Cerca:resistance
Neuer akustischer Angriff der US Metaller Resistance. Die amerikanischen Power Metaller haben die Schwerter einmal mehr gekreuzt, um mit ihrem bisher besten Album den Donner zu beschwören. "Skulls of my Enemy" ist ein von Hymnen durchzogener Schlachtruf, der die Metaller Gemeinde weltweit begeistern wird. Resistance haben es geschafft, den Sound und die Energie ihrer Live-Performance auf den neuen Longplayer einzufangen. "Skulls of my Enemy" liefert alles, was man von der "Los Angeles Metal Machine" erwartet.
Tofu Resistance returns with his new ep “Thorídur”, marking his 3rd release on YNFND after his full length debut “1//23“ in 2019.
This EP sits comfortably between both the world of beats and a more relaxed environment. Returning to his roots, Tofu Resistance aka Tobias Kleine remembers his early influences of sample based music and classy hip hop grooves.
The result is a sonorous sketch of deceleration, answering with bouncy rhythms to nod your head to. You can hear him playing the drums, guitars and various other instruments on this record. A beautiful blend of organic and electronic production, adding his unique Tofu flavor.
Superb classic shaker from Micky 4Q !
one side of pumpin electro tribe and one side of techno electro joyness with cheezy electro breaky drops :) !
Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named the Back Street Warriors, Busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with the Rock Steady Crew in Camden Palace in front of an audience.
Then in 1987 he became a DJ, playing all genres of music, he first played on
RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90s he played on Weekend Rush and then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.
In the early days MixMaster Max was one of the Innovators of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping others to produce, fuse & gain ideas in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.
In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the famous Hacienda club in Manchester.
He was the First DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC world championships in the early 90s.
He played at some of the Biggest Raves back in the day, Pirate club 93, Fantazia 92, Dungeons 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People's Choice, which were legal Radio Stations, not forgetting Kool fm & Centreforce.
He performed on stage with the We Papa Girl Rappers in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchuckers & TurnTables!
His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!
For those that listened to pirate radio back in the day, he was the legendary cult
figure that inspired us all, giving us the freshest musical styles that had never been heard before!
Andrew Heath describes his music as 'lower case', but although this cross-nation collaboration with Anne Chris Bakker and M Cosa de Resistance is understated, serene and slow moving, it's also capable of painting ambitiously widescreen images at the same time. The seven tracks here revolve around the UK producer's trademarks - solitary sounding piano and atmospherics both courtesy of field recordings and electronics - but with extra embellishments, most notably the eerie sound of the zither and six string experiments from Dutch guitarist Bakker. It's a horizontal listen, certainly, but one that's full of life and creativity all the same.
* Strictly limited-edition 12” vinyl in full colour sleeve
* Hailing from the musical melting pot of Bristol, Krust earned respect through countless releases on V Recordings, his imprint Full Cycle Records, his collective with Roni Size, Reprazent and a series of cutting edge solo albums on Talkin Loud.
* In 2020 Krust released his album ‘The Edge Of Everything’, followed by a remix project featuring the likes of Four Tet, Calibre and LCY.
* Back for his 2nd outing as part of the Legends series this strictly vinyl-only release sees two in demand cuts from Krust finally see the light of day, 'The Master' and ' Resistance '.
* The sixth part in this vinyl series, with yet more legends waiting in the wings. These are an absolute essential for vinyl collectors.
Atlanta’s The Masamune presents his debut 12″ release on Ohm Resistance – 4 absolute dancefloor controllers, with a special guest appearance from DJ Hidden on remix duties. This self-titled EP is aimed squarely at the next generation of Drum & Bass DJs and listeners, competing for the top step on the production podium. A direct representation of the storied Drum & Bass history of the label, The Masamune wires together his signature traditional symphonic strings and orchestral elements with the hardest hitting modern dancefloor sound. His beats range from half time punishers, in his signature Neuro-hop style, to running and rolling steppers, with a strong hip hop/b-boy influence appearing throughout his produdctions. According to The Masamune: “This project was made almost specifically to serve as a prelude to the full length LP I’m currently writing for Ohm Resistance.” The EP showcases the numerous talents of the artist, as well as crucial amplifications from his collaborators. Including Jakob Klug on artwork (previously work includes Black Sun Empire and The Outside Agency) and The Netherland’s legendary DJ Hidden, who has remixed the closing track – Doomslayer. The Masamune comments: “I consider DJ Hidden a pioneer and an early influence of mine. He was gracious enough to lend his talents on the remix of my 2018 track “Doomslayer”. The Masamune is a multi-genre producer, remixer, & live act from Atlanta, GA. A composer and sound designer known for his niche style of blending orchestral elements into the chaotic palettes of hard drums and heavy synths, his tracks explore dark themes and deliver punishing consistency. A top-flight production ethic combines with rich exploration of the dark side of Drum & Bass, his works are an automatic dancefloor uplifter in the hands of skilled DJs. He has released on Harder & Louder, Mindocracy, Smackdown Recordings, and was a participant in the Ohm Resistance 7″ series, as well as an annual contributor to the Perihelion compilation series.
d B2 Doomslayer DJ Hidden Remix
The first single from the Mathlovsky album Yassssin, “ The Heat” i s EXACTLY what is said on the label: PURE FIRE! Featuring the talents of album collaborator and live drummer Gregory Simons, and vocalist duo Jason and Rhonda, this single is the maximum hype pressure coming off the LP. Label boss and global octopus extraordinaire Submerged does the B Side honors with a tasty drum n bass tempo acceleration version. It’s important to rewind and understand how we got here in the first place…
Belgian electronic music giant Mathlovsky has continued his constant evolution, with new live performance with a live drummer. Celebrating and promoting this new partnership, the album Yassssin (4 S’s if you want to make it easy on yourself) is being released on double vinyl by Ohm Resistance this Spring. With 3 video singles, we decided to make a special one-off, limited Fire Red 7” to go along with the first single.
Since 2019, Mathlovsky has invited drummer Gregory Simons to perform at his live shows, to add another layer of punk & funk fueled acoustic drums.
Not replacing the electronic heavy hitting beats but by looking at his drumset as another instrument, Mathlovsky’s music has entered another realm.
As such, a new era has begun. Yassssin, the first album with Simons’ acoustic drums as an added weapon of dancefloor destruction, is the perfect representation of what Mathlovsky live is all about. After ten years of dwelling in the rave scene and band scene alike, Mathlovsky has fused all his influences and tastes into one cohesive album. Inviting his talented Belgian music friends to contribute a voice, an instrument and overall energy, this album is a ride to never forget.
For both ravers and moshers, Mathlovsky has crossed boundaries between worlds and begins this decade with a massive bang.
Acoustic Resistance ist ein Projekt, das von den Musikern Julien Decoret (Joon Moon, Nouvelle Vague) und Julien Boyé (Gush, Nouvelle Vague) ins Leben gerufen wurde, wobei sie die riesige Instrumentensammlung nutzen, die sie auf ihren Reisen im Laufe der Jahre zusammengetragen haben. Die Band kreiert rhythmische, hypnotische Tanzmusik, die in ihrem Stil und ihrer Form an elektronische Musik anknüpft und gleichzeitig einen kritischen Blick auf die moderne Welt wirft.
- A1: Americana
- A2: Lies Ft. Look Mum No Computer
- A3: Midnight Resistance
- B1: I Need You
- B2: Rent Boy Ft. Jay Jay Johanson
- B3: ?????? ????
- C1: L’avenir D’avant Ft. Diamond Deuklo
- C2: Mandala Ft. Ornette
- C3: On Sight
- C4: Fallling Apart Ft. Simone
- D1: Long Hair, Black Leather
- D2: On My Own Ft. Maxence Cyrin
- D3: Les Heures
Midnight Resistance ist das 4. Album von The Toxic Avenger. Und zweifellos das außergewöhnlichste, bei dem seine musikalische Handschrift am besten zur Geltung kommt. Das Album gleicht einer Symbiose aus unterschiedlichen Einflüssen und Elementen, von energiegeladenem Elektro bis zu Popavancen, vom klassischen Song bis packenden House der 90er Jahre, vom neoklassischen Piano Revisited bis zum aktuellen Synth-Pop. Ein Album, bei dem der Fokus klar und direkt auf Emotionen und Gefühlen ausgerichtet wird und die Technik bewusst einen Schritt zurück tritt. Keine Frage - es ist auch sicherlich das Genre durchbrechendste und dabei offenste aller seiner Alben, bestückt mit echten Pop-Singles, wie die berauschende "Lies" (feat. Look Mum No Computer), die nostalgische Ballade "Mandala" aus den 80er Jahren (feat. Ornette) oder der packende Popsong "Rent Boy" (feat. Jay-Jay Johanson). Ein besonderes Highlight des Albums ist die Zusammenarbeit mit Maxence Cyrin bei dem sehr ausdrucksstarken und emotionalen Titel "On My own". Die wohl größte Überraschung dieses Al- bums besteht darin, dass Toxic Avenger bei "Les Heures" das erst Mal selbst singt und der Platte eine ganz besondere Note schenkt. Zum Abschluss beglückt Toxic Avenger mit zwei besonderen Gäste. Diese runden die Platte mit der luftigen und hedonistischen Teilnahme von Simone bei "Falling Appart" und dem Spoken Word und immer ungewöhnlichen Flow von Diamond Deuklo auf dem treffend benannten "L'Avenir d'Avant" genussvoll ab. Über zwei Jahre beschäftigte sich Toxic Avenger intensiv mit modularen Synthesizern – aus seiner leidenschaftlichen Klangforschung ist nun ein neuer Sound entstanden, der die Seele der Synthesizer "lebendiger" und organischer erscheinen lässt. Hier ist ein beeindruckendes Werk eines "Klangchirurgen" entstanden, dem es gelingt Stimmen im Detail zu sezieren und ihnen eine magische Aura zu verleihen und dabei ebenso eine intensive Reise in die Tiefen von Melodie und Klangwelten unternimmt, ohne den Fokus auf die Songs selbst zu verlieren. Dieses Album wird zu einer Zeit besonderer Aufmerksamkeit und Sichtbarkeit für The Toxic Avenger veröffentlicht, der gerade die Musik für Hugo Boss Parfum kreiert hat: (Europa/LateinamerikaKampagne für TV/Kino und Web for the World, für zwei Jahre sowie die Musik für die nächsten Web-Werbung von Armani und Yves Saint Laurent unterschrieben hat
Repress
Vinyl Only
Acid Resistance is Back!
Ohm Resistance founder Submerged returns to pure drum & bass, bringing the most cutting edge producers in the game to the forefront on his new EP. “The Eradication of Untruth" charges at the dance floor and covers it from all angles - epic, hardcore, modern, and the punk as f*@# style that Ohm Resistance has trademarked since 1999. 'Transformation' is an epic duet with Estonia’s Ajamari, a melodic journey, with the classic Submerged reese making your eyes roll into the back of your head. 'Cell' is a serious bruiser, with hardcore 4/4 action courtesy of Hungary’s Savage. The B side places you into Surrealistic Dystopian Nightmares, with the distinctive strings of Masamune paired against the crushing weight of Submerged amens. Finally, you reach the Abyss - a punk tribute to Prodigy created with Latvia’s Molecular at the time of Keith Flint’s passing - shouted vocals over a searing halftime ending keep this record memorable to the last drop.
Dadub is a project synonymous with the deepest rhythms from the interior of the human psyche. Low-end mysticism. Tribalist periodic audio patterns. The Berlin-based Italian producers behind the project, now constructed of sonic warlock Daniele Antezza and performance artist Marco Donnarumma, supply an unmistakably unique vision of post-apocalyptic dub landscapes. Past, present, and future blend into one, backed by the supremely sublime BASS of creators who are light years ahead in their field. A Sun Called Moon is a superior first representation on Ohm Resistance, detailing their ongoing mission of creating bass-present music, regardless of dancefloor conformity. The Time You Killed opens as a psycho-acoustic audio film, depicting the unknown world from which the EP emanates. I Would Gladly Die… introduces the first heavy rhythmic patterns, completely alien to identified structures, while unmistakably pushing a groove that entrances hypnotically. Past Times Present Ruins lowers the tempo and continues extrapolating into new rhythmic territory – or is it ancient? It Was Too Soon follows with beat driven hednod, as influences from Scorn to Autechre are subsumed into the universal language that comprises Dadub. Feeling both familiar and foreign, both modern and eternal, Dadub’s first appearance on Ohm Resistance is a fascinating drama played out in 4 acts. Spliff recommended – subwoofer required. All tracks Written and Produced by Daniele Antezza and Marco Donnarumma Mixed by Daniele Antezza and Marco Donnarumma at Dadub Studio, Berlin Mastered by Xergio Cordoba @ Eternal Midnight Studio, Madrid Photography by Flora Schwartz Layout by MachineTM
7"
we are all leaving’
Absolute Drum & Bass master Current Value with a super fun dancefloor smasher. Introducing Atlanta’s grimiest halftime with Masamune’s vinyl debut.
kill the misery profiteers kill them now
Double slice of UK style Bass. Mick Harris’ Fret lands with a tweaked out dub cut, while KSP lands with a mega slow loping dark hop killer.
Demon come, demon go.
It’s a 3fer with New Orleans Sonic Terror partners dropping down south dark hop, nem0 with the abstract downtempo, and a piece of filthy sludge from German noise terrorists appended for shock value.
2x12"
The first LP from Scorn since 2010’s Refuse; Start Fires, Cafe Mor is Mick Harris in his happy place. Which just happens to be in studio, demolishing all standards and rules for electronic bass music, and embodying the darkest, deepest sound in dub. Cafe Mor takes risks outside of the conventional Scorn apparatus, and with these risks come substantial rewards.
The album is comprised of powerful dub excursions, from the deep dark dank of the front two tracks Elephant and The Lower The Middle Our Bit, and gaining steam towards the ultraviolence of Mugwump Tea Room to Never Let It Be Said to the CRUSHING DEATH KICK of Who Are They Which One. A quick drive under the lights with a lasered out snare on Dulce, then we come across the appearance from Sleaford Mods frontman, Jason Williamson, on the standout track on the LP, “Talk Whiff”. A cruise around the Midlands sighting the Broke Fridge and Tinder Surprise, with an instant classic refrain:
“Talk Whiff // I’m a busy person // I’ve had enough of it”
Cafe Mor culminates in the all-in-one dub affair SA70, letting rip all the new mixer and fx techniques of Harris’ most recent incarnation of Scorn. The album is the official soundtrack for all smoked out backroom deals, situations and arrangments, cancelling all small tours, and mongoose rhinocharging the bass to level 24.
All tracks Created and Mixed by MJ Harris in the Lad’s Old Room
B14 Mastered by Daniele Antezza for Dadub Mastering Studio
Artwork, Layout by MachineTM
