Search:r edits

These DJ DSK edit instrumentals were pressed up after many requests from DJs who wanted them, they can be used with the vocal versions, create new mash ups or just played as a track in their own right. It is also a great bonus that some of the original tracks do not even have instrumentals available.

Repress

repress black Vinyl!

Proving a saviour in these testing times, Bollywave supply a four-track feast of Bollywood edit delights. Something to stick a smile on your face and get those dormant limbs moving, it’s a feel-good blowout of fragrant firepower.

DJ DSK is back with more dancefloor goodness, DNA Edits vol 6. The A side is an edit of Patrice Rushen's 80s R&B classic remind me. The flip side is a funky house/disco edit of Funkadelic’s Knee Deep, both are DJ friendly remixed from the stems with intros/outros big sound and banging beats.

The Patchouli Brothers are best friends from small town Canada, who found themselves bonded by their affinity for the strange side of house, disco, soul & otherworldly sounds. They hold down a residency at Beam Me Up, a weekly disco night in Toronto & a monthly party in Montreal, and have had releases on some of their favourite labels like Defected, Soundway, GAMM, Star Creature, Pleasure of Love & Basic Fingers.

Before the world stopped spinning, they were touring Europe & beyond. They look forward to meeting freaks across the world and to dance together again soon.

Snips is the founder of Barbershop Records and co founder of Livin Proof, with over 15 years experience as one of Londons most prolific DJs and over 10 years worth of production credits across Hip Hops underground. 2018 has seen Snips emerge as a budding solo artist, fusing the production styles of Hip Hop, House, Soul and Funk in the same fashion as he is known to do behind the turntables.

With his debut album "The Barbershop" making waves on both sides of the Atlantic and his Single "The Product" On Classic Records garnering support from a cross genre selection of heavyweights such as Karizma, Benji B, Eli Escobar, House Shoes, J Rocc, DJ Spinna and Henry Wu, Snips returns on his own label Barbershop Records and delves into Edit territory once again with a second limited 45'. This release delves into some modern soul and jazz, flipping some new age cult classics to club friendly future anthem

4 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have

Following the success of Krewcial’s Woman edits, here’s three unmissable variations on another out and out disco classic, from stripped down and intimate, to peaktime dancefloor anthem, using only the original multitracks.

Anané Electrifies With New Version of Dancefloor Classic “Get On The Funk Train”

Known worldwide as one of the New York City’s most vibrant, charismatic and talented producer / DJs, Anané is uniquely positioned to bring light to the 1977 Number 1 Disco Hit “Get On The Funk Train,” originally released by the Munich Machine and produced by the renowned Giorgio Moroder

In addition to being a singer Anané is also DJ with residencies in New York, Ibiza and Naples. She knows how to move the dancefloor and how to elevate the mood of the room from first creating the vibe to getting the crowd into a groove; ultimately taking the dancefloor into full fledged party mode. Her strong and distinctive character can be traced to her experiences growing up in Cabo Verde’s capital city of Praia located on the island of Santiago during a time of extreme political strife, and to her many years of working hard to establish herself in the always competitive music industry. It takes a lot to tackle a classic and make it uniquely your own, but that’s exactly what Anané has accomplished with this fresh and vibrant new version of “Get On The Funk Train.”

With her wealth of talent as a performer, Anané is also highly accomplished as a record label owner. Her Nulu and Nulu Electric imprints over many years have been the source of some of the most played and sought after club bombs in the Afro House genre that is currently in vogue with DJs around the world. Her Nulu Movement line of merchandise represents the stylish, cutting edge fashion vibe of her NYC residency at Le Bain in the Standard Hotel, with designs created by Anané herself.

As befitting an artist so well respected and admired in the community, the producer and remixer team behind this project consists of several of the most legendary and successful producers in the industry. The recording was originally produced by Grammy Award winning producer / artist Louie Vega, one of the world’s premier producers who has the rare distinctive of attaining massive success in multiple genres including House, Freestyle, R&B and just recently he has been focusing on revitalizing the great musical genre known as Disco. The production includes live strings arranged by two of the most highly accomplished members of NYC’s storied musical history Patrick Adams & Leroy Burgess, and electric guitar by Carlos Alomar, formerly David Bowie’s music director. Remixes were supplied by Todd Terry, a man who is known as one of the original New York City based producers who help create the House Music genre that we know today, and by the recently formed production team of Michael Gray and Mark Knight, two of England’s most respected and successful producer / DJs. These two stars of the industry have generated a uniquely groove focused remixer style that has had DJ’s worldwide eagerly waiting each new production.

Sometimes the best edits are the simple ones, those that still leave the core of the track intact but still extends or extract parts of the original.
This is exactly what Krewcial wanted to do with this EP.

Here you'll find 3 of his fave DJ tracks with some slight modifications...but all made with good taste!
Ranging from Latin inspired Jazz Dance, Caribbean Funk and raw ghetto Funk you get a solid 12" with all you need to fuel up that rare groove party !

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics.

Simple, effective
Floor food for all moods...TIP !

New C-EDITS! "Heart edits" features three low heavy house cuts

The 3rd volume of the infamous NoLo edits is finally here! Bassi is once again taking care of cutting, pasting and reworking it the old way, ripping and remastering the OG vinyl and giving new life to 3 more outstanding bombs from the 80s.

The super extended A side is a killer edit of a hard-to-find UK electro-funk masterpiece, on the B-side we go back to that US sound with a flipped out version of a classic Up Front electro track, while the 3rd track is pure editing madness for dancefloor lovers, taking out the unnecessary content from a Modern Soul hidden gem.

After their two acclaimed edits EPs, Mister T. Records are now joining forces with LA based producer DJ Duckcomb, to deliver a groovy selection of leftfield italo-disco cuts reworked for dancefloors. One year after the release of their 2nd EP, a tribute to Brazilian music, Mister T. records are now back with a 12” EP showcasing their love for obscure disco and Duckcomb’s amazing digging skills. This record aims to be a tribute to the very special sound of the late 80s electronic music and to both the artist’s and label’s lifelong passion for obscure italo disco.
Famous as a record collector, Duckcomb has also made himself a name by editing forgotten jewels from classic disco to islands reggae. Part of both duos Sharegroove and Trap.Avoid, he’s been
sharing his work and latest discoveries on his bandcamp and soundcloud for years and he has already released two EPs on Universal Cave and Pleasure of Love as well as edits on Cultures of
Soul and Emotional Rescue.
He’s now joining Mister T. Records with a 3-track EP compilation of hard to classify, slow-tempo, disco edits. On the A-side, Duckcomb partnered up with his longtime friend and DJ partner Dino
Soccio, boss of California label Pleasure of Love, for a powerful rework of the German protohouse tune “Holidays”, with a new dancefloor oriented beat and emphasized tropical influences.
On the B-side, he showed his editing skills working on two obscure downtempo tracks with that recognizable late 80s melancholic atmosphere. By removing not danceable parts, building DJfriendly grooves and removing unnecessary vocal parts, he managed to come up with a smooth italo ballad with acid accents on “S.O.S.” and a beautiful balearic new-beat jam on “King (of) a Beat”.

Who wouldn’t want to be soaking up the rays, Bali beachside right now, sippin’ on something strong, letting the music wash over you from the club behind? Well, following on from Austin Ato’s smasher for the label’s first release, Pantai People strap you in once again with a first-class ticket to that exotic, slice of summer we are all pining for, serving up four delectable edits from Marc Roberts.

The seventh (!) volume of high class reworks from rising star Young Pulse is here and it's a banger !.
With a mixed bag of jazz-funk, early 80's boogie and high energy disco there is something for everyone here.
But we really wanna give the A side track 'Bobo's Reason'(Willie Bobo) an extra mention...proper full on summer jazz-funk with a slight disco edge. Feel good material.

Complete with more gorgeous artwork from our favourite graphic designer, Animisiewasz, DP number 28 pops up offering four dance floor ready edits from one of our favourite young producers.

London based producer, multi-instrumentalist and artist Hoffy brings us five explosive disco/house monsters tailor made for when the clubs re-open and everyone goes ever so slightly nuts. With a couple of ridiculously uplifting releases on Forgot Records and a remix or two for Wah Wah 45s, of course, he knows how to move a crowd. His productions illustrate his deep love of classic (but never cheesy) disco, and an ability to create surges of energy even on the most docile of dance floors.

We hope you enjoy this craftily concocted quintet of soulful stunners that could easily sit alongside O'Flynn, early Romare and Dave Lee on your shelves. Another essential slab of foot friendly heat courtesy of your favourite Dubplate provider!

Dailysession deliver a huge package of finest funk-flavored
dancefloor fun! Slamming groovin action, four 80s infected
tracks with boogie and raw cuts.

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics.

Simple, effective
Floor food for all moods...TIP !

Hello Sailor Recordings is back with its first (and last) release of 2020, this time with another excellent addition to the beloved 7" series.
The chaotic sounds and lyrics of 'Sera que eu to Pirada' originally released in 1995 by short lived band Silvanna & A Maquina do Tempo, feels current amidst the challenging times we face and it's accompanied by 'Vem Viver Pra Mim' on the flip side.

Both songs were elegantly edited by Sao Paulo mystery producer Hotaru for this Brazilian holy grail of early electro and proto-house

Bill Brown and Al Hall jr met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr was working for producer Art Smith a&c music.
The main distributor for A&C was Accent records. So the Soul Injections very first single "Stay off the moon" was released via Accent, as was Bill Brown's "Bip Bam" The group wasn't that
pleased with how Accent handle the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included
Doug Carn, organ; Kirk Lightsey, keyboards; Mel Bolton, guitars; Mel Lee, drums; Al Hall jr (trombones), Willaim 'Bill Henderson strings.
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday people feat Alexis "world full of people"....A now cult soul 45 ....We are pleased to give you our last outing for Bill and the Crew. "Dreamworld Fantasies" is a wonderful unissued 1977 modern soul disco tune dreaming of how our lives should be, flip it over and we have given you the rare previously released 1971 single of "Stay off the moon" a political message that still seems relevant today

After the successful digital release, Discodelic Edits Vol. 1 is finally out on Vinyl. Two fresh Disco edits by Peter LC are going to fire your dance floors. You can’t miss the well known Italian House edit “Tentami & Rubami” (A Side) with its funky sonorities and disco grooves. “Stay With Me” (B Side) will make you dance no matter what.

Trunk packed with the hot contraband of Stank Soul Edits Vol. 6, Mako & Mr Bristow are barreling down the remix highway yet again, hightailing it first to the Tropics with Stealin' Alright before pulling a u-ey and fishtailing directly north for Stolen Nolan!

While Side A chops and re-arranges a funky steel-drum Joe Cocker cover to fit on one side of a 45, Side B converts a northern soul cut from 6/4 to 4/4 time for a new twist on an old classic. As always, expect bass and drums to be stankily tweaked so both cuts are re-vitalised for twenty-first century sets without losing that vintage feel.

A treasure trove of edit wonders from none other than the Turkish master and esteemed digger’s digger, Jonny Rock, released on the ever-dependable Orange Tree Edits.

Four cuts, taking you on whistle-stop tour around the inner workings of Rock’s mind, from electro to new wave, with a slice of Serbian soft rock in there for good measure.

Abstrack proudly introduces the first of its new series of edits. The music on the record is a direct echo of the vibes found at Abstrack parties. These have been going on for over 8 years, taking place at roughly any time of day or night. The music on the record, dancing somewhere between dreamy slow motion tracks, peak-time weapons, and french singing anthem, was intended for the party rather than for the record and they’ve been rocking Nantes’ best-hidden dances for a while already. Now we’re happily putting them out for everyone to enjoy and rock their own party.

Afro-Cuban Jazzdance House from the XXXV Edit series / Vinyl Only / limited to 150 copies

Afro-Cuban Jazzdance House pack from the XXXV Edit series. Cubanized pt. 1 & 2 + extra flagbelt to keep them together. Limited to 50 copies.

Bep Kororoti & Akin debut on Modern Obscure Music with four Afro influenced tracks. Bep Kororoti released a self-titled mini album on Hivern Discs’ more experimental HVNX sub-label in 2016, but he is better known for making music as Kresy. Here, Kororoti is joined by Akin, who provides vocals and saxophone on this EP. Epomuyeñ is dancefloor cut with striking percussion and strong vocals, whilst Eruobodo is a sax dominated track. Ijotiya channels the spirit of Fela and Afrobeat over a spinning bassline, whilst Love is the only way has a deep spiritual vibe and a powerful vocal.

Known for releases on Apron, Misterio and Stillove4Music, Devin Dare join RNT with a 4-tracker of straight dance floor heat. The production alias of NYC’s Duane Harriott and Shawn Marquand, Devin Dare produce disco edits with a driving, almost techno-like sensibility & this 12” showcases their ability to coax every last drop of energy from a chopped and looped sample.

From the rolling thump of ‘Clash and Burn,’ to the percussive- and bass-driven ‘Stop,’ the low-slung gospel organ groove of ‘Dust,’ to the explosive & exuberant ‘KOHO2’ this record pretty much defines what a rework can, and should be. In a word, PROPER!

As peaktime rollers go this little limited edition hand stamped number is about to take the crown as the flushest of them all.

A thumping beat, a heavyweight bassline and a vocal that’s got more sass than you can shake a stack of dollar bills at.

It’s big, bad and about to storm every club with a sound system heavy enough to handle it.

Very limited Handstamped, one sided vinyl biz that’s bang on the money.

Take two monster tracks and apply the ‘Heavy Disco’ ethos to them. Then get on the dance floor and let the music take control. Remember – Heavy Makes You Happy.

Up next on Jimmy Rouge’s Orange Tree imprint is Moving Still aka Jamal Sul. Following his Dar Disku release, supported by Hunee and Palms Trax, Jamal steps up with an eclectic four track EP full of Arabic influenced chuggers, a style quickly becoming synonymous with the young Dublin based producer.

We really are excited by our new release. Taken again from the vaults of Mr Stu Gardner we have the next instalment of the Twinn Konnexion story. We released the single SDE17 way back in 2016, a double sided 45 of "dont fight the love", a blistering slab of modern boogie soul that sold out very quickly upon release. The single was first championed by Dj Jeremy Underground at many of his dj nights. Move on a few years and we have discovered the original studio reels from that session. And it doesn't disappoint!Pulled from those reels are another 3 amazing compositions where no doubt Mr Gardener called on his long list of musical associates. The information of the players and singers has never been divulged with us, not sure why the secrecy & frankly we don't care. What we do know is each song oozes class from start to finish and there is something for everyones taste.

A "Sunshine of you day" has an almost gospel feel to its rhythm, with the singer telling how his women lights up his day. And to be honest its lite up our HQ since we had it. Just ripe for the dancefloor!Moving on to the B side we have two incredible ballads/2 step songs for that connoisseur amongst you. B1 "love side facing up" Well as soon as you hear the opening guitar and horn section with the male singers sultry voice you just know this is taking you down that classic 2 step sound that was big on the London and rare groove scene. We know this is going to a be a big fave for years to come. B2 "Memories dont fade away" its pretty much as above. More 2 step action that you can fail to love

4 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.

All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.

All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.

Having returned from a 4-year break in August with its latest release from GW & Henry, A&R Edits follows up with a debut for Moplen.
With a recent remix of Frankie Knuckles ft. Jamie Principle and a Salsoul Reworks EP, Luca Moplen has been gaining new traction of late, so it felt fitting to release two of his evergreen edits on vinyl for the first time. Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!

An all brother group hailing from Providence, Rhode Island, Tavares were a band that evolved with the disco sound, hitting their peak in 1976 when both ‘Heaven Must Be Missing An Angel’ and ‘Don’t Take Away The Music’ became huge club favourites. They scored their first R&B #1 in ‘1974 with a cover of Hall & Oates ‘She’s Gone’ and in 1975 they returned to the top of the R&B chart whilst going top 10 pop and scoring a #2 Disco hit with ‘It Only Takes A Minute’.

In 1992 a cover by boy band Take That would gift them their first top 10 entry, many people unaware that this track had first been recorded 17 years earlier. Rising to prominence in Brit-funk band Hi-Tension, David Joseph soon found his footing as a solo artist after they’d split, with his first release being ‘You Can’t Hide (Your Love From Me)’ in February 1983.

That same month, Greg Wilson appeared on The Tube, mixing between two copies of this very record – the first time mixing had been demonstrated on British TV. It would subsequently enter the UK chart, climbing into the top 20. The track would then be remixed by legendary Paradise Garage DJ Larry Levan, resulting in a #2 placing on the Billboard Dance chart.

Upon hearing Moplen’s extended dub edit, Greg worked further into it reintroducing the song – given his history with the track it was unthinkable that he’d play it without the vocal. The result is a unique version where Moplen’s dub sets the vibe during the first half of the edit before the song is finally introduced.

Back in 2009 My Rules label owner Justin Van Der Volgen released a mix cd done completely with his own edits titled Try To Find Me Vol 2. The mix was received incredibly well and had fans scrambling for years to try and spot the track list. It earned a 4.5 review on Resident Advisor, and had a certain rather known and respected DJ opening their sets with it. Since then the status has only grown and is now considered by some one of the best mixes of all time. So to mark the 10 year anniversary Justin has decided to finally release two of the most requested edits from it.
On the A-side you get a high powered vocal cut from Peggi Blu which comes on like a lost Chaka Khan anthem.
Flip over to the B side and you'll find Gregg Diamond's charging string-laden disco trip stripped back into a hypnotising euphoric roller. Two peak time cuts not to be missed. Fully licensed.

Razor-N-Tape welcome hometown hero Danny Krivit into their stable of editors with a 2-track EP that sources a pair of vibes from the catalog of the ubiquitous "Q."Stuff" begins with a mysteriously looped and reverbed-out saxophone sample, building perfectly toward an eventual explosion of soulful horn stabs and vocals over a percolating rhythm section, in classic Q style. "The Story" tells a mellower yet mesmerizing tale, with its lush string arrangement and artful groove, perfect for those early warmups or late-night comedowns. A true living legend of NYC's rich DJ history, Danny dug deep into his personal cache of edit weapons for this very special record. Absolutely essential!

Monchan worked on Barbara Mason unpopular early 80's boogie jam for 7inch. Side B is Instrument dub.

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics. Simple, effective
Floor food for all moods...TIP !

Belpaese set their sights for the stratosphere with this double header of exotic delights for your aural pleasure. Strap in for another certified dose of disco – exotica – balearic - Italo-funk for the demanding digger!

Straight Outta Belpaese!

The vinyl-only DJ-oriented A&R Edits makes a return with a new 12” EP ‘Disco Mondo’ / ‘In The City’. Following releases from Henry Greenwood, Derek Kaye, Sophie Lloyd, Fingerman, Peza and Twisted Soul Collective between 2013-15, the label stayed on the backburner for four years as other projects took precedent. Now re-emerging with the tenth vinyl release in the series, combining the GW & Henry reworks of El Coco’s smooth grooving esoteric disco cut ‘Mondo Disco’ and Marshall Hain’s brooding Balearic treasure ‘Dancing In The City’.

Courtesy of the influential Rinder & Lewis production team, ‘Mondo Disco’, originally issued in 1975, became a firm favourite with underground DJs and disco lovers, this playful yet purposeful rework boosts the track’s drive with an eye on the contemporary dancefloor.

Marshall Hain’s hazy/lazy ‘Dancing In The City’, a much-loved memento of the summer of 1978, was a huge UK hit, reaching #3 on the singles chart. Offering a perfect soundtrack to sun-kissed beaches and blissed-out festivals, this rework breaths a new lease of life into this sonic delight.

DSK was introduced to hip-hop and electro in the early ‘80s and immediately began B-boying, Graffiti and DJing before focusing on the music and turning to the tables.

After making a name for himself as a DJ, he began to produce tracks . DSK now lives in China working as a DJ , producer and promoter.

A Very limited edition DJ only 7" of two of DJ DSK's party rocking remixes.

Ben Gomori dons his G. Markus mask once again following a hotly repressed sixth volume. '4Play' cuts up anthemic '90s house, while 'Inta' goes deeper on a 4/4 garage flex.

DJs who like a bit o' G-Edits include Move D, Romare, Disclosure, Jeremy Underground, Detroit Swindle, Hercules & Love Affair, Auntie Flo...

Same Speed Edits return with the third instalment of their (almost) annual foray into the world of the lesser spotted samba. Having already scoured California, Norway, Denmark and the UK they turn their attention Poland for two edits primed for the more discerning of dance floors. Urszula's Samba re-works a much loved version of a jazz classic in some style with vocal scatting leading the way; Jerzy's samba, on the other hand, is all about the piano and haunting vocal chants that make it a more alternative club banger.

With previous support from Gilles Peterson, the UK's king of all things jazz and samba, this latest edition of the Same Speed series is sure to tickle the eardrums of the more daring and forward thinking soulful DJs across the globe.

For their third release, P&F Recordings makes a departure from original compositions in favor of 4 beautiful down-tempo edits, by none other than modern day master of the craft: JAZ.

Known to many as perhaps the only Episcopal minister / DJ / digger, JAZ has had a prolific career of uncovering obscurities, distilling them down, and delivering them to the masses.

In an ode to the slower end of dance music, here we see JAZ survey four of his favorite 100bpm-ish cuts. Start the party, end the party, funk the party with these genre-bending, globe-travelling monsters.

Irishman Jimmy Rouge of Orange Tree Edit fame joins the Razor-N-Tape team with a 2-track EP of bumping edit heat.

On the A-side “So Long” flips a cheeky hook over a rub-bery bass-line, with tension-building synth interludes that release into an ear worm of a vocal riff. On the flip, “Movin'” is a deep uptempo burner with piano stabs, rhythmic guitar plucks and an unstoppable groove.

RNT takes it back to their OG format of a single track per side, running loud and proud…one listen to these belters and you’ll see why!

The series 2 of NewYork House Edits. Monchan edited 90's NY Garage House from the legendary record label & Shop "Vinylmania".
“Vinylmania" Owner Charlie Grappone opened the Vinylmania’s doors in 1978. He opened the store with a sparse selection of Rock records
but after crowds from the Paradise Garage started showing up he realized his market was with the house heads. Vinylmania quickly became the goto spot for house in NYC eventually spawning a record label under the same name and it’s legacy began. Sadly Vinylmania closed its doors in 2007 after almost 3 decades of business.

Danny Krivit is currently known as one of the music community’s greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as “King of the Re-edit.”


Danny has a deep connection to Kim English’s “It Makes A Difference” release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny’s re-edit of one of the most famed dubs from the Nervous catalogue
as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The “rushing rushing rushing” hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.

As usual Culted Edit will takes you for a ride in a folktronic sound !

4 tracks bootleg on 12" limited to 200 copies.

After some releases from stillove4music and Razor’N’tape, Monchan is back on his own DS Records imprint to bring you “East Village Edits 5”; packed with 4 major dancefloor bombs.

A Side 1st track is a warm and funky female vocal disco that will “Break your Heart”.
Everybody will get to “Feel the groove” of the 2nd track.


B Side 1st track “Party Down” is a simple groovy loop with synth and vocal that will elevate you to the peak.

2nd track of B side "Can’t lose this feeling” is the Monchan speciality, a dollar bin record edit. He polished it off to get the dancefloor moving.

Letherette return to Wulf with a selection of DJ edits from last years Mander House Volume 1. The vinyl release comes with 3 extended tracks from the original release as well as an unheard track from the vaults - 'Just For You'. Vinyl purchases will come with a free download of bonus track 'Just For You (Live)'

Marcel Vogel aka Em Yee joins the RNT roster with a 4-pack of unsurprisingly heavy edits.

The Lumberjacks In Hell label boss takes us on a little trip through one of his own eclectic sets, starting with the oddball boogie of You Move Me and then moving on to the hands-in-the-air positivity of Spreading Energy.

On the flip it's the up-tempo afro burner Don't Be Sabi Say, with the 12' concluding on the whimsically catchy I Wish I Knew The Words. Tried and tested and found true!

Straight Outta...Belpaese, a label fast becoming a go-to for those curiously catchy, exotic edits.

Maxing out that luggage allowance with Latin, Disco and Italo-funk rarities for the demanding digger... be quick - these edit EP's are snap up on sight business!

Following the best-selling first volume, Robert Ouimet returns to Basic Fingers with a second 12" volume of edits. Another essential selection of extends and amends from a real connoisseur

BIOGRAPHY

Ouimet's career as a deejay started in the early 1970's
His obvious talent for moving and grooving the crowd was soon noticed and he was approached to join the in-house staff of a newly opened club on Stanley St. called The Limelight where he remained as their principal deejay from 1973 to 1981.

In 1977 Robert also went on to win Billboard Magazine's Best Canadian DJ Award. Similarly he received Gold records for introducing his public to such artists as Boney M, Donna Summer, Musique and Gino Soccio to name but a few, plus a special commemorative plaque/mirror from the Saturday Night Fever soundtrack.

Robert was also the driving force behind the Montreal live performances of The Salsoul Orchestra, James Brown, Grance Jones, to name but a few. He co-produced many records licensed in the US by such labels as TK Records, RFC/Warner Bros., Arista, and Quality Records of Canada.

Ben Gomori dons his G. Markus mask once again for two chunky house workouts. 'Red E' channels classic '90s pianos and sassy spoken vocals with thumping beats and a plump-ass bassline, while 'Cum Thru' is a woozy slice of late-night deep house with a garagey twist in the second half.

Digging: Disclosure, Jeremy Underground, Hercules & Love Affair, Detroit Swindle, Âme, Auntie Flo, Melé, DJ Aakmael, Fouk, Till Von Sein, Voyeur, Jad & The, Horse Meat Disco, Richy Ahmed, Danvers, Laurence Guy, Hernan Cattaneo, jozif, Souldynamic, Delicieuse Music, Ethyène...

Next up on High Praise, we're pleased to welcome two long time friends of the label for their first collaborative venture. Introducing Rude & Mean (also know as James Rudie and EVM128). As key members of the infamous CoOp collective, they have been flying the flag for the UK's broken beat revival, turning heads with their intensely soulful productions. Supporters include the likes of Gilles Peterson, Bradley Zero and many more.

'Moments In Soul' and 'Just flow' are two exuberant masterclasses in how to create a joyful edit. Their broken beat background shines through in the meticulous drum programming, giving the performance a natural, live feel and setting it apart from others in their class. Syncopated rhythms, celebratory chords and relentlessly energetic basslines feature throughout - creating a groove so powerful you can't help but be spirited away to the dance floor.

With this release High Praise continue to build their status as a label to keep an eye on, with their party series and clothing line steadily growing in popularity.

For the third release on new LA based Pleasure of Love, Dublin's Mix & Fairbanks deliver tasteful reinterpretations of italo, african house, and rare 80s disco. The Dublin duo have releases on Orange Tree Edits, 045 Recordings, and Hot Digits but have saved some of their best material yet for this 12 Inch.

On the A side, the euphoric Azoto rework is a driving disco romp for 'any time or place,' while 'Purple' patiently builds on a hypnotic bass with rhodes and airy leads before a sweet flight attendant lead take off. The 'Bee Side' kicks off with a carefully crafted reimagination of an 80s african house groove with added analog leads and percussion while 'Forever' fills out the release as a peak time disco banger that's built on the framework of a certain famously unsung disco genius

DJ Support
Skream, Moon Boots, & Krystal Klear

Brooklyn based, DJ Monchan, steps up to perform some surgical edit wizardy on four mouth-watering tracks for the ever-dependable Razor-N-Tape.

'Reaction Control' kicks things off with a joyous disco gem, DJ Monchan extending and echoing those killer groovers to create a whirlwind of dancefloor delight. Next up, 'Dance It All Out' has a touch of the exotic highlife sound to it but reworked into a DJ friendly, irresistibly bouncing jam.

Flip it and it's back to the late-night NYC soirees of the 70's with 'Can't Promise' channelling that pure unadulterated fun into an ethereal edit of magnetic proportions. Taking the final slot of RNT042 'Get Down With Your Love' closes out proceedings with a silky smooth soulful heater.

Bill Brown and Al Hall jr met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr was working for producer Art Smith a&c music.
The main distributor for A&C was Accent records. So the Soul Injections very first single "Stay off the moon" was released via Accent, as was Bill Browns "Bip Bam" The group wasn't that pleased with how Accent handle the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included
Doug Carn, organ; Kirk Lightsey, keyboards; Mel Bolton,
guitars; Mel Lee, drums; Al Hall jr (trombones), Willaim 'Bill'Henderson strings.
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday people feat Alexis "world full of people"....A now cult soul 45 ....But wait, we at Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the b side!!

For the 5th in the Ele Records catalogue esteemed producer Cottam brings two killer edits to the table. The A side sees a joyous disco rework, extending and expanding elements to really hone in on that exuberant bassline and string section.
Flip it over and 'Jigsaw' delivers a dusty mixture of afro rhythms and stirring spoken words to entrance any audience it's set before.

Tropical Disco Records are back with their fifth release of the year, bringing you four killer edits from the Tropical Disco Volt.

Moodena introduces Volume 5 in fine style, mustering another spellbinding composition with Gil's Groove. Sounding as swagged out as ever, it's evident form & flair comes naturally to the artist.

TD comrades Moodena & Sartorial present their first collaboration on Turn It Up, neatly entwining their distinct styles, rolling basslines, cascading guitars and sultry Sax. The result is a piece of pure energy - it's hard not to do exactly what the track tells you.
The disco wizard, Sartorial continues his ever growing solo output with 6 million, a righteous slab of soulful dance music that can make a dancefloor bang, as well as weep.

Feel The Heat rolls effortlessly with a lush vocal that melts the loins and lays out a sonic smorgasboard of what epitomises Tropical Disco Records - soul!

All the way from Sweden, chef Kool DJ Dust makes a special guest appearance on Take Away with a three course meal that includes plenty of spice and aroma...

Four electrifying edits from London & Paris based Mytron & Ofofo on the unstoppable Razor-N-Tape. 'Beach Buggy' goes full throttle from the get go with a conga fuelled, disco jam before the clock strikes twelve and 'Midnight Drive' offers up a low slung, late-night boogie cruise. On the flip side dreamy chords, soulful sweet nothings and synthesizer swells are the order of the day for 'Eli's Coming', leaving 'Capricorn' to close out the e.p. with a bass heavy, intergalactic chugger. Razor-N-Tape can do no wrong snap up on sight!

The Godfather of Montreal Disco, Robert Ouimet, put his magic touch on three tracks for Basic Fingers

An amazing unissued disco gospel track where we had all the parts via the reels.

We did an original mix and also let DJ Kon do a rework.
We are really pleased with the disco 12.
Super loud for kon's rework that's gonna sound great in the clubs

More CULT EDITS from IÑIGO VONTIER, PIETNEV, DREEM LION, and ALEXI LE FAN. Everyone loves these. No one has them. Only edits in circulation requiring a vow of silence and a paid subscription. Cannot be stolen, shared, or caned to death. Rename the track titles in a random internet café for maximum secrecy/exclusivity/emotional well-being. CULTED002 - blood in, blood out.

The Patchouli Brothers strike back with a second edition of their edits for Basic Fingers.

On the A-side we get a big dancefloor bullet with piano luxury, euphoric vocals and 110% party vibes.
On the flip there's more of that uptempo feel-good business, just take your pick...

Brother And Sister Eric And Arrontette Mcclinton Had Been Recording For Many Years. Around 1976 They Did A 45 Release Together On Honey Records Called "where You Are" Under The Their Christian Names, Although Eric Was Spelled Eryke! The Single Didn't Have Much Success But Both Brother And Sister Still Went On To Be Amazing Backing Singers Working For Legendary Producers Mike Theodore And Dennis Coffey. Whilst They Were Under The Watchful Eye Of The Production Team They Recorded Some Material Again And A Duo For Theo/coff In A Bid To Get Them Another Record Deal And Show Their Capabilities. These Songs Never Got Releases. Eric Became And Prolific Song Writer And Also Joined The Group High Fashion .
We Are Super Pleased To Finally Release The Shelved Songs From 1978.
This In One Of Two Releases By The Duo.

Two edits of seminal Craig Mack tracks. Flava In Ya Ear Remix edit features a verse from the remix by Notorious BIG. The Get Down remix features production and a verse by Q-Tip.

coming out of Philadelphia heem the music monsters were produced and handle by long time philly producer and writer Hubert willis. The group had small success circa 1976 with their psych funk 45 "wake up people"/piece of the rock" they recorded a few more tracks from those sessions and what lay on the reels for all these years is probably their best yet...Its just right for now. "Keep god on your side" is modern soul disco of the highest order, over 5 mins long it leads you onto the dancefloor and never lets go! Flip it over and you have one hell of a funk disco instrumental entitled " going down (incognito)". We have maintained the Blood Leaf label with a slightly new design