quête:rhythm box

Genres
Tout
Alfredo Linares Y Su Sonora - Vol. 1: The MAG Years

After the tremendous success of the first two boxsets of Nuyorican goodies, Rocafort Records heads to Peru for our next instalment of Salsa & Boogaloo treats!

We have compiled six of the finest songs from Alfredito Linares' first two albums, both recorded for Manuel Guerrero's label 'MAG'. 'El Pito Y Otros Exitos' was released in 1968, followed by 'Yo Traigo Boogaloo' in 1969. Both albums are highly sought after and prized by collectors, DJs and music lovers. Not only do they showcase Linares' talents as a pianist, composer, and arranger, but they perfectly capture the infectious rhythms of the era 'con tremendo swing'.

Including liner notes by DJ Timber.

pré-commande15.01.2021

il devrait être publié sur 15.01.2021

24,78
SEN MORIMOTO - SEN MORIMOTO

Sen Morimoto

SEN MORIMOTO

2x12inchSRLPC142
Sooper Records
05.01.2021

Der in Kyoto geborene Multiinstrumentalist, Komponist und rappende Songschreiber Sen Morimoto veröffentlicht sein selbstbetiteltes zweites Album. Zu hören ist darauf nicht nur er, sondern ebenso die Hauptakteure der Indie-Szene seiner aktuellen Heimatstadt Chicago: Lala Lala, Nnamdï, Kaina, Joseph Chilliams, Qari sowie die nationale Youth Poet-Preisträgerin Kara Jackson als auch die japanische Elektro-Musikerin Aaamyyy. Die gesamte Produktion und Instrumentierung des Albums stammt von Morimoto selbst, das mit rhythmischen Verschiebungen, unerwarteten Harmonien, Arpeggios und schnell gleitenden Saxophon-Leads so reichhaltig wie eine Jon Brion-Produktion klingt. Seit der Veröffentlichung seines introspektiven Jazz-Rap-Debüts "Cannonball!" vor zwei Jahren war Morimoto sehr beschäftigt. Er tourte gleichermaßen mit seiner eigenen Musik als auch als Mitglied des hochgelobten Chicagoer Jazz-Kollektivs Reservoir durch die Welt und war außerdem mit Lala Lala und Kaina unterwegs. Zusammen mit ähnlich gesinnten Musikern wie Nnamdï und Glenn Curran betreibt SEN MORIMOTO seit 2016 das Chicagoer Label Sooper Records, das mit Veröffentlichungen wie Kainas Debüt "Next To The Sun" und Nnamdïs "Brat" im letzten Jahr auf sich aufmerksam machte.

pré-commande05.01.2021

il devrait être publié sur 05.01.2021

26,01
SCANNER - THE SIGNAL OF A SIGNAL

Heavyweight LP Picture Disc in a Deluxe PVC bag with flap.

The album opens with an abandoned soundtrack to a recent Hollywood movie, leading into an expansive score for Dutch National Ballet which premiered at the re-opening of the Stedilijk Museum Amsterdam in front of Queen Beatrix, with synths and live strings offering a sinuous melancholic path.

Side Two explores a deep sense of intimacy and reverberant space. Baltik Kitlab introduces a throbbing variation on chamber techno, with soft shuffling rhythms. The album concludes with a contemplative, cloistered and emotional piano piece, Dead Letter Office, with a strong emotional pull.

It’s music that is tender, elegant and heartfelt. The Signal of a Signal of a Signal is a mature work of contemporary electronica from an artist who has been re-inventing himself for nearly the last thirty years.

The Signal of a Signal of a Signal was originally released in an extremely limited CD box set on Touched Music in December 2019. It was accompanied by new albums from FSOL, Locust, Anders Llar and others. The box set sold out in 10 minutes and raised more than £10,000 for Macmillan Cancer Support in the UK. Interest in the album continued and so here is a special edition on heavyweight vinyl in deluxe PVC bag with flap, with all new artwork. It’s an exceptionally personal and fragile release, woven in with the deaths of his entire family to cancer. The album is both a rhetoric of mourning and a celebration of music to empower.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

19,87

Last In: 5 years ago
Martin / Deason - Race For The Vaccine

Martin Deason “Race For The Vaccine” on Third Wave Audio or TWA. This is as some of you who are familiar with Detroit techno might be wondering. It is a collaboration of Detroit third wave artists Gary Martin and Sean Deason. A 2020 start up project for a new label. Perfectly defining the feel of the summer of 2020, “Race For The Vaccine” has the edgy anxious rhythms and epic chords describing a life or death situation. It comes with 2 versions, one with real drums for the more outside of the box DJ and one for the more straight forward DJ.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

9,96

Last In: 4 years ago
Various - Earthly Tapes 02

Various

Earthly Tapes 02

12inchEARTHLY002
Earthly Measures
07.10.2020

Part 2 of the compilation series sees the journey evolving, this time with a more upbeat affair. Not much has changed in terms of selection, as we continue to draw inspiration from the wider world, we bring to you the sounds of artists originating from Argentina, Japan, Netherlands, Portugal, Brazil and the UK. Beyond the restrictions of this physical realm, let you ears nourish the mind & soul as they traverse the world for you…

Argentinian resident Silvio Astier introduces us to the record with the aptly named ’Santa Maria del Buen Ayre’ - the former name of his hometown Buenos Aires. Easing us in with a wonderfully atmospheric piece, carefully mixing simple percussion patterns with his own well-crafted luscious guitar work.

Next up, we have Japan native/Berlin resident Kotoe continuing the flow of downtempo sounds that slowly settle us into this compilation. ‘Ondami’ conjures up images of a distant dream… the floating vocals and echoing chimes capable of drifting the listener to a place of blissful escapism.

The tempo is turned up a notch for the last track of side A, provided by UK born folklorica maestro El Buho. Renowned for his love of merging the traditional and natural sounds of South America with modern electronica, ’Swifts’ certainly ticks those boxes with an added touch of dance-floor-ready groove.

Portuguese native duo Oxhala continue to push the sounds on the flip side into heavier territory. ’Earth Spirit’ builds from an amalgamation of stomping tribal drums, hypnotically playful keys and distorted vocals, channeling the listener to our innate primitive spirit - this is one for the body & mind.

Dutch party-starter Mytron’s contribution ’Oil’ provides the fuel for the party as he turns to fast-paced conga rhythms, cowbells and elephant trumpets. These exotic sounds bounce along with ever-persistent energy to create the soundtrack to a hedonistic carnivalesque celebration of all things wild.

If you haven’t already peaked with the previous offering, Brazilian native El Peche wraps things up nicely with track ‘Rastro De Fogo’ (ft. Mari Branco). Tripped out vocals phase in and out as the track is dominated by a tight bassline before delicate keys bring in a softer element to finish.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

10,29

Last In: 3 years ago
Shed - Tectonic EP

Shed

Tectonic EP

12inchTEC112
Tectonic
06.10.2020

Repress

René Pawlowitz presents himself in many different forms; whether it’s as Head High, EQD, Wax, WK7, The Traveller or more recently as Hoover - he consistently, and without any fuss or hype - produces some of the most effective, quality techno you can find on the planet. The Shed alias is usually reserved for his best work.

With this in mind, it really is a special event to announce this amazing new EP from Shed on Tectonic, showcasing 3 distinctive and highly effective techno cuts.

‘Try’ takes a broken-beat techno rhythm for it’s spine - reminiscent a little of the 2008/9 dubstep/techno crossover period. Tension is set with dissonant elements pulsing around swooping subs until we are saved by the heroic pads that ease in, building ever upwards to a lush finale. Close your eyes and be transported back to the rave.

‘Box’ is a darker, more percussive affair - claustrophobic and industrial. 130bpm 4/4 distorted kicks set the stage as frantic drum machine hats and claps crash about heavily reverb’ed ghostly samples.

Lastly we come to ‘Sweep’, a hypnotic bleepy roller with a bass heavy presence. As the riff loops up and over, drums build and a dissonant synth part creeps in. The not-quite 4/4 kick drives you ever forward with a gentle stumble as rattling hi hats flair about over head. Great finish to a great EP.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,70

Last In: 22 months ago
B9 - Belgian Cold Wave 1979-1983

B9

Belgian Cold Wave 1979-1983

2x12inchLTMLP2486
LTM
06.10.2020

LTM presents a limited double vinyl gatefold edition (500 copies only) of B9, the definitive collection of cold wave and minimal electronica from Belgium, recorded between 1979 and 1983.
Originally released on Sandwich Records in May 1981, B9 featured 10 exclusive tracks by luminaries such as Digital Dance, Polyphonic Size, Kid Montana, Pseudo Code and Prothese, the latter the first recording project by Daniel Bressanutti of Front 242. Now digitally remastered, with 10 additional tracks on the second disc, this new deluxe vinyl edition also features Front 242, The Names, Marine, Siglo XX, The Neon Judgement, Berntholer, Allez Allez, Isolation Ward and more.
Cover op-art by Victor Vasarely. Design by Benoît Hennebert, based on a poster for The First Belgian Rhythm Box Contest (1981). Liner notes by James Nice. The existing CD version of B9 is also still available (LTMCD 2486) 

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,29

Last In: 4 years ago
RNDTXTR - Random EP

Rndtxtr

Random EP

12inchREKIDS163
Rekids
06.10.2020

Enigmatic producer RNDTXTR debuts on Rekids with a deep techno three tracker entitled‘Random EP’ this September.

“Some tracks just stick with you. They never leave your box, or in this case USB, and I’ve been playing these tracks from RNDTXTR for well over two years. Everywhere from Tokyo to Berlin. These have a universal appeal, being hypnotic and just the right balance between pushy club sounds and spatial melodies” - Radio Slave

Shrouded in murky atmospherics, ‘RND009’ opens the package with rigorous drums, shuffling shakers, sweeping pads and scintillating synths. ‘RND007 (Dub Mix)’ continues with a similar cantering rhythm as various rattling percussive elements work alongside clever automation for a tracky cut designed to lock listeners into a trance. Concluding matters, ‘RND004’ is the wonkiest number on the package with its syncopated groove and otherworldly melody.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

10,04

Last In: 3 years ago
Teleseen - Exposures EP

Teleseen

Exposures EP

12inchHEIST049
Heist Recordings
05.10.2020

Over the years, the sonic world of Heist has grown into a place where energetic house, live instruments and worldly electronics move together in the most natural way. We're very proud of the fact that we can showcase artists that cross boundaries or simply create their own universe, while keeping a strong connection with the identity of the label.

Our next release, the 'Exposures EP' by Teleseen, fits perfectly into this aesthetic. Teleseen is the main project of nomadic DJ, producer and multi-instrumentalist Gabriel Cyr and draws influence from deep house, afro house, samba, batucada as well as the experimentalism and sound system cultures of his home town NYC. His sound leans heavily on polyrhythmic programming and he's nothing short of a synth wizard. His 'Exposures EP' features 3 originals, and a remix by Berlin based Italian house guru Black Loops.

The record features a number of collaborators and recordings of various instruments, ranging from percussive sections to synths and guitar. This live approach to electronic music is one that is deeply rooted into Gabriel's work. His upcoming release on Soundway as 'Thaba' is another good example of this approach and also shows how diverse his sounds really is.

The title track is a thrilling synth affair with tribal-like chants running through a vocoder. The combination of handclaps, crunchy synths and steady drums make for a thrilling afro house track that hints towards early motor city electronics.

Black Loops is known for his deep grooves and built his fame with his releases on Freerange, Pets and Shall not Fade. His take on 'Exposures' sees him upping the tempo to a pacey 130 bpm, where an introvert vibe of reverbed hits and bleeps take you into full dream mode. He expertly chops up the original into a contemporary track that fits somewhere between high tempo tech-house and minimalistic deephouse.

On the flip we get to hear more of the sonic world Teleseen has to offer. 'Dekalb' is a track that seems impossible to box into a genre. Its mood is set by a lovely section of free-flowing Rhodes chords and the chopped vocals and open synth- bass give the track a whole new feel. It is that ballsy electronic edge combined with dreamy textures and live rhythms that give 'Dekalb' its unique vibe.

The final track of the EP -'Transfer'- takes us down to a mid-tempo percussive workout with a balearic twist. The steady electronic groove and the free flowing guitar take you to yet another corner of Teleseen's beautifully crafted universe.

Enjoy the music and play it loud!

Yours Sincerely,
Lars & Maarten

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,61

Last In: 4 years ago
Vox Populi! - Myscitismes

Vox Populi!

Myscitismes

12inchPLA038
Platform 23
08.09.2020

Vox Populi!'s cult and highly sought after debut LP is finally reissued here after 30 years. Recorded after their first single - Ectoplasmies (1983) - between 1984 and 1985, the original band of Mitra and her (then) 14 year old brother Arash and Axel Kyrou, evolved from 2 early cassettes and the 7"s' rudimentary, idiosyncratic and improvisational structures to more cohesive edges. Living together, but with no formal music education, the nature of the disparate elements led to a sparseness of the recordings. Influenced by his mother, the concrete music pioneer, Mireille Kyrou and her work at GRM (State Institute for Musical Research), Axel challenged his creativity by utilising their Vox Man studio as an instrument. Building on minimal synth, rhythm box, hand percussion and Persian poetry, they experimented with tape manipulation - layering the music with forward, backward and echo simultaneously - creating a leap in the band's development. The dark nature Myscitismes was reflected in their increasing interest in industrial and ethnic music, with a great fascination for the religious traditional music of Tibet. Ceremonial, gothic, drone-folk, the progression is apparent; onward perceptions.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,04

Last In: 5 years ago
Axel Larsen - Les elements du crime

Axel Larsen is one of those prolific bedroom artists who spend their day composing nuggets music with improbable set-up, it can be home made synth, cheap rhythm box, 4 tracks tape recorders, delays or whatever is possible to find to create the weirdest tunes. Axel is from the Simple Music Experience crew, member as Haydée of Radiante Pourpre, Violent Quand On Aime, Simplists, etc.. representing the modern electronic DIY punkish french scene.
We are really excited to welcome him on board and release his first solo record as a 10 inch on our « Special series » MMS.10 inch - Limited to 200 copies only.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

12,98

Last In: 4 years ago
DJ Woody feat. Ball-Zee - Box Cutter

Dj Woodyfeat.Ball-Zee

Box Cutter

12inchWWBC001
WoodWurk
19.05.2020
 
2

DJ Woody teams up with the incredible champion beatboxer Ball-Zee to drop one of the most original and useful new scratch records on the market! Box Cutter is made up of 100% original recordings with Woody utilising the phenomenal vocal dexterity of the UK’s Ball-Zee to create an arsenal of incredible new scratch sounds.

Side A (the ‘Scratch Side’) concentrates on vocal phrases, noises, sound effects and tones with 16 skip proof loops programmed at 133 bpm and 100 bpm and ends with a lock groove bass tone phrase. Side B (the ‘Drum Side’) contains a remarkable array of drum rhythms and sounds perfect for all manner of scratch drumming, beat juggling and production!

It features 11 skip-proof grooves and phrases at 66.66 bpm, 133.33 bpm, 100 bpm and 83.33 bpm as well as 3 ridiculous freestyle tracks for more intricate juggle routines. 2 copies are a must for all jugglers!

• 100% original sounds and phrases
• Perfect for scratch jams, drumming, beat juggling and production
• 27 skip-proof loops, 2 lock grooves and 3 freestyles
• Super loud and deep pressing on black vinyl

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

17,61

Last In: 4 years ago
Takayuki Shiraishi - Anthologia

Takayuki Shiraishi

Anthologia

12inchSTUDIOMULE32
Studio Mule
08.05.2020

Studio Mule drops “Anthologia”, the final chapter of a close look on the work of the Tokyo born DJ and producer Takayuki Shiraishi, a jack of all trades, that sways through Tokyo’s vast music scene since the late 70’s, a time when post punk grooves called the tune. As part of the band BGM he released in 1980 the album “Back Ground Music” on the legendary Osaka based underground label Vanity. Last October Studio Mule reissued BGM’s no wave, free funk mini-mal treasure. A few Month earlier Studio Mule already published “Missing Link”, a thrilling retrospect on Takayuki Shiraishi's unreleased material from the late 1980s, a creative period of which only a little ever saw the light of the day.

And now “Anthologia”, a record that is dedicated to his work during the years 1990 to 1996, a time span, in which Shiraishi moved on to produce house, downbeat and playful electronica. In 1995 he released the ambient/techno 12inch “Spectral Colours” on the R&S sublabel Apollo under the alias Planetoid. Two years later he manifested his techno leaning creativity under his given name on the album “Photon”, a record that helped launching Japan’s techno scene. It was followed by two more long players, that display his wide musical taste with ambient, house, breakbeat and other genre blending styles. Besides producing, Shiraishi was also a prominent figure of Tokyo’s club nightlife, DJing alongside Jeff Mills as well as Krautrock icons like Holger Czukay.

“Anthologia” features three unreleased tunes of this lapse of time, as well as highlights some work Shiraishi produced together with his friend Jun Sonohara as Musica Nova and a hidden gem he tuned in for the “Isolated Audio Players 1” compilation, published by the Tokyo based Pickin' Mushroom Recordings label in 2000.

The three unreleased tracks display his love for diversification. “Distant Thunder” is a drone driven ambient voyage, that slowly melds into a gentle rhythmic sensation driven by loose hi-hat patterns and a soft chord crescendo. On the opposite, “Lapis Lazuli” comes around as a mellow melodic downbeat trip enlarged with twisted rhythms and cosmic infiniteness. “A Voy-age” shows his love for house music with a grooving arrangement that comes close to the kinky house gems of contemporary producers like Lowtec. Also, the already known “Isolated Audio Players 1” compilation tune “Flicker” is located in the house spheres, delivering nervous jacking minimal vibes emerging from a precise produced dance of melodies, grooves and sound effects.

In comparison, the four Musica Nova tracks show again another side of Takayuki Shiraishi’s many musical talents. “Birds in Paradise” is an elegant triphop tranquilizer, while tunes like “Nocturnal Tribes” and “Green on Green” express his passion for electronic arrangements that think out of the box with airy melodies, slow-motion big beat rhythms, jazz particles and an overall cosmic sound complexion. The tune “Shifting Sand” goes the same direction, while adding esoteric reverberations and a touch of Drum and bass.

Together the eight tracks turn “Anthologia” into something more than just an anthology of Takayuki Shiraishi’s work. In association, all compositions work like an album that overwhelms with a reasoned story-arc, who slowly rises to a hypnotizing peak, from where all downswings to a calm finish, that makes you want to start all over again.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

19,62

Last In: 5 years ago
Diarmaid O Meara - GOBSMACKED!

Limited edition 180g 12″ record featuring 5 bangers. Comes with high-quality gloss sleeve featuring Gobsmacked skull artwork.

Taking influences from underground spaces and dark clubs, the GOBSMACKED! 12” series kicks off with a bang, dropping a five track vinyl from Diarmaid O Meara. The Irish producer describes himself as “trying to push the boundaries of electronic noise” and he couldn’t be more right. It’s just 30 minutes long and hugely pulsing, but packs more punch than a gym full of heavyweight boxers. “While working on new tracks in the studio, I’m always trying to create my own personal rave, and when I find myself in the middle of a dark and twisted sound, then I know I’m on to something,” he says of the creative process in his Berlin bunker studio.

The 12” includes a number of previously released digital singles by Diarmaid O Meara, which have been his chart topping and most widely played tracks, that have not yet made it onto black gold until this point. Featured as multiple Beatport number ones, peak time festival big room sounds, countless Boiler Room recordings, the 12” is a collection of club belters, tried and tested over countless sound systems and DJs.

At Diarmaid O Meara’s touch in the studio, the technotic sounds released from his control become alive, while dark vibes take a stormy ride through intense rhythms. Track titles like ‘Selfish Bass’ convey the vibe of music that chews up and spits out razor-sharp techno and rave fusions that race to tempos upwards of 140BPM. There are playful techno tracks like ‘In Your Head’ next to euphoric rave ups like ‘Live In The Night’ and bass contortions like ‘Ripcord’ that are masterfully concise but utterly devastating. Not to mention the ever hypnotic, chugging sounds meets massive crescendo of ‘Improbable Strip’.

“Whenever something crazy emerges through a rig, enough for you to you hear people screaming in ecstasy, and you know the production has delivered”, he says. And it is exactly this momentum that GOBSMACKED! wants to deliver – it sounds loud and obnoxious but also fun that draws on real appreciation for dancefloor destruction as well as countless hours of studio work. Therefore, it is no surprise that the artwork for the series also features the style of the well known Gobsmacked bunker parties run in Berlin venues like the infamous Griessmuehle, where said music has probably been overplayed to crowds with goldfish length memories. .

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

9,03

Last In: 4 years ago
Various - DUB DUB DUB DUB DUB • THE WMNW REMIXES

Another win for the Glowing Pin as Müller & Wandt drop a fresh new age groover on a killer club dub tip. Elsewhere Phazer Boys, Suzanne Kraft, Philipp Otterbach and River Yarra remix the pscht out of their favourite tracks from ‘Instrumentalmusik..’. Expect Goan hits, cosmic trips, loved up rave and chilled out wave on this flawless five tracker.

Growing Bin becomes Glowing Pin for the most anticipated rematch of the century. Back at the beginning of 2018, Wolf Müller and Niklas Wandt went head to head for a box office smash, throwing a high school percussion tray, wall of hardware and voodoo skull into the ring for the tribal trip of ‘Instrumentalmusik Von Der Mitte Der World’. Now the multi-instrumental duo face off once again, but this time it’s a royal rumble with Phazer Boys, Suzanne Kraft, Phillip Otterbach and River Yarra all bringing the noise to the Glowing Pin.

Müller and Wandt dominate the action on the A1, playing loose with sampler vox, serene pads and future primitive rhythms on the unreleased ‘Fun Dub’ of the also unreleased ‘Dub Dub’. Imagine Ferris Bueller’s trampoline tumble trading Chicago to the Weissenhof and you’ll sense the mood of this New Age groove. Germany’s number one party dudes, those freaky Phazer Boys take a break from dropping killer Candomblé cuts to reach for the lasers on the A2, taking ‘Ahu’ to another dimension. Dripping in neon body paint and armed with fire poi, the Düsseldorf duo power up progressive house sequences, didgeridoo bass and thumping tribal house percussion for a wall-shaking, speaker-breaking remix.

The B1 belongs to synth whiz Suzanne Kraft who revels in glistening, gliding glory on an expansive remix of ‘Auflösung’. Sleek, serene and futuristic, the track shimmers like Fritz Lang’s Metropolis, free from inequality and rendered with the 5D(ub?) majesty of a DMT breakthrough.
B2 hears Salon associate and serious talent Philipp Otterbach take over on a stripped back and psychedelic post punk dub of ‘Expedition’. Angular bass by Süne Große and a stuttering rhythm underpin astral flourishes and the hazy vocals of Lucas Croon before the African elements begin to move to the forefront.
Last man standing is Australian outlier River Yarra, who leads us into the Krautback with a chugging dub of ‘Weltraumsandalen’. Lent a lysergic sparkle by a percolating one-note bassline, this slow motion stunner masters perpetual motion amid the eerie echoes of the bush, organic percussion and electronic animal cries fading into the night. Let the pins glow again.

Patrick Ryder

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

15,92

Last In: 5 years ago
BRAM DE LOOZE - COLOUR TALK

Bram De Looze

COLOUR TALK

12inchSDBANULP13
SDBAN ULTRA
19.02.2020

Bram De Looze is a Belgian pianist and composer whose distinct musical vision has found its way through both solo projects and collaborations. His unique technical skill and musical maturity have earned him considerable critical acclaim back home as his work spotlights his far-ranging interests - from traditional classical piano music, to solo improvisations that have often been compared to Keith Jarrett and Jason Moran. On the 21st February 2020, Sdban Ultra will release his highly anticipated new solo album, 'Colour Talk'.

De Looze made his entrance onto the national jazz scene with LABtrio, formed in 2007 with Anneleen Boehme and Lander Gyselinck, and he immediately impressed, flirting with urban jazz, electronics and hip hop.

After a period of studying abroad at the New School for Jazz and Contemporary Music in New York, where he studied with Uri Caine and Marc Copland, in 2014, De Looze launched the international septet, Septych, that once again stressed his affinity for jazz, classical music and improvisation. With diverse and astounding improvisors like Daniel Levin, Lester St-Louis, Robin Verheyen, Gebhard Ullman, Bo Van Der Werf and Flin Van Hemmen, it was the start of an explorative musical journey.

Over the past few years, De Looze could frequently be heard with kindred spirits like Stephane Galland, Dre Hocevar and Antoine Pierre but it was a visit to the historical collection of pianofortes of Chris Maene that inspired De Looze to release his first solo album 'Piano e Forte' (2017), and it received critical acclaim for its creativity, spontaneity and passion. He would later garner further acclaim working alongside fellow Belgian Robin Verheyen and American rhythm painter Joey Baron with whom he recorded 'MixMonk' (2019), a tribute to the legendary jazz pianist Thelonius Monk.

Bram De Looze's solo career took off in an unexpected way with 'Piano e Forte', a project for which he approached historical instruments from a contemporary perspective. The switch to the Chris Maene Straight Strung Grand Piano for 'Switch The Stream' (2018) indicated a renewed search for movement, evolution and introspection. His latest solo project 'Colour Talk', continues this trajectory with another revolutionary piano model, designed by lauded architect Rafael Vinoly, and a continued attempt to renew from within.

On 'Colour Talk', what you hear is a musician who has freed himself from stylistic constraints and limitations. While still rooted in jazz, classical music and free improvisation have found a new balance, a coexistence that enables the pianist to express himself with a new vigour. Switching between shorter pieces that feel like curious, unresolved puzzles and more extended explorations, 'Colour Talk' is once again an ode to (re)invention in the grey zone were the classical idiom and improvisatory urges meet, with the 13-minute tour-de-force of 'Hypnosis' as one of several undisputed highlights.

If you asked De Looze about his current position as an artist, he would probably tell you that it's all about forward movement and the need to keep evolving, about a trajectory as work-in-progress. However, if you consider 'Colour Talk' as a freeze frame of where De Looze is at, it is hard not to consider it a highlight in a career that should have some more surprises in store.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,13

Last In: 6 years ago
Various - Space Echo - The Mystery Behind The "cosmic Sound" Of Cabo Verde 2 X 12"

repress

2LP 140G VINYL + 12 PAGE BOOKLET.

"Space Echo - The mystery behind the "Cosmic Sound" of Cabo Verde finally revealed!" is the 20th release by the fabulous Analog Africa Label.

In the spring of 1968 a cargo ship was preparing to leave the port of Baltimore with an important shipment of musical instruments. Its final destination was Rio De Janeiro, where the EMSE Exhibition (Exposição Mundial Do Son Eletrônico) was going to be held.

It was the first expo of its kind to take place in the Southern Hemisphere and many of the leading companies in were all eager to present their newest synthesisers and other gadgets to a growing and promising South American market, spearheaded by Brazil and Colombia.

The ship with the goods set sail on the 20th of March on a calm morning and mysteriously disappeared from the radar on the very same day.

One can only imagine the surprise of the villagers of Cachaço, on the Sao Nicolau island of Cabo Verde, when a few months later they woke up and found a ship stranded in their fields, in the middle of nowhere, 8 km from any coastline.

After consulting with the village elders, the locals had decided to open the containers to see what was inside - however gossip as scintillating as this travels fast and colonial police had already arrived and secured the area.

Portuguese scientists and physicians were ordered to the scene and after weeks of thorough studies and research, it was concluded that the ship had fallen from the sky. One of the less plausible theories was that it might have fallen from a Russian military air carrier. The locals joked that again the government had wasted their tax money on a useless exercise, as a simple look at the crater generated by the impact could explain the phenomena. "No need for Portuguese rocket scientists to explain this!" they laughed.

What the villagers didn't know, was that traces of cosmic particles were discovered on the boat. The bow of the ship showed traces of extreme heat, very similar to traces found on meteors, suggesting that the ship had penetrated the hemisphere at high speed. That theory also didn't make sense as such an impact would have reduced the ship to dust. Mystery permeated the event.

Finally, a team of welders arrived to open the containers and the whole village waited impatiently.

The atmosphere, which had been filled with joy and excitement, quickly gave way to astonishment. Hundreds of boxes conjured, all containing keyboards and other instruments which they had never seen before: and all useless in an area devoid of electricity. Disappointment was palpable. The goods were temporarily stored in the local church and the women of the village had insisted a solution be found before Sunday mass.

It is said that charismatic anti-colonial leader Amílcar Cabral had ordered for the instruments to be distributed equally in places that had access to electricity, which placed them mainly in schools.

This distribution was best thing that could have happened - keyboards found fertile grounds in the hands of curious children, born with an innate sense of rhythm who picked up the ready-to-use instruments. This in turn facilitated the modernisation of local rhythms such as Mornas, Coladeras and the highly danceable music style called Funaná, which had been banned by the Portuguese colonial rulers until 1975 due to its sensuality!

The observation was made that the children who came into contact with the instruments found on the ship inherited prodigious capabilities to understand music and learn instruments. One of them was the musical genius Paulino Vieira, who by the end of the 70s would become the country´s most important music arranger. 8 out of the 15 songs presented in this compilation had been recorded with the backing of the band Voz de Cabo Verde, lead by Paulino Vieira, the mastermind behind the creation and promulgation of what is known today as "The Cosmic Sound of Cabo Verde".

The field of electronic music were involved. Rhodes, Moog, Farfisa, Hammond and Korg, just to name a few.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

27,31

Last In: 9 months ago
Art & Technique - Clima-X

Art&Technique

Clima-X

12inchBFE055
B.F.E Records
02.12.2019

Reissue of the fantastic debut LP from France's pioneer avant-electronic unit ART & TECHNIQUE. Originally released in 1981 by Hi-Tech records. Haunting obscure minimal electronic sounds, ambient and atmospheric ventures, abstract minimal wave with some ethnic elements. And excellent use of rhythm boxes, sound generators and strange vocals, reminds of 23 Skidoo's “7 songs”, early Muslimgauze, O Yuki Conjugate´s sound and the atmospheres of Jon Gibson or Jon Hasell.

Re-mastered by former member Bernard Filipetti. Limited edition of 300 copies.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

19,96

Last In: 6 years ago
Ruby My Dear - Altaïr

Ruby My Dear

Altaïr

12inchLOVWAX10
Love Love Records
15.11.2019

White Vinyl

This is "Altair", a collection of kaleidoscopic post-breakcore on Love Love Records from veteran french surrealist Ruby My Dear. Presented with artwork by TAPT on white vinyl.

The lights are out and a strange alien force surrounds the periphery of your hearing.. The sound of a haunting music box flickering in the darkness draws you closer but as you begin to approach everything explodes into dank crossbreed DnB rhythms that punch you in the gut and send you flying. As the bombardment of breaks momentarily subside you realise you've been beamed aboard the mothership and are now surrounded by unknown and indescribable visions.

You are given a brief moment to contemplate before your legs are swept from underneath you by a flurry of amens that would fry the minds of the hungriest of junglist's epicures. Journeying deeper into the heart of the beast you become aware of distant and immense rumbles but are stopped in your tracks by grinding brutal machinery rising up on all sides. As quickly as it appeared it starts to collapse and you are plunged into near darkness once again.

Pulses of light slowly begin to stab rhythmically from behind clouds and you feel yourself begin to move faster and faster through a void that is now streaked by a spectrum of colour. Floating debris starts re-arranging around you at light speed and every fiber of your being is simultaneously stimulated with needle-like accuracy. As the last string plucks play out the darkness falls away and the cover artwork comes back into focus. You immediately leave wherever you are and encourage someone else to experience this music.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

10,04

Last In: 5 years ago
NonZero! - Matrix Equation

Planning the imminent arrival of the 50th release on Touchin’ Bass, label boss Andrea Parker was digging through the warehouse during a stock take and it became apparent that there was something missing. There was a gap in the catalogue numbers. Where was TB036? Searching the archives it transpired that, for one reason or another (not least Parker’s inability to count), there actually wasn’t one.

So what better way to backfill this now documented gap than to welcome the multitalented guitarist and drummer, mathematician and multidisciplinary improviser Maria Gamboa Perez into the Touchin’ Bass fold with an updated focus for 2019.

Perez combines elements of rage, chaos, tension and anguish to form a visceral style. Her musical terrain and talent is shaped by dissonance and NO art. Under the moniker NonZero!, Perez brings Matrix Equation to the fore; a heavy 8 track EP with electro aesthetics from none other than Carl Finlow Scarletron/Silicon Scally/Voice Stealer.

Beginning her artistic career as a teenager playing as a bassist and guitarist in groups with influences from Noise, Avant Garde and the No-Wave, Perez was introduced into several areas of electronic music during the club culture years in Madrid and opted for styles such as Electro or Industrial, at which point she began to be interested in the introduction of rhythm boxes together with traditional drums.

Her passion for sound synthesis and musical exploration led Perez to introduce electronics into a solo project under the pseudonym NonZero!. Under this name she aims to make electronic music her field of sound research and for years has been continuously searching for existing relationships between sound and mathematics, focusing on the perceptual limit between music and noise.

Matrix Equation indulges in an evidential brooding angst, shifting between abstraction and the kind of elevated introspection carefully harvested over the years. With dramatic frontage in parts, blasts of boisterous energy and machine mayhem, its deployment of surprise, shifting focus and spontaneity operate in an assured statement.

Splintered beats and a foreboding sense of tension give way to a more DJ friendly logic of instinctive introductions and codas of gradual builds and breakdowns as Finlow further reworks the results to great effect.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,03

Last In: 5 years ago
Suade - Citadel EP

Suade

Citadel EP

12inchADAPT07
Adapted Vinyl
14.11.2019

Adapted Vinyl was a UK based techno label active in the late 90’s that picked up regular DJ support from taste makers of the time ranging from Jeff Mills to Mr C.

This, the label’s 7th record disappeared before a public release when the Integrale Muzique distribution company went out of business in 2008, but now gets its first official release date after years of very limited availability

Label founder Suade is the artist behind this release and these days he is best known as a highly-sought-after mastering engineer working for artists like Dense & Pika, Paranoid London, Jamie Jones and Vitalic.

Focusing his energies into family life and the fine tuning of other peoples music it’s rare to see Suade’s own music on a new release, but this hasn’t stopped him from collaborating on original tracks with the likes of Magda and Radioactive Man in recent years.

The EP has four contrasting tracks all with different moods and tempos all blended with Techno’s classic motoric drive.

With it’s absence from the usual music marketplaces creating something of a mystery this record ended up receiving a new, unofficial name on Discogs - The Citadel EP which is a title taken from the broken-beat second track on the B side of the record.

The Citadel is just one of the highlights on this eclectic EP, as it’s a Latronic Notron sequencer workout that patiently deploys layered synths in ever-shifting cross-rhythms for a languid 5 minutes before its deep, underpinning bass arrives evoking desert travel and arrival.

Baikal, named after the huge freshwater lake in Russia, is another stretched out meditation on tone and harmony acting as a foil to the delicate and vibrant Latin American percussion that filters in and out through a massive stereo Moog Modular system creating an energetic yet static, ritualistic atmosphere.

Trajan - the most driving track on the EP, gives a nod to the Probe era Richie Hawtin sound with a touch of Drexciyan melodics with shuffled percussion and bleeps over a snaking TB303 shaped bassline where the classic Acid box is given the role of control sequencer only commanding the thick, dirty oscillators of the big Moog.

A1 track Felix is a contrast yet again. A big room melodic Techno piece with another massive bassline and an almost orchestral level of layering, building to nine counter-melodies in total before letting rip with a classic TB303 acid line that builds from the heart of the track.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

9,87

Last In: 6 years ago
Dampé - Garden

Dampé

Garden

12inchDIRT122
Dirt Crew Recordings
11.11.2019

It’s been a busy eight months since Dampé’s debut on Dirt Crew Recordings. That time has seen the producer hold down monthly slots on Rinse FM, contribute a downtempo electronica/jazz edit to the S3A ‘Pages Remixes” EP as well as open big rooms for the likes of Surgeon and Blawan.

The intervening months have also seen the producer set up camp in the Rhythm Section studio in South East London, and the result of new access to studio gear can be heard all across ‘Garden’. Compared to the debut ‘Peach Shuffle’ this is a far more machine-led and darker listening experience. Snatches of acoustic instruments and space remain, but it’s never long before the disembodied vocals and oversaturated classic drum kits return reminding you this is music best enjoyed in the club.

‘A Basement, 10 Years Ago’ started just there. A bass line dimly recalled from a long-lost 6am jam is sequenced on a weighty analogue keyboard, while syrupy R&B vocals dance around mbira and gangsa, all slowly building and building together. ‘727 and Arp Breaks’ is a love letter to two of the producer’s favourite instruments from the studio. A TR-727 and an Arp Odyssey collide across dubbed out stabs to form some very rolling breaks.
Sunday Night Machines’ sees Dampé tame the box-of-physics that is the Arp Odyssey again with a sprawling meditation on two repeating arpeggios.

‘Garden’ is the one for the dancers. Four variations play with the same melodic theme in distinct sections, with the second variation being the deepest and most floor-ready the whole record gets. ‘France’ is a warped dub-come-hip hop beat that manages to conjure both Lil Jon and Yusef Lateef. We approached Liverpool’s finest ASOK (Lobster Theremin, M>O>S Delsin) for remix duties and to close out the record with a twisted bang. He turned in a propelling weapon that brings a whole new texture to the track listing. It’s very 90’s, very ravey and very raw, in a true IDM style.

With this eclectic mix of sounds we are entering another chapter of the Dirt Crew story and we hope you dig it as much as we do!

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

7,77

Last In: 5 years ago
Soul Jazz Records Presents - NIGERIA SOUL POWER 70

Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s. Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more. While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels. Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran
Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.
Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies of vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks
from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international
success of the big three international Nigerian artists. Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage. Nigeria Soul Power 70 is released as a heavyweight gatefold double vinyl LP (+ free download code),
deluxe slipcase CD and digital album.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

32,56

Last In: 4 years ago
Anthony Baldino - Twelve Twenty Two

A mind-bending blend of modular synth performance, Anthony Baldino’s dynamic Twelve Twenty Two LP is a treat for all ears. Baldino’s transcendent album is available both digitally and on vinyl on Thursday, October 24 via MethLab Recordings.

“The record focuses heavily on the modular synth as a composition tool and instrument. I originally approached this as a collection of tracks that were recorded straight out of the machine with little to no editing. The work flow of generating a complex patch and then figuring out the overall arch and performance of the piece was really exciting. The Tip Top Audio Circadian Rhythms was a key compositional tool in this process and was used to organize the overall structure of these pieces. It wasn’t until I stumbled upon a patch, the opening synths in ‘Fading Quickly Now,’ that I went back to how I used to write and shifted to harvesting sounds and rhythms from the modular and arranging and editing them in the box. That patch was originally created for a different track on the album, which I’ll let you find, but IH ad accidentally changed the clock rate before tearing the patch down. Hearing it in that new way triggered a whole new thought process and emotional reaction for me.” - Anthony Baldino

Originally approached as a collection of tracks recorded straight out of Baldino’s machine with little editing, Twelve Twenty Two is a complex piece of thoughtful modular work. A truly stunning display of masterful sound design, Baldino’s sound resonates with listeners from first note to last. Existing in a unique space where ambient sounds meet vivacious bass, Baldino seemingly exists in an impressive league of his own, with Twelve Twenty Two standing apart powerfully from the masses. With an already powerful arsenal of artists and releases, MethLab Recordings adds a brilliant 10-track addition to their already wild playbook.

“From the beginning, it was important for me to keep this record musical and emotional and not just an exercise in technicality, so using both the modular and the computer to arrange felt really good both emotionally and sonically and created a different balance to the record that I really liked. Switching the process up a bit halfway through kept things interesting and I think the body of work really benefits from it. This record is split in half with performance based/straight out of the machine tracks and the other half organized in the box. But when listening back, the two approaches overlap so much that it’s hard to tell where one approach ends and the other begins.” - Anthony Baldino


About Anthony Baldino:
Born and raised in New York, Anthony Baldino is an LA-based composer and sound designer whose work spans an enormous range of production avenues. The likelihood that you haven’t heard his world is nearly impossible, with music and sound design in too many trailer campaigns to list, including Prometheus, Interstellar, Ex-Machina, Star Wars: Rogue One, and Avengers: Infinity War and End Game just to name a few. From there, his work ventures to the opposite pole of production with custom sound design based compositions for Dolby Labs mixed in Atmos, beautifully glitched out remixes, and continues on to mind-bending modular synthesizer performances.

With his debut artist release, he delivers a devastatingly beautiful album grounded in IDM that focuses on modular synthesizers/ While a vast amount of modular synth music is currently being released, this album goes far beyond the typical beeps and boops that one may expect when they hear “modular IDM record.” This record is as technical as it is emotive. Tasteful and incredibly detailed, Twelve Twenty Two bridges the gap between sound-design laden beats and cinematic motifs and ambiences. This record does not disappoint and is sure to become a favorite of electronic music fans.

The album opens up with a slowly unfolding melody that seems to be within grasp, but never actually repeats itself. Incredibly tasteful glitchy sound design leads us into a build that one would only expect to be in a movie, and then drops into a full-on sonic assault of impeccable drums and rich synths. From there, the record traverses a wide array of texture, time and technique. Closing with a track that makes you feel like you could actually reach out and touch the sound and float in its space, the sonic landscape created in Twelve Twenty Two is a true treat for ears.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

25,00

Last In: 6 years ago
rRoxymore - Face to Phase

Rroxymore

Face to Phase

12inchDBALP006
Don't Be Afraid
01.10.2019

rRoxymore's long-anticipated debut album, Face To Phase, was born of her annual creative hibernation practice. Whereas her previous appearances for Don't Be Afraid - Thoughts Of An Introvert, Parts 1 & 2 - revealed inner worlds of saturated colour and natural expressiveness, she retreated into her studio at the turn of winter 2018 occupied with the idea of dismantling the dancefloor-centric pressure paradigm.


The resulting album, Face to Phase, finds rRoxymore methodically and mindfully stripping back to fundamentals: rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour. Forged by the spirit of club music cultures, Face To Phase favours deep listening; resisting the temptation to reflect on the past or project towards the future, it's an album that is firmly rooted in the contemporary.


Sparked by her own archive of field recordings, and produced primarily but not exclusively in the box, Face To Phase adds several facets to rRoxymore's already wide repertoire. The pensive and beatless opener "Home Is Where The Music Is" was inspired by her longtime friend Planningtorock, while "Forward Flamingo" is a spiraling dream-state of house music dissociation; elsewhere "Energy Points" remains anchored to the ocean floor, radiating heavy dub waves, "Passages" is a ghoulish skeleton of UK break beats, "What's The Plan" closes the album in a blissfully blunted fashion, while twisting, shape-shifting rhythms push and pulse "PPS21" into series of ever-evolving shapes and forms.


Through and in between the eight songs of Face To Phase, rRoxymore fortifies her status as a seasoned artist, grounded by over a decade of live performance and touring, collaboration, composition and experimentation. With a new live performance collaboration with a percussionist set to debut the LP at Atonal on 1st September, rRoxymore is primed to expand her reputation even further as one of the most vital and distinctive artists on the fringes of contemporary club culture.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

16,77

Last In: 4 years ago
Greg Foat & James Thorpe - Photosynthesis Greg Foat & James Thorpe

Athens of the North is very pleased to introduce part two of our nod to the world of library. This time round Greg Foat journeys into the world of synthesis with good friend James Thorpe. This new LP was recorded in the old Bees Studio on the Isle of Wight earlier this year,a special, different piece of work which I was delighted to receive on ¼ inch tape without warning. Greg's output continues to be prolific without ever tiring, he never plays it safe and is always looking forward whilst having an ear for our musical heritage.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,13

Last In: 6 years ago
Piano Magic - Low Birth Weight

2019 marks the 20th anniversary of ‘Low Birth Weight,’ the second album by Piano Magic, then a loose collective of musicians centred around founder songwriter, Glen Johnson. Though a year later, the collective would take shape as a bona fide internationally touring group, in 1999, Johnson had one foot in his native Nottingham and the other in his new home of London where, finding himself label manager at Rough Trade Records, also became highly prolific, releasing his own records across a myriad of micro-labels (Che, Wurtlitzer Jukebox, Darla, Rocket Girl, etc).

By his own admission, ‘Low Birth Weight,’ owes much to the East London experimental group, Disco Inferno who, embracing sampling technology, attempted to turn pop music inside out. By 1995, the Inferno had burnt out but Johnson remained inspired by their playful, subversive manifesto and thus, the album here, partly produced by “Nottingham’s own Martin Hannett,” Martin Cooper, is difficult to pigeonhole either at the end of the millennium or even now. Drum kit signals are fed through a tiny amp literally inside a cardboard box; breathing is employed for rhythms; kick drums are replaced with broken glass; there’s a ragbag of tablas, huge slap back delay and phase, theremin, shortwave radio, and more.

Aside from the DI benchmarks, ‘Low Birth Weight’ bears the marks of an infatuation with the dreampop of the time – the guitar saturated in delay and overdrive – inspired by the likes of AR Kane and Kitchens Of Distinction and not the more languid “shoegaze,” which has oft been levelled at LBW.
There’s a revolving door of guests on the album, including Pete Astor (The Loft/The Weather Prophets) on a cover of Disco Inferno’s ‘Waking Up’; Simon Rivers of The Bitter Springs supplies lyrics and voice to ‘Crown Estate’ and ‘Dark Secrets Look For Light’; Jen Adam, then an American art student on a year’s placement in London, writes and sings ‘The Fun Of The Century,’ a personal account of being pushed off a roof at a party by someone she thought a close friend.

‘Low Birth Weight’ is undoubtedly of its time, though undoubtedly more playful and literary than much of the music made during the late 90’s and a fascinating bridge between dream pop and experimental electronic music.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

15,59

Last In: 6 years ago
Section 25 - Always Now

Section 25

Always Now

5x12inchFBN3-045
Factory Benelux
03.09.2019
 
47

Factory Benelux is proud to present a deluxe 5 disc vinyl box set edition of Always Now, the debut album by cult Factory Records group Section 25, produced by legendary sonic architect Martin Hannett and sleeved by Peter Saville.
All tracks are newly re-mastered from the original quarter-inch tapes. The first 1000 copies of the box set are pressed in coloured vinyl: disc 1 (black); disc 2 (clear); disc 3 (yellow); disc 4 (red); disc 5 (silver). The outer case in printed in PMS 123 with spot varnish.
The 16 page booklet features unseen images by noted photographer Philippe Carly and texts by founder members Larry and Vin Cassidy. Also included is the first ever interview with guitarist Paul Wiggin, whose sudden departure in late 1981 saw Tony Wilson try (and fail) to recruit pre-Smiths teenager Johnny Marr as replacement.
Recorded as a trio at Pink Floyd’s Britannia Row studio in London in January 1981, Always Now combined austere post-punk rhythm and noise with elements of Can, Krautrock and modern psychedelia. Key tracks include Friendly Fires, Dirty Disco and New Horizon, along with C.P. (a collaboration with Hannett) and Hit (extensively sampled by Kanye West for the track F.M.L. on his 2016 album The Life of Pablo).
Disc 2 gathers together several non-album singles from 1980 and 1981, including Charnel Ground, Je Veux Ton Amour and debut EP Girls Don’t Count – the latter produced by mentors Rob Gretton and Ian Curtis (of Joy Division).
Disc 3 offers a complete live show professionally recorded at Groningen (Netherlands) on 26 October 1980, as part of a Factory package tour.
Disc 4 is part-improvised second studio album The Key of Dreams, recorded and produced by the band themselves a few months after Always Now, and released by Factory Benelux in June 1982.
Disc 5 consists of further experimental material recorded in 1981 and self-released on a cassette called Illuminus Illumina. This final disc closes with an extended (and previously unreleased) live encore jam recorded with all four members of New Order at Reading University on 8 May 1981.
“One of the best albums Britain's second city has unleashed” (Uncut);
“In 1980 their bass-driven mantras were thoughtlessly dismissed as second-rate Joy Division, but hindsight judges them more kindly. The wind-dried skeins of their blasted guitar harmonics and skimped electronics gauntly cling to the songs’ skeletal frames. With telltale titles like Babies in the Bardo their Buddhist interests hang heavy over these early stirrings. But, combining a bass-led drone with a characteristic groaning vocal, Charnel Ground succinctly pins down Section 25's pre-disco appeal” (The Wire)

incl. Download Code

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

56,26

Last In: 6 years ago
La Fine Equipe - 5th Season

New LP from French beat-makers La Fine Equipe featuring Illa J, T3, 20Syl, Mr J Medeiros, Georgia Anne Muldrow, Fakear ...

Let's be clear: La Fine Equipe is a band. The numerous hats wore by its four members are so various that it could mislead one's. Indeed, surrounding Blanka, oOgo, Chomsky and Mr. Gib, there are recording studios, collaborations, lives, side-projects... There is also and especially a whole universe built during the past ten years around their passion for beatmaking, embodied by the release of « 5th Season », new album.
So yes, La Fine Equipe is a band, but it's also much more than that.

Since their creation in 2006 and their first album « La Boulangerie » two years later, the four producers became inevitable when you think about a new scene breaking the barriers between musical genders. Hip Hop is at the heart of their craft, corner stone of their musical background and inspirations where the paths of J Dilla, Madlib, Flying Lotus, Kaytranada and the turntablists A-Trak, C2C and Birdy Nam Nam are crossing ways. Two things gather La Fine Equipe and those big names, the constant need of collaboration with other artists, and this thirst of discovery, main feature of the digger.

From 2008 to 2014, La Fine Equipe mastered its craft with the « Boulangerie », compilation gathering 34 beatmakers on 113 tracks. They also work on the creation of the label Nowadays Records (Fakear, Skence, Unno, Clément Bazin, Leska, Douchka...) and released more than 75 EPs and LPs in five years.
With an outrageous number of shows across the world, tour in Asia, South America, collaborations with several international artists... Their success changed the game: Whereas many producers coming from this environment where isolated, La Fine Equipe federated a growing scene and became its reference.
After years spent paving the way for other artists and creating a structure that could support the growth of a musical scene, they decided to go further and launch a new era with « 5th Season ».

Because the band works with eight hands and four brains, there's nothing surprising in the fact that the album sounds like a condensed of each and everyone inspirations and experiences, from hip hop and sampling, to electronica, jazz and Latinas inspirations. If homogeneity is the new trend, La Fine Equipe isn't ready to sacrifice its wishes to fit the mould.

« 5th Season » is also a glance at the world looking over our planet's current state, the cosmos, the vegetal and these things that are greater and stronger than us, and the things and behaviour that could led to our loss.
It's an almost apocalyptic vision of our future, but full of optimism at the same time. There is something solar and cinematographic in this album, a format that goes beyond the one chosen before, closer to playlist and compilations such as the three Boulangerie opuses remind us.

Loyal to their status of ambassadors, the four beatmakers keep on inviting other artists to complete their universe. Illa J and T3, respectively brother and partner (Slum Village) of the late J. Dilla, make the connection between a glorious past and the future embodied by La Fine Equipe on the track « The Source ». With « Aurora », it's the solemn and mystical voice of Madjo that take this electro-pop track to another level. The American rapper Mr. J. Medeiros on the boom bap anthem « What Eva », the Montrealer ZeFire on « Typical », each and every artists brings its stone to the edifice of « 5th Season », giving to the album a limitless and freed musical richness.

But to release an album isn't enough. In parallel, each member of La Fine Equipe continues to fulfil its multiples tasks and work on a new concept live show bringing a scenic and visual show in addition to their music. It is what the artists looking toward the future do, and La Fine Equipe is looking straight ahead.

_________________________________________________________________________

TRACK BY TRACK

AURORA (Ft. Madjo)
Already remixed by the quatuor on the beautiful track « Choose The Heart », it's Madjo's turn to be invited by La Fine Equipe for a collaboration. Her mystical voice, which fragility paradoxically seems to strengthen its power, turns the track into an epic pop anthem.

NOBU (Ft. Grems & 20syl)
The association of these three names seems obvious, like a family reunion. Grems did the visual of the anniversary box of La Boulangerie, 20syl (C2C, Hocus Pocus) was one of the beatmakers who took part in the project.
This time, the two big brothers are side by side behind the mic, for the first French speaking collaboration of La Fine Equipe.
On this trapy/footwork beat, the two rappers ring the alarm before it's too late to save our house, the earth.

THE SOURCE (Ft. T3 & Illa J)
In the family of Hip Hop jewels of 5th Season, here is one coming from the USA. Fans of J Dilla and Slum Village since the first hour, La Fine Equipe pays its respects to its influences by inviting T3 and Illa J. Respectively member of Slum Village and brother of the legendary Detroit producer, these two MCs build a bridge between the eras and let their sharpened flows confuse our perception of time.

5TH SEASON (Ft. Fakear)
A second collaboration with their little brother from the Nowadays Family, Fakear. Eponymous title, it represents the universe of both entities, true road trip through Fakearians melodies and La Fine Equipe's funk declined in five seasons.

TYPICAL BOY (Ft. ZeFire)
With « Typical Boy », La Fine Equipe express its love for House music with chopped rhythms and a heavy but swaying bass line. The freed track oscillate between power and lightness. A beat that quickly becomes ZeFire's playground. The Montreal singer, already heard on Her's tracks, brings a missing r'n'b touch to create the perfect chemistry.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

16,35

Last In: 6 years ago
Lee Renacre - Drug Music

Lee Renacre

Drug Music

12inchPUSH001
Pusher
03.06.2019

Introducing a new label and musical direction for Lee Renacre from 100Hz with, PUSHER. His aim is to push the boundaries of electronic music by using different time signatures and poly rhythmic patterns, and by not using 4/4 patterns and the standard hat clap beats it’s possible to create a different style of mood and dancing which is deep loose and skippy. Pusher has a bold new Techno sound and also a gentle side with tracks of deep emotive strings and melody’s.

This Series of tracks is called Drug Music, a stripped down funky style with unusual beat patterns and poly rhythmic elements best enjoyed and fully understood when in an euphoric state, always recorded from a live studio jam where Lee’s improvised sounds come to life with some unexpected results. Lee also collaborates with artist and good friends for some extra depth and to mix up this unique style of electronica.

The first of the Pusher EP’s is a thumping minimal and full on affair with infectious killer acid riffs in odd time signatures. Crisp funky modulating hats monster bass lines and dramatic interplanetary sounds with live tweaks, twists and turns. Also some seriously deep and intense music is coming from this live jam situation with a thrilling string track to round off the Pusher experience.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

9,79

Last In: 6 years ago
Various - Eye of the Minotaur - Collage 001

Soft Machine is a surreal wander through the mystical sonic forest. A vision curated and designed by Chicago native Justin Aulis Long. A Cyclopian point of view while gazing through a wide lensed scope, which exists in the liminal spaces where light meets dark and angelic forces bath in the sludge and stardust of unfiltered eroticism.

Eye of the Minotaur - collage 001 is a collection of artists working in varying musical practices that are channeling the solitude of mutantness, strolling through the familiar yet unfamiliar halls of the uncanny, refusing ordinary structures of the mundane, grasping the cold humor of cynicism, basking in the dichotomy of cosmos and chaos, and invoking the energies of Eris and Eros.

Setting the ground is Ciarra Black, a Berlin based New Yorker who makes no apologies for her bare knuckled soundscapes. DuPont Street is a ritualistic unification of discordant entities that summons visions of Pazuzu (lord of the demons) and Inanna (goddess of love) fornicating beneath The Tree of Life. Razor edged synthesizers slice through the atmosphere with the precision of an avenging angel’s flaming sword, while a psychedelic drum code activates ritual movement of the body.

As the needle passes beyond the next threshold it is met by a towering totem, bristling with the illuminated light of the sonic astral plane. Erected from the foundational matter that birthed the Detroit electro punk sound, Eyes Up continues to add to the narrative that is drenched in deranged electronics intuitively mangled in a post punk tradition. Dystopian percussive rhythms generate an unorthodox domain where muffled utterances present an aural Rorschach test. Could this be the riddle of the Sphinx, or an ancient spectral being that possesses secret knowledge? Only its creator, Stallone the Reducer, holds the key.

Fixed at the axis of the journey, Perfect Headache Forever, a mystic operating within the DIY spaces of Chicago, levitates on a transcendental mass that is equally melancholic and optimistic. Her voice hosts a strength equal to a pantheon of titans. Armed with a magical electronic musical box, she weaves narratives that are prophetic. Itself Ecstatic is a voyage through a misty soundscape that begins at one point, but ends in a distant other, in accordance with a system of divination.

Gazing into the murky waters of the oracle’s cauldron, Circling Vultures, (a collaborative effort by Justin Aulis Long and Kenneth Zawacki) channel and evoke the spirits of Antonin Artaud and Geroges Bataille. The poet’s voice, engaged in an act of mutilation and self cannibalization, howls while projecting visions of sacred conspiracies, sensations of vertigo while peaking over the edge of the abyss, and the looming weight acquired from the solitude of the Minotaur alone, sitting silently at the center of the labyrinth. Accompanying the mystical bard’s verbal declaration is a triggered mechanized synth that roars with the vitality of Cold War era Wave music, which is then juxtaposed against applications of loose keyboard playing. The artist’s hand is revealed against the calculated actions of machines.

Bringing the document to its finale, Libby Del Barrio, a multi disciplinary artist based in San Antonio, performs a closing ritual in a manner that only she knows. Setting fire to the Elysium Fields while personified as Moze Pray, Del Barrio rejects plastic narratives that aim to pacify. No Tears, is an unapologetic account of life’s feedback loop around the Wheel of Fortune. Sacrificial actions through ceremonial performance reveals a gateway founded on truth and torment. Moze Pray’s ability to combine musical production, poetic vocalization and ritualistic body performance is charged by chaos and amalgamates into a product of pure expression that defies the rose colored filters aiming to conceal harsh realities.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

9,03

Last In: 6 years ago
Various - Electro In The Key Of Detroit Vol.1

From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat... "Electro In The Key Of Detroit: Volume 1"...Proven dance floor dope & record crate staples that provide the hungry ears of masses the groove to move: World-Wide. 'DJ K1's "Erase The Time" (featured on Detroit's WGPR TV "New Dance Show" in the 1990s) rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure. 'Posatronix' mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. A sure-fire stepper that also shared popularity on TV dance show platforms from Techno City. 'Blaktony's tempo-pushing "Holla Holla" , direct from the documentary soundtrack: "AUX88: Portrait Of An Electronic Band" dvd box set (a radio Dj/mix show favorite) sees the light of day on this wax collectable, giving praise to Motor City footwork culture. Also included in this monster EP is the rare 'AUX88' voyage entitled: "Phantom Power"...a gem and collector's choice. Crafted exclusively for the laid-back option away from the party or to enjoy accompanying a night's drive. This collection of re-issued jams and new explorations 'IS' the must-have for the electro/techno & bass aficionado...See it as either a DJ's weapon of choice, or the gift from vault

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

14,24

Last In: 5 years ago
Nacho Marco - Simple Things

Nacho Marco

Simple Things

12inchLDS041
Loudeast
17.04.2019

To happiness through simplicity. Rendering a very personal tribute to well understood minimalism, the same that is based on simplicity and conceptual refinement and that is adapted to the creation and musical production -respecting that electronic maximum canonical of "less is more" - in terms of its compositional process, instrumentation, mixing, effects, etc. 'Simple Things' can be danced throughout the night. It is a collection of tracks with punch, made from the clarity and personality that characterize Nacho Marco, susceptible to being played at very different times and places. Exhale, from beginning to end, a natural love towards the dancefloor. From the simplicity of the search for this objective, its author -in his Warm Studio in Valencia- has used different rhythm boxes -programmed internally- for each track in order to, also based on a raw mix - especially in percussion and basses - to provide the tracklist with a varied air -between digital and analogue- through which to enjoy traveling through deep-house, nu-disco, acid, etc. and, therefore, in funk, soul, jazz, etc. From Chicago to Valencia, passing through N.Y. and Detroit. And all this avoiding arguments and essays of style. From a maximum freedom of creation and enjoyment. Yes, we are facing a "100% Nacho Marco" job.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

10,88

Last In: 6 years ago
Oliver Kapp - Mantash Ep

Oliver Kapp

Mantash Ep

12inchCOR12162
Cocoon Records
01.04.2019

Seasoned Producer Oliver Kapp Takes Us Back To The Glory Days Of Underground Techno Where Pounding Sound Systems Ruptured The Space Time Continuum For Fun. The Old Guard Will Already Know That Kapp Has Pedigree, From Running And Releasing On His Own Record Labels Indulge And Raygun To A String Of Appearances On Stockholm Ltd, Logistic And Gigolo, His Dedication To The Cause Is Unquestionable. Which Is Why His First Appearance On Cocoon Recordings Is Long Overdue. What We Get Are Dj Friendly Tools Designed For That Time Of Night When The The Second Hand Stops Ticking. Kapp Presents A Perfect Collection Of Timeless Warehouse Techno, Like The Genre Itself There Are No Beginnings Or Ends, Just A Constant Barrage Of Hi Octane Machine Funk, Underpinned By Heavy Duty Beats That Somehow Manage To Induce A Sense Of Weightlessness On The Dance Floor. Scaling Down The Bpms To A Sub 130 Tempo, The Ep Is A Masterclass In How To Balance The Old School With The New. - loud Whisper Is Both Tough And Relentless, Generating An Hypnotic State That Ensnares The Dancer In Suspended Animation As Strobe Lights Flicker Across Closed Eyelids. Scattered Hihats Motor Forward And Trance Inducing Sequences Splice And Dice Causing Mind And Body To Drift Apart. - mantash Is An Altogether Gentler Excursion. Loose Tribal Rhythms Slalom Through The Metronomic Kicks Before Giving Way To Distant Chords That Embrace The Dancefloor In A Warm Fuzzy Glow. This Lush Vibe Extends Over The Rest Of The Track While The Beats Roll On, Accompanied By Delicate Melodies That Enhance The Ride. Euphoria And Delirium Combine On The Aptly Titled - rapture , As Chopped Up Vocal Fx Alternate Across A Hard Hitting 909 Pattern Complete With Angular Snares And Ride Cymbals That Bang The Box Into Submissio

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

7,94

Last In: 4 years ago
Kid Who - Particle Decay EP

The four tracks on this EP represent a bit of a transitional phase for Louis Jaquet (aka Kid Who), marking a move from a basic setup with an MPC2000XL sampler and a computer to a fully-fledged hardware studio. The initial versions of these tracks were quick jams that he had made early on in this change, but which had lay dormant on his hard drive for some time, before being revisited and reworked for this release with the new equipment.

'Rhythm Code' began life as an exercise in using only freely distributed software synths, and the majority of those sounds are still there, bar some additional acid sequences and tweaks to the rhythm parts.

On 'ZF Cut' his focus switched to samples, in an effort to squeeze the most he could out of his MPC, which at the time had only recently been upgraded. The unassuming beige box gives colour to anything you feed into it (breakbeats in particular), and a host of basic onboard effects add further quirky character, in this case hollow drones and rumbles which are the core of the track.

One of Kid Who's early purchases was a cheap old Yamaha multitrack cassette recorder, which presents many opportunities for sound manipulation. Different tape speeds, tape types and manual manipulation during playback open up a world of noisy, woozy atmospheres, some of which formed the basis of 'Spool Night'.

Of all four, 'Timescape' required the least revising, and the version presented here is very close to the original, 100% computer-based draft. Although the beat was built with Roland 707 drum machine sounds, a staple of early Chicago house records, he wanted to juxtapose these with a more up-to-date techno aesthetic, with a handful of final touches added in the new studio to finish

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

7,52

Last In: 7 years ago
Kid Who - Particle Decay EP

The four tracks on this EP represent a bit of a transitional phase for Louis Jaquet (aka Kid Who), marking a move from a basic setup with an MPC2000XL sampler and a computer to a fully-fledged hardware studio. The initial versions of these tracks were quick jams that he had made early on in this change, but which had lay dormant on his hard drive for some time, before being revisited and reworked for this release with the new equipment.

'Rhythm Code' began life as an exercise in using only freely distributed software synths, and the majority of those sounds are still there, bar some additional acid sequences and tweaks to the rhythm parts.

On 'ZF Cut' his focus switched to samples, in an effort to squeeze the most he could out of his MPC, which at the time had only recently been upgraded. The unassuming beige box gives colour to anything you feed into it (breakbeats in particular), and a host of basic onboard effects add further quirky character, in this case hollow drones and rumbles which are the core of the track.

One of Kid Who's early purchases was a cheap old Yamaha multitrack cassette recorder, which presents many opportunities for sound manipulation. Different tape speeds, tape types and manual manipulation during playback open up a world of noisy, woozy atmospheres, some of which formed the basis of 'Spool Night'.

Of all four, 'Timescape' required the least revising, and the version presented here is very close to the original, 100% computer-based draft. Although the beat was built with Roland 707 drum machine sounds, a staple of early Chicago house records, he wanted to juxtapose these with a more up-to-date techno aesthetic, with a handful of final touches added in the new studio to finish

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,36

Last In: 7 years ago
Carlos Peron - Dirty Songs

Dark Entries is honored to release a 4-track EP by Swiss musician Carlos Perón, founding member of Yello. Carlos was born in 1952 in Zurich and began collecting music at a young age. Inspired after attending a concert of Karlheinz Stockhausen in the 1960s, he began to compose Musique Concrete pieces using a 4-track reel to reel and found sounds. In 1979 Perón founded the trio Yello with musician Boris Blank and vocalist Dieter Meier. Yello released their first album in 1980 and the following year Carlos released his first solo album 'Impersonator'. In 1983 Carlos left Yello in order to pursue a solo career and released the soundtrack to Die Schwarze Spinne" and 1984 his second solo album Nothing Is True, Everything Is Permitted'. In 1988, Belgian label LD Records released a 4-song EP of instrumental tracks from 1984 that predated, influenced and became staples in the New Beat scene.

Dirty Songs' is a collection of songs from Carlos Perón recorded between 1980 and 1986. The recordings were made with the core set up of an ARP 2600, Roland's Drumatix, TB-303 and TR-808. Nothing Is True, Everything Is Permitted (Instrumental)' recorded in 1984 is a slow burner with dark, gloomy atmospherics, presented here in an extended version with a bonus intro. The song was inspired by William S. Borroughs' Naked Lunch' and paints a bleak futuristic landscape. Breaking In (Instrumental)', from 1984, is a crossover of electronic body music and pitched down Chicago acid house featuring overplayed snares by hand though an Ovomaltine Box. Originally featured on the soundtrack for Die Schwarze Spinne', the song is about breaking into a large pharmaceutical company to steal drugs. On the B-side is A Dirty Song (Instrumental)', originally recorded in 1986 and released by Play It Again Sam in 1988. The song uses one of the earliest Roland SH synthesizers, the SH-1 A, as a solo instrument and is strikingly aggressive with percussive rhythms. Et' was recorded in 1980 on a 4-track and later and remixed to 8-tracks in 1984 for the Frigorex' EP, which is where this extended version comes from. Featuring eerie, cut up vocals and Dadaist lyrics by Isa Nogara atop a proto-Techno beat.


All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket features a never before seen black and white photo of Carlos taken in 1988. Each album includes an double-­sided postcard featuring the cover art from the Frigorex' EP. Prepare to make your own movie to the Swiss John Carpenter soundtrack vibes of Carlos Perón.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

12,40

Last In: 7 years ago
Alan Hawkshaw And Brian Bennett - Synthesis

LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART

The 'vivid contemporary sounds for a fresh visual image' make up the now canonised Synthesis from Alan Hawkshaw and Brian Bennett. These two greats go deeper than usual on this collection, and the end result is a synth concept record of sorts. Released in 1974, it's an essential companion piece to
their Synthesizer and Percussion LP, released on Themes International Music in the same year.
Like most of our favourite library records, Synthesis has that gloriously funky, 'weird electronic music' vibe without ever being inaccessible. With the awesome ARP Odyssey at the fore, Hawkshaw and Bennett have created a blissed-out soundscape that, whilst laid back in all the right places, somehow remains heavy on the funk. It's a sort of throbbing, proto-G Funk sound and you can fnd it on many of these low-lit basement workouts.
Take the ice-cool 'Alto Glide'. It's a sunset-funk highlight with an electro-fute refrain that conjures those dreamier Dre / DJ Quick instrumentals from '91 to '92.
Stereolab, Koushik (again) and all those Ghost Box artists were clearly listening very closely in the years since. The equally relaxed 'Mermaid' glides efortlessly with soft, shimmering piano, understated percussion and kaleidoscopic synths.
It's a really beautiful piece.With these two soft-focus closing tracks allowing the LP to foat away over the horizon, the preceding ten tracks have a more insistent, neck-snapping rhythm
section to back the synth overload. Highlights include the head-nod funk of 'Getting It Together' and the synth break in 'The Executive', which informed classic video game soundtracks.
For once Be With really is stuck for words to describe just how good this record is.
Best just to listen. As with all ten re-issues, the audio for Synthesis comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,80

Last In: 3 years ago
Boofy - In My Head EP

Boofy

In My Head EP

12inchTEC104
Tectonic
31.10.2018

Boofy hails from Bristol's fine heritage of progressive bass music producers. Having made a name for himself as part of the Bandulu crew and his own Sector 7 Sounds imprint, as well as dropping killer releases on Innamind Recordings and No Corner.

Lucky for us, he's saved some of his deepest, heaviest hitting cuts for Tectonic! This 4 track EP is a masterclass in minimal effectiveness, with rhythms ready to set the dancefloor off that reveal ever deeper subtitles on repeated listens.

'Back In The Box' sets the pace with swinging hats, thumping kicks and a bass line that will sound like an earthquake on the right system! Follow up for 'Herbie' which takes things in dissonant direction, before dropping hard and with authority.

Flip then for the EP title track, an exploration around the paranoid edges of a creative mind, stretched to capacity. Finally the EP closes up with 'Perfunktion', a rolling rhythm with a lighter mood, somewhat reminiscent of Mala circa 2006. Quality stuff from an excellent producer who is going from strength to strength right now.

DJ Support from: Kahn & Neek, Mala, Tubby, RSD, Joker & many more

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,19

Last In: 6 years ago
ASMUS ODSAT - ECSTATIC HALF TRUTH EP

Danish producer Asmus Odsat debuts on Iceland's FALK DISKS with four leftfield dancefloor cuts entitled 'Ecstatic Half Truth' this September.

Before moving to Iceland, Asmus Odsat was a key figure within Copenhagen's electronic music scene for nearly a decade. A former resident at Culture Box, Odsat was also co-founder of Ritual Malmö as well as the BULK club night, which has hosted artists like Surgeon, Dasha Rush, Lucy and Sleeparchive. Odsat now joins FALK DISKS, the club focused sub-label of FALK Records (Fuck Art Lets Kill) with his 'Ecstatic Half Truth' EP, receiving early support from names like Courtesy who included it in her guest mix on B.Traits' BBC Radio 1 show.

'Deal With It' sets the tone of the package with frenzied synths, warped atmospherics and a crunchy kicks before title track 'Ecstatic Half Truth' delivers a cacophony of percussion alongside twisted melodies and off-kilter breaks.

Up next, fast paced arpeggios meander alongside metallic top lines and a filtered 303 that unfolds throughout, making way for 'Soften The Clocks' which rounds off the package utilising disjointed rhythms, intense acid sequences and thundering low-end throbs.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,70

Last In: 7 years ago
Nik Pascal - Magnetic Web

If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Magnetic Web was released in 1973. It appeared under the Nik Pascal monicker and showed a clear evolution in sound, favoured by the addition of an Arp 2600 and some rhythm boxes. It also included percussions and cymbals. The Two Headed Dog site thinks "this is his masterpiece in all of its acid-laced glory."

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

"Nik Raicevic's music is at the intersection of radical psycho-electronic weirdness and kraut kosmische music (in particular the scifi-hypno-minimal modules of Conrad Schnitzler in Grun, Rot and Blau). It presents mega epic & tripped out electronic improvisations.

"This is an absolute must for collectors and fans of visceral, neurotic soundscapes."

"As far as late-60s / early-70s American Bedroom' Electronic Music goes, these LPS have to be among the first transmissions from this sector, made all the more attractive when coupled with Raicevic's alien topographIes - the covers are high-color portrayals of Venusian lanes, knotted growths, & future-past architecture in a style you might equate with Vintage' sci-fi pulp-novel covers - & copious Downer' sentiment. This music is imbued with a sort of lonely, anti-social sensibility that's about as far as you can get from the Academic' Early Electronic vector. I will say that if the Steve Birchall, Cellutron & the Invisible, and/or Pythagoron™ seed your garden, this will likely do the same."

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself, and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.

pré-commande30.09.2018

il devrait être publié sur 30.09.2018

24,08
Mirror Box - Minimal Compliance

Mirror Box is the solo analog synth project of Dallas musician Sean Kirkpatrick. With an extensive resume that includes keyboard duties for Kill Rock Stars' 00s noise rock band The Paper Chase as well as his concurrent projects, dark post-punk-synth-rockers Nervous Curtains and darkwave duo Little Beards, Mirror Box is Kirkpatrick's first foray into the purely electronic realm. Blending together elements of Giallo moodiness, dub texture, techno propulsion, a passing nod to your favorite wave music, and a flare for the kosmiche, Mirror Box' debut release, Minimal Compliance EP, is a tour de force of the veteran musician's exploration of a wide range of influences and experience.

Released by Dallas-based Gavin Guthrie (TX Connect)'s TRU (Texas Recordings Underground), the 5-track EP kicks off with the immediately-gripping title track. A huge mid-tempo 808 beat drives the menacing Moog bass while cosmic synths explore the skies over gritty, urban terrain. 'The Body,' grounded by its stuttering and singular bass line, is an expansive reworking of a track from Little Beards' debut album which features Nan Kirkpatrick on the release's only vocal appearance. Side A closes with 'Destabilized Agent,' a retro-futurist dream that effortlessly voyages from Sagan's Cosmos to a melodic minimal wave refrain.

While the first side's lush synthesizers and sophisticated syncopation are somewhat of a departure for TRU, a label that has so far defined itself by bringing the electronic sounds of Texas' underground warehouse scene to dance floors across the sea, the flip side of the record is where the four hits the floor. 'Grifter React' opens with a hard kick and electro zaps, letting the rhythm take the lead until a distorted bass finally enters to provide the hook. Minimal Compliance EP finale, 'Critical Blitz,' weaves together all of Mirror Box' finer elements into a concise mission statement. Pulsing, hypnotic mono-synth, vintage mellotrons, classic hats and claps, sweeping production (courtesy of Alex Bhore at Dallas' Elmwood studios) and sparse synth melodies converge in dark analog pleasure that will guide you along like on a cool air-conditioned drive through a devilishly hot Texas night.:

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

10,88

Last In: 7 years ago
The Big Hustle - Time Traveller

Word Of Advice To Funk Lovers, There Is Not A Minute To Lose. Get On Board Of The Big Hustle's Spaceship. Before We Take Off, Let's Do A Little History. The Band Was Founded In 2014 By Bass Player And Composer Sébastien Levanneur And Its Aim Is To Bring Together 70's Old School Funk With The Hippest Actual Sound Laced With Influences Spanning From Steely Dan And Headhunters, To Snarky Puppy And Soulive. With Mighty Horn Players, A Rock And Funky Rhythm Section, The Big Hustle's Music Has A Very Large Variety Of Soundscapes.

The First Destination Takes Us To The Washington, D.c. Area With turn Up'. The Groove Is Clearly Go-go Music Flavored With The Trademark Sound Of Cowbells And Of Course It Reminds Us Of Zapp By The Use Of The Talk Box On Lead Vocals, Performed Here By Saad El Garrab. And Don't Miss Out Shaun Martin (snarky Puppy, Erykah Badu, Kirk Franklin Amongst Others) As A Very Special Guest Performing The Talk Box Solo! Second Stop Is a Curse, A Blessing'. It's An Instrumental Very Much In The Freddie Hubbard Vein During His Cti Years. The Last Leg Of The A Side Ends With An Instrumental Interlude Titled flying Donut'. Double Tribute To Jay Dee And Flying Lotus, The Music Is A Simple Hip Hop Loop Based On Samples.

The B Side Takes Us Back Into The Past With Two Brilliant Covers, Involving Rod Temperton The Late Great British Songwriter Who Scored Some Of Michael Jackson's Biggest Hits. Now The Idea For This B Side Is To Do The Opposite Approach From The A Side. Taking 70's And 80's Original Music And Make Them Travel Into Time To 2018. We First Land With A Heatwave Song Named the Star Of A Story' From Their 1976 Central Heating Album. Track 2 Is A Herbie Hancock Song Named gettin' To The Good Part' From His 1982 Lite Me Up Lp. This Time Traveler Ep Journey Ends With An Interlude. Called gimme Dat', The Song Deals With The Need Of New Music, New Sound.

Again, This Blend Of Deep Rooted Funk Laced With A Contemporary Edge Is To Be Consumed Without Moderation. And Do Not Forget That E.p. Also Stands For Extended Pleasure.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

14,66

Last In: 7 years ago
TESTE - The Box Man

Teste

The Box Man

12inchBITE02
BITE Records
22.06.2018

Teste returns with The Box Man, a five-track EP that marks their first release of original material in 25 years. Formed during the early nineties in Hamilton, Ontario, they put out only three official records between 1992-1993 on Probe Records, most notably 'The Wipe,' which is regarded as a genre defining classic, while the follow-up 'Regions' also served as a template for the ensuing sonics of contemporary techno. With only a handful of live actions, the final chaotic show (public disturbance) occurred for Pure in Glasgow 1994. Afterwards, the original Teste lineup of juvenile delinquents disbanded but unwittingly ended up defining the hypnotic and drugged out strains of today's afterhours techno parties. The project vanished for decades until reactivating the chaos in 2014, promoting a slew of remixes 'The Rewipes,' by artists such as Rrose and Terence Fixmer, on the Edit Select imprint.

Since then, original member David Foster, still at large as //HUREN//, has been slugging it out in the fringes with influential output on the seminal Zhark Recordings Berlin and has collaborated as O/H with Rich Oddie of Orphx. First meeting on Mayday 2017 in Berlin, a new alliance with Martin Maischein aka Goner formed. Goner is likewise a veteran with essential output under various monikers on imprints such as Force Inc., Editions Mego, and Hospital Productions. From that pairing, The Box Man came into being for the second release on BITE, the Berlin techno label run by Hayden Payne and Florian Engerling.

The Box Man picks up where Teste last left us with their revolutionary vision of techno and continues to further their interdimensional manifestation of insanity and formation. Pure techno serving as a method of psychic expulsion and self-reckoning. From the opening, the eponymous track approaches full panoramic throttle as metallic synths creep 360 degrees around the listener, setting the tone for panic and loss of cognitive control. Teste then moves into the stealthier outpatient techno rhythms of 'The Long Term Care Facility' and 'Thieves Are Operating In This Area'. The EP contrasts its propulsion with different interpretations of its blueprint. 'Foaming At The Mouth' delves into Cabaret Voltaire-alike rhythm box violence until all is closed with the comedown melodies of 'Lyubov'. Through highly adept methods of sound design and neural interpretation, Teste once again cuts apart reality with their music, expressing nightmares and visions via new rituals and mind control techno.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

10,29

Last In: 3 years ago
Driftmachine - Shunter

Driftmachine

Shunter

12inchUR113LP
Umor-Rex
13.06.2018

Shunter, the new album by the Berlin-based duo Driftmachine, is their most ambitious work to date. Although instantly recognizable, featuring their trademark Kosmische and Avant-garde sounds, it also presents a new journey into abstract and hallucinatory worlds. Filled with eerie textures, their electronic visions are darker and more vaporous than ever.

Driftmachine's fourth album (also the fourth one for Umor Rex) offers a new perspective on their ample sound spectrum and systemic narratives. Shunter overlaps and mutates their post-industrial-dub motives. It was conceived and produced in search of a very different kind of imagery, with sections of noise and field recordings intersecting with analogue sounds, a mixture of contrasted fragments, where the usual creative process of modular-synthesis leads Gerth and Zimmer to the discovery of a dark, hazy and diffused experience. There is a protean quality to the rhythmic elements, with tempos constantly contracting and expanding, a departure from the mono-beat-rhythms of "Nocturnes" and "Colliding Contours". The first half of Shunter is made of four pieces named "Shift", although individually separated, they are conceptually linked and can be understood as a sort of score. Imagine a late stage of the industrial revolution, with the interaction between heavy machinery and human beings. The second half of the album is not completely separated, but it has three other substantial melodic moments. Somewhere between the hauntological and the realms of archive-music, a huge range of subterranean beats and distinct patterns dotting the landscape of early electronic and post dub music.

All songs written & produced by Driftmachine (Andreas Gerth & Florian Zimmer), Berlin.
Mastered by Rafael Anton Irisarri. Design by Daniel Castrejón.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

17,19

Last In: 7 years ago
Milan W - Envelope

Milan W

Envelope

12inchEKS016
EKSTER
07.06.2018

Presenting 'Envelope'. Album written, produced & mixed by Milan W. and pressed on 180g vinyl, by Ekster. Coming out on the 6th of June 2018, with foil-stamped cover-drawing by Gerard Herman. Mastered & cut by Helmut Erler at Dubplates & Mastering.
.
Milan W (AKA Milan Warmoeskerken) is an Antwerp-based musician. In 2015 he released the Slo Mo cassette, on local label JJ Funhouse. The Intact LP a year later. Compositions constructed from gentle, yet persistent, rhythms. Intricately textured downtempo echoes. Brain-dancing, rather than four-to-the-floor raving. 2017`s split with Ekolalis, for The Hague`s BAKK, made clear the direction Milan`s headed in. His contribution being a seventeen minute float. The kick largely removed. The textures cut-up, expanded and magnified. Envelope, for Ekster, builds on this work.

The harlequin turns the handle. The contraption sucks in air, and breathes. Blows out tone poems. Wordless ballads that soundtrack enchanted scenarios. Issues forth magic. A sorcerer`s apprentice casting its spell. Animating the inanimate. To everything a life. Sets the frozen fluttering. Pirouetting in red shoes. Illuminates what was dark. Astma sings a Gamelan lullaby. Summons comforting angels to a post-Industrial landscape. Glaasjes has Jazz ghosts inhabit an empty bar room. Spirits stealing excuse-me`s under its deserted spot. In Limbo amplifies their whispers. Lead soldiers court jewellery-box ballerinas behind shuttered shop fronts. On Heraldic Snippets, a tin infantry marches. Ten thousand men up to the top, and back down again. Keys make-believing that they are massed brass and fife.

The bellows pump, and the pipes all the while wheezing. An automaton philharmonic at the bidding of a steam-punk master. Analogue and digital. Clockwork and glitch. Malady finds sounds isolated, extrapolated, mutated. Orchestral`s organ-grinder moves with urgency, and alchemy. Spinning straw into gold. Snare rolls become bubbling mercury. Metallic, yet fluid. Racing at the speed of flight and escape. Slope is the music of water chasing through crystal caves. Slow Runner, a funeral crawl. Shoved into motion by a drama of strings remembered.
Like the charismatic Rat-Catcher of Hamelin, the harlequin turns the handle, and we bang the cup.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

17,44

Last In: 7 years ago
The Showfa - A Gospel Excursion Vol. 2

As we enter the Summer months, Excursions welcomes back The Showfa, with A Gospel Excursion Volume Two. Four more dishes of hot spiritual gumbo for your mind, body & soul.

Once again The Showfa has expertly cut together a concoction of gospel, soul, disco, latin, jazz, funk, and spiritual rhythm & blues. The glorious disco rework of a track called 'Amazing' sets the tone with an infectious piano riff and powerfully uplifting vocal. 'Surely Surely' follows, with a more vigorous strut, a short, sweet slice of disco funk, no messing about. 'Praising' keeps the groove and tempo solidly in a delicious eighties boogie formation, slap bass and sax in tow. The set closes out with beautiful latin-jazz tinged vibrations sauntering through 'I'll Show You The Way', before switching to the sweetest sweet soul you ever did hear. Soul food of the highest calibre.

The previous volume was shown love last year by an assortment of selectors and tastemakers, including Tony Humphries, Horse Meat Disco, Gilles Peterson, Craig Charles, BBC 6Music, Mi-Soul, Rinse FM and Mixmag, and also saw The Showfa spinning on the airwaves on NTS with Charlie Bones, and for Wax Poetics.

Another joyously ethereal platter, and another one that will never leave the box.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,61

Last In: 5 years ago
K. Leimer - Land Of Look Behind

The Land of Look Behind soundtrack returns to vinyl in a remastered and expanded edition that includes a download of three previously unheard and unreleased tracks from the original sessions. Alan Greenberg, who wrote and directed this film documenting the funeral of Bob Marley, provided K. Leimer with location tapes which were used to originate many of the rhythmic patterns for Land of Look Behind. Loops of the monologues and phrases that exhibited more distinctive cadences and pacing, the words, glottal stops, clicks and coughs of witnesses were used as cues for the percussion instruments. In effect, speech became the organizing principle of the musical score. By eliminating the accuracy of click tracks, musicians were prompted to rove through the inconsistent intervals of the voice-derived patterns. Also included is a four-page insert featuring an essay by Paul Dickow.

K. Leimer founded Palace of Lights in 1979. Leimer's early work has recently been reissued by Autumn and RVNG, and his early cassette work is in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s — his current catalog includes seventeen albums plus two collaborative albums with Marc Barreca.

Leimer's work is included in the collection of The British Library.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

19,12

Last In: 7 years ago
La Mecánica Popular - Roza Cruz

Since the release of their critically acclaimed debut album in 2013 on Names You Can Trust, La Mecánica Popular has quietly been contemplating the evolution of the group's sound, philosophy, and overall approach to making music. Band leader Efraín Rozas' experimental nature has continually pushed the boundaries of his own definition of not only Latin American music, but its broader relationship with music's global culture and history. The sound of "psychedelic salsa" that LMP helped capture in their debut was destined for further outside-the-box interpretations, and with the formation of a new quintet lineup over the last few years, LMP began to incorporate a more free, improvised and instrumental-focused performance of Rozas' increasingly radical compositions. The band subsequently took this liberated approach directly into the studio, recording Roza Cruz live, in its entirety. It was a cathartic experience, a necessary methodology for the new album's concept that embraced the intimate performance of its players and did away with standard techniques of isolation and overdubs.

The evolution of the band's sound on Roza Cruz brings forth a blend of styles rarely heard together, a touch reminiscent of electric-era Miles Davis or Eddie Palmieri at his most experimental, as the driving force of timbales and congas provide a bed for a wave of lush, analog amplification that mirrors the dueling leads of fuzz guitar and electric piano. But as far out as those instruments take the listener, the raw rhythm — the clave — always keeps it tethered to the earth and the dance, a cerebral yet visceral gift for the mind and feet.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,80

Last In: 7 years ago
COMPANY OF STATE - COMPANY OF STATE - RSD RELEASE

In the Eighties there was an incredibly interesting underground scene emerging in the Belgian Leuven area. Bands like 'The Neon Judgement', 'Sovjet War' and countless others all came from that area and era. One of the most underestimated bands in that scene was 'Company Of State', a duo with a unique sound that played dark moody guitar-electro with a minimal DIY touch. Influenced by a wide array of artists (such as Joy Division, Velvet Underground & Edith Piaf) the duo Rudolf Hecke & Paul Taes formed the band 'Company Of State' and recorded their self-titled debut (a four track 7'EP) on their self-founded label in 1983. Best described as: wild guitars with all kinds of feedback & distortion combined with a heavy bumping rhythm-box in the background... and once the vocals kick in you get that melancholic magic that makes this EP a true classic. With this kind of pedigree, it was only logical that the band landed in the stable of Ludo Camberlin and his label 'Anything But Records', where Belgian dark & danceable underground groups such as 'The Neon Judgement' & 'Aroma Di Amore' resided in those days. Later the band would move to Maurice Engelen's label 'Antler', in company of similar acts such as '2 Belgen', 'Nacht Und Nebel', 'Siglo XX' and many others.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

11,30

Last In: 7 years ago
Oliver Lake - Ntu: The Point From Which Crea

Soul Jazz Records/Universal Sound are reissuing jazz composer Oliver Lake's 'NTU: The Point From Which Creation Begins', his stunning rhythmical Afro-centric deep spiritual jazz debut album originally recorded in 1971. This classic spiritual deep jazz album has been digitally remastered and is available in bespoke original exact reproduction artwork on hardboard Japanese-style boxcase CD, very limited (1000 worldwide) heavyweight 180gm audiophile vinyl, and digital download. This album features in Gilles Peterson/Soul Jazz Records' own 'Freedom, Rhythm And Sound' large-format book of revolutionary jazz.

pré-commande23.04.2018

il devrait être publié sur 23.04.2018

29,37
Another Alias - Creep On The Couch Ep

Another Alias returns with the second installment of White of My Eyes. WOME002 continues along the path laid out by
001, but takes it a step further into varied moods from the sledgehammer-esque 'Heave' to the melancholy 'Creep on
The Couch. While keeping with his off-kilter rhythms and erratic synth work.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

5,84

Last In: 3 years ago
Derek Bailey, Tristan Honsinger - Duo

Born in Burlington, Vermont, and conservatory-trained in the US, the cellist Tristan Honsinger moved from Montreal to Amsterdam in 1974, quickly linking with Han Bennink and Misha Mengelberg, and opening a long and fruitful musical relationship with Derek Bailey. Recorded in 1976, Duo displays a performative musical approach already characterised by the lack of inhibition which would later endear him to The Pop Group: he is knockabout, exclamatory, explosively rhythmic; burping Bach and folk melodies with spasmodic lyricism, in amongst the garrulous textures and accents of his scraping, bowing and plucking, and gibbering like a monkey; throwing out his arms and stamping the floor, grappling with his instrument like an expert clown, always on the lookout for new ways to trip himself up. You can hear Bailey revelling in the company, as he ranges between scrabbling solidarity and an askance skewering of his partner's antics, on prepared (nineteen-string) and standard electric guitars — and a Waisvisz Crackle-box, for the garbled, quizzical, cross-species natter which closes The Shadow. Throughout, the spirited interplay between laconic, analytic wit and guttural, sometimes slapstick physicality is consistently droll, often laugh-out-loud funny; vigorously alert, alive and gripping.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

15,50

Last In: 6 years ago
Cornell Campbell - Boxing

What we have here is one of Cornell Campbell's great Dancehall early 80's set of song.
Dancehall was when the beat slowed down to that classic one drop style that suited his voice so well.
The album includes the title track 'Boxing' which was a massive hit for Cornell on its initial release in 1982.
It also includes a Dancehall reworking of 'Queen of the Minstrel' and a fantastic dancehall cut to Bob Marley's 'Natty Dread'.
This was a new chapter in Reggae's sound that saw the rhythm slowed down and seemed to add even more emphasis to the songs meanings.
A reissue of Cornell's early 80's 'Boxing' set is complete here. We have also added some other Cornell period classics to the CD version of this release.
Be sure to play it in full...Cornell Campbell at his finest

pré-commande23.02.2018

il devrait être publié sur 23.02.2018

13,40
Sekou Babe - Foresight Prevents Blindness Ep

We're super excited to present the latest artist to join the Dirt Crew stable, French producer Sekou Babe. He ticked all the right boxes for us with this beautiful debut EP 'Foresight Prevents Blindness' which explores his fresh and vibey outlook on house with sideways glances to smokey jazz, breaks and garage. The a-side lines up three varied tunes. 'Perspectives of the Youth' and 'Soukoun' step in quickly with lively breakbeat rhythms. The first boasting warm soul vocals and steady bass groove, the second a melancholic yet uplifting back and forth between vintage piano and warbling rhodes. 'Treize Zero Zero Trois' is a deep and dreamy house jam. Cinematic elements infused with punchy percussion and 80s sonic touches add up to good times all round. On the B, our good friend Nachtbraker does what he does best, flipping 'Treize Zero Zero Trois' bringing the deep, dubby Amsterdam vibrations. His version is lush, textural and slightly fruity, with surging synths, tropical percussion and a stomping kick. Sekou Babe rounds things off with the extravagant 'Crown Collection", showing us yet another colour in his musical spectrum. It's trip hop meets Detroit where warped strings introduce shuffling drums before the track begins to build layering subtle arpeggios, smooth pads, crash hits and a buoyant melody. Sekou Babe would like to add that all tracks were written and produced by b.b. at 7e Republique Studio and says thanks to Peter, Ghizlène, Mohammed and Florian, you beautiful souls.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

7,52

Last In: 7 years ago
Gili Yalo - Gili Yalo

Gili Yalo

Gili Yalo

12inchDSR001 / 149871
Dead Sea
08.01.2018

Gili Yalos selbstbetiteltes Album verbindet verschiedene Facetten äthiopischer Musik mit James Brown und Mulatu Astatke, Soul und Funk der Siebziger, Psychedelia und Ethio-Jazz. Die Songs werden von einnehmenden Rhythmen getragen. Groove, Beat und Flow vermischen sich mit einem großen Schatz
betörender Melodien und den Lyrics, die Yalo mit seiner einzigartigen Stimme auf Englisch und Amharisch
vorträgt. Für dieses wirklich außergewöhnliche Ergebnis arbeitete Yalo mit den Produzenten Beno Hendler
(Balkan Beat Box) und Uri Brauner Kinrot (Boom Pam, Ouzo Bazooka) sowie vielen talentierten Musikern aus
der quirligen Musikszene von Tel Aviv zusammen. Zwei Jahre hat Yalo an den Songs geschrieben, getrieben
von dem Wunsch, seine Wurzeln und Vergangenheit im Hier und Jetzt zu verankern. Damit gleicht "Gili Yalo"
der kreativen Aufarbeitung seiner eigenen Biografie. Und die ist nicht ohne: In der geheimen Operation
Moses floh er mit einer Gruppe äthiopischer Juden 1984 während der Hungerkatastrophe im Sudan zu Fuß in
Flüchtlingscamps, durch die Wüste hin zum gelobten Land. Dabei sang er für seine Familie. Es war die
Musik, die ihnen die Kraft gab, weiterzugehen.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,97

Last In: 8 years ago
Althea And Donna / Inner Circle / Lee Perry - Gone To Negril / Crazy Negril

Producer Tommy Cowans cut the first version of the 'Gone to Negril' rhythm for Devon Irons to voice the song 'Jerusalem' on. He then returned to the same rhythm for the follow to the pop hit 'Up Town Top Ranking' with Althea and Donna for 'Gone to Negril'.

Somewhere along the way, prompted by Bob Marley, Cowans took the tapes up to the Black Ark. Anyone who was coming from another planet who wanted to know what Lee Perry was about would be well advised to listen to the all out audio assault of 'Crazy Negril'.

Like a careering car that Perry just about maintains control of, 'Crazy Negril' screeches whirls and zooms from one side to the other of the musical track. Possibly because it was a 'mix' that he was asked to do for someone else from the outside, Perry throws caution to the wind and adds a simple rhythm box as well as whistles and a cow bell to amazing effect. It's an inspired version, and adds to the slightly commercial song on the A side. Although 'Gone to Negril' has its lyrical moments as well. Anyone who rhymes 'Adam and Eve, without their leaves' and 'Feminine gender, ranking agenda' is alright by us.

The 10' comes in a one off recycled sleeve, made from the cover of 'Life Goes in Circles', the Tommy Cowans compilation on Pressure Sounds.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

21,64

Last In: 6 years ago
The Transcendence Orchestra - Modern Methods For Ancient Rituals

Written and recorded at Cats Abbey in November 2016 by Anthony Child and Daniel Bean.

Anthony and Daniel played the Buchla Music Easel, harmonium, shruti box, bass guitar, hurdy gurdy, symphonie, glockenspiel, hand bell, Electro Harmonix 45000, Strymon Blue Sky, Strymon DIG, and Roland RE 101 Space Echo.

Front cover image by Ali Wade

Rear cover image by Cathrin Queins

Design by SOMA

The title of the debut lp from The Transcendence Orchestra outlines the modus operandi of this pairing of Anthony Child and Daniel Bean. Recorded in a remote English rural setting over a period of 24 hours this is an apt location for a recording that eschews time and space in favour of methodological displacement and deep psychological navigation.

Modern Methods For Ancient Rituals is an experiment in acoustic and synthetic symbiosis which is deeply influenced by the atmosphere and acoustics of the rural location of Cats Abbey resulting in a set of recordings which can aid to the transformation of consciousness. Deploying a range of ancient and modern instruments and effects including Buchla Music Easel, harmonium, shruti box, bass guitar, hurdy gurdy, Electro Harmonix 45000, Strymon Blue Sky and Roland RE 101 Space Echo among others, Child and Bean conjure an audio experience which encapsulates elements of drone, trance, pulse, rhythm and melody subtly shifting all into a psychologically penetrating experience beyond the aesthetic and into the comforting unknown.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

19,29

Last In: 8 years ago
Bill Wyman's Rhythm Kings - MY KING AND QUEEN: GEORGIE FAME AND BEVERLEY SKEETE 4x12"
  • A1: Anyway The Wind Blows
  • A2: Cadillac Woman
  • A3: Can't Get My Rest At Night
  • A4: Days Like This
  • A5: Down Home Girl
  • B1: Gee Baby Ain't I Good To You
  • B2: Hit That Jive Jack
  • B3: I Can't Dance
  • B4: Jealous Girl
  • B5: Just For A Thrill
  • C1: Keep On Truckin
  • C2: Do You Or Don't You I Wanna Know
  • C3: Motorvatin' Mama
  • C4: Rhythm King
  • C5: Rough Cut Diamond
  • D1: Streamline Woman
  • D2: The Joint Is Jumping
  • D3: Tomorrow Night
  • D4: Walking One & Only
  • D5: Where's The Money
  • E1: A True Romance
  • E2: Bad To Be Alone
  • E3: Bye Bye Blues
  • E4: Crazy He Calls Me
  • E5: Cry Baby
  • E6: Every Sixty Seconds
  • F1: Groovin
  • F2: He's A Real Gone Guy
  • F3: I Put A Spell On You
  • F4: I Want To Be Evil
  • F5: Long Walk To Dc
  • F6: Love Letters
  • G1: Snap Your Fingers
  • G2: Mojo Boogie
  • G3: My Handy Man
  • G4: Oh Baby
  • G5: Ring My Bell
  • G6: Spooky
  • H1: That's How Heartaches Are Made
  • H2: This Ain't United Nations
  • H3: Trust In Me
  • H4: When Hollywood Goes Black And Tan
  • H5: Yesterdays

- This four LP box set features some of the best studio recordings by Bill Wyman's Rhythm Kings, the ten-piece band that Bill
put together after leaving the Rolling Stones in 1992. Whilst the band features guest appearances by all-star musicians (including
Mick Taylor, Eric Clapton, Chris Rea, George Harrison,Gary Brooker and Peter Frampton on these recordings), it has an all-
star core line-up that features Georgie Fame, Beverley Skeete, Albert Lee, Terry Taylor and Bill Wyman himself of course.
- For this compilation, Bill Wyman has chosen forty three tracks that showcase the fantastic lead vocals of both Beverley
Skeete, perhaps the UK's busiest session singer, and Georgie Fame, a star (and legend) in his own right since 1964 of course.
- Each singer has two LPs: Georgie's features his renditions of songs by the likes of J.J. Cale, Mose Allison, Dan Hicks, and Bill
Wyman & Terry Taylor, while Beverley's features her take on songs by Nellie Lutcher, Screamin' Jay Hawkins, J.B. Lenoir and
The Rascals.
- This box set marks the first appearance of any Rhythm Kings recordings on vinyl. The four LPs are housed in an attractive rigid
outer slipcase and the inner sleeves feature all themusician credits.

pré-commande17.11.2017

il devrait être publié sur 17.11.2017

54,41
Zombie Zombie - Livity Lp

Zombie Zombie

Livity Lp

12inchVERLP034
Versatile
13.11.2017

It's already been 5 years since the last Zombie Zombie album 'Rituels d'un Nouveau Monde', after which the group explored other territories by signing 2 film scores, namely 'Loubia Hamra' by Narimane Mari and 'Irréprochable' by Sébastien Marnier, as well as creating the music accompanying a contemporary circus show called 'Slow Futur' created by Martin Palisse and Elsa Guérin. Wouldn't these beautiful parentheses make you want to return to the sources After 10 years at Versatile Records, 2017 also marks the decade anniversary of the release of their first album 'A Land for Renegades' in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
'Livity' - Zombie Zombie's latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the cult Métal Hurlant comic series. The title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at
the famous Island Records Compass Point studio in the Bahamas. For the uninitiated 'Livity' or 'Life force' is actually a Rastafarian spiritual concept based on the idea that an energy exists within, and flows through, all people and all living things. The record was recorded last winter in Paris, in a very short time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far away as always from the standards of 'radio play', A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But I:Cube's touch may bring the unique energy that one may find at Zombie Zombie's concerts; on certain cuts like title track 'Livity' that the group recorded in Laos, a wild combination of 808 kick drums and bewitching jungle sounds that sound quite unlike anything else out there, and especially on 'Hippocampe', which gives the impression of hearing an old school hip hop rhythm with the power of a metal band who have replaced their guitars with an army of synthesizers: we recommend you listen to this particular track in a convertible while speeding down the highway.
As with all of Zombie Zombie's music the cinematic component is still strong, on titles like 'Ils existent..' 'Acera' which was originally composed for ciné-concerts accompanying the films of Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions and sonic risks, like on 'Looose', which brings to mind the Art Ensemble of Chicago, or the groove of James Chance in New York in the early 1980's, featuring the free sax solos of Etienne Jaumet and Dr. Schonberg on the trumpet. The group also offers some slower and calmer titles, like 'Heavy Meditation' as well as exploring more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track 'Black Moon'.
Please - Take your time, and enjoy listening!

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

13,82

Last In: 7 years ago
Zombie Zombie - Livity Lp (+ Bonus 7")

SPECIAL LIMITED EDITION X 300 WITH BONUS 7 :
Limited special edition with the 7" containing the track "Lune noire", in 2 parts - one per side.
It's already been 5 years since the last Zombie Zombie album 'Rituels d'un Nouveau Monde', after which the group explored other territories by signing 2 film scores, namely 'Loubia Hamra' by Narimane Mari and 'Irréprochable' by Sébastien Marnier, as well as creating the music accompanying a contemporary circus show called 'Slow Futur' created by Martin Palisse and Elsa Guérin. Wouldn't these beautiful parentheses make you want to return to the sources After 10 years at Versatile Records, 2017 also marks the decade anniversary of the release of their first album 'A Land for Renegades' in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
'Livity' - Zombie Zombie's latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the cult Métal Hurlant comic series. The title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at
the famous Island Records Compass Point studio in the Bahamas. For the uninitiated 'Livity' or 'Life force' is actually a Rastafarian spiritual concept based on the idea that an energy exists within, and flows through, all people and all living things. The record was recorded last winter in Paris, in a very short time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far away as always from the standards of 'radio play', A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But I:Cube's touch may bring the unique energy that one may find at Zombie Zombie's concerts; on certain cuts like title track 'Livity' that the group recorded in Laos, a wild combination of 808 kick drums and bewitching jungle sounds that sound quite unlike anything else out there, and especially on 'Hippocampe', which gives the impression of hearing an old school hip hop rhythm with the power of a metal band who have replaced their guitars with an army of synthesizers: we recommend you listen to this particular track in a convertible while speeding down the highway.
As with all of Zombie Zombie's music the cinematic component is still strong, on titles like 'Ils existent..' 'Acera' which was originally composed for ciné-concerts accompanying the films of Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions and sonic risks, like on 'Looose', which brings to mind the Art Ensemble of Chicago, or the groove of James Chance in New York in the early 1980's, featuring the free sax solos of Etienne Jaumet and Dr. Schonberg on the trumpet. The group also offers some slower and calmer titles, like 'Heavy Meditation' as well as exploring more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track 'Black Moon'.
Please - Take your time, and enjoy listening!

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

17,61

Last In: 8 years ago
Various - Uno (2x12")

Various

Uno (2x12")

2x12inchSIL007
Silencio
07.11.2017

Silencio celebrates the first year of the label with a double-pack vinyl aptly titled Uno.
Comprising of new and established artists, the tracks on Uno collectively summarize the the feel of this label's year, while giving us a hint of what to expect in the year to come.
Click Box & Stefan Dichev kick off the release with 'Memories'. Presenting a collaborative production that will prove over and over again why sound is one of the strongest senses tied to memory. Engineered with emotionally responsive rhythms that roll into a rocksteady baseline, this track evokes feelings with finesse. "Memories" also features funky squiggle sounds and trailing even-tempered tones to punctuate its procession. This is one you'll want to relive every time the opportunity arises.
New comer Wave Particle Singularity has done it again. 'Virtue' is a tremendous track that will quickly establish itself as one of your new favorite things. The drum sequence, accented by beguiling background sounds and curious vocals, gallops throughout this selection with all its feet off the ground together in each smooth stride. Plus, it also comes fully equipped with a pleasingly unpredictable pace in the form of some moody, well-orchestrated changes that result in a perfectly adjusted attitude. Never a dull moment on the dance floor.
Guaranteed.
Kepler.'s latest offering 'Tool A' possess all the qualities one would normally associate with a fine wine because the taste left on the palate after its consumption is both complex and satisfying. During its ascent, effects that compress a thousand echoes into a single sample ride alongside an active baseline that ripples accordingly. Subtle, flavorful snippets bleep and bloop in complete balance, giving this cut a coordinated, contemplative vibe that brings everything into focus.
With his first track on Silencio, Yuuki Hori's 'Scene 5' is truly a unique item. This electromechanicaly exotic sounding export from Japan makes an impression with layers that are neatly stacked and minimal to the max. Its main feature, a sample that seemingly mimics the mating call of a male bullfrog, rhythmically ribbits in harmony with the beat, bellowing over the entirety of this track. All the various elements of this composition come together in a natural way that feels symbiotic and sounds superb.
Another Silencio first, Jorge Ciccioli's 'TD8' has a deliberate intention to create momentum, with a deep, penetrating baseline that rises to the occasion by descending the darkest depths of its own digital horizon. In the midst of the mix the listener is greeted with a clever chorus that effectively sounds like air vibrating, or in layman's terms "blowing", within an empty glass bottle. As it goes through the motions, observe how every note is noticeably nuanced in an effort to reflect the subtle changes that take place.
Closing out the release and year for Silencio, is Laughing Man with 'Reach Out'. Hard, heavyand heavenly are all terms that could be used to express the sentiment of this selection.
Notice how right from the get go this production profoundly pounds out its agenda with a solid, speedy beat that relentlessly rocks throughout the recording. Accompanied by aseries of wavy, spirited vocal layers, ringing bells and an inspired intersection of cymbals,this track is one hell of a ride that will enable you to make contact with the other side.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

14,92

Last In: 7 years ago
Juxta Position - Failsafe04

Juxta Position

Failsafe04

12inchFA-S004
Failsafe
25.09.2017

Juxta Position returns once more to his own imprint with two slices of epic techno. Kinaesthesia is a subtle tool track with added depth, as waves of synth chords wash over deep percussion in increasing intensity. Barrier Block however hits straight between the eyes, with its fusion of varying styles. A half breakbeat rhythm section builds in intensity before an early 90's Frankfurt influenced melodic synth construction reveals itself, culminating in a spectacular crescendo. Two more essential cuts for your box, do not miss!

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

7,64

Last In: 6 years ago
Eddie C - Auf Der Ufer

last year producer and dj eddie c released his third endless flight album 'on the shore'

- a compelling musical trip of drifting repetition in rhythm and melody.
now he drops a new ep, consisting of three new track and 'auf der ufer' - a tune he did with his norwegian buddy rune lindbaek, that is dancing a cosmic dance and that was never released on vinyl before.
the three other works are crossing different territories. the eight minutes meditation 'pumapunku' marries balearic flair with otherworldly synth-spheres.
the also epic 'inner piece' opens the house box with waving basslines, furious chord suspense and some unexpected breaks.
the final is marked by 'lonely without you'

- a funky blue tune that brings in some peoples potential unlimited vibes for endless autobahn rides.
another heartfelt arranged mix off instruments, synths, samples and drum machines by eddie c, the heartfelt canadian in berlin.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,19

Last In: 8 years ago
Beranek - Sound Of Danger

Espen Beranek Holm is a Norwegian musician and comedian, born 1960 and began his music career as a clarinetist. Inspired by early synthesizer bands Kraftwerk and The Residents, he began making experimental pop music. His debut single Dra te' hælvete' was released in 1981 and was immediately banned by national TV/radio channel NRK due to explicit lyrics. This gave the young artist tons of publicity, helping the single spend almost 6 months on the national charts.

Beranek returned to the Starholm Studios in Oslo from June - September 1981 to record nine new compositions. His debut album, Sound of Danger', was released on Mind Expanding Records in November 1981. Nowhere near as accessible as the previous single, the album fared poorly commercially. Withdrawing from the single's fun, kitsch pop, the album is cool and static, driven by thin rhythm boxes, cold synths, and glacial guitars. Taking heavy cues from David Bowie, all of the songs are sung in a nasally English accent, a rare occurrence in Norway at the time. The lyrics are melancholic, but tinged with paranoia. There are also upbeat tracks that evoke a prog or glam sensibility a la King Crimson, Alan Parsons, or Roxy Music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring red, black, and white lines that evoke a visualized Richter Scale designed by Monica Moltzau. Each copy includes a 2-sided 8x11' insert with lyrics and an autographed press photo of Beranek.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

15,08

Last In: 8 years ago
Xiu Xiu - Forget

Xiu Xiu

Forget

12inchUTR091LP
Upset the Rhythm
13.03.2017

The album was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo.

It features guest appearances by fabled minimalist composer Charlemagne Palestine, L.A. Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis.

FORGET was recorded during a period of epic productivity for Xiu Xiu. While writing FORGET, they released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, composed music for art installations by Danh Vo, recorded an album with Merzbow and scored an experimental reworking of the Mozart opera, The Magic Flute. All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works.

Standout track, Wondering' is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of FORGET, it still bears an underlying tension that manifests differently in each piece. From the haunted guitar duet of "Petite", the hilariously fraught lyrics of "Get Up," the advanced industrial boxing match of "Jenny GoGo," or the experimental goth explosion of "Faith, Torn Apart", all the songs, in their own ways, build to a roiling boil of a fate in vanishing.

The calligraphy on the cover translates literally to "we forget." It bows to the universality of everything and everyone's inevitable decline and foggy disappearance. Regarding the album title, Xiu Xiu singer Jamie Stewart said, To forget uncontrollably embraces the duality of human frailty. It is a rebirth in blanked out renewal but it also drowns and mutilates our attempt to hold on to what is dear.' FORGET is both the palliative fade out of a traumatic's past but also the trampling pain of a beautiful one's decay.

Xiu Xiu is Shayna Dunkelman, Angela Seo and Jamie "Butch Jenny" Stewart.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

16,35

Last In: 9 years ago
Ivan Latyshev - To My Youth Ep

St. Petersburg talent Ivan Latyshev drops a killer EP on the ever-dependable Dessous Recordings. Ivan has been making waves over the past couple of years with his distinctive brand of deep, groove-heavy house music on labels such as What's in the Box, Street King and Spaghetti Monster - but this To My Youth EP sees the young Russian step up to another level. The title track shows a deep affiliation for classic house vibes, mixed with some jazzy flourishes and swung grooves. The sense of euphoria is tangible, and the spoken word vocals add a level of house mysticism that will be always welcome on deeper leaning dance-floors. Can't Go Away goes a shade deeper still, bringing layers of delay and reverb to the track that help shape a true slow burner. Old Ages also highlights Ivan's love of jazz rhythms and sounds, building from a live drum break into a rolling deep house monster - it's infectious stuff and suggests Ivan Latyshev is going to be name to watch in the next months and years.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

7,27

Last In: 7 years ago
Various - Zehn / Acht

Various

Zehn / Acht

12inchOSTGUTLP20-08
Ostgut Ton
15.04.2016

Ostgut Ton reissues Acht of Zehn with original tracks by DIN (aka Efdemin and Marcel Fengler), Fiedel and Tobias.
2015 marked Ostgut Ton's ten-year anniversary, celebrated with an extensive 30 track compilation release, titled Ostgut Ton Zehn, spread out over ten 12 vinyl records housed inside a limited box set. This sampler sold out in no time, which is why Ostgut Ton is re-issuing these ten 12"es individually in 2016.
Bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss - what started as Marcel Fengler's and Efdemin's inaugural collaboration as DIN for 2013's MASSE ballet sees its continuation in form of Mono' on A1. On A2 Fiedel contrasts the opening track's cool sounds with an upbeat contribution: Probe-806 gently brushes Funk, Electro, Acid and even Boogie territory atop the general muscular rhythm.
Analogue synth aficionados are being served by Tobias.: Like A Drug is a minimalist Techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. As with every good drug, you don't necessarily want more of it, but rather a longer duration of effect (in this track's case: 8:36 minutes).

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

11,72

Last In: 9 months ago
Incredible Bongo Band - 5x 7" Box

Incredible Bongo Band

5x 7" Box

7"-VinylMRB7128
Mr Bongo
04.04.2016

Formed by MGM A&R man Michael Viner in 1972 to supplement the soundtrack to the virtually anonymous B-Movie flm The Thing With Two Heads, 'The IBB' went from a loose studio collectve to
an instrumental pop covers consortum, interpretng classics of the day in their own inimitable percus-sive fashion.
B-Movie soundtracks, The Beatles, drummers gone bad, Frank Zappa, Kool Herc... These albums have a remarkable story behind them which is detailed in the exclusive insert included in the boxset, writen by Angus Batey.
The IBB's cover of the 'Apache' track - originally made famous by The Shadows - has become simply legendary in the worlds of hip hop and dance music. The track was a staple of Kool Herc and Grand-master Flash in the 70s as they invented the art of Djing at Bronx block partes, leading to its logical status as one of the most sampled tracks of all tme and a hip hop and breakers anthem that has stood the test of tme. It is stll revered as THE break of all original breaks, with the rhythms of the LP it was frst found on helping to coin the term 'breakbeat'.
Apache has been sampled by Missy Elliot, Coldcut, Will Smith, Goldie, Jurassic 5, Moby, Run DMC, Sugarhill Gang, Beaste Boys and Massive Atack among many others.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

32,73

Last In: 9 years ago
Linkwood - Expressions Remixes Pt2

When commissioning remixes, the best labels think outside the box. That's exactly what Firecracker's Lindsay Todd did when seeking out producers to rework tracks from Linkwood's excellent Expressions album. On this second 12" in an ongoing series, that faith has paid dividends. Whereas the original version of "Ignorance Is Bliss" was a warm, woozy, sun-kissed deep house affair, Healing Force Project has reinvented it as a stargazing chunk of 21st century space jazz, complete with twinkling chords, low-slung double bass and reverb-laden drum solos. The Musephased interpretation of "Love Lost" by Kimochi label head Area sticks closer to the ultra-deep, melancholic vibe of Linkwood's original, but adds a frisson of excitement via bubbling, Detroit-influenced electronics and hypnotic rhythms.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

11,30

Last In: 7 years ago
Various - Norman Jay Mbe Presents Skank & Boogie

Norman Jay MBE presents his latest compilation, titled 'Good Times Skank & Boogie', set for release 9th October 2015 on Sunday Best Recordings. This is his first compilation since 2011's Good Times 30th Anniversary Addition and follows on from his hotly anticipated Good Times Goes East party at St John Church at Hackney on 29th August.
Norman Jay is undoubtedly one of the finest and highly respected DJs in the world today and yet again pulls from his impressive collection to provide the ultimate eclectic selection.
For this 12th compilation, for those of you counting, Norman kicks off with St Germain's version of Henry Mancini's Pink Panther Theme. A cult favourite from 2004s Pink Panther Penthouse Party album, it of course immediately brings Peter Sellers to mind and a smile to your face. Next up former Uniques front man Slim Smith's Everybody Needs Love is a classic from 1968, cut at the legendary Duke Reid's Treasure Isle studio. Penned originally by Motown heroes Norman Whitfield and Eddie Holland and covered by household names including The Temptations and Glady's Knight & The Pips, Slim's version became something of a signature tune until his mysterious death in 1971. Sticking with Motown, Stevie Wonder's Living For The City is up next but it's the Michael McDonald rendition from his 2008 album Soul Speak, which proves the man who gave us the sublime Sweet Freedom had lost none of his class 20 plus years on.
D-Influence's Good Lover takes things up and brings them closer to home, to the streets of London infact. After a couple of independent releases the band, who had strong connections to the London Jazz and Soul scenes, served up this contemporary boogie tune as part of their 1992 debut long player for East West. They would subsequently score hits as a production team for a number of British R&B acts. Homegrown soul continues with Paul Johnson's Better Than This, released here via longstanding UK soul imprint Expansion to deserved acclaim last year. It's quality and appeal are simply timeless, whilst master Dego and Kaidi's mix adds a classic 80s soul dimension to proceedings.
The Chi-Lites I Keep Comin' Back To You and The Real Thing's Love Takes Tears continue and expand the 80s theme, bringing in 2-step and boogie, as does Deodato's Never Knew Love from the same period.
We switch again with Delroy Wilson's Better Must Come, a massively popular sufferers lament from 1971 by this former Jamaican child star, it would go on to be used in election campaigns by various Jamaican political parties. Kent People by Laurel Aitken & The Gruvy Beat is the next one out the box and was the flip to the 1969 anthem Skinhead Train. It features the UK's top reggae band of the era The Rudies, who along with Aitken, the widely-proclaimed Godfather of Ska, comprised of Earl Dunn (lead guitar), Trevor White (bass), Sonny Binns (keyboards) and Danny Smith (drums). They would go on to enjoy UK chart success backing singer Freddie Notes before they evolved into Greyhound. From the same year Splash Down by The Crystalites is another slate that ignited dance floors in both Jamaica and the UK upon release. Some of you will have noticed the rhythm track is the same as that of the earlier Kingstonians' best-seller, Sufferer, which came courtesy of legendary producer Derrick Harriott.
As the end draws close The Stone City Band featuring Rick James serve up some hard edged boogie, hotly followed by a classic Tom Moulton slice of late 70s disco courtesy of The Fantastic Four and their I Got To Have Your Love. If that doesn't have you dancing then Chanson's superb Don't Hold Back featuring James Jamerson Jr. on bass will leave you no choice. Classic Good Times indeed.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

31,89

Last In: 7 years ago
Nicolas Godin - Contrepoint

Nicolas Godin

Contrepoint

12inchBEC5156170
Because Music
05.10.2015

Rating 4/5 "Independent UK"
This solo debut by Air’s Nicolas Godin explores various elements of Bach, but without slavishly transposing his music to modern instruments in the manner of Wendy Carlos.

Instead, Godin uses themes and fragments from Bach as the jumping-off point for diverse musical explorations. In “Club Nine”, he borrows the “Take Five” rhythm, brushed out behind a cyclical piano figure, stained with resonant Bach chords on vibes and keyboard; and for “Clara”, the husky Latin croon of Brazilian singer Marcelo Camelo swoons over a stately dub arrangement of strings and woodwind.

The seven-minute “Bach Off” is the most dramatic piece, a suite shifting between interlocking Latin percussion, African highlife sax, stalking piano and harpsichord/woodwind interplay; while the blend of music-box, cellos, French horn, pizzicato and vocal pad makes “Elfe Man” sound like an outtake from Pet Sounds. A rich, rewarding indulgence.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

16,68

Last In: 10 years ago
Reedale Rise - Common Dreams 3

For his first release on Common Dreams, Reedale Rise (Simon Keat) brings us two thoughtful tracks, both well-layered and very well produced. The A side "Pressure Box" is the more funkier, 'deep house' leaning tune, giving us juicy chords, a starry pad, and some very nice atmospheres in between. All the while, drums are pushing you forward, and in some parts just reach out and slap you in the face. The B side "Azikiwe" fuses sporadic arpeggiations with some very thoughtful chord melodies. Maybe it could be described as having a more psychedelic twist. But just when you get too far out, you're brought right back to the rhythm tracks wich are nothing short of solid, making for a good all around dance track.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,36

Last In: 6 years ago
Mb - The Miracle Sign

Mb

The Miracle Sign

12inchRHYTHM014
Bio Rhythm
18.05.2015

3 Shit hot tracks on MB's debut for Bio Rhythm... What can we say 'The Miracle Sign' hit us by surprise... Title track is a beautiful and epic journey in techno soul quite rare to hear these days, reminding a bit of early nineties Detroit/UK techno and even some of the early Speedy J works, all with nowadays production skills. Stunning contemporary techno the classic way. Then from heaven to hell with '60606', an evil distorted acidic drum track guaranteed to damage kids brains worldwide... But no time to think long anyway cause there's 'We Only Have', an autistic out-of-the-box jack track providing a sneaky tool for the more adventurous dj. This will separate the gurners from the dancers. Top-notch showcase by the unstoppable man-machine that is Marco Bernardi..!

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,61

Last In: 10 years ago
Endless Pokers (adonis) - ! The Poke !

Adonis' comically named "Endless Pokers" project is no joke, in fact, this is some serious Chicago ACID House!

Originally released in 1987 and featuring Adonis' trademark staccato drum machine rhythms, creeping acid lines and cowbells "The Poke" is a classic (Watch out for those vocal stabs too!).

All 3 mixes featured on this 12" bring something new to the table, twisting and turning that acid line into a frenzied buzz. This is pure old school business, Chicago style! Raw, simple box jams of the highest order! A definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today.

Re-mastered, re-pressed and brought to you in conjunction with DJ International Records.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

11,35

Last In: 8 years ago
Ean - Darknet Ep

Ean

Darknet Ep

12inchCBR005
Cosmic Bridge
21.07.2014

EAN steps up to bat for Cosmic Bridge, bringing 4 tracks of heavyweight, eyes down 80/160-range BPM rollers blending footwork rhythms with deep soundscapes and tinges of Jungle and Techno. His past work has come in the form of remixes for Om Unit's Searching on Stretched records, Ghostpoet's Cash and Carry Me Home and his contribution to Project Mooncircle's recent 10 year anniversary box set entitled Pictarus. More recently Civil Music enlisted him for a blistering re-rub of XLII's No Cure which has been very well received.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

8,70

Last In: 11 years ago
Articles par page:
N/ABPM
Vinyl