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Protocolo SysEx aka Fabio Vinuesa lanza este EP en su sello con cuatro pelotazos originales y dos remixes de Boris Divider y Heinrich Mueller.

GEOMETRÍA VIRTUAL documents a scenario in which mechanisms of control cease to function as external layers and instead become the very foundation of the system. The album does not propose a future dystopia, but rather a reality in which decision-making is automated and artificial intelligence is established as a structure of social control.Protocolo SysEx, a project by Fabio Vinuesa, is conceived as a narrative and sonic framework from which to examine the political and philosophical implications of a world governed by artificial intelligence. The release includes reinterpretations by Boris Divider and Heinrich Mueller and constitutes the first chapter of a trilogy focused on the progressive normalization of algorithmic control.

Geometría Virtual EP – Distrito 91 15

a A1 - Geometría Virtual Part I
[b] A2 - Geometría Virtual [Part II]

Proc Fiskal's second album sees a reorientation of the source elements of his music. Where ‘Insula’ fed off samples of the ramblings of his friends and sounds of his hometown, ‘Siren Spine Sysex’ is laden with an inner voice of sampled Gaelic, Irish and English folk music, contorted and imbued into the futurist body of modern pop; the ghostly anima image of the female folk voice and the lamenting wheeze of the accordion rub against the rush of icey 808s and angles of Grime. Joe Powers’ family history is in folk music, with several of his forebears active in the Scottish Folk revival of the 1960s. It's this cultural baggage - the Caledonian Antisyzygy of the earnest folk tradition he was raised in – alongside the modernist dance music he makes, that brings a personal element to the album. The music of ‘Siren Spine Sysex’ examines dance music as folk music, re-routing them both comparatively, with the wordless emoting of chopped and screwed Gaelic vocals leading to joyous pop songs like ‘8 Mgapixel See Thru Phone’ and 'Leith Tornn Carnal’. Though fast and detailed, ‘Siren Spine Sysex’ feels relaxed and pastoral at times, its edits and drums sensual, swelling, and reactive to the music, its textures influenced by the tinny 16 bit flutes, strings, and wacky scores of gaming soundtracks.

Manchester, 2016. 1/3 FRAK & NEBULA = THE SYSEX MEETING. Disco - House - experimental Hip House and parapsychic jazz. Limited 300x

Gladio Operations launches its twelfth release, where the Spanish label returns to the various artists format.
Opening the pack is producer and Distrito 91 label owner Fabio Vinuesa. Under his newly created alias Protocolo Sysex, he gives us “NottheFuture,” a powerful track with raw bass lines — a benchmark for the dancefloor.

On the same side, we encounter Sinitsin. The Russian artist, who debuts on the label, leaves his mark with “Thinking Machine”. A track that reveals his enthusiasm for charismatic and effective melodies, very well sequenced throughout the track.
The B-side opens up by an acquaintance of the label, Jauzas the Shining. This time he is accompanied by Foreign Sequence, and together they have created “Enter the Body”. A track of dark aesthetics, served with dramatic vocals, very characteristic of the Frenchman who, of course, never disappoints. Another artist making his debut is Italian producer Teslasonic.
This fast-paced track titled “Chubby Bee” reveals a minimalist bass line, with subtle and delicate touches of the 303.
The EP is brought to a close by another Gladio acquaintance. Igors Vorobjovs returns with this track titled “For One”.

Orientated towards IDM sounds, the Latvian producer once again envelops us with a passage of deep and mysterious harmonies, which undoubtedly makes it a timeless piece.

Dean Spunt"s all-new Basic Editions is an excursion in electronic sound that instrumentally unpacks his fascination with language - in this case, the syntax of systems and processes. By turns meditative, compulsive and consumptive, Basic Editions distills a 64 voice module through a head full of ideas - somewhat like pouring a cornucopia of possible ambient moods and EZ listening impulses backwards through a funnel, inspiring a deceptively absurd rainbow of soul to spray out the other end. With this new release, Dean IDs his process as "using sounds, rather than making sounds". This approach to music-making is a train of thought that"s been rolling out from the far horizon of the past for ages now - but for Dean, whose previous works within and without No Age depended on their making of sounds, it"s a fresh work stance. Given, however, No Age"s traditional sonic manipulations (via loops and treatments), Basic Editions delivers further unexpected hard-rights and lefts in the non-aesthetic aesthetic that has defined Dean"s path over the past two decades. Steering toward wacked digital soundscapes that bounce colorfully across the stereo azimuth, Dean creates a kind of post-ambient neo-exotica that hinges upon a giddy conflation of cosmic and comic.

Vacanze di Natale! Four party jams by Alberto Melloni, Luca Bacchetti and Modula feat. Carmen Lubrano from Italy and Red Woodchuck, the Dutch cherry on top. Every record comes with a different sticker sleeve.

So you thought U-TRAX was all about fancy, state-of-the-art, absolutely undanceable, hard-to-understand, semi-intelligent techno Well, you're absolutely right, but this U-TRAX-release is just not!

Produced by German Heinrich Tillack, these TICK TRAX VOLUME 1 are just the good old way of making techno. Raw & uncomplicated, in the tradition of the Chicago underground.

Heinrich is a bit of an enigma. Having released some 12"s on Detroit's Plus 8 Records (as Sysex), Force Inc. Music Works (as Absolute) and Disko B (as Festival) and his own label Jakpot (both as Festival, as well as Co-Jack, together with Olivier Bondzio aka Hardfloor), he more or less disappeared from the face of the earth. It is said that he is a developer of children's apps for mobile phones nowadays.

The 5 tracks on this 12" are centered mostly around the 909 drum machine and the 303 bassline synthesizer. While two bulky techno tracks feature on side A, the flipside is completely dominated by acid tracks, most of them receiving high praise when they hit the dance floors in the mid 90s.

More recent techno heroes also know how to appreciate these vintage tracks, like Dutchman Danny Wolfers, aka Legowelt, who had this to say about 'Pump Track' on his Facebook page: "Such a fun track, how it stops and starts, almost falls apart. It's mentally challenged simplicity with a giant hall rave vibe... total dance floor control track. On the super cult U-TRAX, one of the coolest Dutch labels from the 90s!"

Original release date: Fall 1994.

The second and, as later would turn out, also the last release in Heinrich Tillack's critically acclaimed Tick Trax-series. The first Tick Trax-release by this talented producer from Braunschweig (Germany) was released as Volume 1 on U-TRAX in 1994 (cat. no.: 13 UTR SYS 1). It was a very successful record, however a bit too 'rough' for U-TRAX. Therefore, Volume II is launched on the U-TRAX sublabel Phoq U Phonogrammen, that has a more raw approach to techno, acid and electro.

Heinrich is a bit of an enigma. Having released some 12"s on Detroit's Plus 8 Records (as Sysex), Force Inc. Music Works (as Absolute) and Disko B (as Festival) and his own label Jakpot (both as Festival, as well as Co-Jack, together with Olivier Bondzio aka Hardfloor), he more or less disappeared from the face of the earth. It is said that he is a developer of children's apps for mobile phones nowadays.

This second Tick Trax release has 6 tracks, all in the distinctive raw Chicago-style that Heinrich uses only in his Tick Trax-identity. For minimalists, the CR-78 orientated beats on 'Samba Track' (from '93!) will be the track to go for. For heavy pounding floor fillers you can rely on 'Heavy Weight Track' and 'Super Heavy Weight Track'. Our personal favorite is 'Rush Track', another minimal track, but heavy and dark at the same time. The power is the drive in this one!

Original release date: October 1995.