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Reminiscent of a time where we were releasing 4-tracks sampler every month (remember the Secret Gems From The Vault) It is naturally that we thought about a various artists sampler in order to introduce the new wild bunch,

Julian M, is french and is taking over right now, releasing here his first track on Briquerouge, But the man is no beginner, having released on Catwash, Homecoming, Denote, to name but a few and of course recently on our own RZ Muzik, His music is deep, acid, techy and ready to please any crowd, Ange Siddhar is working for Laboratory Records and works with legendary artists such as Ron Carroll, Paul Johnson or Chris Count and now teams up with Illan Nicciani on several House project, They have a strong vinyl lovers community following their releases and just joined the label with 'The Show'

Jepe was one half of John Waynes who already release on Brique Rouge and is now one of the most respected producer from Portugal, Actually living in Berlin, he has released on Get Physical, Blossom Kollektiv or MuleMuziq, Jepe's tracks have a very high level of quality, True House Music,

And last but not least, our good friend from Switzerland, mr Salvatore Freda, With the machine-driven futurism of Detroit in his step, and the bounce of Chicago in his shadow, Salvatore Freda is a pure vinyl DJ from Lausanne, Switzerland. With a production career that began in 1997, Freda has built up an impressive discography over the years. His music has touched some of techno and house's most respected labels including Trapez, Music Man Records, Liebe Detail, Freerange, Area Remote, Push Communications, Dessous, Nightvision, and Cadenza.

Early Support:

Dubfire / Nacho Marco / Matthias Vogt / Tyree Cooper / Ame / Clive Henry / Renato Cohen / llorca / Blacksoul & many more

Leroy Smart the self proclaimed 'Don' carries much respect in the Jamaican musical community, he came through the Alpha boys school in Kingston that provided us with the cream of Jamaican artistic talent.
Such legends as Don Drummond,Tommy Mc Cook and Johnny Dizzy Moore to name but a few.
Leroy Smarts talent lay in his vocal attacking style that gives his lyrics and tune that extra meaning.
His best work came in the heady mid 70's working with 'The Hitmaker from Jamaica' Mr.Bunny Striker Lee.
Bunny put Leroy Smart on some of his best rhythms starting in 1973 with 'God Helps the Man' and 'Wreck up my Life'.
Other killer hits were to follow such as 'Mr.Smart','Pride and Ambition','Bad Minded People' and the attacking 'Mr.Richman'.
All tracks telling it like it is.............
We have compiled all these cuts together,every song a story in itself,told only as Leroy Smart could.

*Another classic from dubwise heavyweights Alpha & Omega arrives on 45 for the first time.
*This appeared on the now deleted `Safe in the Ark' album from 1994.
* Backed with a rare dub cut, this will fly out fast, so be quick.

Special Remarks: 12'' EP in 3mm spine sleeve with download card included.



1978 This EP is an extract from the Cosmic Machine LP compilation to be released on October, the 14th. The first track, Spirit, an Uncle O remix, originally released on Frederic Mercier's "Pacific" in 1978, synthesized on its own the whole concept of Cosmic Machine. Track 2, "Motel show" is a Pierre Bachelet remix (from the original soundtrack of "le dernier amant", also released in 1978). This mix is a dancefloor version by DJ Prins Thomas,famous space disco Prince from Norway (Lindström, Todd Terje...). The Cosmic Machine LP gathers stars (such as Cerrone, Juvet, Jarre, Marouani, Bachelet and even Gainsbourg with a rare proto techno track), talented pionneers (De Roubaix, Estardy, Massiera, Fèvre or Perrey) and even shooting stars (such as Rocket Men, Quartz, Chris Craft, Video Liszt, Milways...). Cosmic Machine combines all the major and inspired individualities that gave birth to the early 70's electro galaxy.

This is Lyptikal's third release on Micky Finn's Label Finn People and this ones been doing some serious damage on dancefloors worldwide. If you like your Jump Up this ones for you.

Labas, ka tu ? I am ready to show you Rayonas 010 anniversary only Vinyl

A1: Rabbit Hole
A2: 69
B1: Loop
B2: Soft Falling

+Rayonas Artist and Record label born in Lithuania since 2021 ! Underground music Unknown Artist / Vinyl

Gennaro, formerly known as Blackchild, returns to Cécille Records with his second release on the label, delivering a confident and deeply musical four-track EP that captures the full scope of his sound.

Each track reveals a different facet of Gennaro's musical identity.from stripped-back, groove-driven club tools to more nuanced and emotive moments - all tied together by his unmistakable sense of rhythm and atmosphere. It's a release that feels focused yet expansive, showing an artist who knows exactly where he stands and where he's heading.

Nick Curly and Marc Scholl are proud to continue working with Gennaro and to welcome him back on the label with a release that underlines both artistic growth and creative consistency. This EP isn't about following trends; it's about personality, craftsmanship and club-ready music built with intention.

A strong statement, a natural progression and a clear reflection of Gennaro's range - this is his next step on Cécille Records

Dive into the depths of deep house with "Unexpected EP", the debut vinyl release from an upcoming artist to watch.

This meticulously crafted 12-inch EP showcases a profound love for detail in every element. It´s a timeless record appealing to collectors and DJs alike who crave depth over fleeting trends.

Side A opens with the title track "Unexpected," a hypnotic journey through evolving synths and crisp percussion.

Following seamlessly is "Still Missing," a soulful cut infused with emotive melodies and rolling sub-bass.

Flip to Side B for "Crash & Bang," which thrives on a mesmerizing polymeter figure over which intimate string sounds evolve.

The EP closes with "Sheltered Place," a serene retreat with warm pads and playful percussion perfect for moody after-hours sessions.

Embracing a vinyl-first strategy, "Unexpected EP" drops exclusively on wax ahead of its digital counterpart.

>>> comes in 4c Sleeves

One of the most innovative and ambitious albums ever made, Genioh Yamashirogumi’s Ecophony Rinne is a sonic masterpiece featuring over 200 musicians that expanded the limits of what music and sound could do.

Before Akira there was Ecophony Rinne. Originally released in 1986, Ecophony Rinne is a four-part symphony of “ecological music” by Geinoh Yamashirogumi that married ancient tradition with technological innovation, and changed the way we listen to music in the process.

Half-speed mastered at Abbey Road by Miles Showell, Time Capsule’s high-tech analogue reissue is the first to reproduce composer Ōhashi’s ground-breaking “Hypersonic Effect” theory on vinyl, cutting frequencies beyond the realm of human hearing into wax to capture the full spectrum emotional impact of this extraordinary work.

Founded by genius polymath Tsutomu Ōhashi aka Shoji Yamashiro, Geinoh Yamashirogumi is a shapeshifting collective of over a hundred members from across disciplines. Rejecting professional musicianship, Ōhashi cultivated an ethos where neuroscientists, psychologists, doctors, journalists, engineers and students could critique society through artistic expression and pursue their research in ethnomusicological performances that spanned global traditions, Eastern spirituality and Western classical form.

Ecophony Rinne represents the pinnacle of this vision - an expansive orchestral suite made with over 200 musicians that channeled Ōhashi’s thinking about mankind’s relationship with nature, and fundamental questions of life, death and rebirth.

Here pipe organ synths made from sampled Tibetan horns sit alongside field recordings from Central African forests, Buddhist mantras circle dummy head microphones, Javanese Jegog percussion ensembles pulse like verdant ecosystems, and the acoustics of temples, caves and landscapes are conveyed in the mix. Weaving together culture, nature and technology, it is a record that vibrates with the polyphony of life on Earth.

But Ecophony Rinne was not only musically innovative. Noticing the difference between vinyl and CD versions of the album where digital reproduction limited the sound, Ōhashi developed a theory of “Hypersonic Effect”, determining that ultra-high frequencies above 20khz can impact human perception even if they are inaudible. At once a physical and a psychological experience, to listen to Ecophony Rinne is to feel music differently.

The rest is history. After its release, Ōhashi was approached by director Katsuhiro Ōtomo to produce the soundtrack for Akira, the work for which Geinoh Yamashirogumi is best known. Emerging from the shadows at last, Ecophony Rinne was its transcendental blueprint, reissued in its most complete hypersonic form on vinyl for the first time.

Rather than describe nature, Ecophony Rinne embodied it. Rather than reflect culture, Ecophony Rinne defined it. Rather than explore technology, Ecophony Rinne changed it. As a work of art, it is more relevant than ever. You won’t have heard anything like it.

For our second release of the year we have Sonidy & Benny S joining the label for a brand new House EP. Featuring four carefully crafted tracks, the release showcases their shared vision and refined sound, delivering groove, energy, and a strong dancefloor identity.

INGERABLE, which means “inedible” or “unpalatable” in French, was the adjective a record label used to describe Cathy Claret when she showed them the song inspired by a Caló poem that is now part of our upcoming release, “Por el Chiben.” The piece was born in 1987 when the artist was living in Can Tunis (Barcelona), inspired by a poem she heard from Uncle Bastián. Years later, when recording her first album, she included this composition, but the artist was censored for not fitting commercial standards. Now, Alhaja Records revives it in an album with two versions: a flamenco one, featuring Emilio Caracafé on guitar, and an electronic one, produced by Wará.

2026 Repress

Lars Huismann returns to Mutual Rytm as he delivers the second instalment of his "Sounds From The Past" trilogy on the label.

As SHDW & Obscure Shape's Mutual Rytm imprint continues to grow, it's clear that the DJ and producer pairing have a strong vision for the label and are building an equally impressive roster of artists to form the imprint's core family members. One of the early standouts is Lars Huismann, who arrived to deliver a selection of impactful offerings influenced by the "golden years" of techno in his own unique style crafted by various production techniques. Having featured on the label's opening VA and delivered the first EP for MR002, racking up a wealth of global support in the process, mid-November welcomes a return for the Berlin-based talent as he serves up six fresh cuts in his signature sound for "Sounds From The Past II".

Opener "Sounds From The Past II" is an action-packed title cut fusing typically slick rolling grooves with hazy melodies and atmospheric releases of tension, while "Propulsion" takes cues from its title and sees precise drum shots, echoed background vocals and a tunnelling groove taking the track right into the thick of the action.

On the flip, B1 "Loucura" brings a percussive workout as frantic organic drums and resonant brass melodies bring a party
to proceedings, with "Stroke" and "Nudge" both armed with tough kicks, zipping synths and more subtle vocal work.

Digital buyers get an extra exclusive in the form of "Dub Division", welcoming a slightly more subdued but equally as impactful track guided by dubby chords and peppy hi-hats to close the show.

2026 Repress

Weiss has made a bit of a welcomed habit in recent years of dropping a Sun-drenched bomb on Toolroom around this time of year and following on from 'You're Sunshine' last year, 'Feel My Needs' is his submission for 2018!

Recent Weiss highlights have included him playing the main stage at Dirtybird's own Campout festival, regular dates at the world-renowned Fabric as well as a US tour and an album in the making.

In true Weiss style, this record will have the hairs on the back of your neck standing to attention in a matter of seconds. Lush, old skool piano riffs and sublime vocal licks, all laid over the top of a crisp and infectious house backing.

This is a sure-fire future anthem with two killer remixes to add to the vinyl from Purple Disco Machine and Gorgon City, both of which have been premiered on the mighty Radio 1 Dance shows.

DJ Support:

Pete Tong, Annie Mac, Danny Howard, MistaJam, Huxley, Gorgon City, Claptone, S-Man, Dario D'Attis, Robosonic, Dosem, Tube & Berger, Steve Lawler, Groove Armada, Sonny Fodera, Man Without A Clue, The Magician, Eli Brown, TCTS, Martin Ikin, Mat.Joe, Richy Ahmed, Low Steppa, Kry Wolf, Kraak & Smaak, The Golden Boy

2026 Repress

Dez Andrés returns to Deep Fried Music with a healthy serving of Detroit Electro showcasing why he's considered one of the most versatile figures in dance music.

World Famous DJ Dez aka Dez Andrés, got his first drum set at the age of three. While hanging out in Amp Fiddler’s home studio, he met J Dilla, who recruited him to DJ for his hip hop group Slum Village. Parallel to revolutionizing the U.S. rap landscape with the group, Andrés went on to explore his hometown’s house legacy from the late 90’s onwards releasing a string of 12-inches on KDJ and four acclaimed full-length albums for Mahogani Music. In 2012, Dez Andrés inaugurated his own La Vida label with the future classic “New For You,” which became one of the decade’s most delectable dance floor cuts, selling out multiple pressings.

This marks the third collaboration between Dez Andres and Deep Fried Music.

MOVE TRAX is thrilled to unveil "Grab My Love," the eagerly awaited second release from the Tokyo-based label, curated by its founder Al Jones. This enchanting EP synthesizes the sun-soaked essence of early 90s balearic vibes with the alluring melodies of classic Italo house piano, all interwoven with the evocative sounds of traditional Japanese instruments, notably the koto. At the forefront are the irresistible vocals of Aiko Inoue, whose whimsical lyrics recount a lasagna recipe in a manner that feels like a sumptuous love letter—a blend of playful humor and sensual mystery.
Complementing the original vocal mix is the "Scarpetta Dub Mix," where delightful silence speaks volumes, symbolizing the final, indulgent moments of a culinary feast. Further enriching this sonic tapestry are two distinguished remixes from renowned Italian artists: Massimiliano Pagliara lends his ethereal touch with the "Hanami Mix," a delicately layered composition that transports listeners, while Mr. Ties delivers the vibrant "House of Matsuri Mix," infused with a raw, Chicago-inspired acid baseline that guarantees peak-time excitement.
"Grab My Love" transcends conventional dance music, showcasing the innovative spirit of its creators and promising to captivate audiences on dance floors everywhere.

Dez Andrés, Detroit’s underground legend and genre-blurring maestro is back with another batch of reworked old skool bangers.

Since the late '90s, Dez has built a respectable catalog that blurs the boundaries between genres. One of motor city’s most prolific artists, his music can be summed up in one word: quality. Now he returns to DFM with a two-sided heater.


Dez flips Odyssey’s classic Native New Yorker into a gritty dembow style club weapon. With iconic vocal lines and signature piano riff, Dez injects his signature bounce and percussive punch, turning this disco anthem into a raw dancefloor destroyer.
Diving deeper, Dez revives Dr. Buzzard's Original Savannah Band’s classic Sun Showers, transforming it into a rhythmic, power groove tailor-made for sweaty basements, rooftop sets and smoke filled dance floors on red-lit nights that refuse to end.

Released on Limited Edition Black Vinyl with a replica of the original sleeve and insert (300 Copies only). The beginning of the 1980s wasn't a great time to be young. Between 1979 and 1981 youth unemployment more than doubled to over 900,000. Many approaches were tried to tackle the problem and one of the more innovative was the Arts Opportunity Theatre a charity founded in Bristol by Reynold Duncan and Yvonne Deutschman. Financed by assorted public bodies, it aimed to train young people in a range of performing arts as well as the multiple skills needed to produce, organise and put on shows. Over a seven year period the Arts Opportunity Theatre put on a succession of shows not only locally, but travelling as far as the Continent and trained hundreds of young people in everything from music to book keeping. People who passed through the collective would go on to form the core of many local bands and be involved in a large proportion of Bristol music releases, especially reggae. The first show put on in 1981 and 1982 was "Freedom City" which prominently featured Zion Band. In May 1982 the Zion Band musicians from the show went into Right Track Studio in Bristol and recorded four vocals and two dubs that would be released the following January on a 12" single. Back in 2011 Bristol Archive Records included "Twelve Tribes" on a compilation and would later also compile "Babylon Fire/Babylon Dub", but the other three tracks could only be found on the scarce original 12" which in recent years has rocketed in price fetching in excess of £150. We believe music should be affordable and available so 2026 will see Bristol Archive Records reissue the Zion Band "Freedom City" 12" in it's entirety, complete with its original picture sleeve and insert with a limited pressing of 300 copies on black vinyl. This release is dedicated to the late Reynold Duncan RIP.

long content, you may need to expand row to see all... Flea: Solo-Debüt „Honora“ und exklusive Club-Show in Berlin

Mit seinem ersten Solo-Album „Honora“, das am 27. März 2026 über Nonesuch Records erscheint, schlägt RHCP-Legende Flea ein neues, tief persönliches Kapitel auf. Der weltberühmte Bassist kehrt damit zu seinen musikalischen Wurzeln zurück und rückt die Trompete sowie den Jazz ins Zentrum seiner Kompositionen. Unterstützt wird er dabei von einer hochkarätigen Band aus modernen Jazz-Visionären wie Jeff Parker und Josh Johnson sowie von prominenten Gästen wie Thom Yorke und Nick Cave. Die bereits veröffentlichte Single „Traffic Lights“ gibt einen faszinierenden Vorgeschmack auf den hypnotischen, atmosphärischen Sound des Albums.

Im Rahmen der „Honora Tour“ spielt Flea im Mai ausgewählte Konzerte in intimen Locations weltweit, um die neuen Stücke in einem besonderen Rahmen zu präsentieren. Auch die deutsche Hauptstadt steht auf dem Plan: am 21. Mai 2026 wird Flea mit Band im Heimathafen, Berlin spielen. Die Show ist schon ausverkauft.

Das Album umfasst sechs Original-Songs sowie spannende Neuinterpretationen von Künstlern wie Frank Ocean und George Clinton. „Honora“ ist das Ergebnis einer zweijährigen, täglichen Übungsroutine an der Trompete, mit der sich Flea pünktlich zu seinem 60. Lebensjahr einen langgehegten Traum erfüllt hat.

NEIL ARDLEY – KALEIDOSCOPE OF RAINBOWS The Definitive 2LP Reissue of a Landmark in British Jazz Fusion
Analogue October Records proudly presents the long-awaited reissue of Kaleidoscope of Rainbows, Neil Ardley’s 1976 masterpiece, originally released on Gull Records. Produced by Neil Ardley and recorded at London’s famed Morgan Studios, the sessions were engineered and mixed by Martin Levan, capturing one of the most ambitious and beloved works in British jazz. Following the acclaimed reissues of Courtney Pine’s Journey to the Urge Within (AOR-001-ST) and Neil Ardley’s Harmony of the Spheres (AOR-002-ST)—both praised by the audiophile press including The Tracking Angle—this third release confirms Analogue October as one of today’s most meticulous and exciting reissue labels.
A Suite of Sound and Colour
Commissioned for the 1975 Camden Jazz Festival, Kaleidoscope of Rainbows is structured as a seven-part suite, each movement reflecting a colour of the spectrum. Ardley’s composition weaves together jazz improvisation, progressive rock energy, and orchestral elegance in one of the most imaginative British jazz recordings of the era. Featuring Ian Carr, Barbara Thompson, Tony Coe, Trevor Tomkins, and Geoff Castle, the album is a who’s who of the UK’s vibrant 1970s jazz scene.
Cut at Abbey Road, Pressed at Record Industry
For this definitive edition, Analogue October worked directly from the original Gull master tapes. Mastering was entrusted to Miles Showell at Abbey Road Studios, using his renowned half-speed process to extract every detail and dynamic from Ardley’s score. To give the music the headroom it deserves, the reissue has been expanded to a deluxe 2LP set, pressed on the highest-quality vinyl at Record Industry in Haarlem, Netherlands. The result is a presentation that finally does justice to the scope and brilliance of Ardley’s vision.
Deluxe Package – Restored from the Source
The artwork has been meticulously restored from the original film elements, ensuring a sleeve of unmatched vibrancy and fidelity. Inside, a 12-page booklet printed on heavyweight card features an in-depth essay on Neil Ardley and the making of Kaleidoscope of Rainbows, written by Jazzwise magazine editor Mike Flynn, alongside rare photographs from the period.
Curated and Produced by Craig Crane
As with every Analogue October release, Kaleidoscope of Rainbows has been curated and produced by label founder Craig Crane with a collector’s eye for detail and a deep respect for the music’s legacy. This reissue is not only the definitive vinyl edition of one of the great British jazz fusion albums—it also continues the label’s mission to restore and celebrate the most vital recordings of the era.
Neil Ardley’s Kaleidoscope of Rainbows—vivid, expansive, and timeless—returns as the essential edition for audiophiles and jazz lovers alike.
Retail-ready product description (short form):
Produced by Neil Ardley and recorded in 1976 at London’s Morgan Studios, engineered and mixed by Martin Levan, Kaleidoscope of Rainbows is a cornerstone of British jazz fusion. This definitive 2LP reissue, mastered at Abbey Road by Miles Showell from the original Gull master tapes and pressed at Record Industry (NL), finally gives the music the dynamic headroom it deserves. The deluxe edition includes restored artwork and a 12-page booklet featuring an in-depth essay by Jazzwise editor Mike Flynn.

Hip-Hop veteran Andy Cooper (Ugly Duckling/The Allergies) and world champion DJ Robert Smith have combined to create a Classic Hip-Hop album which showcases incredible mic skill alongside flawless turntable prowess. With side one of the LP dedicated to lyrical ability and side two focused on the wheels of steel, old school enthusiasts and new listeners will be blown away by the level of craftsmanship on display.

After the success of the first single 'All That Mess' (Juno's Breakbeat chart track of the year which received worldwide airplay on shows like DJ Shan's Groove Theory in Australia and DJ Static's WeFunk Radio show in Canada), the full-length is ready to be released in early 2026.

2LP 180gm heavyweight 45 RPM Audiophile Edition, Featuring a half speed remaster by Miles Showell at Abbey Road Studios, Housed in polylined inners, Printed insert with sleevenote. The Alan Parsons Project"s multi-million selling album The Turn of a Friendly Card (1980), their celebrated prog pop tour de force, is reissued in a variety of formats, including this 2LP heavyweight, 45 RPM Audiophile edition. Expertly cut by Miles Showell at Abbey Road Studios on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from Eric Woolfson"s rarely played, mint condition duplicate masters run at the time of the original sessions in 1980. Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Chris Rainbow, Lenny Zakatek, Elmer Gantry as well as Eric Woolfson himself. Plus, a selection of session musicians such as guitarists Ian Bairnson and David Paton and drummer Stuart Elliott with arrangements by Andrew Powell.

Limited Edition 180gm heavyweight Clear Vinyl LP, Half-speed remaster by Miles Showell at Abbey Road Studios, Insert contains a sleevenote featuring quotes from Alan Parsons and Eric Woolfson. The Alan Parsons Project"s multi-million selling album The Turn of a Friendly Card (1980), their celebrated prog pop tour de force, is reissued in a variety of formatsincluding a Limited Edition Clear Vinyl LP, half-speed remastered by Miles Showell at Abbey Road Studios. Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Chris Rainbow, Lenny Zakatek, Elmer Gantry as well as Eric Woolfson himself. Plus, a selection of session musicians such as guitarists Ian Bairnson and David Paton and drummer Stuart Elliott with arrangements by Andrew Powell.

2LP 180gm heavyweight 45 RPM Audiophile Edition, Featuring a half speed remaster by Miles Showell at Abbey Road Studios, Housed in polylined inners, Printed insert with sleevenote. The Alan Parsons Project"s million selling album Ammonia Avenue (1984), is re-issued in a variety of formats including this 2LP heavyweight, 45 RPM Audiophile edition. Expertly cut by Miles Showell at Abbey Road Studios on a customised Neumann VMS 80 lathe at half speed using a 1:1 archive transfer from the original SONY 1610 format digital mastertape recorded in 1984. Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Chris Rainbow, Colin Blunstone, Lenny Zakatek as well as Eric Woolfson himself. Plus, a selection of session musicians such as guitarists Ian Bairnson and David Paton and drummer Stuart Elliott with arrangements by Andrew Powell.

Limited Edition 180gm heavyweight clear vinyl, Half-speed remaster by Miles Showell at Abbey Road Studios, Insert contains a sleevenote featuring quotes from Alan Parsons and Eric Woolfson The Alan Parsons Project"s million selling album Ammonia Avenue (1984), is re-issued in a variety of formats including a Limited Edition Clear vinyl LP, half-speed remastered by Miles Showell at Abbey Road studios. Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Chris Rainbow, Colin Blunstone, Lenny Zakatek as well as Eric Woolfson himself. Plus, a selection of session musicians such as guitarists Ian Bairnson and David Paton and drummer Stuart Elliott with arrangements by Andrew Powell.

Since emerging in 2020, the band has carved out a reputation as one of the most exciting rising acts in heavy music, with support from BBC Radio 1, Kerrang! Radio and acclaimed rock and metal press such as Metal Hammer, Kerrang! and Alt Press. 2024 saw the band make their Download Festival debut, undertake their first UK headline tour, and secure huge support slots with powerhouse bands such as Skindred. Following the release of their EP "Echoes", the band has enjoyed a busy schedule in 2025 - with appearances at 2000trees (main stage) and Alyx Holcombe's MANTRA showcase.

In recent months, Mallavora have been popping up everywhere, from the stages of Boomtown and Burn It Down Festivals, to the catwalk at London Fashion Week where they provided the soundtrack to Unhidden's latest clothing range. Most recently, you may have heard vocalist Jessica's incredible vocal abilities in an episode of BBC 1's The Celebrity Traitors, a star- studded game show that features household names such as Stephen Fry, Alan Carr and Claudia Winkleman. Jess was called upon by the producers of the show to produce 'banshee-like' wails, demonstrating her vocal range which stretches from beautiful high octave singing to the extremes of fry screaming. All of Mallavora's achievements have been leading to this moment: the announcement of their debut album ' What If Better Never Comes ?'. Set for release on March 27th 2026 via Church Road Records , this record showcases the band's growth as songwriters and highlights their constant hunger to push the envelope.

Formed in Galway City, Ireland James McGregor (vocals/ guitar), Sean Connelly (guitar) and Damian Greaney (drums) went to school together there and met Tom Freeman (bass) on the music scene. Relocating to London in 2019, the quartet signed to Alan McGee's new record label 'Creation23' almost overnight. They have since impressed audiences across Europe with live performances at festivals including Rock Werchter, Eurosonic and Electric Picnic, performing to a huge crowd at Sefton Park in Liverpool in support of Kings of Leon, as well as a head- turning televised appearance on Sky 1's Soccer AM. Media have been quick to show their support too plus previous singles, taken from their 2023 debut "Exit Strategy" received praise on BBC Radio 1's Annie Mac on her "New Names" showcase, BBC 6 Music's Steve Lamacq on his 'Recommends' show, received day-time radio play on RTE 2FM, and impressed the legendary Rodney Bingenheimer on Sirius XM.

The four-piece are drawn together by not only a mutual appreciation of music past and present but also a love of films and books, notably the ones on the more 'noir' side of the spectrum. You could say Arctic Monkeys got them into a band, The Strokes showed them how tightly you could distil it and Radiohead showed them how wide you could take it. But these days there not afraid to also put Billie Eilish and Charlie XCX into that mixture and films from director Fellini to "Drive". What matters is that from starting out playing acoustic folk, that turned into 3 minute (post-)punkish songs, they now have expanded a lot from there, taking in all the experience they have now recording and touring. Pushing the emotion by being authentic and creating what you really want despite the noise and haste around you.

Repress incoming!

Following the success of two collaborative releases (EMC “The Show”/2008 and Ace & Edo G “Arts & Entertainment” /2009), Masta Ace joins forces with the metal faced MF Doom for Son of Yvonne, a highly personal concept album that celebrates the life and legacy of Ace’s recently departed Mother. Like his 2004 landmark Disposable Arts, Son of Yvonne is meticulously constructed with stories, settings, and characters that resonate with flesh and bone humanity. Interstitial vignettes provide a thematic backbone to the experience, and each track complements and completes the previous to form a narrative whole: a sometimes visceral, sometimes nostalgic slice of Ace’s young life in Brownsville, Brooklyn. Entirely underscored by MF Doom’s iconic Special Herbs instrumentals, Son of Yvonne features the Juice Crew general Big Daddy Kane, new comers Pav Bundy (The Bundies), Reggie B and even MF Doom on the mic. It’s Masta Ace’s no frills flow, however, that looms largest above the dusty samples and digger loops that define Doom’s production. Ace’s photo-realistic rhymes about stick-up kids, spraycan artists and wack emcees add extra gravity to his already celebrated reputation as “truly an under-appreciated rap veteran and underground luminary” (Allmusic Guide). Like Eminem recalls in his 2008 autobiography The Way I Am, “Masta Ace had amazing storytelling skills. His thoughts were so vivid.” TRACKLIST: A1. DJ Ski's Intro A2. Ninteen Seventy Something A3. Son Of Yvonne B1. Da Pro B2. Store Frontin B3. Me & My Gang B4. Crush Hour feat Pav Bundy C1. Think I Am feat Big Daddy Kane & Mf Doom C2. Fresh Fest Reggie B C3. Hoe-Tel-leftovers C4. Slow Down D1. Home Sweet Home feat Pav Bundy D2. Dedication D3. I Did It D4. In Da Spot feat Milani The Artis D5. Outtakes

Tone Dropout Records kick off the new year in emphatic style with a brand-new 6-track vinyl EP that stays true to the label’s unmistakable dancefloor-driven sound.

Packed with heavyweight grooves, acid lines, breaks, and bleeps, this release delivers six high-impact tracks designed for late-night systems and packed floors. The EP also marks an exciting moment for the label, welcoming two new artists into the Tone Dropout family while celebrating the return of long-standing contributors.

Joining the roster for the first time are KWAKE and Harry Light, both making a powerful debut on the label. They sit alongside Tone Dropout regulars SkyWave Transmissions and XOTR, while label co-owners DAWL and SWEEN reunite once again, delivering an acid-fuelled opener and a special bonus breaks track on Side B.

As always, the EP is overflowing with breaks, bleeps, acid, and raw rave energy.

Side A – The Head Side

Side A opens strong with DAWL and SWEEN at the helm, laying down a driving four-to-the-floor acid groover that would warm up any dancefloor with ease. It’s a statement opener — and a sign of much more to come from the duo throughout the year.

Next up, SkyWave Transmissions brings his trademark experience and finesse, delivering a tightly produced acid-bleep track that showcases depth, quality, and character. Following seamlessly is long-time collaborator XOTR, who rounds out the side with a pure slice of northern bleep excellence — unmistakably Sheffield in style and sound.

Side B

Side B introduces the first of the new Tone Dropout members, KWAKE. A long-time friend of the label, this marks his first official appearance, and he doesn’t disappoint. His track is a full-force breaks banger, capturing authentic rave energy and guaranteed to ignite the floor.

Next comes Harry Light, making an immediate impact with a pounding house-and-breaks hybrid. Impeccably produced and relentless in energy, the track lives up to its name perfectly — “POWER HOUSE.” Both newcomers arrive firing on all cylinders, delivering two massive dancefloor weapons back-to-back.

Closing out the EP, DAWL and SWEEN return with Tones Breaks 5, a three-minute breaks workout and the latest installment in the label’s breaks series. This track also serves as a respectful nod to one of their musical heroes, Frankie Bones, rounding off the release on a high.

Six tracks. All killers. No fillers.
In challenging times, this EP delivers exceptional value — a complete package of club-ready music pressed to vinyl and built for real dancefloors.

Another quality release from Tone Dropout Records.

Peki Momés took hearts and ears by storm with her first 45 (Göç Mevsimi b/w Rüya) last autumn. Her dope outernational grooves and fresh singing style made it as far as Iggy Pop's show on BBC. Time for another double-sided single!

Yıldız is a Turkish cover of the beloved Marcos Valle tune Estrelar. Staying true to the spirit of the original, this version draws its energy from the bright stars, dreaming of meeting the stars up in the sky alongside the sun and moon. The production has been meticulously crafted, blending key elements of the original instrumentation with Peki Momés' distinct vocals in Turkish language.

Bahar is a psychedelic disco groove about longing for sunny days — both literally and metaphorically. It captures the exhaustion of waiting for brighter days in our homelands, our world, and our inner selves. As Peki Momés puts it, the wait for spring can be so long, it even wears down our pullovers. This track mirrors the duality of our reality and invites the audience to dance during this wait.

Follow up to Goodge's 2023 album Echoes Of Yesterday. Previous releases found on Hip Dozer and Cascade Records. Tracks found on the popular Spotify Mellow Beats playlist. 11th in 'Jet Set' Cold Busted series. Designed and manufactured similar to the vintage 60's style rice paper sleeves. In his latest EP, Sunday Soul, Goodge takes listeners on a four-track journey through the heart of funk, masterfully blending elements of R&B, jazz, and chilled lo-fi. Released as part of Cold Busted's Jet Set series, this four-song offering follows Goodge's 2023 album Echoes Of Yesterday and showcases his dedication to crafting timeless music. "Lights Out" kicks off the EP with heavy funk and stirring breakbeats, accompanied by a scratchy guitar that summons the revolutionary spirit of the '70s. Horns serve as a call to action, while a rollicking bass line and chunky electric piano might inspire listeners to go out and fight crime. "Promised Land" follows, featuring a formidable funk bass guitar and lead guitar chords that rhythmically play off the delightfully busy drums, creating an atmosphere reminiscent of the city's bustle. The title track, "Sunday Soul," is a rowdy affair with a speech-over-beats leading to crispy snare rolls and chiming electric piano. Shaker magic, staccato horn bleats, and spiral flute bits combine to create a swirling vintage-hued photograph of sound. The EP concludes with "Within Myself," a spacier sonic experience that could serve as the soundtrack for chasing someone across rooftops. It's funk spelled with a capital K. Sunday Soul is a must-listen for fans of of the heavier side of funk, solidifying Goodge's position as a master of his craft, creating a nostalgic yet fresh soundscape that keeps listeners grooving back for more.

Despite its tragic breakup, Yugoslavia as a political, social and cultural phenomenon still inspires generations, especially those who were born or lived at the time of this utopian land of South Slavs. Those who didn’t enjoy the privilege are still amazed by its 1970s and ’80s music scene and the number of very modern, high quality acts that were so often ahead of their time. Two such acts were Data and The Master Scratch Band, both founded by Zoran Jevtic and Zoran Vracevic, who introduced synth-pop, breakbeat, and hip-hop music in Yugoslavia in 1984 with their releases: SP Neka Ti Se Dese Prave Stvari/Ne Zovi To Ljubavlju and miniLP Deogut (Jugoton). Our latest release, “It Was Ridiculous, It Was Amazing!” gathers their earliest unreleased material from 1981-1983, showcasing a broader range of genres – alongside synth-pop and breakbeat/hip-hop, they also experimented with industrial, EBM, minimal synth, and electro-funk!

The whole record is divided into two parts: on A side there are 7 previously unpublished songs by group DATA, and on B side there are 4 previously unreleased recordings by The Master Scratch Band.

The Data side opens with two unexpected “shocker” tracks: Ja Nisam Kao Ti” (eng. I am Not Like You) and “Izumi” (eng. “Inventions”) from 1981, where they sound like early Deutsch-Amerikanische Freundschaft with unusual vocal pan sound effects on Serbian lyrics and uncompromising synth-based sound. Equally unpredictable are the next two songs: atmospheric “España” and dusty “Damage In My Head,” where Zoran Jevtić boldly steps into the lead vocal role. But the surprises don’t end there. The next two songs, France and Strahovi (eng. “Fears”), bring a mysterious and nostalgic atmosphere, elevated by the irreplaceable sound of the modular Roland System-100M. At the end comes the greatest surprise of all: Data covers YMO-Ballet in a song called Ne Zelim Da Tako Zive (eng, I Don’t Want Them Living Like That) and puts some extra energy in rhythm without losing the original song’s sensibility. Like in the original, the lyrics are tender and yet mysterious and provocative.

The Master Scratch Band side contains the very first versions of the songs Break War, Jailbreak, and Computer Break, originally recorded in studio Druga Maca in Belgrade in 1983. These versions were not released on their mini-LP album Dégout (Jugoton, 1984), and they are actually the first ever hip-hop/Breakbeat recordings in Yugoslavia. With great enthusiasm, every sound was uniquely crafted from scratch using the finest analog gear available in the early ’80s. The two young artists, aiming for international success, chose to write their lyrics in English. The album’s final track, “Mad Scratch,” showcases their talent for creating impressive sound effects, which would be a delight for contemporary DJs and producers who specialize in sampling and scratching old-school hip-hop.

This release is truly a “100% digger’s gem” – 11 previously unreleased tracks from legendary pioneers of electronic, hip-hop, and breakbeat. A collection to discover, enjoy, play, and treasure forever!

Italian cinematic funk heroes Calibro 35 announce a limited edition 45 rpm vinyl featuring two previously unreleased singles. The record is pressed on clear orange vinyl, limited to 600 copies, making it a must-have collector’s item.

On the A side, Calibro 35 reimagine Grover Washington Jr.’s jazz-funk classic “Mister Magic” with an ultra-groovy cinematic funk stormer, perfect for DJs and collectors alike. On the B side, the Milan-based combo revitalizes Can’s krautrock anthem “Vitamin C” with a fresh jazz-punk energy, a track recently brought back into the spotlight through Kanye West’s sampling. Both tracks are taken from the Deluxe Edition of their latest studio album Exploration, set for digital worldwide release on February 6th via Record Kicks.

Praised by Rolling Stone as “the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years,” Calibro 35 have built an international reputation as one of the coolest independent bands around. Their music has been sampled by Dr. Dre, Jay-Z, and The Child of Lov (featuring Damon Albarn), and they’ve collaborated with icons such as PJ Harvey, Mike Patton, and Stewart Copeland, continuing to push their cinematic funk universe further.

To celebrate the release, Calibro 35 will hit the road starting mid-October, with two special U.S. shows in Miami and Los Angeles, followed by a European tour including Barcelona, Berlin, Paris, and London.

Four-time GRAMMY Award-nominated global superstar RAYE, is releasing her highly anticipated sophomore album THIS MUSIC MAY CONTAIN HOPE. The album, set in 4 “seasons” with each side of the vinyl being a different season, takes listeners on a sonic journey that begins with darkness and ends with light.

“Music is medicine. I’ve always said that, and I guess I’m in the process of making medicine for myself that I can share with the world. I want us all to say to ourselves that it’s going to be all right, and I’m going to have faith in the seeds that I’ve planted beneath the snow. I wanted to create something that is a hug or bed or soft place for that person who needs it.”

RAYE recently kicked off her massive 51-date sold-out arena tour THIS TOUR MAY CONTAIN NEW MUSIC includes arena dates across Europe and the UK — including six sold-out nights at The O2 — before heading to North America with stops at iconic venues such as Radio City Music Hall (April 15 and 16th) and the Greek Theatre (May 12 and 13th). Additionally, RAYE will be a special guest on Bruno Mars’ The Romantic Tour for 27 stadium shows across the US this summer.

Sound Records proudly presents ‘Morpho’, the debut LP from UK-based producer Benyayer, formerly one-third of celebrated electronic trio Dark Sky. A deeply personal record and a symbolic transition, Morpho captures the emotional and sonic evolution of an artist in metamorphosis.

Having stepped into the solo spotlight following his successful Infiltrator EP, Benyayer (aka Matt) delivers a bold, vinyl release that combines seven previously digital-only tracks with a brand new cut, ‘The Return’, all meticulously curated and pressed for the first time on wax.

Bridging influences from techno, UK bass, Afrofuturism, and electronica, Morpho is a meticulous exploration of rhythm designed to excite, cause chaos, personal reflection and movement. Each track is a raw, rhythmic exploration that draws on his time spent busking on the streets of London with found objects, experimentation with modular synths and years of experience honing his craft as a performer at some of the finest establishments in the electronic music landscape.

This initial vinyl edition is limited to just 300 copies. Designed in collaboration with Harry Cresswell, each sleeve features a deconstructed butterfly motif, laser-cut on both sides of heavy matte stock, paired with a matte-printed inner sleeve and a transparent vinyl disc, making each copy a true collector’s item.

The LP arrives amid support from tastemakers like Gilles Peterson, Benji B, and Tom Ravenscroft (BBC 6 Music), as well as heavyweight artists including Ben UFO, Bicep, Laurent Garnier, Bonobo, and Modeselektor.

Benyayer's new live show, built around these very tools, has already been trailed to great acclaim across Europe, adding a powerful performative dimension to the record. With previous performances at Berghain, Fabric, Glastonbury, MUTEK, Dimensions and Melt Festival. Benyayer's solo trajectory continues to rise with intent, mystery, and a fierce sense of artistic purpose.

Following the success of the first vinyl release from the Moroccan label Sotor Records, featuring Zadig, Perc & Oscar Mulero, Sotor writes a new chapter in its discography with its second vinyl release. Meaning "lines" in Arabic, Sotor reflects its commitment to championing the diversity of the techno genre.
The label's ninth release, "Processing Range," is a musical ode to the lines of space-time. With four original tracks from the Portuguese producer, Sotor invites you on a techno journey between mental tension and physical release.
The album opens with DJ Dextro's "Controle," which delivers a massive, sharp rhythm, dystopian synths, and a true immersion into a techno black hole.
The journey continues with the second track on side A. This time, DJ Dextro unleashes an uncompromising version of "Blue Dot," achieving a precarious balance while showcasing his signature percussive style. The Portuguese artist delivers the perfect track to unleash a crowd.
On the B-side, DJ Dextro offers us the eponymous track, "Processing Range." We're quickly drawn into an allegory of this decadent modern world where humanity is rushing towards its own destruction. Expect dusty techno rhythms and that sumptuous synth that sounds like the end of times. Probably a future classic!
And you'll finish on a gentler but no less dynamic note from DJ Dextro. He concludes the EP with "31 Atlas," which will leave you weightless with its galloping bassline and abyssal synth.

Born in Victoria, B.C., and shaped by formative years in Vancouver, artist and producer Sophia Stel found a rapt cult fanbase with her 2024 debut EP Object Permanence, a fiercely vulnerable collection of genre-agnostic earworms fueled by her full-bodied, affecting alto. By following her intuition and going against the grain of online fads, Stel is setting trends, not chasing them - always creating from a place of true originality. Her self-directed, sometimes spurâÇ`ofâÇ`theâÇ`moment digicam visuals for tracks like "I"ll Take It" and "You Could Hate Me" have the fuzzy realism of vintage photos or cherished memories: effortlessly cool without ever trying to be. In addition to earning co-signs from Troye Sivan and A.G. Cook and being selected for this year"s DAZED 100, she recently made her runway debut at Ann Demeulemeester"s PFW SS26 show and embarked on her first headline tour, which included a performance at Pitchfork Festival in Paris, following the release of her sophomore EP How to Win At Solitaire. Continuing to push the boundaries of today"s music landscape while honing a truly singular, post-genre sound that"s all her own, Stel is currently working on her debut album.

Tour-Maubourg returns with a new 6-track EP, Dreams, further cementing his place as a key figure in today’s electronic music scene. Known for blending soulful house with rich jazz influences, the French-Belgian producer showcases both his DJ sensibility and refined production skills on this long-awaited release for French deep house label Noire & Blanche.



Nearly four years after Floating on Silence - his acclaimed EP for the label that quickly became a staple in DJs’ sets and underground all-night club sessions - Dreams follows the same inspired path while raising the bar even higher. Joined by a carefully selected group of collaborators, including American producer Kareem Ali (praised by Rolling Stone, Pitchfork, and Boiler Room), pop/R&B soul singer Nic Hanson, and Lithuanian producer and musician Cyan Lu, Tour-Maubourg blurs the lines between jazz and house. The result is a deeply musical, immersive EP that reinforces a sound signature now unmistakably his own, designed for both intimate listening and late-night dancefloors.
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Small Great Things / Small Great Beats returns with a shiny yellow vinyl by Quadrakey - the Summer Vibes EP.

With SGB003, Small Great Things delivers a warm and groove-driven vinyl release from Quadrakey, featuring four carefully crafted cuts designed for both late-night dancefloors and sun-soaked daytime sessions.

The EP opens with A1 Good For You, bringing uplifting, feel-good house energy driven by a steady groove, playful details, and a warm bassline that instantly sets a positive tone on the floor. A2 Feel Alone follows on a deeper and more emotional tip, exploring hypnotic rhythms and moody atmospheres, perfectly suited for intimate club moments and late-night transitions.

Flipping to the B-side, B1 Dancing With You delivers a smooth and infectious flow built around rolling rhythms and subtle melodic touches, balancing elegance with dancefloor functionality. Closing the record, B2 Summer Vibes lives up to its name with sunny chords, relaxed grooves, and an effortless open-air feel, ideal for daytime sessions and sunset sets.

From hypnotic grooves to feel-good summer moods, SGB003 showcases a refined and confident production style, staying true to the Small Great Things philosophy: quality music, pressed on vinyl, made for DJs who value depth, groove, and longevity over short-lived trends.

A solid addition to any record bag, SGB003 captures the essence of modern house music with a classic touch, simple, honest, and effective.

Al Wahem (“The Illusion”) is the new full-length release by PRAED, the Swiss–Lebanese duo of Raed Yassin and Paed Conca. Recorded between Beirut and Berlin, the album returns to the group’s central aesthetic: a rhythm-driven weave of Egyptian shaabi, electronics, improvisation and the gritty pulse of street-level sound. Nearly twenty years into the project, PRAED have distilled their approach into four pieces that subtly shift the listener’s bearings, reordering grooves and fragments until familiar elements take on new identities.
The twenty-minute title track sets the tone. A tightly interlocking two-drum foundation from Pascal Semerdjian and Ayman Zebdawi shapes a structure that expands steadily: synth figures branch outward, clarinet and bass lines act as internal guideposts, and brief vocal calls from Yassin and guest singer Mayssa Jallad sit inside the texture rather than leading it. PRAED’s shaabi keyboard language is present, but the duo stretch it outward, building tension and movement through patient accumulation.

“Al Hathayan,” at 4:46, tightens the focus. Conca’s clarinet moves between melodic arcs and clipped rhythmic gestures, threading through electronic loops that surface and disappear. Zebdawi’s percussion adds a raw, tactile quality, placing acoustic patterns and electronics in direct conversation. The piece acts as a bridge between the album’s two long-form compositions.
Side B begins with “Al Maraya,” a thirteen-minute piece that relies on electronic, bass and clarinet interplay. The atmosphere nods to the breadth of PRAED Orchestra!, but remains anchored in the duo’s rhythmic foundations. Rather than building mass, the layering creates a sense of depth, as if new spaces were opening inside the groove.
The album closes with “Assarab,” featuring keyboardist Amr Said. Semerdjian and Zebdawi again form a dual percussive axis, while synths hover between melody and pulse, and themes recur in widening circles rather than building vertically. The porous boundary between electronic and acoustic sources — processed clarinet mistaken for a sequencer, rhythmic figures springing from live drums — is where the album’s theme of “illusion” shows itself most clearly.

Al Wahem follows a long arc: early releases on Annihaya, a key appearance on Ruptured Sessions Vol. 5 – Live at Radio Lebanon (2013), later albums on Akuphone, and the large-scale PRAED Orchestra! documented on Morphine Records. This new Ruptured/Annihaya co-release brings the duo back to a concentrated format, reorganizing their familiar materials with renewed clarity and intent.