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Lamunai Records presents Curiouser and Curiouser, a treasure trove of millennial music era from a duo pop group called Santamonica from Jakarta, Indonesia.

The concept of this album is making music from a trip to the adventures of Alice In Wonderland, an eclectic mix of pop, bossanova, electronics, waltz and shoegaze. From Astrud Gilberto and Antonio Jobim, Pizzicato Five meets My Bloody Valentine or Stereolab's 60s sensitivity to Broadcast. A collection of multi-layered analog audio sets, the noise of Joseph Iyup's noisy guitar combined with Anindita's fairy voice melodious lines of strange lyrics wrapped in curling beats, very dynamic, very rich. Listening to the album, on several tracks, we can hear French Pop's acrobatic 5/4 beats until the roar of the wall of
sound becomes a combination that is difficult to imagine at the time and is still very relevant to listen to now.

Now, for the first time ever, one of the phenomenal albums of the 2000's Indonesia wave is now available in a limited format in 2xLP-Gatefold-Marble colors vinyl with an additional 1 song that has never been released before.

For the third installment of Henk, the two DJ’s and producers from Cologne, Germany showcase once again a wide variety of styles in their production. With the A1 being a collaboration of the two, the 3 other tracks are solo works by Stikdorn. “Reset” quickly makes it’s way into any raver’s heart. Fast-paced drums and percussions meet mellow pads and 90’s vibe arpeggio’s, making this a sure shot on any dancefloor in summer. It’s clear that the A-Side on this one is reserved for the bangers once you dive into “Come Closer”. A haunting 303 acid line garnered by steadily pounding drums and vocal snippets reminding you of the early hardcore days making this a must-have for any DJ-Set. On the B-Side things slow down significantly. But only in tempo, not in deepness for sure. “Anemia” is one of these tracks that evolve while floating through space and time, taking you to the trippier and more thoughtful places, either on the dancefloor or wherever you are. “Low Lights” highlights Stikdorn’s affinity for breakbeats once again. Perfectly suitable to take your DJ-Set into another direction or for the early/late hours in the club.

Seeing himself as a social commentator, Coops continuously draws inspiration from everything around him and is feeling more inspired than ever. Having signed to the label in 2018 he has already released 2 poignant albums and continues to create at rapid speed.

The 8-track project - which was made in just 4 studio sessions - is unlike Coops’ usual 14+ track albums both he and his fans have become used to. Coops turned the album around in record time to ensure his music was released during this unparalleled time in history. The homegrown beats come from his close friend and long term collaborator Talos who has produced almost all his beats to date.

In the opening track, ‘ Boom Biddy Bye’ Coops doesn’t waste a second in putting his fellow rappers through their paces. A block rapper with no one to please but himself, Coops professes that he barely listens to what other rappers release to ensure they don’t infiltrate and influence his own music. Highly appropriate for these times, title track ‘ Crimes Against Creation ’ is the stand out voice of this generation and his message to the world. ‘W arped perception, thwart connections, they force perfection, then claim the antidotes an injection...’ plays out and we begin to appreciate how the current situation is playing heavily on his mind. As the album progresses we get to see all sides of Coops’ personality with ‘Piss Poor’ reminding us of the raw gritty London lifestyle from which he has risen from, whilst ‘Profile’ demonstrates his softer more promiscuous side as well as touching on themes of fatherhood and online relationships.
Coops’ musical entry point begun by making music with his friends, but it wasn’t until he really looked at himself and the world around him when he decided he needed to go it alone, opening his mind and his solo stream of creativity which hasn’t stopped since. A self-proclaimed hermit he embodies the essence of a true artist and only finds comfort in doing what he loves, not what he is told.

Buena Onda - Balearic Beats is a lovingly compiled collection of exciting music from the new Balearic generation that captures the essence and eclecticism of their Berlin party oasis, Buena Onda. It takes in 12 tracks of fast and slow, acid and downtempo, lush and dreamy sounds to transport you to a place of beauty, warmth and soul. It has been compiled by Hell Yeah label boss Marco with Buena Onda 's resident DJ and co-owner Gallo, and arrives later this summer as a 12" sampler, limited cassette, download, stream and original t-shirt. This first sampler features four tracks from it with artists Lucas Croon, Sergio Messina & The Four Twenties, Gallo, and Black Spuma all featuring.

First Up, Lucas Croon takes us on an epic 10 minute trip with his head-in-the-clouds sounds, long legged drums and summery pad work. Next, Sergio Messina & The Four Twenties mix vocodered vocals with lush acoustics on the dreamy 'Fly Away' while on the flip, Gallo's Tropical Hinterhof Remix of J-Walk layers up lush chords with new age hand drums and synth gorgeousness that is soothing and cleansing. Last of all, Phillip Lauer and Fabrizio Mammarella aka Black Spuma's mid tempo drums sink you into a groove that is embellished with heavenly chords and plenty of oceanic breezes all carrying you away. This is a fine taster of the full length compilation to come.

The far west has long been known as hollowed ground for Dub Reflective arts, from the birth of Reggae and subsequent Jamaican diaspora to the more recently developments that ultimately informed Dubstep. Many key figures have emerged on the left coast of the USA throughout these developments in Culture and Roots-centric Dubstep, with key among them being the surfacing of LoDubs, and its rise near the advent of the sound in 2006 serving to inform and cement Dub's true DNA at a time when the field of those carrying the torch throughout the region could be counted on a single hand.

Ltd. White Label

Limitierte White-Label-Auflage mit exzellenten Remixes von Gerd Janson und Abel Ray zu "What Do We Care" aus Moscomans brandneuem Album "Time Slips Away", das dieser Tage parallel erscheint. Insbesondere Gerd Janson transformiert den Track in einen ansteckend-catchy Synth-Pop-Ohrwurm mit hohem Suchtfaktor.

Released via the Epic/Firebrandz label, this is the 8th studio album from US hip/hop/singer/songwriter/producer/former Dungeon Family member. A 21 track album on standard CD & double LP (was released digitally earlier this year). Collaborators include Drake, Travis Scott, Young Thug, Da Baby, Lil Baby and more. Specialist radio support. Online/social media activity. Video plays across MTV/Vevo/Vimeo/YouTube. Streaming playlists. Ads, features, interviews and reviews across all press outlets. Poster and database campaigns.

Barcelona native Ivan Fabra joins the Internasjonal family with these 2 sun soaked cuts, joined by remixes from German powerhouse Gerd Janson and label head honcho Prins Thom

After a brilliant response to Pedro Vian’s debut Album “Beautiful Things You Left Us For Memories” towards the end of 2016, we shared “BTYLUFM Remixed,” an EP that showcases five remixes from Eric Copeland, a frequent collaborator of Animal Collective; the Swedish producer Peder Mannerfelt; two from the exceptional musician and DJ Tevo Howard and Escapismo, an anonymous project of which we cannot detail any information.

Second time around for label boss Tooli on Omena.
This time it's a remix package with an all-star line up !

The original track was recorded in NYC a few years ago and this release contains the remixes of that very track.
Mark Hand, FYI Chris and Saine all put their mark on the original.

UK's unsung hero Mark Hand infuses the original with some UR vibes, the dynamic duo FYI Chris twist and turns the track into something truly original and finally Saine finish the whole thing off with a beautiful version you never want to end.

Between Roads Vol.1 and Roads Vol.2, Thylacine composed the singles "Versailles" (256,000 views on Youtube) at the Palace of Versailles and "Anatolia" (387,000 views on Youtube) in Turkey which are grouped here with remixes by Jaffna and Sezer Uysal on the B side.

We also find on this EP the powerful and hypnotic track "War Dance" (438,000 views on Youtube).

Step in the Arena is the second studio album by hip hop duo Gang Starr, printed as a 1990 release and commercially released on January 15, 1991. The album received critical acclaim and was also included in the book 1001 Albums You Must Hear Before You Die. The Source magazine stated: “Step in the Arena stands alone on a musical level, yet it also remains true to hip-hop’s underground heritage.” In 1998, the album was selected as one of The Source’s 100 Best Hip Hop Albums. Urban Legends/UMC will reissue Step In The Arena on 2LP 180 gram black vinyl on 28th June, 2019.

Horse Meat Disco unveil the latest preview of their forthcoming album ‘Love & Dancing’ with ‘Message To The People’, featuring one of the main co-artists on the LP, Amy Douglas, alongside soul trio Dames Brown. A record that started as an adaptation of the Shirley Caesar original, recorded in the studio with the Dames; Horse Meat Disco and Luke Solomon then headed to Amy’s native Brooklyn, where she wrote her verses sat at the piano for this sublime disco jam. This 12” delivery features remixes from some of the genre’s most revered artists, each turning their hand at this labour of love. Up first, unrefuted master of the edit Danny Krivit delivers a blissful, club-friendly extended version, making full use of the longer playtime with an elegant, journey-like mix. The Key-A-Pella follows, an essential DJ tool that allows Amy and Dames Brown’s vocals to really shine. The funk-fuelled Michelle Mix kicks off the B-Side, an empowering, uplifting narration provided by a sample taken from none other than former First Lady Michelle Obama, inspired by Chicago legend Kelly G.’s creative sampling on his Deeper Message Groove mix, the track that closes out the release. Kelly’s mix is a soulful, grooving affair with dreamy keys you can’t help but move to.

Will Saul, DJ/Producer and Aus Music label head primes the 150th release for the longstanding British label with a stellar cover of the 1990 seminal techno record of the same name by Yolanda on seminal label Underground Resistance.

With the original record being one of Saul's all time favorites and UR being a constant source of inspiration it was beyond a dream to get his version fully approved by Mike Banks to celebrate the landmark anniversary. Saul then worked with Berlin based vocalist Gilli.jpg - who has recently worked with Cinthie - to re-vocal Yolanda’s song.

As a former intern at Skint in the late 90s heyday, this up-streamed anthem feels extra special finally landing digitally on the label where Saul began learning his trade over twenty years ago. The vinyl will be released on Aus. There is also a version expected later this year which see's Saul collaborate with Paul Woolford and additional remixes by Move D and Space Dimension Controller that will land shortly. The release features artwork by Trevor Jackson, the man behind the Output label, who’s releases launched careers for huge artists like Four Tet and LCD Soundsystem to name just a few. His iconic, pop art influenced work has been seen on releases including the undisputable 80’s dance classic, Raze ‘Break 4 Love’ and S'Express 'Theme from S'Express'.

The Tel-Avivian Berlin Based duo TV.OUT are back on Parallax Records with a beautiful 12' and a fresh Florian Kupfer remix.
It strikes right after their album debut on Dark Entries,
and releases on L.I.E.S Records and BANK Records NYC.

Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin and Zurich based micro Label Lustpoderosa.
The celestial sounds from the italian producer Tagliabue is a healing process of well tempered analog synthesizers. The cure is in the mix of pre dancefoor and ambient tracks inlcuding a slow trancy chug from well known and apreciated selector @AnatolianWeapons.
Tagliabue is not just inspired by the afro cosmic heritage of Beppe Loda and Daniele Baldelli, but also from post-folk, rock, prog and kraut infuences of 70’s and early 80’s, passing through New Wave and Synth Pop ofGaznevada or The Stupid Set and not to forget italians rave culture of the 90s with Franceso Farfa and MarcoDionigi just to mention a few.
This very intimate EP is a meditative and transcendental journey to another world. Literally

Frankly, this EP is ridiculous. It was originally planned as a double pack, so we were excessive with getting both a Pete Cannon remix and a Hyper On Experience remix. I was tempted to do one myself but I though "nah, no one can top the original" and then had to eat my words because all 4 of these meet, if not beat, the original classic tune. Petes is of the hook madness, hands in the air biznizz. Hyper On take it to a whole new crystal clear and completely complex level. HSI changes it from what Stompin Tunes would do to what perhaps Reinforced would do. And Wislov roles it back in time to an almost Njoi-esq style 1991 banger. Absolutely amazing...

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

The popular song by indie disco producer LUXXURY and fellow LA duo Scavenger Hunt (recently released by Future Disco as the lead single from the London tastemaker's recent Poolside Sounds compilation) finally gets a limited vinyl 12" with several roof party friendly mixes. Includes LUXXURY's own rework of the song, along with an instrumental that emphasizes the sunny live bass, percussion and Sade-esque guitar parts; plus a deliciously chill remix from impakt spotlighting the vocals that give this sultry duet so much swagger.

How Old Are You - The World Is You - Two For Love - I Like The Woman's Heart - I Believe - Toc Toc Toc - How Old Are You - Two For Love...

Sadly, soul diva Betty Wright left us recently, on May 10th of this year, only 66 years old.

We pay a tribute to Betty with this unique 12” release, featuring 2 of her greatest hits.

“Tonight is the night” (yes, the famous full 8 minutes live version!) appears on the “A” side of this 12”, while on the AA-side it features the 7 minutes long and easy mixable “Disco Purrfection Remix” of “Where Is The Love” by Canadian DJ DiscoCat, now however edited to perfection by Ben Liebrand at a steady 128 BPM.

”Tonight Is The Night” is taken from the (previously top10 Billboard-) album “Betty Wright Live”, which vinyl-edition will shortly be re-released with bonus tracks on the High Fashion Music label.

DJ/producer Don Pascal has long been an advocate of fusing London’s sound system aesthetic with more traditional music from around the globe.

Following on from his 2014 release The Cali Experiment, (fusing Latin influences with the sounds of London’s underground club scene) we are happy to announce his forthcoming album The Dakar Experiment.

Featuring musicians from Senegal’s legendary evolving band Xalam, The Dakar Experiment is a sonic exploration fusing Senegalese musicianship and London’s Broken Beat scene.

As the homogenised sound of western pop permeates traditional music the world over, The Dakar Experiment offers an alternate pallet of influence, retaining tradition yet suggesting other possible paths.

The foundations of the album were laid at Henri Guillabert’s studio in Dakar over most of 2016 with Moustapha - Taffa – Cisse, Yahael Camara Onono and of course Henri and Don, then completed in London with an array of musicians, pulling on the city’s vibrant and re-emergent Broken Beat scene.

Featuring vocals by Lyric L, Rich BLK and Niara Scarlett, and remixes by EVM128, Trev and Xtra Brux, The Dakar Experiment is an exercise in finding what connects us in an increasingly divisive world.

Dead Or Alive have sold more than 30 million albums and 25 million singles worldwide and gave Stock Aitken Waterman their first #1
single. Their first three albums, which the band wrote, all reached the UK Top 30, with ‘Youthquake’ reaching the Top 10. In the 1980s, they charted seven unique singles in the UK Top 40, with two further re-entries this century, with a remix and original version of ‘You Spin Me Round (Like A Record)’. Respected US magazine Billboard, ranked them in their all-time Top 100 most successful ‘dance artists’ chart.
Recorded at PWL Studios, London, “Nukleopatra” is the Band’s sixth studio album and was initially released in Japan in 1995, although
subsequently released in different versions - track existing / versions / durations / artwork - in eight other countries between 1996 and 1998. It contains the singles ‘Rebel Rebel’ and ‘Sex Drive’. The album was not released in the UK, until a re-worked version was included within the ‘Sophisticated Boom Box MMXVI’ box set in 2016. This vinyl edition replicates the original Japanese version, which features longer versions ‘Nukleopatra’ and ‘Sex Drive’, along with rerecorded versions of ‘Unhappy Birthday’ and ‘Gone Too Long’, which appeared on “Fan the Flame (Part 1)”. This special 25th Anniversary Edition of “Nukleopatra” is the first time that the album has been commercially released on vinyl in its original configuration, with original playing durations and will be pressed on 180g heavyweight blue colour vinyl.

we are very happy to announce this killer remix package. our dear friend superpitcher(aka pachanga boys) made three versions of remix.

studio mule’s original version which is produced by kuniyuki takahashi and sung by miyako koda (aka dip in the pool) is a cover version of japanese 80’s dance classic by taeko onuki.

superpitcher’s main mix is just for your peaktime set. it’s much more groovy and dance floor friendly than original version. it might be this summer anthem(if the party will be restarted…).

dub mix is more stripped down version and for more disco oriented dj. we love this version so much since superpitcher have been playing at his dj set.

ambient mix sounds like a japanese kankyo ongaku,it’s simply beautiful meditative music. beautiful cover design is by lily fei in new york, she is our new favorite illustrator.

Originally conceived by Danish beat maker KVBeats for his critically acclaimed debut producer album ""The Résumé"" (SoulSpazm 2010), the blazing Slum Village track ""We Do It"" featuring Elzhi & T3 gets officially remixed by legendary DJ Spinna and UK's own Jazz Spastiks for this limited edition 45 release. DJ Spinna has been a staple for the underground scene; handling highly praised remixes for Mary J. Blige, Michael Jackson, De La Soul, and Stevie Wonder. He collaborated with an array of lyrical giants such as Eminem, Talib Kweli, Pharaohe Monch, Mos Def, and many more throughout his career. This time the Brooklyn producer lends his signature spaced-out, genre crossing boom bap feel to the A-side of this 45, instantly taking the listener back to the great late 90's indie era. On the B-side, the Jazz Spastiks place their typical jazzy flavored sound behind this highly lyrical Slum Village track. The UK based production duo have released quality boom bap projects on a string throughout the last few years as well as re-introducing indie icon Godfather Don to the hip-hop scene in 2018 with a smashing album and two brand new singles. Both remixes are a sure treat for any 90's hip-hop follower.

Trunk packed with the hot contraband of Stank Soul Edits Vol. 6, Mako & Mr Bristow are barreling down the remix highway yet again, hightailing it first to the Tropics with Stealin' Alright before pulling a u-ey and fishtailing directly north for Stolen Nolan!

While Side A chops and re-arranges a funky steel-drum Joe Cocker cover to fit on one side of a 45, Side B converts a northern soul cut from 6/4 to 4/4 time for a new twist on an old classic. As always, expect bass and drums to be stankily tweaked so both cuts are re-vitalised for twenty-first century sets without losing that vintage feel.

Denise Rabe has quickly attracted attention with her distinctive approach to techno: powerful percussive force, detailed sound design, and slowly modulating compositions crafted to induce dancefloor hypnosis. Following acclaimed releases on Arts Collective, Stroboscopic Artefacts, and her own Rabe label, Denise joins Blacklabel Distillery with a new 12” that digs deep into the hypnotic dimensions of her sound. “Brilliance” is a shimmering monolith, serpentine sounds woven through head-nodding beats. “Outta Body” delivers on its promise of transcendence with slowly evolving drones unfolding over a driving rhythm. Perc brings things back down to earth with a relentless remix that conjures images of malfunctioning, mutating machinery, while Sverca freezes “Brilliance” into suspended animation, captivating with just a few layers of sound. The digital tracks highlight Rabe’s exceptional compositional skills, exploring subtly shifting alien soundscapes on “Spacetrouble” and mesmerizing with the massive cosmic sounds of “Fully In”. Track list 12″ A – Outa Body AA – Brilliance B – Outa Body (Perc remix) BB – Brilliance (Svreca remix)

One of Drumcode’s finest, Bart Skils returns for his first solo EP since 2018.

Bart Skils remains one of the label’s most consistent achievers going back to his debut in 2012. Eight original EPs, a stellar remix of Moby ‘Go’ and his now-classic collaboration with Adam Beyer ‘Your Mind’ have entrenched him as a DC treasure. All the while the Dutchman plays a nurturing role with the label’s nu-skool brigade, regularly playing B2B with Layton Giordani and teaming up with Weska for last summer’s ‘Polarize’ two-tracker.

His ninth Drumcode EP ‘Settle In The Sun’ delivers the first productions from his new studio after six months of preparation. The title track was inspired by an extended stay in LA over New Years, channelling the energy of Venice Beach’s vibrant skate culture to create an uplifting, big riff weapon. ‘Tropical Heat’ took influence from Bart’s experiences touring South America, as an evocative vocal sample and rave-kissed melody line run alongside a wicked rolling groove. ‘Shiva Says’ is a peak-time, brain-mangler in the best of ways, driven by a monster synth line that grows and contorts as the track progresses.

Detlef celebrates the launch of his new label “Issues” with a quintessential EP titled “ Dub Clap”. Known for his simplicity and effectiveness, Detlef delivers the same vibe to this release. “Dub Clap” is a groovy track with a sub bassline, a great catchy vocal and a clever arrangement that gives maximum energy to the track. Title “Say Something” is a special groove made by chopped vocals and subby basslines thats creating a driving groove. Also included in the package is “Dub Clap tool” which created with chopped vocals and grooved out tops that Dj’s could use as part of their dj sets.

Detlef is a DJ and producer of the highest order, and has garnered a reputation as one of the most exciting names in the underground scene. The artist has rapidly established himself as one the leading names in the industry, releasing and remixing with well respected labels including Hot Creations, Repopulate Mars, Moon Harbour, and Relief. Detlef is moving towards the next chapter of his exciting career.

Starting the new decade strong, the French label Public System Recordings debut R Gamble with his much anticipated EP, "Sever The Ties". Hailing from Memphis, TN and now functioning out of Brooklyn, R Gamble has been a staple of the New York underground for nearly ten years. This record presents you 5 original tracks and a remix, all ridden with infectious mechanical rhythms laced in haze, abrasive synth lines accompanied by metallic vocals doused in reverb. A secret weapon for the Industrial Synth freaksA!!! For the remix, Gotham luminary Shawn O'Sullivan returns to his "Vapauteen" project, providing an intoxicating and dizzying groove for those "lost in the fog" moments. The ultimate care package for your dance floor needs.

Black 140g vinyl in heavyweight grey carton sleeves. One time pressing, limited to 800 units.

Moonshine Recordings and Steppas Records have reconnected to deliver the 3rd instalment in the Moonshine Steppas series, a debut release of Modi Bardo featuring Carlton Livingston backed by remixes from Alpha Steppa & Bukkha. Same as with the previous releases, it's a limited edition one time vinyl pressing.

You think you’ve heard anything? Strap yourself in and get comfortable for the journey! Payola’s first release is ‘Ugly Freedom’ (TOKA Remix) a collaboration between two adversaries – VEE VV and TOKA.

Two specialists in their own right, they have produced something special, something spellbinding, something entirely unique and uncompromising.

Still sitting comfortably? You shouldn’t be! An amalgam, a spark, a blistering fusion of purpose conjoined, sending shards of rhythmic shrapnel into the stratosphere. Pounding sub-bass, seamlessly executed edits of live drums, boiler-bass, searing guitar, soaring keys and vocals featuring a scintillating, lyrical dexterity and skilful phraseology delivered with a poignant authenticity. A totally unapologetic perspective on today’s social mores, “Sentiment, humanity, have no right to reside in this Betfred economy!”

Don’t take our word for it!

On the Corner Records was awarded 'Label of the Year' at the Worldwide Awards 2018. OtC is a story of artists and scenes that goes way beyond being a record label. DJ and label owner Pete On the Corner has created a home for innovative, bordercrossing, genre pushing artists. The OtC vision is to bring music to the world that is knocking at the 'Door To The Cosmos'. The label is an inimitable mixture of Miles Davis 'call it what you want' attitude, Sun Ra's Afro Futurism and the ecstatic soul lifting influence of black music on electronic dance music. On 'Door To The Cosmos - Dancefloor Sampler' Pete has curated a volume of cuts from present and future label family. This first in the series, is not just knocking at the door but giving it a kick! It's club music referencing the source, be it Detroit, or UK bass culture combined with future sounds rising from cosmopolitan hotbeds of sonic heat. On this maxi EP Venezuela meets India via New York, the street sound of Dar Es Salaam, Tanzania pulses through UK Jungle. Undergrounds pushing the dance, breaking borders and genre alike. Rhythms from the ancestors channelled for future times.

Musique Pour La Danse presents Roomservice, Dutchman Orlando Voorn's forgotten yet unforgettable IDM-leaning, home-listening electronica / techno album from 1994 under his Living Room alias, originally released on the producer's cult Night Vision label.

Praised unequivocally by those lucky enough to have heard it, this criminally underrated record nonetheless deserves pride of place when talking about forward-thinking electronic music from the early 90s.

While it is widely acknowledged that Orlando Voorn's productions are one of the most fascinating prisms through which to experience a European take on the Detroit sound, Roomservice is also a strong reminder that the paradigm shift from sweaty raves to enhanced home listening, championed by Warp's Artificial Intelligence series, early Rephlex releases, along with projects such as The Black Dog, Plaid or Autechre was in fact not only limited to British artists.

As its name indicates, The Living Room is not geared for warehouses but instead interested in a more intimate and domestic setting. As such, it does not contain over the top bangers, but it's hard to find any filler in this album where all the tracks are killer, catchy and memorable. All displaying a sophisticated yet immediate focus on warm melodies and grooves no heavier than a feather, these emotional cuts provide a wonderful and intricate soundscape for introspective listeners to explore, and they will surely find echoes of ideas developped by Manuel Gottsching, Steve Reich and Pat Metheny scattered accross the album.

While some tracks are rhythmic and would fill a dancefloor in a second with their four to the floor or broken beats, the album also gives room for more ambient excursions to occur and develop brilliantly. But once again, it's more likely you'll end up dancing on your couch rather than dozing off.

2020 might be the most difficult year in recent history for dancefloors worldwide, yet that's not going to stop Musique Pour La Danse from reissuing this gem of an album for listeners, dancers, and DJs of today and tomorrow.

Words by Ed Isar.