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Northern California psychedelic sorcerers Carlton Melton are brain surfers, mind trippers, … “psychlists,” if you prefer. The band will take your head for a ride, occasionally rushing at superluminal speeds through a wormhole or gliding softly on a gentle breeze in a leafy glade. Sometimes your brain needs to rage, and sometimes it needs to repose. For a decade and a half, the band has yo-yo’ed, almost schizophrenically, between these two modes: walloping space jams with furious guitar solos in one hemisphere of the brain and ethereal, feather-light splashdowns in the other. Not to mention a track here and there that builds from the latter into the former. But with two new releases in 2023, the band has evolved. Whether psych rock or ambient trance, their sound remains driving, organic, and flowing. With the addition of Anthony Taibi (White Manna, DDT), however, the group’s metal freak-outs are Hawkwindier and their droning kraut trances are Spacemen 3-er. In January, the quartet released the playfully spacey Resemble Ensemble, recorded in Taibi’s home studio 3D Light. October now sees the band Turn To Earth, a work with scents of Autumn, a season of death and transition. The cover art evokes a vine-covered, electric crucifix. The sound is, well, earthy but also gritty and striving towards change. The album was recorded in Fall 2022 and now harvested in Fall 2023. Phil Becker (Terry Gross, Pins Of Light) contributed drums and percussion to a few tracks on Turn To Earth, recording the album at El Studio in San Francisco.

With Becker at the helm, the synths have become more prominent (“Cosmicity,” “Roboflow,” “Migration”) and the tone heavier on the doom (“Cloudstorming,” “Unlock The Land,” title track): several moments could even serve as background music for epic dark fantasy films like Conan the Barbarian, Fire and Ice, or Heavy Metal. As exquisite as Turn To Earth is, Melton are best appreciated as a live act: their recordings as well as their gigs are largely improvised – not so much composed as birthed. And yet their most recent tour ended abruptly and perilously. The group had to cancel its final three shows once members were admitted to Arnhem hospital in the Netherlands. Five years later, reinforcements have strengthened the band and restocked its arsenal of great tracks. After the rockus interruptus of that 2018 tour and the tantric tease of the intervening Covid lockdown, Melton have some unfinished business. An October 2023 tour is poised to set the freshly minted quartet back onto the stages of Europe and within the cerebral folds of its fans. Turn To Earth, sure … but keep your head in outer space. Carlton Melton is: andy duvall – drums/gtr; clint golden – bass; rich millman – gtr/synth; and anthony taibi – synth/gtr.

Series 4 of the TELUM sub label, AURUM has arrived!

A different chapter with a similar story to be told - 4 dance floor weapons from good friend of the label, Swoy.

Each track has been making noise around the world with heavy support from some of the biggest names in the industry!

Grab a copy whilst you can!

2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.

Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.

Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.

Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.

This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wöllo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.

And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.

The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.

Elsewhere, Olav Wöllo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:

"Olav Wöllo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.

We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."

The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle Époque, alongside the ivory work of Eirik Blåsternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.

As with Belle Époque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.

And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.

To describe an album as "electronic music" has long been an understatement. "Romanticismo siempre" is a good example. Recorded mainly using synthesizers, the album travels a territory that borders on the experimental and the dancefloor, entering at times in both fields.

Andrés Téllez, Delone, states in its title a clear commitment: "an ode to life, to never lose that passion that is the engine that pushes everything, no matter how many obstacles there are along the way, such as love, madness or death". The need to express this is at the origin of the record.

His musical language is rich and varied. Among synthesizers, analog experimentation, drones and psychedelia, many of the subcultures that have shaped what was once called "electronic music" appear. Flashes of trip hop, new age and proto-electronics are amalgamated throughout the album, together with hints of mutant house, breakbeats, IDM and trance. Other genres peripheral to club sounds, such as post-rock or kraut, also appear.

The idea of creating something that could almost be considered a soundtrack is present, but Delone's singularity has taken the album down a different path, using his own musical vocabulary to articulate a narrative that leads him towards his desired destination, keeping experimentation and dance culture, constants in his career, very much in mind.

In 2014 and together with his partner and friend Carlos Trujillo, Andrés created Riverette, a record label that became a record store in the center of Madrid, with his studio in the basement. From there he unleashed his productions as Dos Attack and his first works as Delone. Riverette quickly became a key creative pole in the Spanish electronic underground, and the label has released records by Legowelt, Kornel Kovacs or HAAi.

Throughout the eleven tracks of "Romanticismo siempre", a story materializes in which the protagonism falls on the adrenaline of passion. Through a very personal sound, with a certain introspective vocation, Andrés tells us a wonderful tale with the help of exquisite arrangements and a rich expressiveness.

"Romanticismo siempre" is a polyhedral album that can change with every listen, with every track, and reinterpret itself almost with every playback. It is a complex record, delicate and full of nuances, at the same time charged with a powerful and primitive energy.

Veteran is the second studio from renowned Baltimore rapper, JPEGMAFIA. It was released on January 19 2018 by Deathbomb Arc and Republic Records. The album was released to widespread critical acclaim and brought JPEGMAFIA to the forefront of contemporary and experimental hip hop. NME, Pitchfork, Rolling Stone, Noisey, and Spin all listed Veteran in their top 100 albums of 2018. In 2019, Pitchfork listed it at number 171 in their list of best albums of the decade. The album features JPEGMAFIA's most streamed song, 1539 N. Calvert.



As described by Pitchfork: "Entirely self-produced, Veteran is a remarkable exercise in sound and texture. At its best the production makes the frayed edges of each element part of the atmosphere, a mess of distortion that works percussively and melodically." JPEGMAFIA has since established himself as one of today's premiere contemporary and experimental hip hop artists, with over 1.5M monthly listeners on Spotify, and 500K+ Instagram followers.

WOLFDRIFTA returns to his own Wolves That Drift imprint for its sophomore release via the ‘Control The Code’ EP, complete with remix from Phone Traxx’s Rob Amboule.

The EP kicks off with the titular ‘Control The Code’. A versatile track which seamlessly fuses elements of early Detroit electro and techno with a classic Chicago-esque groove packaged with modern dynamics and functionality. GOSU affiliate and Phone Traxx member Rob Amboule steps up to remix the aforementioned ‘Control The Code’, adding his trademark breakbeat and minimal stylings to proceedings. Closing out an impressive second outing for the burgeoning imprint is the haunting, hardware driven ’Twilight Zone’ to complete the hat trick.

For the third edition of Oblivium vinyl we present this exclusive project : Carlo di Roma "Subway ep" is an ambition project together two amazing remix from Franco Cinelli and Chktle

For those seeking a musical experience reminiscent of the iconic LARRY HEARD, RON TRENT & KERRI CHANDLER, delving into the enchanting sounds of A VISION OF PANORAMA is a journey well worth taking. A VISION OF PANORAMA, much like MR. FINGERS, has mastered the art of crafting immersive and soulful electronic compositions. This latest release invites you into a sonic realm where lush melodies, dreamy textures, and intricate rhythms coalesce to create an atmosphere of pure musical bliss. In a landscape where electronic music continually evolves, A VISION OF PANORAMA stands out as an artist who skillfully pays homage to the timeless vibes of classic deep house while adding a contemporary touches of forward thinking smooth and Balearic jazz. The fusion of classic house elements with a futuristic flair makes A Vision Of Panorama the closest thing available to the legends that precede.

Tape Reworks, Vol. 2is the fourth project by Langham Research Centre released onNonclassical. Following the success of theirTape Works, Vol. 1and subsequentTapeReworks, Vol. 1(which featured remixes by Jim O'Rourke and Group A), this EP presentstwo remixes of tracks fromTape Works, Vol. 2:'Movable Fields', remixed by Kara-LisCoverdale, and 'Nachholbedürfnis', remixed by Beatriz Ferreyra. Kara-Lis Coverdale's 'Movable Fields' is an icy soundscape, gently moving at a glacial pace, evoking the feel of a field recording from a strange planet. 'Movable Fields' draws from elements of twoTape Works, Vol. 2tracks, 'Accarezzo' and 'Terminal Voltage Traces'. Ferreyra's remix of 'Nachholbedürfnis' is a dadaist cacophony of bleeps and lo-fi scratchy samples, darting chaotically throughout the track in true GRM fashion. The original album utilizedrecordings made in specific locations, particularly brutalist buildings, as an audiomanifestation of modernism.

The package, posted from Inglewood in California, dropped through my letter box…
I was looking forward to seeing this, the VHS of the then relatively ‘unknown’ but now legendary live show at the Saenger Theatre in New Orleans by Maze featuring Frankie Beverly. But when I fed it into my VHS player, I was disappointed. I could not quite figure out why. The band were tight, each musician sounded great, the product of being on the road, year after year, club after club in the States, sometimes playing five shows a night, all propped up by one of the best soulful voices we had ever heard, the maestro Frankie Beverly.
It took a second play of the VHS to realise what was missing. It was ‘too comfortable’ an atmosphere. A few wealthy customers sat around coffee tables quaffing champagne. It seemed to me that this audience, somehow, did not fit the band.
Paul Fenn at Asgard promotions received the contract from the band to appear live in London and Manchester. I became more and more convinced that his UK fans were going to be a lot more responsive than those from New Orleans.
We put the word out with just a couple of exclusive ‘shout outs’ by Robbie Vincent on his Radio London Soul programme. Those two plugs were enough to sell out all four shows at London’s premier music venue, the Hammersmith Odeon. The ticket office was rammed and the queue six deep, stretched halfway down Queen Caroline Street.
“I have never seen anything like it” expressed the manager of the theatre as he rolled down the shutters and turned on the “Sorry, SOLD OUT” notice above the theatre box office.
I was curious, so I went up and stood in the wings of the Hammersmith stage on that first show. Frankie, introduced to the stage by his sound engineer, Greg Blockman, sauntered past me, strumming his rhythm guitar, dressed in a casual dark green towelling suit, a brown leather visor and flip flops…and then five seconds later, he suddenly stopped. He seemed suddenly to be aware of the thunderous ’Welcome to London Maze’ roar, circling around the theatre about to engulf him. He slapped every black and white hand offered up to him that night, with a huge smile as he circled the edge of that stage. We wanted to get next to him, even if it meant climbing over rows of seats in front of us to do so.
That was the beginning of our love affair with Maze and Frankie Beverly. It certainly wasn’t New Orleans comfort; it was more like a crazy, but friendly, London riot.
Five albums on from the “Live in New Orleans” LP, Frankie sauntered into the California recording studio, probably with the same swagger as in London, to cut the delightful A-side here, “Somebody Else’s Arms”, from his aptly named ‘Silky Soul’ album. Along with the B-side, ‘Love is’ (from the “Back To Basics” CD, 1993) both are so delicious you might want to relax and pour yourself that London glass of champagne, 1983 vintage. Tell your mates your Maze/Hammersmith story too. You deserve it.

finally repressed !

For the second journey on ´Future Romance´ the french DJ and producer duo ´Esoteric Circle´ from Paris are delivering 2 masterpieces of melodic house & techno music. The two brothers bring their emotions together in a new innovative style, focussing on elaborating synth melodies and minimal percussive sounds, full of energy. As remixer for this brilliant release we could win the renowned italian duo ´Hunter/Game´, wellknown for their successful releases on labels like Kompakt, Afterlife or LNOE, just to name a few.
Early DJ support by Adriatique, Sasha, Dubfire, Fur Coat, Anii, Dave Seaman, Markus Kavka, Dirty Doering, Undercatt, Zoo Brazil, Dr. Motte and more...

All those creatures, standing there, making time. Fury eyes, golden dust on artificial fog. Dancing on glass, repetitive poems, looping long after the last loop looped away. Oriental acid, frenzied samples, low hanging film noir suspense. This is DALO. Or not. She is many. Dry maniac downbeat is her craft. Or dark-ish pop-not-pop. There is dub, trance, techno, too. She is known for releases on labels like ESP Institute, WARNING, or Tresor. She is part of bands like Init. She played them all, those clubs, that matter, and those that matter more. Live. Alone. As an artist. With a band. Here she comes with her first album. On the R.i.O. sphere. Her homebase. A trusted zone for experimentation. She brings “Duster”. Seven tunes twisted in different dreams. Fast, slow, veiled, enchanted, haunting trenchant. She sings. These songs. To dance. For a different, stripped-back trance. DALO. Her record longs for a stage. Exporting grace, face to face. A work like a mirror. Hypnotizing. A psychedelic portrait of a performer. Nuanced industrial veils ceremonial journey music. Claps, Jungle. Desolate vocal snippets. A whirlwind of words. All those chords, hanging there, kick drum time. Fury eyes, golden horns amid acid fog. Dancing on glass, cyclic synth-lines. DALO. Duster. A-round-and-a-around. Circulating the ritual.

Fourth release for the Pennyroyal Rec label.

For the occasion a various artists was created entitled "TEAROOM VIBES."

Imagine a Tea Room where warm electronic sounds are ready to envelop the listener.

On Side A we find Lele Franza with dark and hypnotic sounds and spanish master Ildec with a real bomb from syncopated rhythms.

On Side B The Lumens and Luca Doobie pay special attention to the
dancefloor with two tracks to play in the middle of the party!

One of the most consistent new labels around, Cyphon Recordings, marks double figures with another standout release that gleans from the past, but faces the future. This time they look to the talents of Emotive Technology, a new alias from Chilean Massiande who provides a five-track EP of machine-wielding, soul-rousing techno from across the spectrum.

Although this may be the first release under his new moniker, Massiande has spent the last decade putting out productions with labels such as Housewax, Phonica, Freerange and Groovin. Firing on all cylinders from the get-go, ‘Rise’ kicks off the Walk Into The Light EP. A hyperspace melding of new beat, Italo and arp-operating techno that opens out into a slice of peak-time revelry.

The swirling textures of ‘It’s On’ follow, pushing you into the next dimension. A hypnotic, entrancing and arresting heads-down powerhouse. Crunchy and considered it's the kind of strobe-stuttering basement jam that turns heads inside out.

Two Detroit-leaning tracks ‘Your Zone’ and ‘Walk IntoThe Light’ are up next. The former is a heavyweight machine workout. Layered synth lines and crisp drum programming transfix, as that grooving low-end powers bodies into bedlam. The latter, a Motor-City-influenced tour de force. One that sees Massiande recode the circuitry to hit with a piano-laden stunner, balancing power and presence, with emotion and nuance.

Closing out proceedings, ‘The Swing’ sucks you in deeper. A resonating world of synth stabs, pulsating basslines and atmospheric electronics.

Doing the Emotive Technology namesake proud, Walk Into The Light is machine music hardwired with a heavy sense of soul.

Next from Jerry Harris' new label Motive is this killer modern roots tune, a version of a classic roots rhythm, with excellent dub wise side by Wackie's own Prince Douglas. Top shelf contemporary reggae from two OG's here, don't miss it.

To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .

From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .

While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .

On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .

Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .

Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .

Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .

Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .

Whatever the "Source" means for each one . . .

Repress!

Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, ‘At Night’ is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. Stepping up to tackle this masterpiece with a nu-disco dance track, Tiger & Woods use cowbell to accent a B-boy beat, with drum machine breaks bringing it back to the dancefloor. With a sophisticated house remix with a nu-disco edge is Purple Disco Machine, fusing a funk-infused bassline with Terra Deva’s unforgettable vocals. Finally is a brand new version from the Shakedown duo themselves, the Galactic Boogie Mix. With saturated synths and interplanetary breakdowns, Shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm.

Repress!

New school Italian techno sensation Alignment is back with a third thrilling EP for on Charlotte de Witte’s KNTXT label that once again stands him apart.

Alignment's previous outings on the label - the Time EP in April 2020, then his Nothingness EP in November 2020 - made huge impacts. They are standout techno offerings from a young and exciting artist who has quickly risen to the top. He has remained hugely busy in the last 12 months with a wide-ranging sound that takes in everything from old school bangers to trance-tinged rollers via futuristic workouts.

Says label boss Charlotte de Witte, "Alignment's music has been strongly represented in all my livestreams of 2020 and 2021 and I honestly can't wait to finally bring his music and his latest creations on Power EP to the dancefloor. It's made to make you move and I'm very happy to have him on board once again!“

The artist himself adds, "The vibes we shared pre-pandemic on our beloved dance-floors inspired me a lot to create Power EP. I tried to focus on effective and highly energetic, peak-time techno weapons for KNTX011. Signature synths, big stabs and kicks following only one formula - no compromise and four to the floor.”

First up is Power, a high octane track with hard drums, slamming bass and bright synths that cannot fail to get hands in the air. The excellent 'Disconnection' has laser-like synths shooting across the face of the track while big, edgy trance stabs light up the barreling drums from way up above. 'Frequency' is another trance-influenced track that brings peak time energy to stomping and distorted drums. It is an emotive rollercoaster that never lets up and will make a mark on even the biggest dance floors. Last of all is 'Radioactivity' which has scuffed metal textures, crashing drums and strobe-lit synth lines that will turn every party into a rave.