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Mount Kimbie’s forthcoming contribution to the acclaimed fabric presents series marks one of the duo’s most dancefloor-focused bodies of work in years. More than simply a release on fabric Records, the project sits within the revered fabric presents mix series, placing Mount Kimbie alongside artists such as Daniel Avery, Midland, Helena Hauff and Overmono, artists who have each delivered defining entries for the series.

Leading the project is first single “Monroe”, a warm yet uplifting club track that unfolds gradually through loose percussion, driving synth work and subtle vocal fragments drifting in and out of the mix, adding flashes of emotion without interrupting the track’s momentum. An ode to their 2017 hit ‘Marilyn’ featuring Micachu, the track carries elements of the original throughout, with flourishes over reverb washed vocals that float around you amongst driving drums and bass. There’s a summery energy running throughout the track, making it equally suited to late-night club systems and open-air festival stages.

Long celebrated as pioneers of the post-dubstep and future garage movements, Mount Kimbie continue to evolve beyond genre boundaries while maintaining the unmistakable sonic identity that has made them one of the defining acts in UK electronic music. Their contribution to the fabric presents series captures the duo at their most refined and exploratory, without losing the emotional atmosphere and understated intensity that has always defined their work.

Released as part of the prestigious fabric presents series via fabric Records, the project signals a bold new chapter for Mount Kimbie.

Repress! Back by popular demand–VSR 001 is designed to take you to the outer reaches of where you need to go. Wiersma has created a world where with your eyes closed and head down, the dance-floor can transport you to the outer reaches of space and back again for another beautiful night with all your favorite people.

Vermilion Sun Records was started as a passion project in 2025 with a belief in the magic of physical media juxtaposed against the incursion of AI. The original release featured just 100 copies and utilized US-only distribution; it was sold out in less than 5 months. After being brought across the pond from Boston to Brussels by local DJ & tastemaker Rasaaq, it was subsequently shared, quickly gaining popularity on Discogs. This repress is a testament to Vermilion Sun’s core belief; that is meant to be shared and enjoyed by everyone, and there is magic in that ritual.

Wiersma is a cherished member of the electronic music scene in Boston/Cambridge, MA. A DJ, partygoer, and prolific producer, he has played many of the city’s favorite nights sharing bills with other local talent and setting the stage for international acts like Bradley Zero, Garrett David, and Cinthie. Tapping all of these channels brings forth a creativity where memories from nights in Boston and other global travel transform his unique productions. His release VSR 001 showcases this style, exploring the darker and proggier sides of the house universe while making sure to stay tethered to a reality with firm roots on the dancefloor. A1 begins with Once Around Vega where a cinematic opening draws you into groovy and spacey loops demanding you to move. Syntactic Roles churns more deeply, incorporating layered dystopian vocals, rolling basslines and light acidity that is sure to help you close your eyes and put your head down for a dance. The B side keeps the space station grooving with Transmission from L3, and closes out with Rules of Teleportation incorporating more vocals over chugging electro infused grooves.

Special remarks : coloured vinyl, Orange
On his first vinyl LP release for Stasis Recordings, SubDan delivers an album that feels like an Acid Smiley Face. His sound is so rooted in the TB303 that it is the backbone to every track, and yet, he doesn’t use it as a baseline (which was the instrument’s original intention, according to Roland), but as melody, a mood, a feeling. This LP is full of retro feels combined with futuristic beats, languid atmospheres and urgent callings. SubDan uses the TB303 like no other musician I know and on this LP his creativity is on full display.

Outer Place Records proudly presents its seventh vinyl release: Jungle EP by Kamyar Keramati with included a remix from Domenico Rosa . A sonic expedition through intricate rhythms and emotive textures, this EP marks a significant chapter in our label's journey. Berlin-based Iranian producer Kamyar Keramati delivers a compelling four-track EP that traverses the realms of techno, breakbeat, and ambient soundscapes.

A1. "Jungles"
An immersive opener that sets the tone with layered percussions and atmospheric depth, inviting listeners into a dense sonic forest.

A2. "Sakhiff"
A rhythmic journey blending intricate beats with subtle melodies, showcasing Keramati's prowess in crafting dynamic electronic narratives.

B1. "One For All"
A unifying track that melds diverse sonic elements into a cohesive whole, reflecting the EP's complete theme of interconnectedness.

B2. "Jungle (Domenico Rosa Remix)"
Italian producer Domenico Rosa reinterprets the title track, infusing it with his signature minimalistic but techno flair, adding a fresh perspective to the original composition.

Each track demonstrates Keramati's ability to weave complex rhythms with emotive undertones, creating an EP that resonates on both the dancefloor and in introspective settings. Visual Identity by Henrik Delehag Complementing the auditory experience, the EP features cover art by Swedish artist Henrik Delehag . Known for his distinctive black-and-white iconography, Delehag's work explores the interplay between chaos and harmony. His art distills complex realities into symbolic forms, providing a visual narrative that mirrors the EP's sonic journey.

This collaboration marks the beginning of an ongoing partnership, with Delehag set to design all future vinyl covers for Outer Place Records. His unique artistic vision aligns seamlessly with our label's vision, enhancing the holistic experience of our releases.

Jungle EP is more than a collection of tracks; it's a curated experience that fuses sound and visual art.

Available soon on vinyl and digital platforms.

2026 Repress

Demarkus Lewis is known for his ability to deliver house music at a deeper level while maintaining the energy that keeps the dance floors moving, Demarkus Lewis has grown to be one of the most respected dance artists in
underground house music today. With just about 30 years of DJ experience he has has traveled and shared his craft with the world over. His music has found its way onto labels such as Large Music,Subtractive, Moods N Grooves, Kolour Recordings, iRecords, Phoenix Recordings, Viva Recordings, Guesthouse Music, Kingstreet Sounds, Pogo House Records, Plastik People, Spacedisco Records and his very own labels Grin Music/Grin Trax (Just too name a few). His cut "Every Night" instantly draws you in and hold keeps you moving using a thick bassline and kick pattern, key stabs and a vocal that binds it all together. The B remix is by Gil Aguilar who takes the dedepness and adds chug. This record sold out fast and there are only a few remaining copies left.

Iranian-born and Paris-based Nesa Azadikhah delivers dancefloor ready tech house cuts for her debut EP on the Berlin label. For SEVEN, Nesa is a perfect match, not only because of her music but because of her engagement in the scene and her activist work. This EP ventures in different directions: moody, subtle, jackin', raw, atmospheric yet always driving, and perfect for keeping a crowd moving.

Soak’s fourth album, decembers, was born in literal silence. Contending with an autoimmune disease that prevented them from singing, it was the absence of sound that birthed the Derry artist’s most sonically and lyrically remarkable album to date.

The space that expanded from that enforced quiet, and the life lived within it - transitionary, liminal, escaping in search of connection - cracked something open. What floods in, is an album of stunning tenderness, honesty, and astonishing storytelling from an artist discovering the revelations at the end of the line.


In decembers, we travel on the road through America, walk the frost-glistened paths of Dublin at night, search for a meteor in Portugal, and return home to Derry. Everywhere, here is an artist evolving, exploring, releasing themselves, coming undone, and eventually, becoming.


At the core of the album is this lyrical statement: “Getting lost is getting free.” How brave it is to face the unknown. Because when you really go there, that’s where discovery lies. That discovery in decembers is a creative one, but it’s also about connection to people and place, to forgiveness, and ultimately to prioritising honesty. “A consistent theme is struggling for direction, battling the urge to run,” Soak says, “and instead, planting my feet.”

Soak’s fourth album, decembers, was born in literal silence. Contending with an autoimmune disease that prevented them from singing, it was the absence of sound that birthed the Derry artist’s most sonically and lyrically remarkable album to date.

The space that expanded from that enforced quiet, and the life lived within it - transitionary, liminal, escaping in search of connection - cracked something open. What floods in, is an album of stunning tenderness, honesty, and astonishing storytelling from an artist discovering the revelations at the end of the line.


In decembers, we travel on the road through America, walk the frost-glistened paths of Dublin at night, search for a meteor in Portugal, and return home to Derry. Everywhere, here is an artist evolving, exploring, releasing themselves, coming undone, and eventually, becoming.


At the core of the album is this lyrical statement: “Getting lost is getting free.” How brave it is to face the unknown. Because when you really go there, that’s where discovery lies. That discovery in decembers is a creative one, but it’s also about connection to people and place, to forgiveness, and ultimately to prioritising honesty. “A consistent theme is struggling for direction, battling the urge to run,” Soak says, “and instead, planting my feet.”

2026 Repress

Astral Projection were pioneers on the Goatrance scene and have been storming the dancefloors for more than 20 years with their uplifting melodic and hypnotic music signature! Now we are delighted to announce; their EP "Let There Be Light" with 2 new tracks of the masters and remixes by Filteria and Morphic Resonance; repressed on vinyl.

First you can hear Astral's rework of the sublime "Filtertraces" track by Filteria. Giving it their so special spiraling recipe, Avi and Lior gave it a trippy and panoramic touch!

Second Filteria returns the favor with his own version of the fantastic "Let There Be Light" track by Astral Projection. The production upgrade and filteria-esque melodies do wonders to the goatrance anthem and on the dancefloors where it's played!

Then, Morphic Resonance, shows the full extent of his skills as he embarks you on a sci-fi rollercoaster ride with his remake of Astral Projection's "Enlightened Evolution". Expect massive melodies and the usual explosion of energy from the Catalan artist!

Last but not least, Astral Projection have remixed their own "Another World" track from the 1999 eponymous album. Yet no doubt the Israeli duo is stunningly sharp as it managed to give it exhilarating new twists as well as a splendid production!

This incredible collaboration shows once again goatrance music is a blessing and we hope it will enlighten your path!

2026 Repress
Moving Pressure marks its fifth release, and the first one to stretch across a double vinyl with full sleeve artwork. It isn't framed as an album, yet its sequencing carries a narrative weight that lingers between immediacy and introspection.
MP05 welcomes on board Australian producer Connor Wall, whose work fuses tightly wound rhythm and immersive atmosphere, balancing precision with a sense of openness. His sound is rooted in the physical pull of the dancefloor, yet drawn toward zones of suspension and elusion. And Moving Pressure 05 captures that duality very clearly. Momentum sets the tone from the outset - taut drum programming, metallic accents, and structures that build energy in decisive bursts. There's a sense of propulsion that feels engineered for peak hours, exuding a tightening grip on the floor. Gradually, tension loosens up, stretching patterns into spirals, layering vaporous pads and resonant low-end that opens a more interior space.
Together, the two arcs trace Wall's range with clarity: body and mind, force and dissolve. Rather than presenting opposites, they reveal different angles of the same language. An exploration of density, atmosphere, and the subtle thresholds between the two.

Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evaporates into iridescent vapor. If there's any trace of the original sources left, Muir makes sure that residue is subtly bewildering, like clouds in the sky that form imposing, larger than life images, or trampled bracken that falls into the shape of “trve kvlt” insignia.

The idea for the album materialized when Muir was working on 2022's Talisman, his collaborative album with multi-instrumentalist Evan Caminiti. Processing guitar for the first time, Muir began to unpack his long relationship with rock music and its Escher-like maze of sub-genres, from the tech metal he obsessed over as a teenager to Loop and Main's drone-y, textured variants. Scraping the internet for unconventional contemporary metal albums, he stumbled across music that seemed to hover between different realms, merging its frenetic, noisy sections with psychedelic interludes that harmonize with classic industrial and avant-garde music, material like :zoviet*france:, Nocturnal Emissions and Z'EV.

Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas Shärifulla) and Persian/Parisian electro-acoustic musician Cinna Peyghamy.

‘Scoff Back Sickness’, as the title loosely translates, utilises the same approach, one based on non-hierarchical authorship and leaning heavily on field recordings that both contrast and blend with the tonal material, focusing on biophony, landscape and environmental audio as compositional material.

a A1. xiv - pavo (ft. Cinna Peyghamy) [09:36]
[b] A2. falò [04:02]
[c] A3. monte (ft. Riccardo Sinigaglia) [05:46]
[d] B1. hastilude (ft. Riccardo Sinigaglia) [07:51]
[e] B2. 1744 (ft. HMOT) [06:06]
[f] B3. la cruma [07:29]

[a] A1 | xiv - pavo (ft. Cinna Peyghamy) [09 36]
[b] A2 | falò [04 02]
[c] A3 | monte (ft. Riccardo Sinigaglia) [05 46]
[d] B1 | hastilude (ft. Riccardo Sinigaglia) [07 51]
[e] B2 | 1744 (ft. HMOT) [06 06]
[f] B3 | la cruma [07 29]

Subtle Beginnings is the second of the ReKab albums originally released on Móatún 7 to be reissued on vinyl for the first time by System One. Analogue Isolation came in May & sold out everywhere almost immediately

Label head D. Howard first came across ReKab while deep diving through Bandcamp, and like many lovers of deep, late night, soulful electronic music immediately fell for the emotional pads, pristine melodies & immaculate productions, simultaneously summoning up the essence of early 90s electronic while sounding thoroughly contemporary.

They connected and a plan hatched to make the Móatún 7 albums available on vinyl for the first time, something that avid record collector James was delighted about. Unfortunately James sadly passed away late August last year, but following conversation with the family & friends of James, it was decided to honour his wishes & make the albums available on vinyl & across all digital services once again. Proceeds after costs will be paid through to the trust fund set up to support James’ surviving son.

System One is a new label dedicated to soulful electronic music, late night grooves & intergalactic beats, drawing its inspiration from the early 90s techno & ambient sounds of Uk, Frankfurt, Detroit & beyond

Tether Records emerges from the ether with a statement of purpose in People People’s third offering on wax after their acclaimed Out of Our Hands LP. Born from the genre-bending minds of André Baum and Gulp, “Waking Up” finds the duo stretching their wings into bold and uplifted raver territory. The single is complimented by carefully selected remixes from fellow dreamers Adam Collins, Aline Umber & Krol, Arno, and Dana Ruh. This is music for tethering body and mind in wild and wooly times. “Now your heart is on fire/ you’re coming back to life/ you’re waking up, waking up, waking up…”

Marwan’s debut on Gated finds the sweet spot between dub, deep, and ambient techno.

The focus is firmly on rhythm: layered percussion, spacious atmospherics, and slowly evolving textures that reveal a little more with every listen.

These are immersive, patiently crafted tracks that never lose sight of the dancefloor.

Tedere Onverschilligheid (which we think roughly translates as Tender Indifference) opens with evolving percussion and sweeping synth textures that gradually pull you under. Vrijheidsdromer settles into rolling bass, organic percussion, and subtle atmospherics, while Ik Ontdekte Sacramento Ezel begins with darker intent before opening into one of the EP’s more uplifting moments. Heldere Geest (Clear Mind) takes the scenic route, unfolding from fractured rhythms into a deep, hypnotic groove, before De Speech rounds things off with an expansive finale that feels equally at home closing a club set or carrying you through the last train home.

Five expertly crafted, highly mixable tracks that will slot effortlessly into deep sets, and quite possibly convince you that buying “just one more record” was always a sensible idea.

"Potency continues apace with 'Jackin Shit', a gleefully self-explanatory EP from label founder Cromby. Following widely-played recent releases from Malik Kassim aka Retromigration, Trax Unit and Rhythms of Prescott, the prolific DJ and producer reaffirms his imprint's fundamentals with four upfront, high-energy tracks, each reflecting a different facet of the Belfast-via-Berlin producer's decades-deep understanding of house and techno history. Title track 'Jackin' Shit' gets things moving with a rich blend of rolling basslines, liquid keys and diva'ed up vocal snippets. Lucid and groovy in the style of seminal East Coast vocal pleasures, Cromby's vision of house is nonetheless driven by a dusty kick drum that references Head High/WK7, or Paul Woolford in a warehouse somewhere... In contrast, 'Sense Control' places percussion front and centre, locking in a tight rhythm in order to ride out a liquid collage of acid lines, ecstatic piano and other blissfully wavy elements. 'Con Gas' establishes a tougher direction on the flip, finding Cromby's busier instincts reduced the simplest of ingredients - sub, bass and stabs - taking dancers deep into the bowels of house, replete with classic vocal call-outs, and yes, even a well-earned inbuilt spinback. Having exhibited such restraint, we're unceremoniously booted out of the cubicle and back toward the strobes for 'Cheeky Bump', a rubbery, driving dancefloor tool guaranteed to delay any impending cab home. Colourful, charismatic and exclusively engineered for true party people, 'Jackin' Shit' finds Cromby returning to home turf on definitive form."

2026 Repress

SHDW & Obscure Shape offer up their first EP on new imprint Mutual Rytm as they drop five fresh and expansive techno cuts across their 'Poetic Justice' EP.

A duo that has ascended to become leading names within today's techno landscape, SHDW & Obscure Shape continue to grow and evolve while shaping their own unique sound fusing classic influences with a modern touch. Their latest project saw the birth of Mutual Rytm - a new imprint launched in early 2022 set to showcase a deep dive into the duo's musical roots via their own productions alongside material from the label's close family of likeminded artists. Following the label's opening multi-artist VA and the first solo EP from Berlin's Lars Huismann, June welcomes the first solo instalment from the label founders themselves as they ready a killer five-tracker set to make an impact.

A1 'Turbulence' sets the pace as the duo delve into nimble rhythms which ebb and flow effortlessly to reveal a hypnotic slice of modern techno permeated with classic, old school cues, while 'Pulse' takes up a darker aesthetic, keeping the energy high as metallic drum licks guide driving sub-bass and resonant stabs. On the Bside, title cut 'Poetic Justice' balances warping vocals with swinging percs amongst a layered, drum-laden kinetic
workout, exemplifying the duo's drive for combining and contrasting various shades of techno. Next up, 'Set It Off' welcomes the introduction of expansive melodies to offer an entrancing late-night cut, before turning to the unhurried grooves, salient hats and sweeping atmospherics of 'Killing Me Softly'.

Digital bonus 'Before Sunset' once again delves into lighter, breezy territories while keeping the classic rolling
techno touches throughout, shaping up the package with a powerful yet agile closing production.

House is the Religion. The DJ is my Deacon. The Music is my God and James Bangura is cool af.

Genuine, passionate, clear, authentic and real…. He isn’t trying, he just is. And his music is the same. It’s fucking cool. It’s real and authentic and it just is James Bangura. So it’s a real honour to add him to the Shall Not Fade roster; from Techno to Jungle to House and everything between the DC native can extract the true essence of a genre and simultaneously make it his own & pay homage to its roots.

So on Jack Sermon there’s no surprise when he flexes a seemingly generationally inherited knack for all things House (and Techno) and delivers four tracks of raw, real, genuine House music. OG shit.

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‘House is the Religion, and the DJ is my Deacon, but the music is my God” says the Evangelical vocal on title track ‘Jack Sermon’. Never has there been a more aptly named track…This is a jack sermon… an OG inspired Chi town cut channeling early house music’s soulful beginnings delivered with straight up jacking house beat offset with laidback dusty dub chords….. We don;t say this lightly but we’re calling anthem on this one.

‘Scat Pack’ takes a more percussive and drum forward House motif. Thunderous kicks tease techno but this is still house, NY at heart complete with voguing diva vocals . Blown out and choppy we could say ‘this could have been ripped from a late 90’s club recording on a lost tape’ but that would do disservice to the precise but invisible fusion that's been laid down here..

‘Funk To Berlin’ opens the flip side and in Bangura’s journey to explore classic forms of house and techno, this track may well have taken root from Dub techno pioneers from the past. Deep dub chords and deeper subs lead the track but that jacking percussion makes this more than homage. Machine Funk, Machine soul. AA side business.

‘The Green Line’ closes out the EP in style.. rolling it out with skittering synths that work like percussion, ethereal pads and a faint vocal ‘Chicago’ spiralling into itself making this track one you can get lost in. Some might argue that this one is techno but who cares. It’s the journey not the destination. Two tickets please.

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If you don’t know James Bangura’s music already (or even if you do) do some digging.. Look for releases on Mister Saturday Night, K7! and Floorspeed and check his output as part of “Black Rave Culture” with Amal and Nativesun and as a member of Groovedeep with Toronto’s Ciel and fellow DC native Jackson Ryland.

To close, we’ll leave you with this note from James……. told he is cool af.

House music, to me, exists on a wide spectrum. I’m inspired by its many forms: stripped-back minimalism, percussive drive, hypnotic textures, and soulful undertones. Rather than confining myself to one approach, I treat each track as an exploration—testing structure, pushing rhythm, and allowing subtle details to carry emotional weight. The studio becomes a space where groove and atmosphere meet intention. This body of work highlights that process. It reflects how I balance technical precision with feel, tension with release, and tradition with forward motion. Every decision—from drum programming to spatial design—is part of shaping a sound that feels honest and instinctive. - James Bangura

“One foot out the door, another in the otherworld…”
So begins Hannah Lew’s debut, self-titled solo record, soaked in imperious, wide-eyed pop songwriting and a girl-group/post punk aesthetic that belies the artist’s history in the U.S. underground. A towering, hook-laden album, it’s infused with an optimism and surrealism that conversely deals with the times we find ourselves in.

Recorded at home in Richmond, CA and in The Best House studio with Maryam Qudus in Oakland CA, with the assistance of a crack team of West Coast musicians, this album sees Hannah Lew stepping out from behind the legacy of her two groups Grass Widow and Cold Beat. While musically bearing similarities with her previous work, “Hannah Lew” is a bold leap into direct pop territory, making ample use of a vocal style that teases out the inherent melancholy in her melodies. Mastered by Sarah Register, each song is a perfectly honed nugget that frequently pulls the heart in two directions at once.

Themes of change, breaking up, shattering old ways of being are shot through the record. For the front cover, a photograph of the artist’s face was printed, ripped up and re-assembled, resembling the creative process embarked upon by Lew for her first “solo” material. The album feels instinctual, almost dream-like in its assemblage of sweeping synths and pulsating, propulsive drum machine beat patterns with Lew’s vocal performances sensitive and caressing over the top. Increasingly relying on the subconscious and dreams to guide her creative process, Hannah Lew frequently abandons literal interpretations or linear narratives, the songs seeming to exist in a swooning, effortless flow-state while remaining emotionally hard hitting.

On an album where every song could be a single, there are kaleidoscopic shades and varying emotional tones in abundance. First single Another Twilight is carried along a pumping, Italo-disco-style 4/4 beat and mono-synth bass line, the low end pulling at the heart and body. Lew’s vocal melody teases the track before swan-diving into a gorgeous chorus as she sings “it’s all over baby and I don’t mind… in decline, I take my time…” The album is suffused with moments like this. On slow builder Damaged Melody, an arpeggiated synth elongates the verse before a cascading synth showers down melodic glitter. The stunning Replica uses dual swirling synth patterns before a driving, synthpop chorus for the ages carries Hannah Lew’s vocal into the stereo field, sailing in on a high register singed with the embers of a break up.

In a departure from previous groups, her solo songs are guided by dreams and free association inspired by Dada and the Surrealist movement and sculpted afterwards. As such, the songs reveal themselves on repeated listens, revealing traces of heartbreak inspired by both personal and global elements - Hannah Lew regards the album “a wartime album.” On Move In Silence, Lew intones “there’s a war outside, just out of view,” revealing the dichotomy at play throughout. With the songs evolving naturally and in a flow state, the pressures and sadnesses of the modern age bleed through, mixed in with Lew’s inherent love, sensitivity and fractured-but-intact optimism. On the swooning, sublime Sunday layers of Numanoid synths open up for the commanding vocal performance pontificating on grief, love, pain as she “feels the ache on Sunday…” As the chorus builds and Lew’s call-and-response vocal adds to the emotional tension, it almost feels like too much to take.

Elsewhere, there are echoes of Hannah Lew’s previous work. On Time Wasted a bass guitar comes in with a heavy, punk attack before the synths and vocal harmonies reminiscent of later Cold Beat elevate everything. The glassy, sweetly resigned closer The Clock sounds like so classic it could be cover, a sweetened Jesus & Mary Chain tune perhaps, before it erupts into volcanic chorus that could only come from Hannah Lew in 2026.

2026 Repress

Sublunar, the label founded by Sciahri, is proud to present the debut EP of Australian artist Connor Wall with Equals. Known for his releases on Phorum and Moving Pressure, Connor Wall is one of those artists capable of crafting a deeply personal and hypnotic sound, where each track unfolds as a journey of its own.

The EP opens with Oak, a minimal yet driving and atmospheric piece, before moving into Invert, a powerful track built around a unique and relentless escalation of tension. On the B-side, Equals sets the tone with growing intensity and hypnotic vocals that carry a story meant to be experienced until the very end. Construct follows with darker, more obscure vibes, delivering a deeply hypnotic and mental atmosphere, before the EP concludes with The End, a truly mystical journey that captures the essence of an artist able to transform sound into narrative.

Yore Records presents: Craig Alexander - Phenomenal Woman / Across My Mind (12" Maxi Reissue)
Following his recent appearance on the label, Craig Alexander returns to Yore Records with a carefully curated reissue of two standout House Workouts: Phenomenal Woman and Across My Mind.
Originally released on earlier records, these tracks are now brought together on one 12" - each presented in two distinct mixes - capturing the raw, emotional depth of Chicago House in its purest form.
At the heart of this release lies Phenomenal Woman, a track that draws inspiration from Maya Angelou's iconic poem of the same name. Rooted in the African-American cultural context, the piece carries a subtle but powerful message of identity, strength and self-definition - translated here into deep, jazz-infused House music.
Across My Mind complements this with a more introspective tone, driven by warm chords, understated grooves and a timeless sense of space.
Together, these recordings embody what House music has always been at its core:
music with a message, shaped by lived experience, culture and emotion.
Stripped down, honest and deeply rooted, this is Chicago House in its most original and authentic form - a sound that continues to resonate far beyond the dancefloor.

Limited to 250 copies worldwide / no repress.

Adam Freeland relaunches Marine Parade with the ‘Transhuman’ EP, a collaboration with Spooky’s Duncan Forbes and the first of three releases set to arrive throughout the year. Available to stream now, the title track previews a deeper, more atmospheric direction ahead of Freeland's first solo material in sixteen years and the first new music on Marine Parade since 2009.

Across Adam Freeland and Duncan Forbes’ ‘Transhuman’ EP, broken rhythms sit subtly beneath spacious arrangements, while flickering synths, sci-fi -infused vocals and static-charged textures create an immersive, cinematic feel. It's a sound that reflects both Freeland's longstanding love of dub and Techno and the distance gained from stepping away from the dance music landscape in the 2010s.

Best known for his seminal ‘Coastal Breaks’ mix album and a run of acclaimed releases, remixes, and mix compilations spanning Fabric Live, Global Underground and Back To Mine, Adam Freeland spent a decade living off -grid in California’s Mojave Desert, while also working with Ry X to form The Acid, a band that has since released the ‘Liminal’ LP on Mute/Infectious, penned a film score and toured to great acclaim from well outside the electronic world.

Joining Adam Freeland is Duncan Forbes, one half of pioneering UK duo Spooky, whose landmark releases on Guerilla Records and influential debut album ‘Gargantuan’ helped define the early ambient Techno and progressive House movements. In the decades since, Forbes has continued to evolve through projects including collaborations with Mr. G and Sasha, as well as recent solo releases via Enzo Siragusa’s Fuse London and his own 49North imprint.

The ‘Transhuman’ EP marks the beginning of a new chapter for Marine Parade, with two further EPs from Freeland scheduled throughout 2026. The label will also expand with forthcoming material from longtime friends and previous label artists Evil Nine, alongside a new generation of talent joining the roster.

We are excited to share the debut Ep of our label co-founder Verhall with you! In his productions he explores dark, atmospheric, and organic soundscapes, blending influences from different eras and subgenres while maintaining a strong focus on storytelling and danceability. His four track EP „Off Grid“ will be released on the 7th of August digitally and on vinyl.

With his distinctive touch for melody and texture, "Thunder EP" opens a portal to a new world, both vibrant and underground. Split into two parts, the A-side burns with a groovy house and breakbeat energy, while the B-side shines with deep, progressive and electronic soundscapes.

With its powerful vocals reminiscent of Bicep and a melody that brings a breath of fresh air, the opening track of the EP "Thunder" has all the makings of a future anthem. It perfectly sets the tone with its raw breakbeat energy and rolling textures

Right after, the A2 "You've Got The Feeling" offers a subtle blend of softness and groove. True to Houseum’s deep and sunny DNA, the track revolves around an effective classic piano house hook and a captivating soul vocal that instantly sticks in your head.

Closing the A-side, "Space Jam" shifts into more atmospheric territories with floating vocals and airy synth pads, moving the dancefloor toward a deeper, more mental vibe.

On the flip side, the hypnotic bassline of the B1 "Bullet Train" sets the pace immediately. The track nods to 90s progressive house through its structure while offering distinctive deep tech and dub techno sounds.

Finally, "Haag" wraps up the record with a subtle blend of IDM, ambient, and dub techno, a sound aesthetic that might remind a certain In Limbo EP released on Houseum's sub-label, Ellipse Records. It acts as the perfect closing track, inviting the listener to wind down and float away after the intensity of the previous tracks.

Telfort continues his considered run of self‑releases with a sixth outing of deep, expressive house music that captures the warmth, emotion and subtle evolution of his signature sound.
Across three cuts, he balances classic dancefloor instinct with a deft melodic touch – from driving grooves and warm, rolling low‑ends to lush, uplifting turns and hazier, introspective closes. The result is a rich, diverse yet cohesive statement from an artist still refining what makes his music resonate, further reaffirming the inimitable style that has defined Telfort’s output since the label’s first release over ten years ago.

Love On Vinyl is headed up by K.C. aka K Civ, an American with deep roots in the scene and a legendary Boston selector who has now assembled the first instalment in a new Soul Tickler Essentials compilation series. It's drenched in love and soul and features a ton of timeless artists, starting with Ralf GUM's sunny, Omar-featuring 'Love Core.' Elsewhere, the musicality flows through subtle jazzy keys and Afro drums on Don Kamares's 'Batie' then Moodymann drops one of his deep and dusty soul grinders with a remix of Ralf GUM's 'With Her Hand'. Further gems from Trinidadian Deep and Aaron K Gray & Conway Kasey make this one a faultless selection of grown-up grooves.

“Wavebreaker” is a magnificent post-punk and minimal wave album originally self-released in 2024 by Orus Boris — a brilliant work that unquestionably deserved a proper vinyl edition for both its musical depth and outstanding technical quality. Built around a truly exceptional production, “Wavebreaker” moves in line with the finest contemporary wave sounds while constantly expanding its own universe. The album never feels nostalgic or predictable. Instead, it reshapes its influences into something fluid, sharp, and deeply personal, refusing to remain confined to a single language. Alongside its minimal wave foundations, the record introduces subtle incursions into darker electronic territories such as dark electro aesthetics, making each track feel unexpected and constantly evolving. Melancholy collides with tension, elegance with aggression, precision with emotional weight. The result is an immersive and surprising listening experience from beginning to end—a remarkable work that confirms Orus Boris as one of the most exciting and essential voices to follow within the new wave underground. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

FELT wade deeper into the murky waters of contemporary Scandinavian electroacoustic music following the recent reissue of Johan Wieth’s Health & Safety project on sub-label LEFT and established gems from the likes of Civilistjävel!

Gintė Preisaitė, a Lithuanian artist and graduate of Copenhagen’s Rhythmic Music Conservatory, reveals her first solo release under her own name, following a collaborative effort with Toshimaru Nakamura in 2025 and a number of cassettes as “Baraboro”. The deliberately genre-blurring sound Preisaitė deploys works with composed pop vignettes, sustained drones, FX manipulations and guttural bursts of noise. Sparse piano movements, sample-laden psychedelia and moments of big beat/trip-hop rhythms gel with crowd noise, close mic’d intimacy and experimental percussion with a focus on instrumental timbres and extended techniques.

With a background in composing for large ensembles, Preisaitė's multi-instrumental approach is evident across the eight tracks, moments of dense concrète-style sound collages anchored by the human voice never being far away. She laments on fantasy, absurdity and relationships as a cast of players contribute string, brass, accordion, and guitar parts. Passages move from delicate acoustic folk motifs through to wide-eyed, cut-and-paste glitch electronics and spectral melodic riffs, making the album an unorthodox and welcome addition to Denmark's current world-class music scene.

Emotional Rescue returns after a much-needed year hiatus, refreshed and ready, as it moves into its 15th year, to further explore the environs of oft-forgotten musical secrets and present them to new heads and minds.

To celebrate, the label looks back to one of its favourite collaborations, the music of French ‘Ethno-Industrialists’ Vox Populi! in presenting a truly unique EP of “In Dub”, inspired remixes by 4 fellow Paris based artists of today in Full Circle, Froid Dub, Krikor and Shelter.

“In Dub” takes a selection of songs from the series of albums reissued or compiled on Emotional Rescue and sister label, Platform 23, and gives the Master tapes to this talented ensemble to offer their own, unique dub reworks. The project explores the on-going advances in technology offered, mixed with pure talent and a respectful homage.

Formed by Axel Kyrou and including wife Mitra, as well as long-term music and art partners Pierre Jolivet aka Pacific 231 and Francis Lafont aka FR6 Man, they forged a path from obscure, drum and drum-based cassette releases on to fully realized albums and compilations on their now cult Vox Man Records.

Alexis Le Tan and Joakim’s Full Circle project starts, with their electronic dub remake of Soleyman Dub from the ‘Alternatif Réalisme’ compilation (ERC079). With releases on Good Morning Tapes, Offen and their own “Released” label, their plaudits as master diggers and producers of dubby tripped-out inspired electronics – releasing slowed Trance some 10 years before anyone else – is inspired. Tuning in and turning on the original dub into a mantra style slow-breaks (Digi)dub is the perfect experimental flavour.

Jube Man is next, a twisted, psychedelic dub out by rising stars Froid Dub. The stand-out from the ‘Magiques Creations’ release (ERC052), an album that explored Vox Populi’s furtive post-industrial period of 1984 to 1988, Jube Man was the perfect selection by the duo of François Marché and Stéphane Bodin.

Froid Dub have steadily developed their “cold” Digidub style to acclaim –

releasing a steady flow of dub inspired electronics on their own label Delodio, as well as recently appearing on sister label Emotional Response’s 10th year anniversary collection, ‘All Trades’. Their haunting, shuffling and murky acid / piano dub, with the drifting “Space Echoing” of Mitra’s vocals from the live desk mix, creates a ghostly version to effect.

Next, master mixer, producer and engineer Krikor serves a steppers remake with his “OverDub” of Zen-Dub. With a career that spans releases on Tigersushi, LIES and Soul Jazz, his sound has developed from Electro, House and Techno, to Acid, Bleep, Dancehall, Dub and touches of Gabba.

Taken from Vox Populi!’s master-opus Aither (ERC030), the first of our reissues dating back to 2016, Zen-Dub’s pacey, lo-fi dub experience is transformed and overdubbed into an incessant sound system throb, a true bass quaking “steppa”.

To close, Micro Climax is put through Shelter’s increasing avant dub exposition. Appearing on the likes of Growing Bin, Emotional Response and his own Protopost, as well for – and being in-house designer – on the much-missed Séance Centre, Alan Briand aka Shelter productions have developed from Balearic, Edits and House to explore Avant, Raga and live Dub productions.

Appearing on the recent ‘Ethniques Pyschedeliques’ compilation on Platform 23 (PLA032), in original form Micro Climax is a sprawling 10-minute ethno-dub of whispered vocals, drone and sub bass. Shelter strips it back, keeping background effects, adding live bass and percussion to create a wonky, slow, shuffling ska-lite excursion to complete a true “In Dub”.

The return of Jonne Lydén aka 53X is an exhilarating welcome for Emotional Especial with 4 more seismic analogue psychedelic jams that are becoming recognisably a unique and hypnotic statement.

Lydén’s studio time is distillation for personal contemplation and perfection just 3 releases in 5 years that are worth the wait. The heady demand for his debut ‘Synapse’ and the following ‘Zen ‘23’ on Especial (limited repress incoming!) show constant development a sound of widescreen technoscope where dub beats trance pyrotechnics and 303 mind-melt swirling in a cosmic matter.

His return takes this further his music heritage in Finland’s hardcore punk scene to finding the techno of Detroit and Berlin before submerging in synths and drum programming jamming recording and mixing these trip-out electronic journeys live.

This heavy 4/4 jack is apparent on opening Sanctuary. Like his recent outings ‘Radar’ found on the Especial 50th “sampler” release ‘Gracias Especial’ (EES050) and also ‘Simulaato’ hidden away on blink and you miss it cult label Avidya (AVI003) this is a pure undiluted bang. Straight forward heavy bass kicking charged with acid 303 and monotonic vocal insights the track is a flourishing temple a call of embrace.

The eponymous Cyan Haze showcases 53X’s cinematic finest panoramic audio and sound design creating expansive phonics. BPMs drop samples flourish around break drops and rolling bass – breathing looping shouting lifting.

Owls enlightens. Hardware rumbles cerebral a temporal universe awakening. The collage of found sound successive sequential all encased by hypnotic broken chords rolling bass and melancholic piano refrain. Meta worming braindance ecstatic tribal industrial gliding by Shiva into the night.

Dust closes apt its basement collage pounds Lydén to techno genesis. Proto-zeitgeist steppa dark room incantation pulling and expanding the fantasy to strange dreamscapes. Reincarnation and hope in 2026.

After a string of amazing releases on labels like Straight Up Breakbeat and Silent Force, the jungle brothers from Finland Aeon Four make their debut on 3AM Eternal. They delivered 3 tracks that are Melodic, beautiful while still maintaining 100% dancefloor energy, switching between melancholic, soulful, subdued to ruff and full on amen choppage.

A long-time figure at the heart of Samurai Music, Last Life makes his first appearance on SAIBAI trading his signature snarl for shadowy psychedelia and snaking beatdowns. Since 2015 Mauro Picciau has been cultivating a sound that maximises on the space that opens up around half-time 170, finding plenty of power while stretching out his rhythms. On this new release he pivots towards subtler tones and textures, and plugs directly into the wave of innovative artistry occurring at the intersection of D&B and deep techno. Writhing, taut sound design spells out the mood on opening track 'Gear Cutter', as Picciau gets expressive with metallic feedback tones that elegantly contort across the front of the mix. There's a strong sense of narrative that brings the track's dynamic movement to the fore, holding back energetic shifts with a measured intent to ramp up the tension. 'Norma' has a more ceremonial feel, locking into a steady pulse and letting distant clouds of melodic ambience create a bewitching atmosphere around the percussive mantras. 'Radian' speaks its own minimalist, techno-spirited language, drawing on alien murmurs and steely drones to strike a lighter note without breaking the mysterious fog that hovers over the EP. 'The Moat' leads on a heavier set of drums to close the record out, shaping space with skilful reverb and a tightly controlled synth pulse. Within this echo chamber, and across the whole release, Picciau has capitalised on this patient approach to bed infinitesimal ripples into the mix, rewarding the active listener and instilling his creations with a kinetic vitality that can always be felt, no matter how slight the sound is.

The fourth release on Samurai Music sublabel SAIBAI comes from Spanish techno mainstay Reeko. True to his long-standing reputation for hypnotic sonics and rhythmic precision, Juan Rico builds on a recent run of activity on Samurai to offer up a densely packed, evocative pair of 160/170 BPM soundscapes. In keeping with the spirit of previous SAIBAI releases, Rico emphasises exploration on both sides of this new record as he draws out continually morphing textures that land between melodic expression and percussive impact. It's instantly clear there's a free tekno undercurrent buried beneath 'Gathering 1' that defines the energy of this latest transmission. The difference is how Rico wields that energy, artfully submerging the kick drum propulsion and letting three-dimensional sonic sculpture beat a path towards the dance. Layers of arrhythmic delay ripples loosen the valve, but there's a constant pressure pushing at the edges of the production from start to finish. There's a more immediate urgency to the mixing of the rhythmic elements on 'Gathering 2' as Rico teases a gabba-like intensity tempered by misty clouds and textural sweeps that soften the attack without sacrificing the thumping energy of the track. Measured and meticulous, bristling with micro-details on top of the imposing presence, both 'Gathering's reaffirm Reeko's current hot streak working outside his usual field of focus.

Aural Imbalance returns to Curvature for the first time since the label’s very first release with an EP of stunning atmospheric and old school bliss. A1 - Ghosts of Midi - String Theory (Aural Imbalance remix) Kicking the EP off with a spirited remix of the immense Ghosts of Midi track String Theory, delicate padwork and subtle hats open proceedings before Aural Imbalance deploys a brisk, heavily chopped and spliced Circles break to drive the luscious atmospherics atop a deep, moody 808 bassline. Synths, pads and strings jostle playfully across the soundscape before the breaks fall back before we are treated to a blissful extended ambient outro. A2 - High Time Taking us right back to the early 90’s with crunchy, rustic amen breaks that immediately burst into the mix, Aural Imbalance flexes his old school muscle with a flurry of thumping, distorted breakbeats with an earthy analogue sub bass rumbling below. Synths and light strings add character and juxtaposition to the track to complete an enjoyable and very dancefloor friendly throwback classic in the making. B1 - Magnetism Chunky, belligerent breaks smash their way into a drum-riddled intro as Aural Imbalance unleashes an old school amen workout for the ages. Punctuated by cheerful, swirling sounds of sonic phosphorescence, the drums are chopped and filtered liberally as an earworm melody works its way into the mix. Magnetism is a perfect example of how old school breakwork and atmospheric ambience are such a perfect match. B2 - Night Vision Switching things up with a more introspective vibe, Night Vision sees Aural Imbalance opening with trancey synths before thick drums with metallic snares and dense kicks are introduced - carefully and elegantly arranged with a thoughtfully constructed pattern. The synths continue to surf the audio waves with deep 808 bass accompanying the beats and micro melodies layering throughout.

An enigmatic producer steps up with four lean, highly disciplined edits that map out the dark space between raw physical rhythm and subtle melodic warmth.

Designed for discerning selectors, each track offers its own character while staying true to the understated identity of the series.

From the driving pulse of Soviet Electro to the hypnotic groove of Ending West, the introspective feel of Self Express, and the late-night atmosphere of Shame, every cut is crafted with the dancefloor in mind.

2026 Repress
The dream team is back! Borrowed Identity and his boyhood friend Mechanical Soul Brother have been doing hot sessions in their studio and the output is the fantastic „Return to yourself EP“. All tunes have a classic yet modern house flair. The A-side is full of groovy rhythms, deeeeeep basslines, splendid vocals and subtle acid lines - „just be yourself“ might even slightly recall Larry Heard/Mr. White’s „the sun can’t compare“! The club friendly b-side offers two versions of „point of no return“. The 2 am version has those old schoolish drums and some blissful sounds and voices, just the way we love it, whereas the 6am version is the more straight forward, catchy early morning groover. What a return from Borrowed Identity & Mechanical Soul Brother! Watch out for the limited coloured vinyl edition!

Gathering of Rebels I marks the beginning of a new vinyl-focused chapter for REBELSKIN Records. Bringing together ten artists with distinct identities and artistic visions, the project explores the idea that electronic music can be approached from multiple perspectives without losing coherence or purpose. Featuring Cravo, Conrad Van Orton, Elisa Bee, DAST, Gianmarco Silvetti, Fireground, D-Leria presents KONGAS, Backlogs & Estern Moog, XQTE and CV1, Gathering of Rebels I is not simply a Various Artists release, but a curated dialogue between different voices united by a shared commitment to individuality and creative freedom.

Younger Brother Live, with Shpongle and The Orb at Troxy, London 9th May

Twisted Records is thrilled to announce the release of the long-awaited fourth album by Younger Brother: Mutually Assured Distraction.
The first full-length release by the fabled electronica project in a decade features nine sumptuous tracks that each embody the project’s intoxicating fusion of profoundly human sonorities and etheric electronic soundscapes.

The title is a subversive reframing of the Cold War doctrine “Mutually Assured Destruction,” pointing to a world currently frozen not by the geopolitical threat of a Nuclear Winter but by a Digital Summer of mindless overstimulation. Mutually Assured Distraction is a sonic salve for the pervasive numbness induced by an emotionally disconnective artificiality that seeks to pacify with counterfeit happiness; the album offers an antidote to mundane superficiality with nine musical masterpieces that convey the depth of human experience and authentic creative expression.

The progression of track titles symbolically represents the arc of this soulful journey through an evocative auditory landscape of moods, harmonies, and textures, progressing from the haunting opening “I Belong to Nowhere” to the penultimate “Home In This World” before arriving at the concluding “Endless Drift.”

The synthesised musical mastery of renegade musicians Simon Posford and Benji Vaughan is complemented by the contributions of some supremely skilful musicians, with beguiling vocals by MiraBelle Rose and Jay Marsh and the rich cello of Rena Jones. With poignant lyrics that speak to the universal human condition in a world where voices are amplified yet so many feel unheard,
Mutually Assured Distraction provides, through its fusion of electronic and real-world music- making, an example of how technology can pair harmoniously with our humanity - an energetic homecoming as the music draws us away from the unconscious scroll into an open field where we can embody our essential nature.

The album stands as both a reflection of our times and a timeless reminder that beneath the noise, a deeper presence continually exists, waiting to be felt, heard, and expressed.

* From the Hydroponics’ Growing Room studio comes a dub remix of Yabby You / King Tubby’s `Beware’ / `God is Watching You’.

* While keeping faithful to the original, these cuts come with some dangerous sub-bass.

* Produced by Dougie Wardrop and originally released circa 1996, this reissue is backed with a previously unreleased dub mix.