Walter Astral's debut album tells the story of Light, its journey through the day and catalyzes it in the Éclispe, a suspended moment when space and time stop to contemplate the universe.
Over the past two years, the two druids have transmuted light into sound in the form of a concept album that explores all facets of Walter Astral, from folk and techno to pop, drum & bass and psychedelic rock, always in the presence of their totem banjo.
Sound explores and is explored, to represent light; magic and the everyday, between digital and analog sounds expressing the natural and the supernatural, humans and the cosmos. Transposing the invisible, the presence of absence, the Eclipse, into silence and sound.
“Eclipse” questions the shadows hidden by light, and the glimmers hidden by shadows, the ambivalence of a state, its capacity to transform, to mutate. Like ancient alchemists, Walter Astral set to music the transitions of states, stars, humans and emotions.
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Reissue!
WRWTFWW Records is honored to reissue revered UK electronic duo Ultramarine’s best kept secret from their discography, the superb A User’s Guide album, available as a limited double LP housed in a beautiful heavyweight sleeve with inside out printing.
On the rare occasions that Ultramarine’s story is told, the duo’s fifth album, 1998’s A User’s Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since.
Unavailable on vinyl since the year it was released – in part because the label it originally came out on, New Electronica, folded shortly afterwards – A User’s Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the “sound palette” that underpinned their work.
Out went the partially improvised hybrid electronic/acoustic sounds and the collaborations with guest musicians they’d become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum & bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house.
It may have taken a year to create – part of which was spent developing this head-spinning new sound – but the results were undeniably unearthly and effortlessly forward-thinking. Over a quarter of a century may have passed since it first appeared in record stores, but A User’s Guide still sounds fresh and modern – a remarkable achievement given the relatively sparse and basic equipment used in the making of the album.
As this first vinyl reissue conclusively proves, the material showcased on A User’s Guide has lost none of its sparkle in the 26 years that have passed since its release. For proof, check the head-nodding IDM bubbliness of opener ‘All of a Sudden’, the queasy, lopsided tech-jazz of ‘Sucker For You’, the locked-in beats and mind-mangling motifs of ‘Zombie’, the ghostly, out-there electro of ‘Ambush’, the Autechreesque ‘Ghost Routine’ and the triumphant closing cut ‘What Machines Want’, a classic of minimalistic, jazz-flecked techno futurism.
Fully remastered from the original DATs by Jason G at Transition Studios, the 2024 vinyl edition of A User’s Guide thrusts Ultramarine’s most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture).
Points of interests For fans of electronic, leftfield, postrock, tech-jazz, IDM, minimalism, futurist electronica, dub techno, house, experimental, Autechre, Tortoise, Basic Channel, forgotten gems from superb discographies, very good music, and very very very very good music.
Official vinyl reissue of legendary UK electronic’s duo Ultramarine’s timeless and radical album A User’s Guide.
- A1: Gallows
- A2: Our Brand Is Chaos
- A3: Dead But So Alive
- A4: Hail Destruction
- A5: Lost In Isolation
- B1: Last Breath
- B2: Path Of Our Disease
- B3: I Am Resistance
- B4: Emery
- B5: War Time
- B6: Unholy Armada
Red w. Black Smoke Vinyl
After 25 years, eight albums, and countless gigs, BLEEDING THROUGH persist as a tried-and-true outlier in heavy music and culture. The Southern California stalwarts wield an enigmatic and unmistakable signature sound born at the cross roads of no-holds-barred hardcore, cutthroat thrash, and cinematic black metal.
Mastering a drastic push-and-pull, they have always occupied their own elevated realm in the extreme space, exhibiting a rare ability to not only incite a moshpit, but also invite complete immersion. It’s why they’ve endured changing tides and trends and stood strong as a force of nature with consistent critical acclaim and packed shows. However, the six-piece - Brandan Schieppati vocals, Derek Youngsma [drums], John Arnold [guitar], Ryan Wombacher [bass], Marta Peterson [keys, vocals] and Brandon Richter [guitar] - assuredly perfect this vision in 2025 on their aptly titled ninth full-length offering, NINE.
- Riverside
- Marseille
- Alouette
- Blue Left Hand
- Velveteen
- Shotguns
- Rodeo
- Moon On The Water
- Talk Is Cheap
- Banshee
- Divinations
2023 was a whirlwind year for Oracle Sisters. The trio—Julia Johansen, Chris Willatt, and Lewis Lazar—followed the release of their debut album Hydranism with a globe-spanning tour that captivated fans and critics alike. From the highways between Knoxville and Nashville to sold-out clubs in rain-soaked Seattle, and festival stages across the UK, they logged countless hours on the road. Their journey was a tapestry of exhaustion and exhilaration, falling apart, brawls and disputes, love and acceptance. By the year’s end, just two days before Christmas, they found themselves in Tokyo, reflecting on the fleeting nature of time and the fragments of inspiration gathered along the way. It was there the seeds for their next album, Divinations, began to sprout. Composing as a true trio for the first time, Oracle Sisters pieced together sketches formed during stolen moments on tour. These fragments coalesced into Divinations, an album shaped by the band’s nomadic existence. The recording sessions spanned cozy Parisian studios, a barn in northern France, and the storied Valentine Studios in Los Angeles. Their creative process embraced experimentation—swapping primary instruments, playing with toy drum machines, and crafting melodies on quirky tools like the OP-1 and a baby Casio keyboard. This spirit of discovery lent the album a sense of spontaneity and wonder. At its core, Divinations channels mysticism and timeless storytelling. The band’s songwriting draws on diverse influences, from the surrealist poetry of Baudelaire and Rimbaud to the introspective philosophies of Carl Jung. Musically, echoes of Talking Heads, Air, and Leonard Cohen resonate throughout the album and tracks like “Riverside” delve into existential questions— “How far are you going? Is it more than money can buy?” Elsewhere on the album “Marseille,” born in the city that gave the song its name, kicks off as a trance with lyrics that play between the sincere and desperate self-help affirmations, we give ourselves while trying to find a bridge between our individual lives and a universal feeling. Lead-single “Alouette” is Oracle Sisters at their most direct; propelled by a driving bassline and exuberant strings, the track summons the sound of 80’s, 90’s, and early 2000’s rock n roll as they sing about “getting out of dodge, finding a pirate ship and sailing home.” Inspired by the book Caliban and the Witch, “Blue Left Hand” is a lyrical tapestry weaving together history, philosophy, and cultural critique. The lyrics, “It’s in the harbor of every page / It’s in the corner of the playwright’s stage / And every player and every fake / And every witch that we burned at the stake,” reflect on the forces that shaped the capitalist society we know today. Across Divinations’ 11 tracks it’s not only geographic boundaries that were crossed but also the boundaries of time and circumstance. While their work may not consciously reflect specific worldly events, they seek to embrace the universal and offer a space for healing. “Good music would make sense to a farmer in 17th century France as it would to a pastry chef in Slovenia in the 21st century,” shares Lazar. “It’s not written for any temporal powers that be. It’s about expressing our common humanity and taking it from there.” This intuitive approach fuels Oracle Sisters creative process - whether composing in a frozen French farmhouse or performing live with an ever-expanding lineup of collaborators, the band remains committed to exploring the unknown. Through Divinations, they hope to leave listeners feeling transcendent, levitating on waves of intuition and discovery.
- A1: Occult Future (4:48)
- A2: The Circle (8:09)
- A3: The Eternal Mistake (6:18)
- B1: The Adept (6:36)
- B2: The Living Dream (12:59)
Attention space cadets!
Following last year's much lauded Kaliyuga Express debut 'Warriors & Masters', Nolla (Finnish psych/space rockers) & Mike Vest (Maximalist guitar guru, Bong, Blown Out, Drunk In Hell, Artifacts & Uranium, Modoki, Tomoyuki Trio, Mienakunaru etc) combine their visions once again and explore dark futuristic mindscapes.
They set their sights to the looming eons and gaze through an occult lens. Inspired by classic space rock, driving hypnotic krautrock and bleak synth soundscapes.
The ground was laid in improvised Nolla sessions and further ascended with gloomy prophecies and lyrical explorations by Ilkka and Otto. With Ohto’s assertive drums and Teemu's solid guitars the canvas was set for Mike to paint his transcendent multilayered guitars.
Bleak and overbearing sights are explored, but the future holds a speck of hope if you are prepared to embrace the darkness.
For fans of: Hawkwind, Can, Sun Dial, Bevis Frond, Space Rock, Krautrock etc.
Otto Juutilainen - Vocals, Synth, Lyrics, Mix, Mastering, Ilkka Vekka - Bass, Electronics, Lyrics, Art, Mike Vest - Guitar, Teemu Vilmunen - Guitar, Ohto Pallas - Drums
Recorded in Finland & the United Kingdom Winter/Spring 2024
Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he cofounded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex— where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.1
- 1: St Boom
- Nxt Msg
- 2: Nd Boom
- Conversion Theory
- Time To
- 3: Rd Boom
- So Ridiculous
- Collection Plate
- 4: Th Boom
- Mind Of
- Push On
Grammy-nominated artist, producer and label-head TOKiMONSTA and prolific composer, producer and songwriter, Suzi Analogue have officially released their collaborative mini-album, Analogue Monsta: BOOM via Young Art Records. Originally released in limited quantities exclusively on vinyl in 2012, the 11-track project has now been remastered. Analogue Monsta: BOOM serves as a time capsule to the eclectic sound of the early 2010’s beat scene, which both TOKi and Suzi’s futuristic production styles helped champion out to a broader audience outside of the world of “bedroom producers.” Suzi Analogue's smooth R&B vocals pair perfectly with TOKiMONSTA's glitchy beats and pulsating bass, demonstrating their versatility and flair for pushing sonic boundaries. The album lays one of the early foundations to the fusion of future bass, alternative R&B and electronica, highlighting the pioneering spirit of two acclaimed female artists.
Analogue Monsta: BOOM marks an important milestone for the two as they reflect on the prescient nature of their early collaboration. “This special project with Suzi Analogue is one of my favorites. It never had a formal release so it feels right to share it with the world a decade later with fresh ears,” states TOKiMONSTA. Both Suzi and TOKi’s journeys converged early in their careers as the two paved the way for a groundbreaking era of femme-identifying producers and songwriters within the music industry. Speaking on the project’s significance Suzi Analogue adds, “The Analogue Monsta project was truly ahead of its time. We felt a strong calling to propel it into the future, recognizing the trailblazing potential it held. It provided a vital space for femme-identifying producers and songwriters to fearlessly explore beats, lyrics and tempos with us. This experimental journey not only influenced the current musical landscape but is poised to leave a lasting mark on the soundscape of the future."
The result is a record that very much is its own world. Where chaos is carefully organized, where being able to ever actually chill out is totally illusory, a trick mirror.
Imaginary friends Akka & BeepBeep share the third release on their label: Floral Ancestors by Raduns. The 12” offers blooming ambient rooted in dub, lush drone and hand-picked cosmic that’s all grown deep in Detroit.
Spacious sonic arrangements vividly swell yet keep grounded within a sculptural rhythmic core. Raduns sows synth basslines and wispy pads next to harmonious guitars and muted field recordings. Grooving propulsion drives throughout. Rhythms appear, in negative space, like outlines between leaves. Recorded with machines direct to SD card, the compositions represent ephemeral blessings of experience. As if strolling into a verdant conservatory, the layered and diverse sensations blend into one cohesive revelatory experience.
On their first record, Raduns draws an ancestral line in Detroit as inspiration. A time when you could ride a streetcar from Dexter-Linwood to Belle Isle. A time before freeway expansion demolished vibrant Black neighborhoods. A time before the rebellion, motown and white flight. A time when Raduns’ great-grandparents were florists in the city, serving the community in times of celebration and times of grief. This melancholic circle shapes the project in which Raduns summons these Floral Ancestors, stretching upward from the darkness of the earth into the light of the world back down once more.
AKKA’s Side: “Grass Boulevard” exhales a luscious soundscape that develops through wave-crashing synths and circulated guitars to a transplanted acid lead. “Spread” lays out a decoration of blended sample and hold synth with kosmische styled guitar licks. Tracked as a single take in a Detroit community studio, the tune intuitively reseeds the symbiotic sprout between krautrock and Detroit techno.
BEEP’s Side: “Metrograde Bouquet” submerges you into the bulb of a handcrafted vase. Dub techno roots grow out into murky water with energy that is subtle yet profound. “Oldest of Arrangements” textures breaths of misty air cascading ventilating in on itself. The track’s time seems to stretch and disappear within a dark and deep undercurrent. A harmonic and reverberant resonance closes the record in a flowering of beauty and peace.
“You’re a flower child. Put this music out.” - Someone Important in Detroit
The Tonarium is an idiosyncratic instrument comprising of two sets of modular synthesizers: Serge by Random Source, and another one by Bugbrand, both of which operate alongside a mixer constructed by Piotr Ceglarek and Jan Dybała. This intertwinement facilitates precise control over audio and CV signals and integrates technology with analog sound, offering the artists a distinctive sonic palette to delve into.
The present record unfolds in two parts, each exploring the fluctuating nature of sound. Both equally contribute to the work’s immersive imaging characterized by sound intensity, continuity and endless flow. Within its sonic tapestry lies a space for listeners to uncover subtle nuances, pulsations, and moments of harmony flickering through each chord’s firm surface.
In Part I, a formidable force consisting of chord progressions pierced by abrupt shifts and transitions unfolds. This deliberate disruption of harmonic continuity invites listeners to immerse themselves fully in each musical entity, uncovering the intricate details of the chords’ overtonal structure, drifting and steadily glimmering inside their glowing cores.
Part II, on the other hand, presents a more closed form—a recurring four-chord motif that evolves and transforms with each iteration until it finally fades out into whisper-like serenity. Here, the bass pulsates with greater intensity, like a wave enveloping the listener in a froth of feelings, which prevails and swells throughout the composition. In contrast to Part I, it exudes a sense of warmth and intimacy, inviting listeners to reflect over the dimensions of their own inner landscapes.
The Tonarium is to serve as a conduit for expression—a vessel through which the artist Aleksandra Slyz is enabled to channel her creativity and emotion into the music. Both Part I and II of the work have the capacity to drag listeners into a sonic odyssey that transcends time and space, therefore leaving an indelible impression on one’s trembling soul.
Performed & recorded on December 18-19th 2023 while in residence at The New Media Laboratory in Katowice, Poland.
Organized by The Soundscape Foundation
Composed & produced by Aleksandra Słyż
Mastered by Rashad Becker
Photographies by Kacper Krzętowski
Design by Maks Posio
Executive production by Christian Di Vito
Lost In Sound Recordings is back with the release of its second record, featuring a captivating EP from the talented DJ and producer Atree. His "Confused in Space" EP takes listeners on a journey through a dynamic blend of powerful house tracks and intricate melodies. The release seamlessly fuses punchy kicks, tight basslines, and organic sounds, creating an energetic and immersive experience for the dancefloor. Get ready for the arrival of LISR002, a release that promises to make a lasting impression.
2024 Repress alert
Space Ghost is excited to announce the release of Dream Tool, a four track 12” EP produced by Space Ghost himself. Dream Tool offers up four spacious house tunes exploring Space Ghost’s signature style of dance music. Each track is equipped with groovin’ drums, atmospheric pads, catchy piano melodies, and bouncy basslines. Dream Tool is the debut release of Space Ghost’s new label, Peace World Records.
With the launch of Peace World Records, Space Ghost aims to harness his passion for music to create a unique platform for like-minded artists in the Bay Area and beyond. Since moving to Oakland in 2009, Space Ghost has been a consistent fixture in the Bay Area music scene, DJing regularly and refining his production skills. For Space Ghost, honing his craft and creating enduring, high-quality art is essential, making the establishment of his new label a natural progression in his artistic journey.
Space Ghost has garnered an international following over the years by steadily dropping a diverse array of LPs and EPs. He has collaborated with Danish label Tartelet Records for multiple projects and has also put out music with acclaimed labels such as Apron Records, Pacific Rhythm, and PPU. Across his releases, Space Ghost’s production style weaves between ambient and dance music, drawing inspiration from the underground scenes of the '80s and '90s while adding a contemporary touch.
The launch of Peace World Records and its debut release, Dream Tool, marks Space Ghost’s inaugural step towards his goal at a full-time music career. Embodying his journey, this debut release truly is his Dream Tool.
- A1: Lullaby For The Girl
- A2: Darkness
- B1: Blues
- B2: When Sunny Gets Blue
- B3: Old Song Blues
Discover the deeply personal work of Japanese saxophonist Hidefumi Toki through his 1975 masterpiece, "Toki". Accompanied by a quartet featuring Kazumi Watanabe on guitar, Nobuyoshi Ino on bass, and Steve Jackson on drums, Toki's expressive alto and soprano saxophone fill the space with gentle, raspy tones. The album's laidback and mellow atmosphere, highlighted by original compositions like "Darkness" and "Lullaby For The Girl," as well as soulful renditions of classics such as "When Sunny Gets Blue" and Ornette Coleman's "Blues," creates a captivating listening experience.
Recorded May 17, 1975 at AOI Studio, Tokyo.
- Father Fiction
- Doctor Green
- Fear Is Here
- A Blackout
- Bloody Me
- Small Dark Voices
- Help!
- Bloody Me (Solo)
Louisville, Kentucky-based musician and artist Evan Patterson never planned for JAYE JAYLE to blossom from a stripped-down solo project into the otherworldly, full-band sonic experience that it is today. In the beginning, the songs were short and lighthearted, written on acoustic guitar with no intention of releasing them or even performing them publicly. Time, however, is a fickle thing. `After Alter' is an astounding collection of musical memories and emotional fragments, all drawn together from previous recording sessions and previous lives in order to chart a cathartic creative course into new, unknown territories. At once volatile, gut wrenching and serene; expect the unexpected. Raw remnants and lingering refrains from these pivotal moments are reframed to form a powerful reminder of what Jaye Jayle is and always has been: an unadulterated, unfiltered outlet for the sounds that pour out of Patterson's mind at any given time or place. `After Alter' is a document of the indecipherable, of feeting feelings dragged once again to the surface. Lead single and opening track `Father Fiction', for example, dives headlong into the fables and factious ideologies of organised religion with a hardened gaze and a wry smile as rolling drums and repetitive discordant guitar refrains spiral ever down into the labyrinth of meaning and misinterpretation. Elsewhere, `Fear Is Here' sees Jaye Jayle facing up to day-to-day examples of how terrifying everything around us can become within an instant as the song's truncated blues piano hook is pushed ever further, distorted over time into something strange and hideous whilst the crawling post-hardcore dirge of `A Blackout' serves as a searing critique of the American Dream; a nameless, homeless protagonist worships the alluring glow of billboard ads from their bed in the dirt on the side of the highway. Simultaneously both tracks five and eight though, the arresting `Bloody Me' is Jaye Jayle's dichotic, janiform identity made manifest. Written even before the band's debut album was released, track five's `Bloody Me' is a bolshy, bass-driven punk rock retaliation to dressing up for Halloween because Patterson is always dressed for Halloween. Track eight's `Bloody Me' however, is a tender solo acoustic recording cut straight to wax at Third Man Records in Nashville, mere hours before Patterson saw Bob Dylan perform for the first time. Two sides of the same coin; one ferocious and snarling, the other plaintive and bare but both unapologetically Jaye Jayle. By creatively exorcising these poignant moments, Jaye Jayle have opened themselves to even more inspiration. FOR FANS OF Leonard Cohen fronting Spiritualized, Spacemen 3, JJ Cale, Lungfish, Angels of Light, Young Widows The very limited Help Edition is single colour purple vinyl!
Since the late 90"s, Jakob "Dino" Dinesen has become a stalwart of the Danish jazz scene, performing with nearly everyone of note in the country as well as internationally celebrated names such as Kurt Rosenwinkel, Jeff "Tain" Watts, Jakob Bro and Paul Motian. Finding joy and inspiration in the building of bridges between genre boundaries, his career in music has seen him travel and perform all over the world, enriching his sound and soul with every new experience. His new record seeks to convey his dream of a future world at peace with itself. "Slow Flow" is set to release on January 25th on April Records. "I envision a world where people from every corner of the globe come together, dancing, sharing meals, and finding joy through my music. My children are a blend of Africa and Denmark, and I hope they"ll carry the traditions and wisdom of both their mother and father as they navigate their path. I would love for music like this to be the soundtrack to their journey through life." Rooted in the playful live sound of an atypical quintet featuring cello and djembe, Slow Flow sits in a unique space somewhere between earthy, simplistic, and acoustic and contemporary, electronic, and unexpected. The record"s sound is soft spoken and full of compassion-a dark-timbred music where the intimate, warm breath of his tenor saxophone intertwines with the crisp, organic tones of the cello. Together, they float over smooth, analog synths and electronic loops, while the carefully crafted lines of the bass and the gentle rhythm of hands on drum skins carry the music forward. Occasional erratic, quirky bursts from an affected keyboard and weaving improvisations offer moments of energy and contrast. Each of the album"s nine original compositions paint musical pictures of contentment that are dear to Dino, as well as offering musical tributes to four of his heroes in Yusef Lateef, Wayne Shorter, Coleman Hawkins and Eddie "Lockjaw" Davis". Drawing on modern European jazz, African rhythms, Italian circus music, and reggae, Slow Flow plays as a deeply personal exploration of Dino"s identity, whilst providing a dream-like message of global peace that promises to resonate with like-minded people all around the world..
"577 Records’ The Sea, The Space, and Egypt, Vol. 1 is what happened when old friends and a new connection united in the name of music. A heartfelt tribute to the great Sun Ra, the otherworldly album debuts the collaborative gifts of Michael Sarian (on the trumpet), Matthew Putman (on the keys), Federico Ughi (on the drums), and up-and-coming Cuban bassist Ledian Mola.
Sure, most of these musicians have played together in the past. Sarian and Putman have made many albums together, while Putman and Ughi have conspired on melodies for fifteen years. However, we guarantee you have never heard them all in one spot like this.
Alabama’s Sun Ra rose to the top of the Chicago music scene in the 1940s with something unprecedented. A cosmic pioneer of Afrofuturism, he became known for his diverse and unique avant-garde experimentalism. Modern artists champion him as a true innovator.
The new band revives the late Sun Ra’s magic in this appropriately named new release. Matthew Putman even plays the same keyboard model as the experimental music icon (the Rocksichord). Even the cover art is a nod to Sun Ra's ancient Egyptian influences, featuring an upside-down pyramid over a galactic setting created by Robert Mirolo.
Meanwhile, Ledian Mola adds vocals inspired by Cuban folklore to these incredible improvisations. The album marks Mola’s first time recording with the other artists in the group (and 577 Records), but you would never know it. Their abstract rhythms sound like they’ve been playing together for a lifetime! He was hand-chosen for this project from 577 Records’ 2022 SOF music residency in Italy and has performed at several of the New York Forward Festival's live events."
Trumpet by Michael Sarian.
Keyboards by Matthew Putman.
Bass by Ledian Mola.
Drums by Federico Ughi.
YSE Saint Laur'Ant returns with Saudade, an EP that digs deep into groove-rich territories, effortlessly blending genres and inspirations. Side A opens with an intriguing cut that merges gospel flair with ESG-inspired rhythms, driven by raw beats and a bassline that hooks instantly.
Following up is Special, where YSE’s long-time collaborator adds soft, spacey vocals over a supremely laid-back groove, creating a floating, heady vibe. Flipping to Side B, New York Boys offers a curious, spaced-out pulse with a touch of big-city grit, setting up the EP's final track, Gone Fighting. This midtempo closer stands out with an infectious Slavic sample infusion that rounds off Saudade on a note that's both groovy and reflective.
Brazilian artist Acid Asian steps up to Charlotte de Witte's KNTXT imprint with his Deep Soul EP, which explores the many different facets of his sound from rap and trap to techno and psytrance.
Fábio Seiki is São Paulo-based and started this project in 2020 during the pandemic. Since then he has made an impact with his fresh blend of influences and love of his 303. In 2022 he was the first artist to release on Charlotte de Witte's sub label, RPM, with his Break Into Acid EP and followed it up last year with The Night EP.
On Deep Soul EP, he says: "The title track is one of my favourites because it represents me 100%. Focusing on the acid line with this mantra vocal, I wanted to express something more deep to this track. 'Space Colors' is a track with which I wanted to express this new hard techno era using the hardstyle's kick but keeping my style. 'Ain't Nobody Like Us' is my background from rap/trap and 'Humans' is my psytrance background, it's an off-beat track.”
Charlotte de Witte adds: “Acid Asian is back! From his first release with us in 2022, it's been such a pleasure to see him grow and gain respect in the techno scene. We've played many shows together and he's one of the most talented, most instinctive producers out there. Playing Space Colors as the closing track at the main stage of Tomorrowland Brazil where Fábio was dancing in the crowd, was a very wholesome moment. These four tracks are absolute bombs and also show the variety he has to offer as a producer. I'm very excited about this release and I hope you are too!”
Opener 'Deep Soul' is hard and fast with a hypnotic vocal and gurgling acid lines that shoot through the mix to electrifying effect. 'Space Colors' has slamming drums that are lit up with bright, shiny trance chords and underpinned by a rugged bassline that is sure to raise the roof. There is a fantastic rhythm to 'Ain't Nobody Like Us' with its fresh drum patterns and funky edge, narcotic trap vocals and trippy synths. 'Humans' shuts down with ghoulish vocal sounds and squelchy synths all stuffed into a driving, unrelenting hard techno groove.
This is a wonderfully expressive new EP from Acid Asian.
Embarking on the next Vargmal chapter with 'Bacchanalia', the new EP from Italian-born, Londonbased producer Andrea Bonalumi, better known as Big Hands. Across three original tracks and a remix by British producer Al Wootton, 'Bacchanalia' moves through hypnotic grooves exuding primal energy and forward momentum, blurring the lines between percussive techno intensity and
subterranean bass vibrations.
Opening with 'Bacchanalia I', Big Hands lays down the foundation with a rhythmic drive where each beat shifts and evolves within a dense, organic framework, capturing the raw energy of live modular electronics. The journey continues as 'Bacchanalia II' shifts focus toward heavier, low-end vibrations, where intricate layers of bass and rhythm interplay in tension-filled dialogue that builds
intensifying energy.
'Bacchanalia III' offers a moment of reflection, pulling back the energy to reveal a more sparse and atmospheric landscape. It's a fitting progression that offers a glimpse into Big Hands' more introspective side, balancing the EP's momentum. Al Wootton's closing remix of 'Bacchanalia I' amplifies the raw percussive energy while adding his signature touch of spaced-out echoes androlling rhythms bringing the release full circle.
- A1: Breakout - Bustin
- A2: Breakout - Balls To The Wall
- A3: Breakout - Breaking And Booty Shaking
- A4: Breakout - In The Zone
- A5: Quantum - Closing The Loop
- A6: Quantum - Elsewhere
- A7: Quantum - Many Vortices
- A8: Quantum - Swirls Of Light
- A9: Berzerk - Firin Mah Laser
- A10: Berzerk - Laughing At Danger
- A11: Berzerk - Pew Pew
- A12: Berzerk - Robo Ready
- B1: Gravitar - Cold Canyons
- B2: Gravitar - Lonely Orbit
- B3: Gravitar - Reactor
- B4: Gravitar - Tunnels
- B5: Missile Command - Airborn Assault
- B6: Missile Command - Here S To Victory
- B7: Missile Command - Marching Orders
- B8: Missile Command - Squadrons
- B9: Black Widow - Web Of Destruction
- B10: Black Widow - Creepy Crawlies
- B11: Black Widow - Arachnid Boogie
- B12: Black Widow - Bugs And Basslines
- C3: Asteroids - Spaced Out
- C4: Asteroids - Go For Launch
- C5: Caverns Of Mars - Drone Patrol
- C6: Caverns Of Mars - Dusty Flyin
- C7: Caverns Of Mars - Magma
- C8: Caverns Of Mars - The Red Planet
- D1: Centipede - Doom Buggy
- D2: Centipede - Frantic Wiggling
- D3: Centipede - Chill Pede
- D4: Centipede - A Whole Tone Of Insects
- D5: Yars - An Army Of One
- D6: Yars - Staring Down The Enemy
- D7: Yars - Tactics
- D8: Yars - Zorlon Cannon
- C1: Asteroids - Shoot First Ask Questions Later
- C2: Asteroids - Galactic Gettin Busy
Following the success of the limited edition ATARI 50 vinyl, Microids Records and ATARI are teaming up for a new limited edition vinyl featuring ATARI Recharged.
The Recharged collection is a series of video games by Atari, Inc. that are remakes and reimaginings of classic Atari franchises. The series launched in 2020 with Missile Command: Recharged as the first title and has completely revived several franchises. Berzerk: Recharged, released on November 8, 2023, is the first game in the Berzerk series since the 1980s.
It also includes titles such as Asteroids: Recharged, Caverns of Mars: Recharged, Centipede: Recharged, Yar’s Revenge: Recharged, Gravitar: Recharged, Breakout: Recharged, Black Widow: Recharged, and Quantum: Recharged. A new soundtrack has been created for each game by Megan McDuffee. This vinyl includes the complete soundtrack collection: 40 tracks across 2 colored vinyl records, presented in a gatefold edition.
- My Body
- Black Hole
- Laced And Lost
- Dope Magic
- Waitin' Around
- Searching For Seams
- Break The World In Two
- Neon Orange Leash
- Speculum Aenigmate
- Cold Grey Eyes
- Smile
LP + 7". Portland indie rock band charts novel sonic territory, exploring resilience of the human spirit in the aftermath of tragedy and trauma, over 5 years in the making. Conceived in the wake of a worldwide quarantine, the entire West Coast being on fire, and the horrific murder of one of the band's own - then recorded, finished, and now released in defiance of it all. Harnessing all that of chaotic change and catastrophe, the band took it all as an opportunity to boldly blaze some new trails for themselves, carving out new sonic territory by exploring everything from spacey Fusion-Funk bass Moogs and Hip-Hop drum machines, to New Wave-ish synths and flourishes of Samba, Blues, Soul, and Sunshine Pop - all while still delivering the goods that Aan fans have come to know them for: to-die-for melodies, inebriating primal belt-along therapy, and face-melting guitar solos. For Fans of Unknown Mortal Orchestra, STRFKR, Pixies, Dungen, Grizzly Bear, TV On The Radio, Stereolab and Modest Mouse.




















