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The word Datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave.

The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The tracks this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s - a time when the internet still was fun.

The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.

Ein weiteres Kultalbum von Jazz Room Records mit Danny Ward & Reality, die Mitte bis Ende der 70er Jahre die Go-To-Funky-Jazz-Band für College- und andere Hardcore-Funk-Party-Gigs in und um Seattle im pazifischen Nordwesten waren.

Sie veröffentlichten Coverversionen der neuesten Disco- und Top-40-Hits und nahmen ihr Publikum regelmäßig mit auf einen musikalischen Trip durch die funkigsten und jazzigsten Sounds der Zeit mit Titeln, die durch George Benson, Lydia Pense & Coldblood, The Headhunters, Mandrill, u.v.m. berühmt wurden.

Diese einzigartige Aufnahme, die die Band live bei einem Auftritt unter der Woche in Bremerton, Washington, einfängt, zeigt ihren unnachahmlichen Stil.

WOLFDRIFTA steps up to his own Wolves That Drift label with another stylish fusion of sounds that stand him out in a class of one. The London based artist has a fresh sound and is really making waves with his own platform which evokes real emotion and brings innovative sounds to the underground. The title cut pairs dubby bass with snappy electro-style percussion and sci-fi melodies. It's a distinctly futuristic world of cinematic designs and immersive atmospheres. Remixer Theo Nasa has credits on the likes of Rekids, ASPX and We Are The Brave and flips it into a double time and bass heavy stepper with compelling rhythms and tribal percussion. Tekdroid then layers up crispy drum programming with swirling pads for a twisted and acid laced techno workout. Glitch Overdrive has a future sense of soul over hunched drums and rasping bass.

Phuture Shock is a game-changing EP from this crucial producer.

Recut & Repressed!

Tbilisi based party series Pluto’s Plan launches a new label sharing the same name. To start the things off 3 local producers collabed to merge their sounds in 1 decent wax. A stellar VA compiled EP “Starship of Charon” consists of 2 pure house, acid pumper and slow breaks. A1 and B1 house joints were delivered by the label's own Hatsvali. A2 is claimed by a very good friend of a label Toke, family member of D.ko he delivers a masterpiece with pleasing acid chops fitting any party at any given time. B2 is an unheard side of Horoom resident Hamatsuki, a smooth slow burner for early heat.

Noise pollution results when man does not listen carefully. Noises are the sounds we have learned to ignore. Which sounds do we want to preserve, encourage, multiply?

When we know this, the boring or destructive sounds will be conspicuous enough and we will know why we must eliminate them. Only a total appreciation of the acoustic environmentcan give us the resources for improving the orchestration of the world soundscape.

Label head Blue Hour steps up for the next release with an impressive two tracker, offering a new exploration of sound from the Berlin based producer. First up on the A side ‘Dimensions’ reveals a dramatic and eery driving Techno track with an atmosphere akin to early British IDM releases but with a more dancefloor-focused approach. ‘Dimensions’ is punctuated by warped mechanical percussive fx, pummeling drums and relentless groove highlighted by a simple yet effective melodic line which boldly opens things up and cuts through the complex layering of sound as the track evolves. On the B side ‘Sun Dogz’ adopts a similar soundscape, however picks up the tempo with a more Trance orientated production inspired by darker Goa/Psy styles and modern Fast-Trance productions. Hypnotic acidic lines, spatial fx and tribal percussion guide the listener to the main event. A heavily reverbed metallic hook and unique piece of sound design which takes multiple twists and turns along the course of the track. The EP wraps up a year of multiple successful releases from the label, with next year marking 10 years since the labels inception - keep an eye on things to come.

Mary Yuzovskaya's vinyl-only Monday Off imprint delivers the sixth instalment of its various artists series, calling in a crew of talented artists to explore deep, cosmic anomalies and soothing modular soundscapes. Kicking off the compilation is Poland-via-Berlin artist Blazej Malinowski, a true wizard with sound, whose 'Ocean' sees rich textural synths crash like waves onto driving low-end. The Gods Planet, Svreca's Semantica, and 012 artist is followed by Nonplus+ and Blank Slate's Michal Wolski, who delivers 'Essence', a track boasting squelchy sequences, subtle acid and swirly psychedelia.

'Black Moss' is next, a minimalistic tripper by Xhato that expertly weaves rolling synthlines into sturdy drum work. It's a constantly evolving, deep space adventure before Milena Glowacka closes the EP with distant, foggy wastelands and dubbed-out hypnotics in 'Dystopia'. Volume 6 of Monday Off's compilation cements itself as another must-have collector's item for those venturing into the trippier side of techno.

In this various CMDRPX publishes 3 tracks produced by some of the best artists of the moment and the first track released on cmdrpx by Gianluca Pellerano, owner and founder of the label. with cmdrpx004 we can listen to different sounds, the first three tracks of Moya81, YU , Gianluca Pellerano have a New Beat Techno/Electro breakbeat sounds while on the B side with NND we find an overbearing track for the dance floor.

After his first album on BLESSYOU "Turquoise", Mogwaa aka Seungyoung Lee from Seoul is back with another stellar contribution this time re-visiting his earlier days of musical appreciation in Reggae music.

This album is another entirely instrumental work with 8 tracks, effortlessly displaying his confidence in the studio when it comes to dreamy dubbed out ambient sounds intertwined with heavy digi/stepper and even dancehall influences.

A refreshing treat to the ear when it comes to contemporary productions as Mogwaa approaches the Jamaican genre with a refined aesthetic of his own. From Korea with much craft and dedication for the music, a pleasure to have him back. Mastered at Manmade mastering.

Lady Tazz's Mind Medizin label welcomes Marcal for an adventurous new techno two-tracker.

Brazilian-born and based, Marcal has now reached a global audience with his spellbinding techno and haunting atmospherics. His intelligently designed sounds on labels like Rekids Special Projects have found favour with everyone from Charlotte de Witte to Richie Hawtin. He has built a local scene in his hometown of Goiânia and now lands on the forward-thinking Mind Medizin label.

Opener 'Infectious' is a mind-altering and wonky techno workout. The unbalanced synths warp and wrap around each other to dynamic effect, while oversized hi-hats ramp up the pressure. The drums hit hard and it results in supple, stylish and high impact backroom techno. The equally excellent 'LambdaCore' is more dark and glitchy, with scraping hits and scuffed-up kicks. The textured sound designs really bring this track alive as ghoulish vocals and hyposonic loops take you down a late-night techno tunnel.

This is a brilliant brace of muscular and emotive techno tunes.

Olo Yegussa presents its first release with a record that comes from a
distant tribal exploration. Through four long tracks, a mystical
atmosphere arises. Semifull Soft presents us a unique universe tinged
with the spirit’s voice that has enchanted his nights. Composed
between Lyon and Reunion Island, “Tribe Corridor” is a sensitive blend of sounds resonating between bewitching dub, electronica and a radically slow, travelling trance. A universal eclecticism that will
immerse every listener in a world oscillating between sensitivity and
brutality. the Olofones’s kingdom : “The slow and rigorous walk that
embraces all the Olofones through rivers, plateaux and mountains in
search of dreamlike destination. A few beings close off the line, far
behind, it would seem like they are the most talkative and curious.
They are always the ones found at the back. While some are looking at
the horizon and remain far ahead, others have their glance towards the crests . A complementarity that can only be created through time, just like a meticulus plait weaving several souls. A daily ritual gives rhythm to this eternal trip. The first to arrive raises a flame, « la phorie », each place will reveal its particularity, its curve, its elegance. Still in our days, she allows our « Pas Latents » to find back the path in the heart of this wide mountain corridor, with its delicate relief. We can hear on both sides the adjacents forests, their steps and their songs resonating.
Upon their arrival, the recognition is a custom for this brief instant, in
constant development. The Lanterns are the first explorators. They
build a moving background, looking after a neutric zone for the night.
Time metamorphoses. And it is now the moment for « Les Pas Latents
» to share tales and stories taken for their own adventures. Their
voices rise up , the stars shine, the earth trembles of strange
sensations. A common vibration. The souls intertwine, the «
chaosmose » operes. Sometimes the « âmoniale » wave curves and
gets linked around the central heat, luminescence and clarity. A few
words escape from the rhythm and leave slumber and reverie take
control of the spirits.”

Following up last year’s Acrobatic Thoughts album, Panoram delves even deeper into his own musical universe with Keep Looking Where The Light Comes From. We find the producer in confident form, exploring the fuzzy fringes of beauty and chaos. The result is an album that sounds even more like himself and yet surprising at each turn.


Opening track Feathers sounds like only Panoram can, buzzy arpeggiated distortion takes flight somewhere in the direction of a distant multiverse where Animal Collective and Boards of Canada soundtracked Koyaanisqatsi. But the psychedelic drift is all Panoram’s own, conjuring a stark sense of the uncanny with the repeated phrases. The digital guitar and vocal loops of I Can Only Repeat Your Love are practically on the brink of collapsing in on themselves, to the point where the structure begins to shift like a collapsing monument. Flat Stones nods towards ASMR, as flute and woodwind tones caress the ears and a whispered voice teases out an altered state.


It’s this dreamlike mood that pervades the whole album, a maximal effect that’s wrung from minimalist compositions. The Wide House picks up the baton from Laurie Anderson to trip gently through different states of awareness, while the piano patterns of Blank Sheep float through the synth ambience like ideas entering an empty dream. There Is A Hole Here is another mutant loop that unravels as it proceeds - the rhythms turn into a pulse, and despite what the lyrics say, it does indeed mess around with your brain.


Panoram balances dance tropes, classical composition, ambient drones and a washed out, fuzzy twist on avant garde pop, and manages to transform it all into a uniform whole that fits all those puzzle pieces together. Yet such is the assuredness of Panoram’s production that it sounds effortless. At this point, the music is more like a midwife, manifesting your future self‘s enlightened consciousness with surreal effect.

Retrospect vol. 9 - Reshaping the 70s, 80s, & 90s with the sounds of now.

Building on their shared exploration of forward-leaning UK club sounds, EM + STAV herald the arrival of their new label JoyLift with the Endless EP. Having entrenched themselves within the free-spirited landscape of Bristol’s music community, the pair home in on a focused sound which draws on the city’s storied bass mutations as a springboard for their own take on modernist dance music.

There’s a tough, brooding quality to Endless EP which speaks to the meditative pressure of soundsystem immersion, but equally EM + STAV build out evocative, shifting narratives within that club-ready framework. From dubwise processing to deft sound design, a broad church of processes are wielded to shape out these pieces, and physicality comes in many forms whether in weightless sub lines or pointed, angular drum programming. Given their long-standing connection to developments within the underground music scene, there’s a keen instinct for the dynamic shifts which can set a dance alight, while the ill- defined shape of the wider genre-not-genre allows plenty of space for movement and experimentation.

Alongside the three original productions from EM + STAV, kindred spirit Forest Drive West steps up for a remix of ‘Odd' which aligns with the aesthetic intentions of JoyLift while demonstrating the idiosyncratic qualities associated with the scene’s most vital artists. The cohesive feel of Endless EP extends to Luke Griffin’s artwork, in which natural source material undergoes heavy processing to wind up in a striking new form, shot through with colour but ultimately shrouded in a moodiness that harks back through the lineage of hardcore-rooted UK dance music.

By its very nature the future is unwritten for JoyLift, but EM + STAV’s new project commits itself to an ever-evolving palette of sound, rendered as music with a strong sense of identity - tracks to shake the dance without resorting to obvious tropes, responding to and feeding into the inspiring tides of ideas emanating from the environment around them.

Visions Recordings is delighted to have Detroit's Julion D'Angelo and Chicago's SPECTER on the same record after years of trying to work together. These two Detroit masters of the deepness have released records on some of the best labels around, including Sound Signature, Tone Log, Freedom School , Tetrode , Sistrum and more.
These two tracks are original deep zmusic to dance to, but also to dive into and listen to all the details, the complex programming, and the search for unique sounds. It's special and that's why we love it and want to keep promoting it. Real music!
We fell in love with these tracks as soon as we heard them, and we hope you will too. Visions aims to maintain a high and varied standard, and once again we try to present you with quality and profoundness. enjoy the ride.

Are you ready for an intergalactic journey through the sounds of Planet ‘E’?
Once again, we find that each side of the record has its unique flavor, guiding our curiosity through an out-of-this-world experience. The ‘Sweet’ side begins with Magic Ambience. First made in 2003, here, the ethereal pads, melancholic melodies, and the broken beats evolve into a bass-driven house groove drenched in sucrose. A tasty start to the narrative that leaves you wanting more.

The A2, Weather Morphing, a track initiated in 2004 takes you straight into and beyond the atmosphere of Planet ‘E’ on a trip through the glowing and strobing planet rings. This track captures the volatile weather of our fantasies, with syrupy yet psychedelic electro-breaks complemented by cosmic arpeggios and epic chords. On the ‘Sour’ side, Kick It Then Drop It, originally recorded in 1999 is both a hymn of Planet ‘E’ and a full-power kicker that will leave you in the right place to party. Hardcore, old-school breakbeat meets funky acid lines for a high rave energy combo that promises some screwface on any dancefloor. Empire State Beat (Phat Beat Mix) is the final destination of this EP. Made in 2004, chock-full of energy, this nostalgic composition takes off as a night-time, bassline driver that will keep the floor going at full power. Don’t miss your chance to embark on another cosmic journey with us.

On his new single "Pacifico Waves", Joel Sarakula takes the scenic route down a pacific coastline, searching for peace, enlightenment and the perfect sunset.

Travelling and searching is nothing new to Sarakula: it's almost his default way of being. Born and raised in Sydney, Australia before swapping oceans to live in the UK and more recently onwards to Gran Canaria: "I've been busy making my islands smaller" he jokes. But the music on "Pacifico Waves" sounds like none of these places: with its easy drum shuffle, soulful guitar hooks and smooth vocal harmonies it distinctly evokes Southern California. It's such a potent portrait of the West Coast that if not for the contemporary lyrics and some modern production techniques, it could be a long lost hit from an early 80s LA studio band.

"Pacifico Waves" is ultimately about memory, fantasy and the powerful emotion of reminiscing when Sarakula sings 'The sound of the ocean gets me so high, helps me remember what I left behind'.

Fio Fa hops back behind the wheel for Two Of Me, his second turn off Sunset Drifters boulevard. 4 timeless rollers shimmering with hi-NRG magic and prog-y glitz, hybridising vintage house sounds with his signature moods and grooves.

Different elements, opposite and contrasting, can be indissoluble and necessary for each other.

The beauty of nature is balance in diversity.

“Sol Inspired” blends minimal sounds, dub influences, dark and hypnotic melodies.

Refined rhythms intertwine with enveloping bass lines, modular sequences lean on spatial atmospheres and textures, for a journey of total sound immersion.

Nine months after the well received MXMN002, SAMA is back on his own imprint with his third release. 4 tracks, all centered around a general theme; each track consists of textural soundscapes and heavy growl-like sounds, but with vastly different flavours.

Whereas “There’s Not A lot To Say” is the most subdued and atmospheric track, “Benefit The Masses” is the more in-your-face track, driven by a heavy broken-beat kick pattern.
On the B-side, “Fragments Of Distrust” is a more tribal and groovy track, and to top it off “Gentle Reminder” is the most driving track, with a forward-pushing locked groove. Long story short: there should be a track in there for everyone’s needs.

As with the first two releases, the artwork is painted by Argentinian artist Ric Santesteban.

The interstellar cosmonauts of Staatseinde create a theatrical mix of pulsing electro with nostalgic hopeful synthlines, all performed live with synthesizers, a sequencer and tantalizing vocals. From Wave to EBM, from NDW to Punk and everything else in and out of the box. It is like walking into a club meeting Kraftwerk on speed and The Sex Pistols on acid.

Their new release “De Nieuwe Golf” is characterized by dystopian prospects and hopeful sounds, confirming Staatseinde’s name as the founder of the “Neue Niederländische Welle”, in other words the New Dutch Wave.

The uplifting italo rifs in opening track “Grauw” take you on a journey through a gray world in which color cannot be taken for granted. Minimal wave track “Einzelganger” makes you feel like an outsider who can’t keep up with society. “Geef Me De Tijd” sounds like a schizophrenic dreamer swinging casually, but ending as a hard hitting track. Dystopian doom and pessimism is captured in EBM/techno floor filler “Doembeelden”. The raw West Coast Sound of Holland infused “La Haya” is a tribute to the city of The Hague which calls out on everybody to get wasted. The epic ode to space travel “Ruimtevaart Vooruit (2022 Refix)” is back in a rendition inspired by Rude66’s 2010 remix version. “Isla Inutile” is a dark and tropical delirium. In the hopeful “Alles is Weg”, Staatseinde takes you from the downfall on the way to…?

Staatseinde’s “De Nieuwe Golf” holds up a mirror to humanity…progress has not helped us any further. There is hope…but will this new wave be on time? Or is it already too late?

Undo & Casiowaves return to Melodize with the ‘Casiobass’ EP backed with a remix from Nhar.

A long-time resident at Barcelona’s legendary Razzmatazz and label head of Factor City for two decades, Undo is a Spanish mainstay with countless releases that have garnered support from the likes of Andrew Weatherall, Roman Flugel and Erol Alkan. He teams up with fellow Spaniard and synth-pop wizard Casiowaves to return for their second collaborative release on Melodize after last year’s ‘Predict The Future’ EP.

The straight-forward ‘Casiobass’ kicks off with fizzing synth lines, chugging dark disco drums, a fat bass and
circling pads. ‘Overcruiser’ is a pumping, Italo-influenced cut with retro-future chords and a clean, cosmic feel, while ‘Something Blue’ layers up the crispy analogue drums with sonar pulses, deadpan cold wave vocals and majestic leads that bring color and vibrancy.

Drummer-turned electronic producer and live act Nhar, who boasts an impressive discography spanning two decades, makes his debut on the label with a remix of ‘Waves to Come’ that brings a widescreen serenity and calm to the original through pensive chord work and starry keys twinkling in the distance. The original then closes out with Balearic guitar licks, punchy drums, and rich bass for a fusion of retro sounds with futuristic sentiment. From the driving Casiobass to the Balearic, serene ‘Waves to Come,’ Undo & Casiowaves have served up offerings for all hours with the versatile ‘Casiobass’ EP.

Ever amazed by the external world and its natural surroundings, Belgian producer Dijf Sanders has a habit of turning himself towards the unknown for inspiration. After praised albums based on field trips to Indonesia (Java, 2017) and Nepal (Puja, 2020) he found himself challenged by the traditional chants from Georgia. Diving deep into its sounds, people and heritage with open eyes and ears, he traveled to the Eurasian land in the South Caucasus in 2022. The field recordings and impressions of this journey make the blueprint for new, meticulously crafted compositions that ripened in his studio and transcend its original source material in time and space.

SUPRA offers nine diverse explorations ranging from spaced-out folk, ethereal trance, ambient with a melodic sense of drama and lush electronica channeling 90's IDM energy fields. Bound by dynamic depth in sound design, this is electronic music with a heavy heart - for all tracks share a primal sense of nostalgia in which traditional music from the Georgian motherland baths. From a pastoral love song about a buffalo (Mingrelian Song) or a ceremonial wedding hymn (What You Give Away Is Yours, What You Don't Is Lost) to a lullaby (Bird's Milk)... Georgia is a land of contemplative singing and its music scene today is still dominated by modal vocalists and harmonic choirs with pride.

With the help and recording equipment of the Folklore State Centre (Tbilisi) and in collaboration with Europalia Georgia festival, Dijf Sanders found contemporary choirs willing to lend their voices for this project. Next to these voice samples, the Georgian countryside and nature delivered source material for more samples and textures as well. The name of the record refers to the traditional Georgian feast where a large table filled with food, drinks and singing.

Influenced heavily by the metallic and industrial sounds that surround
him at his day job, Veldt (HANDS, Industrial Detroit) channels those
sounds into a rhythmic chamber, filled with electronics that hint to
influences from the Rhythmic Noise, Industrial, and Techno strata.
While residing in Detroit, Michigan, Veldt works closely and in
partnership with Industrial Detroit. Interrupting new circuits with a
purpose

Lilas Records Unleashes Third Installment, Featuring Pioneering Talent: Tarek Charbonnier and Krif — Lilas Records, the vanguard of underground house music, proudly announces the release of its highly anticipated third project. The brainchild of label founders and revered "Into the Woods" residents, Tarek Charbonnier and Krif, this latest offering transports listeners on a sonic journey echoing the vibrant essence of their signature London sets. Their distinctive soundscapes have thrived within the enigmatic embrace of warehouses and clandestine party spots.


Hailing from the heart of London but now firmly rooted in Montpellier, Lilas Records' latest release is a testament to the duo's unwavering commitment to shaping the future of electronic music. Drawing inspiration from their illustrious careers, Charbonnier and Krif's original productions are set to captivate audiences, uniting diverse elements into an immersive auditory experience.


In an electrifying collaboration, Lilas Records enlists Romanian DJ luminaries Cristi Cons and Nu Zau to reimagine these cutting-edge compositions. With an illustrious history in shaping the electronic music landscape, these maestros bring their distinctive flair to the table, ensuring a riveting reimagining of Charbonnier and Krif's groundbreaking work.


Limited to an exclusive run of 300 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siraguza, Silat Beksi, and more. Lilas Records' third offering stands poised to make an indelible mark on the global underground music scene.

Keith Farrugia aka The Maltese Magician aka Sound Synthesis has been changing the face of the electro/techno community for many years now with his deep audioscapes. Taking you on a musical journey that’s deeper than Atlantis!


With previous releases on Ralph Lawson’s 20/20 Vision, Nocta Numerica, Gated Recordings, Planet 17 and Exalt to name but a few, Keith is a producer in high demand and we are grateful that he graced AmenTec with two incredible tunes that take the listener on a journey of musical imagination.


On the flipside, Amen Brother supplies the remixers for this release. Firstly, we have Cridge & Powder, two Bristol old school dons and royalty of the hardcore and jungle scene. Cridge is a member of the Bristol band Up, Bustle & Out and label boss of Tribe Recordings. Powder is part of the old skool hardcore group Fruit & Veg, who have been repressing their music on Vinyl Fanatiks recently. The guys turn in a rolling hardcore joint.


Next up on the remix are the Moving Shadow legends that are Tone Def, straight outta Bournemouth Town. The guys ease of the BPM a little and add an addictive vocal hook to their mix, showcasing the broad spectrum of the hardcore rave community. Rog from Tone Def is also the owner and creator of the Void soundsystems!
An EP with many layers!



c b1. Electrical Synapses Cridge & Powder 'Fruit & Veg' Mix
Tone Def Remix

Grupo Rebolu has been a mainstay in the extensive Colombian community of New York City for well over a decade, bringing the quintessential sounds of their home country to countless live shows and events throughout the five boroughs. Musically steeped in the folkloric traditions of the Afro-Caribbean discourse, the band has consistently combined first class musicianship with the echoes of their upbringing. Throughout their four self-produced albums, they have incorporated some of Colombia's most cherished traditions —gaita,cumbia, andbullerenguebeing just a few of the disciplines that Rebolu has infused with the modern songwriting and compositions of band leader Ronald Polo. As a natural step in the band's continued musical evolution, Rebolu has connected with Names You Can Trust for a one-off recording to deliver two original songs and productions that seamlessly fit the preferred format and the label's catalog, while further incorporating the group's sound into the wider NY musical spectrum. Whether it's champeta gone disco, or bullerengue gone reggae, this handy double-sided single packs a fresh take on the roots and traditions of Rebolu's musical lineage.

Dive into the electrifying soundscapes of Wooka's latest EP, "Somethin You Dress Up," as each track becomes a meticulously crafted journey through the realms of electronic house. With his typical beats and rhythms, Wooka takes us on a kaleidoscopic ride through four distinct compositions that embody the very essence of his artistry. From the sun-soaked vibes of "I Hope You Breathe" to the pulsating precision of "People Fucked Up," the EP dances through a spectrum of emotions. "London Somethin" pays homage to '90s UK bass with intricate percussive artistry, while "No dress code", made with Acheel, delves deep into sub-bass syncopation. Hailing from France, Wooka seamlessly blends house, break, and electro, channeling the energy of hip-hop and UK garage. His live performances showcase the dedication to his craft, crafting sonic symphonies that transport audiences to the heart of his musical universe.

Aphrose reveals her sophomore album, 'Roses,' a captivating amalgamation of Neo-Soul and R&B, delving into the wellspring of ancestral strength and love.

Hailing from Toronto, Canada, Aphrose, also known as Joanna Mohammed, unveils her sophomore album, establishing her as one of Toronto's best-kept musical treasures. Known for her commanding vocal prowess within her hometown, this gifted songwriter and vocalist is rapidly garnering global acclaim and accolades from both fans and music critics alike. Signed to independent Soul label LRK Records, 'Roses' remains firmly rooted in Aphrose's signature style characterized by resounding R&B vocals. However, it also embraces a softer, more introspective aura that brilliantly showcases her remarkable versatility in navigating diverse genres, moods, and musical approaches with remarkable finesse.

This album offers a little something for everyone, catering to enthusiasts of Neo-soul, traditional Soul, Hip Hop, and R&B. Produced by her longtime friends/collaborators at SafeSpaceship Music (Scott McCannell, Chino De Villa, Ben Macdonald), the album serves as a compelling testament to the collective creativity of Aphrose and this exceptional production trio, delivering a kaleidoscope of soundscapes, textures, rhythms, and grooves. 'Roses' weaves together both lighthearted and profound elements as Aphrose explores her life journey, delving into her familial past and present, grappling with the challenges of new motherhood, and contemplating her relationships with herself, her partner, and her friends. Across the 35-minute LP, Aphrose draws inspiration from Neo-soul icons like Jill Scott and Erykah Badu, pays homage to Soul legends such as Aretha Franklin and MJ, and infuses contemporary R&B influences from artists like Frank Ocean, SiR, and SZA. The result is a sound that distinctly bears the 'Aphrose sound,' reflecting her deep admiration for her inspirations while imparting a refreshing twist to familiar genres.

The album commences with its title track, 'Roses,' which was released as a single on August 25th. This song sets the stage, invoking the strength of Aphrose's ancestors, particularly her late Grandmother Rose. Following suit is 'YaYa,' also released as a single on July 7th. This buoyant dance track whisks listeners back to the disco era of the late 70s and early 80s. The album's third track, 'Heavenly Father,' offers a brief interlude featuring a recording of Aphrose's Grandmother Rose engaged in prayer, setting the tone for the subsequent track, 'In The Time Of Sorrow.' This contemplative, chill piece captures Aphrose's musings on navigating a world often shrouded in fakery, while craving authenticity. 'Honey (Don't) Come Back' seamlessly transitions between two distinct musical personalities, commencing with a deep, almost Trap-like bass/drum beat before transforming into a spirited Funk/Soul jam—an anthem of empowerment encouraging the listener to leave a situationship that is no longer working. 'What You Don't See' strips the production down to its core, as Aphrose and guitarist/co-writer Heather Crawford craft an intimate ode to a friendship's sad ending.

The B-side opens with the evocative 'Weapons,' featuring a five-person choir including LRK label-mate Claire Davis, Nevon Sinclair (Daniel Caesar and LOONY), Kyla Charter (Aysanabee and Alessia Cara), Lydia Persaud, and Marla Walters. The track is adorned with a stirring string arrangement courtesy of Jessica Deutsch. 'Chop The Cake' acts as a breather, interlude-style, easing the intensity. 'Soft Nuclear' channels the spirit of the early 2000s R&B movement, bearing traces of influence from Lucy Pearl. 'Good Love,' released as the first single off this body of work on May 19th, transports listeners to the 70s with its soulful resonance, drawing inspiration from the likes of Michael Jackson and Teddy Pendergrass. 'Higher' stands as Aphrose's tribute to Prince, capturing the essence of his music within its hook and production. The album's culmination arrives with 'ZAG,' an acronym derived from Aphrose's daughter's name, commencing with the sound of her daughter's heartbeat in-utero from a sonogram taken when Aphrose was pregnant. This heartfelt composition serves as a dedication to her daughter and all parents navigating the rollercoaster of parenthood, emphasizing the imperative of nurturing love to shape the future.

'Roses' stands as Aphrose's homage to her history—her Grandma Rose and the ancestral trailblazers who paved her path to the present life she enjoys; her current experiences—her self-discovery, her relationships with her partner and friends; and her aspirations for the future—her daughter and the generations to come. This album crystallizes these temporal dimensions, prompting introspection, celebration, laughter, and tears. 'Roses' is a musical odyssey that scrutinizes the multifaceted beauty of existence, inviting listeners to partake in this thing called life.

The radio world has taken notice of Aphrose's talent, with national Radio Capital's Italy Massimo Oldani spinning her latest single "YaYa" for the entire month of July on his show "Vibe." And both singles getting to number 10 in the UK soul chart.Additionally, Aphrose has received national radio play on renowned stations such as BBC in the UK, RTVE in Spain, and Radio France FIP.

Aphrose has also made CBC's Top 100 finalist list for their Searchlight competition.

Huey Morgan played "YaYa" the second track off the album on his BBC radio six show

The third album release on our Rezpektiva label is a 2 x 12” compilation by the nutty French sonic wizard, Professor Oz. Containing 8 tracks that were produced between 1986 and 1995 these 'Lost Experiments' from the Prof have matured well. As always, remastered from the original DAT tapes, these recordings that have been brought to light convey the musical sounds present in the 80s and 90s and which will remain relevant for years to come.

Memento Records’ boss Idriss D goes back to his more experimental side on this release, pushing the boundaries like he did on his first Lunatic EP, coming up once again with another Jungle-infused mesmerizing piece of Electronica that mixes breakbeat influences with melodic soulful vibes.

A very welcome follow up, aptly titled “Lunatic 2”, this tune is fiercely uptempo and energetic: the psychedelic melody swirls inside, outside and around your mind, while the fluid bass line counterparts the schizophrenic rhythm. On top of this, powerful emotional vocals take you into another dimension.

The prestigious remix comes courtesy of Gilb’R, founder of Versatile Records and one half of Chateau Flight: a slower downtempo piece with an infectious, almost improvisational synth melody, with vocals taking center stage here, full of atmospheric sounds all over that land into a deep dreamy break.