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2025 Record Store Day title - now available for general sale. A nice blend of afro, jazz, rare groove funk and reggae, for your listening and dancing pleasure. Featuring Vin Gordon, Abdul-Teejay, AJ Franklin, Barry Issac, Ashanti Selah, and many more.

Unter der Dunkelheit des schwarzen Himmels kehren Public Enemy zurück, um Licht zu spenden: Nach einer fünfjährigen Pause kehren Chuck D & Flavor Flav mit einem neuen Public Enemy-Album auf die Bildfläche zurück und bringen ihre stets aufschlussreichen Kommentare über schroffe und formwandlerische Beats. Von der Eröffnungsdiagnose von "Siick" bis hin zum Wahnsinn der Schulschießereien während "March Madness" ist die rot-schwarz-grüne Maschine zurück, um die Szene aufzuräumen. CD und klassisch schwarze LP! Public Enemy, die einflussreiche amerikanische Hip-Hop-Gruppe, die 1982 in Long Island, New York, gegründet wurde und sich 1985 offiziell gründete. Die Kernmitglieder Chuck D und Flavor Flav sind bekannt für ihre sozialkritischen und oft militant klingenden Texte in Kombination mit einem lauten, Sample-lastigen Sound. Sie gelten als eine der einflussreichsten, kontroversesten und radikalsten Bands ihrer Zeit und schafften in den 90er Jahren den Sprung vom Underground-Hip-Hop über den Alternative in den Mainstream. "Bring The Noise!" - auch 2025 lassen sie es noch krachen!

When Soft Cell played a spectacular, sold-out show before 20,000 fans at The O2 in September 2018, the London concert was seen by all and sundry as a grand finale. It had been billed as One Night: One Final Time, leaving devotees in no doubt that a duo who had done so much to define the sound of British electronic pop in the 1980s were saying hello to wave one last, emotional goodbye. At least that had been the idea. Singer Marc Almond and instrumentalist Dave Ball had originally gone their separate ways in 1984 before reuniting for two years in the early 2000s to make a new album, Cruelty Without Beauty. The intention at The O2 had been to draw a line under a rollercoaster ride that had seen Soft Cell secure three Top Ten albums and six Top Ten singles, including 1981’s all-conquering Tainted Love, while setting a template for synth acts from the Pet Shop Boys to Years & Years.



But such was the reaction – and the sense of purpose the pair rediscovered onstage – that the big adieu ultimately turned out to be a brilliant new dawn. The reality is that Marc and Dave bring the best out of one another as performers, both onstage and in the studio, and the sense that there was still plenty of mileage left in their partnership was inescapable. The latest fruits of a bond that was first forged in the art department of Leeds Polytechnic in 1977 were in the shape of a new studio album, *Happiness Not Included, and a series of live dates in the UK and the US that saw the band treat fans to a mixture of new material, classic hits and their 1981 debut album Non-Stop Erotic Cabaret, which was played in its entirety for the first time to mark its 40th anniversary.

Das Fantasy-Mittelalter-Metal-Phänomen CASTLE RAT präsentiert sein zweites Album! Castle Rat ist die NY Fantasy-Heavy-Metal-Band, die von der Rat Queen angeführt wird, welche die Mission verfolgt, ihr Refugium gegen diejenigen zu verteidigen, die es zerstören wollen. Ihr zur Seite stehen The Count, The Plague Doctor und The All-Seeing Druid. Gemeinsam stellen sie sich mit Heavy Magie dem unerbittlichen Zorn ihrer Erzfeindin - dem Tod in Form von The Rat Reaperess. Das zweite Album The Bestiary ist ein riffgeladenes Kompendium mystischer Kreaturen und vorwarnender Erzählungen aus einer vergessenen Welt. Es erzählt 13 allegorische Geschichten von mythischen Bestien und dem Zauberer, der sie beschwört, und verwebt kraftvolle Heavy-Hymnen und dunkle Verzückungen zu einer betörenden und unvergesslichen Heavy-Metal-Odyssee. Als ob Grace Slick mit Black Sabbath um ca. 1200 A.D. auf einem KISS-Konzert rumachen würde. Aufgenommen von Randall Dunn (Sunn O))), Wolves in the Throne Room, Björk) und gemischt von Jonathan Nuñez (Torche, Restless Spirit), bietet das Album fesselnde Tracks zwischen epischem Heavy-Gemetzel und doomy Hard Rock. The Rat Queen kommentiert das Album wie folgt: "The Bestiary' ist ein konzeptionelles Buch der Bestien, das von mystischen Kreaturen aus einer vergessenen Welt erzählt. Die letzten verbliebenen Seelen jeder dieser Kreaturen wurden von `The Wizard' gesammelt und aufbewahrt. Die Geschichten der einzelnen Bestien und des Zauberers selbst werden mit der Kraft traditioneller Heavy-Metal-Songs und Hard Rock-Magie verwoben." Hervorgegangen aus New Yorks abscheulichem, kreaturenverseuchtem Untergrund, schlugen die Fantasy-Heavy-Metaller zunächst mit ihren Live-Auftritten und später mit ihrem Debütalbum "Into The Realm" im Jahr 2024 große Wellen. Seit ihrer Gründung im Jahr 2019 haben CASTLE RAT ein lebendiges Labyrinth aus Erzählungen und Mythen geschaffen, welches sie nun rund um die Welt führt. The Bestiary auf CD (aufklappbares Digipak), MC (mit gefaltetem Inlay) und auf LP (farbiges Vinyl, inklusive ausklappbarem Lyrics-Insert)!

Radiohead kündigen mit "Hail to the Thief Live Recordings 2003-2009" ein neues Livealbum, welches es der Band ermöglichte, ihre Beziehung zu ihrem sechsten Studioalbum Hail to the Thief neu zu bewerten. Das Album ist jetzt digital verfügbar und als einmalige Pressung vorbestellbar, die am 31. Oktober erscheint. Es enthält Aufnahmen von Auftritten in London, Amsterdam, Buenos Aires und Dublin zwischen 2003 und 2009. Gemischt wurde das Album von Ben Baptie und gemastert von Matt Colton. Thom Yorke sagte über das neue Livealbum: "Als ich darüber nachdachte, wie ich Arrangements für die Shakespeare-Hamlet/Hail to the Thief-Theaterproduktion gestalten könnte, bat ich darum, einige archivierte Liveaufnahmen der Songs zu hören. Ich war schockiert über die Energie, mit der wir damals gespielt haben. Ich habe uns kaum wiedererkannt, und es hat mir geholfen, einen Weg nach vorn zu finden. Wir beschlossen, diese Liveaufnahmen zu mischen und zu veröffentlichen (es wäre verrückt gewesen, sie nur für uns zu behalten). Das Ganze war ein sehr kathartischer Prozess. Wir hoffen sehr, dass ihr sie genießt." Die einmalige Vinylpressung ist außerdem in einer limitierten roten Variante bei unabhängigen Händlern sowie in einer cyanfarbenen Version exklusiv im W.A.S.T.E.-Store von Radiohead erhältlich. Kürzlich hat Thom Yorke gemeinsam die von der Kritik gefeierte Produktion "Hamlet Hail to the Thief" mitgestaltet - eine rasante Adaption von Shakespeares Hamlet, untermalt von einer dekonstruierten Partitur aus neu bearbeiteten Songs des 2003er-Albums Hail to the Thief. Rolling Stone UK schrieb über die neue Inszenierung: "Der größte Beweis für Yorke und seine Mitautoren ist, dass diese Welten so nahtlos miteinander verschmelzen - als wären sie schon immer füreinander bestimmt gewesen."

Radiohead kündigen mit "Hail to the Thief Live Recordings 2003-2009" ein neues Livealbum, welches es der Band ermöglichte, ihre Beziehung zu ihrem sechsten Studioalbum Hail to the Thief neu zu bewerten. Das Album ist jetzt digital verfügbar und als einmalige Pressung vorbestellbar, die am 31. Oktober erscheint. Es enthält Aufnahmen von Auftritten in London, Amsterdam, Buenos Aires und Dublin zwischen 2003 und 2009. Gemischt wurde das Album von Ben Baptie und gemastert von Matt Colton. Thom Yorke sagte über das neue Livealbum: "Als ich darüber nachdachte, wie ich Arrangements für die Shakespeare-Hamlet/Hail to the Thief-Theaterproduktion gestalten könnte, bat ich darum, einige archivierte Liveaufnahmen der Songs zu hören. Ich war schockiert über die Energie, mit der wir damals gespielt haben. Ich habe uns kaum wiedererkannt, und es hat mir geholfen, einen Weg nach vorn zu finden. Wir beschlossen, diese Liveaufnahmen zu mischen und zu veröffentlichen (es wäre verrückt gewesen, sie nur für uns zu behalten). Das Ganze war ein sehr kathartischer Prozess. Wir hoffen sehr, dass ihr sie genießt." Die einmalige Vinylpressung ist außerdem in einer limitierten roten Variante bei unabhängigen Händlern sowie in einer cyanfarbenen Version exklusiv im W.A.S.T.E.-Store von Radiohead erhältlich. Kürzlich hat Thom Yorke gemeinsam die von der Kritik gefeierte Produktion "Hamlet Hail to the Thief" mitgestaltet - eine rasante Adaption von Shakespeares Hamlet, untermalt von einer dekonstruierten Partitur aus neu bearbeiteten Songs des 2003er-Albums Hail to the Thief. Rolling Stone UK schrieb über die neue Inszenierung: "Der größte Beweis für Yorke und seine Mitautoren ist, dass diese Welten so nahtlos miteinander verschmelzen - als wären sie schon immer füreinander bestimmt gewesen."

Despite immense challenges, SOYUZ have delivered a career-defining album in KROK.
“Krok” means “step” in Belarusian - and for Alex Chumak and his band this word comes with a lot of meaning. It’s the title and theme that ran throughout СОЮЗ (SOYUZ)'s fourth album, reflecting the journeys the band has navigated in recent years, having moved to Warsaw due to political unrest in their homeland of Belarus and the outbreak of war in Ukraine. Embracing the uncertainty became both the inspiration and main lyrical theme for Alex Chumak, SOYUZ’ composer and arranger, who also decided to go a step further and change the language in which he writes songs from Russian, which is used as lingua franca in many post-Soviet countries, to his native Belarusian. The result is nine songs about dreams and outer space, ordinary miracles, things very close and very distant at the same time.

In early 2022, Chumak and original members, Mikita Arlou and Anton Nemahai, joined tens of thousands of Belarusians seeking safety abroad. Resettling in Warsaw, the band released Force of the Wind in October 2022, garnering widespread acclaim, a string of major European gigs, and led to Polish musicians Albert Karch and Igor Wiśniewski joining the band.

Deeper and more melancholic than previous works, KROK is quintessentially SOYUZ, laced with hope, dreams and a celebration of life. Given the difficulties with finding rehearsal and recording spaces in Warsaw and the departure of the drummer Anton Nemahai from the band, Chumak explored alternative options. He reached out to friend and fellow musical collaborator, Sessa, about the possibility of recording the new album in his recently finished studio in São Paulo, with Sessa and Biel Basile coming onboard as recording engineers.

At the tail end of 2024, Chumak and SOYUZ’ new drummer, Albert Karch, made the trip to São Paulo to record the first sessions for KROK. Laid down directly to tape, these sessions featured prominent Brazilian musicians Sessa, Biel Basile, and Marcelo Cabral, with a guest vocal feature by Tim Bernardes recorded at a later date. The final touches were then added back in Europe. Lush string and woodwind arrangements written by Chumak and Karch were recorded at the Polish Radio studio in Warsaw, and Rhodes parts were added by Chumak at Sven Wunder’s studio in Stockholm.

Though primarily recorded in Brazil, KROK is not a Brazilian or MPB album. It blends the band’s Eastern European roots with jazz, folk and global influences. The genre of the music is hardly identifiable: there are folk ballads and jazz-driven pop compositions covered in lush and often dissonant string and woodwind arrangements where each note is placed with care and meaning behind it.

The title track was the first song Chumak wrote in Belarusian as an adult, making for a fitting opener and one of the band’s finest tracks. Darker than most of SOYUZ’ songs, the tensions lift and lighten as the track progresses. The cinematic library jazz of 'Voo Livre', with ghostly vocals sung by Ciça Góes and Ina, feels like a modern twist on the Italian library composer Alessandro Alessandroni through its sublime choir and woodwind orchestration. Elsewhere, the heartfelt 'Lingua Do Mundo', composed, written, and sung by Chumak and the incredible Tim Bernardes, features one of the standout string arrangements from Chumak and Karch. 'Cichi Karahod' is an instant SOYUZ classic, almost Pat Metheny-esque as it opens, with the acoustic guitar and bass riff transitioning into jazzy AOR / pop-folk territory. The record closes with 'Smak žyćcia', a gentle, dreamy spoken-word poetry piece in Japanese by singer-songwriter Manami Kakudo.

The third and final volume of Classic’s 30th Anniversary vinyl series brings the party full circle - blending deep catalogue cuts, future-forward house, and tracks from the label’s tight-knit family of collaborators.

Like the volumes before it, this 2x12” release arrives in a raw reverse board outer sleeve, a nod to the aesthetic of Classic’s earliest releases. Inside, bold yellow and red GMUND card stock inner sleeves with embossed detailing reflect the label’s long-standing commitment to design, artistry, and collectability.

Record One kicks off with a certified Classic family affair. Home & Garden’s ‘Sexuality...He's 2 Young’ features the unmistakable voice of DJ Colette, a staple of Classic’s early era. Included here is JT Donaldson’s Porno Beat Down Remix—a stripped, low-slung rework with an irresistibly funky bass line and pure dance floor chemistry.

Brett Johnson’s ‘Jiffy Pop’, from his legendary Bounce! EP, follows up with a jittery, swaggering groove that epitomises Brett’s playful, funk-laced production style. Infectious, weird, and entirely unforgettable.

On the flip, Tiefschwarz’s ‘Acid Soul’ delivers a moody, muscular roller. Originally released during their prolific run on Classic in the early 2000s, it fuses baritone sax stabs, a Berlin-borne bass line, and a sultry vocal into a deeply spiritual house cut.

Roy Davis Jr. closes Side B with the propulsive ‘About Love’ (Solid Groove Remix)—a tough and driving interpretation by Dave Taylor that’s long been a DJ favourite in the Classic vaults.

Record Two showcases Classic’s more recent sonic evolutions. JT Donaldson’s return to the label in 2019 came with ‘Stay Inside’, a rich and breezy groove featuring the soulful voice of Liv.e. It’s an elegant and understated slice of modern house with timeless appeal.

Then comes Dam Swindle’s funk-charged ‘Hey Mister’. A punchy, bass-driven jam built around a 70s reggae-disco vocal sample. Raw and infectious, it’s been lighting up dance floors worldwide since its release.

Luke Solomon’s catalogue on Classic is vast, but ‘Come on Over’, his collaboration with Amp Fiddler, earns its place here. Seeing vinyl release for the first time, this cut overflows with musicality. Amp’s passionate vocal, free-time breakdowns, and deep funk grooves deliver pure emotional punch.

And to close, a modern masterpiece: Honey Dijon’s ‘Work’ (Extended Mix), taken from her ‘Black Girl Magic’ LP. Featuring Dave Giles II, Cor.Ece, and Mike Dunn, this powerhouse track brings together fierce vocal performances, live instrumentation, and top-tier production. It embodies everything Classic stands for: collaboration and innovation on the dance floor.

Eine atmosphärische Symphonie aus ätherischem Verfall, die zum Klassiker des 21. Jahrhunderts aufgewertet wurde. Aufgenommen 1992 zu Hause mit einer 12-saitigen Gitarre, einem 4-Spur-Recorder, einem Loop-Pedal, unendlichem Hall und dem strukturierten Gesang der geheimnisvollen Sängerin Melissa Arpin Duimstra, verwandelte Scott Cortez' bezauberndes Projekt postadoleszente Tagträumereien im Schlafzimmer in ein ruhiges, mondbeschienenes Schweben auf einem endlosen Meer. Diese erweiterte und remasterte Doppelalbum-Edition enthält fünf weitere verzerrte Reflexionen aus dem Archiv, mit Texten und einer Replik einer Postkarte, in denen man sich verlieren kann. Hier braucht man keine Augenspülstation - Blindheit ist beabsichtigt.

Auf Carlos Dafé JIDO25 bekräftigt Carlos Dafé sein Vermächtnis und wagt sich gleichzeitig in unbekanntes musikalisches Terrain vor. Das Album zelebriert Dafés außergewöhnliche Fähigkeit, Vergangenheit und Gegenwart zu verbinden, indem er Soul, Samba und Funk mit zeitgenössischen Experimenten verschmilzt. Seine Geschichte, seine Stimme und seine Kunst inspirieren weiterhin und machen ihn nicht nur zu einem Eckpfeiler der brasilianischen Black Music, sondern zu einer zeitlosen Figur der globalen Musikgeschichte.

Earl Sweatshirt, acclaimed rapper, producer and one of hip-hop’s most uncompromising voices, has been a defining creative force for over a decade. His lyricism and singular vision have earned him critical acclaim, a devoted global following and a Grammy nomination for his contribution to Frank Ocean’s Channel Orange. Known for pushing boundaries and reshaping underground rap, Earl continues to evolve with each release.

He now returns with Live Laugh Love, his most expansive and conceptually ambitious project to date. Rooted in themes of wellness, growth and the philosophy behind its title, the album reflects Earl’s current way of life, choosing joy while staying grounded in truth. Across 11 tracks, he folds in irony, nostalgia and sharp observation, creating a body of work that embraces life’s contradictions: joy alongside darkness, levity alongside gravity.

Forming as teenagers in the late 70s, female vocal group Black Harmony was comprised of Diane Cape, Dup'e Odelade, and Denise Mansfield (sister of Ingrid Mansfield-Allman, lead vocalist on Freeez’s ‘Southern Freeez’).

Whilst their much-loved 1979 cover version debut ’Don’t Let It Go To Your Head’ (Jean Carn) was a hit on the UK reggae charts, gaining major label distribution, Black Harmony’s self-penned 'Let’s Be Lovers’ has arguably become the trio’s most coveted work amongst collectors.

Originally released in 1981 by Tony Owens’ Cyprian Records imprint and distributed from his shop, Seven Leaves Records in Kensal Rise, the single marks one of saxophonist and flautist Courtney Pine’s earliest appearances on record as a member of the backing band Inity Rockers.

Different Class (originally released October 30, 1995) is Pulp's most successful album, achieving multi-platinum sales and international acclaim, winning the 1996 Mercury Music Prize and debuting at #1 on the UK Album Chart. It also produced four Top Ten singles, including ‘Common People’. Four months prior to the release of the album, the band headlined the Pyramid Stage at Glastonbury Festival on Saturday 24 June. To celebrate the 30th anniversary of what is widely regarded as one of the best records of the era, this legendary Glastonbury performance, the audio wholly restored and released here for the first time, has been paired with the remastered album (each cut over 2 LPs) and is released as a deluxe 4LP boxset.

The audio has been remastered/mastered by Geoff Pesche at Abbey Road, overseen by Jarvis Cocker and Mark Webber, and is presented in a sturdy slipcase with a comprehensive, 28-page booklet featuring extensive notes from new interviews with the band members, plus previously unseen images from photographers Rankin and Donald Milne (who took the photos for the original release) and the band’s own archives. The original ‘aperture’ sleeve design, which invited purchasers to “Choose your own front cover”, came with six double- sided inserts/art cards of alternative cover images depicting cardboard cutouts of the band members in a variety of situations.

This has been fully recreated and a 12” by 12” poster featuring miniatures of the cutouts themselves is also included.

"Touch" is the first new album from the groundbreaking post-everything icons Tortoise since 2016. With "Touch", the Tortoise bandmembers Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon and John McEntire harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like "Millions Now Living Will Never Die" and "TNT", "Touch" is perhaps most remarkable for Tortoise"s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise"s now-signature internal logic - equally alluring and confounding, a puzzle to be savored rather than solved. Recorded between the three cities, Los Angeles, Portland, and Chicago, "Touch" is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group"s most diverse release to date.

Dutch based producer Ivna Ji, originally from Croatia, and Mexican artist G13ck (Daniel Vela) introduce their joint imprint Parcela Sound with Archways, a six track release moving through complex rhythm structures, shadowy atmospheres, and deep low frequency currents.

The record balances wide melodic sweeps and distorted textures, building tension between restraint and intensity. Collaborations with Düsseldorf based saxophonist/vocalist Amber Pine and Italian/Dutch producer Riccardo Izzo (Fatalist/Flooder) bring vocals and lyrics into the record, giving it a more direct emotional pull.

The project was shaped mainly in Ivna Ji’s home studio with just a few instruments, including Moog’s DFAM and her favorite DSI Evolver, alongside sessions at Zarkoff’s Sensorium Studio, where she focused on mixing and heavily relied on the Sequential Prophet 6, which ultimately proved to be the key ingredient every track was missing.

Mastering was handled by Filip Motovunski, whose sharp ear and precision brought the record to life with clarity and impact, giving the low end full weight without losing the finer details.

Parcela Sound grew out of more than a decade of friendship and collaboration between Ji and Vela, first sparked by a casual exchange of thoughts and admiration developed over years of sharing ideas and supporting each other’s projects, including releases on Vela’s labels Aztlán and Baox. With Parcela, they created a platform that supports emerging and often overlooked artists, some of whom have become close friends over the years.

The artwork by Croatian designer Ugruv Smek, featuring a gecko motif, ties the launch to their shared roots and playful approach.

Archways marks the first chapter of Parcela Sound, a platform for music created with curiosity, care, and connection.

NSDA, the visionary imprint led by Anfisa Letyago, presents TUNEL, the debut album from Argentine producer Unfinished Portraits. The 11-track album explores a richly immersive world of brooding textures, melodic storytelling, and cinematic sound design.

"A journey inward. A space where the hidden comes to light and everything shifts shape. Each song is a signal in the dark, a guide to keep moving forward without losing your way" says Unfinished Portraits about the album's concept.
A rising force in the underground circuit, Unfinished Portraits builds a signature style rooted in techno, ambient, and electronica - combining hypnotic percussion with atmospheric depth. Across TUNEL, he constructs a soundscape that is both introspective and physical, designed for deep listening as much as late-night floors.

"When I first heard Unfinished Portraits music, I felt an immediate connection. There's something raw and cinematic in his sound that felt perfect for NSDA," says Anfisa Letyago. "Collaborating on this album was really special - it's a beautiful example of how storytelling and club energy can live in the same space."

Anfisa appears as a featured artist on three standout tracks - Home, Confusion, and Radar - adding emotional weight and rhythmic edge to the release. Their creative synergy underscores NSDA's commitment to supporting innovative new voices with bold sonic perspectives.

TUNEL will be available as a full digital album, with a limited-edition vinyl sampler featuring six selected tracks.

Fusing hypnotic rhythms with cutting-edge sound design, the French producer carves out a space where melancholy meets euphoria, and violence dances with beauty.



This record is not just a collection of tracks; it’s a cohesive narrative, each piece unraveling like a thread from the same ribbon—twisting, pulling, and ultimately tying together a story of tension and release. Known for his ability to merge hard-hitting club energy with emotional depth, Hadone pushes his sonic identity further than ever before.



Ribbon is a testament to Hadone’s evolution as an artist—a finely tuned balance between chaos and control, structure and freedom. A soundtrack for the dancefloor and the introspective mind alike.

For the 58th outing of the Wrecks anthology we're very happy to welcome the new Argentinian producer Gaston Cabrera to the ranks. Gaston has piqued our interest for a while now with his unique and atmospheric productions and it's a pleasure to have him join the Klasse Wrecks family. The 'Prohibido' EP doesnt waste anytime getting to the point, a snarling beast that goes straight for the jugular. Spooky techno tropes mix with the best of yesteryear electro house stylings, it's a sound that feels new and exciting yet at the same time very familiar. Both raw and musical, the 4 song record could soundtrack either a long lost John Carpenter horror or a Tron-esque retro sci-fi movie.

Super splatter, transparent green ! LIMITED 200 copies and NUMBERED !

Big new EP from Krismix familly !!

"is this Tekno, or is this Tekno ?"
Well... it's ACIIIID !

Dutch old school power house Markie with some 6-am-type-of-shit light sabre wielding energizer, stomping ahead while trying to fend of a giggling swarm of robotic mosquitos. 150 beasts.

Pneumatix & Mental Reaper with some deep flowing reflection of the walls caging our existdance. Superbly crafted food for mind and feet best enjoyed in the middle of the forest with no walls.
160 beasts.

As’teka Nahuatl & La Tartine pump up the jam in da south style. Summoning Quetzalcōātl the spirally voluted one in it’s cyber incarnation to the modern dance, bringing with it a horde of spider monkeys that go ape all over the place. Can you scratch the itch?
165 beasts.

Original full sleeve artwork by Darkam. Design and Layout by TDSiNGZ. Mastered by Stefan ZMK.
Each 12“ EP comes with a 2 sided poster, a digital download code, and 2 artwork stickers.