Gary Beck - Hopper

Gary Beck

Hopper

12inchMRS-003RP
Mutual Rytm
Release unknown

2026 Repress

Techno mainstay Gary Beck drops hugely sought-after cut 'Hopper' on SHDW's Mutual Rytm sub-label Spectra, with remixes from KiNK.

Glasgow-born Gary Beck is a primary figure in techno and has been for well over a decade. Dropping seminal
underground classics and cultured full-lengths on an array of leading labels, as well as his own BEK Audio imprint,
he has also led the way as a revered DJ as his legacy continues to build. Now, adding to his standout 'Upside
Criminal' EP as well as his well-received track 'Fold' on the 'Federation Of Rytm III' VA, he returns with a record that
has often featured in both his and Mutual Rytm boss SHDW's sets, stepping out on the label's Spectra series with
a cut that has long been sought-after by those who know.

A spontaneous studio moment turned club weapon, the timeless 'Hopper' merges a syncopated disco bassline with
subtle nods to funk and classic dancefloor energy. It's one of those tracks that lingers in your head long after the
night ends - a pure embodiment of Beck's raw energy and production finesse built on an infectious groove full of
contrast and character.

Bulgarian synth wizard, hardware genius and tireless innovator KiNK delivered Spectra's inaugural release, so he
lands as the perfect person to remix. His first interpretation stays close to his roots with a house-leaning, slowed
down take that channels warmth and groove in equal measure. On the B2, however, he flips the script with a high
octane fusion of techno and UKG. It's a peak-time anthem engineered to ignite dancefloors and closes out a
standout EP with the third release in the Spectra catalogue.

Gary Beck 'Hopper' drops via Mutual Rytm Spectra on 20th June 2025.

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11,56
SERA J & ANNĒ - Symbiosis III

SERA J & ANNĒ

Symbiosis III

12inchMR-042RP
Mutual Rytm
Release unknown

2026 Repress

ANNE and Sera J close their Symbiosis series on Mutual Rytm with third and most refined EP yet.

This final chapter reflects everything the collaboration has stood for across a trio of inventive techno releases on SHDW's imprint. Creative and life partners ANNE and Sera J have been two voices growing in parallel, evolving separately but moving with the same pulse. ANNE is well established thanks to standout EPs on the likes of Soma and Hardgroove, while Sera J has released on the likes of Life in Patterns and Renegade Methodz, and both have featured on Mutual Rytm's 'Federation Of Rytm' series before now. 'Symbiosis III' is the moment where everything comes full circle: the culmination of a journey built on respect, creativity, and the freedom to explore their own paths while lifting each other forward.

Sera J kicks off with 'Ransomware', a commanding and driving techno cut lit up with flashy synths but always moving with urgency. 'Phosphate' keeps the energy levels high with stripped-back drums and bass designed to perfection, while 'Anthrax' has an anxious edge. The synths are wispy but evocative as bass kills and swiping filters bring the drama.

ANNE then ups the ante with the acid-tinged 'Dementia', which is loopy and unrelenting before 'A Taste of a Real Woman' gets more seductive with a sultry spoken word and sustained chords that bring the paranoia. 'Heart Rate' is propulsive with Detroit-style synth soul and an aching vocal, before Sera J returns with 'On the Run' - a percussive, trippy and eerie roller. His final Cut 'Similar Minds' has a searching synth surveying a desolate landscape, before ANNE then closes the EP with the punchy drum patterns and icy hi hats of 'Primal Howl Of Ego' and a blend of deep drums and evocative synth work on the 'Analog Heartbeat' - which proves potent techno can be beautiful.

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11,56
Arnaud Rebotini & Acid Washed - Enlightenment Theory (E)

SKYLAX RECORDS proudly unveils the final chapter in its monumental 4-part saga — SKYLAX BLACK 4: Enlightenment Theory. This visionary series, bringing together two of France’s most iconic electronic artists — ARNAUD REBOTINI and ACID WASHED — was never just a collection of records. It was a journey through the deepest layers of the underground — a conceptual project where each release was a coded message, each track a fragment of a greater whole. On the A-side, Enlightenment Theory explodes with fierce urgency — an anthem forged in the spirit of Underground Resistance, echoing the soulful intensity of early ’90s Detroit without imitation. It’s bold, emotional, and militantly underground — a future classic cloaked in defiance and elegance. On the B-side: B1. Space Is The Place channels the weightless gravity of dub techno at its purest — all echo chambers and endless delay, a direct line to the Berlin school of Basic Channel, Maurizio, and Deepchord. B2. Beyond Current Biological Constraints closes the chapter in deep space — an electro masterwork evoking Drexciya, full of aquatic melancholy and cybernetic funk. It’s not retro — it’s timeless. With this last installment, the puzzle is complete. The meaning is revealed: R.A.V.E. — four records forming one powerful word. One timeless idea. A tribute to everything this culture stands for: raw energy, emotional truth, sonic innovation, and spiritual depth. This project could only be born on SKYLAX RECORDS — a label that has always stood apart. Uncompromising. Devoted to physical formats. Fiercely loyal to the culture. While others chase trends, SKYLAX continues to chart a different course — one rooted in the sacred codes of house, techno, electro, and beyond. It is no exaggeration to say that SKYLAX is one of the last true purist strongholds of underground music — and this series, with its layered meanings and fearless artistry, is proof. From Redshifts to Blueshifts to Artificial Darwinism then Vision Quest, every chapter has pointed toward this moment. Now, with Enlightenment Theory, the full vision is revealed. RAVE is not just a word — it is the truth. A philosophy. A myth reborn. The circle is complete. The message endures. The legacy lives on.

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12,40
Voices From The Lake - II (LP 2x12")

2026 Repress

Thirteen years after their landmark debut, Italian duo Voices From The Lake (Donato Dozzy & Neel) return with their much-anticipated second album, 'II' (two) on their own Spazio Disponibile.The record marks a new chapter in one of electronic music's most revered projects. Born from a friendship and a singular musical vision, Voices From The Lake first emerged as a one-off live performance in the Japanese Alps, later distilled into their self-titled 2012 album. That record has since become a touchstone in ambient techno, reshaping the global landscape of hypnotic and atmospheric electronic music. In the years since, the duo have performed worldwide, released a handful of EPs, worked on installations, and founded record labels, all while continuing to refine the project's unique identity. Yet the core of Voices From The Lake has always been its deep, aqueous approach to sound, a sensibility that returns in full force on II. "The project was never meant to become what it did," the duo reflect. "At one point, we even paused it. Only to later embrace it in all its forms. II is both a continuation and a reinvention." True to that spirit, Voices From The Lake have explored extremes in recent years, from high-tempo live sets to seated listening concerts, while remaining anchored in the meditative pulse of ambient techno. II extends this lineage, carrying forward the immersive sound design and boundary-pushing vision that has defined their work from the beginning.

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27,44
James Shinra - WGD 12005

James Shinra

WGD 12005

12inchWGD12005
We're Going Deep
Release unknown

Placid aka Paul Wise is the chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988.

Known to many in underground House and Techno circles, he’s spent the last 3 decades moving heads and feet at select venues, parties and fields across the UK and beyond. On a mission to share and release new music via his imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.

For the latest solo series edition, Paul reaches out to the talents of UK based songwriter and producer James Shinra, for a heavyweight 4 track EP of 303 fuelled excursions. Hitting the floor head on with the muscular tones of “Jaunt” on A1 – punchy 808 percussion builds with jarring rave-etched synthesis, before rushing into the roar of a 303 grabs you by the scruff of the neck and unleashes a rolling groove that jacks hard until the twisted end. Do not be fooled by the calmer overtures of A2 “Venture”, Shinra unleashes another rolling 4 to the 4 floor workout. Balancing airy leads and shifting pads to precision programmed beats, the TB saws its way through to maximum frequency exposure over the course to brazen effect.

On the B-Side, B1 “WASP” takes control via deeper bass tones, squelching tweaks and A-A-Acid vocal chants, all paced at a solid mid-tempo groove that really brings things to the boil: just when you need it. Signing off with the stunning IDM inflected melodies of “Flexion” on B2 – Shinra shows his mastery of space and warmth with this beautifully balanced slice of Electronica that really is the icing on the cake.

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11,98

Last In: 2 years ago
GIORGIO GIGLI & OBTANE - GIORGIO GIGLI & OBTANE 10x12" BOXSET
 
28

Deep techno, sometimes nostalgic and melancholic: that what Zooloft Records is. Giorgio Gigli and Francesco Baudazzi (Obtane), balancing soul and body, give birth to intense storytelling through sound, enhanced by an intimate reflection about childhood innocence.

Introspection is driven by a vein of subtle and rarefied nihilism, pervaded in each release. Project's graphics evoke the idea of abstract thoughts written on blank paper, where shadows meet memories.

Future, maybe, is the memory of a beautiful past. So, we are here, today, and proud to present you a special, collector-item vinyl boxset, limited to 100 pieces only, handsigned and remastered, containing the full Zooloft discography.

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109,20
Various - Phase Drift. Passage

MCRV019 – VA – Phase Drift. Passage is a graceful and emotionally nuanced four-track journey through modern deep tech house. Blending reimagined echoes of early 2000s deep sounds with forward-thinking production, the release moves between moods and textures with surgical control and quiet sophistication. It’s an EP that balances warmth and restraint, melancholy and motion — built for selectors who appreciate finely tuned emotional arcs.

A1. Stephano Franca – Arriving opens with a fluid, introspective piece. Gentle and melancholic, it glides with cinematic poise, drawing listeners into a state of suspended reflection.
A2. Dot – Distance Call introduces a percussive, tribal undercurrent — earthy and grounded, yet full of bounce. It energizes the space while maintaining depth and groove.

Flipping over, B1. Reenday – Last Call (Nicolas Barnes Remix) brings a refined sense of cold elegance. Dubby and atmospheric, it’s a minimalist piece that evokes distance and stillness — a cool breath in the night.
Closing the release, B2. Jeronimo Watson – On The Prowl is a deep tech gem — emotive, seductive, and sharply detailed. With a slow-burning energy, it brings the record to a confident and composed close.

From Brazilian talent Stephano Franca to Dot and Nicolas Barnes, two of the label’s most precise and consistent producers, and rising standout Reenday, a finalist of the ANTS: NEXT GEN Artist Program 2025, this release represents the current essence of MixCult. It is sealed by the distinct touch of Jeronimo Watson, whose Los Angeles–rooted sound closes the circle with style.

Phase Drift. Passage is not just a collection of tracks — it’s a refined toolkit for navigating emotional shifts and dancefloor narratives, framed by elegance and intention.

Limited Edition.

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14,24
Laurant Webb & Yossi Amoyal - Strange Weather : A Different Kettle Of Fish

Laurant Webb, Dave Coker, Justin Bailey and Dave Pine were the driving forces behind Strange Weather Studios. Based in Southeast London, the studio served as a creative hub, playing a pivotal role in shaping the sound of a groundbreaking genre. Alongside close friends and collaborators, they produced a series of influential records that have left an indelible mark on the music landscape.

This release is a heartfelt tribute to Strange Weather Studios and the talented individuals who brought its magic to life. It also honours the studio’s production partners though iconic projects such as Housey Doingz, 7th Voyage, Space Bunny, Get Fucked and Green Eyed Monster. These projects that were instrumental in forging the signature, original London Tech House sound.

The tracks on this record have been handpicked by Laurant Webb and Yossi Amoyal, meticulously restored and remastered from the rare original DATs.

This release marks a significant milestone for London Tech House, symbolising a collaboration between its key pioneers and a label that evolved alongside the genre. It’s an organic partnership that celebrates the past and looks towards the future. A project we’re incredibly proud to share with you

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30,21

Last In: 10 months ago
Beatrice M. - Midnight Swim EP

Beatrice M.

Midnight Swim EP

12inchTEC125
Tectonic
Release unknown

2026 Repress

For their debut EP on Tectonic, Beatrice M. drops four deep, dubby cuts bringing weighted bass energy together with techno sensibilities and advanced percussive manoeuvres. Elegant but powerful tracks built for sound systems and curious ears!

Midnight Swim is an ode to the “softer” club sounds, repetitive aquatic grooves that remind Beatrice of their go-to sport: swimming. No phones, just back and forth in the cold water, settling into a mechanical groove. The opening track, Oval, carries its title from the appreciation of soft edges, little distortion, minimal rhythmic pattern.

Upon hearing Pinch’s tune 136 Trek, (itself a nod to Zinc’s 138 Trek), Beatrice decided to name a tune 132 Trek, to continue the lineage of their musical heritage. The tune was already called Trek because it was made after moving from France and spending their first months in London, and realising “everything is a bloody trek”!! 

The EP’s title track is about warm-up music and enjoying the earlier hours of the party - a quick immersion and then time for bed, rather than banging club tracks all night long. Beatrice likes to show up early at the club, watch it fill and then leave as it packs out. Midnight Swim is a dip into a roller. 

The last tune of the EP features Sub Basics, the first artist to have a vinyl release on Beatrice’s own label, Bait, and one of their biggest musical inspirations. Sub Basics’ immersive progressive sounds fit simultaneously in the deep techno world and the dubstep world. A beautiful in-between.

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12,82

Last In: 4 months ago
Coke, Stoned & Baileys - The Barry EP

Coke, Stoned & Baileys

The Barry EP

12inchENDELLST07
Endell Street
Release unknown

In the early 2000’s, David Coker, Timmy S and Justin Bailey were right at the heart of the UK tech house scene, producing some of the finest classics the genre has known to date. The projects they worked on together quickly became standout staples and over time those records have turned into proper collector’s pieces.

This reissue on Endell Street brings back one of their most sought after releases. It features the two main tracks from the original release, both carefully remastered and cut one per side. A long lost slice of UK tech house, brought back to life.

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11,72
Rene Sandoval - Planet Juno EP

Rene Sandoval

Planet Juno EP

exclBAILEN001
BAILEN
Release unknown

Bailen Records presents “Planet Juno EP” by Rene Sandoval, a vinyl release where the swing and energy of tech house define the character of the record.

Raw drum machines and analogue sounds build a direct and functional sound designed for the dancefloor.

There is something cosmic in the momentum of the EP: mechanical rhythms moving with precision, bright sounds expanding into space, and a constant sense of motion. The result is tech house that feels elegant yet physical, deep yet direct.

The energy recalls certain golden moments of European 90s house: hypnotic grooves, warm harmonies and that perfect balance between club functionality and timeless musicality.

French producer Berzingue appears with a remix that pushes the material into a more modern club territory, reinforcing the harmonies of the original track and the overall dynamics of the EP.

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11,72
KiNK & Raredub - Time To Change

KiNK & Raredub

Time To Change

12inchMRS-001RP
Mutual Rytm
Release unknown

2026 Repress

KiNK & Raredub inaugurate new sub-label Spectra on SHDW's Mutual Rytm, backed by remixes from icon Marcel Dettmann.

Spectra is a new sub-label from contemporary techno powerhouse Mutual Rytm, with the project set to showcase memorable singles alongside feature innovative remixers. The name Spectra reflects the wide range of vibes the label will deal with and the diversity of sounds that emerge through these creative reinterpretations.

Needing little introduction, Bulgaria's KiNK is a synth wizard and live specialist who gets more out of machines than anyone else on Earth. He has dropped endless standout tunes ranging from Running Back to Hypercolour and, more recently, Mutual Rytm with his 'Quantum Shake' EP earlier this year. For this latest outing, he works with fellow Bulgarian talent Raredub, known for his own high-octane, distinctive and dynamic sound that has gained supporters From FJAAK to Paul Woolford.

The original 'Time to Change' has already generated buzz and has been a favourite of DJs from across the electronic realm, bringing a forceful and slamming cut with plenty of machine funk. A buzzy lead synth roams through the mix to bring great menace, while garage-like percussive loops keep things moving over a monstrous bassline.

One of techno's most influential DJs and producers, long-time Berghain resident Marcel Dettmann joins the release to offer his unique touch as the first remixer on the project. His 'Reconstruction' brings subtle nuances as he slows the beats to a more dubbed-out house vibe and layers in bright synths and swirling vocal loops that will get hands in the air. His 'Universal Raw Mix' closes the package in style, delivering a stripped-back roller with freaky vocals and eerie synth details.

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11,56
Eagles - Hotel California LP 2x12"
  • Hotel California
  • New Kid In Town
  • Life In The Fast Lane
  • Wasted Time
  • Wasted Time (Reprise)
  • Victim Of Love
  • Pretty Maids All In A Row
  • Try And Love Again
  • The Last Resort

The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the record's genius becomes obvious all over again. Ranked the 118th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling LP in history, and considered the foundation on which the Golden State's mid-‘70s music scene was built, the 1976 landmark is a music staple immune to shifts in trends, eras, and styles. Fearlessly addressing the chaos and consequences of American life, its songs remain strikingly prescient and gain creedence with each passing day.

Mastered from the original analogue master tapes, pressed on MoFi SuperVinyl, and limited to 17,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set ensures you will want to permanently check into and never leave this particular Hotel California. Up to the herculean task of standing head and shoulders above all prior reissues, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, massive dynamics, and microscopic levels of detail. You'll be able to practically smell the colitas and feel the breeze in your hair. Songs come across with an epic sweep and feature immersive, front-to-back soundstages that allow the music unprecedented air, roominess, and separation. As for the noise floor? It's basically as invisible as the spirits that waft in the corridors of the unforgettable title song.

Aesthetically, the premium packaging and presentation of the UD1S Hotel California pressing befit its esteemed status. Housed in a deluxe box, it features gorgeous foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. From every angle, this UD1S reissue exists as a curatorial artefact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the renowned cover art to the meticulous finishes.

Indeed, the opportunity to zero in on all the particulars of the 26-million-selling Eagles record dubbed "a legitimate rock masterpiece" by vaunted Los Angeles Times scribe Robert Hilburn has never been better. A global phenomenon that marked the band debut of guitarist-singer Joe Walsh, Hotel California continues to resonate and connect with listeners of all generations taken by its narrative depth, stark directness, picturesque melodies, daring majesty, and ardent emotionalism. Adorned with a breathtaking exterior photograph of the Beverly Hills Hotel that serves as the simultaneously haunting and alluring cover art, and rounded out by a rear-cover shot of the Lido Hotel lobby that reinforces a notion that teeters between permanence and transience, Hotel California is brilliantly tied to a specific place that functions as a universally understood metaphor for the American Dream.

Confronting the darker undercurrents and oft-ignored constructs attached to that romantic notion, the record's songs revolve around a host of shared themes: excess, mobility, stability, illusion, fame, destruction, and idealism included. Notably, Hotel California appeared at a crucial junction in American history: During the country's bicentennial and amid escalating controversies related to the Vietnam War, energy crisis, and governmental corruption. That the Eagles manage to channel such cultural, social, and economical matters into a cohesive, stately, big-picture statement is alone a stupendous feat. That the album's reach, boldness, vitality, accessibility, and understated intensity have never waned make it a marvel.

Reflecting on Hotel California 40 years after its original release, and indirectly explaining its enduring appeal and increasing relevance, singer-songwriter Don Henley confirmed the record pertains to the "loss of innocence, the cost of naiveté...the difficulties of balancing loving relationships and work, trying to square the conflicting relationship between business and art; the corruption in politics, the fading away of the Sixties dream of ‘peace, love and understanding.'"

It can be argued that Henley and company squarely hit on and drove home those ideas in the surreal title track, chart-topping "Life in the Fast Lane," and grand "The Last Resort" alone. But that would miss the forest for the trees. Experienced as an unbroken whole, complete with the pristinely shot imagery and physical grooves, Hotel California unfolds like a geography-conscious saga by James Michener and plays like colour-saturated movie shot on 70mm film by Martin Scorsese. It's about our collective and individual decisions – and the shape of our past, present, and future. And, just like that conjured by our imaginations, Hotel California continues to take on a life of its own.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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183,61
The Temptations - Cloud Nine (2x12")
  • A1: Cloud Nine
  • A2: I Heard It Through The Grapevine
  • B1: Run Away Child, Running Wild
  • C1: Love Is A Hurtin’ Thing
  • C2: Hey Girl
  • C3: Why Did She Have To Leave Me (Why Did She Have To Go)
  • C4: I Need Your Lovin’
  • D1: Don’t Let Him Take Your Love From Me
  • D2: I Gotta Find A Way (To Get You Back)
  • D3: Gonna Keep On Tryin’ Till I Win Your Love

The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers

The Temptations’ Cloud Nine announced that Motown — and “The Sound of Young America” — would never be the same. Influenced by the emergence of cutting-edge rock and pop currents, as well as increasing sociopolitical turmoil, the album broke down barriers between rock, psychedelia, and soul while heralding the arrival of visionary arrangements and production techniques. Bookended by traditional R&B numbers, the 1969 record sent the Temptations in bold new directions and signaled the advent of psychedelic soul.

Sourced from the original master tapes, strictly limited to 3,000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180g 45PM 2LP set presents Cloud Nine in audiophile sound for the first time on a domestic pressing. This collectible reissue bestows Norman Whitfield’s extraordinary production with the grand-scale dynamics, natural tonality, expansive openness, and low-end weight it deserves. The timbre of each of the five members’ voices is readily identifiable — even within the group harmonies — bestowing a realism never experienced outside the recording studio.

Making its debut on 45RPM, the album further benefits from the wide groove space by playing with greater separation and more realistic presence than prior editions. Everything from the brassiness of the horns to the dry snap of the snare comes across with reference-grade clarity and positioning. And since Motown’s renowned Funk Brothers backing band plays on many of the cuts, you’ll want to savor every note. The imaging, soundstaging, and organic bloom-and-decay of the notes make that possible.

Amid Cloud Nine, the instrumentation and architecture stand out as much as any element. Never before had a Motown album contained such ambitious patterns and complex passages. Seemingly conscientious of the departure from their past methods, the Temptations and Whitfield bunched together the tracks that mark a deep dive into psychedelic territory and counterbalance them with seven sterling soul cuts that dovetail with Motown tradition drenched with heartfelt vocals, swelling strings, and finger-snapping beats.

On the original 33RPM release, traditional Motown soul — laden with heartfelt vocals, swelling strings, and finger-snapping beats — occupies Side Two. These songs reveal an ensemble still very much on top of delivering pristine pop-soul material graced with romantic sweetness, persuasive insistent, and soaring highs. Re-energized after the departure of lead singer David Ruffin, who was fired for a variety of reasons in June 1968, the Temptations seamlessly meld with his replacement, Dennis Edwards, on one melodic gem after another.

The collective tackles five songs co-written by the legendary Motown team of Barrett Strong and Whitfield. Not the least of which are the smooth, shuffling “Why Did She Have to Leave Me (Why Did She Have to Go)” and deceptively simple, horn-spiked “Gonna Keep on Tryin’ till I Win Your Love.” On these tracks, as well as on a lush rendition of the ballad “Love Is a Hurtin’ Thing” and pleading, tender send-up of the Gerry Goffin-Carole King classic “Hey Girl,” Edwards and Paul Williams take turns on the lead with the estimable Eddie Kendricks, Melvin Franklin, and Otis Williams providing backing support.

All five vocalists trade-off leads on the simmering title track, a groundbreaking composition shot through with wah-wah-pedal effects, liquid funk, deep bass lines, Cuban percussion, saturated reverb, and gang choruses. Whitfield mines each member’s natural vocal range with spectacular results, keeps time with cymbals, and channels both the heated temperatures and escapist desires of a society embroiled in war, conflict, and experimental drugs.

Amazingly, the Temptations top themselves on the similarly revealing “Run Away Child, Running Wild.” Nearly 10 minutes in length, the song explodes R&B parameters and harbors a cinematic scope. Urgent pianos, distorted guitars, stripped-down percussion, steamy Hammond organs, minimal bass motifs, five distinct voices narrating the tale of a boy who fled home and now finds himself amid the scary, unforgiving external world: They combine to give the urgent tune a walls-closing-in atmosphere where fear and desperation reign. Bolstered by an extended instrumental section that precedes a climactic return of the singers’ voices, “Run Away Child, Running Wild” equaled the success of the record’s title track, with both reaching No. 6 on the pop charts.

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83,15
Krijka - E-Tribes EP

Krijka

E-Tribes EP

12inchAOP010
Animals On Psychedelics
Release unknown

New Animals On Psychedelics by Krijka!

A1 Cloning Procedures , has the animals trapped in a lab taken over by a corrupt cloning program, where cell and gene modifications end in diastiours transgenic mutations.

A2 E-Tribes, take us on playful stomp into the woods with 2 samurai elders, glooping through flanged bass and hypnotic percussion, slowly feeling more like a mushroom trip gone wrong than a safaras harvesting by a clandestine ecstasy tribe.

B1 Mad Caps, ramps up the sleaze for a straight up curb crawling research chemical work out / sci fi electro technoid hoedown.

B2 Datura, the EP's last act of sorcery, is driven by a bold roaming synth bass, cunning key changes, trippy vox and discerning judders, asking us if any of this is real??

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13,07

Last In: 8 months ago
Tripmastaz - 2003 Filez

Tripmastaz

2003 Filez

exclRTC.LEGACY100
Respect The Craft. Legacy
Release unknown

Repress, Clear Orange Vinyl

Internationally acclaimed producer and DJ Tripmastaz is proud to announce the launch of his sublabel, Respect The Craft.Legacy, a heartfelt tribute to his early creative roots. Marking a significant milestone in his career, the first release on the new sublabel revisits and completes his unreleased projects from the early 2000s.

This series encapsulates an era of raw creativity and innovation, showcasing tracks that were originally started between 2000 and 2004. Until now, these works have remained unfinished and unheard—hidden gems from Tripmastaz’s studio archives. Through the new label, the producer has brought these ideas to life, meticulously completing each track while staying true to the essence of the time they were created.

The series bridges the past and present, blending the raw energy of the early 2000s with today’s refined production techniques. The debut release drops soon, promising a timeless tech & deep underground sound.

“This is a closure for me—an opportunity to honor my creative journey and give these tracks the life they deserve,” Tripmastaz explains. “The early 2000s were a formative period for me as an artist, and these records embody the passion and ideas that shaped my path. Completing and releasing them now feels like a full-circle moment.”

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10,88

Last In: 13 months ago
Various Artists - Cold Voltage Vol. 1 LP

White Mechatronica returns.
Introducing Cold Voltage - a new series wired for tension, circuitry, and raw machine emotion. This first volume sets the tone: cold, direct, and built for dark rooms.

On the A-side, Elena Siziva opens with "The Balls", an experimental descent of bouncing basslines and cavernous synth textures. Filmmaker follows, delivering his unmistakable dark wave electro signature - sharp, shadowed, and hypnotic. Violet Position & Echo Protocol close the side with "Into the Silent Blue", an electro vocal cut designed to ignite the floor.

Flip to the B-side: Jennifer Touch strikes with "Don't", a rolling, snare-driven machine track that hits without warning. Mr. Funghi pushes further into EBM/Techno territory with "Off for the Weekend", a relentless piece built to tear down walls. Closing the release, The Spy delivers "Track Reaper", a dramatic Italo wave finale that lingers long after the last note fades.

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11,72
Da Sunlounge - Out Of Character

Da Sunlounge

Out Of Character

exclMYNA014
Myna Music
Release unknown

A brand new repress of this highly sought-after classic deep house/tech house 12" from Da Sunlounge that is currently fetching up to €100 on second-hand markets! This is high-caliber, bumping dancefloor house that's been igniting dance floors since 2003.


Back in the day, it received support from prominent artists such as Ralph Lawson, Silver City, Fred Everything, Inland Knights, and David Duriez. Da Sunlounge has released music on labels including Cajual, Salted Music, King Street, and Mother Recordings, and has remixed well known artists like Mood II Swing and Roland Clark, among others.

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10,88

Last In: 16 months ago
Synaptic Voyager - The State Of Play

2026 Reress

Frame Of Mind is back with another piece of art. Synaptic Voyager delivers 6 amazing classic house and techno tracks. Beautifully produced deep and analogue moods!

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11,55

Last In: 3 years ago
Chlär - Modern Survival

2025 Repress

Chlar returns to his Primal Instinct label with 'Modern Survival'

Following the widely praised Funk Assault (Chlar & Alarico) 'Minimum One Post A Week' EP, which kicked off the Primal Instinct label last summer and won the support of the likes of Rodhad, Tasha, and Luke Slater, as well as routine plays from Sarah Story on BBC Radio 1, Chlar now returns to his imprint with solo venture 'Modern Survival'. While the first Primal Instinct release saw references to artist urges and behaviours on social media, this next instalment explores a modern recontextualisation of humanity's hierarchy of needs in yet another high-concept EP.

First up, 'Internet Soulmate' boasts a crunchy bassline as its drum work chugs along the track playfully. The groove twists and turns before the hypnotic and tribal 'Supermarket Hunting' continues with sounds of nature, loopy rhythm and syncopated bleeps.

On the B-side's 'Body Control Officer', human-made grooves intertwine with machine-like thrum, synths whirring and zapping, while 'Competitive Influencing' takes off with rolling percussion, subtle whistles and distorted vocal one-shots. Closing out another stellar offering from the Primal Instinct frontman, Chlar brings the dark 'Scout My Algorithm', a brooding slow-burner offset by smooth arpeggio snippets and warped slices of digital noise.

"In an era where technology entwines our everyday existence, where the virtual realm shapes our interactions, and where the pursuit of influence takes centre stage comes an EP that delves deep into the modern tapestry of human existence. 'Modern Survival' is not merely a collection of songs and visual clips, but a poignant reflection on the intricate dance between our primal instincts and the brave new world we navigate today. The EP invites listeners on a journey of self-discovery and reflection, prompting them to ponder the fundamental essence of our existence in an environment of fast-paced technological evolution." - Chlar

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13,03

Last In: 2 years ago
Jiman, Polar Inertia - Langtang EP

CRF020 — Jiman returns on the label.For his second EP on Construct Re-Form, the northern French producer delivers four deep and finelycrafted techno tracks. Slower tempos, dense atmospheres, precise sound design — Jiman keeps itraw and focused.On remix duties, Polar Inertia pushes the tension even further with a cold and immersive rework.

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13,87
Arnaud Rebotini & Acid Washed - Vision Quest (V)

SKYLAX RECORDS proudly unveils the fourth and final chapter in its epic, conceptual 4-part saga — SKYLAX BLACK 4 – Vision Quest. This secretive series brings together two pillars of French electronic music, ARNAUD REBOTINI and ACID WASHED, in a bold tribute to the essence of rave, electro, and techno. Following the critically acclaimed Winter Sequences and Musical Component, this last installment pushes even deeper into the roots and futures of the underground. On the A-side, Vision Quest opens the EP with a pulsating journey of progressive electronics — cinematic and sleek, evoking the robotic spirituality of Kraftwerk and the expansive textures of early kosmische music. Next, TOI 700-d channels the golden age of acid house with infectious 303 lines and jacking grooves. Think DJ Pierre, Phuture, and Ron Hardy at their most transcendental — raw, euphoric, and timeless. Flip to the B-side and dive into Black Star Liners — a dub techno masterclass in the lineage of Maurizio, Basic Channel, and Chain Reaction. Deep, minimal, and full of ghostly delay, it’s a meditative immersion in pure sound system hypnosis. Closing the EP, Trojan Asteroids fires into classic Metroplex territory — icy, futuristic, and funk-laced. A perfect nod to Cybotron and Model 500, this is hi-tech soul with a razor’s edge. Once again, SKYLAX RECORDS delivers a visionary release — timeless, intelligent, and essential. The final piece of the puzzle is here. The journey ends… or just begins.

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12,40
Efdemin - Poly LP 2x12"

Efdemin

Poly LP 2x12"

2x12inchOSTGUTLP38
Ostgut Ton
Release unknown

After a six-year hiatus, Efdemin returns with POLY — his fifth studio album, released on the recently revived Berghain-affiliated label, Ostgut Ton.

As the title suggests, POLY explores multiplicity: of rhythm, texture, style, and emotion. Across eleven meticulously sculpted textures, the album weaves a multidimensional web of sonic references, nodding to the origins of techno while pushing resolutely into uncharted terrain. POLY feels like an afterglow—of decades on the dancefloor, of restless sonic exploration, and of a profound connection to the spaces and communities that have shaped Efdemin’s sound.

Over the course of 60 minutes we are taken through different territories and landscapes of sound. Mysterious and swirling, abstract and droning textures over at times fast and stoic rhythmic concepts. Sometimes the sunlight breaks into the opaque and mysterious soundscapes before the pulse is taken over and sucks us back straight into the club.

The overall tone of POLY is mild and playful, introvert and at times dreamy. The music is rich in sonic expression and breathes the spirit of musical concepts that have been refined over the course of decades. What Sollmann has condensed here feels like a culmination of his multilayered and polyphonic personality situated between Club, Museum, Studio and Academy.

The album cover features a striking photograph of a human ear by renowned German artist Isa Genzken. Known for her radical visual language, Genzken’s work here functions as a metaphor for deep listening. The ear symbolises the layered complexity and immersive quality of the music on POLY — an invitation to perceive sound in all its depth, fragility, and force and unlock it’s potential to unite different voices in a distorted reality.
Nach einer sechsjährigen Pause kehrt Efdemin mit POLY zurück – seinem fünften Studioalbum, das auf dem kürzlich wiederbelebten Label Ostgut Ton, dem in-house Label des Berghain erscheint.

Wie der Titel vermuten lässt, beschäftigt sich POLY mit Vielfältigkeit: von Rhythmus,Textur, Style und Emotionen. In elf Stücken webt das Album ein multidimensionales Netz aus klanglichen Referenzen, das auf zurückliegende Ansätze der Klubmusik verweist und gleichzeitig entschlossen in neues Terrain vordringt.

POLY wirkt wie ein Nachglühen – von Jahrzehnten auf der Tanzfläche, von unermüdlicher klanglicher Erkundung und von einer tiefen Verbindung zu den Räumen und Communities, die Efdemins Sound geprägt haben. Im Laufe von 60 Minuten werden die Hörer*innen durch verschiedene Territorien und Klanglandschaften geführt. Mysteriöse und wirbelnde, abstrakte und dröhnende Texturen über teilweise schnellen und stoischen rhythmischen Konzepten. Manchmal bricht das Sonnenlicht in die undurchsichtigen und geheimnisvollen Klanglandschaften ein, bevor der Puls wieder die Oberhand gewinnt und uns direkt zurück in den Klub saugt.

Der Gesamteindruck von POLY ist mild und verspielt, introvertiert und manchmal verträumt. Die Musik ist reich an klanglichem Ausdruck und atmet den Geist musikalischer Konzepte, die im Laufe von Jahrzehnten verfeinert wurden. Was Sollmann hier verdichtet hat, fühlt sich wie eine Kulmination seiner vielschichtigen und polyphonen Identität an, die sich zwischen Klub, Museum, Studio und Akademie bewegt.

Das Albumcover ziert die Nahaufnahme eines menschlichen Ohrs der renommierten deutschen Künstlerin Isa Genzken. Genzken´s Arbeit wirkt hier als Metapher für deep listening. Das Ohr symbolisiert die vielschichtige Komplexität und immersive Qualität der Musik auf POLY – eine Einladung, Klang in seiner ganzen Tiefe, Zerbrechlichkeit und Kraft wahrzunehmen und sein Potenzial zu erschließen, widerstreitende Stimmen in einer verzerrten Realität zu vereinen.

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33,19

Last In: 4 months ago
Mr. G - OG Retrospective  6x12"

Mr. G

OG Retrospective 6x12"

6x12"-VinylPGBOX1
Phoenix G
Release unknown

2026 Repress

Mr. G, aka Colin McBean, presents a remastered, 23-track compilation entitled 'OG Retrospective'

'The day I found my original studio masters and got my rights back was the starting point, and then I realised it's 25 years on and it's time to recode, remaster and reevaluate because I've never looked back properly. I've always been like a bat out of hell, never quite thinking I'm good enough or great at what I do, but it's important to celebrate, because there's nota lot of people still here, still doing it after this length of time'.

With new masters provided by Simon at the renowned London mastering house The Exchange London, a direct link to the original mastering done by the late-Nilz (Nilesh Patel) from The Exchange, Mr. G's 'OG Retrospective' marks a reflective period in McBean's life.

'All I've ever done is write and move forward, but more and more, I get the new generation sending me videos of my old tracks and sometimes I don't even recognise them, so finally I thought, 'ok, you're comfortable in your own skin, let's really see how you sounded at the beginning, how you've changed, how have the techniques changed'?

It was quite raw going back over these; some of the memories are riddled with pain and angst - friends dying, where I was in my life at the time, having a heart attack and so on. Having a sound, too, can be a cross to bear. You're only ever competing with yourself, your only game is being better than your last game, so if you dwell on the past too much you can't move forward. Getting to the point where I can look back and feel happy, feels good.

Invariably, what will come from this is 'more', because, with my own label I have endless possibilities and will continue telling my story.'

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64,29

Last In: 3 months ago
Len Lewis - Joy / Skip Up

Len Lewis

Joy / Skip Up

12inchPE006
Physical Education
Release unknown

2026 Repress

Physical Education is proud to have Len Lewis back. This time with the reissue of his early 2000s Joy / Skip Up release. A hard to find record released back in the day in a small run press coming out again right in time for summer.

A side's Joy is a beautiful cut of deep tech house with lovely strings and swinging toms signature of the Swag Records affiliate. While the B side includes 2 versions of Skip Up, both are a perfect hybrid between modern deep house and breaks characteristic from that era.

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11,98

Last In: 4 years ago
Various - Point Winona Sound Library Vol 1 (LP 2x12")

LA underground hubs DISCOS XXX aka DX3 and Elbow Grease join forces to proudly present Point Winona Sound Library Vol 1 — featuring 20 distinct artists from the inspired local dance music scene, working under one unified studio roof in various collaborative
formation at the mighty Los Feliz hilltop palace Point Winona, overseeing the city they collectively represent. These timeless warehouse-wrecking tracks all stand on their own, but the compilation as a whole offers a solid geographic sonic statement with shared rhythmic DNA and bold rooted-futurist production blueprints, guided by the champion efforts of studio executive producers/curators Tavish DJ and Dave Aju.
The BPS stage-setting opener evokes crispy A.M. hours with lush Detroit-meets-Cali feels on “Within Reason” — then studio dream team 5 ATMs bring the dubwise floor vibes up a notch on “A Dub Called Mondo” and Chitown-to-LA legend Scott K lays down an FM bass-laced acid house heater with “Tighter & Tighter”. Nashville-born producer Gryph funks things up on the live space boogie bump of “Winona at Sunset” while SSRI, comprised of Underground Resistance’s DJ Dex/Nomadico, Aju, and Black Lodge’s fearless leader Kosmik, drop fierce robo-Italo bliss on “Omnicallora”. Things take a further psychedelic twist with the PW edit of Scotty Coats’ sublime midtempo tripper “Be Work Zone Alert”, then Omakase’s own Gold Code alongside longtime rave brother Aju drop the nasty J Saul-salute “Yolo Jungle”, and Warehouse Preservation Society aka Tavish DJ & TK fully detonate floors inna raucous Wicked Crew stylee with “Data Bliss”. Undisputed LA scene queen Stacy Christine arrives with her shining debut “Smart Move”, where she and Aju trade sly vox lines of party advice over a bouncing tech banger for the ages, before the “Obsesion Romantica (Free Winona Dub)” sees Sisters Of Sound aka Maddy Maia and Tottie's, OG track getting stripped back and fired up to acidic peak time form. Then Dave Aju and SF homies Moniker aka EO & Kenneth Scott unleash wild uptempo melodic bruk heaven on “Chuy Luis”, and Vastir sends us home with the stratospheric drum n bass closer "Turnpike"

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30,21
Various - Pyramids

Various

Pyramids

12inchEVA002
Evasive Records
Release unknown

2026 Repress

This 4 tracker is the 2nd outing on the now legendary Evasive Records imprint out of Croydon, South London in the late 90’s and early Noughties. Pyramids sees Evasive label boss Rob Pearson team up with Leonora Epremian (AKA Autonomy) and his regular production partner Lee Humphreys.

Lee Humphreys had set up his new recording studio in Thanham a remote part of the German countryside just under 2 hours outside Munich and was outputting some amazing tracks in his new creative space Tofu Studios. Meanwhile back in London, UK, Rob quickly snapped up 3 of Lee’s tracks for this EP, ‘Rendered’, 'A Big Issue’ and’4 Faze’. At the same time Rob and Lenonora Epremian were working on multiple music projects at Evasive headquarters Online Studios in Croydon and the cut ‘Future Drift’ saw their styles combine to give us the 4th track of this mixed artist EP. Evasive was starting to shape and create its early South London Tech House sound, something that can be heard clearly emanating throughout this 4 track release.

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12,40

Last In: 3 years ago
Rob & Si - Roll One Up / Zebraz

Rob & Si

Roll One Up / Zebraz

12inchEVA009
Evasive Records
Release unknown

2026 Repress

We travel back to the early days of proper Tech House during 2003. Picture the scene, in Online Studios, Croydon, London UK and Evasive label boss teams up with his friend Simon Copleston (Iteration X).

Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.

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12,40

Last In: 9 months ago
ANFS - BOURBON 2x12"

ANFS

BOURBON 2x12"

2x12inchRM20
Renegade Methodz
Release unknown

2026 Repress

With his first full techno album ANFS returns to the label in full form.
Delivering a cohesive, introspective piece of work shaped by tight sound design and an intuitive sense of flow. The music is minimal yet expressive, exploring a detailed palette of textures, subtle groove manipulations and low end pressure that sits gently beneath the surface. A work of art that sounds like nothing else out there at the moment. It's a focused and forward- thinking piece of music creation that shows artistic maturity, profound inspiration and masterful execution.

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21,81

Last In: 3 months ago
Stevie Nicks - Rock a Little (2x12")
  • A1: I Can't Wait
  • A2: Rock A Little (Go Ahead Lily)
  • A3: Sister Honey
  • B1: I Sing For Things
  • B2: Imperial Hotel
  • B3: Some Become Strangers
  • C1: Talk To Me
  • C2: The Nightmare
  • D1: If I Were You
  • D2: No Spoken Word
  • D3: Has Anyone Ever Writen Anything For You

Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard.” This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums — to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.

Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180g 45RPM 2LP set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning.

Though Rock a Little doubtlessly has period characteristics of a mid-80s LP, Nicks and company spare no expense when it comes to distinguishing the music with expansive sonics distinguished with lush melodies, high-tech percussion, echoing vocals, sampled keyboards, and layers of sophisticated accents. The degrees of spaciousness, headroom, and dynamics are nothing less than inspiring, while the newly enhanced detail, texture, and clarity make the songs sing like never before. As for Nicks’ voice? Wait ’til you experience the transparency and depth.

Those advantages extend, of course, to the aforementioned “I Can’t Wait,” a statement-making opener shot through with modulating synthesizers, splashy drums, metallic guitars, and serious drama. Holed up in a massive studio, Nicks required just one take to nail her part, which she called “magic and simply not able to beat.” The singer-songwriter also distilled the reverberating emotional essence of the Top 20 tune, stating “when I hear it on the radio, this incredible feeling comes over me, like something really incredible is about to happen.”

The same can be said for nearly all of Rock a Little. Crafted by the likes of Songwriters Hall of Fame multi-instrumentalist/producer Rick Nowels, Heartbreakers organist Benmont Tench, bassist Bob Glaub, jack-of-all-trades Greg Phillinganes, and session-pro guitarists Waddy Watchel, Les Dudek, and Danny Kortchmar — along with another two dozen or so participants — the record spills with diverse ideas, shapes, and moods. Everything is in the right place, as evidenced by the swirling glide and sensual undertow of the slightly funky title track to the snapping rhythmic pace and big hooks of “Imperial Hotel,” one of Nicks’ standout moments.

“What was it she wanted?” Nicks queries on “No Spoken Word,” continuing a theme of contemplation that runs through the narratives. Nicks never lands on a definite answer, but hearing her explore loneliness, love, and the secrets we keep to ourselves proves continuously rewarding. Take her passionate performance on a cover of Chas Sanford’s “Talk to Me,” a Top 5 smash furthered by tasteful saxophone lines and understated folk elements. Immersive yourself in the grand sonic corridors of “If I Were You,” laden with Nicks’ signature mysticism.

Moreover, surrender to the gravitas of the closing “Has Anyone Ever Written Anything for You,” a piano ballad composed about the death of Joe Walsh’s three-year-old daughter. As Nicks asserts earlier on the album, she sings for things money can’t buy.

So, rock a little, yes, but dare to feel even more.

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82,56
Legowelt - Ambient Trip Commander LP 2x12"

This 2 x 12-inch vinyl release is a reissue of the original soundtrack to the animated feature Ambient Trip Commander. With a running time of 70 minutes, the soundtrack was first performed as a live synthesizer improvisation by Danny Wolfers (Legowelt) at the film's premiere on May 28, 2022, at EYE Filmmuseum. Wolfers continued to perform the soundtrack live at numerous subsequent screenings before releasing it on cassette on August 4, 2023. The 2026 vinyl reissue presents the compositions in four parts, aiming to put weight on the listening experience as a cohesive album.

Ambient Trip Commander is a hand-drawn and painted feature-length animated film by Danny Wolfers (Legowelt), marking his first feature in the medium. The animation brings Wolfers' paintings to life through frame-by-frame watercolor techniques. The production process spanned eighteen months.
The film follows Samantha Tapferstern, a geeky young woman who works a mundane job at a synthesizer store in a medium-sized European city. She spends her nights playing RPGs and browsing dating apps. One day, she receives a train ticket and a cryptic message from a hacker group inviting her to Lonetal, a secluded village deep in the European Alps. As she boards the night train, a sinister adventure begins to unfold.

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23,49
MATT DUBSPUN - LOVE IMMIGRANTS EP

The Love symbol is universal for LOVE. Přistěhovalci is the Czech word for Immigrants.
The "Love Immigrants" EP was created partially from field recordings in 2025. It has 3 Grooving Deep House tracks with messages of Solidarity, Love and Long Life.

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11,13
Frederik Anthony / Mahar / Omar Fayyad / Ictv - Community Yield Vol I

2026 Rerpess

Interweaved yields the first volume of a new series curated by Brawther and one that underlines its credentials as an outlet for fresh new underground talent. Three producers here - Frederik Anthony, Mahar, and ICTV - were finalists in the 2023 "Minimal" Producer Challenge judged by Cassy, Losoul and Daniel Paul. Anthony opens with 'Interiddim', a lithe broken beat here through with warm chords. Mahar's 'Relaxed' is a silky and minimal dub tech cut and Omar Fayyad's 'A Mutual Thing' offers trippy late-night charm. Finally, ICTV's 'Oracle Night' is also deep and dubby but a little more menacing.

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15,92

Last In: 8 months ago
Presence (Charles Webster) - The Strength

Presence (Charles Webster)

The Strength

12inchPRTR39
Pariter
Release unknown

Charles Webster, one of the most influential deep house producers and a true master of his craft, makes his debut on Pariter with a landmark reissue of one of his most timeless records, The Strength.

Originally released under his mid 90s alias The Presence, the record has long stood as the most coveted release from the project. Nearly three decades on, The Strength remains a benchmark for sophisticated deep house, effortlessly fusing emotional depth with driving, tech leaning groove that commands dance-floors and creates a truly immersive atmosphere.

This special reissue not only reintroduce a certified classic on Pariter, but also marks the 30th anniversary of its originally release. An essential piece of house music

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13,40
Presence (Charles Webster) - The Strength

Presence (Charles Webster)

The Strength

12inchPRTR39
Pariter
Release unknown

Charles Webster, one of the most influential deep house producers and a true master of his craft, makes his debut on Pariter with a landmark reissue of one of his most timeless records, The Strength.

Originally released under his mid 90s alias The Presence, the record has long stood as the most coveted release from the project. Nearly three decades on, The Strength remains a benchmark for sophisticated deep house, effortlessly fusing emotional depth with driving, tech leaning groove that commands dance-floors and creates a truly immersive atmosphere.

This special reissue not only reintroduce a certified classic on Pariter, but also marks the 30th anniversary of its originally release. An essential piece of house music

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13,03
T. Dave - WGD 12011

T. Dave

WGD 12011

12inchWGD12011
We're Going Deep
Release unknown

Next in the We’re Going Deep label series, he welcomes 4 tracks of completely fresh material from a relatively unknown Italian producer, Davide Tonini. Hailing from the much fabled Adriatic coastal party town of Rimini in Italy, Davide has been shaping and sculpting Electronic sounds for well over 3 decades now. Having first started releasing music under his ‘Wet Basement’ alias back in 2015, his sonic palette traverses IDM, Techno, Deep House, Acid and Ambient soundscapes.

Having spent decades honing his practice, he has both self-released his music and worked with the long standing Odrex Music in Berlin. And there’s something deeply irresistible about his output that screams class and quiet dedication. In his own words, in around 2005 he got into the world of Eurorack and a few years later, Serge Modular. Since then, he’s been totally hooked...

In more recent times, Davide has recorded and released 2 digital LPs worth of material for ‘Detroit Underground’ under his own name, so it seems fitting that We’re Going Deep are now hosting a debut 12” cut – offering up 4 cuts of trademark sumptuousness. Bringing together the best of influences that touch on the likes of Aril Brikha, David Alvarado, Deepchord, Convextion and Basic Channel, he weaves together their respective magic to a new whole point of inflection that is both of this world and the other. All tinged with a warmth and smile that could only originate in Mediterranean climes.

The aptly named ‘A-1’ kick starts the EP in fine fashion as shimmering chords cut through rays of floatingly filtered synthesis, all beautifully dubbed out to a steady rolling kick and neatly shuffled high-hats, with precision bass notes interjecting to add an additional layer of funk. With bliss set to maximum, this is nothing short of genius. Followed by ‘Bilateral’, Davide offers a touch more space and lets the bottom end lead, whilst neatly filtered chords flicker to and fro - seeping their way into your consciousness as the tight drum work brings you to groove mode.

On the reverse, ‘Drive’ burrows further into emotive depths as Davide bathes you in layers of dub and twinkling melodics, all passed through a hazy film of goodness. Rounding off the EP with the deft touch of Distanze Logaritmiche – a soft roller that steeps you in undulating chords and cavernous effects. This is high class music that deserves patience and your attention to reap the ultimate rewards from a true master of his craft.

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12,19
Terry Francis - Digitec

Terry Francis

Digitec

3x12inchSUSH78C
Sushitech
Release unknown

Terry Francis stands as one of the original architects of acid tech house, a genuine pioneer whose influence shaped the sound and spirit of London’s underground scene in the 90s. From the seminal projects with Housey Doingz to his enduring tenure as a core resident at fabric, Terry has remained a constant and uncompromising force at the heart of the scene.

His contribution is impossible to overstate. Across three decades, Terry’s unmistakable sound, forward thinking approach and steadfast dedication have inspired artists across the globe. His work helped define an era and continues to resonate today.

Following a widely acclaimed run of reissues from the golden age of the early 2000s London underground, where the label was born, Sushitech Records now joins forces with Terry for a landmark moment, his first Sushitech LP, featuring various tracks from over the years alongside unreleased session recorded at Strange Weather Studios in 1999.

This special collection brings together eleven tracks, officially remastered from the original tapes and source material for the very first time. These are timeless productions, restored to reveal new depth, clarity and detail while preserving the raw energy that made them so vital and sought after, pressed on 180g vinyl. The release also features standout collaborations with Ricardo Afonso, Gideon Jackson and Haris, further cementing its status as an essential document of an era. A landmark collection, restored with precision and reintroduced in its fullest form.

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36,56
Various - Check The Description Before Asking For A Track ID

Check The Description Before Asking For A Track ID is a thoughtfully curated four-track journey through modern deep tech house, balancing forward-thinking sound design with emotional depth and dancefloor functionality. The release unfolds across two distinct yet complementary sides, guiding the listener through evolving textures, moods, and states of energy.

On Side A, A1. Overt – Annular and A2. Third Echo – 31th Session introduce a spacious and immersive atmosphere. Built around shimmering arpeggios, airy melodies, and fluid progression, both tracks explore a subtle interplay between progressive motion, trance-like elements, and dub-infused textures. The result is a weightless yet driving experience — refined, hypnotic, and perfectly balanced for setting a tone that feels both futuristic and deeply engaging.

The B-side shifts into more introspective territory. B1. Eric Louis – Grooving In The Future and B2. Severin – Shiti bring a melancholic edge, focusing on emotive melodies and transitional energy. These tracks are crafted for pivotal moments within a set — where the atmosphere deepens, emotions unfold, and the narrative takes a new direction. Warm, bouncy grooves intertwine with cooler, more restrained tones, creating a contrast that feels both elegant and expressive.

Spanning a wide emotional and rhythmic spectrum, NRP006 is a versatile tool for selectors — designed to navigate the subtle shifts of a dancefloor with precision, intention, and depth.

NOREPRESS is a division of MixCult Records. Limited Edition.

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14,24
MESSIER ONE - WHO DO YOU WORSHIP?

The Messier Objects returns with the second release on their label containing ten new tracks from the new TMO alter ego ‘Messier One.’ The work combines nostalgic IDM, eerie ambient and dreamy dub techno into one mini-album, inspired by the brute forces of nature and the power of healing and regeneration.

Expect to feel the force of nature on the A-side, where tracks such as ‘Earth’s Signal 04’ and ‘The Greatest Ebb Current’ contain distorted and fuzzy pads, eerie and vague echoing vocals, and whitenoise patterns that somehow feel strangely calming. Together with the broken drum patterns on tracks such as ‘Who Do You Worship?’, and the distorted kicks on ‘Kaalo Asmi Loka Kshaya Kritpraviddho’, the A-side manages to create crude IDM and ambient patterns – resembling historic natural events as if you were there yourself.

On the B-side. the noisy and broken patterns from the previous six tracks are replaced with warm and meditative sounds. ‘Two Tides’ is filled with soothing arpeggiated soundscapes and echoing voices, and the organic jungle chants and mythical vocals in ‘Rebuilding Temples’ further continue the process of regeneration. The B-side is accompanied with two remixes from Messier808 (known from the first release), who brings his typical meditative 4x4 patterns to the table, accompanied by dreamy textures, cyclical melodies and illusive effects from a now ‘healed’ society.

This thoughtful release brings a complete story told in only ten chapters. As always, their releases are backed by breathtaking artworks using vibrant and organic colours, completing an intriguing mini-album.

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21,81
Terry Francis - Digitec

Terry Francis

Digitec

3x12inchSUSH78
Sushitech
Release unknown

Terry Francis stands as one of the original architects of acid tech house, a genuine pioneer whose influence shaped the sound and spirit of London’s underground scene in the 90s. From the seminal projects with Housey Doingz to his enduring tenure as a core resident at fabric, Terry has remained a constant and uncompromising force at the heart of the scene.

His contribution is impossible to overstate. Across three decades, Terry’s unmistakable sound, forward thinking approach and steadfast dedication have inspired artists across the globe. His work helped define an era and continues to resonate today.

Following a widely acclaimed run of reissues from the golden age of the early 2000s London underground, where the label was born, Sushitech Records now joins forces with Terry for a landmark moment, his first Sushitech LP, featuring various tracks from over the years alongside unreleased session recorded at Strange Weather Studios in 1999.

This special collection brings together eleven tracks, officially remastered from the original tapes and source material for the very first time. These are timeless productions, restored to reveal new depth, clarity and detail while preserving the raw energy that made them so vital and sought after, pressed on 180g vinyl. The release also features standout collaborations with Ricardo Afonso, Gideon Jackson and Haris, further cementing its status as an essential document of an era. A landmark collection, restored with precision and reintroduced in its fullest form.

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33,57
Various - Pour Me, My Friend, The Nectar Of Dionysus

Pour Me, My Friend, The Nectar of Dionysus PCM004 is a vibrant four-track exploration of deep tech house, crafted with elegance, groove, and an undeniable sense of joy. Rooted in musicality and designed for the dancefloor, this release blends warm, jazz-tinged elements with modern production finesse, offering a rich and uplifting listening experience from start to finish.

On Side A, A1. Andrey Djackonda – Never Disappear and A2. Deep District – Back Room introduce a welcoming atmosphere built on smooth progressions, refined hi-hat work, and dreamy pad textures. The grooves are fluid and inviting, supported by strong basslines and a playful spirit that sets a positive tone from the very first moments — perfect for drawing people onto the dancefloor with ease and charm.

The B-side raises the intensity. B1. Anirr – Still Trying to Be Perfect and B2. Andrey Djackonda – Refresh shift into a more driving, peak-time energy, where tighter rhythms and increased momentum take control. These tracks carry a confident push, designed for those moments when the room is fully alive and the energy calls for a stronger, more direct connection.

Balancing warmth, groove, and power, PCM004 is a well-rounded and versatile EP — an essential addition for those who appreciate house music in its most expressive, dancefloor-ready form.

Panna Cotta Music is a division of MixCult Records

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14,24
Healing Force Project - Unholy Magnetic

Healing Force Project

Unholy Magnetic

12inchEVIGHET006
Evighet
Release unknown

Evighet proudly presents its sixth release, EVIGHET006, featuring the distinctive sound of Healing Force Project, the long-running creative vision of Italian artist Antonio Marini. For more than a decade, Healing Force Project has explored the intersections between electronic experimentation, free jazz and electroacoustic research. His work unfolds with a rare sense of spontaneity and depth, merging intuition and technical precision into a sound language that feels timeless and deeply personal. Over the years, this unique approach has earned him a cult reputation across the underground and avant-garde music scenes. EVIGHET006 is the result of a free creative process, a series of recordings shaped by intuition rather than concept or structure. Within this collection, elements of jazz, drill-inspired beats and dubstep textures emerge and intertwine. The music alternates between dark tonalities and unexpected shifts toward melodic and almost folkloric moments, inviting the listener into an evolving, immersive experience. A highlight, “Playing Tabla and Smoking Weed with Aliens”, reveals the hypnotic pulse of the tabla, guiding the piece through a steady percussive flow that feels both ancient and futuristic. Elsewhere, rhythmic improvisations and fragmented breaks form intricate layers that dissolve and reform with subtle tension. With this release, Healing Force Project continues to move along his own path, shaping sound as a form of exploration and reflection. EVIGHET006 captures an artist in constant evolution, translating instinct into form and intuition into movement.

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13,03
Aruba, Darran Nugent - Soundz From My Stereo

A cult classic reborn for a new generation.

Originally released in 2002 on the short‑lived US imprint Square Room Records, the In Stereo EP by Aruba (Darran Nugent) has long been a prized gem for vinyl collectors of quality underground house and techno.

Now, two decades later, Darran brings In Stereo back to life on his new Sleight of Hand label, with ‘Soundz From My Stereo’ completely re‑recorded and sounding hotter than ever. This special edition also features a brand‑new Re‑edit plus a standout remix from UK DJ and producer Man Power (Geoffrey Kirkwood), who delivers a bold, imaginative re‑interpretation that elevates the release into something truly special.

Also returning is ‘Body Groove’, freshly reimagined for today’s floors. The original’s slap‑bass funk remains gloriously intact, now paired with a more modern, refined house sensibility that gives the track a whole new swagger.

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12,19
JESSYJIGGY - AGENT BY DEFAULT IN HYBRID SYSTEMS

Agent By Default In Hybrid Systems' is a deep dive into today’s and tomorrow’s society. Across four tightly constructed tracks, cinematic-surrealist musician and DJ JessyJiggy reflects on how mankind and machine-driven systems coexist and evolve. We act, respond, and adapt as agents by default caught between instinct and structure. Built for movement yet rooted in observation, every progression feels less like a command and more like a suggestion inviting listeners to negotiate their own place inside the grid.

This poetic concept translates into music where analogue and digital tools merge into a hybrid sound. Compositions carry an almost automatic rhythm that drives motion while sound design elements subtly reference modern technology. Raw, bass-driven, minimal and techno showcase the breadth and progressiveness of Rotterdam with its brutalist spirit embedded in every detail.

Carefully mixed and mastered by Simon Lescure, who works at the intersection of sound design, club culture, and contemporary art, the record is optimized for a wide spectrum of sound systems while offering a distinct, full-bodied experience on the dance floor. With his vision of music as a system of memory and tension, a way to hold time and transmit presence, raw energy is brought into focus, shaping JessyJiggy's signature sound with clarity, weight, and intent.

A work committed to pushing boundaries and contributing something lasting to the electronic music landscape, this record is crafted to become a cult classic.

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16,39
Spekki Webu - Bootstrap Paradox 2x12"

Dutch electronic maverick Spekki Webu stretches out on an expansive album for new label Outer Orbit Records, exploring his deep and wide-ranging influences across a captivating narrative of tripped-out beatdowns and evocative dreamscapes. Spekki Webu is someone who was naturally drawn into the magnetic pull of Outer Orbit after playing for their sister party Mizz Softee. As the time-travelling album title suggests, it's a meditation on formative sounds that propelled him on to myriad adventures across the many microcosms of electronic music. That means indulging in slower tempos and crooked grooves, with the influence of trip hop and illbient looming large in the boom bap drums that punctuate many of the album's passages. There is also space for immersive techno that operates as a lighter reflection of the sound he is best known for, as well as hints of buoyant house music, rolling breakbeat, dislocated ambient and intricate electronica. Cari Lekebusch, a key influence, contributes a rolling, heavy-grooving remix that closes out the record.

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23,95
Admo - Charlottenzbeul Science Club

Two Headed Fish Records Genre: Acid House, Tech House Format: 12" Black Vinyl Release Date: 06.05.26 Description: Three years since his last solo EP, Admo is back. Having captivated the dancefloor with sold-out hits on Limousine Dream, Haws and Ordinateuf, he returns to launch a deeply personal project alongside his wife. Expect four high-octane club heaters where Acid House grit meets Disco shimmer. The label’s mission is clear: to strip away the noise and place storytelling back at the heart of underground dance music

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14,24
Jane Fitz, David Fogarty - Mysterious Vastness

Barking-born Jane Fitz, and Transmigration label founder David Fogarty, curate a collection of tracks from East London and Essex’s rich but largely overlooked constellation of independent record labels and distributors operating from London’s E16 to the edges of the Thames estuary during the 1990s.

Mysterious Vastness documents a hidden and largely detached scene that only forms into something coherent with hindsight. From a time when record labels could press and hand-distribute 1000 copies locally, the late 80s acid house and outdoor rave scenes were moving from the fields to the clubs of London and DJs such as Colin Dale, Colin Faver and Darren Emerson were dominating the airwaves and parties with a distinct mix of other-worldly techno, trance and out-there house music. Among the seemingly bland post-war housing estates and factories, a scattered handful of producers were experimenting with early versions of music production software to create an exotic, end-of-the-century soundtrack to the suburban-meets-industrial landscape.

The compilation features a selection of finds from East London’s second hand record or charity shops over a period of 15 years. Many of which have featured in Jane’s sets over the years, most notably the “Beyond The A13" Podcast for Furthur Electronix. A mix she described at the time as the soundtrack to an area of London “totally bereft of natural beauty, but to me, somehow always full of mystery and wonder.”

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26,43

Last In: 30 days ago
Deep Space Organisms - Inner Moment / Outer Moment

Originally released in 2002, Inner Moment / Outer Moment by UK duo Deep Space Organisms stands as a cornerstone in the intersection of dub techno and progressive house. Deep, atmospheric, and immaculately crafted, both tracks unfold with hypnotic warmth and forward momentum—designed for introspection yet perfectly tuned for an elevated dancefloor experience.

Championed at the time by Sasha and John Digweed, these cuts became secret weapons within the UK underground of the early 00s, capturing the essence of an era where melody met texture. Now remastered from original tape source material, Glossy Mistakes revives this sought-after gem as part of the Glossyfloor series, preserving its analogue depth while unveiling new sonic clarity.

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17,61

Last In: 37 days ago
Molen / Harry Wills - Sheffield, London, Montevideo

Next in our original series we’re bringing together two artists from opposite sides of the globe, encompassing various influences which have helped make Seven Hills what it is today. Much like how Uruguayan dance music takes many of its cues from 90’s UK techno, not least the bleep influences from Sheffield, we’ve come full circle by becoming, in-turn, inspired by them too.

The A side is commandeered by Molen, making a welcome return to the label and delivering two groove laden, bass heavy tracks, both suitable for various peak-time situations. Whilst on the B side we’re pleased to have Harry Wills, a producer whose technical prowess we’ve respected for a long time. Harry’s tracks are more contrasting: the monster that is Big in the Backtime for those face melting moments, and Scape, a subdued, heady, space-faring excursion.

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12,40
Various - Slump Recordings Artists For Palestine

SLUMPVA002-EP lands as a four-track vinyl release, ahead of a full 12-track digital compilation album in May 2026. With four club cuts that span from thundering techy-house through to deep breakbeats.

We are raising money for Médecins Sans Frontières Gaza Appeal, with 100% of profits going to the cause.

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12,40
Steve Stoll - Evolución Ácida "Mini LP"

Steve Stoll - Acida Evolucion - Sonic Groove
Two pillars of New York techno finally collide as Steve Stoll makes his debut on Sonic Groove.

Stepping out from a recent low-profile streak, the NYC veteran delivers a superacideferocious 6-track mini-LP. This is Stoll at his rawest: deep, hardware-heavy 303 minimalism designed to melt minds and dancefloors alike.

Pure analog 303 intensity.

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16,77
Gilbert - Origins (feat Nuron, Apiento & Diego mixes)

Since launching in 2018, Innate has been synonymous with cultured techno and now, finally, we get to hear from co-founder Gilbert with his first full release on the label. overdue. The Bristol producer delivers three originals rooted in electro futurism, deep house emotion and Detroit lineage. 'Passage Of Time' rolls with acid detail and warm chords, while 'We Are All Made of Stars' leans into melancholic melody and gentle propulsion. 'Natural Dimension' pushes outward with driving rhythms and shimmering motifs. The remixes are on point too - Nuron reshapes 'Furthest Planet' into raw, emotive electro, while Apiento and Diego Herrera rework 'We Are All Made of Stars' into hazy, analogue proto-house.

DJ Feedback

Laurent Garnier:
"Ohhh wahouuu this is a brilliant release indeed. Loooove it!"

Lexx (Wavetest):
"Good stuff! Full support as usual. "

Sven Weisemann:
"perfecto =)"

Aroy Dee (MOS):
"Well, that sounds absolutely lovely! "

Cignol:
"That Nuron remix too, holy shit, amazing!"

Colin Dale (Abstract Dance):
"This Gilbert EP is killer! Will be rotating and supporting it for sure."

Gilbr (Versatile):
"Love what I hear..."

Jorge Caiado (Carpet & Snares):
"What a record!! Every track is beautiful and the remixes are sooooo good."

Marco Passarani:
"Some good stuff here mate! Will surely play this out."

Miles Atmospheric:
"Lovely package! Superb music!"

Thorgerdur:
"I really love this release! Amazing tunes :)"

Liferecorder :
"This sounds superb ! Solid productions by Gilbert for sure.."

Ivan Smagghe :
"Great originals and great Apiento/Diego Remix..."

Lovefingers :
"Sounds sick!"

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14,24
KiNK - Quantum Shake 10"

KiNK

Quantum Shake 10"

10inchMRX-002RP
Mutual Rytm
Release unknown

House and techno's most innovative improviser, KiNK, lands on Mutual Rytm X.

Offering four more thrilling dancefloor weapons, the iconic talent lands on SHDW's new Mutual Rytm X Series to deliver the label's second release.

Legendary Bulgarian artist KiNK is widely regarded as one of the most respected live acts on the global scene. He is a noted tech wizard who creates loops on the fly, crafts killer drums and never fails to hypnotise dancefloors. He has released on almost every influential label of the last 15 years and taken his unrivalled live show to all corners of the world, often drawing on those sets to bring aspects and inimitable qualities from his performances into his tracks. This innovative approach has helped to solidify his reputation as a groundbreaking figure, inspiring a new generation of musicians and producers, and he once again showcases precisely why he's in a league of his own here with a first appearance on SHDW's newly minted Mutual Rytm X.

'Unicord' opens up this new EP in thrilling fashion with sleek, Detroit-style synth loops flashing up top as the heavy, pounding while warm drums drive things down low. 'Quantum Shake' brings 90s energy with new school sound deists - the dubby drums are fast and urgent, the synth craft is deft, and the percussion adds texture to a straight-up but sophisticated techno anthem. 'Pitch Down' then brings fantastically unhinged synth leads that spray and zip about the mix to boggle the brain. Rattling percussive loops and chunky drums keep things moving as those synths get even more wild. To close, the digital bonus 'Highpass Lowpass' is a masterfully muscular cut with rugged bass and taught synths interlinking to mind-melting effect.

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11,56
Jay Lumen - Back To Funk / Locomotive

Jay Lumen is back on Footwork with his four massive floor fillers. Locomotive is a good proof of his groovy roots just like the colourful Back To Funk, while the much darker Secret Roll will lead you to Jay's raw techno side. The melodic sprayed Parallel World is a hardgroove viber shake with a characteristic bassline and it's a perfect choice to close the EP. Mind your Footwork! :)

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11,72
YUKINO INAMINE + AKIO NAGASE - Yugafu ai Kaji

Veteran Japanese electronic music producer, AKIO NAGASE, a leading player in the Kansai underground music scene since the late 1990s teams up with Yukino Inamine, a gifted and young female singer from Okinawa who magically mixes traditional Ryukyu (Okinawa) folk songs with her sanshin (Okinawan Shamisen) playing into the modern age, to create this wonderful collaborative album, Yugafu ai KAJI. This album is set to be released on GLOCAL RECORDS, a record store/ record label run by Genta Minowa, an ex-staff at the record store, Disc Shop Zero in Shimokitazawa, Tokyo and who still continues to introduce a great selection of dubby, club music from his HQ in Harajuku.

AKIO NAGASE regularly organised parties at his own venue, as well as ran a record store of the same name while actively being part of the Kansai scene at legendary clubs such as Tsuru no Ma, Sound Channel, etc., the best of what was offered in the Kansai underground dance scene in the 2000s.

As an artist, he released his own productions out of labels such as Sound Channel and RUDIMENTS run by Minowa. His album, Make Dub was released in 2003 out of the label, Sound Channel featured an innovative, techno meets dancehall track, Dance Hall King which connected techno, acid house with reggae and dub. This album is an undiscovered gem whose sound still emulates freshness and originality today (my wish is for it to be reissued on vinyl!) After a brief hiatus of releasing music, he released the EP, Delusion out of Chillmountain Records, a label run by his friend, Ground in 2018 and at his own leisurely pace, he has been slowly but surely releasing material that oozes originality, expressed through a robust acid sound and a variety of elements such as afro and Ryukyu folk music that is then incorporated into the medium of dub. Recently, he has also started to gain international attention by releasing original material and remixes out of labels such as the UK label, Emotional Especial, etc.

For this album, NAGASE teams up with Yukino Inamine who brings her own distinctive singing and sanshin playing magic into this collaboration and they fuse electronic music sounds with Ryukyu folk songs to create this wonderfully imaginative album that has no precedence or equal. Apart from the song, Ishikawa Koiuta, all other songs are covers of Ryukyu folk standards that were handpicked by NAGASE from the repertoire of songs that Inamine regularly performs live. They met up when NAGASE was commissioned to remix one of her original compositions, Miyagi Kaigan that was released in 2023 and that evolved into a collaboration with a concept that mixed Inamine singing Ryukyu folk standards with a backing tracks produced by NAGASE. Whenever she went to the the Kansai area, she would work on the basic track material created by NAGASE at the dub master of Osaka, Soulfire’s studio, HAV who would then additionally edit her takes to create the finishing tracks.

This album, Yugafu ai KAJI opens with Shirahamabushi, a track that slowly builds with an interesting mix of slow acid techno and sanshin and then moves onto the easy-going electro dub of Tinsagu nu hana (it is actually a cover of the track of the same title that first appeared in the label sampler, Comuni ó n Especial that was released on Emotional Especial. NAGASE initially wanted to feature Inamine on vocals for this track but due to scheduling issues, it did not happen but with good fortune, the new version of this track is now included in this album). A side closes with the optimistic Balearic sounds of Tsuki nu Kaisha that converges immaculately with slow-mo steppers. It is also worth noting that the person who introduced NAGASE to Inamine was the Okinawa dub master, HARIKUYAMAKU. They met at a concert held by both him & Yukino Inamine hosted by BUN BUN THE MC at the venue, RAGGA CHANNEL. From this encounter, this album came into fruition and they also asked HARIKUYAMAKU to produce an earthy, traditional rootsy, dub version of Tsuki nu Kaisha that is included as the 3rd track on the B Side.

Ashimizubushi, the track that magically blends old school Chicago house ala TRAX with Ryukyu folk music starts off the B side and it carries on to an uplifting track with a Skaouse (ska + house) feel, Hounen Ondo. Inserted after HARIKUYAMAKU’s dub of Tsuki nu Kaisha, this album closes out with the song, ‘Ishikawa Koi Uta’, the only song written by Inamine who said that she wrote it after falling in love with chill-out music. It is an ambient dub track with a collage like flavour, reminiscent of early The Orb (remixed by Mad Professor) and the latter half of the track finishes off with a message presented by Masao Itokazu (her uncle) who received tutelage from the prior owner of her sanshin that Inamine plays, Moritomo Inamine (her grandfather).

Incidentally, the album title, YUGAFU ai Kaji is derived from an auspicious word from Okinawa, Yugafu which means fruitful year, happiness, prosperity and ai (indigo) is a word that Yukino found inspiration few years ago (she wears a Okinawan indigo clothing called kinonuno in the front cover of this album).

The unique indigo colouring produced by nature overlaps with the unique charm of the human personality, and she wanted to present that current along with the music so the name was integrated to ‘indigo wind’, and the two were connected to form the album title, ‘YUGAFU ai Kaji’.

The photo of the front cover was taken by a young, Uchinaanunishie—- (meaning a boy from Okinawa) 17 year old photographer named Ratio and the designer of this album is Anmonaito who is a childhood friend of Inamine who also did the artwork for her album, Miyagi Kaigan. And the mastering and cutting of this album was done by Rei Taguchi.

The cosmology existing in Yukino Inamine’s singing is fully amplified by AKIO NAGASE’s spacey, abundant with many ideas, dance machine beat~ambient music and all of these elements are organically linked by the adhesive effect of dub.

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35,72
Jonathan Kaspar - Twofold - Ignite (Ltd Coloured Vinyl)
 
2
disponibile anche

Vinyl A Black Vinyl[12,56 €]

Vinyl B Black Vinyl[12,56 €]

Vinyl B Coloured Vinyl[20,59 €]


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.

Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.

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20,59
Jonathan Kaspar - Twofold – Fade (Ltd Coloured Vinyl)
 
2
disponibile anche

Vinyl A Black Vinyl[12,56 €]

Vinyl A Coloured Vinyl[20,59 €]

Vinyl B Black Vinyl[12,56 €]


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.

Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down

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20,59
Deepchord - Luxury

2024 Repress

The ever-reliant Deepchord kicks off 2014 in his usual stylish way with two deep cuts in the Luxury EP. After last years jaunt into the ambient with 20 Electrostatic Soundfields, Rod Model return to the world of slick beats and even dreamier synths and atmospheres.

Luxury 1 ebbs in majestically as beautifully crafted layers of synths glide across field recorded drops of water that instantly play with your senses. Pumping sub bass fills the rest of the spectrum as Rod does what he does best by creating an unending slick groove, pieced together by crisp percussion.

Yet more atmospherics come into play in Luxury 2 as otherworldly field recordings are brought to life through the use of Rod's unique processing and layers of dream state synths. A perfectly worked groove seems to come out of nowhere and glides gently under the atmosphere; again subtle percussion ties everything together seamlessly.

The master of Deep Techno strikes again with nothing short of 2 elegant works that typify his skills as a producer.

Pan-Pot - Luxury 1 +++++
Alan Fitzpatrick - digging this! excited to play it!
Steve Rachmad - Luv Luxury 2
Joel Mull - Lovely warm music. Timeless pieces right here.
Jonas Kopp - cool vibes over here , thanks.
Tommy Four Seven - thanks!
Markus Suckut - deepchord as I like him!
Martin Landsky - yep...both tracks are brillant..Deepchord never disapoints....
Nadja Lind/Klartraum - what a luxury indeed :) Happy New Year!
John Selway - into Luxury 2
Stacey Pullen - cool thanks
Shlomi Aber - another cool one from soma
Heron - This deepness is more than impressive. Completely mindblowing!
Manic Brothers - Both tracks are super fat ! Thank you :)
Toma Hades - Epic tracks ! it sounds like real film music ! love it ! :)
Daniel Stefanik - follow them from the beginning. i love it! thx.
Vector Lovers - Lovely mixes, really warm production to chase those winter blues away. Great start to 2014!
The Welderz - Great opener tracks !
Master-H - Fantastic release! I Love DEEPCHORD!
Hermanez - love the sound from deepchord, thank you
Kazumi Ihii - Quality release as usual from Deepchord

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10,88
Roy Of The Ravers - White Line Sunrise III (Part 2)

The second part of Roy’s return to Emotional Response and the While Line Sunrise series dives further in old Hard Drives and DATs to unearth more lost techno for the brain, heart and feet.

Ensuing melody for driving beats, Fenix Haus 6 is a TB303 blast. Electro meets acid, the focus is on the rhythm, percussion is pushed to the fore and the rest will follow. Exit Ren8 brings some melody touches to the jacked-up ride, acid melodies ride classic Roy beats, programming for the mind and soul.

As with Part 1, here the flip expands the retinae of the found sound, Cristia Theme with flourishes of IDM and industrial touches, wrapped in a sheen of acid squelches and snap hats.

The series completes with the theme, the ambient meets kosmiche of White Line Sunrise III. Minimalist keys against cathedral sweeps, motorik drums float in and are gone, a grandiose ending with, as always, a light hearted ending, Roy’s return is a welcome and an intriguing interlude.

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17,61
C.ru.z / Nativo - Dedalo District

Dedalo District kicks off its first 12" with a split EP from two producers who don't play it safe.

On the A-side, Cruz - Barcelona-based and founder of 22 Records - delivers two cuts blending techno, electro, EBM, and new beat. Raw grooves, heavy pressure, no fluff.

On the B-side, Nativo, a Rome-based producer and part of the Incoherent Debts collective, fires back with two tracks built on breaks, electro, and synthwave textures. Twisted melodies, broken rhythms, forward-thinking attitude.

A debut that hits straight and leaves a mark.
No compromises - just tension and drive.

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13,40
Nastya Vogan / Phase Fatale - Transitioning Practice

Journeys are never just about distance. They stretch time, reshape perception, and demand transformation. With its latest vinyl split EP, Standard Deviation presents four tracks by Nastya Vogan and Phase Fatale that serves as a vessel for tracing displacement, memory, and the liminality of return. These melancholic yet powerful techno cuts serve both the concrete dance floor and moments of intimate self-reflection. Two artists--Nastya Vogan and Phase Fatale--approach Kyiv from different trajectories, but they both keep returning to the city. Vogan, a Ukrainian musician and resident DJ of Kyiv, and Phase Fatale (Hayden Payne), Berlin-based producer, Berghain and Khidi resident and founder of BITE Records, share a longstanding musical friendship. They've played B2B sets at K41 and Vogan, appeared on BITE's ''Shedding Skin'' compilation in 2023, and they share a vision for music selection, from aesthetics to philosophy. Vogan's 'Transitioning Territory' and 'This Is Not a Love Song' unravel the psycho-geography of transition. The first track captures the 24-hour journey to Kyiv as a rite of passage where 'time seems to fold; you are profoundly present yet paradoxically far from the world you left.' In this suspended state, memories surface and ordinary life recedes as the train's rhythm becomes its own meditation. Her second track explores Lacanian limerence--consciously falling for something not fully known, filling absences with personal projections as a way to discover what lies within oneself. Phase Fatale's contributions capture movement and distance with mechanical precision. 'Kekkai,' takes its name from the Japanese word for boundary, echoing 'respect my borders' ethos while reflecting on crossing into wartime Ukraine. The term also suggests a protective force field in Buddhist thought--much like Kyiv's current aura of resistance. 'Neosyazhna Rosa' (Unreachable Rose) honors Payne's Ukrainian grandmother Rose, weaving family history into his present connection with Ukraine. Both pieces balance melancholy with light, their sound palette of lush pads and rhythmic breaks crafted with K41's dance floor in mind.

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14,08
Sasha Pervukhin - Destroyed Illusions LP

The duality of love and pain runs right through the centre of this compelling and highly personal debut LP from Sasha Pervukhin, DJ/producer from Zolochiv, Ukraine, currently based in Paris. 


Over years releasing on his own Laconica label (as Alex Pervukhin) and more recently working at Carpet & Snares record shop in Lisbon, Sasha has honed in on a highly evocative, widescreen sound that draws deftly from his influences in classic tech house, breakbeat and hip hop. Now, on this new Carpet sublabel Nataraja — created for obscure, dark and experimental club sounds, downtempo, ambient and beyond — Sasha delivers four upfront and compulsive dancefloor tracks paired with four noirish vignettes, recounting a heart-on-sleeve sonic narrative about human contradictions: swagger and vulnerability, hubris and heartbreak.

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18,45
Time Synthesis - Remember The Future EP

Moto Music proudly presents Time Synthesis, a sonic collaboration of the living legends Dan Piu and DJ Estimulo, creating a future past guaranteed to last. Experience the dynamic aurora of class, seamlessly guiding your senses through savory flavors of funky Detroit and atmospheric Techno hybrids to the smoothest of sunset coastal Deep House designs marinated to move bodies on the dancefloor and influence the mind. Indeed a synthesis of good times where the future of authentic house and techno was never left behind. Perhaps the dreamy chords and confident bassline of Strobes" unlocks your center of rewards via groovy techno modes, or its the Estimulo Ambient class pass of Wayne" that's the perfect sound for your late spring sunsets and nights in the rain; never the less with Moto Music since 1994, complete quality is here to adore in this ep menu of four…

Written and produced by Dan Piu & Estimulo

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13,87
Saint Abdullah & Eomac - Of No Fixed Abode LP 2x12"

"tilt your back
pay respect
hand on heart

we were raised without table,
without manners,

where is it we gather this time?


In ‘Of No Fixed Abode,’ Saint Abdullah and Eomac extend their experimentation with genre dissolution to press upon the tensions that exist between culture, place, and migration. This fourth collaborative LP addresses the inherent fluidity of cultural memory, accepting our inability to remain fixed in the past, and explores how best to carry its spirit forward into an ambiguous future.

Through extensive research into 50 years of Persian pop, they meticulously reinterpret the legacies of artists like Andy, Hayedeh, and Fereydoun Farrokhzad, refracting samples by way of gritty beat work-outs akin to more contemporary musicians like Rezzett and Madlib. Through extensive archival research and sampling, they recontextualise these iconic melodies, placing reverie and frenetic drum programming in conversation with one another in a fashion that seeks to express a sense of two disparate tendencies cohabiting together, all while refusing homogenization. This reimagining extends beyond mere homage, serving as a conduit for exploring the narratives of migrant experiences, both in the UK and globally.

Sonically ‘Of No Fixed Abode’ plays with new sampling techniques, utilising the quick-fire intensity of the Roland SP404 with the cool precision of digital DAWs, and features collaborations with drummer Jason Nazary, sound artist Aria Rostami (both New York based), New Zealand-based mHz, and a vocal collaboration with London-based artist and musician Raheel Khan."

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24,58
Eoin DJ - Get Now EP

Eoin DJ

Get Now EP

12inch9FINITY004
9FINITY
30.07.2025

The fourth installment of Secretsundaze’s 9FINITY imprint releases the tectonic ‘get now EP’ from Irish, via Berlin dancefloor expert eoin dj. Their eclectic sets draw from all hues of the dance music spectrum, from psychedelic techno, indulgent hard house, pumping tech cuts and beyond.
eoin’s latest record pulls all of these influences into a tight, rolling house-centric EP that brings everything from the raucous to the utterly sexy. Thundering 909 Toms and gliding synths across A1’s ‘spin flip contrast a more percussive, hedonistic voyage through A2’s ‘skin on skin’.
Banging through the B-side with ‘faux baddy’, a mean dancefloor cut that draws the crowds forward for a slice of tribal hard-house. B2’s ‘get now’ is a certified club moment, with eoin’s punky vocals and sludgy reese bass line sliding throughout the uplifting drums and synth chords. A final moment emerges with the digital bonus track ‘the rapture channel’, a progressive groove blending buoyant percussion and large synth licks – an indispensable tool for any time of the night.

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13,03
Alibi - Dismissed

Alibi

Dismissed

12inchFTNTS013
Footnotes
29.07.2025

The Brazilian DJ/music-producer based in Vienna/Austria makes his debut on footnotes and the EP represents the best of Alibi and footnotes. The techy roller Dismissed has been destroying dancefloors for more than a year. ‘Black Piano’ and ‘Invisible’ both combined the brooding piano and skippy beats. The EP closer ‘Draw’ contains shades of the Autonomic era with beautiful synth lines but the crisp beats that Alibi is renowned for. All in all a stunning debut for Alibi on footnotes

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13,87
Tourman - Yucatán EP

Tourman

Yucatán EP

12inchSPW002
SpaceWax
29.07.2025

SpaceWax is back with a full blast!
After a year in the making, the highly anticipated second release is finally here, and it’s well worth the wait.

Lithuanian DJ and producer Tourman is on board for this mission, delivering a four track EP that covers a wide spectrum of hypnotic and dancefloor ready sounds.

The A-side kicks off with 'Colourless Tasteless', a stellar bomb, an absolute floor destroyer packed with energy and mind bending soundscapes, followed by 'Yucatán', an acid infused roller designed for trippy dancefloor moments.

On the B-side, 'La Wamba' shifts the mood into a mix of hypnotic tech house, rolling synths and summer infused vibes, offering a versatile selection perfect for any set.
'Clear Sign' closes the EP with a blend of warm summer vibes and infectious rhythms.

With limited vinyl only availability, Yucatán EP is a must have for selectors looking to bring the Spacey vibes to the dancefloor.

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13,03
Ricardo Tobar - Knitting

Ricardo Tobar

Knitting

12inchMUSAR021
Musar Recordings
28.07.2025

Ricardo Tobar returns to MUSAR with Knitting — a four-track EP blending dancefloor intimacy with raw, analog spirit. A two original cuts from the Chilean producer are joined by standout remixes from synth sorcerer Pye Corner Audio and cosmic rave
queen Nightwave.
The EP opens with Los Siblings, a distilled snapshot of Tobar’s current sound: intricate arrangements, ethereal melodies, heavyweight bass-line and a vintage edge shaped for the club. “I’m embracing the dancefloor,” he says. “This is me doing tunes
I would like to dance to.” On the flip, Knitting unravels from a simple arpeggio into lysergic ‘’Stereolab’'-techno chaos — alive, imperfect, and deeply personal. “It sounds like it wants to eat itself,”
Tobar reflects. Layers on layers of psychedelia and cosmic melody turn this into a trippy journey track like no one else does. Architect of foggy club rituals, Pye Corner Audio transforms Knitting into an eerie, trance-tinged club weapon, while Nightwave turns Knitting into a high-gloss, dreamy club stormer

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14,71
Sciama - Between Veils

Sciama

Between Veils

12inchSMDE52
Samurai Music
25.07.2025

With a steely sound matching fathoms-deep echo chambers with metallic textures and precision drums, Sciama arrives on Samurai Music to press into the inspiring hinterland between techno and drum & bass.

Sciama is the production alias for Michael Watters, a producer who since 2019 has carved out a formidable reputation across a stellar run of releases on ASC's Auxiliary label. While his music references UK bass, transcendental techno and industrial, the end result is a taut, focused journey through fractured, weighty rhythms and vast, ranging atmospherics tilted towards the darkness.
Between Veils is testament to Watters' refined production, steeped in intensely detailed and layered sound design in constant fluid motion, whether locked to the grid or shifting across the surface of the track like grayscale snow drifts. Noise becomes a subtle tool in his hands, capable of delicacy as much as abrasion, and discord evokes a haunting beauty if you listen past the clangorous overtones he elicits from his pads.

For all the writhing, artful sonics, there is still ample weight in the Sciama sound to hold court over a sound system. 'Figures In Mist' rests on a constant half time cycle underpinned by monolithic bass pulses and 'Ghost Trail' finds deadly energy in the faintest flicker of double-time hats above the slow march of a 4/4 kick clocking around 85BPM. Restraint is paramount, even in the fuller rhythm section that drives 'Anima Trace', creating tension through what isn't sequenced as much as what is. 'Veil Of Mirrors' has an especially punchy kick propelling the cavernous echos and ripples that shape out yet another vivid soundscape, but at all times Watters keeps a tight grip on his arrangement to keep the energy simmering just below boiling point.
Moving well beyond the boundaries of any specific genre, Between Veils winds upas a strong, independent statement on the meeting point between broad influences and clear intentions - a formidable addition to Samurai Music's explorations beyond drum & bass and Sciama's steadily evolving, singular style.

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14,71
DJ Slush - Model Collapse

DJ Slush

Model Collapse

12inchPREP01
Polytechnic
24.07.2025

Detroit’s DJ Slush presents his debut solo EP “Model Collapse” with five versatile tracks inspired by classic stripped down Midwest house & techno. The EP marks the launch of Polytechnic Recordings - a new sublabel of Mark Grusane’s Disctechno Music - run by Eric Schwab (DJ Slush) & Grusane. Following his productions on the Midwest Rhythms series, “Model Collapse” delivers more jacking drum machine programming, spacey & melodic synth lines, and a few psychedelic elements, with nods to the early years of deep house & proto-techno, packaged in a full color jacket sleeve.

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15,92
Nathan Melja - Djo Sinego

Nathan Melja

Djo Sinego

12inchPARODIA06
Parodia
24.07.2025

Nathan Melja presents Djo Sinego — the birth of a magical, visionary alter ego. For his sixth release on his label Parodia, the artist delivers a mini-album that’s both intimate and boldly eclectic.

Blending club energy with atmospheric introspection, Djo Sinego fuses dreamy house textures, raw 90s techno grooves, and cutting-edge sounds. It’s a bridge between past and future — crafted to resonate on the dancefloor and beyond.

With TikTok samples, retro influences, and a fantastical world at its core, this project marks the beginning of a unique sonic journey. Djo Sinego isn’t just a record — it’s a universe waiting to be explored.

An ingenious mixture of hybrid house, leftfield techno, and conceptual electronic music.

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8,28
Sun Ra - Sleeping Beauty

Sun Ra

Sleeping Beauty

12inchSTRUTLP474
STRUT
23.07.2025

Strut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time.

Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly.

The album emerged during an extraordinarily fertile period for Sun Ra in late-‘70s New York. Between 1978 and 1982, Ra “occupied” Variety Recording Studios on West 42nd Street, often staging marathon sessions following late-night Arkestra gigs around the city — from the Village Vanguard to Sweet Basil and even a wedding in Central Park. These were not just recordings; they were rituals. Ra and his core players — John Gilmore, Marshall Allen, June Tyson, Michael Ray, and others — would begin sessions mid-morning, often continuing past midnight, much to the dismay of the studio owner. Out of this creative whirlwind came some of his most enduring work, including A Fireside Chat With Lucifer, On Jupiter, and Sleeping Beauty.

Across its three tracks, Sleeping Beauty showcases the Arkestra’s gentler side. From the dreamy sway of “Springtime Again” to the funk-deep uplift of “Door Of The Cosmos” and the title track’s meditative drift, this is music that floats, beckons, and unfolds. It’s a record of hypnotic beauty and quiet power — cosmic jazz for dreamers and seekers alike.

This new edition features a selected version of the hand-drawn original cover, embossed with the Sun Ra logo and housed in a heavyweight card sleeve. Liner notes come courtesy of Arkestra member Knoel Scott and Sun Ra authority Paul Griffiths. Remastered by Technology Works.

“Music is a language. You see, it’s not notes — it’s a language of the spirit. That’s why it’s so important.” – Sun Ra

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23,11
Hitam - Subterranean EP

2025 Repress

Conundrum Records delves into the depths of techno with a riveting release from Hitam, the Dutch producer who's renowned for his immersive soundscapes, stimulating textures and dynamic low-end. The "Subterranean EP" is a compelling journey through shadowy, bass-driven terrain, meticulously designed for powerful club systems. Despite the variety in tempo, the EP's relentless energy and thunderous low-end form a cohesive thread throughout.

The EP kicks off with "Nagini", where minimalist, driving drum patterns intertwine with glitchy synths and eerie atmospheres, setting the stage for what's to come.
"Hoia Baciu" intensifies the experience, maintaining a dark, brooding energy that envelops the listener in its foreboding vibe. "Kaelago" shifts gears slightly, slowing the tempo but upping the complexity with intricate sound design and broken beat transitions that showcase Hitam's deft production skills.

Adding to the EP's allure, renowned techno artist Rene Wise contributes a hypnotic, tribal-infused remix of "Kaelago," layering new depths onto the original and enhancing its already potent impact. For those seeking an even more intense experience, Hitam's alternative version of "Kaelago" serves as a digital bonus, pushing the boundaries of auditory immersion.

"Subterranean" is a masterclass in crafting dark, cerebral techno, with Hitam firmly establishing himself as a force to be reckoned with in the genre. This EP is not just a collection of tracks but an exploration of mood and atmosphere, making it an essential listen for those who appreciate techno's deeper, more introspective side.

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11,56
Marco Faraone - Open Your Eyes

Marco Faraone

Open Your Eyes

12inchDCLTD39
Drumcode
18.07.2025

Marco Faraone is the latest artist on DCLTD imprint with his ‘Open Your Eyes’ four tracker. 'Open Your Eyes': the title track combines roiling fast techno beats, with pizzicato 'plucked string' insistent, subtly dominating monotone strand throughout, all peppered with a deep male vocal command - 'concentrate', until the big breakdown's drop is heralded by female voice 'open your eyes' and a fast ride to the satisfying end. Uncompromising and invasive in the best way. 'Enigma': the techno beats ride alongside a resonant synth melody with an 80s vibe, hypnotic and upbeat, counterpointed by a touch of melancholy in the intruding high synth notes in the breakdown. A deep, danceable techno track with emotion baked in.

'Convert The Energy': Fast and dark, with a whomping beat, metallic percussion, and a repeating monotone phrase stealthily gripping the hearer, while urgent, deep male layered vocal riff - 'convert' - becomes a layered, processed vocal delivery of 'machine designed to convert energy', emphasis suitably on the last word. 'Haze': a stotting fast drum beat and hissy hi-hats underlie a repeating melodic synth phrase with a noughties trance feel, crescendoing into a plangent, almost-piano sound, punctuated by single notes like trumpet calls, clattery or jangling intrusions, mysterious and intriguing.

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14,24
Dom Dolla - Take It / San Frandisco

2025 Repress

Dom Dolla makes a triumphant return, with 'Take It', a deep, dark, heaving club mix that combines an evocatively catchy vocal, with a deep groove beat to create one hooky production. Off the back of his 2017 ARIA nomination for Best Dance Release for the huge collaboration with Torren Foot on 'Be Randy', Dom has been busy touring the globe, stewing away in the dark corners of clubs, tweaking 'Take It', until it reached tech-house perfection.

"I put the bones of this tune together in a hotel room while road tripping between gigs in Arizona earlier this year, feeling heavily inspired by the west coast club audiences I was playing to. The vocals were written and recorded while sick in bed, using my tour manager's iPhone earbud microphone and a duvet as my vocal booth. At the time I had planned on replacing my recording with a cleaner take when I got home to Australia, but was never able to recreate something I liked as much, so it stayed! It's been slaying it for me ever since.", Dom Dolla had to say on explaining the origins of 'Take It'.

Having received over 20 million streams and consecutive ARIA Club Chart #1s for the former and Define, his 2016 collaboration with Go Freek, it becomes obvious that perfection is a common occurrence for Dom Dolla. Also, giving reason to why Dom has been cherry picked for official remixes by the likes of RUFUS DU SOL, Flight Facilities, Peking Duk, Madison Avenue, Motez and Sneaky Sound System and ongoing festival slots at Beyond The Valley (closing out the festival 4 years running), Splendour In The Grass, EDC Las Vegas and Splash House Palm Springs.

With Chris Lake, Kyle Watson and Billy Kenny already jumping on board, 'Take It' will be sure to garner a solid amount of support from the big-dogs. This goes without saying when Pete Tong is your biggest supporter, playing a spate of Dom Dolla releases across BBC Radio 1, a guest mix on All Gone Pete Tong and chosen as support for Pete Tong's huge orchestrated Ibiza Classics show at Melbourne's Sidney Myer Music Bowl.

After being tried and tested, this track is 100% guaranteed to rip your heart out and 'take it' straight onto the darkest dance floor out there. Australia, hold tight for a tour announce very soon, otherwise you can catch Dom on dance-floors throughout the US from July.

11 million streams across Spotify, SoundCloud + YouTube
#1 ARIA Club Chart
#1 Beatport Overall
Named as Pete Tong's artist to watch for 2019

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14,08
Roberto Manolio - Ancient Lost Writings EP

Cosmological returns with the second chapter, 4 tracks for the dancefloor different from each other, with raw drums and acid electro synths that lup and evolve into exuberant but at the same time mysterious melodies, with kicks and bass lines that go from progressive techno to house with a side dish of sharp vocals.

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12,19
rRoxymore - Juggling Dualities

As rRoxymore, Hermione Frank has been exploring the outer edges of the dance floor and producing music that goes beyond traditional genre boundaries for more than a decade. In that time she has covered plenty of ground from caustic and abrasive techno to long-form and immersive grooves, always with a focus on contrasting tempo, texture and tone. On previous albums she intertwined the electronic and the acoustic with elements of psychedelia and jazz. With Juggling Dualities, Frank takes a sideways look at New Age and Wellness culture.

Writing the album came about after many months of being unable to create during a complicated personal time which left her lacking inspiration, feeling creatively stuck yet emotionally uprooted. What helped was distance - taking time and space to disconnect from the struggle. That brought a different rhythm to life and a fresh perspective that allowed exploration without any expectations. A six-week surge of intense creativity followed in which the majority of the album was written. As she explains, "The record represents a journey of reconnection that conveys an underlying message of hope and healing at its core. I think it is my most honest
work to date."

Initially conceived as a New Age project but with a signature personal twist and some subtle humour, there is a familiarity to Juggling Dualities. It is warm and comforting with a sound palette that is refined but familiar - there are soothing signifiers and organic designs that nod to the motifs of New Age but passed through a more contemporary lens.

Juggling Dualities is an invitation to reconnect with yourself. It's music that encourages you to take a pause, be in the moment and reflect on the fact that no matter what challenges come your way, they shall eventually pass.

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26,01
Eusebeia - Undertones 3x12"

Eusebeia

Undertones 3x12"

3x12inchSMDELP15
Samurai Music
18.07.2025

Teasing dread atmospheres and zooming in on microscopic details that bring every beat in every bar to life, Seb Uncles returns to Samurai Music with another deep dive into his exquisitely crafted, cinematic progression of the drum & bass tradition.

Even a cursory glance at the Eusebeia back catalogue tells you Uncles is an artist committed to the storytelling promise of breakbeat culture. His work has been heavily tipped towards albums since he first broke through around 2015, and across more than 10 long-players he's cultivated a strong line in moody, evocative jungle and drum & bass more concerned with world-building and subtle detail rather than aggression and intensity.

Following up on his 2023 LP for Samurai, X, on Undertones Uncles applies his signature meditative tones to a broad expanse. There's a consistent sound palette that leans on the warm snarl of monosynth low end and aqueous pads, delicately edited breaks and crisply sculpted synth percussion, but Uncles moves with dexterity around different tempos and structures within this considered sound world. The overarching notion is one of things lurking beneath the surface - a comfortably open theme to be approached and understood from any number of angles. It certainly chimes with the upfront detail and brooding tension that gives the Eusebeia sound such depth.

There are moments of direct drum pressure, such as fierce opener 'Undertones' with its diced-up breaks and icy chords, the boisterous jungle dread of 'Uncover' and chasmic roller 'Root Out', but on the likes of 'Beneath The Surface' and 'Out In The Open' it's the mellow elements that take precedence over the deft drum science. The motion is persistent and nuanced, but it's achieved without deferring to default dancefloor tropes.

'Emergence' marks a pointed shift towards a delicate strain of techno that maintains the album's sound at a mid-paced pulse, focusing on synth shapes and textures to achieve propulsion with only the lightest of drum parts. Alongside the energetic intrigue of Uncles' sonic choices, the melodic make-up of the track is a compelling showcase for his emotionally ambiguous approach, both rousing and chilling in the same curious chord shapes.

From the half-time prowl of 'Lifting The Veil' to the creeping textures and haunted phrasing of 'Brought To Light', Undertones is another stunning exercise in widescreen jungle. It flows naturally from the rich body of work Uncles has cultivated over the past 10 years while carving out its own unique pocket - a reminder if you needed one of the profound sound bedded into the Eusebeia project.

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36,93
Shadi Megallaa - Spirits Of The Deep

Representing the spirit of the underground in Dubai, Shadi Megallaa is a multifaceted music lover whose unwavering passion for music permeates throughout all of his endeavours. A pioneer of Dubai’s electronic music culture, Shadi’s roots lie with the foundations of modern day electronica: all shades of house, techno and beyond. His commitment to preserving and evolving the culture is inherent in his record shop, The Flip Side, which has been intrinsic to the growth and development of music culture in Dubai. As a DJ and producer he draws on a multitude of experience, diverse taste and a refined ear that has instilled the ability to craft compelling productions. On Spirits Of The Deep we find Shadi exploring the deeper side of electronic music, creating layers of vibration designed to immerse the listener in layers of positive vibration.

As prescribed by Shadi himself, we start the traditional way, with Side B (the info side), where ‘Microgravity’ transports us into the cosmos. Soothing sonics envelop a taut low end with crisp percussion and swathes of pad work cultivating an interstellar atmosphere. Subtly shifting layers keep you locked into a groove, as the track maintains its energetic pulse. The synth lines increase with intensity midway through, adding more potency. Across almost nine minutes Shadi takes us on an excursion beyond the stars…

This is followed by ‘G-Dub’, a smooth jazz-inflected piece full of soul nourishing goodness. Intuitive drum programming with a groove-laced low end form the propulsive backbone of this track. The dreamlike melodic elements are almost transcendent in their illuminating impact. With all of its elements combined, ‘G-Dub’ is a glorious foray into the depths of true deep house. Shadi keeps things interesting throughout, adding and subtracting layers to complement the pace. Those hi-hats and intermittent cymbal crashes are especially impactful. A delight.

On the flip we have ‘Pressure’, where Shadi’s UK breaks influence comes through. A characterful vocal sample features throughout the intro before we enter a world of unusual sounds. The beats are, once again, impeccably executed, accompanied by a dubby bassline and an ever-evolving cacophony of squelchy sounds and chirps. Running at just over 9 ½ minutes, ‘Pressure’ sees Shadi flexing his creative muscles with a heady, expansive composition that invites us on a deep musical trip.

Finally, ‘The Poet’ closes out the EP on an emotive tip. The track is dedicated to the Palestinian poet and activist Refaat Alareer, who was killed during an airstrike on Gaza in December 2023. It utilises Refaat’s powerful poem If I Must Die, with the spinetingling words taking centre stage, as Shadi’s beats, bass and bright pads provide the backdrop. A piano-led melody appears in the latter part of the track, amplifying its emotionally-charged atmosphere. A wonderfully imagined homage to a martyr for peace. As the samples state, Let it bring hope…

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18,07
Hyas & Aurèle - Spider Rituals

Hyas&Aurèle

Spider Rituals

12inchBMDM01
Demi Monde
18.07.2025

Hexagonal rising star Hyas & Parisian underground mainstay Aurèle join forces on their latest five-track EP, “Spider Rituals”. This release navigates the realms of techno, breaks, and UK inspired wobbling frequencies.

The journey begins with the 140 BPM head-turner, “Craig Mild” where an enchanting witchcraft ambiance intertwines with classic Roland drum machines and emotive Yamaha synth chords.
A2, “Pryorities” propels you straight into the heart of a sweaty basement, layered with naughty boys samples and a wonky bassline supplement that keeps the energy alive.

Flipping to Side B, we dive into the grooviest cut of the record, B1 – “Wow Seen”, certified banger material avidly tested by the French duo prior release… spoiler : it works every time. B2, “Bueno Dub” ventures into frowning-and-vibing territories, serving up a potent mix of daggering basslines, breakbeats, and off-kilter pop samples. Finally, B3 – “Cash Mire” closes the record on an ambient note, featuring deep 808s that seamlessly pull you in a deep bass bath.

With a commitment to blending influences, Hyas & Aurèle present this ambitious opus as a collaboration between their respective labels, Bardouin Music and Demi-Monde.

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12,19
Gratts - New Horizons EP

Belgian DJ / producer down under Gratts is back with his most intriguing collection of songs to date.
Different shades of house music are on offer - always raw, real, and full of personality.
‘Off My Feet’ is dedicated to Restless Soul and features Durban force Venessa Jackson on vocals.
Adelaide’s Ed Temple destructs, rerubs and transforms it into a sleazy slice of hardware boogie.
‘Smiling’ chronicles hazy London days and nights some 20 odd years ago, brought to life by the
illustrious JPHiLo. A track both for club and airwaves use. ‘Better Days’ is a warm and uplifting chunk
of balearica, in which Rose ensures us better days are soon upon us (surely), while Belgium’s
Steven De bruyn shines on harmonica. The ‘Moody Beatdown Dub’ pulls things firmly into Detroit
territory. The EP concludes with title track ‘New Horizons’, an emotional piece that fuses a juicy acid
line with the cascading magic of Adelaide pianist (and techno veteran) Antony Coppens.

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18,45
Clotur - Rétro Rêverie

Clotur

Rétro Rêverie

12inchSUBL022
Sublunar
18.07.2025

Sublunar and Sciahri are proud to welcome Paris-based Tunisian artist Clotur to the label.
Known as the head of Warok Music, Clotur makes his debut on Sublunar with "Retro Reverie", a uniquely diverse EP that showcases his impressive creativity and his ability to move across different shades of techno with ease and personality.

The journey begins with "Glitch Parade", an eccentric yet infectious track driven by a captivating groove that immediately pulls you in. "Dataline" follows, offering a sleek balance between minimalism and modern textures while maintaining a distinct identity.

On the B-side, "Ghost Transmission" delivers a sultry bassline and seductive vocal elements that infuse the track with a warm, groovy atmosphere. "Patala" brings an old-school flavor into the mix, standing out with its refreshing and instantly recognizable character. The closing track "Retro Reverie" lives up to its name: hypnotic and epic, with celestial soundscapes and an evocative vocal that give the EP a powerful and spacious ending.

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11,72
AV1 - Waves + Plants Pt. 2

Av1

Waves + Plants Pt. 2

12inchALT004.2
ALT Records
17.07.2025

The fourth release on ALT, the sub label of Cartulis Music, sees the return of AV1, the freshly formed French duo composed of Chris Carrier and Le Loup. Following the success of Waves + Plants Pt. 1 (ALT004.1), the pair now delivers the highly anticipated second chapter, pushing the boundaries of their sonic exploration

AV1 is the result of a deep-rooted connection between two of the most respected names in the Parisian underground scene. Chris Carrier, a prolific producer and DJ since the late ‘90s, has carved out a legacy with his unmistakable approach to house and techno. Le Loup, equally revered for his refined touch and forward-thinking productions, brings his own signature style to the table. Together, they craft an electrifying synergy built on a shared love for acid, deep grooves, and classicist house/techno foundations.

Waves + Plants Pt. 2 (ALT004.2) expands on the energy of the first release, offering a fivetrack journey through a diverse soundscape. Blurring the lines between trance, techno, breaks, and experimental sounds, the EP showcases AV1’s ability to merge different sonic textures into a cohesive, cutting-edge release. From hypnotic acid sequences to raw drum programming and ethereal atmospheres, each track presents a unique side of their creative vision.

This latest installment solidifies AV1’s place as a standout project in contemporary electronic music and reaffirms ALT’s commitment to releasing forward-thinking, genre-defying sounds.

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14,08
Waveratio 618, Former Being - As Above, So Below EP

For its third installment, NEUMA presents As Above, So Below—a collaborative
release by Matteo Manfellotti and Jorge Gamarra. On the A-side, Waveratio’s
Distorted Analytics and Heart of Darkness set the tone with a fusion of techno,
electro, and trance-infused energy. The B-side features both producers working
together under their new project, Former Being, delivering tracks that maintain
the same intensity while shifting toward a more EBM-influenced sound, marked
by evolving structures and a mysterious atmospheres.

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13,24
Nathalie Duchene & Radio Slave - We Are Youth

Nathalie Duchene & Radio Slave team up for summer anthem ‘We Are Youth’. CASSIMM remixes the track.

The Belgium-born, Paris-based Nathalie Duchene joins Radio Slave’s Rekids via a collaboration with the label boss himself. ‘We Are Youth’ lands 11th July 2025 and includes a remix from CASSIMM.

Embodying the spirit of summer with glistening piano keys, vibrant strings, and a snazzy bassline, Nathalie Duchene & Radio Slave's ‘We Are Youth’ brims with feeling. The vocal, sung by Radio Slave’s daughter, adds a layer of innocent nostalgia that clings to joyful memories. Rekids regular CASSIMM steps in for a remix, upping the tempo and flipping the track into a disco infused House cut.

Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Tiger Stripes, Tal Fussman, Oliver Dollar, The Hacker, and more.

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13,24
DJ Chus, Cevin Fisher - Every Time I Try

“Everytime I try” by DJ Chus & Cevin Fisher was one of the biggest worldwide club hits in Summer 2023. That catchy acid-inspired synth line, along with Chus’ signature driving percussion and Cevin’s iconic voice preaching such an inspired message was a peak hour favorite immediately upon release.

And now comes the well-deserved and much anticipated remix treatment. Wheats adds some minimal leaning deep tech flavor with an appealingly mutated effect added to the vocal; Audio Junkies retains the acid based synth line but strips it down and then builds it back up with some new melodic elements that will open up the track to a dancefloor community that looks for more eclectic house music sounds; and finally the 12” includes the Viot remix where this emerging Brazilian producer adds building hypnotic rhythmic elements that give the track an early morning feel to go along with its already established peak hour energy. Rounding out the 12” is the original DJ Chus extended mix, released on vinyl now for the first time as part of this remix package.

This release comes in special yellow colored vinyl.

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14,92
Halina Rice - EVOLVE

Halina Rice is a London-based electronic music artist known for her groundbreaking approach to music production and live performance.Rice has established herself as a leading figure in the contemporary electronic scene, blending complex soundscapes with immersive visual elements.

Her previous releases have been praised for their innovative use of technology and emotional depth, earning her a dedicated following around the world.

EVOLVE came about through her work in spatial audio where sounds are separated into granular objects and combined to create highly textured compositions.

Rice has toured the album extensively across the UK and Europe with sold out headline shows as well as festival appearances including a recent appearance at Polygon London live on the lineup with adjacent artists Jon Hopkins and Max Cooper.

Press coverage for the album includes Mundane Mag, Narc Magazine and previous support for the artist project includes feture length articles in Electronic Sound Magazine, DJ Mag, Mixmag, Decoded, Earmilk and Headphone Commute.

"EVOLVE's audio palette is a mix of organic and industrial sounds and beats that capture moments fleetingly. As the album title suggests they evolve and shift... exhilarating as the buoyant energy of the sounds grab your ears' attention, eager for your body to move."

Narc Magazine

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20,96
Max Watts, Keeno18 - Dusk / Undying Prophecy EP

Side A is home to “Dusk”: A soulful techno track that fits the criteria for multiple dance floors and at home listening. Dusk’s melodic content, tight percussion, and creeping film-like pads ensures its place as a future classic meeting that sweet spot between house and techno. Side B features “Undying Prophecy” by Keeno18. Again with a deeper vibe, the Tampa based artist continues the spirit of “Dusk” in its own unique way. The track begins with an eerie yet introspective pad arrangement before switching up into funky off-kilter sound design on the synths. Rolling hi hats and reverberated vocal chops complete the track leaving the listener with a unique atmospheric sonic experience.

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15,92
Das Fax - Techno Uniform

Dense, deep, drifting in the universe between dream, memory and reality.
Thought-provoking impulses with a philosophical background add an empathetic component to the power of the narrators' words in a charismatic way.
The common thread running through the four tracks like a warm red ribbon is a homage to the freedom of the individual.
A utopian sound clip that tells of acceptance and departure.

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11,72
FOREIGNER - Visible' EP

In a flurry of angular beats and space age synth licks, Livity Sound welcomes Willis Anne to the fold under the guise of a new alias, FOREIGNER. Operating within the thriving scene around his current base Naarm, Anne brings a live, jammed-out focus to machine-rooted electronic performance that translates into his productions. All four tracks on this new EP crackle with improvised energy, whether it manifests in the dramatic synth shapes on 'Last Peoples' or tangled up in the beat exploration on 'Visible'. At its core, the EP makes its mark thanks to the clarity of Anne's ideas as he swerves the temptation to over-work the sound, ringing true with the immediate, spacious approach of Livity Sound's many-sided catalogue.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

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14,92
Adam Beyer - Explorer Vol. 1 LP 2x12"

A new album, a new era for Adam Beyer and his music. The revered Swedish producer, DJ, and label head of Drumcode and Truesoul has consistently pushed the boundaries of techno in his own 30+ years of releases, while his imprints have launched many new artists and boosted the clout of major stars.

‘Explorer Vol. 1’ see's Adam Beyer showcasing his inspiration from his whole past creative journey whilst continuing to explore different sounds and new genres. It reflects permutations of Adam’s headspace and who he is, celebrating his personal interests and influences including in sci-fi, both musically and visually. A new age for Adam Beyer, after a prolific slew of superb EPs, singles and collabs which have spanned 20 years since his last LP.

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29,37
Scott Avery - In Search of Echoes

“In Search of Echoes” marks the third vinyl release from Detroit-based electronic music producer Scott Avery, continuing his genre-bending approach to dance music seen in previous vinyl and digital releases. In this EP, Avery delves deep, using sonar technology as a metaphor to discover new sonic territories.

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17,23
Alpharisc - Remain Seated

Alpharisc

Remain Seated

12inchMR-029RP
Mutual Rytm
11.07.2025

Aussie techno innovator Alpharisc returns to Mutual Rytm for a second standout EP.

Shane Yates, aka Alpharisc, has been living and breathing techno for over 30 years. He first began producing in the mid-90s and has amassed a fine hardware collection that lends his sounds a raw, rugged feel. After breaking through with the Wetmusik party and label collective, he has let his music do the talking and isn't afraid of colouring it with a hint of nostalgia. Previous material has come via several notable labels over the years, but his most recent outings have been on SHDW's Mutual Rytm imprint, with his solo EP 'Ram Face' from 2023 becoming an underground favourite alongside a fine outing as part of the label's 'Federation Of Rytm II' and 'Federation Of Rytm III' compilations. Once again, he returns in style, uncovering an impactful selection of gems across his new 'Remain Seated' EP.

The opener 'Peace Be With You' is a straight-up techno weapon with urgent synth flashes peeling off the groove like a police siren. The drums hit hard in true Alpharisc style before 'Hail' builds on that with a more hard-edge groove topped with frosty waves of white noise that electrify the dance floor. 'Remain Seated' brings a hint of trance-leaning energy with its bright sheets of synth lighting up the driving drums and saw-tooth bass loops. Next, 'Look At This' is another brilliantly forceful techno sound with slamming drums and rusty synth loops, layering melancholic pads up top and adding a cerebral edge, while closer 'In Your Mind' is from the Jeff Mills school of synth-laced and serene deep techno with lush pads radiating cosmic light. As a bonus, digital-only cut 'Expedition' brings some backlit celestial synth work to a rubbery and pummelling drum pattern for pure techno escapism.

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11,72
Raffaele Attanasio - South Signatures

Italian artist Raffaele Attanasio kicks off the New Year for Mutual Rytm with his superb 'South Signatures' EP, channelling multiple techno styles into one potent package.

Landing as Raffaele Attanasio's second outing on SHDW's Mutual Rytm label, following his incredible debut 'Quasar' and recent appearance on the third instalment of the label's Federation Of Rytm compilation, the EP is a showcase of an exciting artist with a new school take on techno while bringing real respect for the roots of his sound. He has played live on stage with the legendary Jeff Mills, and is involved in several other musical projects in different genres but reserves his finest techno for his own name.

'Madrigal' opens the EP, with Attanasio crafting an apocalyptic anthem composed of one sound, the Nord Wave 2 synthesizer and a pumping groove. It is pure dance floor heat with unrelenting drums that lock in the crowd. The brilliant 'Heat' then brings tribalism, with a powerful rolling groove peppered with chord stabs that bring it to life. 'Aogiri Tree' features rousing drums that emerge from the undergrowth and accompany the macabre lead synth. Its mischievous notes hint at hidden danger and keep you on your toes.

Keeping the energy high, 'Stratford Fog' delivers a battle between drums and the constantly pulsing bass. Edgy chord stabs and raw percussion make for a breathtaking groove that never lets up and keeps you utterly engaged. The title track is a laser-focused production that harks back to the golden age of Neapolitan techno with a perfectly designed groove, before digital bonus 'Eleven' brings hints of stylish Detroit techno with its lush chords and arpeggiated saw bassline, creating a continuous flow right to the last beat.

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11,56
Gary Beck - Upside Criminal EP

Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.

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11,72
BBE / Fred Hush / At The Villa People - Hurricane / Sturm Der Liebe / Indian Summer

BBE, the iconic force behind the techno trance sensation, is making a powerful return with not one, but two electrifying new tracks: Hurricane and Sturm der Liebe. "Hurricane" sweeps listeners away with its nostalgic, heart-stirring melody and smooth, captivating vocals, creating a wave of emotion that’s impossible to resist. "Sturm der Liebe" is a masterfully crafted DJ tool that builds and swells, effortlessly blending ethereal, trance-like elements into an exhilarating journey of sound. With these two tracks, BBE proves once again that they are at the forefront of creating truly unforgettable, genre-defining music. On the b-side the new collaboration between At The Villa People & Fred Hush is all about techno, trance and acid influences mixed with dreamy vocal details, "Indian Summer" is a peak killer that will definitely make your dance floor explode. Not to be missed.

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14,24
Lars Huismann - Catharsis EP

Lars Huismann

Catharsis EP

12inchMR-024RP
Mutual Rytm
11.07.2025

Lars Huismann drops fourth essential release on Mutual Rytm with 'Catharsis', following his successful 'Sounds From The Past' trilogy.

German producer Lars Huismann has a percussive and groove-driven take on techno that often comes with scintillating melodies and separates him from others amongst the genre. His releases have come on labels such as Dolly and Soma; however, he has also quickly become an essential member of the Mutual Rytm family, having contributed to the label's 'Federation Of Rytm III' VA as well as serving up a trio of forward-thinking EPs in the form of his 'Sounds From The Past' trilogy. Delivering yet more stellar material on SHDW's thriving imprint, his latest EP delivers the newest evolution in his sound while maintaining his signature sonic essence.

The hunched techno funk of 'Divergence' kicks off with plenty of plenty up energy and tight, bouncy synth vamps, while 'Portal' goes deep into a futuristic landscape with static-laced synths and oversized hi-hat ringlets that ramp up the pressure. The mighty 'Neural' is brilliantly functional and linear techno with a playful synth that rides up and down the mix as the sleek and slamming drums race onwards. 'Riot' brings some extra raved-up madness with serrated synths and raw percussive energy, and 'Technician' then slips into a deeper, more paired back sound with liquid synth lashing about the mix as dubby undercurrents power along the punchy rhythms and freaky vocals bring the menace. Digital bonus cuts 'Incognito', a fizzing, busy, textured techno workout, and the machine soul of 'Submerged' close out this high-grade EP in style.

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11,72
Steve Redhead - Cosmic Alchemy

Steve Redhead returns to Mutual Rytm with second searing EP, 'Cosmic Alchemy'.

Belgium pioneer Steve Redhead is the founder of Reda Recordings and has spent his life immersed in techno. His potent take on the genre has appeared on labels like MB Elektronics, Zync, and Primate and has helped define the sound of the underground within his home country over the last 25 years. Returning to SHDW's Mutual Rytm imprint following his well-received 'Eastbook Isle' EP last year, he's back to impress again as he uncovers six new productions with his latest EP, 'Cosmic Alchemy'.

He shows his class from the off here with opener 'Sincfala', bringing the heat with banging drums and rusty percussive loops. Yelping vocals add raved-up intensity, while 'Rapidshare' is energetic and loopy with funky drum patterns and loose-limbed percussive madness. The fantastic 'Ad Valvas' is another straight-up linear banger with tightly woven drums, percussion and lithe synth lines that take you to the heart of the dance floor and 'Nusakan' is a muscular wall of drums and toms with urgent synth stabs powering it forwards with great intensity. 'Asmodeus'
brings a more zoned-out feel with soulful pads and subtle vocals layered over the elastic drums and bass, before digital bonus 'Voice Incident' delivers another perfectly textural techno workout with melancholic motifs and surging synths that bring warm rushes of emotion to the grooves.

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11,72
Sonic Propaganda - Native

Sonic Propaganda

Native

12inchMR-022RP
Mutual Rytm
11.07.2025

SHDW's Mutual Rytm imprint is back with its third release of 2024, marking a full label debut from Sonic Propaganda with their 'Native' EP.

Sonic Propaganda comes from the collaborative minds of Earwax and Rosati, a pair who favour dark and intense techno sounds and take inspiration from Jeff Mills and Robert Hood. In the studio, they blend analog and digital technologies into smoky warehouse atmospheres and immersive journeys that connect with listeners on an emotive level, and this full EP lands following their contribution to the third instalment of the Mutual Rytm's Federation Of Rytm compilation series in February.

The powerful 'Native' opens up at high speed with tightly coiled drum loops that never let up. Sleek metal percussive sounds peel off the grooves and lock listeners into a perfect state of hypnosis. 'Soul Pressure' is just as absorbing, with a tense bassline keeping you on edge as the train-like drums march under incendiary hi-hat ringlets. There is plenty of perfect machine funk to 'Terminal', which has more rusty synth textures and chopped-up vocal fragments humanising the turbulent grooves. 'Basic Path' brings an extra skip to the kicks as they enter, scuffed up and flowing just above the groove, while vocal pulses and twitchy synth modulations bring the detail. 'Body Empire' closes the vinyl package with a deeper vibe and pensive synths that add warmth and soul to the brilliantly mechanical grooves, while digital bonus 'Acid Riot' closes with squelching acid lines amongst a swell of analog crunch and laser-sharp percussion.

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11,72
ZentaSkai - JIMMY

ZentaSkai

JIMMY

12inchMSK14
Mask
11.07.2025

Berlin’s ZentaSkai continues his slew of limited-run 200-copy vinyl releases via his Mask Records this July, presenting the ‘JIMMY’ EP, and following up last year’s ‘Bob’ EP and two instalments from his Cuddling Monsters project with Laura Merino Allue.

Across the four tracks on ‘JIMMY’, ZentaSkai delves deep, placing mysterious, foreboding synths over crunchy taped drums and exploring a variety of tempos. Dub influences are rife, its elements echoing across carefully laid-out Techno grooves while minimal shifts subtly build the energy. With ‘JIMMY’, ZentaSkai once again offers a journey through sound already supported by Luke Slater, Blasha & Allatt, Truncate, Elisa Bee, and many more. ZentaSkai (aka No Mad Ronin, Matt Nowak, and MASK) is a German DJ and producer active since 1997. Based out of his studio in Berlin, ZentaSkai runs the Zaijenroots label and, since 2017, the Mask sub-label, which houses his stunning 2023 ‘Architecture of the Mind’ LP as well as his Cuddling Monsters alias - with other credits including a release on Jerome Sydenham’s Ibadan Records and support from the likes of Richie Hawtin, Joseph Capriati, Marcel Dettmann, Luke Slater, Laurant Garnier, DVS1, Ben Sims and Radio Slave.

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12,56
Cisco Cisco - Why Can't I Be You / The Heat

Apersonal Music, the Barcelona-based imprint known for its sun-drenched blend of house and disco since 2010, proudly presents the new EP by one of its longest-standing artists: Cisco Cisco. Portuguese duo Cisco Cisco are renowned for crafting emotional and uplifting house and disco, filled with hypnotic sampling and shimmering effects. Their sound has become a signature of Apersonal’s catalog, and The Heat EP is a glowing continuation of this.

On the A side “Why Can’t I Be You?” brings classic disco energy to the table — lush, melodic, and full of that heartfelt groove Cisco Cisco do so well. Plus returning to remix duties alongside Cisco Cisco is Ron Basejam, whose unmatched ability to transform disco originals into
dancefloor monsters shines once again. His remix of “Why Can’t I Be You?” stretches nearly eight minutes, slowly building and wrapping the listener in a deep, infectious groove.

On the B side “The Heat” is a bold detour into early-2000s French electro house, evoking the raw drive of the 2000s. “Under the Bridge” channels the spirit of a Generation X Parisian house party, with filtered synths and punchy basslines reminiscent of Daft Punk’s earliest work. And rounding out the EP Rayko delivers on his finest style, bringing a darker, late-night vibe to the release. His remix of “The Heat” is a driving, immersive journey blending electro and techno influences tailored for the deeper hours on the floor.

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13,87
Various - Robot Says E

Robot Says E is a meticulously assembled four-track compilation that connects the tactile groove of dub tech house with the lucid propulsion of contemporary techno. The release is divided over two contrasting but complementary sides, presenting an impressive palette for those who move purposefully and listen intently. Side A kicks off in an immersive warm atmosphere; A1. Tvardovsky – Eleven and A2. Spectral Model – Plasma both deliver deep low-end foundations, atmospheric dub textures, and clean dancefloor-ready production quality. The sound is fluid, minimalist, and very physical; perfectly complimentary to subtle intensity and groove-based hypnosis.



On the flip, the energy shifts. B1. Rene Lorenzo – Reflections and B2. Kirill Matveev – Code Redeemed push off in much faster, gliding, terrain – where flow and high-speed rhythms embrace their high velocity, and deep repetition creates a trance-like state. This is techno that feels both expressive and “summer-in-the-city” active and is meant to enhance your sensory plates and keep you energized. Easily executed, future forward designed and mood-blissfully transformative, WRSE1 VA –What Robot Says E is not just a VA, it's a sonically-derived blueprint for refined dance music going forward.

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13,87
SLV - Night Echoes

SLV

Night Echoes

12inchMR-028RP
Mutual Rytm
11.07.2025

Born and raised in Sicily but now based in Berlin, SLV is known for his innovative approach to techno and its various shades. He has released on revered labels like Soma and received support from key industry players who respect his ability to blend old-school vibes with modern production techniques. Away from the club, he also produces music for film soundtracks, adding a sense of cinematic edge to his techno cuts and is a master of both analog and digital technologies - a true audio engineer who crafts unique, compelling sounds. Having previously featured on the labels Federation of Rytm III compilation, he returns to SHDWs Mutual Rytm imprint with his Night Echoes EP to open up October.

Graustufen opens with punch drum programming and scintillating percussion that dances atop the groove as booming bass brings serious weight down low. The superb Grand Cayman is another potent techno weapon, this time with icy synth atmospheres and eerie moods pervading the tightly programmed drums and bass to deliver an unstoppable force. Voids brings urgent funk with its hunched-over, closely stacked kicks and suspensory pads, which never let up and keep you locked in the moment, while Elastik Pho echoes a classic Detroit sound with its soul-drenched beats and serene, uplifting, beautiful hi-tek style. Last but not least, That Night shows SLVs extraordinary range as it brings some soulful vocal loops and optimistic chords over thunderous drums, which are sure to power dance floors through to euphoria. The EP includes two digital bonus cuts: Basic Uno, which is a raw, percussive and heads-down banger, and Persistence Of Memory, which is stripped-back, glitchy and dubby techno for strobe-lit warehouses.

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11,72
Mobach - Cold Rain 2x12"

Mobach

Cold Rain 2x12"

2x12inchSD30
SD Records
10.07.2025

Mobach drops his lush melodic debut album ''Cold Rain'' on Syncom Data Records. Four years after his ''Metrobots'' twelve inch Mobach delves deeper into his unique hybrid form of techno, house, electro, dub and downbeat experimental electronics. Ten tracks full of infectious melodies, clever beats and weird soundscaping that creates this typical Mobach audiosyncratic world, probably best reflected in the beautiful artwork, also from the hand of the artist.

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9,20
Solar Suite - Smokescreen EP

Solar Suite

Smokescreen EP

12inchBETRUTH04
Be Told Lies
10.07.2025

Solar Suite delivers an intergalactic feast for the senses, serving up two choice solo cuts including the driving atmospheric energy of ‘Smokescreen’ and the techy groove-laden rhythm of Pearl Beach. Sandwiched between the two courses is ‘Funktion of the Season’, a mesmerisng collaboration with Command D. For dessert, Kitsta steps up to provide a killer dubbed-out remix of the EP’s title track. Bon appetite.

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12,40
Tunnel - Tunnel Light / Speed Up

Tunnel was made in Naples in 1978 by Giorgio Verdelli and Danilo Rustici only on 7inch and it was the theme song for two RAI radio programs. Going through the names of the musicians we begin with the inimitable voice and the splendid guitars of Danilo Rustici, then passing through the saxophones of Enzo Avitabile we arrive at the keyboards of Joe Amoruso, musician-arranger who left a great void with his untimely death. For Joe, who crossed his experience with Premiata Forneria Marconi, Zucchero, Vasco Rossi, Mauro Pagani and was part of that 'dream team' of Pino Daniele - made up of technically extraordinary musicians, but above all gifted with an inimitable sound - this one-off project represented his recording debut. 'Tunnel Lights' and 'Speed Up' have been brought to light by Dario Di Pace and Claudio Casalini, two visionaries who believe that Neapolitan music is a sonic mixture of ancient and modern musical registers even if it sometimes develops a conflict between tradition and modernity as the recovery of popular tradition is strongly opposed to the push for innovation. This therefore is the reason for a 12" reissue in which the evocative original songs - from almost 50 years ago - are reflected in the new versions created by a bevy of talented DJ-arrangers including Massimo Berardi (with the bassist Luca Andreozzi) and by the industrious and passionate Francisco & Malkuth (ed: Francesco De Bellis and Cosimo 'Cosmo' Mandorino in disguise) in turn assisted by other zealous musicians and dee-jays - including the very good and always very collaborative Raffaele Arcella - who took part in a remix of this EP with enormous fervor The 12" reissue of Tunnel was released both on the classic black vinyl and in the very limited red vinyl version, in order to reflect the lips of the extravagant cover, a graphic work by another brilliant and multifaceted artist: Lino Vairetti, legendary singer of the historic prog rock band Osanna. The envelope developed by Best Record is embossed (front and back cover) to further enhance the passion that Neapolitan musicians have always had in knowing how to combine their roots with all the other musical genres of the world.

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17,02
MANU KENTON - METRONOME EP

MANU KENTON

METRONOME EP

12inchMEKANIK05
Mekanik
09.07.2025

The Mekanik label, led by the tireless Manu Kenton, returns strongly with a new, strikingly effective EP: "Metronome." Available as a colored vinyl limited edition and in digital format, this project brings together four finely crafted techno productions for clubs and thrill-seekers.



Between explosive buildups, hypnotic grooves, and acidic textures, the "Metronome EP" delivers a concentrated dose of raw energy and sonic mastery. True to his identity, Manu Kenton once again demonstrates his ability to combine power, tension, and efficiency, always with a signature recognizable among thousands.



A key figure of the legendary Lagoa club in Menin, Manu Kenton continues his path here, chaining projects with a consistently strong artistic coherence.

On the visual side, this collector's vinyl stands out with its revamped "Yolk effect" in luminous green tones, adding an original and modern touch to this new chapter of the Mekanik label.



Français



Le label Mekanik, piloté par l’infatigable Manu Kenton, revient en force avec un nouvel EP redoutablement efficace : "Metronome". Disponible en vinyle coloré en édition limitée et en version digitale, ce projet rassemble quatre productions techno ciselées pour les clubs et les amateurs de sensations fortes.



Entre montées explosives, grooves hypnotiques et textures acides, "Metronome EP" offre un concentré d’énergie brute et de maîtrise sonore. Fidèle à son identité, Manu Kenton y affirme une fois de plus sa capacité à allier puissance, tension et efficacité, toujours avec une signature reconnaissable entre mille.

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18,07
MORGAN’S WAVE - THE MORGAN’S WAVE (NARIK & ALTRIX REMIX)

Two decades after its original release, the trance classic “The Morgan’s Wave” returns in a fresh and contemporary form. Born in 2003 from the creative meeting between vocalist Caroline Eloy and producers Patrick Ketels and Xavier Romain, the track first gained attention through David Altrix (Galaxie Radio), and was signed by Diki Records in 2004 on its sub-label Green Valley.
In 2025, the idea to revive the track came from Caroline Eloy—now performing as Ce’Loy—who teamed up once again with David Altrix to envision a remix with a modern twist, keeping the original lyrics and piano melody while exploring a new musical direction.

They entrusted the remix to Narik (Freegrant Music, Bonzai Progressive, EinMusika), whose timeless production style brings a unique reinterpretation of the track. His version features deep, emotional textures and a subtle deconstruction of the vocal part, blending nostalgia with innovation.

Now released on Clair Obscur, this 2025 remix also serves as a heartfelt tribute to Patrick Ketels, who sadly passed away a few years ago.
“The Morgan’s Wave (Narik 2025 Remix)” bridges eras with elegance — a moving reinvention of a beloved track, available soon on both vinyl and digital formats.

Français

Deux décennies après sa sortie originale, le classique trance “The Morgan’s Wave” revient dans une version fraîche et contemporaine. Né en 2003 de la rencontre créative entre la chanteuse Caroline Eloy et les producteurs Patrick Ketels et Xavier Romain, le morceau s’est d’abord fait remarquer grâce à David Altrix (Galaxie Radio), avant d’être signé en 2004 par Diki Records sur son sous-label Green Valley.

En 2025, l’idée de raviver le morceau germe dans l’esprit de Caroline Eloy — désormais connue sous le nom de Ce’Loy — qui s’associe de nouveau à David Altrix pour imaginer un remix à la fois fidèle et modernisé, conservant les paroles originales et la mélodie au piano tout en explorant une nouvelle direction musicale.

Ils confient cette mission au producteur Narik (Freegrant Music, Bonzai Progressive, EinMusika), dont le style intemporel offre une relecture unique du titre. Sa version déploie des textures profondes et émotionnelles, et déconstruit avec subtilité la partie vocale, mêlant habilement nostalgie et innovation.

Désormais publié sur le label Clair Obscur, ce remix 2025 constitue aussi un hommage sincère à Patrick Ketels, disparu il y a quelques années.

“The Morgan’s Wave (Narik 2025 Remix)” fait le lien entre les époques avec élégance — une réinvention touchante d’un morceau culte, à paraître prochainement en vinyle et en digital.

DJ FEEDBACK
Early support from Jam El Mar, Fedele, Township Rebellion, Themba, Roger Sanchez, Dan Marciano, DJ Fire, Tocadisco, Yalla Techno, Tom Leclercq, ….

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15,92
Audrey Danza - Laughing in 4D

Audrey Danza

Laughing in 4D

12inchAIRWAYS03
09.07.2025

After a string of mesmerizing digital releases and steadily building momentum in Europe’s club circuit, Swiss DJ and producer Audrey Danza marks a major milestone: her debut vinyl EP, titled Laughing in 4D, out this July on .

A six-track excursion through shifting emotional states and tightly wound rhythmic explorations, Laughing in 4D captures Danza’s signature tension between restraint and release. Twisting basslines stretch, snap, and spiral through layers of percussion, driving textures, and off-axis melodies — a sonic palette that feels both introspective and deeply physical. Hints of Psy-Trance, Techno, and House swirl through elastic grooves — equally suited for deep listening or peak-time disorientation. Her tactile, percussive movement ripple with tension, curiosity, and sly humor — true to the artist’s reputation for weaving high-pressure rhythms with emotional nuance. Known for her distinct and dynamic presence behind the decks, Danza has quickly become a name to watch in the contemporary electronic music scene. This first physical release captures the same refined yet playful approach to a contemporary club sound that has defined her growing reputation as a DJ.

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15,08
Interactive - The Techno Wave

Interactive

The Techno Wave

12inchMEC028R
Mecanica
08.07.2025

comes in deluxe black Priplak jacket with postcard
The Techno Wave" was the first single released in 1990 by this famous project created by Jens Lissat and Ramon Zenker (Hardfloor). One of the most well-known tracks of the so called Frankfurt Tekkno scene that invaded Germany during the early 90s. This re-issue includes the original Castle Mix", the b-side The Bass is on Fire' and a new killer remix prepared by Ancient Methods who described The Techno Wave" as "one of the influential tracks that brought me alongside Zoth Ommog and R&S into techno".

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20,59
Estella Boersma - EB002

Estella Boersma

EB002

12inchEB002
EB_REX
08.07.2025

EB-REX, a Berlin-based Techno label founded by Estella Boersma in 2024, stands as a testament to versatility and artistic freedom. Drawing inspiration from the halcyon days of old-school rave and the relentless drive of Techno's present, each release embodies a synthesis of the past and the future. The Sophomore release, EB002, delivers a driving, high-energy techno experience - taking you on a journey through rolling grooves that culminates in a surprising ambient rework. Written and Produced by Estella Boersma. Mastered by Manmade Mastering. Pressed by Intakt!.

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13,24
Facta - GULP

Facta

GULP

12inchWSDMLP010
Wisdom Teeth
08.07.2025

Facta returns to Wisdom Teeth with ‘GULP’: a zippy, hi-def mini-album full of scrambled vocals, blown-out basslines, dripping synths and spring-loaded grooves that together map out his playfully psychedelic corner of contemporary club music. Written in a quick creative burst in late 2024, the record brings together a range of the producer’s distinct creative strands into a sharp, cohesive whole. Sitting snugly within the stylistic niche carved out by his A&Ring and DJ sets (alongside label co-founder K-LONE), we hear the influence of 00’s minimal, tech house, UK soundsystem music, ambient electronica, dub and more rubbing shoulders in a way that feels effortless and personal. Many of the tracks began life as sketches penned on the road - dotting between festivals, European club shows, and on tour in Japan - and so the record carries with it a sense of movement and forward momentum, and feels populated by voices, memories, people and places.

The Londoner’s characteristic approach to sound design and genre interplay are on full display here. Generative vocal hooks melt and warp into strange fluid forms, while synths stretch, detune, bend and dissolve into space before snapping back into shape again. Keyboards mirror human vocal formants, forming melodies that feel at once organic and alien. Basslines warp and distort, as if being re-moulded out of different synthetic properties.

Across the record there’s a commitment to expressing simple or familiar ideas in new and unexpected ways, whilst experimentations and innovations are presented clearly and intuitively. Cherished genre references are lovingly deployed as personal touchstones across the record - bleeping minimal- and tech-house; breakbeat dubstep and funky; Chicago house; dub techno - yet sounds and influences are combined and meshed in unexpected ways. Each track is tightly engineered and reduced down to its key elements, which are then manipulated, flipped, warped and pushed to breaking point. As is typical of Facta’s music, uncanny contrasts are worked throughout the music in unexpected ways. Warm, balmy moods come laced with seams of tension or uncertainty, whilst the record’s darker moments are handled with a light, playful touch.

With 15 years experience writing, DJing and A&Ring under his belt, ‘GULP’ is testament to Facta’s love of creation and curation - of seeking out, absorbing, experimenting, and channeling new sounds to create your own sonic world. A record borne of playful experimentation and happy accidents, ‘GULP’ shines bright with a simple, pure energy - a testament to writing quickly and intuitively and, above all else, enjoying the process.

The album’s artwork features photography by award-winning Boston-based photographer, Pelle Cass, whose complex time-lapse composites present hyperreal yet impossible tableaus of seemingly simple everyday scenes - an approach that parallels the record’s blurring of the familiar and the unfamiliar. Cass’s work has been widely exhibited, collected, and published, including solo shows at Gallery Kayafas, Boston, the Photographic Resource Center, Boston, and the Houston Center for Photography, and in collections such as the Fogg Art Museum, the Peabody Essex Museum, and the Museum of Fine Arts, Houston. He was twice a Critical Mass Top 50 photographer and has received two fellowships from Yaddo and one from the Berkshire Taconic Foundation.

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23,49
Various - Pattern Gardening LP

Various

Pattern Gardening LP

12inchWSDMLP009
Wisdom Teeth
08.07.2025

Facta and K-LONE’s Wisdom Teeth imprint returns to the V/A format with ‘Pattern Gardening’: a new collaborative project that leans head-first into the label’s love of minimal-, micro- and tech-house, carving out the label’s distinct, contemporary take on the sound - one that swims between warm, bleepy, rolling, dubby, psychedelic and bass-heavy channels across its duration. The vinyl sampler brings together 6 highlights from the wider 22 track digital project. Wisdom Teeth heads Facta and K-LONE appear alongside longtime label associate Lurka and new signees Polygonia, rRoxymore, Sub Basics and Jichael Mackson.

By now, Wisdom Teeth and its founders are well known for their unabashed love of minimal and tech house, which - alongside ambient, UK club music, experimental electronics and a broad palette of other influences - makes up a key cornerstone of their distinctive sound. The duo’s DJ sets often see them mixing ‘00s gems from labels like Perlon, Mosaic, Minibar and a:rpia:r with more contemporary club sounds, creating a hybrid style that sits somewhere between Balearic terraces and dark UK club basements. Likewise, the label has become known as a go-to outlet for artists occupying a similar crossover space, with names like Jorg Kuning, Parris, Steevio, Duckett, Leif and LUXE all known for pushing house and techno into experimental and refreshing new territories.

‘Pattern Gardening’ follows loosely on from the label’s previous V/A releases ‘To Illustrate’ (2021) and ‘Club Moss’ (2023), which explored downtempo (100bpm) and uptempo (150-170bpm) styles respectively. Here, the focus is fixed on lush, groovy, quirky 4x4 jams, joining the dots between a global spread of producers that bring new energy and perspective to these well-explored frameworks.

As is always the case with Wisdom Teeth’s output, the results fit somewhere between the club and a more contemplative, home-listening headspace, with texture, melody and mood afforded as much significance as rhythm and functionality.

The artwork features photography by Hong Kong-based photographer Jimi Chiu, who captures seemingly ordinary corners of city life in glossy, cinematic detail.

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19,96
Nana Benz du Togo - Sé Nam LP

After their first album, AGO, released in 2023, and two successful European tours, the group's second album, SÉ NAM (‘understand me' in Mina), will be released on June 13, 2025.


Feminist and ecological themes, sung in the scales of Togolese voodoo tradition, are still at the heart of the group's discourse.


Recorded once again at the legendary OTODI studio in Lomé, the new tracks benefit from a more contemporary production by Peter Solo (Vaudou Game) that retains the lively character of the original recording, but gives even greater scope to groove and rhythm.


An immemorial trance, which through the use of their magical 'gazé tuyaux', a DIY bass based on PVC pipes, evokes original house and techno and will seduce dance-floors around the world.

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21,22
oliver - Quiet Thud LP

oliver

Quiet Thud LP

12inchNRTHVW001
North View Records
04.07.2025

North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.

North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.

‘Closer Thud Mix’ and ‘New Light’ introduce panoramic soundscapes to club focused tracks, with warped electronics and swelling wide-angle pads giving contrast to the fine-grain textures and driving percussive elements. Tracks such as ‘Plaza’, ‘Ribbon’ and ‘Joyride’ lend a nostalgic character to the album, presenting wistful and distant melodies that interplay with the off-hand live instrumentation, building a gentle and nuanced sonic palette.

‘Ruin’ balances delicate arpeggios with pulsing distortion and drum programming, evoking a brooding scene fitting of its title. Album closer ‘DRM Reprise’ also explores darker themes, led by a piercing vocal emulation that warps and evolves amongst sparse percussion. In contrast, ‘Still Life’, ‘Everything’, ‘Coastal’ and ‘Overground’ bring warmth and balance to the overall experience, offering moments of lightness and reflection as the clouds break, sunlight spilling across the open landscape.



b A2. Closer Thud Mix

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26,01
Terrace - Branches 3x12"

Terrace

Branches 3x12"

4x12inchASGDE053
De:Tuned
04.07.2025

Legendary Dutch producer Stefan Robbers returns to De:tuned with his first new Terrace album in almost 15 years entitled 'Branches'. In the early 90s, the well-respected Eevo Lute originator built a firm connection with the first wave of Detroit producers and since then he has put the city of Eindhoven on the worldwide techno map. This new 10-track album represents the trademark Terrace sound, expertly produced throughout extensive hardware studio sessions and completely mesmerizing from start to finish. A classic yet innovative exploration of Motor City techno with a unique Dutch twist.

Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

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26,47
Terrace - Branches 3x12"

Terrace

Branches 3x12"

4x12inchASGDE053LTD
De:Tuned
04.07.2025

Legendary Dutch producer Stefan Robbers returns to De:tuned with his first new Terrace album in almost 15 years entitled 'Branches'. In the early 90s, the well-respected Eevo Lute originator built a firm connection with the first wave of Detroit producers and since then he has put the city of Eindhoven on the worldwide techno map. This new 10-track album represents the trademark Terrace sound, expertly produced throughout extensive hardware studio sessions and completely mesmerizing from start to finish. A classic yet innovative exploration of Motor City techno with a unique Dutch twist.

Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

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27,31
DJ Plant Texture - Mondo Nuovo 10"

Italian DJ Plant Texture drops ambitious techno odyssey 'Mondo Nuovo' on Mutual
Rytm sub-label, X.

Bari-based underground mainstay Dona Basile, aka DJ Plant Texture, has been crafting forward-thinking techno for a decade, releasing on leading labels from Ilian Tape to Tresor Berlin. Adding to his rich catalogue, his label debut on SHDW's Mutual Rytm sub-label X is a homage to the spirit of space travel. With the label boss already a long-time fan and having dropped tracks from this EP in his sets for a while, the partnership creates an ideal match for an artist and label looking to push the boundaries of the genre. With Basile's distinctive style perfectly fitting with the label's vision, each of the productions provides a tribute to space exploration - fusing analogue hardware and deep rhythmic invention while channelling everything from early sci-fi cinema to the 80s ambient soundtracks. "Space exploration is the ultimate metaphor for creative freedom. This album is my way of sonically mapping the cosmos, not through melody but through mood, modulation and motion", notes Basile.

Opener 'Wormhole' is a raw, driving sound with synth pulses and jacked-up drums for peak time chaos, while 'Echoes' evokes ramps it up further with panel-beating percussive loops, earth-shattering bass and twisted stabs. The title track pairs more physical and booming drums with introspective synth craft that encourages deep thought. 'Flex The Beat' is the first of two digital only cuts and offers a chaotic collision of overdrive percussion, manic vocal loops and reversed stabs for utter dance floor carnage, before 'Let It Go' (Jungle Mix) provides a dark exploration of
frenzied jungle breakbeats with drilling bass to close the offering.

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14,92
Various - Apocryphal Cycles

Various

Apocryphal Cycles

12inchART21013
Art21
04.07.2025

Apocryphal cycles are those that are not observed with the naked eye or those that interact implicitly.

Apocryphal cycles of atoms and molecules refer to chemical reactions and changes of state that occur at the subatomic level, often without being directly observable on the macroscopic scale. These cycles involve the creation and destruction of molecules, the movement of atoms, isomerization, and other processes that underlie the properties and reactions of matter.

Apocryphal cycles are fundamental to understanding the properties of matter, the chemistry of life, the behavior of materials, and the formation of new compounds. They are the basis of science and technology, enabling the creation of new materials, medicines, and chemical processes.

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19,75
Exos - Green Light

Exos

Green Light

12inchTRESOR371
Tresor
04.07.2025

2025 Repress
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.

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10,88
Stephen Disario - Tawa EP

Stephen Disario returns to his imprint Conundrum Records with his first release of the year, the Tawa EP. A fixture of the Los Angeles scene, Disario delivers three dark, percussive techno cuts that lean into tribal rhythms and hypnotic energy. Each track is a testament to his razor-sharp drum programming, immersive sound design, and cerebral atmospheres-hallmarks of his evolving sonic identity.

The EP also features a standout remix from rising Brazilian talent Marcal. His Hightimes rework blends dense, chugging grooves with eerie chimes and trance-like, spacey textures, offering a fresh, mind-bending take on the original.

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10,88
FCL - Can We Try (Remixes)

FCL

Can We Try (Remixes)

12inchFCLX01
FCL
04.07.2025

FCL presents Can We Try — A Deep House Anthem remixed and
remastered for 2025 including flips from Jimpster, Ben Hixon & Deetron

The ever-reliable FCL—aka Belgian house heroes San Soda and Red D—are back on the block with this remastered remix package of Can We Try, a soul-drenched dancefloor meditation that taps into the timeless tension of love and longing. With its raw vocal hooks (courtesy of Lady Linn), analog warmth, and stripped-down groove, the original cut is pure FCL: emotionally rich, effortlessly deep, and aimed straight at discerning dance floors.

Bringing fresh heat to the 2014 original, three heavyweights of house and techno step in for remix duties—each reworking the track in their own signature style:
Jimpster injects his trademark deep, jazzy finesse, flipping Can We Try into a swirling, soulful roller—lush pads, Moog flourishes, and enough swing to keep bodies moving and hearts locked in. Ben Hixon, the Dallas-based underground wizard, lays down a chunky, hardware- heavy rework full of crunchy drums and woozy funk. It's lo-fi soul with hi-fi intent. Deetron closes it out with a peak-time bomb—big room pressure, hypnotic bass, intense stabs and the kind of tension-release dynamics that only a true craftsman can deliver.
This limited-edition white label 12" vinyl is circulating in the wild—no frills, no hype, just a nod to those who know. Pressed loud and cut for the floor, it’s already making waves in the bags of tastemaker DJs from Berlin to Brooklyn. Can We Try is a reminder that dance music doesn’t need to shout to speak volumes. With this return, FCL prove they’ve still got their finger on the pulse—and their heart in the mix

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16,77
VARIOUS - LA FONTAINE EP 2

Various

LA FONTAINE EP 2

12inchDENTELLES005
DENTELLES
03.07.2025

Dentelles Records presents La Fontaine EP Vol. 2 incl tracks by Chris Lowone, Xylène, Greg All, & Francesco Marra



Following the success of its debut release, Dentelles Records — the sub-label of Diki Records founded by Greg All — is proud to unveil the second volume in the La Fontaine vinyl series. Rooted in the spirit of the Les Dentelles Electroniques festival, this new chapter continues to celebrate the vibrant and festive energy that defines the label.



La Fontaine EP Vol. 2 brings together four exclusive tracks crafted by artists closely linked to the La Fontaine experience. This edition features a groovy and soulful vocal house track by Chris Lowone, an impressive Afro House debut by rising talent Xylène, a high-energy and captivating vocal track by Greg All, and a punchy Tech House cut by Francesco Marra.



To make this release even more special, the EP is available both on digital platforms and as a limited edition transparent Curaçao blue vinyl, adding a colorful and collectible touch to the listening experience.



Once again, Dentelles Records delivers an inspired and festive selection that captures the essence of La Fontaine's dancefloor. A must-have for vinyl lovers, DJs, and all fans of vibrant electronic grooves.



Francais



Dentelles Records présente La Fontaine EP Vol. 2!



Suite au succès de sa première sortie, Dentelles Records — le sous-label de Diki Records fondé par Greg All — est fier de dévoiler le deuxième volume de la série vinyle La Fontaine. Inspiré par l’esprit du festival Les Dentelles Électroniques, ce nouveau chapitre perpétue l’énergie festive et vibrante qui fait l’identité du label.



La Fontaine EP Vol. 2 réunit quatre titres exclusifs signés par des artistes étroitement liés à l’univers La Fontaine. On y retrouve un morceau House vocal groovy et soulful de Chris Lowone, une première sortie Afro House prometteuse de la jeune talentueuse Xylène, un titre vocal énergique et entraînant de Greg All, ainsi qu’un track Tech House percutant signé Francesco Marra.



Pour rendre cette sortie encore plus spéciale, l’EP est disponible à la fois sur les plateformes digitales et en édition limitée sur un vinyle bleu curaçao transparent, apportant une touche colorée et collector à l’expérience d’écoute.



Une fois de plus, Dentelles Records livre une sélection festive et inspirée, capturant toute l’essence du dancefloor de La Fontaine. Un indispensable pour les amateurs de vinyles, les DJs et tous les passionnés de grooves électroniques vibrants.

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15,92
Gianluca Pellerano - Rapax Planet EP

Gianluca Pellerano

Rapax Planet EP

exclCMDRPXINDUSTRY001
CIMEDIRAPAX
03.07.2025

We are very pleased to present you the new cmdrpx project.

CMDRPX INDUSTRY 001 Gianluca Pellerano owner and founder of the label presents his EP.

Rapax Planet EP fully reflects the techno/electro style with dark sounds.

All the tracks were recorded live with MPC One and Alesis SR 18, with the addition of spacey voices.

In the track B3 in collaboration with Equinox with the addition of vocal and dark synth.

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12,56
Various - Various Moods Vol. 4

Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more

Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.

Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.

The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.

collecting

Order now. Collecting orders for repress.

13,40

Last In: 9 months ago
Ben Frost - V A R I A N T

Ben Frost

V A R I A N T

12inch5051083085373
Mute
30.06.2025

The limited edition EP features remixes of tracks taken from Ben Frost's latest album A U R O R A, by British producer Evian Christ (following his critically acclaimed Waterfall EP and work with Kanye West); Downward label boss and techno producer Regis (previous remix credits inc. VCMG, Terence Fixmer), Good by Air affiliated experimental artist Dutch E Germ (previous remix credits inc. Fatima Al Qadiri and Mas Ysa); Australian duo HTRK and raster-noton recording artist Kangding Ray

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9,20
Chris Brann - Deep Fall 2x12"

Growing up in Atlanta, Chris Brann discovered house and electronic music by the somewhat longwinded way of getting sent tapes from Europe. He began assembling a home studio but it wasn't until
1994 that he began his music career in earnest and formed Wamdue Kids with DJs Deep C, and Udoh.
In 1995 they released the classic Higher on the Acacia label, which led to the Wamdue Kids signing to
Peacefrog and the release of their seminal debut album These Branching Moments. Following the success
of this the next year Chris released his first solo album Deep Fall, reflecting a different direction to that of
his productions with Wamdue.
Deep Fall originally released in 1997 is delicious collection of deep tech-house. Stand outs are the aptly
named title track with beautiful synth washes and a single mournful modulated violin at its centre and the
emotional Journey To The Centre which if it doesn't move you then nothing will.

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31,72
Lee Holman - Plasma Wave

Lee Holman

Plasma Wave

12inchFLOOD002
Floodplain
27.06.2025

Powerful techno EP from the prolific Lee Holman, well known from releases on Ferox, KSR and Demarcation alongside his blistering DJ and live performances at Tresor, Corsica Studios, Nechto and Sub-scape (Antwerp).

The A-side starts with the signature track - the iconic big-room techno of “Plasma Wave”, and follows with charging klaxon-call techno in the form of “Tachyon”. Turning to the B-side, Dave Anderson turns in an emotional deeper house remix of “Tachyon”, before Lee closes out the 12” with the oceans-deep “Equilibrium”.

250 copies, hand-stamped and hand-numbered.

“Super solid EP from Lee. Pure techno… dark and mesmerising” (Russ Gabriel)

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14,71
Stan-Lee aka Stanley Hottek - We Are

Nach über 25 Jahren Pause meldet sich Planet Pump Records eindrucksvoll zurück – und wie!
Label-Artist Stan-Lee aka Stanley Hottek reanimiert das legendäre Leipziger Technolabel mit einer kompromisslosen Vier-Track-EP: roh, druckvoll und tief verwurzelt im Sound der 90er – made for the underground.
Die EP „We Are“ versteht sich als klares musikalisches Statement: elektronische Musik mit Seele, Haltung und Herkunft – kein generisches Tool für Social-Media-Content, sondern echte Club-Energie.
Der Sound ist puristisch, treibend und analog produziert – ganz in der Tradition früher Planet Pump-Releases: raue Drum-Maschinen, wummernde Basslines und hypnotische Sequenzer, konsequent für den Dancefloor gedacht.
Die erste neue Planet Pump kommt auf klassisch schwarzem Vinyl, verpackt in einer bedruckten Stecktasche – limitiert auf 200 Stück.
Support Vinyl. Support Independent Labels. Support True Techno.

After more than 25 years, Planet Pump Records makes a powerful comeback – and how!
Label artist Stan-Lee aka Stanley Hottek revives the legendary Leipzig techno label with a relentless four-track EP: raw, driving, and deeply rooted in the sound of the ’90s – made for the underground.
The EP "We Are" stands as a clear musical statement: electronic music with soul, attitude, and heritage – not just another generic tool for social media content, but real club energy.
The sound is purist, driving, and produced with analog gear – staying true to the spirit of early Planet Pump releases: gritty drum machines, rumbling basslines, and hypnotic sequencers, all crafted strictly for the dancefloor.
The first new Planet Pump release comes on classic black vinyl, packed in a printed sleeve – limited to just 200 copies.
Support vinyl. Support independent labels. Support true techno.

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13,87
Various - Still In My Arms: Compiled by Bayu and Moopie

2025 Repress
Label head Moopie and digger extraordinaire Bayu shine light on a set of gems excavated from a curious period of IDM-electronica. The sentimental sequel to their stunning I Won't Have To Think About You compilation, the ten tracks float in melancholic space yet sound beautifully human. Neo Ouija alumni Bauri and Plod meet deFocus' own Lackluster, while Abfahrt Hinwil, the legendary duo of Toytronic boss Chris Cunningham and Martin Haidinger exchange a letter of melody with Multiplex. Includes a previously minidisc-only (!) track by Proem and a superb cut by Merck Records' own MD, aka Jaakko Manninen. Full-colour, reverse-card sleeve with printed insert.

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21,81
Verniß - Black Shape EP

Verniß

Black Shape EP

12inchPARPILL03
Parti Pillz
27.06.2025

The PARTI-PILLZ story charges into 2025 with its third release, spotlighting the electrifying sounds of Italian maestro Verniß. A masterpiece of crisp, punchy productions, Verniß brings the heat with his Black Shape EP—a four-track trip tailor-made for the late-night hours. From eccentric electro to sharp, modern techno, each cut delivers a knockout blow, crafted with livewire energy and club-ready precision. Verniß flexes serious finesse across the board, making this record a must-have in your DJ bag this Spring. Four tracks. Four weapons. One essential EP.

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12,40
VARIOUS - ALL THE YOUNG DROIDS: JUNKSHOP SYNTH POP 1978-1985 (LP 2x12")
 
24
disponibile anche

MB Crystal Vinyl[32,73 €]

LTD Trans Pink Vinyl[32,82 €]

LTD Trans Pink Vinyl[27,69 €]


Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.

All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.

At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.

There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.

The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.

The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?

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27,69
Black Sites - R4 (LP 2x12")

Black Sites

R4 (LP 2x12")

2x12inchTRESOR379
Tresor
27.06.2025

On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

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22,65
Various - Cocoon Compilation V (LP 6x12")

Limited Vinyl Box Set including 6x olive 12” vinyl & download code

Cocoon Recordings presents: Cocoon Compilation V

Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.

Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.

The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.

A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.

On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.

Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.

Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.

From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.

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83,99
Markus Suckut - Moments

Markus Suckut

Moments

12inchFUSE08
Fuse Imprint
27.06.2025

A highly respected figure for dancers and artists alike, Markus Suckut offers his signature built-to-last sound to Fuse with 'Moments'. In this style, confidence is key and Suckut provides soul to club music in a way few have been able to. Simple yet ever so refined, the German artist furthers his sound with the Belgian label with rolling tracks that reach beyond the dancefloor yet again. 'Moments' is just that, a collection of instances spent inside the mind or outwards into the world in order to move and connect.


The A1 remains usually the first impression of every record, so it makes sense that 'Patience' would mark the beginning of this eight release for the Brussels' club. A bubbly yet impactful track, 'Patience' rolls through six minutes in no time with eccentric percussion and a viscous low-end. Unafraid to break the codes in order to push his sound forward while respecting the essence of what makes the genre great, Suckut puts years of mastery at work in order to find balance and air between his elements. This impressive low-end rhythm is continued into 'Resurrection' - which is more of an exploration of dissonance and texture than its predecessor. With hi-hats whipping around the stereo field through metallic bends and a harmonic kick/bass, the record knows for what context 'Resurrection' is reserved for. 'Myth' then comes along to lighten the load with a positive groove and an extraverted arrangement, maintaining balance to the overall EP. Complete with a subtly modulating live-played percussion that echoes the character of a vocal and layered over an almost vintage drum sequence, the persistence of 'Myth' finds a sweet spot between techno and house, making it a versatile tool in almost any record bag. The soul of the EP, however, belongs to its title track 'Moments'. Appropriately named, this fourth piece concludes Markus Suckut's latest statement for the dancefloor. A suspension of time in structure as much as in melody, the producer takes the time to unveil each element of the record while maintaining a burning intriguing throughout. A truly timeless piece reserved for only the most special moments and most deserving crowds, Suckut proves once again that his understanding of emotion through his medium will echo his music across the world for years to come.

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13,03
OST Fox - Soul Techno LP 2x12"

OST Fox

Soul Techno LP 2x12"

2x12inchSOULTECHNO
OST Fox
26.06.2025

Recent years have seen Berlin-based artist OST Fox carve out his own sound and steadily gain traction as a producer and live act through a number of self-released projects, including his debut ‘Seulement à Marseille’ album, among others.

Here the OST Fox story continues, once again seeing the artist returning to the album format with twelve new original cuts. Throughout the project OST Fox explores a variety of styles from cinematic old school leaning trance sounds, through to electro, early rave music and the foundational Detroit Techno sound, henceforth the project found its apt title, ‘Soul Techno’, and radiantly showcases the producer’s depth, variety and prolificity in the studio.

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27,94
Franky Wah - Disconnect EP

Franky Wah makes Crosstown Rebels debut with ‘Disconnect’ EP, featuring Kuuda. Out on 20th June 2025, the four-tracker sees the acclaimed UK producer make his first appearance on the revered imprint.

A producer known for balancing dancefloor energy with introspective songwriting, Franky Wah’s rise has been fuelled by a string of chart-topping singles, non-stop global club and festival appearances, and the launch of his own imprint and event brand, SHÈN. With musical influences stretching from trance and breakbeat to afro-house and techno, he now brings that rich sound palette to the Crosstown fold for the first time with a release that’s equal parts euphoric and deep as it is driving. Delivering a powerful and emotionally charged four-track release, 'Disconnect' showcases the Yorkshire-born artist’s blend of underground grit and melodic sophistication, featuring two standout collaborations with rising vocal trio Kuuda.

Opening the EP, the title track pairs swirling textures, brooding basslines and crisp percussion with commanding vocals, setting the tone for the journey ahead. The synergy continues on ‘Off The Wall’, a hazy, late-night jam elevated by Kuuda’s signature warped vox interjections. On the flip, ‘Desert Dance’ continues further into hypnotic territory with wicked bass licks and layered synth work, before closing track ‘Freak In The Sheets’ delivers another impactful, heads-down groove laced with attitude. Featured on two of the EP’s four cuts, Brighton-based trio Kuuda continue to emerge as a rapidly ascending vocal project within electronic music. Known for their genre-fluid songwriting and dynamic live presence, their collaborations with Hot Since 82, Yousef and Artche have earned them widespread support from the likes of Pete Tong, Danny Howard and RÜFÜS DU SOL. Blending emotional depth with club-ready impact, ‘Disconnect’ marks an inspired meeting point between Franky Wah’s expansive production style and the Crosstown Rebels spirit—one that looks set to soundtrack dancefloors throughout the summer and beyond.

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13,24
Andres Campo - Domaine

Andres Campo

Domaine

12inchDCLTD38
Drumcode
25.06.2025

Spanish techno titan Andres Campo is the latest artist to join the DCLTD ranks with his ‘Domaine’ four tracker. Conte Bleu: Full-on high speed techno attack with occasional industrial stabs, alternating with mysterious snatches of melody and echoing vocal heard as if through distant space, especially in the breakdown. Nuit Blanche: Fast breaksy beats with fluttering metal motifs and otherworldly vocal FX, all with a jazzy feel, and a long breakdown with a compulsive vocal riff crescendo. Ligne Jaune: Merciless beat with rattling, hissing percussive layers, with a muffled monotone processed vocal strand dominating the breakdown echoing, reverberating, up to the massive drop - before insane techno bombardment takes over once more. Pois Gris: merciless techno beats create a dystopian soundscape of spacey stabs and a repeated vocal ululation. Radio signal FX punctuate the invincible stomping percussion. Something dark is happening

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14,08
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