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Jonas Landwehr & Felix Fleer, the minds behind R-Imprint, are back with their youngest brainchild ‘Serial Sound’. They are starting the new label off with an expertly crafted five track EP ranging from emotive 4 to the floor anthems, over ideosyncratically spaced out IDM experimentation, to cutting edge UK-infused club weapons. ‘Secrets’ is opening the A-Side with a raw vocal performance by LAINE, fused with an infectious groove, building up to a euphoric climax of layered poly-synths, sample flipping and abstract textures. ‘Blinded’ is carrying this vibe over into a more toolish format while maintaining an intricate narrative arch. ’Water Seven’ rounds off the A-Side with a more dreamy excursion into ambient territory. ‘Windows’ opens the B-Side with a catchy theme of pulsing modulated chords supported by subtle, micro- percussive textures. Aeon is closing off the record with an aggressive, synthetic rhythm, featuring syncopated vocal slices, contrasted with enthralling pad sounds. With this release the duo has opened up their sound into a more mature & eclectic direction, while staying true to their signature brand of contemplative harmonies and detailed textural layering.

Transcendental outernational funk and psychedelic jazz from mystery L.A.- based collective Sun Atlas

Little is known about Sun Atlas. The group members are hidden behind masks and costumes to keep their identities secret and to put the focus entirely on the music and oneness. A sense of community and universal spirit as an alternative to idolization and individualism is heavily reflected in their eclectic musical style.

The sound of Sun Atlas is mystical and cosmopolitan, combining afrobeat, cinematic soul, spiritual & ethio jazz with space sounds, hiphop-breaks and a garage funk vibe.

Their cryptic first 45 single "The Mystic Parade" b/w "Grand Theft" sold out immediately after release and has often been mistaken for either "lost" hiphop samples, 70s habibi funk or another project in disguise from the inner circles of the Mocambo, Big Crown or Daptonefamilies (which it is not).

Return To The Spirit picks up where Sun Atlas' first single leftoff, with everyone wondering where the journey might lead. With the door to a colourful universe opened, the full-length format gives time & space for further exploration.

The ltd.first vinyl edition comes in black vinyl in a deluxe handmade tip-on sleeve.

New-York based artist Viul returns to the label with a new release. Initially only available as part of a special edition of Viul's Dauw debut 'Secret Recess' released early 2024, 'Green Corridor' now gets a proper physical and digital release and leaves its addendum phase.

While being recording in the same period, the pieces on this 30 minutes album undeniably share some commonalities with the sound aesthetics of 'Secret Recess'. However, the thicker synth pads and more floaty structures clearly mark the music and give this album its own distinctiveness and form.

Is this release the last volume of the edits-saga?? ….It seems to be. Four bangers as usual courtesy from the boss FrescoEdits himself plus a fantastic edit from Rogue D and one from secret Italian pioneers “Kings of groove” . Super-smart sampling stuff for the most eclectic dancefloors!

You may ask yourself what lies beyond the cumbia? What psychedelic permeations reveal themselves in the breaks of the modern day tropical wave? La Banda Chuska's debut single on Names You Can Trust provides a glimpse into the broad benchmarks of this new noise and language, channeling and surfing through a barrel of rip-roaring guitar licks to create something decidedly distinct and du jour at the same time. Just imagine if the B-52s got trapped in some sort of demented Pacific-Peruvian time warp and were forced to shred their way back into existence, bongos in tow. Come along for this excellent adventure and experience for yourself, the tropical waviness of La Banda Chuska's colorful crush.

Limitiertes, farbiges Vinyl exklusiv für den Indie-Handel! In seinen mehr als 15 Jahren als How To Dress Well hat der in LA lebende Musiker Tom Krell mit dem Konzept dessen, was wir hören und wie wir kommunizieren, gespielt, um Musik zu schaffen, die irgendwo zwischen himmlischer Transzendenz und einer Außenseiter-Position für das, was Popmusik sein kann, liegt. I Am Toward You ist das erste neue How To Dress Well-Album seit sechs Jahren und enthält einige seiner bisher lautesten, freiesten und poetischsten Tracks. Krell eröffnet das zweite Jahrzehnt seiner Karriere mit einem Album, das alle Merkmale seiner besten Arbeiten aufweist. Krell begann 2020 zusammen mit wiederkehrenden und neuen Partnern wie CFCF, Chris Votek, Joel Ford, Josh Clancy, Trayer Tryon (Hundred Waters), Brian Allen Simon (Anenon) und Aaron Charles Read, mit der Arbeit an dem, was I Am Toward You werden würde. Er sichtete hunderte von Schnipseln, die er in den vergangenen zehn Jahren aufgenommen hatte, und fand unerklärliche Samples und Tonfetzen, die sich zu einem Album zusammenfügten, das die Dichte früherer Alben zurücknahm, um eine Sammlung von Songs zu schaffen, die zwischen der Gegenwart und der Vergangenheit oszillieren, als ob alles auf einmal geschähe. Eine Erinnerung von vor 20 Jahren hat genauso viel Gewicht wie etwas, das gestern passiert ist. Die ersten Singles und die Ankündigung erhielten eine unglaubliche Resonanz von zahlreichen namhaften Medien, darunter Pitchfork, Stereogum, FADER, Clash, Quietus Brooklyn Vegan und viele mehr. Die Videos für weitere Fokus-Tracks sind fertiggestellt und werden zusammen mit jedem Song veröffentlicht. Digipack-CD sowie als Vinyl mit bedruckter Inenhülle & DLC!

In seinen mehr als 15 Jahren als How To Dress Well hat der in LA lebende Musiker Tom Krell mit dem Konzept dessen, was wir hören und wie wir kommunizieren, gespielt, um Musik zu schaffen, die irgendwo zwischen himmlischer Transzendenz und einer Außenseiter-Position für das, was Popmusik sein kann, liegt. I Am Toward You ist das erste neue How To Dress Well-Album seit sechs Jahren und enthält einige seiner bisher lautesten, freiesten und poetischsten Tracks. Krell eröffnet das zweite Jahrzehnt seiner Karriere mit einem Album, das alle Merkmale seiner besten Arbeiten aufweist. Krell begann 2020 zusammen mit wiederkehrenden und neuen Partnern wie CFCF, Chris Votek, Joel Ford, Josh Clancy, Trayer Tryon (Hundred Waters), Brian Allen Simon (Anenon) und Aaron Charles Read, mit der Arbeit an dem, was I Am Toward You werden würde. Er sichtete hunderte von Schnipseln, die er in den vergangenen zehn Jahren aufgenommen hatte, und fand unerklärliche Samples und Tonfetzen, die sich zu einem Album zusammenfügten, das die Dichte früherer Alben zurücknahm, um eine Sammlung von Songs zu schaffen, die zwischen der Gegenwart und der Vergangenheit oszillieren, als ob alles auf einmal geschähe. Eine Erinnerung von vor 20 Jahren hat genauso viel Gewicht wie etwas, das gestern passiert ist. Die ersten Singles und die Ankündigung erhielten eine unglaubliche Resonanz von zahlreichen namhaften Medien, darunter Pitchfork, Stereogum, FADER, Clash, Quietus Brooklyn Vegan und viele mehr. Die Videos für weitere Fokus-Tracks sind fertiggestellt und werden zusammen mit jedem Song veröffentlicht. Digipack-CD sowie als Vinyl mit bedruckter Inenhülle & DLC!

Another well kept secret from the Italian cult electronic music imprint - Interactive Test. A 4 track EP with a wide range of flavours in "house" music, very much dependent on the different samples employed. A side starts off with a deep house track echoing similar atmospheric qualities as to some of the dancefloor oriented productions making their way into US underground scene around that time, specifically Chicago and Detroit. The Percapella Mix makes the dedication to the Canadian Disco legend Gino Soccio very clear with a lengthy sample of "There's a Woman", a track which uses early electronics in a pioneering way, with what could possibly be one of the first examples of an Acid Bass line. On the B-side, things slow down a a notch with more clear cut explorations in Acid house featuring layers of synths and percussive samples and occasional placement of vocal samples from countries far away from Italy, all made possible thanks to the new exciting technologies that had recently been made available to producers at the time. Remastered by Man Made Mastering in Berlin and re-released with new full cover artwork.

"All our dreamers lose to the light" - from "Angels Go Home" When the pandemic began, and the world shut down, so did the process of creating for Iron & Wine's Sam Beam. In its place was a domesticity that the singer hadn't felt in a long time, and although it was filled with many rewards, making music was not one of them. Reflecting on that time, Beam notes: "I feel blessed and grateful that I and most of my friends and family made it through the pandemic relatively unscathed compared to so many others, but it completely paralyzed the songwriter in me. The last thing I wanted to write about was COVID, and yet every moment I sat with my pen, it lingered around the edges and wouldn't leave. This lasted for over two years." The journey back began with a recording session in Memphis to record a handful of Lori McKenna tracks for the EP Lori with friend and producer Matt Ross-Spang. The cathartic experience reconnected Beam with his love for making music, and soon enough the paralysis had passed, and he was finishing lyrics and booking studio time for what would become Light Verse. Light Verse was recorded with engineer and mixer Dave Way at his studio Waystation high up in Laurel Canyon (with an additional session at Silent Zoo Studio with a 24-piece orchestra), with a host of talented musicians joining Beam: Tyler Chester, Sebastian Steinberg, David Garza, Griffin Goldsmith, Beth Goodfellow, Kyle Crane, and Paul Cartwright. And, Fiona Apple joined Beam on vocals for the duet "All In Good Time." Beam lyrically once again takes focus on a series of both fictional and personal insights, filled with desperate characters and wide-eyed optimists, offering promise and a dose of heartache, tears and laughter, life and love. Taking stock in the album's title, he jokes, "Light verse is a form of poetry about playful themes that often uses nonsense and wordplay, and it's my first official Iron & Wine comedy album!_. Just kidding_." While true this may be Iron & Wine's most playful record, Beam says the title mostly reflects the way the songs were born with joy after the heaviness and anxiety of the pandemic. Where recent records like Beast Epic or Weed Garden gave air to the disquiet of middle-aged frailty and brokenness, these songs trade that for the focus acceptance can bring. Moment by moment, they delight in being pointed or silly (or both) and attempt beauty over prettiness. Light Verse arrives April 26th, and it's Iron & Wine's seventh full-length overall and fifth for Sub Pop Records. Fashioned as an album that should be taken as a whole, it sounds lovingly handmade and self-assured as a secret handshake. Track by track, its equal parts elegy, kaleidoscope, truth, and dare.

Repress

CRG020V1 and CRG020V2 are the vinyl samplers of the mix Cleric made for its 20th release.

To celebrate hitting their 20th release, Cleric's imprint pulls together 23 talents for a various artist mix compilation including tracks from the likes of Rebekah, Cleric, Stef Mendesidis, Remco Beekwilder & Stranger, Endlec, Kwartz, Setaoc Mass, Roman Poncet, Slam and many more.

Clergy has become synonymous with a balance of atmospheric and hard hitting brand of techno ever since 2014. The boss's own music has been key to that, with carefully curated releases from guests such as Dax J, Kwartz, Reflec and Cleric himself. Helping to make the label an underground favourite. "Clergy Visions 01" sees Cleric invite an array on techno heavyweights to contribute to this compilation that's mixed by the label boss himself.

The mix opens up with the bleak ambience and fizzing electric cables of Jokasti & Nek's "Grained" then Sept's "Artifical" lays down a tunnelling techno groove that immediately locks you in. The mysterious alias, Reizemann heads off to a cosmic realm with its deep space pads slowly building the momentum throughout the drums. The energy levels then stay high throughout tracks from Roman Poncet, Kwartz and Setaoc Mass, then leading onto the groove of Stef Mendesidis.

Testament to Cleric's skills as a DJ and sequencer is the fact this journey is constantly evolving while remaining coherent. A mid-section featuring the likes of Endlec, Sleeparchive and EAS keeps you on your toes with perfectly stripped back but hard dynamic drum programming and intense melody work. Remco Beekwilder & Stranger bring a more hard hitting and industrial style before Slam calm the fires once more allowing you to sink into a smooth, elongated roller. It's left to the dystopian darkness of Rebekah and atmospheric techno brilliance of Lerias to close out this most adventurous mix in real style

Schema Records presents “Riviera”, the new album by Toco, one of the Milan-based label’s top artists with over 100 million digital streams, is finally released on 19 April 2024. “Riviera” pays tribute to the places where Toco grew up, and is the aesthetic synthesis of Toco’s varied songwriting, able to create true musical mosaics that mix pop lightness, poetic lyricism, desire, joy and pain. Mainly inspired by the tradition of samba and bossa nova, and contaminated with jazz, funk, pop and rock, the album alternates light and shadow in a balanced chiaroscuro enriched by friend and musical partner Stefano “S-Tone Inc.”


Tirone’s production. Anticipated by a series of singles that outlined its various facets and musical influences, Toco’s new album “Riviera” is finally released on 19 April 2024; ten years have passed since “Memoria”, filled with various collaborations and dedicated to this record itself, carefully curated in production and arrangements down to the smallest detail; this has been made possible thanks also to the presence of a large lineup of guests, including Toco’s labelmate Gianluca Petrella for the first time ever. The album’s title is a tribute to two places very dear to Toco: Riviera is the neighborhood in São Paulo where he spent his childhood, while Riviera Ligure is where he lived for a long time in Italy: two opposite shores and cultures that turned out to be fundamental in the artist’s formation.


“Riviera” is the aesthetic synthesis of Toco’s varied songwriting, able to create true musical mosaics that mix pop lightness, poetic lyricism, desire, joy and pain. Mainly inspired by the tradition of samba and bossa nova, and contaminated with jazz, funk, pop and rock, the al¬bum alternates light and shadow in a balanced chiaroscuro enriched by friend and musical partner Stefano “S-Tone Inc.” Tirone’s production. This collaboration further consolidates the duo’s fellowship that brush¬es magical sonorities on the different themes delivered. An excellent comeback!

Honk driven throb with Thin Lizzy styled melodies overlaying supreme HARD ROCK prowess...
This is HEAVY ROCK for now!!
Spidergawd is Per Borten (guitar, vocals), Kenneth Kapstad (drums), Rolf Martin Snustad (baritone sax) and Bent Sæther (bass). Depending on how well versed you are in Norwegian rock music (or how big the rock you live under is), these names will mean a lot to you, or possibly nothing at all. Whatever the case, with three very strong albums now under its belt, this band has the right to stand on its own merits.
Spidergawd III is, logically enough, Spidergawd's third album, one of a trio - so far - of LPs that seem to appear with alarming regularity at least once a year in between numerous 7's and what feels like constant touring. These guys are on fire, and you can hear it in every song and see it at every concert. A band that is self-confident enough to record their debut album during their fifth-ever rehearsal, and who have since evolved even further and found their voice, which is adventurous, energetic and very immediate.
Since the release of Spidergawd II, the band has toured Europe several times, played Roadburn, Roskilde and the Reeperbahn Festival, and Per finished building his recording studio, which Spidergawd III was then promptly recorded in. Spending more time on the recording of III than they did on its predecessors, Per and Kenneth worked on the songs together in advance, focusing in particular on what Per describes as expanding his guitar vocabulary.
And you can hear it. Still in-your-face rock, this album is a touch more complex, with more depth and even more color. No fear, the band has not sacrificed melody to the god of noodling - the melodies are strong and the songs (still) boogie their asses off. And if the sax at the beginning of The Best Kept Secrets doesn't make you do the same, then there is no help for you.
Crispin Glover Records in cooperation with Stickman Records is proud to present Spidergawd's third album to the world. In finest Spidergawd tradition, the album once again comes on black180 gr vinyl with an absolutely stunning cover and a CD included. Tour to follow, of course!

Factor City kicks off its third decade in full swing, led by Undo solo and accompanied by its usual partners Casiowaves and Vicknoise.

It all began in 2003 when Undo & Vicknoise laid the foundation for the label with "Noctámbula," and over the years, they continued to collaborate closely, managing the label and producing "hits" such as "Orca" or "Happy Monday." From 2011 onward, following an amicable parting, Undo began to run the label solo while maintaining the same spirit and distinctive sound of the Barcelona-based label, always at the forefront of dance music produced in Spain.

Now, in 2024, in a "digital” world where fewer and fewer things can be touched with our fingers and where 100,000 songs are uploaded to Spotify every day, Factor City is charting a different course and starts a new decade on the dance floors by returning to vinyl releases and persisting in their low key and relaxed approach, releasing few and carefully curated records from their artists each year.

“Ciudad Futura” opens with "Good Times," a track by Undo that radiates joy and positivity. An euphoric ride through landscapes of analog synthesizers and drum machines. The second track on side A is signed by Undo & Vicknoise, who hadn't produced together in 15 years. And we hope they won't take as long to get back in the studio together after hearing the fantastic track "Electric Rainbow." A delightful slice of electro-disco. The B side is signed by the recent combo of Undo and Casiowaves. The first track, "Secret Worlds," follows in the wake of their recent releases on Factor City and Melodize with that winning combination of retro 80s and 90s synths with vocoders and a more contemporary production. Closing out the record is "Astralia," a vibrant "power synth pop" anthem adorned with FM synths and acid-tinged melodies. Thanks for listening!

Sony Music feiert die Musik von Bruce Springsteen mit einer Sammlung von Original-Songs aus seiner 50-jährigen Karriere, vom Debütalbum GREETINGS FROM ASBURY PARK, N.J. aus dem Jahr 1973 bis zum Album LETTER TO YOU aus dem Jahr 2020.

Die Sammlung umfasst Favoriten der frühen Karriere wie "Growin' Up" und "Rosalita (Come Out Tonight)", Grundpfeiler von Springsteens Live-Shows von "Dancing In The Dark" bis "The Rising", Bestseller wie "Born To Run" und "Hungry Heart" sowie die jüngsten Veröffentlichungen "Hello Sunshine" und "Letter To You". Auf dieser Kollektion erscheinen die wichtigsten karriereübergreifenden Werke zum ersten Mal zusammen als Set. BEST OF BRUCE SPRINGSTEEN enthält ein Albumcover, das vom Fotografen Eric Meola während der BORN TO RUN-Sessions aufgenommen wurde, sowie neue Liner Notes von Erik Flannigan.

Sony Music feiert die Musik von Bruce Springsteen mit einer Sammlung von Original-Songs aus seiner 50-jährigen Karriere, vom Debütalbum GREETINGS FROM ASBURY PARK, N.J. aus dem Jahr 1973 bis zum Album LETTER TO YOU aus dem Jahr 2020.

Die Sammlung umfasst Favoriten der frühen Karriere wie "Growin' Up" und "Rosalita (Come Out Tonight)", Grundpfeiler von Springsteens Live-Shows von "Dancing In The Dark" bis "The Rising", Bestseller wie "Born To Run" und "Hungry Heart" sowie die jüngsten Veröffentlichungen "Hello Sunshine" und "Letter To You". Auf dieser Kollektion erscheinen die wichtigsten karriereübergreifenden Werke zum ersten Mal zusammen als Set. BEST OF BRUCE SPRINGSTEEN enthält ein Albumcover, das vom Fotografen Eric Meola während der BORN TO RUN-Sessions aufgenommen wurde, sowie neue Liner Notes von Erik Flannigan.

Der OST zu Paul Kings Film 'Wonka' (2023), einem Prequel zu dem bereits mehrfach verfilmten Kinderbuch 'Charlie und die Schokoladenfabrik' von Roald Dahl. Die Partitur enthält sowohl köstliche Originalmusik, vorgetragen von Protagonist Timothée Chalamet und der phänomenalen Ensemblebesetzung mit Hugh Grant, Calah Lane und Keegan-Michael Key, sowie neue Musik des gefeierten Komponisten Joby Talbot und des Songwriters Neil Hannon. Braunes und cremefarbenes Doppelvinyl in Nagaoka-Stil-Innenhüllen samt Einleger im Hochglanz-Gatefold mit Obi-Strip.

In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy. For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.

If The Druids are named after a quiet pond lost in the heart of Brittany, their music is more inspired by the stories the elders tell in a low voice, and the secrets of those roads where it's forbbiden to go by yourself at night. The Druids are hidden behind their hoods so they can scramble the tracks, melting their garage-rock with stoner-metal and post-punk, but also shoegazing and acid-rock. In their fuzzy and reverberated black masses, they invoke at the same time Black Sabbath, The Stooges, Bauhaus and The 13th Floor Elevators.

Das sechste Album von Still Corners heißt "Dream Talk". Wunderschön arrangiert, elegant und wehmütig, ist "Dream Talks" eine Sammlung von zehn sorgfältig gestalteten klassischen SC Songs. Vom herbstlichen Opener "Today is the Day" bis zum heißen Sommernachtsfinale von "Turquoise Moon" haben Still Corners einen Sound geschaffen, der fokussiert, stilvoll und verführerisch ist. Tessa Murray sagt: "Die Entstehung vieler dieser Songs geht auf Träume zurück. Jede Nacht habe ich die Träume, an die ich mich erinnern konnte, aufgeschrieben. Während der Aufnahmen holte ich mein Buch der Träume heraus und sang über verschiedene geloopte Phrasen, an denen Greg gearbeitet hatte. Die sich wiederholende Natur der Loops und des Gesangs fühlte sich fast wie eine Trance an. Viele der Songs sind aus diesem Prozess entstanden, es hat Spaß gemacht, und was ich für eine Art Geschwafel hielt, hat uns am Ende mit seinen verschiedenen Bedeutungen und Bildern überrascht." Schwarzes Vinyl kommt mit einem Download-Code, die CD ist ein Digipak.

LEGENDO is a work of sonic weird fiction. A pulp fantasy. A descent through the cracks in reality, punctuated by bizarre encounters and freaky transformations. It oozes an odd mixture of wonder and fear, a fascination with whatever might be lurking around the next unlit corner, met with relentless excitement and leading towards ghastly discoveries. Like a vision of a new mythological age, one that aims more at subverting and making fun of itself than educating towards any kind of morality. Or a self-conscious fantasy RPG turning into a full-on immersive experience. The author, Lubomir Grzelak AKA Lutto Lento, arranged this eccentric narrative as a follow up to his previous LP, the ominous Dark Secret world, while also settling out to subvert the atmosphere of that record. In his Haunter debut he embraces his own quirkier side, delving further into eerie derision and surreal trickery. He achieves that by remodeling his penchant for heavy bass and gloomy dub into a kind of otherworldly folk music, drawing in deterritorialized string instruments, cheeky digital sound design, Coil-ian horror synths, and drums that remind as much of heavy metal as of Hollywood neo-classicism. It is by pushing the envelope on the most contradictory elements that LEGENDO ascends to a form of mocking poetry. Many weird characters are encountered through the narrative: from the various musicians that contributed to the music (such as vocalist John Glacier, guitarist Adam Repucha and koto player Katarzyna Karpińska), but also many fringe fascinations that hail from Grzelak’s native Poland: from the 1897 painting ‘Skarby Sezamu' by Stanislaw Wyspiański that inspired the track of the same name, to the delirious paganism of outsider artist Stanislaw Skukalski, to the lullaby referenced in ‘Iskiereczka’. These entities all dwell inside LEGENDO and conduct its chapters, rendering the liminal dimension of its sound as real as it is in its creator’s mind.