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WRWTFWW Records is extremely excited to announce Hot-N-Ready Remixes Delivered by Pizza Hotline In 20 Minutes or Less, the brand new remix album from Pizza Hotline, landing hot and fast on a limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm and housed in a heavyweight sleeve with artwork by Equip Studio.
From the high-octane mind of PIZZA HOTLINE - the man behind cult classics that helped redefine liquid drum & bass through a Y2K, console-era lens - comes a full-throttle remix album that feels like a secret bonus disc unlocked after beating the game, a portal into a parallel universe of rave-powered nostalgia and pixel-perfect bliss. Warp-speed liquid DNB, atmospheric jungle, and dancefloor-crushing remixes of legendary tracks extracted from the greatest video games ever made collide in a sensory overload of pure arcade euphoria. Soaring pads, breakbeats that ricochet like laser fire, deep-space subs, and rhythms that feel like drifting through a cyber-city at 3AM with only a CRT glow to guide you.
The album plays like a late-night arcade run fueled by muscle memory and emotion: PlayStation futurism meets WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth tension, and Sega Saturn dream-logic. It's fast, melodic, immersive, and deeply cinematic - a love letter to video game soundtracks, club culture, and the spaces where the two collide.
This release marks the fifth Pizza Hotline collaboration with WRWTFWW, following the ultra-classic Level Select, its brilliant follow-up Polygon Island, the collaborative smash Anti Gravity Tournament with Mitch Murder, and the Low Poly Breaks cassette series.

A new 12” on Studio Barnhus from Sexy Lazer and Kaktus Einarsson, carrying dis4nguished Icelandic bloodlines into decidedly humid club territory. Across two tracks, the pair favor reduc4on over spectacle: taut beats, disciplined arrangements, and a strong sense of space, with the kind of detail that makes simple ideas hit with pure geyser force. While one side draws on 4ghtly coiled rhythms and freaky nocturnal tension, the flip sees the formula in its straightest, driest and most relentless form. Both sides moving with the calm confidence of a track that knows its DJ is expertly handling their task.

We are welcoming a fresh blood from the south of Italy: Delikwe

Words Create Vibrations is a solo EP recorded between 2023 and 2025, where techno and dub foundations merge seamlessly with ambient textures and breaky-step rhythms. Across five tracks, the record unfolds as a deeply atmospheric journey — hypnotic, spacious, and rhythmically dynamic. Sub-heavy frequencies meet shifting percussive structures, while layers of delay and texture generate a sense of depth that feels both physical and introspective. Each composition evolves patiently, acting as a meditation on resonance, movement, and the unseen architecture of vibration.

The A-side presents Delikwe’s original works in their purest form: immersive, restrained, and subtly transformative. Rooted in sound system culture yet open in structure, the tracks balance meditative stillness with rhythmic propulsion.

On the B-side, Australian producer Pugilist delivers a powerful reinterpretation. Known for his refined low-end pressure and deeply immersive productions, he reshapes the source material into a weightier, system-focused experience. His remix amplifies the sub frequencies and spatial depth while preserving the meditative core of the originals, creating a compelling dialogue between exploratory dub atmospheres and grounded sonic precision.

Words Create Vibrations stands as a sonic exploration where rhythm, space, and texture converge into a fully immersive listening experience — crafted for powerful sound systems, late-night sessions, and attentive minds alike.



[c] a3. Agna Street [Words Create Vibrations]
[d] b1. 6am [Ice Mix]
[e] b2. 6am [Pugilist Remix]

The rare and deeply funky LP "Yoga – Be An Enlightened Soul – Stay Young And Pure With Yoga"
by Osunfisan Brothers & Sisters is set to return to vinyl in an official reissue, marking the first
authorized repress of one of Nigeria’s most elusive spiritual records.
Originally released in limited circulation, Yoga occupies a unique place in many collectors grail list.
According to Mr Femi Osunfisan, the album was conceived by his senior brother and bandleader, "We
chose yoga to as a concept to channel our music, but it was not intended to practise yoga with the
music". Neither pop record nor conventional boogie LP, the album is highly sought-after for the amazing
production by the Sound master Odion Iruoje and for the heavy afro-disco workouts.
At a time when Nigerian music was dominated by Afrobeat, highlife, and disco, Osunfisan Brothers &
Sisters charted a more introspective path—using rhythm, voice, and repetition as tools for enlightenment
and personal grounding.

The Parade imprint returns for its seventh outing, keeping the mystery alive with a four-track heater from a nameless contributor. The Neo Piano EP is a masterclass in dancefloor nostalgia, expertly blending the euphoria of the early 90s with modern, punchy production.

On the A-side, "Everyday" sets the tone with soaring chords and a breakbeat foundation that feels both fresh and familiar. It’s followed by "Angelite," a shimmering roller that leans into the lighter side of rave, balancing celestial pads with a driving rhythm section.

Flip the wax for "Somebody 2 Love," a high-energy edit that reconstructs a classic vocal into a peak-time breaks anthem. Closing out the record is "Da sweetest Ting," a bass-heavy, old-school leaning cut that lives up to its name with infectious hooks and a soulful finish.

Pure dancefloor functionalism with a sentimental heart—strictly for the heads.



>>> comes in different marbled colored 12 “ Vinyl and ONLY on Vinyl <<<

Warehouse Find!

Introducing Red D, the Belgian DJ and producer, one half of FCL (alongside San Soda), long standing club promoter (since 1992), owner of We Play House and general all round good guy. With releases on Ferrispark and Delusions Of Grandeur (with MCDE), remixes on Eskimo, regular sets at the likes of Panorama Bar and an RA Mix under his belt you could say things are falling into place nicely. On top of all this his FCL project continues to go from strength to strength with a new
EP dropping soon on Kai 'KZR' Alce's highly regarded NDATL label. When he sent over two originals for Freerange it was love at first listen as the simple, warm beats and emotive chord stabs of title track Chez oozed from the speakers. This sounded to me like house music in it's purest form, from the days when the focus was on a feeling rather than complex sounds or technological
trickery. And the proof is in the pudding with this one as you can feel the dance floor go into some kind of collective bubble of love whenever you play it. The second original follows drawing you into a false sense of security with familiar 707 beats and gentle pads before taking a left turn. Appropriately titled Into Darkness the blissful vibes of the intro begin to fall away as the
track reaches a breakdown and we're treated to the rudest of Chi-Town basslines taking us down a somewhat less wholesome path. Flipping over we're treated to two Jacob Korn remixes, one of each of the originals and if the A side is the good cop, we can trust the Uncanny Valley regular to deliver some pure badness on the flip. His Remix of Chez is clearly inspired by his studio hardware as you can hear the improvised and 'live'
sounding arrangement, the machines taking on a life of their own as things twist and turn in a spontaneous and unpredictable way. A rattling white noise pulse drives the rhythm whilst bubbling synths add some lightness to the pummeling
kick. Into Darkness gets the Korn treatment next and here he puts it right through the sonic mangler, tape saturation distorting the mix to within an inch of it's life. Jacob puts the focus on the bassline of the original, keeping things simple at
first before winding in layers of Juno chords and the bleepiest of synth lines resulting in the finest of raw, bassment house jams.

1/2 of seminal electronic act The Knife, Olof Dreijer will be releasing his debut album 'Loud Bloom' via dh2 this May following years of drip feeding solo music under various aliases and lending his production talents across the scene. The 14 track (double vinyl) album consists of equal parts dancefloor ready bangers (some of which have been previously released) and more still, ambient moments that highlight Olof's versatility as a producer as well as the sounds from around the globe that he takes inspiration from.


In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, Loud Bloom, out 8 May via dh2.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

1/2 of seminal electronic act The Knife, Olof Dreijer will be releasing his debut album 'Loud Bloom' via dh2 this May following years of drip feeding solo music under various aliases and lending his production talents across the scene. The 14 track (double vinyl) album consists of equal parts dancefloor ready bangers (some of which have been previously released) and more still, ambient moments that highlight Olof's versatility as a producer as well as the sounds from around the globe that he takes inspiration from.


In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, Loud Bloom, out 8 May via dh2.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

JUDDER opens a new chapter in its history with its first 12-inch vinyl release As part of a new mini-album series, the label brings together artists from diverse backgrounds and musical perspectives. What unites them all is an openness to experimentation and a deep affinity for sub-frequencies. Side A is driven by a bold, high-impact sound with references to techno, grime, and baile funk. The release opens with Komo by Italian producer Coido. The track unfolds in unpredictable ways, its rebellious character maintaining tension from start to finish and refusing to let go of the dancefloor. This energy is carried forward by Oddkut. His Phase Shift is a pure body-mover, where the core bassline and rhythms awaken a raw, primal energy. Side B shifts the focus toward more minimalist, rhythm-centered forms of bass music. In Diligence by Nattah, breakbeat and UK techno merge into a hybrid where atmospheric reverbs are expertly balanced with the drive of sub-bass pressure. Inspired by racing games, Naprimer closes the release with Carrera. This new 100 BPM experiment brings together the best elements of the Bristol and Manchester scenes. Tracklist: A1 Coido – Komo A2 Oddkut – Phase Shift B1 Nattah – Diligence B2 Naprimer – Carrera

New series for Jodey Kendrick with volume 1, pure 90s Acid sprinkled with funky rhythms like FSOL, Humanoid and 808 State. Exploring an escalation of breaks that are as sexy as they are captivating and progressive already open that this series will become a classic. Just quality music!

The fourth chapter in the daring XTRICTLY ELEKTRO saga once again pushes the boundaries of the genre.

Volume 4 delivers six powerful cuts that move from timeless electro foundations to futuristic, experimental territories — achieving a perfect balance between precision and raw energy.

This release brings together familiar faces — Parand, ElektroTechnik, EC13, and X-Truder — alongside two new additions: Roi, a DJ and producer recognized for his sharp, detail-driven sound and modern take on electro; and DJ Overdose, the veteran force of Dutch electro.

A tight and cohesive mini-LP that embraces diversity while remaining faithful to the spirit of electro: sharp rhythms, dark atmospheres, and pure machine funk.

Limited to 150 copies. Don’t sleep on this one.

In a sharp-angled, fiercely inventive reflection on the nature of club culture and digital fatigue, Simo Cell and Abdullah Miniawy reunite to deliver their new album, Dying is the internet, to Dekmantel's UFO series.

French producer Simo Cell has blazed a singular path from his dubstep-influenced origins to become a leading light in contemporary leftfield club music, twisting up adventurous rhythms and flamboyant production in pursuit of a perpetual freshness for the floor. Egyptian singer, poet, producer and composer Abdullah Miniawy has become equally omnipresent in the past 10 years, straddling the arts world and leading with his piercing Arabic lyricism while maintaining an eternally curious spirit that leads into open-ended, experimental music from the abstract to the propulsive.

Following up on their 2020 EP for BFDM, Kill Me Or Negotiate, Miniawy describes their sharply focused new album as "a playful prophecy about the triggers of a new global revolution." Cell considers the title, Dying is the internet, to be a mantra about "how the internet lost its soul," becoming "less about sharing ideas and more about surviving in a digital business ecosystem." Deliberately at odds with the reel-ready two-minute attention span of the average social media surfer (i.e. everyone), the pair set out to make an album that takes its time to reveal nuanced ideas and expressions. Rather than one-note despair for the modern malaise, Cell and Miniawy offer a philosophical reminder that this present moment in the human experience is a temporary phase, no matter how overwhelming it feels.

Dying is the internet finds Miniawy experimenting with auto-tune across the record, while Cell has developed his voice design chops and compositional instincts, moving closer to fully realised song structures without losing the fundamental 'clubbiness' of each track. The result is a cohesive, wildly original kind of heavyweight dance music that slings out hooks left right and centre, from Miniawy's laconic trumpet looming through low-slung 'Reels in 360' and 'Travelling In BCC' to the persistent handclaps that bring 'Living Emojis' to life. Miniawy's poetry explores the power of insistent, repeated phrases in a break from his more typically structured form.

Kenyan powerhouse Lord Spikeheart adds extra snarl to stripped-back, slow-burn opener 'I See The Stadium', but otherwise Dying is the internet is purely the work of Miniawy and Cell casting their considerable chops out into unexplored territory. The results are electric, bound together by a consistent economy of sound that burrows into a shroud of bass-heavy minimalism barely masking Cell's incredibly detailed studio flex. Even the beatless flourish of the Miniawy-produced 'Tear Chime' comes loaded with physicality — a sensory rush at the mid-section of the album bookended by some of the most idiosyncratic club music in recent memory.

Both Simo Cell and Abdullah Miniawy have already proved themselves as fearless innovators across different fields. The strength of their partnership lies in their ability to make space for each other while letting their distinctive sonic identities ring loud and true. Dying is the internet has immediacy and physicality to translate over a soundsystem, but its intricacies are purpose-built for repeat visits and contemplation, unveiling hidden dimensions the deeper you dive into it.

East London's Jeigo works alongside North London perfume house Nosu on this quietly inventive release from Fleurella Records that extends beyond the usual club framework and intertwines scent and sound. Opener 'Placid Shimmers' drifts between organic house, lo-fi ambient and introspective worlds with swung rhythms and soft focus synths, while 'SPF 50' leans into melancholic breaks and 90s IDM echoes. It feels delicate but still moves you and is where texture and mood carry the groove into something subtly uplifting and tactile. A beatless version of the opener is included for pure dreamy escape.

Cinthie’s Collective Cuts sub-label of her 803 Crystal Grooves label welcomes the UK’s Black Eyes onto its roster this March with his ‘Hydrocity Reflex’ EP, comprised of four original soul drenched House Jams.
Cinthie’s 803 Crystal Grooves Collective Cuts welcomes Black Eyes with a fresh four-track EP that distils the Manchester-born, Berlin-based artist’s signature aesthetic into its purest form. Fusing deep, trippy and soulful house with a raw, Detroit-leaning sensibility, Black Eyes channels the influence of House music’s roots into rolling rhythms and fluid textures alongside shaped by his enduring love of water. Now firmly embedded in Berlin’s underground while carrying the grit of his northern roots, he delivers a release that feels both immersive and driving a natural fit for 803 Crystal Grooves’ dance floor focused sonic vision.
Opening the EP is ‘Can You Dig That Depth’, an emotive slice of House driven by saturated keys, soulful vocal lines, heavily swung drums and a buoyant bassline. ‘Pressure Malfunction’ follows, stripping things back to organic percussion, sweeping filtered funk loops and intricately processed spoken-word chants. The B-side begins with ‘Loyalty To Tha Deep’, living up to its name as it embraces classic Deep House sensibilities through choppy, airy chord progressions, hypnotic breathy vocals, fluttering melodies and slow-slung, crunchy drums. ‘Funky Oxygen’ then brings the release to a close, channelling the spirit of Motor City House with a refined blend of cut-up samples, shuffled percussion, jazzy keys and a snaking bass groove.

Daskal debuts on DJ Tennis’s Life and Death label today with the release of “Changes,” the first single from his forthcoming album OD, out March 6. The release marks a defining moment for the producer and composer, whose work moves fluidly between contemporary dance, film, and electronic music, and represents his first full-length statement reconnecting his compositional practice with the dancefloor.

“Changes” arrives alongside a striking accompanying video directed by award-winning filmmaker Tamir Faingold, featuring dancers from the world-renowned Batsheva Dance Company. Rather than functioning as a traditional music video, the piece uses contemporary dance as its primary language, translating the emotional charge and magnetism of nightlife into movement. Together, the single and visual introduction frame OD as a bridge between club culture and the expressive traditions of modern dance and composition.

A classically trained composer with deep ties to the world of choreography, Daskal has spent recent years creating original scores for institutions including Los Angeles Dance Project and the Royal Danish Ballet, while simultaneously developing a parallel body of work across ambient and experimental electronic music. OD emerges as a convergence of those paths: a ten-track album shaped as much by physical movement and spatial awareness as by club tradition, positioning Daskal between concert hall, black box theater, and late-night club environments.

Recorded and mixed primarily using vintage hardware — including a rare 1980s German mixer in a high-end Tel Aviv jazz studio — OD reflects a deliberate shift away from purely atmospheric writing toward rhythm, repetition, and physicality, while retaining the precision and restraint of his compositional background.

reActive Lab proudly unveils its first vinyl release, marking a defining moment for the label's evolution. reActive Lab Collective 001 brings together four of the label's core members - Chrivu, Dragne, Flavius, and Pattern Tusk - to craft a 12" that perfectly captures the collective's sonic DNA: deep groove, subtle minimalism, and timeless house energy. The record opens with Chrivu - "Cell Division", a vibrant house piece driven by a confident bassline and crisp percussive motion. Built with clarity and flow, it sets the tone for a journey anchored in groove and precision. Dragne - "Get Funk" follows with playful rhythm and low-end warmth - an irresistible combination of swing, bounce, and character designed for the dancefloor. On the flip side, Flavius - "The Interview" introduces a more introspective dimension - stripped-down yet immersive, balancing atmosphere with emotion through delicate textures and steady rhythm.

Closing the release, Pattern Tusk - "We Went On" blends soulful depth with minimal intricacy, offering a smooth, driving finale that resonates with both feeling and functionality. reActive Lab Collective 001 stands as more than a debut - it's a declaration of artistic identity. A 100% in-house release from reActive Lab, crafted with authenticity and intent. A promising first step in what's clearly a long-term commitment to sound, craft, and community. Short Description: reActive Lab makes its vinyl debut with reActive Lab Collective 001, a powerful VA featuring Chrivu, Dragne, Flavius & Pattern Tusk. Four deep and groovy house cuts blending energy, warmth, and minimal precision - a pure statement of the label's identity.

Oinimod Records proudly presents its first-ever vinyl release, Gravity EP, a statement of intent rooted in deep grooves, timeless house aesthetics, and club-driven energy.

Written and produced by Duccio Lopresto, Gravity EP delivers two original cuts that explore different shades of House music, complemented by a powerful remix from Gearmaster, one of Estonia's most respected House talents.

“Gravity” opens the EP with a deep and groovy House journey inspired by the classic Detroit House legacy. A strong rhythmic foundation drives hypnotic acid lines and rich, expressive synths, creating a track that is both raw and elegant, built for the dancefloor yet deeply musical.

“Mirage” reveals a more dreamy and introspective atmosphere. This Deep House track flows with a timeless rhythm, warm grooves, and relaxing yet melodic elements, offering a soulful and immersive listening experience that transcends trends.

Closing the EP, Gearmaster delivers a pure Club House banger remix of Gravity, reinterpreting the original material with precision and power. Tight rhythms, infectious groove, and a modern club sensibility turn the remix into a peak-time weapon, showcasing Gearmaster’s unmistakable touch and deep understanding of the dancefloor.

Gravity EP marks the beginning of Oinimod Records’ vinyl journey — a release that bridges classic influences and contemporary House music, crafted for DJs, collectors, and true House music lovers.

Ribe & Roll Dann serve up potent techno on Mutual Rytm with 'Virtus Occulta'.

Built around concepts of unacknowledged work and enduring merit, the release marks their first EP on SHDW's widely
respected label.

Based in Toledo and Madrid, Ribe & Roll Dann are exciting residents at Laster Madrid and Lanna Club, two of Spain's leading venues. Emerging as driving forces in their national techno scene, they have also made an impact on the global landscape, making wider moves through collaborative releases on Klockworks, and individual outings on a number of other influential labels. Having previously featured in the label's Federation of Rytm IV compilation, the pair make their full EP label on SHDW's Mutual Rytm imprint to open March with a deep dive into their expansive sound.

Opener 'Sub Terra' is a pure club tool that is direct, physical and rooted in the underground with a seriously heavy low end. 'Extra Lumen' is more restrained but still built on a steady, forceful rhythm with controlled energy that prefers to operate in the shadows. 'Ars Non Placens' stays true to the idea that music is not made to please, but to exist on its own terms with hunched drums and dubby undercurrents. Next, 'Meritum Negatum' fizzes with static electrical charge and minimal drum funk and is a direct reflection on overlooked skill and unacknowledged work, before closer 'Virtus Persistens' delivers a continuity and a steady pulse rather than an explosive ending, keeping you locked throughout.

In addition, three digital bonus cuts come alongside the vinyl package. 'Labor Inauditus' speaks to hours of technique, production and booth experience that remain invisible. Next come the taught, rubbery rhythms and unrelenting atmosphere of 'Silentium Testium', while 'Sine Aplausu' - which means without applause - brings a ghostly late night vibe that you will never want to end.

JOCELYN VIRAPIN is one of the master of the Guadeloupean Gwoka percussion.
Born October 17th, 1957 in Basse-Terre, he’s an author, composer, producer and a vinyl digger.
His Gwoka is a pure tribute to the traditional combination of responsorial singing in Guadeloupean creole, rhythms played on the Ka drums and dancing.
He started to play in the 90’s with his band Gwaka. He opened and collaborated with prestigious band such as Kassav or Zouk Machine.
He has a massive discography as arranger and musician: he appears on more than 78 albums! The track "Pasyon" was originally released in 1994 on a rare vinyl , but with the artist we decided to do an edit, so we invited the super talented jazz player Florian Pellissier for a Rhodes improvisation on the original take.
The track "Respè Pou Fanm" was originally released with his band BELOKA in 2010 and was only pressed on a Cd format at a very limited quantity. This beautiful song is a blend of Ka, fantastic jazzy keys on Rhodes, hypnotic bass, sublime creole spiritual chants. With an incredibly joyous feel, the lyrics gave a timeless advice to men: Respect Women .
It definitely deserves a vinyl version for all the music lovers, Dj’s and diggers from all over the world !
Kenbé red pa moli !

Dreamweavers II sees Mark de Clive-Lowe reunited with Italian rhythm masters Andrea Lombardini and Tommaso Cappellato for the next chapter in their electro-acoustic trio journey.
Recorded at Sotto il Mare Recording Studios in Verona, Italy in summer 2024, the album builds on the cosmic, hypnotic language established on Dreamweavers (2020) while pushing deeper into groove-driven terrain, dancefloor jazz and textural improvisation. Across eight tracks, the trio explore the elastic space between jazz tradition, beat culture, and club-influenced momentum – without samples or looping – relying purely on live interaction, feel and shared intuition.Opening with the Azymuth-inspired “Terra de Luz,” the album immediately signals its global outlook. “Kaze no Michi” follows with late-night Tokyo energy – dancefloor jazz that feels equally at home in jazz clubs or after-hours rooms. Two intentional reinterpretations bridge jazz and beat culture: J Dilla’s “Raise It Up” (from Slum Village – Fantastic Vol. 2) is reimagined with its original groove and bass line as the launch pad, while “The Bass That Don’t Stop” becomes a lush house-jazz tribute to the late Phil Asher, originally co-created by Asher and de Clive-Lowe in 2002 under the moniker musiclovelife.Bassist Andrea Lombardini’s “Pam” brings the album inward – introspective, spacious, and deeply melodic; while “Lucid Dreams” draws on the trio’s shared love of jungle, drum’n’bass and the exploratory spirit of greats like Chick Corea, amplifying the journey with forward motion and harmonic curiosity.Dreamweavers II is a concisely intentional sound narrative: a trio record rooted in jazz lineage, shaped by beat culture and guided by a collective curiosity for texture, rhythm, and movement.