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COLOURED EDITION

Vertaal first mixtape, Paradigm Shifting had a soft digital released on the 23rd April 2020, on Vertaal’s Empty Quarter Tribe imprint.

Self-produced, recorded and mixed in their own studio, the EP was nominated by Jazz Revelations for EP of 2020 and produced

four singles, ‘Polar’, ‘Duels, ‘Drop Off’ and ‘Dilla5’.


2020’s lock down led to a completely remixed and partial re-recording of the mixtape into a full, seamlessly mixed double LP with 6 additional

tracks and a further 6 musical ‘skits’ recorded separately by all the contributor musicians on the album during lock-down.
The limited edition numbered coloured vinyl 2LP will be released on March 26th 2021 supported by a fifth single, Alcazar b/w Husky on April 2nd

with promo video directed by Ben Sommers (Smoke No Pony Productions) whose previous credits include Mary Epworth, Archive, Young Knives and many others.



Vertaal have been an increasingly notable presence in the nu-jazz scene over the past 3 years.
Tipped as “ones to watch for 2019” by Jazz Re:freshed, Vertaal played an exclusive pick of sold out shows at prestigious venues such as Ronnie Scott’s, Pizza Express Soho and the Jazz Café.

They have also supported the likes of Mark Guiliana (David Bowie), & Pete Ray Biggin (Level 42) and finished off 2019 guesting for Richard Spaven at The Cambridge Jazz Festival.



Of the six tracks on the current mixtape, first single ‘Polar’ was played on the uber-cool Deeper Cuts show by DJ Karl Bos who described the track as an “incredibly produced record.”

Tony Minvielle (Jazz FM) urged his listeners to “…hunt this down. They’re making incredible music!” after playing two tracks from Paradigm Shifting on his show,

and the mixtape has garnered similar excited responses from many DJs and reviewers (press list below).



Paradigm Shifting will be released on March 26th. The shrink-wrap will be stickered with full information and press quotes.

Acid Jazz present ‘Circles: The Ultimate Fleur De Lys’, the
definitive compilation centred around one of the greatest 60s
bands.
Atlantic Records, Andrew Loog Oldham, Shel Talmy, Cream,
Isaac Hayes and Tony Blackburn - all these and so many more
turn up in the story of Southampton band the Fleur De Lys. You
may not have heard of them and if you have it may be just
because of their glorious cover of the Who’s ‘Circles’, an
ultimate freakbeat anthem that this compilation is named after,
but the singles they released in the second half of the 1960s
are one of the greatest collections of singles by any band,
ranging from R&B through freakbeat and psych and back into
club soul.
Emerging from the English South Coast’s competitive club
scene they signed to Rolling Stones’ manager Andrew Loog
Oldham’s pioneering indie label Immediate where they
recorded two singles before being taken under the wing of
Frank Fenter, who worked out of the UK Polydor office running
the UK arm of Atlantic. The group went through numerous line
up changes as they recorded a series of singles which are now
some of the most collectible of the era.
Acid Jazz and Countdown Records have been the custodians of
the Fleur De Lys catalogue for the last decade and this
compilation is the culmination of that work, containing all the
singles that they released for Immediate, Polydor and Atlantic
(where they pipped Led Zeppelin to become the first UK signed
band to that legendary label).
Issued on CD and gatefold coloured double vinyl, the album
has been produced with the full co-operation of the group’s
Keith Guster, allowing us access to previously unseen photos
and illustrations. Compiled by Eddie Piller and Dean Rudland
and the band’s official biographer Paul ‘Smiler’ Anderson, who
has contributed an extended note that tells the band’s story in
compelling detail.

Back in 2015, to celebrate the 50th anniversary of the BBC broadcast of Delia Derbyshire & Barry Bermange’s “Inventions For Radio: The Dreams”, The Eccentronic Research Council released their own super-limited edition cassette soundtracking the recalled dreams (and nightmares) of friends, artists, actors, musicians, scientists, poets and filmmakers. The release was called “The Dreamcatcher Tapes Volume 1”. Five years on, and with a large part of the planet under lockdown and with nowhere to go but within their imagination, the ERC put a call out once again to music collaborators, nurses, teachers, truck drivers, writers, journalists and shop workers to upon waking, record their dreams straight into their phones and to then send them to the ERC to soundtrack. And thus, Volume 2 of The Dreamcatcher Tapes was born!

How did you make the album during lockdown?
“We got around 26 dreams sent to us via email over the space of a couple of weeks then Dean Honer my partner in The ERC and I revved up the old analogue equipment and would record music and collage sounds to the dreams (remotely) from our home recording studios and bounce them back and forth to each other till they were done. It was a really good way to work actually, sometimes I didn’t even have to put on any trousers!” says ERC/ Moonlandingz founder Adrian Flanagan. Why a second volume of The Dreamcatcher Tapes? “I was really interested to see how the enforced lockdown and the removal of people’s basic needs such as human contact and hanging out in close proximity to friends was affecting the dreams of my friends, peers and those at the very front line of this horrible pandemic”, Adrian continues. “The Important shared experiences for people’s mental health such as going out to gigs, the pub, the cinema etc. ”It was an interesting experiment. Nurses dreaming of inadequate PPE and having to use blow up Elvis costumes to protect themselves. Teachers dreaming of zombies and lots of people dreaming about sex - where the hair of Greek sorceress’s Circe meets bouncy castle breasts and where other dreamers dream of serial killers or seeing dead family members, or taking baby elephants for a walk, or having discos for one in the middle of the ocean and so much more. I’m really proud of this record. It’s psychedelic in its truest most cerebral form”

Who’s on “The Dreamcatcher Tapes Volumes 1 & 2”? Who are the dreamers?
“Although our long time collaborator Maxine Peake wasn’t on the very first tape (her dream ended up on LTD edition split 7” ERC single we did with Pye Corner Audio) - she was the first dream that we soundtracked when I came up with the idea of doing the concept record. However, on the new vinyl and tape box set - she opens volume 1. Across the 2 volumes there’s film maker Carol Morley, Andy Votel from Finders Keepers records, John Doran from The Quietus (who also wrote the albums brilliant sleeve notes), acclaimed writers Benjamin Myers & Adelle Stripe, musicians such as Evangeline Ling from the group Audiobooks, Lias Saoudi from my ‘semi fictional band’, The Moonlandingz and fat white family, Sidonie from The Orielles, journalists /writers Wyndham Wallace (he wrote lee Hazelwood’s brilliant biography) and Daniel Dylan Wray amongst a whole array of musician friends, eccentrics and people with actual proper jobs!”

Why did you chose Castles in Space for this release?
“Jim Jupp at Ghost Box records suggested them to me so I looked into them and saw they were doing loads of really great strange little bespoke electronic record releases. I think that because this is a very niche limited run release, it required a label that was willing to treat it like a piece of art and not a throwaway mass produced commodity. So making sure the packaging was special, the artwork was bang on point and the sleeve notes were written by a writer we like all were very important to us. “It was also important that we could turn it around from the finished recording to being in people’s hands really quickly as Dean and I have another ten projects between us on the boil - and so far, Castles in Space have been true to their word. It’s an artists label done with love and there’s not many of them about anymore - believe it or not.“

“The Dreamcatcher Tapes Volumes 1 & 2” is an immense collaborative achievement which makes for a thoroughly compelling, and gloriously disorientating listening experience.

It is released as a double coloured vinyl LP in deluxe gatefold sleeve w/insert and a highly limited deluxe double cassette box set. The album is released on March 19th, 2021.

Calgary songwriter Chad VanGaalen’s new album, ‘World’s Most Stressed Out
Gardener’, is a psychedelic bumper crop. A collection of tunes that does away with
obsessiveness, the anxiety of perfectionism, in favour of freshness and immediacy -
capturing the world as it was met while recording alone at home over a period of
years. “Don’t overthink it,” VanGaalen told himself again and again, despite the
push/pull love/hate of his relationship with songwriting. “I’m always trying to get
outside of the song - but then I realize I love the song.”
This is a record that gleams with VanGaalen’s musical signatures: found sound,
reverb, polychromatic folk music that is by turns cartoonish and hyperphysical - like
ultra-magnified footage of a virus or a leaf. Apparently, the album began life as a
“pretty minimal” flute record. (There’s only a vestige now, on ‘Flute Peace’, one of
three instrumentals.) Later it became an electronic record “for a while” and finally,
“right at the last second,” it “turned into a pile of garbage.” The good kind of
garbage: glinting, useful, free. Music as compost - leaves and branches ready to be
re-ingested by the earth, turned into a flower.
Throughout these 40 minutes, VanGaalen floats from mania to solace to oblivion,
searching for zen in all the wrong places. “Turn up the radio / I think we’re dead,”
he sings on ‘Nothing Is Strange’; or, on the inside-out rocker ‘Nightmare Scenario’:
“You’re stressed out when you should be feeling very well.” The singer’s mental
landscape is rotting and redemptive, beautiful in spite of itself - and his soundscapes
reflect this fertile decay.
He has been influenced by his instrumental work on TV scores (Dream Corp’s third
season began this fall) but still “nothing can really replace the human voice,” he
admits. Like Arthur Russell or Syd Barrett, it’s VanGaalen’s vocals that shine a path
through the swampland - from the cello-lashed ‘Water Brother’ to ‘Starlight’’s
krautrock pipe-dream.
These days, VanGaalen cherishes the privacy of the studio, the capacity to wander
around, get distracted, and “move at the speed of life.” Whereas once he would
obsess over mic techniques, now he puts the microphone in the same place every
time - trying to capture a song quickly, the idea at its heart. He’ll act on his
infatuations - for the flute, a squeaky clarinet, his basement’s copper plumbing
(remade into xylophones for ‘Samurai Sword’) - and then he’ll try to get out, “veering
away from responsibility,” before he overdoes his stay.
In the end, it’s like gardening. You have to live with your horrible decision-making;
the weather’s going to mess with you if it wants to; and if you plant a hundred
heads of broccoli, “now you gotta eat a hundred heads of broccoli - or watch them
go to seed.” But mostly VanGaalen just tries to be a deer: “I remember seeing some
deer come out in the Okanagan Valley once,” he says, “watching them wait for a
sunbeam to hit a perfect bunch of grapes - and then eating them right out of the
sunbeam. I’d recommend that.”
Initial LP copies pressed on clear with gold, red and blue high melt coloured vinyl.

The long awaited re-press of the debut album by Junip, the Swedish folk-rock band featuring José González, is finally here.

Now on coloured vinyl!

The long awaited re-press of sophomore album by Junip, the Swedish folk-rock band featuring José González, is finally here.

Now on coloured vinyl!

*Repress*


The iconic album series Back to Mine returns in 2019, to mark it's 20th anniversary, with the indomitable Nightmares on Wax, to share his personal collection of music for after hours grooving. The series was renowned for its eclectic selection and selectors which includes some of the biggest names in electronic and pop music, from the likes of Faithless to Pet Shop Boys, Groove Armada to New Order.

Building on Back To Mine's heritage for quality this edition comes as limited edition heavyweight vinyl and extra thick cardboard sleeve with full coloured bespoke artwork, commissioned from illustrator Rich Fairhead, depicting the artist's influences along side personal sleeve notes form Nightmares On Wax.

The collection includes three exclusive tracks, one new track from Nightmares on Wax, along with a remix from the man himself of seminal band Fat Freddy's Drop and brand new project Creative Principle. The album is impeccably mixed and blended, as you'd expect from a DJ and collector of George's pedigree. His selection includes a strong representation from his roots in Northern England. Opening with respected Manchester soul duo Children of Zeus, Hull's Steve Cobby provides his own 'Lefthanded Books' featuring Crazy P's Danielle Moore and also introduces his chuggy-disco project Chieftain. There's also room for the recent Nightmares on Wax recent single 'Look Up'. Moving internationally; there's Greek producer Dim Zach who doffs a cap to Imagination on the synth-heavy 'Innocence', US-born/Colombian based Afro/Latin/disco/funk producer Bosq, Italy's Massimo Vanoni with the slo-mo funk 'Exciting Groove', the deep and jazzy 'Gotta Have It' by Berlin's SoulPhiction side project SBM and two tracks by New Zealander Ladi6.

This first re-instalment of Back to Mine is a triumphant return for the iconic and music loved series. Nightmares on Wax delivers an incredible selection of tracks that gives the listener a real insight into the artists personal and extensive taste. To coincide with the series release, Nightmares on Wax will embark on extensive Back to Mine worldwide DJ tour which sees the producer touch down in various cities across Europe and USA, including six dates in the UK.

'I always hoped that when the time was right I would be asked to do a Back To Mine release and so when the call came there was absolutely no hesitation'. - Nightmares on Wax.

The iconic album series Back to Mine returns once again in 2019 with the first DJ imx compilation from world dominating indie-dance band Jungle, showcasing their personal tastes for the after-hours. The series was renowned for its eclectic selection and selectors which includes some of the biggest names in electronic and pop music, from the likes of Faithless to Pet Shop Boys, Groove Armada to New Order.

Building on Back to Mine’s heritage for quality this edition comes with limited edition heavyweight vinyl and extra thick cardboard sleeves with full coloured bespoke artwork, commissioned from illustrator Rich Fairhead, depicting the artist’s influences alongside personal sleeve notes from Jungle.

The collection includes an exclusive track from Jungle themselves and takes the listener on an eclectic musical journey. From 90s disco by Merle to more recent house tracks by Manuel Darquart and Drumtalk. Bristol DJ Admin provides the percussion heavy ‘Space Cadet’ and the irrepressible Mocky supplies good vibes on ‘How It Goes’. There’s sophisticated pop from The Marias and Sam Evian and there’s some spotlight for modern jazz with tracks by Kamaal Williams, Mansur Brown and BadBadNotGood featuring Kaytranada. There’s also room for some gospel influenced soul by The Flying Stars of Brooklyn NY, lo-fi dream pop from Paul Cherry before ending with the always impressive HNNY.

To coincide with the series release, Jungle will embark on an extensive Back to Mine global DJ tour.

Mouse on Mars, the Berlin-based duo of Jan St. Werner and Andi Toma, approach electronic music with an inexhaustible curiosity and unparalleled ingenuity. ‘AAI’ (Anarchic Artificial Intelligence) takes their fascination with technology and undogmatic exploration a quantum leap further.
Emerging from a primordial ooze of rolling bass and skittering electronics, hypnotic polyrhythms and pulsing synthesizers propel the listener across the
record’s expanse. Hidden in the duo’s hyper-detailed productions is a kind of meta-narrative.
Working with AI tech collective Birds on Mars and former Soundcloud
programmers Ranny Keddo and Derrek Kindle, the duo collaborated on the creation of bespoke software capable of modelling speech; text and voice from writer and scholar of African Studies Louis Chude-Sokei and DJ/producer Yağmur Uçkunkaya were fed into the software as a model, allowing Toma and Werner to control parameters like speed or mood, thereby creating a kind of speech
instrument they could control and play as they would a synthesizer.
The album’s narrative is quite literally mirrored in the music - the sound of an artificial intelligence growing, learning and speaking. This exploration of artificial intelligence as both a narrative framework and compositional tool, allowing the duo to summon their most explicitly science-fiction work to date. Original artwork by Casey Reas, inventor of the computer graphics language Processing.
Recently, Mouse on Mars received the 2020 Holger Czukay Prize for Pop Music.
Mouse on Mars have been regularly streaming performances throughout 2020, partnering with organizations like Goethe-Institut, Haus der Kulturen der Welt, Conditions of a Necessity and others and will continue these in 2021.
‘AAI’ is available on grey or black double LP packaged in a single sleeve with full colour insert / lyrics. CD comes with 8-panel poster booklet.
“Andi Toma and Jan St. Werner continue to create soundscapes that blur the line between programming and live musicianship, and sometimes between Earth and outer space.” - AV Club
“Enthralling and impossible to categorize.” - Pitchfork
“Sustained and ephemeral electronic sounds conjure unearthly open spaces… It’s not a song; it’s sound as a temporal phenomenon, a few minutes of sculpted attention.” - The New York Times

They Say: “Exploring the wide range of moods and sounds produced by percussion”.

We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning.

Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled with killer drum-breaks and percussion flares. Unsurprisingly it’s one of the most sought-after records from the Themes catalogue.

This library LP is a library in itself, with its mix of short themes of single beats, short breaks and some longer, more fully-formed DJ-friendly tracks. Trust us when we say that this is a box full of percussion firework ready to be thrown onto the dancefloor at the just right moment. We don’t have anywhere near enough space to describe all 34 tracks (there isn’t even enough room on the labels to list them all!) so we’ll pick out some favourites.

Favourites like opener “Impulsion”, a percussive masterclass with drum upon drum upon drum making it feel like a neat prototype to the percussive underscores of Peter Lüdemann and Pit Troja’s eternal The Now Generation LP. And the dramatic “Fast Action” is exactly that, racing along on a rapid roll of congas, cymbal crashes and throbbing kicks. “The Chaser” is classic library cop-funk with dilapidated drum figures, and the outrageously funky “Heat On” is the perfect accompaniment to your wild action sequences.

A real highlight is “Runaway”, and not just because it sounds like nothing else on the record. Here are drums and percussion in that tight funk style that just cries out to be sampled. “Percussion Power” is an extended, near-three minute suite of funky drum solo after funky drum solo that just aches to be looped: open drums to die for people! “Shivers” is a tense, apprehensive underscore with shock stabs that builds to a climax whilst “Drums On Parade” is a showcase of head-nod drums and cymbals in march time. Did someone say “funky”?

Side B starts with a stroll down “Samba Street”. With the noise of the crowd in the background, this is riotous, authentically drawn samba that sounds like it’s been beamed straight in from Rio in full flow. Drop this at midnight and watch the cobwebs fly off any dancefloor. Prefer it without the fake crowd? “Samba Street (b)” has you covered.

The simple, innocent “Child’s Themes” (all five of them) provide a nice, sweet respite from all the funk. Nursery sounds tinged with only a touch of melancholy. The gentle marimba solo of “Tropical Peace” only adds to the sense of serenity we get from the relatively calm second side. The album closes out with a veritable toolkit of tom toms, snare drum rolls, timpani, vibraphones and chiming bells.

Percussion Spectrum is a joyous collection of sounds, as bright, beaming and downright funky as the vibrant cover. The Themes series is known for each record having its own particularly striking sleeve, which was unusual for library records at the time, and Percussion Spectrums’s multi-coloured drumsticks make for one of the most eye-catching.

As with all of our other Themes re-issues, the audio for Percussion Spectrum comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. As usual Richard Robinson has taken the same care with restoring the original sleeve from archive scans. This is another one ticked off the list of library records that should be out there for anyone who wants a copy.

RO-D-YS was a Dutch beat psych-beat and pop rock band that was active in the 1960s. The band’s original lineup consisted of Harry Rijnbergen on vocals and guitar, Joop Hulzebos on guitar and keys, Wiechert Kenter on bass, trumpet and vibraphone and Berend Groen on drums. Their debut album Just Fancy was released in 1967 and was met with critical acclaim. Produced by the much sought-after producer Hans van Hemert, the album contains the top 10 hit single “Just Fancy”. The band broke up a few years later after several changes in personnel. Just Fancy is now available on coloured vinyl for the first time. It is a limited edition of 500 individually numbered copies on red vinyl.

Cabaret Voltaire is Richard H. Kirk and ‘Shadow of
Fear’ was the band’s first studio album in 26 years
and was released in 2020 to critical acclaim.
The single ‘Shadow of Funk’ delves deeper into
Cabaret Voltaire’s arsenal of “vocal samples, harsh
rhythms and threatening detonations” (Classic Pop).
Three brand new tracks released on Curacao coloured vinyl with digital download code included.

Live At Robert Johnson kicks off 2021 with a new cut above the rest thanks to Benjamin Fröhlich, who dons a cosmic Acid-to-Italo four-track EP. Whether „Club Fantasy“ insinuates the phantasy of clubbing in times of a pandemic shutdown in global club cultures, or a club by the name of it, lies within the ears of the listeners. Either way, Benjamin’s ties with the Robert Johnson club can be heard resonating throughout this fantastic EP.

Club Fantasy (Club Version) introduces a a happy 303 reminiscent bouncy bassline, supported by relentless rim shots, fast-forwards the Club Version of the title track directly into the uplifting domains of well-established sounds. Sparse echoing vocal snippets, encouraging us to dance, and by the time the piano stabs finally kick in, it’s all hands up for your very own club phantasies. Club Fantasy (Fantasy Version) boasts a less peaky signature, while working a more playful and driving treatment of the title track, supported by mellow strings, a harder kick and subtle room reverberation. On the flip-side, Escape presents a warm, emotional and cinematic Italo soundscape, featuring floating arpeggios, which flash like coloured strobes in the dark. Benjamin’s final track, Dream Machine, is a beautiful kaleidoscope of sounds, slightly more energetic yet moody, that is sure to catch everyone's ears on the dancefloor.

As a co-founder to Munich based record label Permanent Vacation, but also as a DJ and producer, Benjamin Fröhlich’s musical involvement traces back many years in the Cosmic Disco and Balearic scene, and into the networks of both Robert Johnson club and its label.

"… an album as hummably lovely as it is knowingly referencing of a certain tradition of neo-psychedelic English whimsy." - The Observer
“… sets the pair into new experimental territory” - NME
Mute / BMG announce the long-awaited vinyl reissue of Goldfrapp’s fourth album, Seventh Tree. Out on 5 March 2021, this is one of a series of Goldfrapp vinyl releases on special edition coloured vinyl.
Originally released in February 2008, Seventh Tree has been out of print for many years and will be reissued here as a yellow vinyl pressing in a gatefold sleeve, with an exclusive art print of the original artwork.
Featuring the singles ‘A&E’, ’Happiness’, ‘Caravan Girl’ and ‘Clowns’, the album was written by Alison Goldfrapp and Will Gregory and recorded at their own studio deep in the English countryside.

Seventh Tree followed the glitterball glamour of platinum-selling album, Supernature (2005), and is very much its sensual counterpoint. Where its predecessor came cocooned in style and sex, Seventh Tree emerges gilded in the butterfly colours of an English surrealism. It shimmers and shines with the warmth of a hazy summer, an electric whirlpool of sound over which Alison’s glistening voice soars.
Alison Goldfrapp described the album as “English romanticism with a hint of California sunshine.” while Will Gregory called it “heartache dressed in ten louche outfit”’.

Andrew Kötting is one of the UK’s most highly regarded film makers, having worked on films such as ‘Gallivant’ (1996), ‘Swansdown’ (2012), ‘Edith Walks’ (2017) and many more. His new film, ‘The Whalebone Box’, was released in 2019. The soundtrack is composed by Andrew Kötting, Riz Maslen (Grand Theft Auto, Neotropic, Small Fish With Spine) and Oliver Cherer (Gilroy Mere, Dollboy).
For the soundtrack to ‘The Whalebone Box’, Kötting used various pieces of music by Dollboy,
The Assistant and musician Riz Maslen among others. Kötting chopped, processed and repurposed the songs for the film’s soundtrack, described as “a gentle, savage, unnerving warm bath of noise, music and references that is an integral part of the film and as much Andrew as it is the original tracks.”
The tracks were then remixed again by Cherer and Maslen for this 2LP release on Invada Records.
Pressed on ‘One Disc Green, One Disc Blue’ coloured vinyl and housed in a deluxe spinedsleeve with printed insert included.

Testament is often credited as one of the most popular and influential bands of the thrash metal scene. Their debut album The Legacy immediately made an impact when it was first released in 1987. Music critic Alex Henderson of AllMusic gave it 4.5 out of 5 stars, praising the record for its “thrash circles” and for being “a relentlessly heavy and promising effort focusing on such subjects as the occult, witchcraft, nuclear war, and global destruction”. It made many year-end lists including those of renowned metal publishers Metal Injection. Loudwire lists the album among the ten best thrash records that weren’t released by The Big 4. The album spawned one single release, lead-off track “Over The Wall”, which the band still plays live during nearly every show they play and remains one of the most popular songs among fans.

This limited edition of only 1500 numbered copies release contains an insert and is pressed on silver coloured vinyl.

John Norum might be best known for being the guitarist in the Swedish hard rock band Europe, but he has simultaneously maintained a successful solo career. Face The Truth is his second album, released in 1992, five years after debut Total Control. The record features Glenn Hughes (of Black Sabbath and Deep Purple fame) on vocals for several songs, as well as guest appearances by Joey Tempest (Europe) and Mikkey Dee (Motörhead). A true hard rock all- star effort, that also includes Norum’s cover version of Thin Lizzy’s song “Opium Trail”. It is available on coloured vinyl for the first time, as a limited edition of 1500 individually numbered copies on blue marbled vinyl.

Ipecac Recordings present the reissue of two classic Melvins albums on coloured vinyl. ‘Gluey Porch Treatments’ is Melvins’ out-of-print 1987 album, finally available again on LP, pressed on lime green vinyl.
‘Hostile Ambient Takeover’ is the band’s 2002 album available on LP for the first time, pressed onto baby pink coloured vinyl.
Released alongside ‘Working With God’, the new studio album from Melvins featuring the 1983 lineup of Buzz Osborne, Dale Crover and Mike Dillard.

Ipecac Recordings present the reissue of two classic Melvins albums on coloured vinyl. ‘Gluey Porch Treatments’ is Melvins’ out-of-print 1987 album, finally available again on LP, pressed on lime green vinyl.
‘Hostile Ambient Takeover’ is the band’s 2002 album available on LP for the first time, pressed onto baby pink coloured vinyl.
Released alongside ‘Working With God’, the new studio album from Melvins featuring the 1983 lineup of Buzz Osborne, Dale Crover and Mike Dillard.