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Number six is in the mix - Another great 4 tracker for tha real heads is out there. Sample based boom bap beats with a remix of Mc Gruffs 'This is how we do'. Not for jukeboxes only!

The mysterious hill producer makes a sensational comeback on the cult label SKYLAX RECORDS with 4 high-flying tracks ! On this occasion, he joined forces on 2 wonderful slices of spiritual house with the legendary Detroit born Javonntte. But let's start at the beginning, on A1 we find the magic of the first releases he did under the HILL moniker, namely a punchy, borrowed and sample loving disco house via "land of funk", a whole program ! The same goes for the fantastic "Summer holidays in Rimini" which reminds us the glorious hours of the French touch, Thomas Banglater in the lead. On the B side, he delivers us with "Away" a more contemplative and sensual house with the ultra talented Javonntte, it is a real technical prowess to bring together on the same record the universes of soundstream AND Franckie Knuckles, for their fans, this 12 inch is clearly for you and the mystery remains completely unresolved. Note that on the label's bandcamp, with the purchase of the vinyl, you can get 1 exclusive bonus track : Hill « It's a jam »

London-based DJ and producer 1991 has emerged as one of the most exciting artists in dance music. Since starting the project back in 2016, within a year he'd won the 'Best Newcomer' award at the 2017 Drum & Bass Awards. He has held down a steady release schedule of hits, collaborating with the likes of Sub Focus and Netsky, and remixed Axwell, Chase & Status, Claptone and Basement Jaxx. His touring schedule has seen him travel across the globe, with sell out tours across Europe, North America, Japan and Australia & New Zealand.

Today, UK duo Audiojack release their edgy two-track ‘Stay Strong’ EP, out now via Dirtybird, marking their debut release on the label.

Embracing their unique deep house sound, ‘Stay Strong’ lives comfortably on festival main stages and underground dancefloors. Its titular track is an intricate soundscape complimented by layered synths and textured percussive elements. The companion track, ‘In Your Eyes,’ strikes a different tone with its rhythmic breakbeat nature. Ready to leave their mark on the Dirtybird flock, ‘Stay Strong’ arrives ahead of Audiojack’s upcoming debut at Dirtybird Campout this October.

Regarding the EP, Audiojack said, “We made these tracks as the pandemic restrictions were lifting and there was light at the end of the tunnel. We imagined how good it would feel to play loud music again to people who were full of joy and relief at being free again, and we tried to encapsulate that feeling in the music.”

Following the release of their second album, 'Surface Tension', Audiojack are entering what might be called the major phase of their career. This, of course, is not to diminish the solid reputation they have built over the last fifteen years as DJs, producers, remixers and label curators with original releases on labels like Crosstown Rebels, 2020Vision and Hot Creations, remixes on labels including Moon Harbour, B-Pitch Control and Diynamic, and artists like Underworld, Groove Armada and Hot Since 82 who have enlisted their talents for remixes.

FAFO RECORDS Welcomes Camilo Gil from Chile and ONE+1 from Spain to the artists' family.

We are very happy to present you the Privilege Ep ..... in loving memory of Octavio Gil, a fanatic music lover, and father of Camilo Gil.

The EP is already a superlative category as it contains two original tracks plus Dubbie House like PRIVILEGE, and a powerful remix, from the golden child of Frankfurt as the great Sascha Dive is in the legend category, with his groove and deep house.

And the other side, we have already immersed ourselves in the house of law, with Venganza Poetica that makes you dance at any time of the day in its original mix, and needless to say that the remix, by a creator of Detroit's first generation of techno, the same as Juan Atkins - Derrick May - Kevin Saunderson - Shake Shakir - Blake Baxter, and we have in the FAFO family the legend in life like Santonio Echols, from the motor city.

A very creative ep that delivers, dance and culture at the same time.

FAFO Records All rights reserved.

2x12"
2023 Repress in full colour sleeve / silver vinyl / incl. dl code


The Dragonforce EP could be the best work yet to emerge from the studios of Laurence Reading aka Halogenix. Flipping from the Japanese comic book influence of the title track to the beautiful future soul of Independent is something not many other producers are capable of. Tekina brings even more ingenuity with a delicate light/dark fusion whilst Reminisce is awash with warmth and ethereal feels. An essential EP.

For its opening release, Zendala Records presents 'Navigating Self - EP' by Pattern Tusk (inc. R107 Remix).

Early Support from Barac.

New Stay Up Forever offshoot label SUF ACID CHRONICLES will be dedicated to bringing all kinds of different Acid music to the table with remixes from the London Acid Techno community. First release is by Portugal's rising techno star Ninna V who provides two stomping, classic Acid tracks with thumping remixes from D.A.V.E.The Drummer and Chris Liberator & Sam DFL.

"Following this year’s VA ‘Marmo’, a collaborative offering co-released with XCPT, Baroque Sunburst releases its first Various Artists EP. Tracks from Taro, Pugilist, Slacker and Flørist, create a statement record championing subtle yet hybrid club-oriented sounds.

Buffalo, NY's Taro ignites the white label 12" with ‘Gas Burn’, a dreamy, rarified IDM zipper. An off-kilter UK funky remix from Flørist follows (his second appearance on the imprint after 2020's Intermedia 1 EP). The B side drags us into a half-time, downtempo sideroom, with tracks from Slacker (Aqueduct) and Pugilist (Symbiosis) slowing pace but maintaining intensity."

Limited to 300 copies.

THE PLAYGROUND is back in the fold, inviting deep house connoisseur KEZ YM around for a second time. A side features two lush & groovy beatdown tracks that make you lose sense of time. The flip side delivers a funky up-tempo bass heavy banger with a remix by Detroit don RICK WADE.

Clear Vinyl
The 22th chapter of our catalog is delivered from a unique artist called Dj datch with his impressive and awesome "Reaktor" project.

3 journey tracks of proper techno alongside by a fantasic remix by a techno pioneer Linear System.

2023 Repress

Bump 'n Grind Wax strikes again in 2022! A close friend of the Bump 'n Grind camp, Jacques Renault brings disco flare and funky house to two infectious edits on this limited release 7". One to make the vinyl diggers salivate.

The Let's Play House records boss shows off his affection for the baby-powered dancefloor on the A-side, "That's What You Are". A progressive tune that eventually leaves the listener swinging from a disco ball suspended from lush clouds overhead. Playful cymbals and guitar stabs decorate the sing-a-long hook, reminding us: we are all diamond-drenched dancing fiends.

Jacque's B-side edit of "My Love is Guaranteed" is a funky chokehold of a groove. A driving bassline of love leaves no doubt. A song filled with golden horns and a glimmering sample becomes the perfect selection for a DJ playing at a massive festival... or a wedding. Versatility!

Next up, a luscious cut from two of London's freshest producers, Ollie Rant and Malaika. Dreaming EP capers gleefully between buoyant garage house, old school jungle, soulful deep house and undulating electro. Each track offers a fresh take on a holistic mood, warmth and playfulness radiate from every corner. This one is perfect for almost any situation whether it be a sweaty dancefloor or a solo bedroom rave.

Featuring AMMA WHATT. VICK & CASAMENA come together for a soulful,jazz-filled journey, decorated with sultry vocals from AMMA WHATT. VICK's jazzed out mix & CASAMENA'S club ready excursion showcase their fullproduction repertoire, making it one for the club & the collection. Full color sleeve. Limited pressing

BLUE MOON PHASE VINYL

After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of Halloween, one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter's other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you.

After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of Halloween, one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter's other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you.

Orange Vinyl

After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of Halloween, one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter's other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you.

A pure journey inward into the headspace of an artist, that reveals his gaze at the earth-ly zones he walks in: “Song for Joni”, the new album by Japanese musician Shunji Mori, brings pure natural music full of artificial nuances who create in conversation with ana-logue tones a new kind of musical nature, loaded with vibrant seasons, unknown to us, the unwise humans. moreover, the album is a fine continuation of Japan’s rich ambient leaning music traditions, carrying them into Lorren Connor’s like pending guitar galaxies.

In the 1990s Tokyo based Mori was part of the trip hop, nu-jazz, deep house, and down-tempo duo natural calamity, releasing a string of albums and EP’s on labels like legend-ary London based imprint Nuphonic, Japanese Idyllic Records or Down 2 Earth Record-ings.

In 2003 he launched the instrumental guitar duo Gabby & Lopez with his buddy Masayuki Ishii. Together they created three albums and performed live. Additionally, Mori plays improvisational concerts with Japanese musician, multi-instrumentalist, and stage direc-tor Daiho Soga and finds time to invent his very own, charismatic guitar music.

His solo work now finally gets introduced with a full-length album for Studio Mule, con-sisting of recent and a decade ago compositions, all merely recorded with the electric guitar, pedals, and field recordings.

In the center of “Song for Joni” is the guitar, spreading longing, drifting melodies. Free floating, yet deeply felt compositions, performed in an accurate journey music style. around the string notes, ambient landscapes soar and vanish.

In some moments, the guitar works like a slow-mo yacht rock lead, flying speed less over and under imaginative sonic clouds. Then, Mori’s music distributes psychedelic ef-fects in the tradition of krautrock legends like Günter Schickert, just without the echo fuzz.

Additionally, in warm vibrating seconds, his creations remind on the calm flashes in the musical work of English photographer, musician, and artist designer Steve Hiett, while Mori’s ambient spheres come close to the magic vibe of records like “Pier & Loft” by his fellow countryman Hiroshi Yoshimura.

A mixture, that transports considerate listeners into the meditative world of Shunji Mori, a calm island of bliss, made for all those that follow the heedful path of life.