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On the eve of her 80th birthday, Dona Onete - ‘the grande dame of Amazonian song’ - returns with Rebujo, a love letter to her hometown of Belém, situated deep in the Amazon.

Rebujo brims with two music styles born in Belém: carimbós, influenced by African grooves, and bangues, a ska-type rhythm, plus there’s a cumbia, brega (‘romantic’ music) and samba.

Since the release of her 2017 album Banzeiro, Onete has become a superstar in Brazil – she composed and sung the theme song for one of Brazil’s biggest soap operas (A Força do Querer), been awarded the Brazilian Ordem do Mérito Cultural in recognition for her contribution to Brazilian culture + her video for ‘No Meio do Pitiu’ has an impressive 9.2m views on Youtube.

Outside of Brazil she’s performed at Roskilde, Womad (UK, NZ & AUS), Gilles Peterson’s Worldwide Festival and TFF Rudolstadt and is a global spokesperson for indigenous cultures.

- 3rd album of funky Brazilian/Amazonian grooves from the ‘Diva of the Amazon’, mastered @ The Carvery
- David Byrne, Caetano Veloso, Gilles Peterson, Cerys Matthews all big supporters

Es ist wahrscheinlich das beste und eindringlichste Album der Band aus Florida, deren oberstes Gesetz Leidenschaft und Hingabe ist. Ihre Motivation ist bis in jeden Winkel der elf Songs zu spüren, und selbst die sanften Momente auf The Sound Of Madness haben noch eine Wirkung wie ein Faust in der Magengrube. Aufgenommen mit Star-Producer Rob Cavallo bringt es die geballte Kraft des Ultimativen in die Bahn, die SHINEDOWN mit dem US-Platin-Debüt Leave A Whisper
(2003) und dem Nachfolger Us And Them (2005, Gold) eingeschlagen haben.
Jetzt zum 75. Jubiläum von Atlantic kommt das Album als exklusives Crystal Clear Vinyl.

The new album from hip-hop duo Atmosphere, So Many Other Realities Exist Simultaneously, opens with veteran rapper Slug and seasoned producer Ant taking a gentler approach. A departure from the brute intros of earlier works, the lead-off track “Okay” sounds focused on comforting and reassuring the listener, as if informed by fatherhood and implicit duty. With Slug rapping over one of the most twinkling productions Ant has released, the song lays the groundwork for an album-length exercise in fumbling consciousness without setting a precedent for how they intend to navigate it. Yet, as gently as the album begins, there’s an unmistakable sense of unease from the onset that continues to evolve throughout the project, as Slug and Ant weave the listener through indistinct themes of insomnia and woe.

From the subtle panic at the heart of songs like “Dotted Lines,” to the overt anxiety of songs like “In My Head,” the tension seems to cede and swell, but just as the tears begin to well, they seem to find resolve again through songs like “Still Life,” whose hopeful outlook undercuts the tensity of the album. Meanwhile, the rhythms on So Many Other Realities are some of the most inventive of Ant’s career. The playful percussion on “In My Head” acts as a nice counterweight to the roiling writing, while the drum patterns on “Holding My Breath” and “Bigger Pictures” allow Slug to play with his
flow to emphasize the anxiety driving the record.

Where previous records in this most recent act of Atmosphere’s career have been focused on emphasizing the parts of life that carry the most meaning—family, brotherhood, purpose—So Many Other Realities is an almost unnerving excavation of paranoia that can be grafted onto the general malaise of a pandemic weary society full of civil unrest. The tension of these songs is palpable, but the album’s mere presence is a testament to the hope that has to underpin even the most stressed out songs. Regardless of when the curtains might close, the music goes on.

Das aus Glasgow stammende Zwillingsgeschwister-Duo Cloth (Rachael und Paul Swinton) veröffentlicht mit 'Secret Measure' ihr erstes Album auf Rock Action Records (Mogwai, Arab Strap, The Twilight Sad) nach der vier Songs umfassenden 'Low Sun EP' (2022). Das Album wurde von Ali Chant (Yard Act, Katy J Pearson, Squirrel Flower) in den Toybox Studios in Bristol produziert. Erhältlich auf farbigem Vinyl mit Download-Code sowie auf CD und als digitaler Download.

- Ltd. Col. LP: (Curacao Blue Vinyl)

Die norwegische Band LEPROUS kehrt mit einer speziellen Tour Edition ihres gefeierten siebten Studioalbums 'Aphelion' zurück. Aufgenommen in drei verschiedenen Studios (Ghost Ward / Schweden, Ocean Sound Recordings / Norwegen und Cederberg Studios / Norwegen), abgemischt von Adam Noble (Placebo, Biffy Clyro, Nothing But Thieves) und gemastert von Robin Schmidt (The 1975, Placebo, The Gaslight Anthem, etc.), stieg 'Aphelion' bei seiner Erstveröffentlichung im Jahr 2021 wie folgt in verschiedene internationale Verkaufscharts ein: Deutschland # 22, Schweiz # 10, Österreich # 24, Niederlande # 31, Spanien # 84 und Finnland # 11, etc. Das limitierte 2CD-Digipak von 'Aphelion (Tour Edition)' enthält die beiden Bonustracks des Albums sowie eine separate, brandneue Live-Bonus-Disc mit 6 Tracks/40 Minuten, die dieses Jahr während der ersten Etappe der 'Aphelion'-Tournee aufgenommen wurden. Die 6 neuen Live-Tracks sind auch separat als Ltd. transp. Light blue LP auf einer 180g Vinyl-Edition mit dem Titel 'Live 2022' erhältlich. Haltet Ausschau nach LEPROUS, die im Februar/März 2023 mit Monuments & Kalandra als Supports in ganz Europa auf große 'Aphelion'-Headliner-Tour gehen werden.

SQÜRL was formed by Jim Jarmusch and Carter Logan in 2009 to score Jarmusch's movie The Limits of Control. Over a decade later and with numerous EPs and film scores under their belt, SQÜRL are set to release their very first full length record. Silver Haze was produced by Randall Dunn, who has also worked with the likes of Sunn O))), Boris, Earth, Zola Jesus, and Marissa Nadler, all of whom are artists that SQÜRL cite as inspirations. The album enlists Charlotte Gainsbourg, Anika, and Mark Ribot as collaborators, resulting in a communal offering that shares an energetic lineage with the New York School of Poets, a school they nod to on the track "John Ashbery Takes a Walk," which features Gainsbourg and turns two early Ashbery poems into an irresistible melodic siren's song. Silver Haze expands on SQÜRL's passion for creating rich textural sounds, finessed by a keen ear for production. The band is known for playing with everything from analogue synths to broken radios and pulling inspiration from painters, writers, and birds on the street. Silver Haze is a poetic journey of spoken words, dynamic instrumentals, drone riffs and distorted effects, one that features tubular bells and a cello in addition to their signature stacks of delay, encircling the listener in a warm oscillation both delicate and devastating.

As Warped Tour pop-punk and American Apparel indie rock dominated the strange post-Y2K guitar-band milieu, Boston's Karate delivered an engrossing shot of rock that constantly shifted between several shades of subterranean sounds. The quiet moments on Karate's millennium busting fourth album carry much of that old, unbridled intensity, braided into subdued jazz melodies and slowcore restraint. Karate's transition into rock maturity bore supple fruit with Unsolved, presented here with three previously unreleased songs.

As Warped Tour pop-punk and American Apparel indie rock dominated the strange post-Y2K guitar-band milieu, Boston's Karate delivered an engrossing shot of rock that constantly shifted between several shades of subterranean sounds. The quiet moments on Karate's millennium busting fourth album carry much of that old, unbridled intensity, braided into subdued jazz melodies and slowcore restraint. Karate's transition into rock maturity bore supple fruit with Unsolved, presented here with three previously unreleased songs.

As Warped Tour pop-punk and American Apparel indie rock dominated the strange post-Y2K guitar-band milieu, Boston's Karate delivered an engrossing shot of rock that constantly shifted between several shades of subterranean sounds. The quiet moments on Karate's millennium busting fourth album carry much of that old, unbridled intensity, braided into subdued jazz melodies and slowcore restraint. Karate's transition into rock maturity bore supple fruit with Unsolved, presented here with three previously unreleased songs.

SQÜRL, the duo of filmmaker Jim Jarmusch and Carter Logan, have announced their debut album, Silver Haze, out May 5th via Sacred Bones.

‘SilverHaze’ was produced by Randall Dunn, who has also worked with the likes of Sunn O))), Boris, Earth, Zola Jesus, and Marissa Nadler, all of whom are artists that SQÜRL cite as inspirations. The album enlists Charlotte Gainsbourg, Anika, and Mark Ribot as collaborators, resulting in a communal offering that shares an energetic lineage with the New York School of Poets.



‘SilverHaze’ expands on SQÜRL’s passion for creating rich textural sounds, finessed by a keen ear for production. The band is known for playing with everything from analogue synths to broken radios and pulling inspiration from painters, writers, and birds on the street. ‘Silver Haze’ is a poetic journey of spoken words, dynamic instrumentals, drone riffs and distorted effects, one that features tubular bells and a cello in addition to their signature stacks of delay, encircling the listener in a warm oscillation both delicate and devastating.



The announcement of ‘Silver Haze’ comes on the back of sold out live shows across Europe. Originally intended to happen in 2020, the rescheduled dates saw Jarmusch and Logan perform an original live score to four films by Man Ray. More live dates will follow in due course.

All Quiet On The Western Front (Im Westen Nichts Neues) is a 2022
German epic anti-war film based on the 1929 novel of the same name by Erich Maria Remarque. All Quiet on the Western Front received positive reviews from critics, with praise directed towards its tone and faithfulness to the source material’s anti-war message.

Set during World War I, it follows the life of an idealistic young German soldier named Paul Bäumer. After enlisting in the German Army with his friends, Bäumer finds himself exposed to the realities of war, shattering his early hopes of becoming a hero as he does his best to survive. The film adds a parallel storyline not found in the book, which follows the armistice negotiations to end the war.

All Quiet On The Western Front received a leading 14 nominations at the 76th British Academy Film Awards (winning seven, including Best Film and Best Original Score) and 9 at the 95th Academy Awards, including Best Picture, Best Adapted Screenplay, and Best International Feature, and Best Original Score.

The score of All Quiet On The Western Front is available as a limited edition of 2000 individually numbered copies on smoke coloured vinyl. The package includes a 4-page booklet with movie stills.

Constantly evolving and adapting his sound, Shackleton has releases
spanning labels such as Honest Jon’s, Perlon and his own imprints, Skull Disco (co-founded with Appleblim) and Woe to the Septic Heart!.
Shackleton now finds a home for a brand new project on the Barcelona-based, Modern Obscure Music.

Undoubtedly Shackleton, but taking the meditative aspects of his sound to a new plane, The Purge of Tomorrow, is an alias born to transmit a less dancefloor-orientated experience to whomever is ready to receive it.
‘The Other Side of Devastation’ is an investigation into a novel form of
deepness. Adverse to the reductive label of ‘Ambient’, these tracks are spawned from a live performance context. The essence was to create an immersive encounter where listeners are called on to actively unburden their mind of unnecessary thoughts. Staying true to the trance elements that Shackleton is renowned for, this EP is not dependent on traditional structures or a linear narrative.
‘Time Moving’ presents itself through a journey of disquieted moments and contemplative states. Hypnotic strings provided by Kathy Alberici construct pastoral phrases that mesh with the larger looming drones,
culminating to conjure a daydream-like energy. Following on, ‘Waves’
twists through various forms, awash with cascading vocal splices and
soothing murmurs contrasted with rousing sub pressure.
Reflective and sometimes provocative, as an artist who resents the
pigeon-holes of genre, The Purge of Tomorrow presents an exciting new direction for Shackleton. Bursting-at-the-seams with emotional
complexity as to echo the woes of the human condition, this EP is
steeped in feelings of forgone events doomed to be replicated.

Beta Librae returns to Incienso with her third album, “DAYSTAR”. Whereas her previous album for the label, “Sanguine Bond” was an altogether more heady affair - “DAYSTAR”, like the name implies, is a bright and bold waypoint in the ever expanding Beta Librae universe.

On eight songs, including a striking collaboration with james K on the lead single “Late At Night”, Beta gathers up new elements of sound and pairs them her unmistakable rhythmic shapes to bring us the most wide-ranging and cohesive B.L. album yet.

Bear's Choice, das erste echte Archivalbum von The Grateful Dead, wurde als Tribut an Pigpen kurz nach dessen Tod von keinem Geringeren als dem ursprünglichen Tonmann und Wohltäter der Dead, Owsley Stanley, alias Bear, liebevoll produziert. Bear's Choice basiert auf Liveshows, die Bear drei Jahre zuvor im Fillmore East in New York City aufgenommen hatte, und fängt die Dead in einem entscheidenden Moment ihrer Geschichte ein, als sie gerade Workingman's Dead (und
kurz darauf American Beauty) aufnahmen und sich zu Americana-Pionieren entwickelten, dabei aber nie den Kontakt zu ihren psychedelischen Improvisationswurzeln verloren.
Drei der acht Songs auf dem Album werden von Pigpen gesungen, wobei Seite 1 das definitive Beispiel für die frühen Acoustic Dead ist und Seite 2 aus elektrischem Blues und Rock 'n' Roll besteht, wobei Pigpen bei beiden Stücken auf der zweiten Seite den Ton angibt.

Dieses Album wurde von David Glasser mit Plangent Processes
von den originalen analogen 2-Spur-Bändern, die von Bear live aufgenommen wurden, neu gemastert und hat noch nie besser geklungen.

Chalke aka Life On Mars aka Forces Of Nature is a bit of a mystical legend in the drum & bass circles. An old school friend of LTJ Bukem, the two of them grew up together in North London and it is down to him that Bukem started to DJ, with Chalke as his original MC!

This is the second release Chalke has done with Vinyl Fanatiks – his first was VFS002 which has long since sold out and already a collectable repress on Discogs.
Chalke was so far ahead of the curve in his production and ability to create tracks that surprisingly these two tunes were written in 1993 and 1994 and pre-date the whole ‘intelligent’ drum and bass movement that took over the globe in the mid-90s!

Both tracks were never released and have sat on DAT for 30 years… until now. ‘Moonbase Alpha’ is a cult track in the drum and bass world as it was played by Bukem during the mid-90s, both in his sets and on his Kiss show. Deep, rolling and beautifully progressive for the era. ‘Quosh Up’ is equally as stunning, musical and rolling… like one of Bukem’s DJ sets during the Good Looking era.

Limited pressing on 180g heavyweight black vinyl, presented in a black inner sleeve with a Vinyl Fanatiks 3mm spined housebag.

Zum ersten Mal auf Vinyl! Fast 20 Jahre nach der ursprünglichen Veröffentlichung von "Never Ending"; das mächtige dritte Album von Mystic Prophecy ist endlich auf limitiertem Vinyl erhältlich. Das Album wurde ursprünglich 2004 von Nuclear Blast veröffentlicht und war das dritte und letzte Album mit dem zukünftigen Ozzy Osbourne-Gitarrenheld Gus G! Ltd. Transparent Orange & Gold LP.

Zum ersten Mal auf Vinyl! Fast 20 Jahre nach der ursprünglichen Veröffentlichung von "Never Ending"; das mächtige dritte Album von Mystic Prophecy ist endlich auf limitiertem Vinyl erhältlich. Das Album wurde ursprünglich 2004 von Nuclear Blast veröffentlicht und war das dritte und letzte Album mit dem zukünftigen Ozzy Osbourne-Gitarrenheld Gus G! Ltd. Transparent Orange & Gold LP.

Unreleased but perfectly formed "hidden" album, recorded in 1989-90 by Nuno Rebelo on the wake of his "Sagração Do Mês De Maio" double LP (composed in 1988 as soundtrack to the third Manobras de Maio fashion event in Lisbon). The tracks convey a sense of investigative curiosity regarding computer composition and they sound wonderfully artificial. Titles as "Moon OK", "Tiny Space Ships" or "Dança Das Creaturas Elásticas" ("Elastic Creatures Dance") embody this idea of otherworldness, a kind of music actually coming from another place, composed and played by elastic creatures. It displays the functional qualities of Library Music, illustrating playful as much as moody and dense moments. In this way the album comes across as a soundtrack for moving images, sure, but with unusual framing and sharp angles. A unique object in the Portuguese avantgarde, keeping its distance from Academia but also from contemporary independent releases ("Plux Quba" by Nuno Canavarro comes to mind). António Duarte's 2019 mastering enhances this collection of music liberated from the archives of one of the most brilliant, active and challenging musicians of his generation.

Nuno Rebelo was born in 1960, graduated in Architecture, founded Street Kids and Mler Ife Dada, played in the "transitional" line up of GNR in 1982. His creativity expanded into improvised music. Performances and recordings with other musicians multiplied. He composed music for theatre, dance, jingles and, on an almost contradictory scale to his underground credentials, soundtracks for the Expo 98 and Porto 2001 mega events.

“Improvisações Cristalizadas” by Nuno Rebelo:
Short electronic pieces composed in 1989-90 using the Atari 1040ST computer with Steinberg Pro24 Software, Two Yamaha Sound Modules (TX81ZX and TG55) and Ensoniq Mirage Sampler with keyboard. The composition method for each piece evolved from a short improvisation on the Mirage keyboard, recorded in MIDI to the computer. Counterpoint permutations (inversion, reversion, inverted reversion, transpositions) were then applied through the software, distributing the variations of the initial improvisation by other timbres. No other musical material was used.

The Magic Movement is more than happy to present the debut album of BRUO.

The Brazilian duo presents seven tracks with their very own blueprint of Ambient/Electronica music, generated from radically processed cut-up guitars and sophisticated glitch beats. BRUO, which means "noise" in Esperanto, is born from the deconstruction and re-editing of long improvisation sessions, arranged in succinct tracks and narratives which are stylistically located right in the middle between the minimalism of Alva Noto and the maximalism of Amon Tobin.

Their unique and immersive combination of sounds creates a cineastic world and invites you to drift with BRUO through the nocturnal streets of São Paulo, one of the most pulsating cities in the world and birthplace of this project.