Originally released 1996 on the short-lived Picnolypsis Records (DE) - Down D.C. and Analog Consciousness take a side each for a raw, stripped-back excursions into underground acid house. Driven by hypnotic drum programming, rolling low end and corrosive 303-style lines, the record captures the rough-edged spirit of mid-90s European club music. Long buried in obscurity, the record's reputation has quietly grown amongst DJs. The spotlight now shining on it further after Down D.C.'s Acid-House Part 2 was played on Shanti Celeste’s BBC Radio 1 residency.
This first time re-issue features a remix from Pacific Coliseum - alter ego of Canadian artist Teen Daze.
With the “Extrasensory” EP, Slices Of Life welcomes one of the most versatile producers in the UK minimal house scene. Since 2003, Tom Ellis has been creating funk- and jazz-inspired house and techno, distinguished by his keen sense of organic rhythm. His extensive discography spans labels such as Logistic/Telegraph, Minibar, Wisdomteeth, KANN, Banoffee Pies, Onysia, among many others. Beyond his solo work, he is also the mastermind behind the electronic jazz ensemble Soulstatejazz.
The four tracks on “Extrasensory" distill this wealth of musical experience into diversely textured minimal house productions. Precisely placed drums and percussion, and rolling grooves form the foundation - clearly shaped by Ellis’s background as a drummer, percussionist, and bass player.
All the tracks share a warm, organic atmosphere, oscillating between lightness and relentless drive. The title track, "Extrasensory", blends almost pop-like melodies with shimmering vocals. "Bring Forth" takes us into deeper, dubby, and driving territories, while "Be The Moment" reveals a playful and melancholic side. Finally, "Vividly" immerses us in a dense, dreamy, yet pulsating sonic world.
Bondage-Music proudly welcomes back Mihai Popoviciu with his latest EP, “Pick Up The Phone.” A familiar name on the label, Popoviciu returns with another refined selection of deep, groove-driven house music, combining his trademark rolling rhythms, warm basslines and subtle atmospheric elements.
With a sound that effortlessly balances depth, hypnotic grooves and dancefloor energy, Mihai Popoviciu has established himself as one of the distinctive voices of contemporary house music. “Pick Up The Phone” continues this signature approach across four tracks, delivering a focused and timeless club release.
For this edition, Bondage-Music presents the EP as a Limited Splatter Edition on 180G vinyl. Adding to its collectability, two tracks are available exclusively on vinyl, making BOND12086 a special release for DJs and vinyl enthusiasts alike.
Great release. Three moods: tight original, tougher remix, softer terrace cut. Bartolomeo returns with Lourene on vocals. Narcotico EP, three takes on one hook. Original mix, tight low end, sparse percussion, vocal doing the work. Cesar Merveille remix, tougher, more tech house, hats sharpened, bassline rolling. Cali Lanauze Terrace Mix, softer pads, looser pulse, built for outdoor sets.
Kampana brings you two reworks from Aroop Roy's essential DJ Weapons series, on 7" for the first time. 'Cross the Tracks' brings a bumping house groove to the funk classic.
'Spooky' reimagines the soul hit with brand new bass, guitar and rolling drums, creating a magical dancefloor moment.
TIN081 lands from Norwegian ‘V.Christie’ & Dane ‘ELOQ’ who connected via TikTok before quickly realising in ELOQ’s Copenhagen studio that their connection was gonna spark something truly incendiary.
By now we all know about the Danish capital's bass fuelled garage scene – thanks in no small part to their now TIN label mate & ATW boss Main Phase amongst others – well now it’s time to add ELOQ & V.Christie to the list of Copenhagen based producers shaping the future of the sound. Over four tracks the pair show a preternatural ability for speed garage and bassline and a deep grasp of rolling two-step flow. Their sound is full of life and is pushing UKG forward.
Run the tracks…
‘Coldsnap’ is a bouncy af Speedy G chune, packed full of stabs and vocal chops but it’s the bassline that makes this one cook. The bones are classic speed garage but that bassline is something new. Chef’s kiss.
When ‘Fools’ starts with that phone ringing and you know these two are up to no good. Icy, crowd tested and with a vertigo inducing buildup this is club-ready, peak-time business. And when that bassline collides with the reese… Ignition.
‘Nightshifter’ is a BIG WARPER.. ominous and spooky. Watch for the bells.. annnd the bassline.
Copenhagen’s contributions to electronic music are many. The Copenhagen ‘Fast Techno’ sound championed by artists like Mama Snake & Courtesy has been long applauded so when ELOQ & V.Christie close out the EP in euphoric style it makes total sense. ‘Anchor’ is a fast, hands up crescendo of hard house, trance and speed garage. A proper set closer. Hug your pals. Another lethal combo: huge chords & reese bass.
From heads down to hands up ELOQ & V.Christie got you covered.
DJ Support: Marco Carola, Jamie Jones, Joseph Capriati, Ilario Alicante, Bradley Zero, Carista, Josh Baker, Saoirse, Djebali, Archie Hamilton, John Dimas, rich NXT and many more
Kepler’s sound sits somewhere between deep house, garage swing and low-slung club pressure. Based in Leeds, he has developed a sound built around weighty basslines, rolling drums and an instinct for keeping ideas sounding fresh. Releases on Up The Stuss, Semi Delicious, Constant Sound and Rossi’s HOME//GRXWN. have helped establish and elevate that approach, with support from selectors including Ben UFO, Raresh, Chris Stassy, Four Tet and Interplanetary Criminal. Alongside his own productions, plus his labels Contact Music and Perspective, his Studio Orbit has grown into an online production community supporting thousands of artists, and he now returns to FUSE after his appearance alongside founder Enzo Siragusa in 2024 as part of the label’s X Series for his first solo release on the imprint.
His ‘Sunday Service’ EP brings four original cuts to digital and vinyl, moving between different shades of his UK-influenced, wide-spanning sound. ‘Inner Motion’ opens with a cosmic groove, sweeping melodies and tightly placed percussion, while ‘Jump Up Crew’, featuring MC Secret Agent, pushes into garage territory with an animated vocal presence and heavy low-end weight. On the B-side, ‘Unity’ settles into a deep, fluid rhythm that packs a punch before title track ‘Sunday Service’ journeys through hazy textures and shuffling drums for a late-night finish.
Following on from the highly anticipated Rebirth 20 anniversary project, Rebirth return with the first of two limited-edition bonus 12"s, digging deeper into the label’s catalogue with four killer remixes and previously overlooked gems.
Kicking things off with Leon Feat. Corrina Joseph – I Follow You (Darryl Baalki Remix), a soulful and deeply grooving house cut with Corrina Joseph’s beautiful vocals riding over a warm, hypnotic groove. Darryl Baalki adds his signature touch, making this one a serious late-night house weapon.
Next up is Gianluca Pegoiani Feat. Ann Saunderson – Numero 5 (Rough Ride) (Nick Holder Trackheadz Remix). Nick Holder’s Trackheadz take the original into deeper territory, delivering a classy, rolling slice of deep house with that unmistakable Detroit/Chicago-inspired feel.
On the flip we have Mata Jones & Mikey V – Funky (Elado Remix), bringing a more energetic and playful edge to proceedings with a seriously infectious groove, chunky drums and plenty of dancefloor funk.
Finishing off the EP is Psycho Radio Vs LC Anderson – Bad Reputation (Red Axes Remix). Red Axes work their magic on this one, twisting it into a dark, psychedelic indie-dance workout packed with attitude and hypnotic momentum.
Another essential selection from Rebirth as they continue celebrating 20 years of the label with some seriously choice cuts.
For his debut on Hard Times Records, Manchester's FLETCH delivers 'Lift Me Up’ - a four-track EP rooted in rolling grooves, warm musicality and a refined dancefloor energy.
The release follows a busy run for FLETCH, with releases on Circoloco, Three Six Zero, MVSON and ANOTR's No Art, where his Play House EP reached the top of the download charts. His connection with Hard Times began behind the decks at the label's sold-out Miami Winter Music Conference showcase, where a shared appreciation for the music soon developed into plans for a release.
"After playing for the Hard Times crew in Miami, I told them how I'd been a fan of the label for years and that i’d love to release something with them one day," says FLETCH. "I sent over some tracks that I felt were a natural fit and the guys signed them on the spot. The rest, as they say, is history!"
The title track sets the tone for the EP with rolling drums, elastic basslines and understated vocal hooks, while 'Stand Up’ leans into swung percussion and classic chord stabs. On the B-side, 'Touch Me' shifts into deeper territory with stripped-back, late-night groove, before '1000 Years' closes the EP with dusty scratches, crisp hats and an understated sense of drive.
Since its digital release, lead track "Lift You Up" has received strong support on BBC R1, plus heavy DJ support from the likes of TSHA, Hilit Kolet, Laurent Garnier, Jamie Jones, Groove Armada, Riva Starr, and more.
FLETCH's sound continues to evolve while remaining firmly rooted in the traditions of house, making 'Lift Me Up' the perfect debut on Hard Times.
Is this the greatest US Deep House track of all time? It's certainly a contender and arguably one of Kerri Chandler's finest productions.
A true Deep House classic, "You're In My System" has stood the test of time for more than 25 years, remaining a fixture in sets from the biggest DJs around the world. Now, Kerri Chandler brings this iconic release back to his own label in a deluxe edition featuring both beloved originals and previously unreleased vinyl versions.
Opening the A-side is a brand-new version featuring Mic Murphy, the legendary vocalist and songwriter behind The System, who co-wrote the original "You're In My System." It is followed by Kerri's timeless original mix featuring Troy Denari a staple for many in House music for over 25 years, a record that perfectly encapsulates the soul of house and Kerri’s distinctive sound.
The B-side opens with the previously vinyl-unreleased "623 Deluxe Vocal" featuring Mic Murphy. Driven by Kerri's signature soulful keys, rolling bassline, and expressive synth work, it offers a fresh perspective on a much-loved classic. Completing the package is the stripped-back Instrumental, delivering all the groove and energy of the original without the vocals.
Whether you're a longtime fan or discovering Kerri Chandler for the first time, this is an essential release for DJs, collectors, and House music lovers alike. A record that should never leave your bag!
Roundhouse makes its first statement on wax. Way of the Warrior finds Lukey exploring the space between Japanese fighting culture and the raw energy of South Central Los Angeles, translating those influences into five club-focused cuts. Rolling tech house grooves, acid pressure, analogue textures and West Coast vocal references shape the EP, while a lone breakbeat electro excursion briefly shifts the pace before returning to the record's driving core. A confident introduction to the sound and direction of Roundhouse.
Following a hugely successful debut, the LA collective Boogie Down Edits return with a second volume that turns its attention to one of hip-hop's most untouchable catalogues - A Tribe Called Quest. The approach remains as tasteful as ever: the defining vocal fragments and musical DNA of the originals stay fully intact, while the grooves and rhythms get subtly reworked for DJ-friendly, peak-time impact. 'Award Tour' opens proceedings with that unmistakable vocal hook gliding over a chunky, rolling house beat built for packed floors, while '4Momz' takes things deeper and more atmospheric, warm bass pressure and dreamy textures giving it a genuine late-night feel. Golden-era hip-hop attitude meets contemporary house production. Mad respect.
Jotel’s new EP on Warning calls upon long-time family and scene staples for a masterclass in stripped-back, high-impact dancefloor mesmerism. Shifting between rough-edged modular electronics and deep, organic aesthetics, the EP transforms the finest raw machine funk and 2000s-era progressive into mind-bending club anthems.
Opening the A side ‘Udo Suppi’ sets the tone with a rolling, space-infused groove. Driven by a buzzing, high-voltage bassline and fluid synth work it’s nodding to that golden crossover era where progressive house, early trance, and dark, driving techno collided. Followed by non other than the legend S.O.N.S, for many years a regular fixture behind the Warning decks, takes the track into his own sonic vortex, re-imagining the original with his signature deep-psy precision and intricate percussive drive.
On the flip, ‘Absolvere’ pushes deeper into trippy territory. A long-form, evolving journey built on rolling stabs, fluid arrangements, and an electric undercurrent. A track designed for special hours, late-night car rides, and fog-filled rooms. Closing out proceedings, Düsseldorf’s Trancesetter of Westphalia return to the label to rework ‘Absolvere’, injecting their trademark tribal energy and acid-laced, peak-time madness into the fold.
More than just a genre exercise, whether you call it Retro Goa for the club, Dark Progressive, or simply pristine, full-flavored dance music. WAR1211 is a celebration of long-standing friendships, raw hardware exploration, and strictly unlimited dancefloor fuel.
Four solid dub house and deep house cuts from Alessandro Crimi, pressed on blue green marbled vinyl. Get Up opens on a rolling groove, hats ticking against a bassline that breathes rather than pushes. Interstate tightens the low end into something more direct, built for the peak of a set. Look At The Stars slows the tempo down into dub house territory, chords smeared and delayed until they blur into the drums. Multiverse closes the record on a dubbier note again, echoes trailing off into silence between hits. Across the four tracks the mood stays controlled, functional, made for rooms where space and repetition do the work.
Amazing! RCA returns with a special three-track release from Funk D’Void & Friends, bringing together three different sides of the house spectrum across one beautifully connected journey. From the warm, rolling groove of the opener through a deeper, more hypnotic middle cut and into the tougher, more driving territory of the closer, each track has its own character while working perfectly as part of the whole. Funk D’Void & Friends doing what they do best. Deep, soulful and groove-led house music with just the right amount of edge. Three tracks, one journey, no filler.
Tectonic Recordings presents Tectonic Sound: Vol. 2, the second instalment of the various artists series curated by label founder Pinch. Following the first Tectonic Sound collection, released in 2025 to mark the twentieth anniversary of the label, the series continues Tectonic’s forward-facing approach; bringing together artists from their wider family and connecting dots across the underground.
Longstanding figures of the UK Bass scene such as J:Kenzo and Roska sit alongside a new gen of artists including Ehua, Manami, Cimm, Denham Audio, Henry Greenleaf and SHXCXCHCXSH. Beatrice M. also returns following the release of their acclaimed debut album Sinking earlier this year, while Jay Carder and Sir Hiss make their first outings as solo artists on the label, after both appearing as collaborators on Sinking.
Pinch says: ““As Tectonic enters its third decade, the spirit and passion behind the music hold true to its roots. I love every single track on this compilation and how it shows off the various corners of the label's sound. Each artist has delivered something truly special!”
Each artist arrives with a distinct sound and history of their own, but across these twelve original tracks there’s a shared understanding of what Tectonic represents. Different strains of the UK bass continuum come together, creating a space where sounds collide, and new forms take shape.
Pinch leads the charge with ‘Hold On!’, an upfront, high-definition 4x4 propulsion tool that pairs rolling momentum with seismic bass pulses. Manami enters with ‘Turning Point’, further solidifying her newer direction, leaning into deep, dubbed-out territory with a sound that feels both vast and exploratory, while remaining heads-down and locked in. Henry Greenleaf steps in with ‘Whist’, an ominous and otherworldly offering, reminiscent of early dubstep productions that fell somewhere between the lines of dark garage, 2-step and grime.
Elsewhere, SHXCXCHCXSH’s ‘NexxxD’ and Sir Hiss’s ‘2TUFF’ form a middle climatic point of pure chaos, with Sir Hiss serving up a raw slab of gnarled grime waveforms and cascading claps. Beatrice M. & Cimm bring things back down with ‘Pad City’, a cool, meandering cut of shuffling house, while Lorem closes the compilation with ‘Console Corners’, exploring the outer rims of sound manipulation and deconstruction before tying it all together.
Since its formation in 2005, Tectonic has been a trailblazing force in electronic music, helping to define and continually redraw the boundaries of dubstep and its surrounding sounds. The compilation arrives in the middle of a serious run for the label. Earlier this year, Tectonic released Beatrice M.’s debut album Sinking, a major moment for the label that was embraced across the electronic music community. Pinch has also continued his long-running creative relationship with legendary grime MC Trim this year, following their joint 2025 EP No Caller ID, with recent single Striker.
Across Tectonic Sound Vol. 2, those different strands of Tectonic’s history and present day meet head-on. The music moves between familiar forms and stranger territory, with rhythms and frequencies refracting across the collection. It’s a record that feels cohesive without being uniform, reflecting a label whose sound has always been defined by forward movement.
Celestial Echo Records brings back Sweet Mixture’s “House Of Fun And Love”, a killer slice of crossover soul from 1973.
Produced by Ron Rice and originally coming out of Chicago’s Bazar label he ran, “House Of Fun And Love” sits right in that sweet spot between modern soul and boogie before the lines were fully drawn. It has that glide you want from a great crossover record: warm vocals, a rolling groove, tight drums and enough lift to move from a soul room into a dancefloor set without forcing it.
There’s a nice full circle moment with this one too. “House Of Fun And Love” was one of the earliest releases on Discs of Fun and Love, the label run by miche and Frederika. It sold out quickly the first time around and years on, it feels like the perfect record to bring into the Celestial Echo catalogue, another holy grail for 2026.
On the B-side is “I Love You”, a sweet ballad that is smooth, heartfelt and beautifully understated. A beautiful slow number that’s common on a lot of these early soul records.
A rare soul grail made available again, respectfully cut, properly pressed, and ready to play.
Macedonia's own Stojche is Fuse's next guest for the club's freshly made imprint. The long standing DJ and producer has been known to keep Detroit's playfully hybrid style as the focus of his work and 'Metaphor' is the case in point. His four tracks bounce through a nostalgic balance of techno, house, and more with a modern crisp. A refreshing take on club music, Stojche keeps techno's sometimes nonchalant attitude at arms length with a charismatic record that hits its mark with every measure.
The record's first track 'Counterpunch' features heavily lined percussion but still brews up a storm far and wide with resonant dub stabs and open hi hats. The drum machine boasts a full spectrum, rolling through a light show of melodic flashes, perfect for a room compressing soundsystem. The maximalist, vintage detail that Stojche brings to his compositions blurs the lines between classic genres in a time of hasty hybridization, which gives it a sort of authenticity that can't be taken for granted. 'Chordal Tribe', on the other hand, raises the general euphoria of the EP. Luring in the listener with bright pads and full-on drums, Stochje's work is reliable main slot material that adds color to any mix while providing a persuasive low end. Shimmering hi hats give it an ethereal quality making it an appropriate interlude for almost any context. Moving on to the B side, the producer sharpens up his rhythm and emphasizes the hardgroove influence in 'Signal Drive'. Softening the pace of his drums with free use of melodic chord stabs, Stojche opens up his dance floor for a crowd bonding record once again, complete with filter transitions and pummeling toms. As the final contribution, his title track 'Metaphor' begins with a more obscure opening to conclude his EP for Fuse. Leaning more to a techno cut, the record remains flamboyant as ever with open hats and rides shuffling through his arrangement. A muted main synth becomes apparent to focus the energy of the track while allowing for liveset-like drum flickering to take shape beneath, claiming the immortality of old club records with the technical precision of a seasoned modern producer.
Berlin’s Ayū returns to the label with a collection of trance-inflected fluorescent club tracks, where blissed intent meets direct club functionality.
With previous releases on Harmony Records and Kalahari Oyster Cult, Aju has steadily carved out a place within Europe’s contemporary trance underground, with remix support from the likes of Spray, D. Tiffany, Maara and Jeku.
A concise display of Aju’s range, the EP moves from rolling, chord-rich club workouts to vocal-led peak-time moments, unified by fluid grooves and an instinct for melodic tension.
Equal parts function and feeling, Aju’s latest refines an already distinctive club language.
Blu:sh and Georgia Bird channel their shared Berlin orbit into Freq-E Functions, a collaborative exploration of the stranger edges of club music. Chugging tech-house rhythms, rolling percussion and seductive vocal cuts move through the record with a steady sense of tension, creating a playful and distinctly nocturnal atmosphere ready for peak hours and beyond. The EP includes a vocal feature from Coffintexts.
Rhythm Cult returns with a heavyweight four-track EP from Magnetik Source, featuring a very special remix from Brian Kage. Four deep, driving cuts built for the heads, moving between Detroit house, dub techno and stripped-back machine grooves. Title track “Eastpointe” sets the tone with its rolling drums, deep chords and understated Detroit feel, before Brian Kage takes it deeper into tougher, more hypnotic techno territory. “Tecumseh” strips things back further, locking into a raw, drum-led groove, while “Cinron” closes the EP on a deeper, slower-burning note. A serious four-track package from Magnetik Source, with Brian Kage on remix duties and already receiving early support from John Digweed, Laurent Garnier, Radio Slave, Danny Howells, Guy J, Joseph Capriati, Âme, Paco Osuna, Funk D’Void, Karotte, DJ Harri and Chris Fortier. Another Rhythm Cult release made with the vinyl heads firmly in mind.
Blur Records marks eight years of international artists and bright, instrumentally rich disco jewels with the second part of its anniversary compilation. The super reliable Monsieur Van Pratt opens things joyfully with 'Just Wanna Make You Dance' complete with strutting bass and disco-house grace that never stops soaring. Delfonic's 'Diamonds' brings filtered depth and a soulful sparkle that supports the glittering vocals. Reiner Von Vielen & Dizko Kreme's 'Good For You' rounds out the A-side with more rooted, chugging disco and a vocal that tugs at the heart. Flip it over and N.W.N.'s seven-minute 'Twin Souls' is a soulful house dreamer, Andy Bach's 'Keep Going On' samples a classic horn riff in a rolling groove, and Sven Wegner & Reiner Von Vielen close with the sophisticated and jazzy house cool of 'Inside Of Me. ' Here's to the next eight.
The duo of Nail and Barney Osborn are rising stars who work under the Indoor Tall Boys alias, a new name on us but this fresh drop on In The Dance suggests they have a deep understanding of dancefloor dynamics and a wide-ranging taste. 'Flames' is a supple, succulent and poppy sound with silky disco flourishes and a soulful, almost gooey groove. 'Re-Vibrations' has a lovely double skip in the drums and a gloopy bassline that brings a nice louche vibe, while 'Hold A Groove' has a sunny outlook and subtle strings worked into a smooth groove that exudes summery heat. 'KTT' shuts down with a filter-edge and glistening keys all stitched into a classic disco house groove full of colour and funk.
Duality Trax reaches its tenth release with a defining moment for the label, as label boss Holly Lester steps forward with her debut EP. A personal milestone as much as a catalogue marker, the record channels sounds that have shaped her sound to date - early tech house, the low-end swing of UK garage and breakbeat, the rolling pulse of mid- 2000s European dancefloors, and the emotional lift of ’90s progressive house - all refracted through a distinctly personal lens. Open Your Mind sets the tone with a sense of lift and release: a wide, expansive bassline carries skippy, garage-tinged percussion, while bright piano stabs cut through guided by playful, restless FX. Big Fill pivots into tougher territory, a driving cut built on a rolling sub that pulls you into the groove - equal parts pressure and introspection, with moments of dreamlike suspension between the weight.
On the flip, Tanit drifts into more atmospheric space —an ode to Ibiza that still carries a distinctly UK undercurrent. A squelching, elastic bassline and cheeky, garage-leaning wubs provide a foundational groove but everything around it drifts: gated synths shimmer, drums sparkle, half-heard vocals dissolve into the mix and the track unfolds with a blissed-out, cruising energy. It feels just as natural in a dark room as it does out on open water, coasting past Formentera. For the remix, Holly turns to one of her favourite producers of the moment, DJ Life, who draws Open Your Mind into deeper waters. The Berlin via Australia producer stretches the groove into something more hypnotic and submerged, a patient 5am burner that lingers in the air,equally at home in basements, afterhours, and those inbetween moments as night slips quietly into day
Four years after its original release, Mochakk's breakout anthem 'Da Fonk' featuring Joni continues to define a generation of house music. Originally released via Nervous Records in 2022, the record has surpassed 60 million Spotify streams alone, becoming Mochakk's signature track and one of the most recognizable records in modern dance music.
Fronted by fellow Brazilian artist Joni's soulful vocals, "Da Fonk" bridges classic house and contemporary club energy. Its stripped-back bassline and timeless groove have made it a fixture on stages and dancefloors around the world, while also marking a turning point for Mochakk, who has since become one of electronic music's defining artists, widely praised for his vibrant live sets in which "Da Fonk" has remained a staple. To celebrate the track's continued success, Nervous Records releases the 'Da Fonk' Remix Pack today across all streaming platforms, alongside a limited edition three-vinyl release available during Mochakk's long-awaited New York City takeover from August 28, 29 and 30.
Spanning three parts, the remix pack brings together a wide range of artists, each offering a different take on one of house music's most enduring records of recent years.
The first vinyl features Mochakk’s Original Mix and OG Dub of “Da Fonk”, in addition to a new Bass Mix from Marco Carola, whose signature rolling grooves and understated approach bring fresh weight to the original without losing its unmistakable feel. The second vinyl moves across a broad spectrum of club sounds. Australian duo Confidence Man inject their playful, high-energy style into the track, while Berlin's DJ Gigola delivers a sleek, club-focused interpretation. Cinthie, known for her deep-rooted house sound and analogue production style, offers a warm and driving remix, with Brazil’s Bronka rounding out the record on a fresh, contemporary rework. The third vinyl shines a light on Brazil's electronic music scene with an all-Brazilian lineup. Solarce Brothers contribute a soulful reinterpretation that nods to the original's house roots, alongside remixes from DJ Fuzil, Classmatic, and Deekapz & kLap, each bringing their own perspective to one of Brazil's all-time most influential electronic releases on global stages.
Deep frequencies beamed out from Brixton’s front line. Four highly sought-after cuts from Grant Dell’s back catalogue that need little introduction now gathered onto a single 12”. The record highlights the infectious and rolling house groove Grant became synonymous with in the early 2000s which is as relevant today as it was then.
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Recorded between 2002 and 2005 the record features ’So Good’ originally released on Jay Tripwire’s Spaced Out and ‘Acid Bubble Baby’ ft. DJ Deano on Stupendous. The other side see’s a reissue of Grant’s Chicago Transit Authority alias with ‘Still Disillusioned’ and also ‘Be Good Tonight’ originally released on his own label, Cove Records.
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Written and produced between 2002-2005 by Grant Dell except A2 featuring DJ Deano.
Remastered by Justin Drake
Pressed by Vinyl Presents
Distributed by Palace Vinyl
Teeing up the next dynamite release on Brighton-based label Murmurations is prolific UK producer Michael James. Spread across four cuts, the fifth vinyl release from the label - MURM005 - continues to focus on essential, stripped-back, driving dancefloor energy with a nostalgic edge. The Moving Music founder delivers exactly that throughout his four excursions here, laced with infectiously swung grooves from top to bottom, synonymous with his sound. “Ultra Realism” kicks off the record with heady peak-time action, its enormous elastic bassline winding itself around intricately arranged, skippy drums, rarely letting up as the track evolves.
Dubby, golden-era tech house sounds arrive on the A2, titled “More Of That”, a fitting name for this after-hours future anthem. As we land on the B-side, we’re greeted by “Lazy River Express”, another slick encounter with a distinctly charming attitude to it. Hard not to move to this one. Rounding off the EP is another example of punchy, rolling action, begging to be played loud. “Stargazer” leaves us with a crisp yet dreamy finish, rounding off the EP with another standout cut for the record bag. In its early days, Leo Christopher has managed to build a sought-after catalogue with the Murmurations imprint, and long may that continue. The curation is always one step ahead, and the label has very quickly become a buy on sight imprint for devoted diggers. An exciting combination here as a growing label joins forces with a staple name on the UK circuit.
Acid Pauli returns to the curious world of Gwar Is Not The Answer (originally released 2006 on Smaul) with a carefully remastered re-release that includes two new remixes from Jonathan Kaspar and Acid Pauli. The title track unfolds at an unhurried pace, weaving loose acid traces through warm percussion and off-centre melodic fragments that seem to appear and dissolve before settling into place. It drifts forward with a quiet sense of momentum, balancing eccentric textures with a groove that remains firmly grounded throughout. With his new remix Jonathan Kaspar takes the original into leaner territory, sharpening its contours and drawing out its tension while preserving the peculiar character at its core. His remix stretches the track into a more focused club framework where rolling low-end pressure meets finely tuned rhythmic movement, allowing small details to carry unexpected weight. On the flip Acid Pauli revisits the track from a different angle. The remix opens up the source material into a spacious and fluid arrangement where shimmering tones circle around a deep pulse and subtle harmonic shifts gradually reveal themselves over time. Together the three versions explore different dimensions of the same musical language, moving between psychedelic house, understated dancefloor functionality and the kind of idiosyncratic storytelling that has long defined Acid Pauli's work.
Upstate EP is the third various-artists release from MAZE, bringing together four tracks across deep house and house. Spectre opens with the warm, hypnotic “Mon Coeur,” followed by Stan Kolev’s rolling “Reversed Frequencies.” On the flip, Ernesto Altes & Guillermo Morro deliver the understated groove of “Matine,” while Dj Pepsi ft Magesh closes the record with the playful, floor-ready “Come Fetch Your Wife.” Curated by Grem and Hugo, Upstate EP connects four distinct voices in a focused, vinyl-first selection.
Repress! Back by popular demand–VSR 001 is designed to take you to the outer reaches of where you need to go. Wiersma has created a world where with your eyes closed and head down, the dance-floor can transport you to the outer reaches of space and back again for another beautiful night with all your favorite people.
Vermilion Sun Records was started as a passion project in 2025 with a belief in the magic of physical media juxtaposed against the incursion of AI. The original release featured just 100 copies and utilized US-only distribution; it was sold out in less than 5 months. After being brought across the pond from Boston to Brussels by local DJ & tastemaker Rasaaq, it was subsequently shared, quickly gaining popularity on Discogs. This repress is a testament to Vermilion Sun’s core belief; that is meant to be shared and enjoyed by everyone, and there is magic in that ritual.
Wiersma is a cherished member of the electronic music scene in Boston/Cambridge, MA. A DJ, partygoer, and prolific producer, he has played many of the city’s favorite nights sharing bills with other local talent and setting the stage for international acts like Bradley Zero, Garrett David, and Cinthie. Tapping all of these channels brings forth a creativity where memories from nights in Boston and other global travel transform his unique productions. His release VSR 001 showcases this style, exploring the darker and proggier sides of the house universe while making sure to stay tethered to a reality with firm roots on the dancefloor. A1 begins with Once Around Vega where a cinematic opening draws you into groovy and spacey loops demanding you to move. Syntactic Roles churns more deeply, incorporating layered dystopian vocals, rolling basslines and light acidity that is sure to help you close your eyes and put your head down for a dance. The B side keeps the space station grooving with Transmission from L3, and closes out with Rules of Teleportation incorporating more vocals over chugging electro infused grooves.
180 GR returns with the third and final chapter of Music & Territory from N-Zino, continuing his exploration of groove, rhythm, and deep-rooted dancefloor music through a record balancing organic textures with timeless club sensibilities. The 180 GR Classic Mix of Your X leans towards the label's signature dancefloor language: stripped-back, hypnotic, and groove-driven, built around rolling rhythms and functional energy. In contrast, the 180 GR Organic Mix opens the arrangement into warmer and more textured territories, emphasizing musicality, movement, and a more immersive atmosphere. On remix duties, Trinidadian Deep delivers his signature spiritual approach -- deep, meditative, and richly textured -- stretching the source material into immersive territories built for late-night moments. Meanwhile, Nico Lahs brings his unmistakable blend of raw groove, jazz-infused house aesthetics, and driving rhythm sections, injecting extra energy while preserving the emotional core of the originals.
Jewel Kid debuts on Rekids with the ‘Explicit Behaviour’ EP. Malta’s Jewel Kid debuts on Radio Slave’s Rekids with the ‘Explicit Behaviour’ EP on 14th August 2026. It follows two decades carving out his place in the House scene with releases on labels including Abode and Toolroom, while heading up his own Alleanza imprint. He was a winner of the Carl Cox Worldwide Remix Competition and a recipient of the Best Dance Production award at the Malta Music Awards, while his music routinely dominates charts such as the Beatport Top 10.
The title track of Jewel Kid’s ‘Explicit Behaviour’ EP opens with swirling synths, sirens and filtered vocals before erupting into chunky drums, classic piano stabs and crisp percussion, while ‘In The Dance’ channels early Chicago infl uences through hypnotic vocal hooks, tense synth work and bold analogue grooves. Closing cut ‘The Tribute’ rounds things off with rolling drums, sweeping filters and fuzzy synth textures that steadily build pressure into another heads-down dancefloor workout.
On June 9, 2025, Rolling Stone Magazine - Australia captured the significance of PARKWAY DRIVE's landmark performance at the Sydney Opera House with the headline: "The AC/DC of Their Generation': Parkway Drive deliver career-defining performance at Sydney Opera House." The one-night-only event brought the Byron Bay metalcore legends into the Concert Hall for an unprecedented black-tie affair, pairing their explosive live show with the grandeur of a full symphonic orchestra. Bringing PARKWAY DRIVE's music to one of the world's most recognizable venues was an ambitious move for a band already celebrated for pushing the boundaries of live performance. Yet seeing the group's signature intensity framed by a symphony orchestra revealed a new emotional dimension to songs built for arenas and festivals. The result was both intimate and monumental-a rare collision of metal, orchestration, and occasion that transformed the Concert Hall into something entirely its own. The context of the performance only heightened its impact. Marketed as a historic black-tie celebration that would never be repeated, the event became one of the most coveted PARKWAY DRIVE shows in the band's history, selling out instantly and leaving countless fans outside the room. For those unable to witness it in person, Home - Live at the Sydney Opera House finally brings this extraordinary night to a wider audience, alongside a feature film and live album documenting this career-spanning performance. At its heart, Home is also a reflection on what "home" has meant to PARKWAY DRIVE over two decades. As their reach has expanded from Byron Bay to stages around the world, their connection to the landscapes, people, and community that shaped them has remained central. Now, that journey comes full circle at one of Australia's most iconic landmarks.
On June 9, 2025, Rolling Stone Magazine - Australia captured the significance of PARKWAY DRIVE's landmark performance at the Sydney Opera House with the headline: "The AC/DC of Their Generation': Parkway Drive deliver career-defining performance at Sydney Opera House." The one-night-only event brought the Byron Bay metalcore legends into the Concert Hall for an unprecedented black-tie affair, pairing their explosive live show with the grandeur of a full symphonic orchestra. Bringing PARKWAY DRIVE's music to one of the world's most recognizable venues was an ambitious move for a band already celebrated for pushing the boundaries of live performance. Yet seeing the group's signature intensity framed by a symphony orchestra revealed a new emotional dimension to songs built for arenas and festivals. The result was both intimate and monumental-a rare collision of metal, orchestration, and occasion that transformed the Concert Hall into something entirely its own. The context of the performance only heightened its impact. Marketed as a historic black-tie celebration that would never be repeated, the event became one of the most coveted PARKWAY DRIVE shows in the band's history, selling out instantly and leaving countless fans outside the room. For those unable to witness it in person, Home - Live at the Sydney Opera House finally brings this extraordinary night to a wider audience, alongside a feature film and live album documenting this career-spanning performance. At its heart, Home is also a reflection on what "home" has meant to PARKWAY DRIVE over two decades. As their reach has expanded from Byron Bay to stages around the world, their connection to the landscapes, people, and community that shaped them has remained central. Now, that journey comes full circle at one of Australia's most iconic landmarks.
Body Clinic enters the realm of Big Trouble Records with 4 no nonsense, hard hitting club tools.
“Connection Lost” EP tells a story, between the influences of the early 2000’s East London scene, and the classic elements of House with an ever-evolving modern yank. Deep rolling subs keep the body moving, while classic organ sounds weave through the soul. A true diggers paradise, with tracks that journey their way through all hours of the night.
"Potency continues apace with 'Jackin Shit', a gleefully self-explanatory EP from label founder Cromby. Following widely-played recent releases from Malik Kassim aka Retromigration, Trax Unit and Rhythms of Prescott, the prolific DJ and producer reaffirms his imprint's fundamentals with four upfront, high-energy tracks, each reflecting a different facet of the Belfast-via-Berlin producer's decades-deep understanding of house and techno history. Title track 'Jackin' Shit' gets things moving with a rich blend of rolling basslines, liquid keys and diva'ed up vocal snippets. Lucid and groovy in the style of seminal East Coast vocal pleasures, Cromby's vision of house is nonetheless driven by a dusty kick drum that references Head High/WK7, or Paul Woolford in a warehouse somewhere... In contrast, 'Sense Control' places percussion front and centre, locking in a tight rhythm in order to ride out a liquid collage of acid lines, ecstatic piano and other blissfully wavy elements. 'Con Gas' establishes a tougher direction on the flip, finding Cromby's busier instincts reduced the simplest of ingredients - sub, bass and stabs - taking dancers deep into the bowels of house, replete with classic vocal call-outs, and yes, even a well-earned inbuilt spinback. Having exhibited such restraint, we're unceremoniously booted out of the cubicle and back toward the strobes for 'Cheeky Bump', a rubbery, driving dancefloor tool guaranteed to delay any impending cab home. Colourful, charismatic and exclusively engineered for true party people, 'Jackin' Shit' finds Cromby returning to home turf on definitive form."
SILVI005 welcomes Brizman back with Fall Down On Me – a vibrant, groove-driven EP that perfectly captures his signature sound. Built around rolling rhythms, warm textures, and hypnotic movement, the title track delivers the kind of infectious dancefloor groove Brizman has become known for.
The release also features a stunning second original production with Shigar, where beautiful piano arrangements blend effortlessly with Brizman's refined grooves, adding emotional depth while staying true to the EP's understated club aesthetic.
On remix duties, the package brings together two distinct interpretations. Minimal house legend Jay Tripwire delivers his unmistakable touch with a deep, sophisticated rework, while rising talent Danny David brings a fresh perspective to the release with a forward-thinking interpretation.
From the original productions to the carefully selected remixes, SILVI005 is a special release that celebrates timeless grooves, musicality, and the unique sound Brizman continues to shape on the dancefloor
Donkey Trax kicks things off for the new 482 Studio Jack imprint with the Understand House EP. Four tracks that know exactly what they’re doing: loopy, tooly, soulful, funky and made for long nights and those tunes that won’t leave your head. No extra fluff, just straight-up groove that keeps rolling. The vibe’s clearly rooted in Chicago, no forcing it. No big room stuff, no drama, just house for people who actually feel it. A bit rough around the edges, but still warm where it counts. Best played when the floor’s already locked in and nobody’s thinking about going home.
Reboot Record Label presents Atmosphere EP by Juzel The Argentine producer from Mar del Plata brings his refined touch to Reboot with a release that balances warmth and restraint. Musically, Atmosphere EP sits mainly within the house spectrum, weaving Balearic warmth, progressive momentum and minimal precision into a body of work made for both sunrise terraces and late-night floors. The EP also features two contrasting remixes. Anastasia Zems, the Lisbon-based artist celebrated for her instinct-driven mix of trance, progressive house and experimental electronica, delivers a prog-house reinterpretation full of emotional depth and hypnotic energy. On the flip, Manchester's Aiden Francis, a rising force from the city's underground known for fusing tech, progressive and rolling tribal elements, turns in a techhouse remix built for peak-time release.
Shak Jackson is a UK female house producer fusing old school foundations with a sharp, tech driven edge. Built on raw piano, rolling basslines, stripped percussion and hypnotic grooves, her sound is raw, functional and unapologetically euphoria focussed. With a growing cult following drawn to her no frills approach and dancefloor instinct, Shak Jackson is steadily carving out her own lane in modern underground house.
A solid 3 track EP for the mighty HOOJ shows off Shak’s talents and helps cement her rise as a future star.
![PARKWAY DRIVE - HOME [LIVE AT THE SYDNEY OPERA HOUSE] LP 3x12"](https://www.deejay.de/images/l/4/8/1270248.jpg)
![PARKWAY DRIVE - HOME [LIVE AT THE SYDNEY OPERA HOUSE] LP 3x12"](https://www.deejay.de/images/l/4/9/1270249.jpg)
