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Johannes Klingebiel - It's Ok To Cry

Mireia Records is exstatic to welcome back Johannes Klingebiel . Johannes has steadily carved a niche for himself with his distinct brand of emotive, yet playful house music. Coming out strongly with his debut 'Latewood' in 2015 and following up with the poignant 'Nightlife' on Mireia Records in 2017. Now he's continuing his knack for contemplative, melodic and danceable music on 'It's OK To Cry'. Opener 'It's OK To Cry' is as tender as you would imagine. It is brilliantly doleful, with thoughtful keys and deep, lo fi drums all tugging at the heart strings. The foolproof 'Piano Thang' again shows off Klingebiel's musical credentials with nimble keys glistening over a more uplifting drum line as cosmic synths elevate your spirits. Kicking off the B-side is the superb 'Really' which journeys back into an insular reverie, with pained synth sounds and a sense of longing pervading the deep house atmospheres and masterfully arranged keys. Next up we have 'Time Is Now' , a slow burning but subtly euphoric number that raises you up on percolating bass and glistening, deep space keys. The package completes with more deep excellence in the form of 'Steel Away' , with meandering pads encouraging your mind to drift as cavernous kicks create a warm and welcoming environment in which to get lost. Inspirited by the music, labelheads RSS Disco set out to find a striking visual reflection of this release. The vinyl is housed in thick inside-out cardboard with hand stamped labels and features an inlay card (surprise).

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9,03

Last In: vor 3 Jahren
Rasputin's Stash - Make up Your Mind / You Are My Everything

Rescued from a haze of drugs, alcohol and questionable women comes a potent blend of heavy Chicago Funk, Modern Soul & Psychedelia. Influential recordings from the group's sought-after Funk classics have been sampled by Beck, The Chemical Brothers, Jim Jones, Raekwon & Leaders of The New School.

Previously unreleased Rasputin's Stash from the forthcoming Stash album due out in April. 'Make Up Your Mind' is a contagious rhythm with Jimi Hendrix-style fuzzed out guitar riffs echoing sweet soul vocals and a brass section tight enough to please any Tower of Power fan. On the b-side is a slow-jam Soul-Steppers classic 'You Are My Everything'

Cut directly to vinyl from the recently found master tapes, this music presents material from the band at their artistic peak and the last recordings before Rasputin's Stash members went on to record Crystal Winds First Flight and Attitude, Belief & Determination

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9,20

Last In: vor 7 Jahren
291out - Habbanera

291Out

Habbanera

12inchFBNM018
Fly by Night Music
05.03.2019

291out ensemble return on Fly By Night with another well orchestrated project by Riccio.

The latest release on FBNM, 291out - Habbanera is thematically inspired by the 1982 Italian film score, "No Grazie il Caffè Mi Rende Nervoso" "No Thanks, Coffee Makes Me Nervous".

It was originally composed by James Senese and directed by Lodovico Gasparini, "Habbanera" has only previously been released on Senese's self titled LP in 1983.

This four tracker includes two new versions of the main title theme "Habbanera" and two remixes by the two Italian pioneers of house music and the balearic sound; Leo Mas and Fabrice.

291out "Original Version" is a cover of the main score theme, which also features on Senese's 1983 LP; the "Alternate Version" is also taken from the movie, but from a different scene, which has the same melody of the opening theme but with a different rhythm, never having been released before and completely reassembled by 291out.

Leo Mas & Fabrice provide two different cuts, one pitched-down boogie slow jam and one 4/4 dance-floor banger.

291out are:

Luca 'Presence' Carini: Electric Bass

Tancredi Duccio 'Nagarrius' d'Alò: Electric Guitar / Mandoline

Floriano 'Maja' Bocchino: Electric Piano

Antonio 'Totem' Bocchino: Drums

Den Lacava: Saxophone

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12,31

Last In: vor 7 Jahren
Various - Soul Jazz Records presents Bunny Lee: Dreads Enter the Gates with Praise - The Mighty Striker Shoots

Johnny Clarke & King Tubby & Dillinger & Prince Jazzbo feat. Tommy McCook & The legendary Aggrovators & The Mighty Diamonds - Soul Jazz Records presents Bunny Lee: Dreads Enter the Gates with Praise - The Mighty Striker Shoots the Hits!

Soul Jazz Records presents this new collection featuring the heavy 70s roots reggae of Bunny
Lee - a living legend, one of the last of the great Jamaican record producers who helped shape
and define reggae music in the 1970s from a small island sound into an internationally
successful musical genre.
From teenage fan to young record plugger for Duke Reid, Sir Coxsone and other early
pioneering Jamaican musical entrepreneurs, Lee has spent his whole professional life inside the
Kingston music industry. In the 1970s he rose up to become one of the major record producers
in Jamaica alongside Lee 'Scratch' Perry and the other 'small axe' producers who broke the
dominance of the 'big tree' producers that had ruled Jamaican music in the 1960s.
Featuring some of the heaviest Jamaican artists, including Johnny Clarke, King Tubby, Dillinger,
Prince Jazzbo, Tommy McCook, The legendary Aggrovators (featuring Sly and Robbie), The
Mighty Diamonds and more, the album is a rollercoaster ride of rare, deep and classic 1970s
roots, dub and DJ sounds.
During this era, 'flying cymbals', crashing reverbs, dark echoing thunderclap gunshots and
other 'implements of sound' filled his record productions as Bunny Lee explored the outer limits
of dub with his friend King Tubby in the mix on wild versions that accompanied any 45. A
Bunny Lee record provides a creative and mysterious hidden guide to reggae music itself, a
double-sided three-minute intangible history lesson etched in wax.
Bunny Lee was one of the first Jamaican producers to travel to England in the late 1960s, at
the beginning of the nascent British reggae music industry as record companies such as
Trojan, Pama and others began licensing Jamaican music in the UK to supply the expanding
West Indian communities living up and down England. Lee encouraged other Jamaican
producers to do the same, including Lee Perry, Harry J and Niney The Observer and also
became a conduit between the British music industry and numerous younger Island-based
producers - a frequent flyer reggae ambassador, a musical courier exchanging tapes for
royalties.
Bunny Lee's first recordings in the late 1960s were mainly rock steady but as the 70s
approached the music soon began to mutate and slow down into 'reggae' as the sound became
heavier, more rootsy and the sound itself began to change with the explosion of dub.
Lee was at the forefront to this dramatic musical shift into roots reggae and by this time had
become a major producer, capable of working with whoever he chose as world-famous singers,
DJs and musicians lined up to work with the charismatic man. Lee also employed a fluid but
stable set of crack session musicians who he named The Aggrovators.
Most of the recordings featured here come from the mid 70s, a time when Bunny Lee was
definitely in the zone, releasing heavyweight singles at an almost unstoppable rate. Bunny
Lee's career stretches over five decades and he has upwards of 2,000 production credits on
vinyl.
This album comes with extensive sleevenotes, an interview with Bunny Lee and exclusive
photography. The album is available as a CD pack with 24-page booklet, massive triple LP vinyl
with digital download code, house inner and full notes, as well as digital album.

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41,39

Last In: vor 7 Jahren
Max Durante - The Experiment LP 2x12"

(2x12", 140g vinyl) Max Durante's first LP in a 30 year career, 'The Experiment', is a new, left-field direction for an artist whose history traces from the birth of techno, through IDM, industrial and electro. Spread over four sides of vinyl, 'The Experiment' consists of beatless pieces (which reveal another character when slowed to 33RPM), broken-beat techno and straight-up dancefloor trips.

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11,35

Last In: vor 2 Jahren
Osborne - Fools

Osborne

Fools

12inchSPC-142
SPECTRAL SOUND
04.03.2019

Todd Osborn Returns To Spectral Sound In His Osborne Guise With His First Release On On The Label Since 2013's Hold Up (feat. Joe Goddard). Fools Finds Osborn In His Best Self, As A Shapeshifter Bringing Together Strands Of Various Genres. The Title Track Is A Lesson In House Reduction, While "different" Is A Chunk Of Bassline-led Techno. On The B-side, "back Whenever" Kicks Off In Proto-idm Electro Form, All Melody And Light, And "integrate" Slows It Down To A Walking Pace For A Dash Of Synth Funk.

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9,87

Last In: vor 7 Jahren
Lamellen - Monty Roberts

Lamellen

Monty Roberts

12inchDKMNTL061
Dekmantel Records
28.02.2019

Slow things down into a full balearic groove with this latest EP on Dekmantel by the Dutch production duo. Barely breaking a sweat over 100bpm, these smooth sunset synth rhythms, full of muted 80s Italo funk, and breezy drum machines, syncopated with the warm, exotic blend of retro keys and ambience, set the EPs five tracks coastal, vibrant dynamic.

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9,79

Last In: vor 6 Jahren
Vtgnike - Steals

Vtgnike

Steals

12inchOP050LP
OTHER PEOPLE
25.02.2019

vtgnike is danil avramov, born in Vladimir,russia. started actively
making music in 2010 after moving to moscow. after releasing couple of
eps under different monikers, got a few vtgnike d.i.y. cds(one of
those probably got into nico's ears in NY) i've got beautifull DUBNA
LP on other people(yes really still think its a great record) and few
month after its release got in jail because of drug charges dated
2009. long story here. im 100% on weed legalization and
decriminalization of other drugs in a logically gentle and mentally
stable sociaty(and the world is not equal, its diversed and i respect
all non violent cultures :-). got free in 2016(THANKS TO EVERYONE
INVOLVED AND NICO) and got another album with a gostzvuk fam.
i am a proud resident of NII club.
in producing i've been switching music genres all my life ) electronic
music that has a flow in it, dosnt need to be glued to any specific
range of bpm, etc.

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14,92

Last In: vor 7 Jahren
Various - We Can't Stop Smoking Volume 3

Schmer has tried to stop, we've all gone into therapy, but there's no hope, short of setting the world ablaze: we can't stop smoking! 2019 see's Schmer pressing TECHNO records in the EU and PRICED in Europe as a domestic release. As if the continent didn't already have enough problems, here we come with our latest COMPILATION!

First to drop a match is Amber Shoshona aka Bastet. She is a live electronic music performer and DJ based in Baltimore, MD USA. Her live set is coarse-grained and atmospheric, developing a slow-burning, hypnotic groove. In the studio she creates genre bending electronic experiments. For Schmer she made 'Torn', which sneaks right up to you and lights you up.

Delivering oil to the blaze from deep in the Russian arctic is Maxim Makarenko aka 777minus111. The unknown hero from the Russian Techno label he remains in the shade and keeps it real! He runs underground parties in Moscow and is a member of Vinyl Ambulance project in India. He keeps our compilation 'Getting Dirty Quick' with his Dan Bell inspired MINIMALISM.

On the flip the fires start with Vague Audio Tapes label head Dominic Martin aka Hero/Victim. Hero/Victim is a sonic attempt at translating unanswered and unheard emotions. Visceral and physical; so as to both, engage and purge the evolving dissonance. Never content. With sound as a context-sensitive metaphor, stories are heard. He also makes weird electronic music and then Schmers all over us with a 'New Stress'.

Schmerhead BPMF hides a track from another release in this inferno. Its super short as in it goes on FOREVER with a LOCKED GROOVE at the end. If you're gonna be an emcee, do it in a Wormhole on a LOCKED GROOVE so that the rock will never stop.

Liza Weinstein, Zach Vietze and Jason Szostek were Jack Move. In 1994 they may have made two tracks together, but this is the only one we found lying around in the basement floor. Long before the skinny jean hipsters were rocking beats deliberately designed to confuse the dance floor with their lack of flow, The Jack Movers were experimenting with cryptic funk... It was a Jack Move on their part and they immediately ran out of town to escape retribution, leaving behind their 'Krippy Shit'.

We Can't Stop Smoking so you'll always be able to find us because where there's smoke, there's fire... and where there's TECHNO there's SCHMER!

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8,03

Last In: vor 6 Jahren
Ark X & FFF - Diamond Life 06

Ark X&Fff

Diamond Life 06

12inchPEARL06
Diamond Life
19.02.2019

Supercharger head honcho Black Orchid goes in for some seriously deep and authentic sounding
breakbeat driven D&B under his Ark X moniker. X2LV is basically the perfect representation of the
vibe Diamond Life was set up for in the first place: lush pads, solid beats and a slightly euphoric yet
melancholic feel throughout.

On the flip Myor Massiv and Diamond Life stalwart FFF drops one of his prettiest cuts to date.
Know How showcases the breakcore legend's ability to keep things sparse and beautiful, a slow
burner of epic proportions.

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10,46

Last In: vor 7 Jahren
Various - Africa Airways Five (Brace Brace Boogie 1976 - 1982)

It's that time again. The skies are calling and its time to board our trusty jet for the 5th outing of Africa Seven's premiere class compilation Africa Airways. For volume 5 its time to brace yourselves for 10 slices of Afro boogie goodness.

We up the boogie time groove with The Black Bells Group (the first band of lead singer Sidney 'Patrick Duteil' who went on to become the godfather of French hip-hop and a well know TV presenter. Here the groove is swinging... the perfect opener. Next up is German-based Cameroonian musician and cousin of Manu Dibango, Charly Kingson with this bass-synth boogie stomper. Big brass and jazzy trumpets add layers of sparkle too.

Next its time for some highlife inspired boogie from Ghanian Gyedu Blay Amboley. Highlife fused with reggae, disco, boogie and jazz just as the lyrics say.

Next we pair up with Africa Seven friend Eko once more under his Dikalo guise. The Cameroonian master musician is on fine form with his heavy brass and deep percussion with a driving afro boogie groove. To round off Side A its off to Cameroon again to groove with Jean 'Mekongo President'. Think Bernard 'Chic' Edwards on the bass with some African style and you can see it's the bottom end groove and afrobeat drums that power this gem along.

We open the second side slowly and purposefully with the highly sought after 'French Girl' from Fotso. Drippy bass synth grooves and a wondrous percussion and drum shuffle pair with piano riffs to make this a unique sounding track. Our friend Tala AM is next with the foot-stomping 'Sugar Lump'. JK Mandengue is next with most definitely the catchiest chorus you will hear today. Nigerian Jide Obe gets synth and clavinet rich with his doe to sensible dating advice 'Too Young'. We close off the album with a track from label good friend Jo Bisso under his Mulamba guise. Sounding like a long lost TV theme from a late night TV show circa 1977. Let's get down and boogie with the brand new dance in town folks... the Dashiki.

Until Volume Six takes flight it is time to unbuckle those seat belts folks.

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19,29

Last In: vor 7 Jahren
LVRIN / Jan Fietser - Ancient Melons EP

Lvrin/Jan Fietser

Ancient Melons EP

12inchKÄFTEN013
Käften
18.02.2019

The Russian cats are rolling frozen melons on you this winter. Slow hypnotic grooves that will cool you down on the dancefloor, and A Vega style to heat you up on your way home through the snow wheel. This will get you through the night alright.

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9,20

Last In: vor 5 Jahren
Photonz & Shcuro - Shermanworx EP

Lisbon pals Photonz and Shcuro are two of the city's most active DJs and music makers, sharing a penchant for a moody yet electrifying brand of dance sonics. They've created Shermanworx together in the studio, recording machines live using an ethos of improvisation while relying on their fine-tuned dancefloor intuition. The Sherman Filterbank was the go-to piece of equipment, appearing in every track and eventually naming the EP.
Tribal techno swirls menacingly backed by dark melodies in the opening track, a hypnotic yet vivid peak-time belter that could go on and on.
A synth so textured you can almost touch it is the centrepiece of Sherman2, another driving club beast complete with modulated arpeggios and industrial-tinged percussions.
The record comes to close with a dreamier exercise in Sherman3: a dubby electro beat conducts melodic mutant synth lines and pads to achieve a slow-burning, expansive euphoria.

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8,36

Last In: vor 6 Jahren
Tarawangsawelas - Wanci

Tarawangsawelas

Wanci

12inchDOSER032
Morphine Records
15.02.2019

Tarawangsawelas are a musical duo from Bandung, mainly performing a contemporary version of Tarawangsa, the sacred music from Sundanese West Java. Here they are joined by their teacher and maestro, Pak Pupung Supena, together with, Pak Jaja, on Sekalipon. Wanci is a minimalist, cosmic album composed with a careful modern interpretation of one of the most mystical and spiritual genres in Indonesia. A gorgeous and infectious six track album. TIP!
.
Producer Rabih Beaini says "Last year, Europalia Festival commissioned me to work on a musical project with local musicians from Indonesia and develop a performance to tour during Europalia 2017. I chose to work with Tarawangsa, the sacred music from Sundanese West Java. Tarawangsa is played on two string instruments: a rababa-like two-stringed bowed instrument itself called Tarawangsa, and the Jentreng, a seven-stringed kecapi-like instrument. Typically from Rancakalong village in Sumedang, West Java, Tarawangsa is played as part of a ritual consisting of almost eight hours of music and dance, complete with offerings and prayers. During a performance, a selection from the forty two known Tarawangsa pieces slowly build up from a cosmic slow groove to more repetitive and hypnotic rhythms, inevitably bringing the listener and dancer to a trance state. During the residency I had the great honor to be able to develop new structures and pieces together with Tarawangsawelas, recording them in Bandung, and ultimately having them joined by their teacher and Tarawangsa maestro Pak Pupung Supena together with Pak Jaja on jentreng. This album is a modern description for one of the local Indonesian music scene, but mainly it is an offering for the Tarawangsa ritual, like the food and incense and the prayers, and the messages of the ancestors to the people of Rancakalong."

Composed and performed by Teguh Permana, Wisnu Ridwana and Rabih Beaini, except Sekalipun (traditional) performed by Pupung Supena, Jaja Rohmat, Teguh Permana & Wisnu Ridwana.
Recorded in Bandung, march 2017
Produced, mixed and arranged by Rabih Beaini.
Mastered by Neel at Enisslab.
Cover design by George Sowden, curated by M-L-XL,

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16,43

Last In: vor 4 Jahren
Various - We Are Electric: Gary Numan Revisited

The electronic pioneer and founding father of synthpop, Gary Numan, celebrates his 40th anniversary as recording artist. During these 40 years, Numan's impact made itself felt; his dark, paranoid vision, theatrically icy alien persona, and clinical, robotic sound were echoed strongly in the work of many goth rock, wave and industrial artists

Wave Tension Records invited 7 contemporary dark wave, gothic and dreampop artists to honour their inspirator with an exclusive tribute. The album opens with Agent Side Grinder's nostalgic analogue rendition of 'I'm an Agent', followed by Ash Code's fresh sounding fast paced post-punk/dark wave version of 'Down In The Park'. Shad Shadows turn 'Metal' into a whispering heated darkwave track. On the last track of side A, Box & The Twins create warm and dreamy soundscapes in their version of 'Complex'. SUIR opens side B with a hypnotic psychedelic slowed down art-punk version of 'Cars'. Synths Versus Me turns Numan's monster hit 'Are Friends Electric' into a fresh synthpop & EBM take with Art of Noise-esque vocals. The album's closing track is a gothic rock rendition of 'My Name Is Ruin' by Swedish rockers Then Comes Silence, which encourages you to sing along

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16,26

Last In: vor 6 Jahren
DJ Overdose / Sematic4 - DDS02

DJ Overdose is back again on your favorite record label, Dalmata Daniel, this time sharing a record with an old-school legend from the land of Dalmatas and Daniels, Sematic4.

Both sides are full of great tunes of hard-hitting electro, but both are a bit different in mood and sounds.

The style and sound of DJ Overdose is so distinctive, you can spot it from miles away. The first track has a groovy title, with a car symbol and silly characters. Great music for driving your white convertible in the Detroit sunset, it's dark, repetitive, the usual genius with impressive drums. The title of Funky Mess is no lie, it's a funky song with a Japanese telecom sampler resembling the Detroit underground scene. The last track RZ-1-DMX is classic electro with some nice slow melodies, that you can nod to.

Sematic4 is operating with more classic electro elements on Dream Creator with some spacey tunes, while North Star '78 is a rather hard-hitting club music with a nice groove, interesting drums and some super melodies. One Nite In Heaven recalls the atmosphere and soundscape of the golden days of the Hague electro scene - a way of showing respect to the era.

Sematic4 is an oldschool dj and producer from Hungary, who started spinning records in the 90s, a well-made and active dj, who started buying his own gear and all kinds of gadgets, and producing music on his own. A real music geek, who lives for music with releases on Bass Agenda, Tropical Underground and legendary Dave Clarke plays his songs.

And you all know DJ Overdose.

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8,87

Last In: vor 3 Jahren
MW Parsons & Marck - Altvornorge

Mw Parsons&Marck

Altvornorge

12inchBORNEO007
Borneo
14.02.2019

Mystery man MW Parsons takes care of the A side with Altvornorge, a melodic somewhat melancholy journey. Followed by Kusanagi, a mean and quirky slow burner.

On the B side Gluten Vrij and Sushi Delight by party crew Marck bring a more straight forward, percussive and groove orientated approach to the table.

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8,28

Last In: vor 7 Jahren
Plush - Free And Easy

Plush

Free And Easy

12inchPR65018P
RCA
13.02.2019

Three 1982 disco classics from boogie trio Plush formed under the guidance of Angela Winbush, René Moore and Bobby Watson get the official, remastered reissue treatment from the original tapes.

Opening up the EP, an Angela & Rene original 'Free & Easy' is taken on by the Plush troupe, with the legendary Tee Scott providing a trademark extended mix. It kicks off with cosmic synths that dissipate into heavy funk, electric bass riffs, whilst scorching top lines and choice guitar licks trade off over the top. Scott's magic is clear to see in the composition of this extended mix. A man who clearly knew how to work a dancefloor, his use of breakdowns especially, extending the anticipation and power the track commands on its dancers. From the bass breaks that weave in modulated synths, to those that utilise the glorious sustained piano chords, cutting to just vocals and percussion before everything is added back in for ultimate dancefloor elation.

First up on the B side, 'We Got The Love', a more soulful, slowed down tip where staccato guitar plucks and chunky slap bass marries with warm Rhodes chords, and lush vocal harmonies blend with the power of Siedah Garrett commanding the lead vocals. A passion ingrained in their voices that cannot be taught, hanging in the air, as they hang onto their phrases.

Lastly, 'Livin For Your Love' a boogie-based serenade written by Herman Chainey and Tony L. Phillips, intertwines Phillips' deep dulcet tones with Plush's backing. Add in a dose of pure '80s bass synth, twanging funk flashes and juicy bass guitar ripples and you've got a recipe sure to woo any wandering hearts out there.

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14,24

Last In: vor 12 Monaten
Susan Christie - Paint A Lady

A mythical and misplaced masterpiece of lost soft rock and acidic folk funk by a one-hit wonderer lost in the wilderness for four decades. From the producer of Margo Guryan, writer behind Wool, Gerry Mulligan collaborator, Tarantino soundtracker and Wendy & Bonnie confidant, Paint A Lady now emerges from folkloric obscurity, to bring a wash of soft psychedelic colour to your vinyl collection and quench the repeat requests of a thirsty new found audience waiting for the rain.

Within certain record collecting circles, especially those who gather under the umbrella that covers fragile niches like 'acid folk' and 'soft rock', it's difficult to imagine a time when the legendary Susan Christie album didn't exist. When Finders Keepers Records first shared the unheard 60's songs like Paint A Lady, For The Love Of A Soldier and Echoes In Your Mind with a wide-eyed audience thirsty for organic soul and festival friendly acoustic funk, Susan's new found fan base instantly felt like they had known these songs all of their lives, and with a single needle drop we saw the birth of what could rightfully be described as an 'instant classic'. Which is why it's hard to believe that the music on this lost 60s acetate was only pressed 12 years ago. As our lucky seventh release in an international discography that now surpasses the 100 mark (and one of a small clutch of English language recordings on the label) Paint A Lady has slowly become one of our most requested re-releases, and with this 2018 edition it is technically accurate to say that this pressing is the first-ever reissue of this elusive and essential LP.

The oft over used term mythical applies to this album on many levels. Perhaps it's the woozy nostalgia found within the pop craft of Paint A Lady that has led to false rumours that original 1960's copies used to exist on the collectors market, or the bizarre claim that songs like the head-nodding title track, and the acid-drenched sound effects on Yesterday Where's My Mind were just a product of a contemporary studio band trying to create a fake folk funk red herring. As a result Susan Christie and her producer and husband of 40 years, John Hill have happily taken the repeat phrase 'unbelievable' as a compliment to their songwriting skills and foresight. In all fairness, with a decade to ponder, the original 1969 song titles alone do seem custom-built for the nostalgia market... No One Can Hear You Cry might lament the unrequited yearning for a record deal which never quite followed Susan's won one-hit wonder novelty hit I Love Onions; similarly When Love Comes might allude to the subsequent 35 year wait for the right label to eventually come along. Echoes In Your Mind and the aforementioned Yesterday... could easily allude to the haunting melodies that sat in the can on John Hill's studio shelf while his projects for Margo Guryan, Wool and Pacific Gas & Electric sat proudly in record racks before benefitting successful French cover versions or making their way on to Quentin Tarantino soundtracks. The track Paint A lady itself, complete with it's future-proofed sample-worthy rhythm section, seems like the perfect title for a mock rock pseudo psych contender - at which point you eventually step back and see the bigger picture. These guys were simply one drop too far ahead of their time; a family force of experimental pop perfection that late 60's America simply wasn't ready for. It is just over 12 years since champion record rustler Keith D'Arcy (who you'll meet on the inside sleeve) stumbled upon one of the original acetates that led to the final release of Paint A Lady, and it's almost a longer 50 years since Susan and John added their final touches to these recordings which tragically went into hibernation for over four decades.

Whether this album has been on your wish-list for what seems like a lifetime, or you are taking a plunge into this deep puddle for the first time, when the needle drops on the first track you'll find that Susan Christie, John Hill and Finders Keepers have been saving up for a very rainy day.

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19,54

Last In: vor 7 Jahren
Sasha Zlykh - Lie To Your Mom

Fresh off their latest VA, The Press Group hand the reins over to up-and-coming Ukrainian producer Sasha Zlykh, here delivering his debut 12" effort. Clocking in with a quartet of club-oriented weapons and off-road house-y pumpers that shall bring dancefloors to a slow but steady simmer, the Kyiv-based producer blends in an avalanche of breaks-strewn rhythms, bleepy melodies and reshuffled UK bass patterns to create his own distinctive hybrids, halfway straight dance functionality and non-formulaic experimentality.

As playful in essence as it is serious in its execution, 'Lie To Your Mom' EP starts off with the title-cut, which works a wonky swagger that proves all the more infectious as bars fly by. Engineering a finely-woven mix of off-kilter drum programming, raucous analogue belches and volatile harp stabs distorted to the max, the track's shadowy intro is eventually offset by overlapping tides of luminous pads, released as one lets the light break through a vampire den. 'RnB Ritual' follows up close in the vein, meshing a brooding late-night-ish atmosphere with playful percussive mechs and sustained rhythmic accidents.

Flip sides and you'll be treated to a choice pair of remixes from in-house groove traders Rupert Marnie and Youthman. First in line, Marnie turns 'Lie To Your Mum' into a straight jacking and shuffling Chicagoan chugger. Going deeper into soulful terrains and lavishly-textured expanses, TPG's main operator exploits the whole melodic potential of Zlykh's original, bringing its anthemic power to further completion beautifully. More on the dubby end of things, Youthman adds his uniquely vibey touch to the main cut, deftly navigating betwixt a classic deep house kinda vibe, post-rave'y electronics and a Basic Channel-esque sound spectrum, which all in all should have people instinctively clapping their hands as their mind begins to sink into a weirdly introspective sense of euphoria.

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