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Black Moon Circle return with A Million Leagues Beyond - a powerful new album recorded live at Trondheim"s intimate and legendary Moskus club. Since 2014, the Norwegian trio has built a devoted following with their heavy blend of space rock, psychedelia, and raw jamming energy, earning acclaim for both studio albums and immersive live performances. Moskus is a small bar located in Trondheim that hosts about 70 concerts every year, showcasing genres as diverse as jazz, country, Americana, rock, progressive jazz and occasionally psychedelic hard rock. With a capacity of around 80, the audience faces the stage which barely has room for drums and a couple of amplifiers. Feeding off the intimate atmosphere, Black Moon Circle have done what they do best, conjuring up heavily improvised jams out of thin air.

Emerging from the Kansai underground with a sense of ritual and restraint, G Version III returns with a slab of meditative pressure, carved for sound systems. Following last year’s cassette release on Digital Sting, the Kyoto-based producer deepens his exploration of experimental steppers and sacred low-end science.

TRK 1 treads heavy—medium-tempo four-to-the-floor steppers, soaked in 80s/90s UK dub DNA and wired with flickers of celestial synth energy, edged with something unknown.

TRK 2 drifts off-grid—a 100bpm oddity conjuring sacred synth rituals and off-beat spatial tension. Droning and eerily weightless, it hangs like a vapor of frozen scent in an echo chamber.

Flip the plate and TRK 3 and 4 ignite—raw, unrelenting steppers built to test the physical limits of the rig. No compromise, no decoration—just ritual voltage for the floor.

Riddim Chango’s 16th release channels something ancient through circuitry, born for the weight.

Seit seiner Debüt EP „Same Kind Of Different“ im Jahr 2017 hat Dean Lewis weltweit über 13 Milliarden
Streams und Dutzende von Multiplatin-, Platin- und Gold-Zertifizierungen erhalten.
„The Epilogue“ stellt sowohl den Höhepunkt einer unglaublichen bisherigen Reise als auch einen Vorboten dafür dar, wohin er als nächstes gehen könnte. Dean sagte zu diesem Album, “On this record, I
started to get rawer and more acoustic again. I was trying to rekindle the simplicity of why things worked.
I knew what I wanted to hear, so I embraced what made the first Album special”.
Das Album enthält 12 brandneue Tracks, inklusive der gerade veröffentlichten Single “All I Ever Wanted”.
The Epilogue erscheint nur als Deluxe Version Highlighted Yellow 2LP

Ria Moran steps into a bold new chapter with Cubico, her debut solo album set for release in July 2025 via DeepMatter Records. A deeply personal and sonically rich project, Cubico sees Ria stepping forward as a producer and instrumentalist, blending R&B, neo-soul, and jazz with introspective songwriting that explores love, self-discovery, and emotional growth. The 12-track album moves fluidly between smooth R&B grooves and darker alternative tones, embodying the full spectrum of her artistry—sweet, emotional, moody, quirky, and fun. Ria made her long-awaited return in November 2024 with Take It or Leave It, a collaboration with Nubiyan Twist that showcased her evolving artistry and set the stage for Cubico and finding support from BBC Radio 6, Radio 1, Rinse Fm, Jazz FM, Worldwide FM, and more. Prior to this, her 2019 EP Moving into the Light gained widespread recognition from BBC Introducing, BBC Radio 6, and Worldwide FM, placing her among the UK’s most exciting contemporary soul voices. Her music sits at the juncture of forward-thinking UK soul music and nu-jazz, placing her alongside contemporaries including Ego Ella May, Yazmin Lacey and Cleo Sol, whilst also nodding to pioneers like Sade and Erykah Badu. Beyond her solo work, Ria has built an impressive career as a collaborator. Her contributions to Nubiyan Twist’s Freedom Fables earned a MOBO Award nomination, and she later appeared on Blue Note Records’ Blue Note Re:Imagined series, performing a BBC Radio 2 live session at the legendary Maida Vale Studios. She also worked with bassist Daniel Casimir on his acclaimed Boxed In album, joining a roster of UK jazz heavyweights including Nubya Garcia and Moses Boyd. Since 2019, she has been a touring vocalist with Gotts Street Park, sharing stages with Celeste, ENNY, and Pip Millett. With Cubico, Ria Moran is fully stepping into her own as an artist, delivering a debut album that is as raw as it is soulful, as vulnerable as it is empowering—a must-hear for fans of innovative and heartfelt music..

Orphx makes a striking comeback with a six-track EP on KR3, celebrating Rich & Christie's three-decade career in the industrial music scene.

Theikos EP - spans multiple eras and moods, merging raw, ancient production methods with modern interpretations. The result is a sonic landscape that bridges pulsing club rhythms with the intense energy of extreme electronics and death industrial. The title track, "Theikos," began in 1998 and was only finalized in 2024, years of evolution shaping it into a truly formidable piece.

This 12" release stands out as a deep and fully realized body of work, filled with personal insight and resonant echoes of a primordial world.
The standard edition comes in a sleek single-pocket gatefold sleeve, featuring a 1997 photograph taken in Toronto by Michael Nine, capturing the duo in their early years and visually anchoring the album to the roots of their sound. Limited and special editions include an exclusive booklet with archival photos of Orphx and a poster, along with a promotional videos featuring remastered and reimagined archival footage created especially for this release.

This Chicago-based artist isn't just reconstructing soul music; they're reimagining it for a new generation. The album intertwines Soul Music’s rich history with contemporary production, creating a sound that's both familiar and fresh. St. James' unique vocals are rich and expressive -
soaring and soulful, conveying every emotion with raw intensity. But it's the songwriting that truly sets "Soul Nepotism" apart.

The album tackles weighty themes of personal struggles, family and heartbreak, but also celebrates the importance of freedom and self-confidence, all with a refreshing honesty and cleverness. Tracks like “Cocky (Can’t Tell Me Nothing” showcase St. James' sharp wit, while ballads (grooves) like “Saved By The Bell(s)” delve into the complexities of his past and self-discovery.

One of the most striking elements of "Soul Nepotism" is the use of vocal harmonies. Erthe doesn't just sing; he orchestrates a choir within the recording. The layers of harmonies are meticulously crafted and at times, swell like a full-fledged gospel choir, infusing the songs with an undeniable spiritual energy. This gospel influence adds another layer to Erthe's genre-bending mastery, creating a truly unique and unforgettable listening experience.

Active between 1970 and 1976, the Bolton Iron Maiden (originally known as Birth and then Iron Maiden) was a psychedelic hard-rock band formed in Bolton by Ian Boulton-Smith (Beak) on lead guitar, Derek George Austin on bass and Paul TJ O’Neill on drums / vocals.
Influenced by contemporaries like LED ZEPPELIN, CREAM, FREE, GROUNDHOGS OR ANDROMEDA, their music blended blues, hard rock, and progressive elements.
They soon built a strong reputation supporting acts such as UFO, Bedlam (with Cozy Powell), CARAVAN, THIN LIZZY... In 1976, the band disbanded following the death of guitarist Ian Boulton-Smith from cancer.
In 2005, Paul O’Neill revived interest in BIM by releasing two albums, “Maiden Flight” and “Boulton Rides Again”,which compiled studio and live recordings. The proceeds from these albums were donated to Cancer Research and Macmillan Cancer Support. With the blessing of the more famous
Iron Maiden and their manager Rod Smallwood, the band adopted the name “The Bolton Iron Maiden” to avoid confusion.
For the first time on vinyl, “Maiden Flight” collects their previously unreleased studio recordings from 1972 plus raw as f*ck live tracks circa 1975.
*Insert with detailed liner notes and rare photos / memorabilia / *Download card with extra (live) bonus tracks

It has been a hot minute since our first release, but right on cue for the summer festivities we can present our second vinyl outing. Taking a different approach, the “Beat$ & Bocadillos” EP will be split between different producers with the Miami Beat$ Crew handling the raw, and rugged “Beat$” side, whilst Valencian smooth operator Vsan handles the “Bocadillos” side. Three cuts on both sides, maximising your pitched down listening pleasure, calling for those chilled out moments amongst the madness of the coming months.

Electrodynamique is back with five tracks that fuse past and future into a single, electric pulse. Born in his early years and rediscovered with care, these songs are raw, vivid time machines — bursting with wonder, heart, and unrelenting rhythm.
Rooted in the sounds of early 2000s electro, synth-pop, and breakbeats, this release is a sonic flood of glistening synths, aching melodies, and driving drums. Each track carries its own weight — a story, a feeling, a frame of life caught in sound.

Vacation Records finally lives up to its name — after years of throwing parties and pushing wax across Indonesia, the collective-turned-store-turned-label now drops its first official 12". VAC001 is here, and it's a punchy four-tracker pressed to vinyl and primed for peak time.

Side A is helmed by label head Angga, who delivers two tightly-wound cuts: the tough, acidic stinger ‘Failed System’, followed by the psychedelic and hypnotic builder ‘Extension’. These tracks channel Angga’s ear for raw basslines and left-of-centre rave magic, honed over years behind the decks across Indonesia.
Flip to Side B and Seoul’s Jesse You takes the controls. Kicking off with ‘Cherry Lights’, a pulsating ride for strobe-lit hours, Jesse then closes the record with ‘DJR’, showing off his knack for bending sonic layers without breaking the groove.

What started in 2022 as a simple mission — bringing electronic music’s vinyl culture closer to home rather than waiting for overseas digs — has grown into something much bigger. Now, with VAC001, Vacation Records cements its place as a platform connecting Indonesia’s scene with the rest of the world, one release at a time.

Influential hardcore innovators Botch have delivered their electrifying new live album 061524, recorded at the iconic Showbox in Seattle on June 15, 2024—exactly 22 years to the day after their original farewell show at the same venue in 2002. 061524 captures a band still pushing sonic and emotional boundaries, now sharper, louder, and more dynamic than ever. Botch’s impact on aggressive music is undeniable. Their chaotic, math-laced brand of hardcore helped shape the genre’s landscape well after the band’s abrupt breakup in 2002.

For years, a reunion seemed unlikely—until a chain of unexpected events brought the original lineup back together for the band’s first new recording in over 20 years: 2022’s “One Twenty Two.” The song was released to critical acclaim, building into a frenzy of anticipation for Botch to reunite. What started as a nostalgic experiment quickly became a full-circle celebration, with the band reconnecting both personally and musically. That spark unleashed a wave of activity: secret warm-up shows, sold-out headlining gigs, and eventually a carefully curated international reunion tour, culminating in their hometown return at the Showbox—where 061524 was recorded in front of a packed, exhilarated crowd. 061524 is a blistering, unflinching document of a band reawakened—not as a legacy act, but as a vital force.

The album captures the energy, grit, and heart of a group that’s not only older and wiser—but more rehearsed and way more ambitious. The performances are tight but still full of the raw unpredictability that defined their early years. Fan favorites like “To Our Friends in the Great White North” and “Transitions from Persona to Object” are more complex and invigorating than ever before. Other songs, like “Afghamistam” and “Oma,” never considered feasible to pull off live previously, are delivered with the intricacy and intensity that has earned the band a lasting legacy and fresh legion of followers.

Influential hardcore innovators Botch have delivered their electrifying new live album 061524, recorded at the iconic Showbox in Seattle on June 15, 2024—exactly 22 years to the day after their original farewell show at the same venue in 2002. 061524 captures a band still pushing sonic and emotional boundaries, now sharper, louder, and more dynamic than ever. Botch’s impact on aggressive music is undeniable. Their chaotic, math-laced brand of hardcore helped shape the genre’s landscape well after the band’s abrupt breakup in 2002.

For years, a reunion seemed unlikely—until a chain of unexpected events brought the original lineup back together for the band’s first new recording in over 20 years: 2022’s “One Twenty Two.” The song was released to critical acclaim, building into a frenzy of anticipation for Botch to reunite. What started as a nostalgic experiment quickly became a full-circle celebration, with the band reconnecting both personally and musically. That spark unleashed a wave of activity: secret warm-up shows, sold-out headlining gigs, and eventually a carefully curated international reunion tour, culminating in their hometown return at the Showbox—where 061524 was recorded in front of a packed, exhilarated crowd. 061524 is a blistering, unflinching document of a band reawakened—not as a legacy act, but as a vital force.

The album captures the energy, grit, and heart of a group that’s not only older and wiser—but more rehearsed and way more ambitious. The performances are tight but still full of the raw unpredictability that defined their early years. Fan favorites like “To Our Friends in the Great White North” and “Transitions from Persona to Object” are more complex and invigorating than ever before. Other songs, like “Afghamistam” and “Oma,” never considered feasible to pull off live previously, are delivered with the intricacy and intensity that has earned the band a lasting legacy and fresh legion of followers.

Globally beloved Australian trio Sons Of The East have announced their highly anticipated second album, SONS, due out via MGM (Metropolitan Groove Merchants) The Sons Of The East -- Jack Rollins (vocals, guitar), Nic Johnston (vocals, keys) and Dan Wallage (guitar, banjo) -- originally hail from Sydney's Northern Beaches, but their unmistakable sound has carried them to every corner of the globe. Blending folk, blues, soul, and classic country, their music channels the raw vulnerability of Townes Van Zandt and Gram Parsons, combined with the soaring harmonies of Crosby, Stills & Nash and The Avett Brothers. Known for their deft songwriting and a palpable sense of joy that runs through every note, they've built a career on both timeless recordings and legendary live shows -- the kind that leave audiences singing along.

After making their mark with their debut album, The Risen Dread returns with their highly anticipated second studio album. Produced, recorded, mixed, and mastered by Marco Mastrobuono at Bloom Studios in Guidonia, Rome, Italy. This new record showcases the band's evolution, delivering an even heavier, darker, and more intense sonic experience.
While not a concept album, death looms large as the central theme, weaving through the lyrics with raw emotion and unsettling storytelling. From existential dread to violent ends, each track explores different facets of mortality, drawing the listener into a visceral journey through the inevitable.
The music delivers heavy riffs, dynamic drumming, and a mix of intensity and melody, further refining the band’s identity while pushing their sound forward.
Set for release on June 13, 2025, via Time to Kill Records, the album builds on the band's signature sound with a balance of aggression, atmosphere, and storytelling.

This album is notable for being Wilson Pickett's debut album and includes his early work before he became widely known for his later hits and marks Pickett's early steps in the music industry, showcasing his raw talent and emotional depth

The album features a mix of R&B and soul, with Pickett's powerful vocals being a standout element: the production of the album is relatively simple and straightforward, focusing on Pickett's vocal performance and the instrumental backing. Pickett went on to become one of the most infuential fgures in soul music, and "It's Too Late" stands as a testament to his early talent and potential. The album is often appreciated by fans and collectors of early R&B and soul music. The album's success helped Pickett paved the way for his future success in the music industry: "It's Too Late" is often cited as an infuential album in the development of soul music, showcasing Pickett's distinctive vocal style and the fusion of R&B and gospel infuences. Also for this reason Pickett's emotive performances and soulful performances on tracks like "If You Need Me" and "It's Too Late" infuenced countless artists in the soul and R&B genres.

‘Mormaço Queima’ is where it all began for Ana Frango Eléctrico. Raw, quirky and lo-fi, it’s a debut album brimming with attitude and youthful energy, characteristics that would go on to define their sound. Previously released digitally in Brazil in 2018, with a private press CD version in 2020 and later a Brazilian vinyl version in 2022, here at Mr Bongo we felt it deserved a much-needed worldwide edition for all of us to savour.

A charming, idiosyncratic blend of MPB, Tropicália, and indie from a talented singer-songwriter, multi-instrumentalist and producer who would later become one of Brazil’s brightest international stars. ‘Mormaço Queima’ has a cool, laidback, swagger channelling ‘90s bands such as Pavement. The arrangements feel loose and easy, the opener, 'Farelos' (Crumbs), seems to ebb and flow on a razor's edge before the percussion and Antonio Neves' trombone draws the song into a structure. Another highlight is 'No Bico Do Mamilo', which has a free-flowing vibe, Ana pushing, pulling, and playing with the song's energy, keeping listeners constantly on their toes. Tracks such as 'Roxo' lean more into a punk attitude, with the pendulum swinging from easy-going to frenetic. The longest song on the album 'Picles', continues to sway the pendulum this time moving from DIY punk-funk into a psychedelic workout

Co-produced by friends and fellow future collaborators Guilherme Lirio, Gustavo Benjão, Marcelo Callado, and Thiago Nassif, ‘Mormaço Queima’ is a playful showcase of Ana Frango Eléctrico’s distinctive style. Plotting Ana's musical career, it's clear they are not one to be pigeon-holed, nor to be confined to a single genre. Instead, they are ever evolving and this captivating debut album was the building block for a career that has already seen them gain multiple Latin-Grammy awards and tour the world with their music.

RAWAX MOTOR CITY EDITION presents Black Eyes - Ocean FLoor Funk EP
We are very happy to spread the news about this outstanding deep monster record!
Three original tracks by high rising Black Eyes plus a timeless warm and filigree remix by Abacus.

Big package!

First part of the Drexciya re-issue series! Drexciya might need an introduction for some, for others it is the most influential techno project ever. Part of the heritage of Detroit's Underground Resistance, Drexciya explored techno music like no-one else before. Raw and uncompromising music that reflects the harsh environment of the city where Drexciya was conceived. The aesthetics and the mythical approach combined with the unique music made this one of the biggest cult projects in techno music. Drexciya arguably stands for the darker side of techno and electro, music not only made for the club scene, but a further development of the music as an expression and extension of the mind. 20 years after the release of ''Deep Sea Dweller'' (their first release), and 10 years after ''Grava 4'' (their last), we present ''Journey Of The Deep Sea Dweller''. This series is an almost complete collection of their early works, and is remastered from the original master tapes. Since the original releases have such a strong character, appeal and stand on their own, this re-issue can never re-create the magic of those originals. So instead we stirred up the catalogue taking the tracks out of their original context, giving the 'in the know' listener a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of Drexciya.

“After a stay in Detroit in 2022 (where I met some of the artists whose music I admire the most), I returned to Montreuil, illuminated and brimming with energy. I had my MPC2000XL repaired, found a second-hand Yamaha Motif ES6 at Zikplace in Croix de Chavaux, and a Korg Triton on Le Bon Coin. The three instruments connected together rekindled my practice of electronic music in my home studio. Passionate about the new setup, I tried to record a little each day.

After two years of work, I felt the desire to bring together the eight tracks that brought me the most joy during their recording. A certain nostalgia and/or melancholy can arise from the sounds of the instruments used, each dating from the late 1990s. They plunged me back into the house and R&B clips that played on MTV when I was a pre-teen, which I adored.

The recording is raw and conveys a message of peace, humility, and unity. It pays homage to the early hours of house music.

The title of the project, “please don’t wait,” is simple and refers to the passage of time, urgency, and the present moment. It’s a message that invites movement and action.”

-Mad Rey”

Originally released in 2005, Street Education is the explosive debut from Street Life - longtime Wu-Tang Clan affiliate and Method Man’s onstage partner-in-rhyme. Executive produced by Method Man, the album delivers raw street wisdom, classic East Coast grit and features production from Rockwilder, Allah Mathematics, Inspectah Deck and Fantom of the Beats. Tracks like “Can’t Stop, Won’t Stop,” “A Star Is Born,” and “What’s Up”
showcase Street Life’s sharp lyricism and his undeniable chemistry with Method Man.

THIS SPECIAL 20TH ANNIVERSARY EDITION ARRIVES IN
TANDEM WITH THE WU-TANG CLAN’S ENTER THE FINAL CHAMBER FAREWELL TOUR, A GLOBAL EVENT
CELEBRATING THE LEGACY OF ONE OF HIP-HOP’S GREATEST COLLECTIVES.