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The timeless ‘’Rhythm of Life ‘’ album by James Mason is possibly one of the greatest vocal Jazz fusion releases of all time. When I first started Dynamite cuts I wanted to make a 7” box set of ths LP. But instead released a double pack (2x7”); plus, another 7”, making 6 tracks from the album. Now 2022 we have been able to release two further monster tracks. “Rhythm of life” the title track from the LP is an up-tempo vocal dancer, a groovy driving jazz fusion masterpiece. And very excitingly, we have been able to make an exclusive 7” cut, the vocal soul gem “Good Thing”, on the flip. This one is huge.
- A1: Interlude Between Brussels & Rio
- A2: Dead End (Ft. Janet King)
- A3: Clout Chaser's Anthem (Ft. Janet King , Hua Li)
- A4: Jazz Cats Run (Ft. Sarah Mk)
- A5: 1996 Inner G
- A6: Shore Apart
- A7: Lord Have Mercy (Ft. Judith Little D ,Raveen)
- B1: Nunca Mais
- B2: In The Gaze
- B3: Mascarade
- B4: Moon Rising (10 Years) (Ft. Judith Little D)
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Gayance joins forces with Rhythm Section for her debut album ‘Mascarade’ - a swaying dance that moves between poetic, soulful odes to the past, accounts of the Afro-diasporic feminine experience and playfully energetic dance floor grooves.
Mascarade is a collection of dancey, broken rhythms, interwoven with heartfelt stories and bright, unapologetic outpours of joy. In her own words, “It's the story of my 20's. I wanted to pay homage to this kid everybody knew, but not deeply. It's about taking back a power that is mine and was always in my hands...It's about making peace with the past and moving forward”.
Gayance (real name Aïsha Vertus) takes her alias from the Haitian creole word for joyfulness.Based in Amsterdam, born and raised in Montreal-Nord, she started as a DJ in 2013, and has toured the world with shows in Paris, Brooklyn, Marrakech, Berlin, Sao Paulo and more, bringing electrifying and contagious energy wherever she goes.
Her own production is influenced by underground UKG and the respective house scenes of Detroit and New York, with nods to the vivid, sun-soaked colours of Latin America. Shades of blues, jazz and gospel can also be heard in her newest project, pulling together styles from each corner of the world. Following her catalog of entirely self-released projects, Gayance announces her full-length debut album on Rhythm Section, bringing some fellow Montrealers along for the ride.
black repress !
Everyone's favourite Italian duo Micky More & Andy Tee joined in full force with house music icons Cevin Fisher and Roland Clark. The Logo side sees ‘All About The Culture’ feat. Cevin Fisher, a track doused in live bass, fiery grooving Rhodes chords and spoken word lines that shines a light on the freedom of expression and liberation found through the culture of house music. Already tested on the dancefloors of New York, London And Ibiza this track is ready to become a future classic!
Flip it to find ‘The Rhythm’ feat. Roland Clark; a groove heavy concoction of live instruments from strings and guitar, to keys and bass that come together tp create a warm, uplifting, funk-disco-house heater topped off with those spine tingling spoken word vocals. A timeless original production.
Repressed on Black Vinyl.
DJ Support:
The Shapeshifters, Hector Romero, Terry Hunter, Seamus Haji, Quentin Harris, CJ Mackintosh, Quibiko, Northy Cotto, Double Dee, Roog, Dr. Packer, Angelo Ferreri, Kenny Carpenter, Benji Candelario, Dj Disciple, Dj Pope, Luis Radio, Richard Earnshaw, Lenny Fontana, Dj Pippi, Marco Fullone
- A1: Dillinger - Tighten Up
- A2: Sir Lord Comic - Django Shoots First
- A3: The Upsetters - Uncle Charley
- A4: The Upsetters - Sokup
- A5: The Upsetters - Double Power
- A6: The Upsetters - Lover (Version)
- B1: The Upsetters - Rumpelsteelkin
- B2: Dillinger - Skanking
- B3: The Upsetters - Kuchy Skank
- B4: Dillinger - Connection
- B5: The Upsetters - Opperation
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Rhythm Shower is the 1973 studio album by The Upsetters, but also features tracks by Dillinger and Sir Lord Comic. Many of the rhythms on the album are known as those done by Lee “Scratch” Perry. Originally released in a very limited Jamaican pressing with no sleeve, it became better known after its reissue by Trojan Records as part of The Upsetter Collection.
Rhythm Shower is available as a limited edition of 1500 individually numbered copies on orange coloured vinyl. Since the original release contained no sleeve, this edition is housed in a custom made sleeve by Music On Vinyl in collaboration with Trojan Records.
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- A1: Push It Along
- A2: Luck Of Lucien
- A3: After Hours
- A4: Footprints
- B1: I Left My Wallet In El Segundo
- B2: Public Enemy
- B3: Bonita Applebum
- B4: Can I Kick It?
- B5: Youthful Expression
- C1: Rhythm (Devoted To The Art Of Moving Butts) (Devoted To The Art Of Moving Butts)
- C2: Mr Muhammad
- C3: Ham 'N' Eggs
- C4: Go Ahead In The Rain
- D1: Description Of A Fool
- D2: Footprints (Feat Cee Loo Green - Remix)
- D3: Bonita Applebum (Pharrell Williams Remix)
- D4: Can I Kick It? (J Cole Remix)
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- A1: Neal Howard - Indulge (Discomedments Homage Re-Edit)
- A2: Minimalarchiv - Seduced By Theory
- B1: Nexus 21 - Silicon (Don't Need The Bleep Mix)
- B2: Discomendments - Herd Immunity
- C1: Doggy - Neurosilence (Unreleased)
- C2: Mark Archer - The Presence Of Beauty
- D1: Mg - 2 Sensual
- D2: C&M Connection - Bio Rhythms
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It’s not normal to take 31 years to release a follow up album. But then Network was never a normal sort of record label, and often opted for the quirky rather than the quick buck. The logo was launched in 1990 and that year, along with a slew of startlingly good singles, created and issued two bio-rhythm compilations, each of which showcased cutting edge USA techno rubbing shoulders alongside its’ sparse UK bleep counterpart.
At the time the words quality and dance music compilations were not phrases shared that much. bio-rhythm 1 and it’s almost instant follow up bio-rhythm 2 bucked the trend with groundbreaking exclusive tracks, iconic minimal artwork and surreal sleeve notes.
Each of the albums have been hailed by many as piece de resistance primers to electronica music.
As well as capturing the zitgeist of a blurry everything of that moment experimental time, they have endured to be acclaimed as all time iconic classics. So why was there no follow up? One reason was that things were moving so bewilderingly fast at the time for Network that the emphasis was always on the next thing, not regurgitating repetitive beat ideas.
Another was that the opportunity arose to direct the acumen gained from the bio-rhythm experience at the release of two (now equally acclaimed) compilations from Frank and Karen Mendez’s cult Nu-Groove label.
The current Network reconstruction meant an opportunity to re-indulge and finally release bio-rhythm 3. Matt Anniss’s splendid sleeve notes are reproduced below and tell you all you need to know about the carefully selected (and mostly exclusive to this collection) tracks on 2 x 12 vinyl for increased sonic joy. Network. We continue.
Rhythm Section International’s 12th release comes from another Mancunian called Tom, this time going by the name of Hidden Spheres. We are issuing a * FEEL-GOOD HIT OF THE SUMMER* alert for the title track, ‘Well, Well’, - a certified, yet sophisticated banger, ready to send that festival crowd one step closer to transcendence.
A versatile EP spanning over 5 tracks, Well Well is a house-tinged, jazzy affair - rich in soulful vocals, summery chords and live percussion. Hidden Spheres is a seasoned dj and producer, having released on the likes of Moods & Grooves alongside Theo Parrish, Andrés, MR. G and Moodymann as well as producing the inaugural release for Lobster Theremin imprint Distant Hawaii.
With a wealth of records ready to go, constrained only by pressing plant schedules, RS012 marks the first in a flurry of summer releases on Rhythm Section International.
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Rhythm Section welcomes Nicola Cruz to the fold with his debut EP on the imprint - “Subtropique”. Inspired by an Ecuadorian upbringing, percussion is at the heart of how Nicola operates. His rhythmic style finds a natural home on the London label - which presents 5 expansive efforts equally indebted to traditional drumming as they are to contemporary club sounds. Remaining sonically cohesive without feeling the need to settle into a definable style - the tracks are tied together by a lucid psychedelic thread which, despite challenging the expectations and fundamentals of electronic dance music - demand movement at a time where we yearn for it.
