Love is not soft. It was never meant to be. It sweats, it pulses, it burns through skin. It lives in the space between bodies. In friction, in tension, in heat that doesn’t ask for permission. LOVE AS A PHYSICAL FORCE is not about romance as an idea, but as an experience. Something you feel at 5AM, when the night has already taken everything from you, and still asks for more. Across four tracks, DJ Hermano moves between intimacy and impact. From the longing of Vem pro meu amor to the rupture of No encontrarte nunca mas, love reveals itself as contradiction: tender and aggressive, distant and consuming. The collaboration with Cuerpos brings a raw edge. Where visceral collides with desire. Voices don’t just sing; they confront, they provoke, they touch. On the B-side, the body takes over. Friction Lovers and Desire and Heatwave at 5AM dissolve the emotional into the physical. Where connection happens through movement, sweat, repetition. This is not love you write about. This is love you survive. A record for the late-night moments, between the club and sleep. For the moments where the line between pleasure and exhaustion disappears. For when desire becomes the only language left. Love, here, is not a promise. It’s a force.
Nu Vision is the latest project of Duke Cooper, band leader and label boss of Nation, Kode and DirtyBlends. There are three humans who make up Nu Vision, and they all have their own stories and discographies, records released on labels you might know, gigs played in Chicago or Berlin or someone’s loft, lives lived, friends made, sleep lost - fighting for theirart, standing by truths, defending voices, honoring progenitors, whilst pushing a new paradigm. Time is both fleeting and heavy for us all, but it is not without receipts.
Nu Vision is a band in the classic do-you-believe-in-alchemy sense - equal parts rhythm, damage, and deep feeling. Drenched in nostalgia and futurism, The Seed is a singularity of sound + vision; as if heavily rotated by VJ Dave Kendall on MTV’s 120 Minutes but materialized via today’s technology.
The Seed 10 inch provides additional music inspired significant icons Section 25, Liaisons Dangeruses and Adrian Sherwood having paved the way with their prior successes..- this package of The Seed is no freshman effort; but rather, a masterclass in continuing sonic education, delivering a unified experience from beginning to end. A NU VISION.
The Seed 10 inch provides additional music inspired significant icon band: Section 25 from the period of 1981-1984 with a more electronic-dance direction, process which culminated in the album ' From the Hip ' and remix single "Looking From A Hilltop", both released in 1984 as "Insecure Man is about being true to manhood with Robert Lane leading the charge with his vocabulary message of the current state of society.
Insecure Dub focuses on the period of 1981-1984 with an alternative electronic-dance direction process as an inspired blueprint from Nu Vision inspired from Adrian Sherwood having paved the way with his individual success.
Inspired from electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics Liaisons Dangereuses created a unique style anything other than a Berlin or Düsseldorf ‘thing’ – that was propelled to an international underground phenomenon of fame.
Nu VIsion was inspired to create a blueprint from the period of their productions of 1981-1982 with an electronic-dance direction paying homage with passionate craftsmanship utilizing what equipment was possible in the studio at the time of this recording featuring new members; Zoe Murphy & Fletch The Stranger on vocals and James Chazz on Saxaphone with a Ring Modulator.
Sleepytime Gorilla Museum wurden 1999 gegründet und verbinden seitdem experimentellen Rock, Avantgarde, Theater und Performance-Kunst zu einem einzigartigen Gesamterlebnis. Entstanden aus den Bands Idiot Flesh und Charming Hostess, entwickelte die Gruppe einen ebenso präzisen wie chaotisch wirkenden Stil, der musikalische Komplexität mit spektakulären Live-Auftritten verbindet. Die nun erstmals in den USA auf Vinyl erhältliche Neuauflage ihres Debütalbums wurde von Bassist Dan Rathbun remastert und erscheint parallel zu weiteren Wiederveröffentlichungen aus dem Katalog der Band. Mit ihrer aktuellen Besetzung knüpfen Sleepytime Gorilla Museum an ihre lange Geschichte an und zeigen, warum sie bis heute zu den ungewöhnlichsten und einflussreichsten Bands zwischen Avant-Rock, Progressive Rock und experimenteller Musik zählen.
,In Glorious Times", das dritte Album von Sleepytime Gorilla Museum, verbindet avantgardistischen Rock, experimentelle Kompositionen und theatralische Elemente zu einem ebenso komplexen wie mitreißenden Werk. Inhaltlich kreist das Album um Transformation, Chaos und die ständigen Veränderungen des Lebens, die sich in ebenso dramatischen wie humorvollen Songs widerspiegeln. Die nun erstmals in den USA auf Vinyl erscheinende, von Dan Rathbun remasterte Neuauflage würdigt eines der zentralen Werke der Band. Mit ihrer einzigartigen Mischung aus Progressive Rock, Avantgarde und Performance-Kunst festigen Sleepytime Gorilla Museum hier ihren Ruf als eine der außergewöhnlichsten Experimental-Bands ihrer Generation.
Das zweite Album von Sleepytime Gorilla Museum entstand zwischen 2002 und 2004 und spiegelt die politisch und gesellschaftlich aufgewühlte Zeit nach der Jahrtausendwende wider. Die Band verarbeitete diese Eindrücke in ihrem charakteristischen Mix aus Avant-Rock, experimenteller Komposition und theatralischer Intensität. Während der Entstehung stieß Schlagzeuger Matthias Bossi zur Band und prägte den Sound maßgeblich mit. Ein Höhepunkt des Albums ist der Song ,Phthisis", der in einem Studio in den Hollywood Hills aufgenommen wurde und zu den bekanntesten Stücken der Band zählt. Die nun erstmals in den USA auf Vinyl erhältliche Neuauflage wurde von Bassist und Produzent Dan Rathbun remastert und unterstreicht den Stellenwert des Albums als eines der zentralen Werke im Katalog von Sleepytime Gorilla Museum.
After inaugurating Saibai with the Samurai Music sub label's first release in 2025, Brendon Moeller returns with a new six-track excursion into the realm of splintered dubwise electronics. 侍栽培六 arrives alongside a partner release on Samurai Music, offering a subtle distinction of expressive, internal reflections that widen the landscape of Moeller's unique, prolific take on experimental soundsystem music. There are codes of classic dub that creep through the moody hinterland shaped out across these new works, and they inject warmth into the relatively forbidding atmospheres Moeller shapes out with eerie drones and chasmic reverb decays. The bassline on 'Disintegration Suite' has a steppas-like propulsion begging out for a mammoth rig loaded with heavyweight subs, while 'Fate's Rhythm' bristles with skeletal percussion rattling in the middle distance. 'Signal Path's synthetic murmurs of melodica and liberal spring reverb come straight from the Perry-Tubby school of sound sorcery. Of course, these ancient inflections are only part of the picture. Moeller's affinity for head-nodding half-time immersion and tense scene-setting define 'Dislocation' while his techno instincts guide the psychoactive arps modulating through 'Magnetic Sleep'. Every track has its own nuanced complexities, reference points and alchemical fusions bedded into a cohesive, brooding universe of sound that exponentially expands around his studio. Alongside the steely structures of Codebreaker, 侍栽培六 adeptly pushes at the observable edge as he leads us into unexplored space.
With Shades of post-punk, trip-hop and film score dynamics, The Lucid Dreams LP is an immersive multi-genre listening experience that travels through murky underworlds and dream-like hazes.
A true Detroit techno classic, originally released on New Religion and now finally back on vinyl. We're proud to reissue this essential release on Metroplex, with the original tracks remastered for vinyl and a stunning remix by Kirk Degiorgio. A piece of Detroit techno history: back where it belongs. Don't sleep..
Landing suitably on co:clear, At the Right Place at the Right Time is the spellbinding debut record from luminary figures of the Roman underground, Portamento.
As DJs and promoters of Scivoliii, the duo of Filipo Tosti and Álvaro Labao Garcia has been peddling a range of sounds over the last years. This time though, their attention firmly turns to transportative ambience, where melodic lines and mummering voices are rarely paired without weighty sub-bass. It's absolutely an ‘ambient’ record but the (soft) influence of the club sometimes peeks through.
Written between Forum Studios (fka Ennio Morricone Studios) and Álvaro’s tiny apartment in Trastervere during Rome’s torrid month of August, its sound owes itself as much to burning intimacy, as it does to the weariness of distance. It truly operates in those moments of devotion/desire between the late-night/early-morning, like a candle at the end of its wick that flickers, before it's finally extinguished as your eyes become too heavy to resist sleep.
TRjj is made up of several people that meet regularly since 2016. It is practiced collectively with interchanging names and roles, so the full control about disguised authorship would be guaranteed. Everyone involved was set to meet half way. TRjj is a filter for the kinship of many. Its the freedom attained, once you have gotten rid of yourself. This heteronomic practice would be ideal to advocate against reasons which are claimed, biographies that are scripted, economies that are fueled and histories that are written to be recognized as something apparently truly valid and fully finnished.
Originally released in 1990, as a triple album in box set with probably the best work THE KLINIK ever did. A selection of their musical works all recorded between 1984 & 1988 and never released before, the box came as a limited edition in 1990 and was sold out in no time, and therefor very rare and hard to find.
Now Antler Records has revisited the box, remastered into a sound experience like you never had before; 6 sides packed in newly designed inner sleeves with band photo's (by Inge Bekkers) that have never been published before. 6 sides, three heavy weight vinyl albums in one extra broadened single album sleeve. Cold electronics, shivering spheres, minimal and highly atmospheric, a soundtrack for a still to be made film. A sound experience like you never had before!
The Klinik is Marc Verhaeghen-Music & Dirk Ivens-Lyrics
All Tracks recorded in the Lab between 1984 & 1988
Digitally Remastered in 2026 by Pieter De Wagter(Equus)
Celebrate the season with Christmas Hits, a festive collection of modern holiday favourites and timeless classics pressed on beautiful opaque green vinyl. Featuring tracks from Wham!, Mariah Carey, Kelly Clarkson, Whitney Houston, Bruce Springsteen, and more, this essential Christmas soundtrack brings warmth, joy, and holiday spirit to every gathering.
„Me and the Noise“ von Wasuremono ist das bislang ambitionierteste und klanglich vielschichtigste Album von William Southward, auf dem er schimmernden Indie-Pop, mitreißende Hooks und eine euphorische, groß angelegte Produktion mit intimeren und nachdenklichen Momenten verbindet. Nachdem Southward ein Jahrzehnt lang unabhängig in seinem Gartenschuppen in Bradford-on-Avon Musik geschaffen hatte, öffnete er den Produktionsprozess und holte Tony Draper für den Mix sowie Dick Beetham für das Mastering mit ins Boot – das Ergebnis ist ein kühner neuer Sound, der auf seinem melodieorientierten Songwriting aufbaut. Das Album knüpft an eine Reihe von Erfolgen an, darunter über 16 Millionen Streams für „Are You OK?“ sowie die Verwendung seiner Musik in „Heartstopper“ und im Trailer zu „Goodrich“, während Titel wie „No More Dancing“, „Is It Weird or Is It Me?“ und „Sleeping Out“ die Bandbreite seines Songwritings demonstrieren. Die Vinyl-Ausgabe erscheint auf schwarzem Heavyweight-Vinyl, wurde im Half-Speed-Verfahren gemastert und ist in einer Gatefold-Hülle untergebracht – damit ist sie eine hochwertige physische Ausgabe, die ein bedeutendes neues Kapitel für Wasuremono einläutet.
REPRESS of the Scorpion Child debut album. "Scorpion Child sound like a band who aren't willing to make concessions, nor to strive for some niche appeal. They want the heaviness, the fire and the speed but they aren't willing to sacrifice a good hook for it, and nor should they. Already, they are showing that they are more than adept at handling this fine balance while delivering the goods, and perhaps this is the most 70s thing about them. It was a time when even major rock bands played with prog, psychedelia, funk and blues, something lost when the 80s and hair metal came around, and this Texan quintet carry this torch proudly." - Sleeping Shaman
Blue vinyl, limited to 250 copies. "Scorpion Child sound like a band who aren't willing to make concessions, nor to strive for some niche appeal. They want the heaviness, the fire and the speed but they aren't willing to sacrifice a good hook for it, and nor should they. Already, they are showing that they are more than adept at handling this fine balance while delivering the goods, and perhaps this is the most 70s thing about them. It was a time when even major rock bands played with prog, psychedelia, funk and blues, something lost when the 80s and hair metal came around, and this Texan quintet carry this torch proudly." - Sleeping Shaman
“Stankface” finds Funkmaster Ozone deep in his natural habitat: a raw, playful P-Funk workout driven by a heavy bass groove, punchy drums, elastic synth lines and his unmistakable talkbox. Packed with swagger, humor and irresistible head-nodding energy, the track connects classic Parliament-Funkadelic and Zapp influences with polished modern-funk production.
“Bust A Move” takes Funkmaster Ozone straight back to the golden era of Electro-Funk, combining hard-hitting 808 drum-machine rhythms, funky synth bass, futuristic textures and infectious vocoder vocals. Robotic, playful and built for the dancefloor, the track channels classic old-school electro and boogie energy through Ozone’s unmistakable modern production style.
Prince Jeepni delivers two cuts of pure heat on this limited 7" from Funk Freaks Records. Side A, "All I Need Is Your Love," is a smooth reggae rework of a boogie classic, featuring Prince Jeepni's effortless vocals over a rolling groove produced by Diamond Ortiz. Flip it over for the dub version of "Psycho For Your Love," a deep, hypnotic ride co-produced by King Hippo and Prince Jeepni himself. Part of the Spliff Funk series — reggae covers of boogie classics — this black vinyl 7" comes in a picture sleeve and marks the first time Funk Freaks Records is available through distribution. Don't sleep.
Molekül celebrates its 50th release with "Still In The Loop", the long-awaited sequel to the label's iconic compilation "Stuck In The Loop". Three years on, Molekül returns to the concept that defined it, picking up where its predecessor left off and taking the loop-driven aesthetic further.
