Suche:q band

The long awaiting "Stop the rain" by Average White Band is now a 45 for the first time. Massive club track and sampled by Leana Conquest for the 90s classic Boundies, a must have 7" for the collection, Scotlands funkiest band.

On the flip is the classic Atlantic Avenue from the same LP.

dont' miss out

x400 copies

PAUL DIMMER BAND - IM KLEINEN KREIS (LIMITED VINYL EDITION) Das Debütalbum der Paul Dimmer Band Im kleinen Kreis erscheint erstmals auf Vinyl - in einer streng limitierten Auflage. Bereits bei seiner ursprünglichen Veröffentlichung wurde das Album im kleinen Kreis gefeiert und entwickelte sich schnell zum Geheimtipp unter Liebhabern ruhiger, tiefgründiger Musik. Musikalisch bewegte sich das Trio aus Frankfurt am Main in stillen Gewässern - vergleichbar mit amerikanischen Indie-Bands wie Sparklehorse oder Low. In schlichten Arrangements und mit zurückhaltendem Gestus erzählten die Songs von den Höhen, Tiefen und Zwischenräumen des Lebens. Die Musik und Texte entstanden gemeinschaftlich: Christoph Wegner (Gesang, Gitarre), Patrick Reuter und Jens Zulauf (Gitarre, Bass, Rhodes, Orgel) wurden dabei immer wieder von befreundeten Musiker:innen unterstützt. Besonders hervorzuheben ist der Gastbeitrag von Niels Frevert (Nationalgalerie) auf dem Song "Jeder Versuch". Jetzt ist dieses intime, melancholische Werk endlich als Sammlerstück auf Vinyl erhältlich.

Going Up, originally released in 1983, is one of the most curious and enduring records from British studio mavericks The RAH Band. Long out of print, it now sees its first ever vinyl reissue courtesy of Shocking Music and Rush Hour.

Led by super-producer, arranger, and multi-instrumentalist Richard Anthony Hewson, The RAH Band has always existed just outside the mainstream. Blending jazz-funk, sci-fi synth pop, and cosmic lounge, their sound never quite fit the mould. That might explain the cult status they’ve held ever since. Beloved by Balearic heads, rare groove collectors, and adventurous synth diggers, Going Up is perhaps their most influential record.

At the centre of it all is the intro track “Messages From The Stars”, the band’s runaway cosmic hit. A spacey, retro-futurist groove that has become a viral favourite in recent years, it now boasts hundreds of millions of streams, with a new generation discovering it through TikTok and YouTube. But it was originally just one track on this understated 1983 album.

The rest of Going Up is just as compelling, filled with dusty drum machines, off-kilter instrumentals, woozy vocals, and that unmistakable early '80s charm. It is a snapshot of a band in transition, blurring the lines between leftfield pop, sci-fi funk, and home-brewed synth experiments.

Out of print for over 40 years, Going Up finally gets the reissue treatment it deserves. Restored and remastered, and still sounding like nothing else.

Accomplished musical documenters Analog Africa shine a long-overdue spotlight on the trailblazers of Zimbabwe's Chigiyo sound with this lovingly curated new collection. Emerging from Kwekwe in the 1980s, the group fused reggae grooves with Shona chants, mbira-inspired guitars and bold brass to create a style uniquely their own. Anchored by legendary guitarist Gilbert Zvamaida, Zig-Zag's music carried spiritual weight and infectious energy with classics like 'Gomo Ramasare' and 'Mudzimu Mukuru' shaping the country's cultural landscape. This lovingly curated compilation revives their groundbreaking catalogue and celebrates their fearless creativity while introducing a new generation to one of Zimbabwe's most distinctive and visionary bands.

The first LP release of the EP featuring the opening theme “Sense” from the TV anime Platinum End.
This is the LP version of BAND-MAID's EP "Unleash," originally released on CD on September 21, 2022.

From the crypts of Parisian funk obscurity comes the long-lost Halloween holy grail, Disco Frankenstein from Ice AKA Lafayette Afro Rock Band. A teasing album of horror-disco oddities originally released as a compilation—a misnomer cloaked in mystery, as the tracks themselves hail from the group’s playful experiments in the mid-to-late ’70s.
This album unearths a twisted treasure trove of grooves, originally scattered across obscure side-projects and international pressings, brought back to life by Strut on blood-soaked vinyl exclusively for Halloween 2025.
Originally released as a 1976 Japan-only compilation featuring the Lafayette Afro Rock Band under a plethora of pseudonyms—Sweet Exorcist, Captain Dax, Hot Blood, Krispie and Co., and more, the release was masterminded by producer Pierre Jaubert and led by bandleader Frank Abel with the funk-virtuosity of the Lafayette Afro-Rock Band group, the minds behind the much sampled ‘Soul Makossa’ and ‘Malik’ albums.
Disco Frankenstein represents the band at their most creative—layering wah-wah guitars, thunderous Afrobeat rhythms, and creepy-crawly synths into a funky stew of horror-disco gold. Tracks like “Dr. Beezar (Soul Frankenstein),” “Disco Vampire,” “Zeke the Zombie,” and “Igor’s Reggae” blur the line between Halloween novelty and dancefloor fire, conjured with full seriousness by studio wizards who knew how to raise the funk.
Resurrected by Strut Records and remastered by The Carvery, this compilation finally gets the deluxe treatment it deserves: pressed on limited blood-stained vinyl just in time for Halloween 2025.

Mit „The Best of All World Bands: The Residency“ bringt Rocklegende Sammy Hagar die größten Hymnen
seiner Karriere auf die Bühne – energiegeladen, zeitlos und voller Rock’n’Roll Spirit. Diese Show vereint
alle Welten, alle Klassiker und alle Vibes, die Hagar zur Kultfigur gemacht haben. Ein Muss für alle, die
den Soundtrack echter Rockgeschichte live erleben wollen!
Ab jetzt erhältlich als 2LP auf grün und blauem Vinyl und als 2CD!

Zu Ehren der ONE TO ONE CONCERTS erscheint eine Veröffentlichung in mehreren Formaten mit zusätzlichen Live- und Studioaufnahmen von John Lennon und Yoko Ono aus ihrer politischsten Phase von 1969
bis 1972, als sie in New York City ihre neue Heimat fanden. Ab dem 10. Oktober ist ”Power To The
People als 1CD, 2CD, farbige 2LP, 2LP, 4LP und 9CD + 3Blu-ray Boxset erhältlich.

Daniel Monaco Band is an international group led by Italian bassist Daniele Labbate. Blending jazz, funk, house and disco with live energy, their debut EP ‘Get Naked and Fly’ captures years of collaboration and experimentation. The result is a warm, analog-driven sound crafted by seasoned session musicians who’ve toured the world and are now channeling their creativity into original music as a group.

Lead track ‘Love Ago’ delivers modern disco with the authenticity of the golden era, ‘Mimouna’ has a psychedelic edge, with the WHODAMMANY remix taking the original into a more electronic direction. ‘The Devil Left Dancing’ takes a subtly off centre path, nodding to Brazilian influences, while the title track ‘Get Naked and Fly’ is raw and instinctive blending live instrumentation with electronic sensibilities.

The project is a testament to what happens when musicians trust each other enough to explore freely without chasing perfection. A live band speaking house, funk and jazz with one voice — analogue, soulful, and free.

Personnel : Percussion by Yannick Van Ter Beek, Drums by Robin van Rijn, Sax by Alessandro Russo, Guitar by Simone Cesarini and Bass by Daniele Labbate.

Designed by Bradley Pinkerton.

Much sought-after funk 45 originally recorded and released in Tasmania on the Candle label in 1976.
Written and performed by Lyn Thomas to celebrate the opening of the Silvers Nightclub at the Hobart Casino.

Star Feminine Band, hardest working women in Beninese show business, are releasing their third album on Born Bad, who went all out for their first. Some get malaria at the sight of that sticky world label : rest assured, the world is all they deserve after nine years of hard work. These eight young women, from a village that even Beninese can't quite place, started out in hard mode.

They had to convince themselves that it was worth a shot, but also their family, their village and an entire continent.

André Balaguemon, composer, manager and lyricist, does a lot, while remaining in the background. He put the group together, included his three daughters, houses everyone with his wife Edwige who also manages dances and costumes. He gave them a musical training, and created the framework for them to continue school while rehearsing hard. From local heroes to UNICEF ambassadors, the group has made it. The very existence of this new album is a testament to the perseverance of Grâce, Anne, Urrice, Bénie, Angélique, Sandrine, Julienne and Ashley. The personnel of this family affair has changed a bit : two new women have joined the group, which conquered bigger stages (Glastonbury in the summer, the X-mas BBC special).



This new album brings simple joys : watching them grow from Benin's first girl band to a band in its own right. And never forgetting why they took to the stage in the first place. Star Feminine Band makes straightforward music, taking no detours to express what's missing in the country. When Grâce advocates for kids getting a chance to get to school it's because there's nothing else more important to say that day. Teachers, don’t leave the kids alone, after all.



As they said on their first album, « music is our job », let them be that : musicians having a lot of fun on this album. It wanders through the vast territory of the countless West African styles. They even make a quick foray into reggae to talk about marriage (with a little rap thrown in), and interweave their voices in multiple languages (Waama, Ditamari, Bariba, Fon, Yoruba). And boy do they have hits. To each is own, but “L'enfant c'est un don de Dieu » (Child is god’s gift) is a mighty steamroller, methodically smoothing out the ground for dancing together to its final chorus, singing « debout-les-en-fants / get up, kids ! » along.



Smoother than the first two albums, supported by fine arrangements, ambitious keyboard parts and more complex vocal harmonies without losing any of their spontaneity, this third opus quietly adds to Benin's musical heritage. As they make clear in « Jusqu'au bout du monde », clever little number that we can already hear swelling up on stage: « oui, c’est Star Feminine Band qui a gagné - o / Star Feminine Band won».

The Tedeschi Trucks Band and Leon Russell’s Mad Dogs & Englishmen Revisited ist eine lebendige Hommage an eine der kultigsten Live-Rock-Kollaborationen der Musikgeschichte. Ursprünglich von Joe Cocker
und dem legendären Keyboarder und Bandleader Leon Russell im Jahr 1970 geleitet, war Mad Dogs &
Englishmen eine raue, gefühlvolle Tour, die ein riesiges Ensemble von Musikern zusammenbrachte. Im
Jahr 2015 ließ die Tedeschi Trucks Band unter der Leitung des Gitarrenvirtuosen Derek Trucks und der
kraftvollen Sängerin Susan Tedeschi diesen Meilenstein wieder aufleben und fügte ihm ihre eigene Mischung
aus Südstaaten-Soul, Blues und Rock hinzu.
Das Revival-Konzert im Rahmen des Lockn’ Festivals war mit einem Staraufgebot besetzt. TTB brachten
nicht nur ihr übliches 12-köpfiges Ensemble mit, sondern begrüßten auch ursprüngliche Mad Dogs-Mitglieder
wie Rita Coolidge, Chris Stainton und Claudia Lennear sowie eine vielfältige Gruppe zeitgenössischer Kollaborateure, darunter Chris Robinson von den Black Crowes, Warren Haynes, Anders Osborne und Dave
Mason. Die Bühne schwoll oft auf über 20 Musiker an, was den großen, gemeinschaftlichen Geist der
ursprünglichen Tournee widerspiegelte.
Derek Trucks selbst sagt zum Projekt:
”Als ich anfing, mit Susan darüber zu sprechen, eine Band zu gründen, schauten wir ungefähr zu der
Zeit den Film ‚Mad Dogs‘ noch einmal. Uns ist klar geworden: Wenn wir jemals eine Big Band oder einen
Rock ‚n‘ Roll-Zirkus machen wollten, dann ist jetzt der richtige Ze

Continuing the sensational Spring Revisited series - Acid Jazz presents a new 12” release – Fatback Band: ‘Night Fever (Kenny Dope Mix)’ / ‘(Hey) I Feel Real Good (DJ Spinna Refreak). Spring Revisited is an exciting and unique mix project that explores the musical legacy of legendary New York label Spring Records, with a series of new mixes from top mix artists, using the original masters. Fatback Band are a disco/funk group that were at the peak of their success in the ’70s, and they were one of Spring Records’ most iconic artists. This is the second release in the series featuring the band’s classic work. ‘Night Fever’ is an electro-disco track released in 1976.

Keeping the soulful vocal and strings from the original, house legend Kenny Dope beefs up a looped section of the percussion that forms the backbone of his version. He lifts the tempo and creates a DJ friendly version, while keeping the improvised feel of the original. This rough and ready remix has the kind of bumping groove that’s infectious on a dance floor. On the flip, DJ Spinna gives a new take on the Fatback’s ‘(Hey) I Feel Real Good’. Presented in the signature Spring Revisited house-bag, looking as if it were hand delivered to you from a 1970s record pool.

Limited edition…

Belgian drummer and composer Jelle Van Giel presents All I Hear, the first full-length album of his new band, Close Distance.

All I Hear unfolds in ten chapters - nine on vinyl, with an additional track on CD. Each track depicts its own world. Some burst to life, driven by energy that draws you in and melodies that linger. Others take their time, emerging like landscapes through morning mist, shaped by shifting textures and quiet detail.

Subtle soundscapes and cinematic colors blend with improvisation and groove, creating an immersive listening experience that speaks to both head and heart. This is music that paints with sound, drawing the listener deep into the world of Close Distance: a quartet in which Jelle invites his fellow musicians Roeland Celis (guitar), Ewout Pierreux (piano/rhodes) and Yannick Peeters (double bass) to join him on his journey and sometimes lead the way.

For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change. Leader/percussionist Glen Sweeney viewed the heist as a sign to alter Third Ear Band's approach, and they switched to exclusively using acoustic instruments. With electrified psychedelia in full bloom, Sweeney, Paul Minns (oboe, recorder, whistles, flutes) and Richard Coff (violin, viola) struck out on an individualistic path, blending Indian raga with chamber music – without plugging in.

Third Ear Band's 1969 debut album, Alchemy, established them as a solemn, powerful force in the global underground. On Alchemy, Sweeney laid down a steady pulse on hand drums, while Minns and Coff wove in melismatic patterns on oboe, recorder, violin and viola. This approach carried over to Third Ear Band's self-titled sophomore album, often called Elements due to its track titles being named after the four basic components of medieval European alchemists' doctrines.

On this 1970 LP, Third Ear Band sounded at once ancient and contemporary, yet they turned on the hippies with their epic, trance-inducing jams that suggested secret knowledge of infinity. Although Third Ear Band flourished during the West's countercultural zenith, they were peculiarly estranged from it on a sonic level. Even outré contemporaries such as Comus and Jan Dukes De Grey sounded like pop groups compared to TEB. Having no traditional front person or electric instruments, Third Ear Band forged a singular path that flowered most vividly on Elements.

The long songs here stream forth from their skilled hands, evoking a communal transcendence in sound – a hypnotic swirl that doesn't swing, but rather wafts and undulates with cloistered beauty. TEB's music exists in an eternal now, a perpetual wow. It is an ouroboros of organic textures, seemingly magicked into the air spontaneously, yet possessing a rigor that suggests long hours in the lab. Without electricity, it somehow burrowed deeper into your consciousness.

– Dave Segal (excerpt from the liner notes)

Supa Jams are proud to present. For our, And their debut release, The CJP Band.

Two peak time Disco Soul Funk laced 'Supa™' jams. Ready for the floor, Whilst perfectly encapsulating the labels ethos core.

Disco by extension, Funk for guaranteed dancefloor retention. Music and lyrics for the soul will never not be the intention.

First up 'You and Me and the Music', for the dancers, and DJ's looking for them to 'Lose it' on the floor. This one has it all, Just wait for the strings and 'hat tip' refrain to a legend of the game.

On the flip 'We Can Never Go Back" brings us squarely back to 2025 lyrically. We ALL know 'The systems have changed' and indeed hope that nature will intrinsically "Remain the same".

Nolo asks the same questions clearly forgotten by Jay K in 1993 perhaps? How do we balance our 'Pleasure as an act of defiance in a world that runs on greed'?

In the meantime both tracks deliver the same time honoured essentials for dancing potential - Drum breaks for days, And the night time haze. Bass lines for the loose spined, Lyrical refined for the spiritual of mind. Hotter than the summer dance floors they'll be played on.

300 limited pressing - Hand Stamped Sleeve.

Don't Sleep!

One of the absolute classics from the Swedish prog-rock scene, for the first time ever on vinyl! The Hemulic Voluntary Band (2007) is the fourth studio album by Swedish progressive rock band Ritual. Its title references a fictional brass band from Tove Jansson's Moomin universe, but the music leans more toward folk, symphonic rock, and '70s-style prog, resulting in a richly imaginative sound. Although not a concept album, it's thematically tied by literary influences and a sense of childlike wonder. Drawing on Jansson's work, the lyrics explore imagination, nature, and the fantastical. Ritual's songwriting focuses on storytelling and emotional depth, creating an immersive experience. Critics praised the album's inventive arrangements and emotional range. It's mix of complexity and accessibility appeals to both prog fans and casual listeners, with a strong balance of technique and feeling. In short, The Hemulic Voluntary Band showcases Ritual's skill at crafting intricate yet heartfelt music. Its fusion of folk, rock, and prog, paired with thoughtful lyrics, makes it a standout in the genre.

Mate is one of Spain's most cultured deep house outlets and if you don't believe us then get your ears around this. Diego Ruiz, aka DFRA, is an Argentine music producer who here works as Experience Jazz Band and opens with 'The Human Discard' which pairs warm, cuddly drum depths and rolling grouches with majestic jazz melodies. The same story plays out through the cultured sound and magnificently arranged 'Inside The Club' then long-time deep house man Dubbyman serves up his own Breakin Jazz mix which does exactly what it says on the tin. 'Spinning In My Orbit' is a nice cosmic closer on a classy EP.

RYAN DAVIS & THE ROADHOUSE BAND ist das Projekt des in Louisville lebenden bildenden Künstlers, Multiinstrumentalisten und Songwriters Ryan Davis. Für Freunde von Alternative Country, Folk, AMERICANA, Independent, Silver Jews, Bill Callahan, Lambchop, Cass McCoombs, Sparklehorse, Giant Sand/Howe Gelb... Das kommende zweite Album, "New Threats From The Soul", beschäftigt sich intensiv mit der Verwirrung menschlicher Leistungsfähigkeit und deren Wirkung in einer absurden und entarteten Welt. Das klingt wahrscheinlich hoffnungslos schwerfällig und streng. Ist es aber nicht - nicht im Entferntesten. Es macht einen Haufen Spaß. Die Songs sind allesamt Ohrwürmer; die Arrangements sind wirklich aufregend und beleben die Arbeit der CRACKERJACKS, aus denen sich die weitläufige ROADHOUSE BAND zusammensetzt. Jedes Durchhören des Albums offenbart mehr von der Tiefe, der Breite und dem Gewirr der Komplexität des Projekts. Das erst limitierte Debüt-Album "Dancing On The Edge" von 2023 wurde von denen, die es gefunden haben, schnell geliebt und von Publikationen wie Pitchfork oder The Line Of Best Fit hoch gelobt. Sie hielten es für ein "bemerkenswertes, unendlich lohnendes Debüt". Tough Love legte es im Jahr 2024 erstmals weltweit auf. "Davis is someone with the originality, wit and ambition to cut through the murk." - Uncut In "New Threats From The Soul" gelingen RYAN Beinahe-Reime, die Affen, die seit hundert Jahren an Chat-GPT-fähigen Schreibmaschinen arbeiten, nicht hinbekommen hätten: "bromeliad" und "necrophiliac"; "urinal" und "de Chirico". Kinky Friedman beklagte, dass die Leute seine lustigen Lieder für traurig und seine traurigen Lieder für lustig hielten, obwohl sie beides gleichzeitig waren. Wie der Kinkster kann RYAN einen durch einen Kloß im Hals zum Lachen bringen. In seiner formidablen Crew von Harmonie-Sänger*innen befinden sich vier der begabtesten Lyriker*innen und Sänger*innen, die derzeit unter uns wandeln - Catherine Irwin (von FREAKWATER), Will Oldham, Lou Turner, Myriam Gendron - was von der tiefgründigen Kraft seiner Texte zeugt (diese Leute melden sich nicht oft, um irgendwelchen Brei zu singen). "New Threats From The Soul" ist eine Meisterklasse in der Reduktion des Erhabenen auf das Prosaische, des Unermesslichen auf das Winzige und umgekehrt (der Trick kann nur in beide Richtungen funktionieren). Dopple-Vinyl und CD (Digipak) erhältlich

RYAN DAVIS & THE ROADHOUSE BAND ist das Projekt des in Louisville lebenden bildenden Künstlers, Multiinstrumentalisten und Songwriters Ryan Davis. Für Freunde von Alternative Country, Folk, AMERICANA, Independent, Silver Jews, Bill Callahan, Lambchop, Cass McCoombs, Sparklehorse, Giant Sand/Howe Gelb... Das kommende zweite Album, "New Threats From The Soul", beschäftigt sich intensiv mit der Verwirrung menschlicher Leistungsfähigkeit und deren Wirkung in einer absurden und entarteten Welt. Das klingt wahrscheinlich hoffnungslos schwerfällig und streng. Ist es aber nicht - nicht im Entferntesten. Es macht einen Haufen Spaß. Die Songs sind allesamt Ohrwürmer; die Arrangements sind wirklich aufregend und beleben die Arbeit der CRACKERJACKS, aus denen sich die weitläufige ROADHOUSE BAND zusammensetzt. Jedes Durchhören des Albums offenbart mehr von der Tiefe, der Breite und dem Gewirr der Komplexität des Projekts. Das erst limitierte Debüt-Album "Dancing On The Edge" von 2023 wurde von denen, die es gefunden haben, schnell geliebt und von Publikationen wie Pitchfork oder The Line Of Best Fit hoch gelobt. Sie hielten es für ein "bemerkenswertes, unendlich lohnendes Debüt". Tough Love legte es im Jahr 2024 erstmals weltweit auf. "Davis is someone with the originality, wit and ambition to cut through the murk." - Uncut In "New Threats From The Soul" gelingen RYAN Beinahe-Reime, die Affen, die seit hundert Jahren an Chat-GPT-fähigen Schreibmaschinen arbeiten, nicht hinbekommen hätten: "bromeliad" und "necrophiliac"; "urinal" und "de Chirico". Kinky Friedman beklagte, dass die Leute seine lustigen Lieder für traurig und seine traurigen Lieder für lustig hielten, obwohl sie beides gleichzeitig waren. Wie der Kinkster kann RYAN einen durch einen Kloß im Hals zum Lachen bringen. In seiner formidablen Crew von Harmonie-Sänger*innen befinden sich vier der begabtesten Lyriker*innen und Sänger*innen, die derzeit unter uns wandeln - Catherine Irwin (von FREAKWATER), Will Oldham, Lou Turner, Myriam Gendron - was von der tiefgründigen Kraft seiner Texte zeugt (diese Leute melden sich nicht oft, um irgendwelchen Brei zu singen). "New Threats From The Soul" ist eine Meisterklasse in der Reduktion des Erhabenen auf das Prosaische, des Unermesslichen auf das Winzige und umgekehrt (der Trick kann nur in beide Richtungen funktionieren). Dopple-Vinyl und CD (Digipak) erhältlich

2025 repress. Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation's ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan's most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Band. A series of performances, billed as "Night Events" were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles", but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run. An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. And what an event it was: a night-time sound-bomb with a fabled band, electronic sound and 50 motorcycles with horns blaring,spotlights, electronic billboards and a robot ― all flashing, roaring andhowling at the night sky. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.

The label say:

"Guts unearthed this afro-caribbean gem "Vini Ouais" by Djingo Typical Band for his Straight from the Decks compilation. Inspired, Art of Tones created an unofficial remix—a heartfelt tribute to this French Guiana treasure. It quickly lit up dance floors, shared among DJs like GUTS, Antal, Radio Meuh... and many more...
Here comes the official release, the remix is set to become a dancefloor banger.

Guts a déniché cette pépite de biguine-zouk signée Djingo Typical Band, "Vini Ouais", et l’a aussitôt intégrée à sa compilation à succès Straight from the Decks. Séduit à son tour, le talentueux producteur et remixeur Art of Tones en propose un remix non officiel, véritable déclaration d’amour à ce bijou venu de Guyane française.
Très vite, le titre revisité enflamme les dancefloors, circulant discrètement entre quelques DJ privilégiés, comme un secret bien gardé. Face à l’engouement et aux nombreuses demandes, le remix sort enfin officiellement, pour le plus grand plaisir de tous. Il est désormais joué par Antal, Laurent Garnier, Radio Meuh, Guts, Art of Tones, et bien d'autres, révélant un groove irrésistible qui met tout le monde d’accord."

2025 Repress

Kid Katana Records teamed up once again with DON’T NOD to release Lost Records: Bloom & Rage OST on vinyl.



This album accompanies the adventure of four teenage girls between 1995 and 2022, in the seemingly sleepy little town of Velvet Cove, Michigan.


With their growing friendship embodied by their punk band, music plays a key role in both the story and gameplay. In terms of music, this 18-track OST features different genres: dream pop, ambient, and punk, featuring an incredible lineup of artists and several songs with vocals: Ruth Radelet – former Chromatics front singer, Milk & Bone – acclaimed Canadian electropop duo, Nora Kelly Band – fresh Canadian alt-country / punk band.



This roster defines a dreamy and ethereal soundscape resonating with the 90s nostalgia and the Super 8 aesthetics of the game.

The physical edition is a 2LP designed in close relationship with the game studio:


- 2 colored vinyls: transparent pink & blue, matching the cover art.
- gatefold art: featuring exclusive in-game graphics
- teenage punk poster: nod to the game’s rebellious spirit & characters
- liner notes: giving insights from the game’s creative team and featured artists