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Modern funk meets house on Moniquea's 'Red Light,' produced by XL Middleton. Bouncy synth bass and leads give this one a recognizably west coast feel, but the pulsating house beat and detuned chords give this one appeal for dance floors everywhere. The '97 Remix on the b-side nods to Moniquea's g-funk roots while the bonus Applejac remix of 'Hate To See It blends dance-oriented sensibilities with thick synth strings that hearken back to peak-era Neptunes productions from the 2000's.

repressed !

Kloke joins the Run it Red label for a stunning 4 track jungle ep. Fresh from dropping several excellent releases on Future Retro, !K7 and several other labels as well as collaborations with Tim Reaper, Kloke brings the 93 darkside style into the year 2023 for Echo Chamber Sound's sub label.

These tracks have the perfect balance of rawness and intricacy that Kloke is known for and could be mistaken for lost dubs played at Rage or the Bluenote sessions with only a cassette recording to tell the tale. Luckily they are brand new tunes, crisply mastered at The Exchange and pressed on a 4 track 12inch. Label owner LQ reworks the title tune Dark Knight with signature low end power and dubwise sonic manipulation.

coloured vinyl

Classic west coast electro by Romanian dj and producer Andrew Red Hand who drops his final part of The Cemetery series on Rotterdam Electronix. The title track gets a stunning melodramatic remix by Electro overlord The Exaltics. Killer electro cuts for the dark & cold days that lie ahead.

First installment of Thoughtforms, a new project by Z@p.

"...They were interested in the work of the human mind as this work extrudes into the external world, the thoughtforms."

2024 Repress

"I've never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from '86), sent it to Astral Industries and paved the way for the release (30 years later) of 'The Original Recordings' in 2016. Since then, we've exchanged ideas and good music. I sent Rod a preview of 'The Kallikatsou Recordings' - he really liked it - and here came the idea for a remix of 'Lanterns'. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It's the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic old speaker' effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - 'Red Lantern at the Kallkatsou''.

Red Vinyl

Time has come for Futurepast to release a long format album: Alarm Phase Red - catalogue number FPLP01 - will be the first full-length work from Futurepast founder Davy Vandegaer, appearing here under a new name: Brainwashed Today.

Rooted in a conceptual approach of electronic music, this double LP ranges from industrial ambient to experimental techno. Like an antidote to a twisted reality of controlled screens and mental isolation, Alarm Phase Red uses the raw language of electricity
to reach the core of the machine and sabotage it, reverse its effects by mirroring them. Fighting fire with fire, deflecting the pressure and strain of a world driven by fear and anger, the music of Brainwashed Today acts like a cathartic escape from technological enslavement.

With the purchase of the vinyl comes a batch of three digital bonus tracks pursuing further the sound research of the album.

Cosmological Record begins its journey with Red Shift EP, five original tracks produced by Roberto Manolio, with an experimental touch and abstract-style artwork by the young and talented Luca Maestro. Techno and house imprint for the first chapter, with various nuances ranging from acid to deep house, with a touch of electro and minimal sound,unite to sensual, thoughtful and direct vocals.
Its flow has the aim of channeling whatever kind of energy is emanated in that instant, creating a direct connection with its source of origin, favoring the perception of the key frequencies that fuel our spirit.

"Everything in the universe has a rhythm, everything in the universe dances"

First collaboration release by Bangkok and Seoul based labels More Rice and Walls And Pals, featuring label owners DOTT, Jesse You, Mogwaa and Sarayu. Four dance §oor eady tracks with each artists’ signature sound!

2023 Repress

After 6 years, label boss Ewan Jansen circles back to Red Ember’s main with a new EP.
A concept journey equally for the mind and the dancefloor that strays from his house roots with themes of mysticism pushing wider rhythm palettes and creative synthesis.

The opener ‘Solanoid’ marches over the horizon; a solid progression of sun-scorched chords, goaded by some distinctive chanting synths and driving bass.
‘Caravania’ answers as a stomping IDM-esque fable, joined by bubbling rhythms on the ground and a central writhing serpentine synth guided from high above by voices unknown.
The flip side quickly de-camps from the physical, with the organic ‘Mistik’ seeing elements of rave and tribal electronica driven by tuned kicks, sub-bass and resonant rhythms.
Lastly, a stoic tome of stone and water is left with ‘Gecko’ – a skittish chunky groove, with isolated melancholic tones that find harmony in the end.

Red Hot Chili Peppers announce their brand new studio album, Return of the Dream Canteen which will be released October 14th on Warner Records. The surprise announcement was dropped at Denver’s Empower Field to rapturous response as the North American leg of their critically and commercially acclaimed global stadium tour kicked off.

The news of Return of the Dream Canteen's imminent release marks the band’s second album of 2022, hot on the heels of the platinum-selling chart topper Unlimited Love which was released in April debuting at #1 in the UK. It will also be the band's second Rick Rubin produced album of 2022, and reinforces their reputation as a band at their absolute peak, riding the crest of an undeniable creative wave.

Continuing to win over audiences across the generations, the band performed a run of sold-out UK/EU dates earlier this year, including two nights at London Stadium. "A scorching European touch-down from the California legends" – CLASH

We went in search of ourselves as the band that we have somehow always been. Just for the fun of it we jammed and learned some old songs. Before long we started the mysterious process of building new songs. A beautiful bit of chemistry meddling that had befriended us hundreds of times along the way. Once we found that slip stream of sound and vision, we just kept mining. With time turned into an elastic waist band of oversized underwear, we had no reason to stop writing and rocking. It felt like a dream. When all was said and done, our moody love for each other and the magic of music had gifted us with more songs than we knew what to do with. Well we figured it out. 2 double albums released back to back. The second of which is easily as meaningful as the first or should that be reversed. 'Return of the Dream Canteen' is everything we are and ever dreamed of being. It’s packed. Made with the blood of our hearts, yours truly, the Red Hot Chili Peppers.

Hypnotic drums, weighty kicks, and chest rumbling low-end forms the basis of Wheats latest release on BOX RED, centred around two sample flips that will have the heads turning.

Armed with hefty kicks, slick metallic drum licks, and rolling low-ends alongside a sample flip at the heart of both records.

DJ Support:

Jamie jones, Marco Carola, Loco Dice, Michael Bibi, Seth Troxler.

Black Vinyl

Time has come for Futurepast to release a long format album: Alarm Phase Red - catalogue number FPLP01 - will be the first full-length work from Futurepast founder Davy Vandegaer, appearing here under a new name: Brainwashed Today.

Rooted in a conceptual approach of electronic music, this double LP ranges from industrial ambient to experimental techno. Like an antidote to a twisted reality of controlled screens and mental isolation, Alarm Phase Red uses the raw language of electricity
to reach the core of the machine and sabotage it, reverse its effects by mirroring them. Fighting fire with fire, deflecting the pressure and strain of a world driven by fear and anger, the music of Brainwashed Today acts like a cathartic escape from technological enslavement.

With the purchase of the vinyl comes a batch of three digital bonus tracks pursuing further the sound research of the album.

Limited

Side A. Red Clay, Jazz Guitar version sampled all time classic by A Tribe Called Quest.

SIde B. Peaceful Sundown sample by Jay DIlla ,De La Soul
Jay Dilla Used these samples a few times for a few solo projects..

With A Meeting Point Of Old School Electro Acid Sound This Ep Dig For The Real Underground Side Electro Acid Famillies And Connections... Labels Notes About This Production Is 'the Circle Is An Ancient Geometric Figure, Used Since Prehistoric Times, Representing Endless Cyclicity.
The Circle Is In Fact A Continuous Line, Which Could Be Traced To Infinity In A Circular Sense That Represents Energy And
Spirituality,
The Sense Of Belonging To Something, To A Group, To A Thought.'

Adriano Canzian has by now developed a trademark sound unlike any other, a genre-twisting hybrid of EBM, techno, industrial and acid beats that has acquired nuance and influences throughout the years, aiming at that uniqueness he's always been reaching for. Confessions Of A Dangerous Mind is a breathless, unrelenting march of a record, a whirlwind of classic industrial sounds driven by a hammering pulse and a shimmer of melting matter. David Carretta's remix smoothens out some edges into a mix of techno and new beats, then Canzian charges on again with Sick Goates , skillfully adding noise frequencies to a goth background, before letting Spain s The Plumbers close with their rendition of Sleeplessness , marked by a dub-sprinkled techno no less belligerent than most of Canzian s catalogue.

Jel Ford returns to Drumcode after his highly anticipated remix of Alan Fitzpatrick's For An Endless Night.
Ford laces his three electrifying, new original tracks with a high energy that are guaranteed to get any dance floor rocking.
Heavily featuring on Adam Beyer's Drumcode radio both Red Mist and Overcast have gained heavy support from DJ's and fans alike. Ode To Basement' is an end of night smasher that will make everyone melt into the ground as it is caressed out of the sound system.

The ridiculously prolific Bay Area band Thee Oh Sees are back with another full-length long-player. Warm Slime is guaranteed to please fans of their whacked-out garage / psych / punk jams. Recorded by Sacramento sultan of sound Chris Woodhouse, Warm Slime carries on in the same tradition as the group's previous In The Red release, Help, showcasing their more electrified and rocking side, in comparison to other recent home-recorded releases. The centerpiece is undoubtedly the mind-bending title track, which clocks in at nearly 14 minutes and takes up the entirety of the album's first side. It's a psychedelic epic of "Inna Gadda Da Vida" proportions! John Dwyer's guitar playing is at its quadraspazzed best here, and the vocal interplay with Brigid Dawson gives it a B-52s-at-their-least-cheesy-crossed-with-the- Troggs vibe. The results are stunning. "Thee Oh Sees incorporate the oft-referenced Nuggets stuff in a way that feels reverential. With grinding guitars and bah-bah-bah vocals, but with the punk and new-wave elements also at play, they don't feel trite or plagiarized. This is like meat and potatoes prepared by a master chef-totally familiar but utterly delicious." -Pitchfork Recorded by Chris Woodhouse (Mayyors' guitarist and producer for The A-Frames, Hospitals, Coachwhips, Erase Errata, etc.) This is one of the best sonic blasts you will trash your speakers with this year....Raw, and real! Opening track is 13 minutes long, yes, we'll take it...

What's the first thing you think of when someone mentions Thee Oh Sees? Probably their riot-sparking live show, right? Visions of a guitar-chewing, melody-maiming John Dwyer careening across your cranium, rounded out by a wild-eyed wrecking crew that drives every last hook home like it's a nail in the coffin of what you thought it meant to make 21st-century rock 'n' roll? Yeah, that sounds about right. But it misses a more important point-how impossible Thee Oh Sees have been to pin down since Dwyer launched the project in the late '90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. (While Dwyer still records songs on his own, Thee Oh Sees is now a five-piece featuring keyboardist / singer Brigid Dawson, guitarist Petey Dammit, drummer Mike Shoun and multi-instrumentalist / singer Lars Finberg.) That restlessness extends to everything from the towering, thirteen-minute title track of 2010's Warm Smile LP to the mercurial moods of 2008's The Master's Bedroom Is Worth Spending a Night In. Now, Thee Oh Sees chase the home-brewed symphonies of Castlemania with the scrappy, high-wire hooks of Carrion Crawler / The Dream. Originally envisioned as two EPs, it was cut live to tape in less than a week at Chris Woodhouse's Sacramento studio in June, reflecting the battering-ram bent of the band's live show better than any bootleg ever could. "As I'm sure most would agree," explains Dwyer, "Castlemania was more of a vocal tirade. This one's meant to pummel and throb." That it does, whether one blasts the slow, speaker-bruising build of "The Dream," the sunburnt organs and dovetailing guitars of "Crack in Your Eye" or the interstellar instrumental "Chem-Farmer," a perfect example of what happens when one takes a well-oiled machine-a gang of rabid road warriors, really-and adds a second, groove-locked drum set to the mix. To listen is to realize that Dwyer's music is as manic as the underground comic inclinations of his artwork; colorful and confusing in a way that's more than welcome. It's downright refreshing, like a slap in the face at 5:00 in the morning. Or, as Dwyer puts it, "You have to leave a mark somehow."

Mit Punkrock (1991) markierten Die Goldenen Zitronen ihren entscheidenden Wendepunkt - weg vom Fun-Punk der 80er hin zu einer politisch scharfen, stilistisch mutigen Band. Nach dem Album Fuck You (1990) suchten sie einen direkteren, ehrlicheren Sound - roh, schnell und ohne Studio-Perfektionismus. Gemeinsam mit Billy Childish, dem britischen Garagen-Guru aus Rochester/Kent, nahmen sie die Platte im Januar 1991 in nur drei Tagen auf. Keine Tricks, keine Nachbearbeitung - nur übersteuerte Pegel, Live-Energie und Haltung. Childish klebte die Anzeigen am Mischpult ab, mischte nach Gefühl und erklärte, dass jeder Mix höchstens 30 Minuten dauern dürfe. Das Ergebnis ist ein Meilenstein: ein raues, kompromissloses Album zwischen 60s-Garage, Punk und politischer Dringlichkeit. Songs wie "80 Millionen Hooligans" spiegeln die aufgewühlte Stimmung der frühen Nachwendezeit - Wiedervereinigung, Fremdenhass, Orientierungslosigkeit - und wirken heute wie ein unheilvolles Echo ihrer Zeit. Punkrock wurde zum Kultdokument einer Ära des Aufbruchs und der Widersprüche. 2009 wurde das Album remastered - der rohe Geist blieb, nur klarer denn je. Ungefiltert, übersteuert, unvergesslich - Punkrock, das Statement einer Band, die keine Kompromisse kannte.

Long Ryder guitarist/mandolinist Sid Griffin states 'High Noon Hymns' is “two thirds the distilled altcountry genre we helped found back in the 1980s, one third Paisley Underground adventurism yet with a dash of our own crazed soulfulness thrown in." Due to the unexpected passing of Long Ryders' bassist Tom Stevens, bass duties on the new album were shared by Murry Hammond of Americana stalwarts The Old 97s and The Long Ryders’ own Stephen McCarthy. McCarthy also performs live with The Jayhawks and occasionally records with the Dream Syndicate. Guests appearing in the album include DJ Bonebrake of X on vibes and young bluegrass wunderkind Wyatt Ellis on mandolin. The album was recorded at Kozy Tone Studios in sunny Poway, California.

DELUXE 4LP-SET IN SLIPCASE WITH GLOSS FINISH/4 PRINTED INNERSLEEVES/12 PAGE BOOKLET/40 TRACKS/COLOURED VINYL

Red Vinyl

The Communards’ sophomore album ‘Red’ consolidated the genius of the musical partnership between Bronski Beat singer Jimmy Somerville and pianist Richard Coles. Fusing synths and hi-NRG production with lush string and horn arrangements, The Communards straddled pop and the political, the album’s themes set against the political unrest and moral panic of late 80s Britain. A global smash upon its release, this remastered and expanded 35Th Anniversary Edition features an extensive array of B-sides, live tracks, demo versions and remixes, including classic mixes by legendary 80s club doyens Shep Pettibone, Clivilles & Cole (better known as C&C Music Factory) and a euphoric new 2022 remix of ‘Never Can Say Goodbye’ by UK outfit The 2 Bears (Hot Chip’s Joe Goddard and DJ Raf Rundell). Available on Deluxe Double CD , Collector White & Red Double Vinyl , Black Vinyl. All editions remastered , with new sleeve notes.