London and Dublin based women-led independent label TULLE release
TUESDAY NOTHING EXISTS - the debut album from three-piece GRAVE
GOODS
Featuring current and former members of PINS, Girls Names and September
Girls, the Sartre-rock trio are based between Manchester, Belfast and Dublin. This
highly anticipated debut full-length TUESDAY. NOTHING EXISTS was recorded at
Invada studios, Bristol.
Amongst others they have opened for Beak>, HEALTH, and Jon Spencer & the
Hitmakers and have played various festivals in Ireland and the UK.
quête:spencer
- 1: The Ending
- 2: Evil World Machine
- 3: Wolf Totem (Feat Jacoby Shaddix Of Papa Roach)
- 4: This Is Mongol
- 5: If Tomorrow Never Comes (Feat Spencer Charnas Of Ice Nine Kills)
- 6: Blow (Feat Spencer Charnas Of Ice Nine Kills)
- 7: Scars That I'm Hiding (Feat Anders Fridén Of In Flames)
- 8: Burn It Up
- 9: Who's That Playing On The Radio? (Feat Danny Worsnop And Mick Mars)
- 10: Faded Out (Feat Within Temptation)
- 11: Tops (Feat Push Push)
- 12: Blame It On The Double (Feat Tyler Connolly Of Theory Of A Deadman And Jason Hook)
- 13: For The Glory (Feat Hollywood Undead)
- 14: Classless Act (Feat Vince Neil Of Mötley Crüe)
- 15: Retaliators Theme (21 Bullets) (W/Mötley Crüe, Asking Alexandria, Ice Nine Kills, From Ashes To New)
- 16: Darkness Settles In
- 17: Tired Of Winning
THE RETALIATORS MOTION PICTURE SOUNDTRACK is the high-octane original soundtrack from the award-winning horror-thriller THE RETALIATORS. It includes special appearances from some of the biggest names in rock music such as Five Finger Death Punch, Tommy Lee, Papa Roach, The Hu, Ice Nine Kills, Escape The Fate and more, both on screen and on the original soundtrack. The album is available on a limited collectors edition 180gm red & black splatter vinyl pressing housed in a gatefold sleeve with exclusive movie stills, a 24x36 movie poster collectable, blood spattered o-card and including a digital download. It is also available on digipak CD and cassette formats.
Iggy Pop, Debbie Harry, Henry Rollins... nur einige der Punk-Ikonen, die sich tief beeindruckt gezeigt haben von The Bobby Lees aus Woodstock, N.Y. Sam Quartin Gesang, Gitarre, Macky Bowman Schlagzeug, Nick Casa [Gitarre] und Kendall Wind [Bass] machen Musik, die von Geist und Seele her Punk ist; ungezügelt und entschlossen ehrlich.
Ein selbst veröffentlichtes DIY-Album (Beauty Pageant) erschien 2018 und erregte die Aufmerksamkeit des Garage-Rock-Impresarios Jon Spencer, der daraufhin das 2020er Album Skin Suit produzierte.
Im Jahr 2022 machte sich die junge Band, nun road-erprobt und entschlossener denn je, nach Nashville auf in die Sputnik Sound Studios, um Bellevue aufzunehmen, ihr Debütalbum für Label Ipecac Recordings, live im Studio mit Produzent Vance Powell (Jack White, Chris Stapleton, The Raconteurs).
Mit ihrem intelligenten und durchdachten Songwriting folgen The Bobby Lees ihrem Instinkt als Musiker und Freunde und arbeiten gemeinsam an der Entstehung der Songs. Der Sound ist düster, minimalistisch und viszeral, jeder Song eine Ode ans Außenseitertum.
Iggy Pop, Debbie Harry, Henry Rollins... nur einige der Punk-Ikonen, die sich tief beeindruckt gezeigt haben von The Bobby Lees aus Woodstock, N.Y. Sam Quartin Gesang, Gitarre, Macky Bowman Schlagzeug, Nick Casa Gitarre und Kendall Wind [Bass] machen Musik, die von Geist und Seele her Punk ist; ungezügelt und entschlossen ehrlich.
Ein selbst veröffentlichtes DIY-Album (Beauty Pageant) erschien 2018 und erregte die Aufmerksamkeit des Garage-Rock-Impresarios Jon Spencer, der daraufhin das 2020er Album Skin Suit produzierte.
Im Jahr 2022 machte sich die junge Band, nun road-erprobt und entschlossener denn je, nach Nashville auf in die Sputnik Sound Studios, um Bellevue aufzunehmen, ihr Debütalbum für Label Ipecac Recordings, live im Studio mit Produzent Vance Powell (Jack White, Chris Stapleton, The Raconteurs).
Mit ihrem intelligenten und durchdachten Songwriting folgen The Bobby Lees ihrem Instinkt als Musiker und Freunde und arbeiten gemeinsam an der Entstehung der Songs. Der Sound ist düster, minimalistisch und viszeral, jeder Song eine Ode ans Außenseitertum.
- A1: Big Muff (08:22)
- A2: Lookin' On (10:23)
- A3: Couldn't Love You More (05:09)
- B1: Look At That Girl (04:27)
- B2: The Moment (03:41)
- B3: Johnny Too Bad (06:42)
- B4: Mad Dog Days (05:31)
- B5: Never Let Me Go (04:13)
- C1: Fine Lines (04:17)
- C2: Head And Heart (03:55)
- C3: Bless The Weather (04:36)
- C4: Pascanel (04:25)
- C5: Ways To Cry (05:00)
- D1: One Day Without You (04:43)
- D2: I'd Rather Be The Devil (08:02)
- D3: Make No Mistake (04:02)
- D4: Dealer (03:57)
- E1: Outside In (18:18)
- E2: My Baby Girl (02:39)
- E3: You Can Discover (03:51)
- F1: Man In The Station (03:22)
- F2: Over The Hill (03:07)
- F3: Easy Blues (02:50)
- F4: Spencer The Rover (03:55)
- F5: Black Man At Your Shoulder (05:47)
Auf ‚Hurt & The Merciless' bannt das britische Soul/Rock Quartett The Heavy den Spirit ihrer gefeierten Liveperformances auf Platte!
The Heavy haben während der Vorbereitungen zu - Hurt & The Merciless', ihrem nunmehr vierten Album, schwere Zeiten durchlebt. Als wollten sie ihrem Bandnamen alle Ehre machen. Scheidung, Trennungen und alles, was der Alltag sonst noch an Steinen ins Flussbett des Lebens wirft, konnte die Band aus dem englischen Bath jedoch nicht davon abhalten, ihr bislang aufgedrehtestes und aufgekratztestes Album einzuspielen. Kelvin Swaby, Gitarrist Dan Taylor, Bassist Spencer Page und Drummer Chris Ellul hatten für das Album ein erklärtes Ziel: Sie wollten endlich den phänomenalen Furor ihrer Liveshows eins zu eins ins Studio übertragen. Tatsächlich lässt es das Quartett richtig krachen und die pure Rock'n'Roll gewordene Lebensfreude dringt hier bei jedem Song, jeder Performance durch die Poren.
Im Jahr 2009 war der Band mit der monströs guten Single - How You Like Me Now' der internationale Durchbruch gelungen. Wie populär der Song schließlich wurde, zeigte sich auch daran, dass er auf etlichen Filmsoundtracks, in Fernsehserien, Games und Werbespots auftauchte. - Hurt & The Merciless' markiert in seiner nahtlos verzahnten Mischung aus Rock'n'Roll-Klassizismen, Funk- und Soul-Grooves sowie feinen Zusätzen experimenteller Klangelemente den vorläufigen Höhepunkt im Schaffen dieser Band. Das Feuer ihrer Liveshows haben sie in ein knappes Dutzend ihrer bis dato besten Songs infiltriert. Sie klingen fürwahr gnadenlos gut. The Heavy dürften mit diesem furiosen Opus mehr denn je schwer angesagt sein.
Imaginational Anthem Vol. XI : Chrome Universal - A Survey of Modern Pedal Steel
Curated by in-demand Nashville pedal steel maverick and Third Man recording artist Luke Schneider, the eleventh volume of Tompkins Square’s venerable Imaginational Anthem acoustic guitar series features exclusive tracks by legend BJ Cole, as well as leading exponents on the instrument including Susan Alcorn, Luke himself, and British expat /Nashville hotshot Spencer Cullum among others. Nashville native and Merge recording artist William Tyler has written a beautiful detailed history of the pedal steel for the package (CD & LP versions only). 1. BJ Cole - Ely Revisited 2. Jonny Lam - Rainbow Across the Valley 3. Rocco DeLuca - Many Singing Softly 4. Luke Schneider - Yosemite 5.Spencer Cullum - An Ode to Dungeness 6. Barry Walker, Jr. - I Will Tread Upon the Lion and the Cobra 7. Susan Alcorn - Gilmore Blue 8. Maggie Bjorklund - Lysglimt 9. Will Van Horn - Attwater
- A1: In And Out
- A2: Isola Natale
- A3: Black Cat
- A4: Lament For Miss Baker
- A5: Goodbye Jungle Telegraph
- B1: Tramp
- B2: Why (Am I Treated So Bad)
- B3: A Kind Of Love In
- B4: Break It Up
- B5: Season Of The Witch
- C1: A Day In The Life
- C2: George Bruno Money
- C3: Far Horizon
- C4: John Brown’s Body
- D1: Red Beans And Rice
- D2: Bumpin’ On Sunset
- D3: If You Live
- D4: Definitely What
- E1: Tropic Of Capricorn
- E2: Czechoslovakia
- E3: Take Me To The Water
- E4: A Word About Colour
- F1: Light My Fire
- F2: Indian Rope Man
- G1: Ellis Island
- G2: In Search Of The Sun
- G3: Finally Found You Out
- G4: Looking In The Eye Of The World
- H1: Vauxhall To Lambeth Bridge
- H2: All Blues
- H3: I’ve Got Life
- H4: Save The Country
- I1: I Wanna Take You Higher
- I2: Pavane
- I3: No Time To Live
- I4: Maiden Voyage
- J1: Listen Here
- J2: Just You Just Me
- F3: When I Was A Young Girl
- F4: Flesh Failures (Let The Sunshine In)
The ground- breaking, unique jazz/R&B/pop group Brian Auger & The Trinity were formed from the ashes of Long John Baldry’s and Brian Auger’s previous group bandThe Steampacket, an R&B Revue collective, which also featured a then barely known Rod Stewart and Julie Driscoll.
Adding the UKs then greatest soul/pop singer Julie Driscoll to this new collective meant that not only did the band have a unique, beautiful voice and face to front the group – Driscoll also embodied everything about the 1960s fashionable It Girl; her sound, her clothes, hair styles and make up assured that nearly as many column inches were dedicated to her stylish demeanour as much as the band’s genre bending music.
The group were the one of the first too to intentionally set out to break down musical barriers – Brian himself specifically stated in the sleeve notes for 1968s ‘Definitely What!’ album that his concept “lies along a straight line drawn between pop and jazz and aims at the ‘fusion’ of both elements”. ‘Fusion’ at that time was not even a recognised musical term, reinforcing Auger’s credentials as an originator and innovator.
“Back then the jazz audiences were purists. They really looked down on rock and pop,” he explains. “I had people cross the road when they saw me coming, I was persona non grata at Ronnie Scotts because of themusic we were doing and the clothes we were wearing”.
Happily – audiences of the time didn’t take the same dismissive approach, Julie Driscoll, Brian Auger & The Trinity toured the US and had exploded onto American TV screens as guests of The Monkees, and also scored hits across Europe's pop charts via the singles ‘This Wheels On Fire’ & ‘Save Me’ – but simultaneously appeared on the UK’s ‘Top Of The Pops’ in the same month as headlining major European Jazz Festivals – a feat no other act has equalled since.
Between 1967 and ’70, Brian Auger experienced a four year run of unprecedented creativity – 1967’s Open with Julie Driscoll, 1968’s Definitely What!, 1969’s Streetnoise again with Driscoll and 1970’s Befour – taking the Hammond Organ in new directions with their thrilling fusion of club R&B, jazz and psychedelic cool, engaging both the underground and the mainstream, and bringing the group chart success in the UK and Europe. “I look back on my years with The Trinity as aperiod of discovery,” Auger concludes. “I didn’t know what would happen or where it would take me but we were breaking down barriers and going someplace new.”
King Britt “The Multi-Genre Maestro, Brian Auger is every producer and DJ’s secret weapon. A hero who deserves his flower now”
DJ Format “I have more Brian Auger records in my collection than any other British artist, which says more about my love of his music than words ever could"
FOR FANS OF:
Jimmy Smith, Aretha Franklin, The Spencer Davis
Group, Nina Simone, Georgie Fame, Traffic. Sly &
The Family Stone, Jimmy McGriff.
- A1: The High Numbers - I’m The Face
- A2: The Action - Never Ever
- A3: The Hollies - Bus Stop
- A4: Small Faces - Don’t Burst My Bubble
- A5: Georgie Fame & The Blue Flames - Sweet Thing
- A6: Tony & Tandy - Two Can Make It Together
- A7: Jimmy James & The Vagabonds - Ain’t No Big Thing
- A8: Geno Washington & The Ram Jam Band - Michael (The Lover) (The Lover)
- A9: The Artwoods - I Take What I Want
- B1: Dusty Springfield - Little By Little
- B2: The Richard Kent Style - I’m Out
- B3: Bluesology - Come Back Baby
- B4: Wynder K Frog - Henry’s Panter
- B5: The Organisers - The Organiser (Feat Harold Smart)
- B6: Timebox - Soul Sauce
- B7: The Spencer Davis Group - High Time Baby
- B8: The Syndicats - Crawdaddy Simone
- C1: Fleur De Lys - Circles
- C2: Rod Stewart - Good Morning Little Schoolgirl
- C3: The Yardbirds - Over Under Sideways Down
- C4: The Birds - How Can It Be
- C5: The Creation - Makin’ Time
- C6: The Carnaby - Jump & Dance
- C7: The Eyes - I’m Rowed Out
- D4: The Quik Bert’s - Apple Crumble
- D5: Apostolic Intervention - Madame Garcia
- D6: Madeline Bell - Picture Me Gone
- D7: Sharon Tandy - Hold On
- D8: Pp Arnold - (If You Think You’re) Groovy (If You Think You’re)
- D9: Love Affair - Everlasting Love
- C8: The Kinks - She’s Got Everything
- D1: The Mike Cotton Sound - Soul Serenade
- D2: John Mayall & The Bluesbreakers - Crawling Up A Hill
- D3: The Alan Bown - Set Emergency 999
Demon are proud to release “Eddie Piller Presents British Mod Sounds Of the 1960s”, the follow up the “The Mod Revival”. This 2LP set serves an introduction to 'British Mod Sounds of the '60s’ and features 34 tracks.
Curated by Acid Jazz Records and Modcast founder Eddie Piller, this collection features the stapes of the British Mod scene including Small Faces, The High Numbers, The Action, The Fleur De Lys, The Kinks, Spencer Davis Group, The Creation, Rod Stewart, The Yardbirds, and The Love Affair.
"Be in with the In Crowd once more."
Every great youth cult deserves a great soundtrack, and when the '60s Mods adopted classic American R&B, with a side order of hip Jazz, they undoubtedly found the right music for their exuberant and stylish way of life. And yet, buying expensive imports, hoping for a local release or praying for a rare visit from overseas talent was never going to be enough to satisfy British youth with a thirst for the latest sounds. Certainly not those on the dancefloor and definitely not those with their own musical ambitions.
It was a music scene that began with imitation, before skill and imagination lead curious minds to innovation, a scene that evolved from average (at best) copies of releases on the Chess, Motown and Stax labels, to become something more sophisticated,something quite unique, something very British.
In the spring of 2020, Willem Ardui and Jean-Valéry Atohoun of blackwave. found themselves in a difficult creative and personal period and in need of a change of scenery to recharge. They find their peace in the cosmopolitan melting pot of Los Angeles, the City of Angels, and for Ardui and Atohoun also a city of dreams. A dreamworld in which they rediscover themselves as artists and as individuals.
The spark from which blackwave. had emerged in 2016 caught fire again during their 20-day trip to the American West Coast. With renewed passion, inspiration and vision, the duo writes and works on new music, as if in a daze, day and night, with no limits to the creative process. With about thirty demos in their pocket, Ardui and Atohoun fly back to Belgium. Three days later, the first covid-lockdown hits them cold and the regained enthusiasm slowly ebbs away. Another period of uncertainty began, and at one point it was even doubted whether the group would continue to exist...
But the towel is not thrown in the ring. blackwave. starts polishing the American demos and distills 11 tracks from them. These now make up 'no sleep in LA', their second full-length album and follow-up to 2019's successful 'ARE WE STILL DREAMING?' 'no sleep in LA' is about the highs and lows of the past years, the insights they have gained, the difficulties and the beautiful moments. Everything about the record feels a lot more mature as a result. Existential themes are explored more and more deeply. Doubt and uncertainty, depression, grief and loss, dreams and ambitions, nostalgia, love and desire, no stone is left unturned.
The album also exudes maturity on a musical level: it is more compact in length than its predecessor, but the instrumentation is more in-depth. Strings, horns, backing vocals and other session musicians enrich the genre-transcending sound of blackwave. Everything is arranged to perfection without being delineated. The common thread is the thoughtful and lively lyrics of the two frontmen, and the layered production of Willem Ardui. To this end, Ardui received help on a number of tracks from the likes of Paul Meany (Twenty One Pilots), MiSCHiEF BOY (Cantrell), Spencer Petersen (Sego), Tobie Speleman (incidentally mixer of the entire record), and even his younger brother Remco Ardui.
Celebrated guest features include Lute (signed to Dreamville, J.Cole's label), Abhi The Nomad (artist from Austin, Texas who met the duo in LA) and Caleborate (a good friend and old friend to blackwave. fans). Kirby, who has already collaborated with the likes of Beyoncé and Kanye West, co-wrote the song "I Miss" on the album.
From Pacific City Discs, to you the listener, this summer, a DJ mix of fantasy and splash-energy is coming to you in a small edition of vinyl. Fantasy writer/recording artist, Francesco Cavaliere, while visiting his seaside childhood vacation location, was extended an impromptu invitation, to DJ an 80s swimming club. He had this to say about his experience:
“I was at Shangri-La and a boy and girl from the bathhouse in silver swimsuits and sand-colored streaks waved me over with a drink and asked me if I would like to DJ the next day during my lesson on the beach at Tana del Pirata! I then and there I laughed but then I accepted (I had nothing at home just my mp3 player and a Nokia with music inside) The next day there was a little wind on the beach and the umbrellas swayed to the left. From the heat they could catch fire, white flames, instead the sea was rough and that wind with very long wrists cheered us up, blowing gaseous clouds in our faces. Perfect for the day ahead. After the first few pieces, I began to see that a group of kids jumped into the adjacent pool trying flips bombs and candle dives. Someone at the bar was playing Altered Beast .. so sipping a drink with ice I imagined DJ werewolf repeating catchy pieces while a kite half cobra half skyscraper inflated above us.”
This Impromptu Disc is fresh now, for you to frolic with this summer, while entertaining a daydream in the midst of entering a body of water while witnessing an apparition in the sky.
Selected and compiled by Francisco Cavaliere
Artwork by Spencer Clark
Florida four-piece Fame On Fire are back with their
second album, ‘Welcome To The Chaos’, which
includes hit single ‘Plastic Heart’, that has been on
heavy rotation on influential stations such as Active
Rock Radio and SiriusXM Octane Radio.
The band continue their aggressive and emotional
attack on the rock genre. With features from Ice
Nine Kills, amongst others, Fame On Fire aren’t
letting up on the firepower they have in their music.
Supporting Zero 9:36 on a US nationwide tour in
March 2022, Fame On Fire are set-up to make
2022 their biggest year yet.
For fans of Papa Roach, A Day To Remember,
Asking Alexandria.
LP pressed on red vinyl.
‘They Threw Us All In A Trench And Stuck A
Monument On Top’ is the first instalment of the
new Liars reissue series, where an album from the
back catalogue will be released on recycled
coloured vinyl every two months.
The campaign kicks off with Liars’ debut album,
originally released in 2001 and recorded over two
days in Brooklyn, New York with producer Steve
Revitte (The Jon Spencer Blues Explosion,
Beastie Boys). At the time of release, Liars were
Melbourne born Angus Andrew (vocals & pedals),
Aaron Hemphill from LA (guitar & drum machine)
and Nebraskians Pat Nature (bass & synthbox)
and drummer Ron Albertson.
“There’s an angular funk core to the tunes, built
around insanely brilliant drumming… and they
have the most poetic psychopunk song titles out
there - the LP’s called ‘They Threw Us All In A
Trench And Stuck A Monument On Top’.” - NME
“It's vicious, but you can dance to it!” - Pitchfork
LP pressed on coloured recycled vinyl.
Part 2[12,19 €]
Part 1 of a two part LP project from Casino Times !
The record Sounds Like: John Carpenter performing a live set at 4AM in a basement club.
Coming off the back of 2021, a year which saw the launch of their new imprint 'What's My Derivative?', Casino Times (Joseph Spencer and Nicholas Church) continue a journey of exploring the unusual spaces between House & Techno, carving out their unique space in the scene which over the last decade has seen them release on many leading record labels.
The duo return to Omena in 2022 after previously releasing two complimentary concept EPs (Decoded / Recoded). This time they take the step up to prepare only their 2nd full-length record 'A Change In Motion'.
An accomplished collection of tracks that are the epitome of their unconstrained style of electronic music, subverting expectations by blending an array of captivating ideas and atmospheres to form a true voyage through sound...
Part 1[12,19 €]
Part 2 of a two part LP project from Casino Times !
The record Sounds Like: John Carpenter performing a live set at 4AM in a basement club.
Coming off the back of 2021, a year which saw the launch of their new imprint 'What's My Derivative?', Casino Times (Joseph Spencer and Nicholas Church) continue a journey of exploring the unusual spaces between House & Techno, carving out their unique space in the scene which over the last decade has seen them release on many leading record labels.
The duo return to Omena in 2022 after previously releasing two complimentary concept EPs (Decoded / Recoded). This time they take the step up to prepare only their 2nd full-length record 'A Change In Motion'.
An accomplished collection of tracks that are the epitome of their unconstrained style of electronic music, ssubverting expectations by blending an array of captivating ideas and atmospheres to form a true voyage through sound...
Tape
»Música Azul« is a gulfstream of melodies originally written for Spencer Clark’s Avatar Blue exposition at Het Bos in Antwerp, march 2019.
"I got the original melody lines from a photoshop mock-up in which Spencer showed his ideas for the expo. I then performed the piece - partly improvised - on the opening night as to activate the several artworks that were displayed in the installation. Afterwards I edited and reworked the composition for optimal home listening.
Música Azul doesn't really fit my catalogue. Or does it? A swift storyline. Bubbly, wet, repeating, homophonic textures yet small/constant changes, blue - azul ..." –Lieven Martens
Album first released 1983 and now re-released on 180 Gram vinyl
The Heptones are a Jamaican rocksteady and reggae vocal trio. They were a
significant force in that played a major role in the gradual transition between ska
and rocksteady into reggae with their three-part harmonies.
The Heptones: Barry Llewellyn, Earl Morgan & Dolphin ‘Naggo’ Morris
Recorded at Black Star Recording Studio, 46 Spencer Road, Tottenham, London,
N17 9UU, UK
Includes extensive sleeve notes.
Promotion across social media platforms
Advertising in, Echoes, Record Collector Magazine and Riddim
CHIWAX proudly presents Steve Bug & Gemini - The Lost Trax (12")
This collaboration happened in 2000 when Spencer was touring in Europe.
While having some days off in Berlin, Alex Lindblad from Backroom Entertainment suggested Steve to invite Spencer to his studio.
Now almost 22 years later, we are deligthed to release this historical session!
Many thanks to Steve, Spencer & Alex!
- A1: Monuments Feat. Neema Askari No One Will Teach You
- A2: Lavos
- A3: Monuments Feat. Mick Gordon Cardinal Red
- A4: Opiate
- A5: Collapse
- B1: Monuments Feat. Spencer Sotelo Arch Essence
- B2: Somnus
- B3: Monuments Feat. Mick Gordon False Providence
- B4: Makeshift Harmony
- B5: The Cimmerian
- C1: Monuments Feat. Neema Askari No One Will Teach You
- C2: Lavos
- C3: Monuments Feat. Mick Gordon Cardinal Red
- C4: Opiate
- C5: Collapse
- D1: Monuments Feat. Spencer Sotelo Arch Essence
- D2: Somnus
- D3: Monuments Feat. Mick Gordon False Providence
- D4: Makeshift Harmony
- D5: The Cimmerian
- A1: Rigmor Gustaffson Feat.nils Landgren - Fever
- A2: Jon Spencer - All Shook Up
- A3: Biréli Lagrène Gypsy Project - Love Me Tender
- A4: John Gill's Jazz Kings - That's All Right
- A5: Bobby Bland - Blue Moon
- A6: Amos Milburn - (Let's Have A) Party
- A7: Ace Cannon - Suspicious Minds
- B1: Larkin Poe - (You're The) Devil In Desguise
- B2: Matthieu Boré - Stuck On You
- B3: The Leiber-Stoller Big Band - Hound Dog
- B4: Lowell Fulson - Reconsider Baby
- B5: Billy Eckstine - Love Me
- B6: The Three Sounds - It's Now Or Never (O Sole Mio)
Beach House release their eighth album, titled ‘Once Twice Melody’.
‘Once Twice Melody’, the first album produced entirely by Beach
House, was recorded at Pachyderm studio in Cannon Falls, MN,
United Studio in Los Angeles, CA, and Apple Orchard Studios in
Baltimore, MD.
For the first time, a live string ensemble was used, with arrangements
by David Campbell.
‘Once Twice Melody’ was mostly mixed by Alan Moulder but a few
tracks were also mixed by Caesar Edmunds, Trevor Spencer and
Dave Fridmann.
2CD in wide spine sleeve with silver and black print, inner CD wallets
and a 9.5” x 14.5” pull-out poster.
Standard 2LP format features 140g double vinyl in wide spine outer
sleeve with silver and black print, inner sleeves and 24” x 36” pull-out
poster.
Double cassette format (tape 1 - gold, tape 2 clear) features O Card
outer sleeve with silver and black print, two cassette cases and five
panel J Card insert
- A1: Billy Murray - The 20Th Century Rag
- A2: Billy Jones - Yes, We Have No Bananas
- A3: Arthur Fields - Oh, How I Hate To Get Up In The Morning
- A4: Bert Williams - Nobody
- A5: Fred Duprez - The 11:69 Express
- A6: Billy Jones & Ernest Hare - Barney Google
- B1: Murray K Hill - The Tale Of The Cheese
- B2: Billy Murray - Alcoholic Blues
- B3: Ed Gallagher & Al Shean - Mister Gallagher & Mr Shean - "Absolutely Mr Shean
- B4: Savoy & Brennan - You Must Come Over
- B5: Harry Lauder - Stop Your Tickling, Jock
- C1: Clarice Vance - I'm Wise
- C2: Len & Harry Spencer - Reuben Haskin's Ride On A Cyclone Auto
- C3: Cal Stewart - Uncle Josh Buys An Automobile
- C4: Billy Murray - The Little Ford Rambled Right Along
- C5: Joe Hayman - Cohen At The Telephone
- C6: Billy Murray - Fido Is A Hot Dog Now
- D1: Roy Atwell - Some Little Bug Is Going To Find You
- D2: Dewolf Hopper - Casey At The Bat
- D3: Ada Jones - Oh, You Candy Kid
- D4: Eddie Cantor - I Love Me
- D5: Anonymous - The Ravings Of John Mccullough
- D6: Billy Jones & Ernest Hare - Old King Tut
- D7: Anonymous - The Okeh Laughing Record
1900 to 1930: The Dawn of Dementia; The Oldest Novelty Records of All
Time from Dr Demento.The world famous Dr
Demento's influence on pop culture is undeniable and to commemorate his 50th
anniversary, we celebrate the earliest days of novelty and comedy records.
He is a world- renowned record collector and music historian, whose lifelong
passion for music of all kinds (from Frank Zappa to punk rock and everything in
between) is reflected in his radio show and most importantly, in this unique
collection of rare songs from the early days of records.
Limited to 300 copies. Vinyl green bottle
Originally released in 1973 on Philips. One of the best UK Folk albums ever. Highly recommended if you like Heron, Syd Barrett, Nick Drake, Simon & Garfunkel.
Evensong's self-titled album is a high-prized UK folk-pop artifact. The duo's fragile, harmony-drenched songs are given instrumental muscle by seasoned session players Clem Cattini, B. J. Cole and Herbie Flowers, and ornate string arrangements courtesy of former Spencer Davis Group guitarist Ray Fenwick.
Each LP sleeve is delivered as a bespoke limited edition, hand-printed and customised by the man himself. Features Jehst, Taja, Jaz Kahina, Vandal Savage, Junior Disprol and Cappo. The return of the “Zack de la Rocha of Ashby de la Zouch”, back in tandem with Chicago producer Spectacular Diagnostics World status 2020-21; a write-off, one to be struck from the record, ‘NULL AND VOID’ if you will. This hasn’t stopped Kid Acne kicking on and bringing what he calls “the difficult fifth album” to the Lewis Recordings megaplex. Full of Yorkshire say-so, his inimitable strain of hip-hop delivers the mind-bending with everyman knowhow, fearlessly “taking out pop chart sucker rappers with a blow dart”. Spectacular Diagnostics (Westside Gunn, Vic Spencer, Conway the Machine, Nolan the Ninja) is back on the boards for Kid Acne’s latest magical mystery tour, strengthening regional alliances with UK heavyweights Cappo, Jehst and Vandal Savage as well as introducing one-to-watch Taja. Driven by the wise man’s testament that thou shalt never use the internet again, Acne shakes off screen burn and heads back to the great (socially distanced) outdoors with a fresh batch of wavy, chaos theorising boom-bap.
Snowmelt is a new record by Australian artists Seaworthy (aka Cameron Webb) and Matt Rosner, the long awaited follow up from their 2010 collaboration Two Lakes. Matt Rosner continues to explore the natural world to inspire his work based out of remote Western Australia. His most recent release being No Lasting Form (Room40). Webb's output as Seaworthy has been sparse in recent years as he continues to pursue a career in environmental research, focusing on urban wetlands and their ecosystems. This marks the first substantial release since Wood, Winter, Hollow, a collaboration with Taylor Deupree in 2013.
Pressed on 140g Black Vinyl Including a signed print from Eddie Piller, limited to 750.
Demon are proud to release “Eddie Piller Presents British Mod Sounds Of the 1960s”, the follow up the “The
Mod Revival”. Featuring 100 original tracks across 6LPs, its a deep dive into the Mod scene in '60s Britain.
Including a selection of classic and rare tracks, tracing the scene from its R&B rootsto a soulful finale
Curated by Acid Jazz Records and Modcast founder Eddie Piller, and featuring new sleeve notes from
respected author and broadcaster Paul 'Smiler' Anderson.
As Eddie Piller points out in the forward to the extensive sleeve notes that accompany this collection, he
chose the word 'Sounds' carefully, reflecting the variety of talent contained here, from uncool session
musicians without an ounce of style in them, acts who saw an opportunity to jump on the Mod bandwagon
and bands who whole heartedly embraced Mod way of life.
And so this new collection mixes the Mod mainstays (Small Faces, The High Numbers The Action, The Fleur
De Lys), with a generous selection of future superstars (David Bowie, Rod Stewart, Elton John, Marc Bolan,
Jeff Beck and Graham Gouldman of 10cc are all represented here), and a few artists so obscure, so rare, that
they never got to release a record in the '60s, but Eddie has tracked down the tapes nonetheless.
"Be in with the In Crowd once more."
Every great youth cult deserves a great soundtrack, and when the '60s Mods adopted classic American R&B,
with a side order of hip Jazz, they undoubtedly found the right music for their exuberant and stylish way of
life. And yet, buying expensive imports, hoping for a local release or praying for a rare visit from overseas
talent was never going to be enough to satisfy British youth with a thirst for the latest sounds. Certainly not
those on the dancefloor and definitely not those with their own musical ambitions.
It was a music scene that began with imitation, before skill and imagination lead curious minds to innovation,
a scene that evolved from average (at best) copies of releases on the Chess, Motown and Stax labels, to
become something more sophisticated,something quite unique, something very British.
All formats are stylishly packaged (of course) and include new sleeve notes by Paul 'Smiler' Anderson, author
of the best-selling and highly regarded books'Mods: The New Religion' and 'Mod Art'.
The classic debut LP by Dub Narcotic Sound System, originally released on K Records and unavailable on vinyl for 25 years. The oddball indie-funk collective Dub Narcotic Sound System was spearheaded by vocalist Calvin Johnson, the former frontman of the legendary Beat Happening as well as the founder of the famed K Records label. Named in honor of Johnson's own Olympia, WA-based basement studio Dub Narcotic, the project was begun in 1994 with a rapid-fire series of funk-, rap-, and reggae-influenced singles including "Bite," "Fuck Shit Up," "Booty Run," and "Shake-a-Puddin'"; from the outset Johnson was the group's sole constant member, although over the course of subsequent releases, including the EPs Industrial Breakdown, Ridin' Shotgun, and Ship to Shore, the revolving lineup grew to include Olympia scenesters like Lois Maffeo as well as Larry Butler, Todd Ranslow, and Brian Weber, all three members of the hip-hop unit Dead Presidents. The first Dub Narcotic Sound System full-length, Rhythm Record, Vol. One: Echoes From the Scene Control Room, appeared in 1995; later efforts included 1996's Boot Party and 1998's Out of Your Mind. Sideways Soul, a collaboration with Jon Spencer Blues Explosion, followed in 1999. Trouser Press wrote that "when not delving deep into the usual sorts of ambient studio trickery, the songs hit a '60s R&B stride, bathing in the stoned soul picnic ambience with uplifting spirit."
- A1: Stadiums And Shrines Ii
- A2: They Took A Vote And Said No
- A3: Us Ones In Between
- A4: I’m Sorry I Sang On Your Hands That Must Have Been In The Grave
- A5: Snake’s Got A Leg Iii
- B1: The Empty Threats Of A Little Lord
- B2: Swimming
- B3: The Men Are Called Horsemen There
- B4: Q-Chord
- B5: Shut Up I Am Dreaming Of Places Where Lovers Have Wings
Critically allaimed debut full-length available for the first time on vinyl. First pressing of 3,000 on “pear” vinyl. Originally released in 2006 on Absolutely Kosher Records, Shut Up I Am Dreaming is the first full-band effort from Montreal’s Sunset Rubdown, a project previously reserved for the solo experiments of Wolf Parade’s Spencer Krug. Alongside Michael Doerksen (guitar), Jordan Robson-Cramer (drums, keys, guitar), and Camilla Wynne-Ingr (keys, percussion, vocals), Krug and his new band recorded the songs in just five days with the help of engineers Jace Lasek and Dave Smith at Breakglass Studios. Though met with praise by fans and critics alike, placing 15th on Pitchfork’s Top 50 Albums of 2006, Shut Up I Am Dreaming was never made available on LP. Now, fifteen years later, Krug is having the album pressed to vinyl via his own tiny record label, Pronounced Kroog. Remastered for vinyl at Greymarket Mastering by Harris Newman (the same engineer who mastered the original), and with original cover art by Matt Moroz reformatted for LP jacket, this first-ever pressing of a now cult classic will be available this winter. After a decade and a half of earnest inquiries, Sunset Rubdown fans are finally able to add Shut Up I Am Dreaming to their record collections. About time!
Many great Blue Note artists have hailed from the jazz hotbed of Detroit over the course of the label's history including Donald Byrd, Kenny Burrell, Paul Chambers, Thad Jones, Elvin Jones, Joe Hendreson, and many more. Perhaps the only instance on an entire band coming out of Detroit was with Kenny Cox and the Contemporary Jazz Quintet, a fantastic but unsung combo led by pianist Kenny Cox whihc featured Joe Henderson's brother Leon Henderson on tenor saxophone, Charles Moore on trumpet, Ron Brooks on bass, and Danny Spencer on drums. The quintet made two excellent albums in the late 1960s including their debut album Introducing Kenny Cox and The Contemporary Jazz Quintet, a hidden gem of the Blue Note catalog which was recorded in 1968. The band was certainly influenced by the post-bop explorations of the Miles Davis Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams, but the CJQ exhibited its own unique sensibilities on memorable originals like "Mystique", "trance Dance", "Diahn", and David Durrah's beautiful piece "You".
- 1: Marry The Night
- 2: Born This Way
- 3: Government Hooker
- 4: Judas
- 5: Americano
- 6: Hair
- 7: Scheiße
- 8: Bloody Mary
- 9: Bad Kids
- 10: Highway Unicorn (Road To Love)
- 11: Heavy Metal Lover
- 12: Electric Chapel
- 13: Yoü And I
- 14: The Edge Of Glory
- 15: Marry The Night - Kylie Minogue
- 16: Judas - Big Freedia
- 17: Highway Unicorn (Road To Love) - The Highwomen (Feat. Brittney Spencer & Madeline Edwards)
- 18: Yoü & I - Ben Platt
- 19: The Edge Of Glory - Years & Years
- 20: Born This Way - Orville Peck
In celebration of the 10th anniversary of Lady Gaga’s iconic album Born This Way, Born This Way The Tenth Anniversary includes Lady Gaga's original Born This Way album, along with six new versions of songs reimagined by artists representing and advocating for the LGBTQIA+ community, including Kylie Minogue, Big Freedia, The Highwomen, Orville Peck, and more. The 3LP version includes 3 additional tracks.
Many great Blue Note artists have hailed from the jazz hotbed of Detroit over the course of the label's history including Donald Byrd, Kenny Burrell, Paul Chambers, Thad Jones, Elvin Jones, Joe Hendreson, and many more. Perhaps the only instance on an entire band coming out of Detroit was with Kenny Cox and the Contemporary Jazz Quintet, a fantastic but unsung combo led by pianist Kenny Cox whihc featured Joe Henderson's brother Leon Henderson on tenor saxophone, Charles Moore on trumpet, Ron Brooks on bass, and Danny Spencer on drums. The quintet made two excellent albums in the late 1960s including their debut album Introducing Kenny Cox and The Contemporary Jazz Quintet, a hidden gem of the Blue Note catalog which was recorded in 1968. The band was certainly influenced by the post-bop explorations of the Miles Davis Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams, but the CJQ exhibited its own unique sensibilities on memorable originals like "Mystique", "trance Dance", "Diahn", and David Durrah's beautiful piece "You".
The eponymous Sun Cutter debut album, released via Bronzerat Records (Gemma Ray, Jon Spencer Blues Explosion, The Still).
Sun Cutter (real name Kevin Pearce) hails from Colchester in Essex, England. Three years ago, at the age of 33, Kevin suffered a heart attack (on a golf course). As well as having to redress some lifestyle
habits, his rehabilitation involved writing and recording the Sun Cutter project. It is an album of driving, harmony-drenched indie-soul folk-pop / rock that looks to the light for reflection.
Songs of love and protest befit the man, and his politics of empathy, evident in his lyrics, are also demonstrated by his day job as a mental health worker. His tone and delivery sometimes reveal John Lennon, Tim Buckley and Bob Dylan as an influence.
Co-produced with pal Dean Honer (Moonlandingz, Eccentronic Research Council, Pins). Dean is also one half of I Monster, and Kevin lent his voice and guitar to the acoustic version of ‘Daydream In Blue’, which soundtracked the Magnum ice cream ads in 2020.
They have also collaborated and created ‘The Sounds of Science’, a collection of science songs for kids, released in April 2022 on Castles in Space.
Previously he has released (under his real name) the album ‘Matthew Hopkins & The Wormhole (AWAL)’, a concept record about the Witchfinder General who lived in the same village (Mistley in Essex).
Kevin Pearce is currently on tour with Turin Brakes
On “First Flight REDUX,” Dave Harrington takes a scalpel to the multi-tracks of "First Flight" (LP/DL, Algorithm Free) remixing the raw material into something else entirely.
Originally recorded live at Nublu, September 20, 2019, "First Flight" documents the first and (thus far) only meeting of Chris Forsyth, Dave Harrington, Ryan Jewell, and Spencer Zahn as part of Forsyth's residency at the club that month.
Harrington's dub, created in his Los Angeles studio uses the original tracks improvised live by the group and incorporates loops and samples plus a variety of additional keys and synths, bass guitar, percussion, congas, pedal steel, bamboo flute, the Turkish stringed instrument cümbüş, and the North African double reed instrument ghaita, all played by Harrington himself.
While the light of the original performance recognizably shines through the canopy of new sounds in certain places, “First Flight REDUX” is radically reconstructed into something totally NEW. It’s very much its own album, related to and derived from “First Flight,” yes, but venturing into areas unforeseen in the original document, suggesting some kind of a party with “Live/Evil” blasting on one set of speakers,“Midnite Vultures” on another, and a Turkish psych band jamming in between.
- A1: Rocco & Bass-T - Our Generation (Jens O Vs. Ti-Mo Remix Edit)
- A2: The Hitmen - How I Wish (Club Mix)
- A3: Dht & Edmee - Listen To Your Heart (Rob Mayth Remix Edit)
- A4: Basslovers United & G4Bby - Found You (Hands Up Freaks Remix Edit)
- A5: X-Cess! - Rockstar (Empyre One Remix Edit)
- A6: Withard & Juve Pres Sonera - Taking Me High (Megastylez Remix Edit)
- A7: Gigi D‘agostino - Bla Bla Bla (Original Radio Cut)
- B1: Alex Megane - Hurricane (Radio Edit)
- B2: Pulsedriver & Chris Deelay - Geiles Gef?Hl (Timster & Ninth Remix Edit)
- B3: Mark ‚Oh - Words (Radio Edit)
- B4: Andrew Spencer & The Vamprockerz - Zombie (Ray Knox Remix Edit)
- B5: Bangbros - Banging In Dreamworld (Rave Allstars Single Edit)
- B6: Ziggy X - Thiz Rox (Single Mix)
- B7: Ti-Mo - Stay (Da Tweekaz Remix Edit)
FULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled them to the forefront of extreme music over the last decade. Produced by Seth Manchester, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds.
Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era.
In the end, FULL OF HELL’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.”
- 1: Spencer Krug - Red Dress
- 2: The Besnard Lakes - Good Morning, Captain
- 3: They Hate Change - The Seeming And The Meaning
- 4: Angel Olsen - Cold Blooded Old Times
- 5: Bruce Hornsby - Feel The Pain
- 6: Jamila Woods - Fast Car
- 7: Nap Eyes - Car
- 8: S. Carey - Weight Of Water
- 9: Pink Mountaintops - The Concept
- 10: Cut Worms - One For The Catholic Girls
- 11: Okay Kaya - Nightswimming
Midway through his long, earnest and often very, very
funny essay on the role playing game ‘Dungeons &
Dragons’ in the September 2006 issue of The Believer,
writer Paul La Farge proposes that ‘Dungeons & Dragons’
is not a game at all but rather a ritual. La Farge notes the
marked difference between game and ritual. Whereas a
game seeks to demonstrate how unequal or distinct
players / teams are from one another, rituals seek to do
the very opposite.
And so, across the 25-year history of Jagjaguwar - an
independent record label curiously named using a
‘Dungeons & Dragons’ name generator - we find this idea
of ritual as a conjoining practice. We see it early on when
Jagjaguwar join forces with a midwestern label called
Secretly Canadian for a powerful fusion. We see it in
familial relationships and collaboration among Jagjaguwar
artists and the ways those artists’ most treasured
collaborators make their ways to the Jagjaguwar game
board.
‘Join The Ritual’, a piece of Jagjaguwar’s 25th Anniversary
celebrations, looks to pay homage to the labels and artists
that, whether they know it or not, invited Jagjaguwar to the
table, to this wild, dark magic ritual of music. We’re talking
about independent titans like Drag City, Too Pure, K
Records and Touch & Go. We’re talking about heroes like
R.E.M., Slint, Stereolab and Tracy Chapman. These songs
captured the imaginations of founders Darius Van Arman
and Chris Swanson - and ultimately, opened up worlds to
them.
Brian Leeds a.k.a. Huerco S' West Mineral label present a groggy Midwestern ambient doozy with Chat, the first collaborative release by Pontiac Streator and Ulla Straus
Pontiac Streator previously appeared as a guest on the first West Mineral LTD release, Pendant's Make Me Know You Sweet, while Ulla Straus is perhaps best known for her part on the cultishly adored bblisss compilation tape which introduced Huerco S.'s Pendant alias to the world at large.
Their first album together is a bedroom-crafted confection where drowsy blues and raga smudge with lounging exotica themes in a blunted style to properly heavy-lidded effect.
Chat was recorded on July 5th in Pilsen, Chicago on Ulla's bed after a long week spent dancing with friends, staying up all night typing in chatrooms, and hate-watching Fox news. The results channel that experience into four lop-sided creations that feel satisfyingly burned out and immersive, like the murmur of zonked chat between close friends.
In four parts; Chat One thru Chat Four, the record unfurls with a muggy mid-fi tension between its illusive fidelities, kindling a smoky atmosphere that colours listening spaces with seductive smells
and a muggy, keening tension that recalls the minutes before sundown
This balmy feel of the surreal comes out in a sylvan patina of sweetened cicadas and curling pads urged along by a stream of wooden drums, variously recalling Spencer Clark on some kind of
Aguirre soundtrack mission in the tropics, a heatsick Rainforest Spiritual Enslavement piece, or, in the dream-pop drift of the last part, like Leven Signs smudged by Muslimgauze.
Coolly serving to expand West Mineral LTD's remit after that spellbinding Pendant album and a 12" of ectoplasmic dubs from uon, the flux of arid/fluid textures and para-dimensional fidelities in
Chat feels somehow calming yet fraught with a somnambulant appeal that's dangerously easy to
Music From Memory are excited to introduce another new group for 2021, this time presenting the self-titled debut album from Loveshadow.
Currently based in San Francisco, the duo of Anya and Izaak initially met whilst working in an Oakland cafe in 2016. The two Californians quickly bonded over a track by the ’80s disco band Aurra which was playing over the radio and almost immediately their separate journeys in music became interwoven. They soon began to write music and creating their own work would become a way for the pair to get closer to the sound they were searching for, as well as enabling them to discover the healing power of making and listening to music.
‘Loveshadow’ was recorded predominantly in the Bay Area between 2017-2020 as well as whilst traveling to NYC, Chicago and around Portland. Having released previously as the outfit ‘S Transporter’ alongside Detroit friend Ryan Spencer, Loveshadow is formed of Anya as singer and song writer alongside Izaak on synthesizers, bass and percussion. This eight track album is the duo’s first release; exploring emotive Pop and DIY Funk leanings it stands as a joyful homage to the music they bond over, as well as an ode to their own love and friendship.
The internationally renowned alternative Bluesman, famous for his outrageous one-man live show and songs featured in Breaking Bad (plus many other soundtracks), has now brought his blues growl and rough sound up to peak industry production and style...of around 1974.
This album sits style-wise alongside the greats of the genre: Tom Waits, Randy Newman, Dr John. It also has the unmistakable blues harmonica, voice and wit all his own.
Fans also purchase Seasick Steve, Jon Spencer , and other alt-Blues recordings.
Son Of Dave is a unique genre bending 21st century Blues innovator who has been bringing his 9+ albums and shows to modern generations internationally over two decades and selling over 20,000 hard copies, 50,000 DD, and streaming 3 million annually.
UK PR has secured radio plays at BBC6Music, BBCRadio2, Jazz FM, RadioX Canadian PR has secured charting college station support and national CBC plays.
UK autumn tours include dates supporting Sleaford Mods (not your average blues circuit) 2020 and 2021 singles were playlisted at Spotify curated Nu-Blue, Bluestronica and other alt-Blues type playlists.
Former member of multi-million selling Crash Test Dummies all through their heyday
Has been chosen support for Iggy & The Stooges, Supergrass, Rag&Bone Man,
John Spencer, UB40 and many more. Not the same old Blues in other words.
A very long list of achievements.
- A1: Limahl - Never Ending Story (Stranger Things)
- A2: Roxy Music - Love Is The Drug (Sex Education)
- A3: The Motels - Suddenly Last Summer (Breaking Bad)
- A4: Duran Duran - Save A Prayer (American Horror Story)
- A5: Abc - The Look Of Love (Dark)
- A6: Canned Heat - Going Up The Country (Legends Of Tomorrow)
- A7: Cutting Crew - (I Just) Died In Your Arms (Stranger Things)
- B1: Elton John - Rocket Man (I Think It’s Going To Be A Long Long Time) (Blacklist)
- B2: Salt-N-Pepa - Push It (Sex Education)
- B3: Devo - Whip It (Stranger Things)
- B4: Billy Ocean - Love Really Hurts Without You (Sex Education)
- B5: The Spencer Davis Group - Keep On Running (End Of The Fckn World)
- B6: Frankie Goes To Hollywood - Two Tribes (Sex Education)
- B7: Santa Esmeralda - Don’t Let Me Be Misunderstood (Riverdale)
- B8: Lesley Gore - You Don’t Own Me (American Horror Story)
Music has always played an important role in TV shows. It can create a vibe, tension, a romantic atmosphere or a certain setting in time. With the wide range of shows currently being offered by the growing number of streaming services, their audiences are discovering bands and artists, old and new, more than ever before.
Song Education brings together some of the pivotal songs from these series, with background info on each of these artists for educational purposes. But mostly, for you to enjoy these often re-discovered songs in the most romantic way to experience music: on a beautiful vinyl record.
Song Education is a new compilation that serves to familiarise youth and young adults with popular music from the 60’s through the 90’s. Some of the artists included on this record are Roxy Music, Duran Duran, The Cutting Crew, Elton John, Salt-N-Pepa and Frankie Goes to Hollywood. The album is available on solid red coloured vinyl. The package contains an insert with more information about the featured artists.
This album is released through Vinyl Base, a brand new sublabel by Music On Vinyl that is specifically targeted at youth and young adults.







































