This is the very limited marbled vinyl version of the repressed Lords of The Null Lines EP.
Here we have the beautifully remastered Foul Play and Foul Play ft Randall remixes of Lords Of The Null Lines. There is little to say about these definitive classics that has not already been said. You know ‘em, you love ‘em, they are essentials. However, the Danny Styles remixes are perhaps deserving of some explanation. There were created in the early 90s, and were cut, but quickly stopped by Moving Shadow as they were not really official remixes. A few test presses got out, and the result has been these remixes reaching a near mystical status in the passing decades, and the vinyl changing hands on discogs for absurd prices.
So it was with great pleasure that Hyper-On Experience and myself managed to broker a deal with Moving Shadow and Danny Styles to bring these amazing remixes to a legal and official release! It took over 25 years, but they can finally be bought...
Kirk Degiorgio’s influence on electronic music cannot be overstated, having been responsible for producing some of the most emotive and soulful machine music dating right back to the early 90’s. As a leading figure in UK techno his As One, Elegy and Future/Past output on labels such as B12, R&S and his own Applied Rhythmic Technology (A.R.T.) have rightly become revered classics and helped shape ambient techno and what would come to be known as IDM/Future Electronica. His connection with Cyphon co-founder Jamie Odell also dates back to the turn of the millennium when Kirk invited Jamie to play keys on his 21st Century Soul LP released on Ubiquity and subsequently releasing an EP together under the name Super Aloof on Exceptional.
12 brand new, exclusively signed '92-93 oldskool hardcore style tracks to Rave Radio Records. It's authentic, and the genuine article when it comes to the true ruff style of the early 90's hardcore rave production. If you like mixing on the edgier side of hardcore, this is a release you'll want in your collection!\uc0\u8232 \u8232 Ruff Hardcore music from: Try Unity, Al Storm & Euphony, Billy Daniel Bunter & Sanxion, Secret Squirrel, Pete Cannon, Z-Neo, Jack Smooth, Liquid Crystal, Tim Reaper, Radicall, Stu Chapman & Blackmass Plastics and the sleeve artwork is by Aroe.
This is the much sought after and finally repressed Tango remix of Disturbance. A deep and dark classic, it has been on most collectors wish list for decades. Flipped with Half Stepper, this little 10" was one of the most influential and important slices of atmospheric jungle form back in the day, and now appears lovingly remastered from DAT for the first time since the early 90's
When The Information Centre first dropped on the pirate radio airwaves in the ealry 90's, there was nothing like it. It was at the birth of Jungle, and the track was a slow but immense classic, spreading accross the UK from its London Roots to become one of the most influential tracks in jungle's long and storied history.
Here we have the original version of the track, masterfully remastered and sounding absolutely gorgeous, plus two brand new and heavy hitting remixes, both of which are being played by the likes of Ray Keith, Nookie, and many others...BIG new remixes for 2025....
When The Information Centre first dropped on the pirate radio airwaves in the ealry 90's, there was nothing like it. It was at the birth of Jungle, and the track was a slow but immense classic, spreading accross the UK from its London Roots to become one of the most influential tracks in jungle's long and storied history.
Here we have four of the classic remixes from back in the day, lovingly remastered and made available for the first time since those early days...
This fantastic new Birchy EP leans heavily into the gorgeous and uplifiting sound of early rave. Each track is an exercise in euphoria, bringing the heat and nostalgia of raves from the early 90s, with deep bass, rolling breakbeats and pianos and vocals to die for. An unmissbale old skool workout!
SKYLAX RECORDS proudly unveils the final chapter in its monumental 4-part saga — SKYLAX BLACK 4: Enlightenment Theory. This visionary series, bringing together two of France’s most iconic electronic artists — ARNAUD REBOTINI and ACID WASHED — was never just a collection of records. It was a journey through the deepest layers of the underground — a conceptual project where each release was a coded message, each track a fragment of a greater whole. On the A-side, Enlightenment Theory explodes with fierce urgency — an anthem forged in the spirit of Underground Resistance, echoing the soulful intensity of early ’90s Detroit without imitation. It’s bold, emotional, and militantly underground — a future classic cloaked in defiance and elegance. On the B-side: B1. Space Is The Place channels the weightless gravity of dub techno at its purest — all echo chambers and endless delay, a direct line to the Berlin school of Basic Channel, Maurizio, and Deepchord. B2. Beyond Current Biological Constraints closes the chapter in deep space — an electro masterwork evoking Drexciya, full of aquatic melancholy and cybernetic funk. It’s not retro — it’s timeless. With this last installment, the puzzle is complete. The meaning is revealed: R.A.V.E. — four records forming one powerful word. One timeless idea. A tribute to everything this culture stands for: raw energy, emotional truth, sonic innovation, and spiritual depth. This project could only be born on SKYLAX RECORDS — a label that has always stood apart. Uncompromising. Devoted to physical formats. Fiercely loyal to the culture. While others chase trends, SKYLAX continues to chart a different course — one rooted in the sacred codes of house, techno, electro, and beyond. It is no exaggeration to say that SKYLAX is one of the last true purist strongholds of underground music — and this series, with its layered meanings and fearless artistry, is proof. From Redshifts to Blueshifts to Artificial Darwinism then Vision Quest, every chapter has pointed toward this moment. Now, with Enlightenment Theory, the full vision is revealed. RAVE is not just a word — it is the truth. A philosophy. A myth reborn. The circle is complete. The message endures. The legacy lives on.
Glenn Underground is the founding member of the Strictly Jaz Unit. He was raised on disco classics and freeform jazz in Chicago's Southside, the place where house music was born. Taking inspiration from Chicago's original pioneers, Larry Heard, Ron Hardy, Lil' Louis, and the like, Glenn has produced many sought after house gems for some of the most well respected deep house labels such as Prescription and Guidance.
The Jerusalem EP's, GU's second album for Peacefrog originally released in 1997 still sounds so fresh, so deep and so soulful. Blending jazz-tinged chord progressions with sax accents, and rolling basslines the album evokes the sound of late-’90s hypnotic Chicago house.
Timeless, quality, underground house music for the mind, the body and especially the soul.
FreedomB Delivers Timeless Groove on 'Essence Of Soul EP'. FreedomB is an artist defined by groove and movement rather than place. Drawing influence from jazz, funk, soul, and the earliest house and electronic rhythms, his sound is rooted in timeless dance music traditions and built for long, immersive nights on the floor. Focused on rhythm, flow, and emotional energy, FreedomB's productions exist to make people dance without compromise. With releases on labels such as Knee Deep In Sound, Roush, Toolroom, Sola, ElRow Music, and Flashmob Records, FreedomB has earned support from leading names including Hot Since 82, Supernova, Hector Couto, Solardo, and Flashmob. Now joining the Definitive Recordings catalogue, FreedomB presents 'Essence Of Soul EP', a two-track release that captures his deep-rooted love for classic house, disco, and soulful dancefloor energy. On 'Mi House Es Tu House', FreedomB delivers pure house nostalgia. A groovy beat and subtle bassline form the foundation, joined by classic piano chords that immediately set the tone. As the track unfolds, disco samples, a 90s-style synth melody, and a soulful female vocal sample build toward a powerful breakdown before dropping back into full groove, introducing a second timeless house synth theme. It's uplifting, energetic, and perfectly designed for any house music dancefloor. The title track 'Essence Of Soul' shifts into a deeper, more disco-infused direction. A straighter, nu-disco- inspired rhythm sets the pace while layered synths evolve throughout the arrangement. An 80s-style bassline anchors the groove, accompanied by filtered vocal chants, disco effects, and a spoken-word vocal reflecting on the meaning of music and the dancefloor. As the track progresses, rich piano chords and classic high house strings lift the energy into an emotional, late-night crescendo. 'Essence Of Soul EP' is a celebration of groove, soul, and timeless house energy. A release that lets the music speak and invites you to dance.
Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard.” This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums — to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.
Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180g 45RPM 2LP set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning.
Though Rock a Little doubtlessly has period characteristics of a mid-80s LP, Nicks and company spare no expense when it comes to distinguishing the music with expansive sonics distinguished with lush melodies, high-tech percussion, echoing vocals, sampled keyboards, and layers of sophisticated accents. The degrees of spaciousness, headroom, and dynamics are nothing less than inspiring, while the newly enhanced detail, texture, and clarity make the songs sing like never before. As for Nicks’ voice? Wait ’til you experience the transparency and depth.
Those advantages extend, of course, to the aforementioned “I Can’t Wait,” a statement-making opener shot through with modulating synthesizers, splashy drums, metallic guitars, and serious drama. Holed up in a massive studio, Nicks required just one take to nail her part, which she called “magic and simply not able to beat.” The singer-songwriter also distilled the reverberating emotional essence of the Top 20 tune, stating “when I hear it on the radio, this incredible feeling comes over me, like something really incredible is about to happen.”
The same can be said for nearly all of Rock a Little. Crafted by the likes of Songwriters Hall of Fame multi-instrumentalist/producer Rick Nowels, Heartbreakers organist Benmont Tench, bassist Bob Glaub, jack-of-all-trades Greg Phillinganes, and session-pro guitarists Waddy Watchel, Les Dudek, and Danny Kortchmar — along with another two dozen or so participants — the record spills with diverse ideas, shapes, and moods. Everything is in the right place, as evidenced by the swirling glide and sensual undertow of the slightly funky title track to the snapping rhythmic pace and big hooks of “Imperial Hotel,” one of Nicks’ standout moments.
“What was it she wanted?” Nicks queries on “No Spoken Word,” continuing a theme of contemplation that runs through the narratives. Nicks never lands on a definite answer, but hearing her explore loneliness, love, and the secrets we keep to ourselves proves continuously rewarding. Take her passionate performance on a cover of Chas Sanford’s “Talk to Me,” a Top 5 smash furthered by tasteful saxophone lines and understated folk elements. Immersive yourself in the grand sonic corridors of “If I Were You,” laden with Nicks’ signature mysticism.
Moreover, surrender to the gravitas of the closing “Has Anyone Ever Written Anything for You,” a piano ballad composed about the death of Joe Walsh’s three-year-old daughter. As Nicks asserts earlier on the album, she sings for things money can’t buy.
So, rock a little, yes, but dare to feel even more.
Prozak has been kicking out the garage-house jams for a while now, and always on the best labels, from Time Is Now to Instinct, which is run by Burnski, who also heads up this one. And it's another case of pure fire from the off as 'Freak Ya Right' layers up silky, melodic bass with charged up synth stabs and a bubbly groove. 'No Use For Love' has a darker 90s undercurrent with organ basslines and more coarse percussive textures. 'Classics' cuts loose with an off-balance bassline that's cartoonish and oversized, while 'Ravers Inside' shuts down with plenty of pent-up funk and playful samples that will destroy the floor and nothing less.
Second release on Marco Shuttle's MSP solo label. This time it's a 2-tracker reminiscent of his earlier works (Sing Like A Bird or even The Vox Attitude), so a more 4/4 slower approach than his latest releases. The tracks were inspired by deep/tribal 90's progressive house that he heard playing in clubs in the North of Italy (where the producer is from) in those days. These are very versatile tracks that would easily fit in both techno and (deep psychedelic) house territory. 12 inch EP + Insert
Marc Cotterell shows his A&R class here with another brilliantly assembled various artists EP on his Plastik People label, which is essential for fans of timeless house and garage fusions. The record kicks off with Deep South Soul's 'Harmonica Man' as remixed by Mellow Man and it has a touch of the bluesy Saint Germain to its lithe deep house and spoken words. Mellow Man then drops the 90s-coded 'So Deep', with warm organ chords and bubbly drums that have a New York swagger to them. Manhattan Project turns up the heat with a raw, hardcore garage-house swinger in the form of 'Turn That Up' and Reign Of Rhythm layers up neat stabs and leggy kick drums on the sleazy 'Cum Inside'. Essential and effective house.
Born from Ralph Lawson's pandemic-era radio transmissions into distant electro worlds, Exit Planet Earth returns from hiatus with a new chapter that finds solo artist EPs replacing the various artist format that came before. Australia's Reflex Blue inaugurates this next phase and arrives with serious credentials following a run of well-received records on Kalahari Oyster Cult, Limousine Dream and Fuse. Tripped out 4/4 floorfillers and syncopated breakbeats all feature, starting with the title cut, with its snappy breaks and plunging bass and retro rave sirens. Then comes 'Entropic', which has gurgling acid and chrome-plated drums, 'Thoughts Rewired' is a cyborg deep house sound in a 90s New York style and with a throbbing bassline, then 'L.L.L' closes with a light-footed future tech sound and some old school samples and scratching. A fine return.
Tripper returns for the imprint's third outing with another pair of 45 RPM cuts.
Both jams take shape from stripped-back 909 patterns before being summed through a
vintage analog mixer, keeping the grit, warmth and swing firmly intact.
Expect raw '90s house aesthetics, evolving and progressive synth lines, warm pads and
finely carved filters and LFOs.
The A side delivers a wide rolling groove, while the flip takes a sharper, more hard-hitting
approach. Two club-ready shakers, each with its own distinct character, keeping the
pressure on and preserving the label’s signature.
For our 7th original release we welcome our good friend David Agrella, alongside Kompo on remix duties.
David’s a producer with a fast growing reputation and a label of his own, Agrellomatica. The label’s gathered support from a number of respected DJ’s such as Jane Fitz, Laurent Garnier, Ivan Smagghe, Francesco Farfa, Enzo Siragusa, Moxie, Ciel, Massimiliano Pagliara and we’re pleased to welcome him on Seven Hills.
The Kom Dansen EP is one of David’s darker EP’s, blending together thick growling basslines and atmospheric, psychedelic samples. 4 tracks made purely for the dancefloor, all driven by a phat 909 kick, this is music for late night sessions.
Deseo drives through twists and turns with a grooving bass, precise funky drum patterns, and a vocal recorded by the man himself. Kom Dansen hits you with a huge belly bassline, while taking you on a trip on the night train, deep into the wormhole, with an ever building momentum.
Sabotage Signals is similarly growling and deep, with spooked out synth sounds, and unsettling pad action, while Kompo’s version strips everything back, and
Berlin's Hypersoft crew launch their new vinyl label with Clínica Electrónica by Italian DJ, producer and Evasione Digitale co-founder Andrea Dama. Following the start of their new residency at Panorama Bar, the label opens its catalogue with a strictly limited five-track EP recorded at Buenos Aires' legendary La Siesta del Fauno, bringing Dama's Berlin dancefloor sensibility together with the peculiar chemistry of one of the world's most extraordinary electronic music studios. Forged through extended jam sessions on an array of vintage analogue instruments, including the original Korg PS-3300, Moog modular and Yamaha CS-80, the spontaneity of the sessions translates directly into the finished tracks, where ideas mutate, collide and develop into unexpected forms. Switching gears between hypnotic, mechanical, groove-driven house, and stuttering, furious, off-kilter techno, Dama moves deep into more atmospheric territory, conjuring worlds that are at once lush, organic, paranoid and extraterrestrial. An analogue vision of a future past, built by machines that were already imagining it decades ago.
Obelix is the brainchild of UK producers Richard George and Corine Trembath, whose timeless take on house and techno has long been cherished by underground heads and vinyl collectors alike.
With releases on Pacific Records, Mosaic and Stickman, their music occupies a distinctive space between early house and techno, raw, hypnotic and deeply musical, built around rolling 909 rhythms, expertly programmed 303 acid lines and the unmistakable character of analogue hardware.
Following an extensive dive into their DAT archives, Pariter presents The Lost Tapes, a collection of previously unreleased recordings made in the mid-1990s. Carefully restored and curated by Yossi Amoyal, the material retains all the rawness, warmth and analogue
character of the original tapes, offering a rare glimpse into a particularly fertile period of UK underground dance music.
The two part release is completed by Whatever, their sought after classic originally released on Offshoot, a timeless slice that stands alongside the unreleased recordings as an essential piece of the Obelix story.
The Lost Tapes documents a sound that has lost none of its power, raw, hypnotic and unmistakably timeless.
Cari Lekebusch is one of the architects of the Swedish techno scene whose influence naturally spilt out over the wider European landscape as part of the second wave in the late 80s and early 90s. Under his Yakari alias, he explored a tear-jerking and trance-infused style that was about looking outward to distant worlds beyond our own. This EP is a classic example and was originally released in 1994 on Loop Records. 'Positive Transphere' is an absorbing opener with dirty bass offset by sprawling synths, 'The Sound Ordeal' gets darker and more involving emotionally, before 'Lotus Trance' explodes in bright colours and new age love. 'Water Of Tranquility' is a more deep, insular closer. An EP that has aged perfectly and will still turn heads 30 years on.
Classic 90's Larry Heard production for this x-rated* track by Ch? on the updated re-issue of "The Incident". Originally came with four mixes on Trackmode Recordings from 1994. Now with extra "Prototype 1" version unearthed from the Alleviated archives. *NOTE: disclaimer included on original 12" release: "The scene expressed in this recording is a fantasy in the age of promiscuity and HIV (let alone full blown aids). The truth is, be careful about who you love and always wear a condom".
Obelix is the brainchild of UK producers Richard George and Corine Trembath, whose timeless take on house and techno has long been cherished by underground heads and vinyl collectors alike.
With releases on Pacific Records, Mosaic and Stickman, their music occupies a distinctive space between early house and techno, raw, hypnotic and deeply musical, built around rolling 909 rhythms, expertly programmed 303 acid lines and the unmistakable character of analogue hardware.
Following an extensive dive into their DAT archives, Pariter presents The Lost Tapes, a collection of previously unreleased recordings made in the mid-1990s. Carefully restored and curated by Yossi Amoyal, the material retains all the rawness, warmth and analogue
character of the original tapes, offering a rare glimpse into a particularly fertile period of UK underground dance music.
The two part release is completed by Whatever, their sought after classic originally released on Offshoot, a timeless slice that stands alongside the unreleased recordings as an essential piece of the Obelix story.
The Lost Tapes documents a sound that has lost none of its power, raw, hypnotic and unmistakably timeless.
Sucre Discos returns with its second vinyl release, continuing to shape the label’s identity with music made for the dancefloor.
For SUCRE02, Donnie Cosmo, Andy Somoza and Santiago Ritacco join forces across four cuts packed with groove, personality and pure club energy.
Rooted in the spirit of 90s house, but with a fresh and contemporary approach, the EP moves through infectious basslines, playful rhythms and timeless grooves designed to keep bodies moving.
SUCRE02 keeps the label’s essence alive: club music with personality, made for the dancefloor and for selectors looking for house with groove, soul and quality.
Bress Underground presents Pastasoul Records with a debut EP that moves across a wide spectrum: from classic 90's underground flavours to modern club sounds, touching raw house, Chicago vibes and breakbeat. A record built for different floors.
T. Jacques presents ‘Rowhill Trax’: - four cuts of straight-up house music, drawing on the raw sound of the ’90s and early ’00s. Heavy low-end, swinging rhythms and resonating chords run throughout, keeping things stripped back and firmly focused on the dancefloor.
Opening with ‘Worked Up (House Mix)’, a high-energy groove of filtered chords and analogue drum programming, followed by ‘Rub Down’, built around slamming, hard-hitting drums and a low-slung bassline.
Over on the B-side, ‘Under Cover’ settles into a heavy swing with big drums, low sub and classic house chords, while ‘Do It Right (Deeper)’ closes things out with a deeper sound, warm chords and swinging drums.
discotech is back with our second Various Artists colour series! Returning with another essential collection, we've unearthed a selection of rare underground cuts from the late '90s and early 2000s. Carefully remastered from the original recordings, this release shines a light on timeless productions from Big Hair, DJ Quiz, Rob Pearson and Crowdpleaser.
The response so far has been incredible, with support coming from some of the scene's most respected selectors, including Archie Hamilton, Francesco Del Garda, Chris Stussy, Josh Baker, Skream, Arapu, Ivan Schmagge, Dungeon Meat, Alexndria, Toman, Mella Dee, Marco Carola, Alexander Skancke, Chris Carrier, TIJN, David Gtronic and many more.
Limited 300 press. Coloured vinyl x
Mit „Golden Chart Hits Of The 80s & 90s Vol. 6“ erscheint die nächste Ausgabe der beliebten Vinyl-Serie und bringt erneut die größten Pop- und Dance-Hits zweier legendärer Jahrzehnte auf den Plattenteller. Die neue Compilation vereint internationale Chart-Klassiker und echte Kultsongs der 80er und 90er Jahre in einer hochwertigen Vinyl-Edition.
Mit dabei sind unter anderem Hits von Ace Of Base, Soft Cell, The Rainbirds, Corey Hart und Kim Wilde. Die Zusammenstellung bietet eine perfekte Mischung aus New Wave, Synth-Pop, Dance und Pop-Rock – ideal für Sammler, Vinyl-Liebhaber und Fans unvergesslicher Radiohits.
Die „Golden Chart Hits“-Reihe von ZYX Music steht seit Jahren für nostalgische Musikmomente und sorgfältig kuratierte Hit-Compilations auf Vinyl. Vol. 6 setzt diese Erfolgsgeschichte konsequent fort und liefert den perfekten Soundtrack für jede 80s- & 90s-Party.
Ein echter Meilenstein der elektronischen Musik kehrt zurück:
Der Laserdance-Klassiker von 1994 ist endlich wieder als CD und Vinyl erhältlich. Fans von Spacesynth und klassischem Electronic Dance dürfen sich auf die Wiederveröffentlichung eines Albums freuen, das bis heute Kultstatus genießt. Laserdance gelten weltweit als die Pioniere des Spacesynth-Genres und prägten mit ihren futuristischen Soundlandschaften, treibenden Sequenzen und unverwechselbaren Synthesizer-Melodien eine ganze Generation elektronischer Musik. Mit ihrem einzigartigen Mix aus Italo Disco, Space-Electro und atmosphärischen Sci-FiKlängen setzten sie bereits in den 80er- und 90er-Jahren neue Maßstäbe.
Das ursprünglich 1994 veröffentlichte Album begeistert noch heute mit energiegeladenen Tracks, epischen Arrangements und dem typischen galaktischen Laserdance-Sound, der Fans rund um den Globus fasziniert. Die Neuauflage erscheint sowohl auf CD als auch auf hochwertigem Vinyl und bringt diesen elektronischen Klassiker zurück in jede gut sortierte Sammlung.
BOY Records was founded by Michael Zosel back in 1987 but it was after a few releases that he started to work with producer Arno Müller. “Brian” by Absurd was the first techno release on the label and a great success in the German techno scene. The cooperation continued with singles by Hypnopedia and New Scene that worked very well and put the name of BOY Records in the charts and clubs all around Germany and abroad. In 1990 another massive success came with the single “Kennedy” by Deep Thought and since there the label did not stop to release hit after hit by lot of names like Time Modem, “O”, Cybex Factor, Sonic System, Moskwa TV, MCL and lot more.
“Timeless Technology 1988-1991” compiles some of the best singles released on label’s most fruitful years. A selection of 24 classic tekkno traxx. Four records with printed inner sleeves packed on a silk-screened transparent Pet-Gag box. Limited edition of 500 copies.
Hot Creations Summer 2026 Vinyl Sampler featuring four of the Hottest recent releases on Hot Creations.
Adam Ten and Asulin join forces for the first time on Hot Creations with ‘Warawara’. Fusing driving grooves, finely tuned production, and emotive vocals into a cohesive club-ready statement. ‘Warawara’ moves with hypnotic energy and forward momentum, as Adam Ten channels his signature blend of evolving rhythms and precise production, before Asulin’s vocals weave seamlessly through the arrangement, delivering melodic clarity and emotional resonance. High-flying UK DJ/producer Riordan debuts on Hot Creations with ‘Feel The Funk’ which locks into a slick groove built around silky M1 organs, skippy drums, and soulful vocals, as it twists through a series of cascading builds and drops. Infectious as hell!
Following the release of ‘Murder Mystery’ in October, Jamie Jones’ groove-driven track returns with a reinterpretation from one of the scene’s most hyped talents: German producer Kolter’s remix injects the track with his unmistakable style: deep, rolling basslines, playful funk tones, and raw, 90s-inspired textures that keep the energy moving. The result is a version that maintains the original’s tension and groove while opening new sonic spaces for DJs and dancefloor explorers alike - bridging underground sensibilities with festival-ready punch. Finally, Volkoder returns to Hot Creations with ‘My House’, a no-nonsense groove designed to hold and control the dancefloor. ‘My House' locks in from the off, sitting firmly in the pocket with commanding synths, hooky vocal interjections, and chunky low-end weight, while smaller details dart around the groove to add splashes of momentum.
Anyone lucky enough to have lived through the 90s will know that Coco Steel & Lovebomb were a key acid house duo who dropped early tunes on Warp and penned a number of underground anthems including 'Feel It'. Now they are back with new tunes on Coco's Disappear label and the remit, stylise, is wide. This EP opens with gentle breaks and dubby undercurrents on 'El Acido,' which has already become a favourite after its digital release. DJ Rocca remixes with a blissed-out energy and 'Our Thing' (named after Coco's new party in Hastings) then taps into a more expressive sound world with new age pads, affirmation vocals and dusty broken beats plus lashings of bass. A dub version of the same tune, named Dub Thing, closes down with aplomb.
Chris Scott, Stuart Baker and Julian Bowron ran their own night in Bishop Auchland, a small town in County Durham, back in the mid-90s, then started producing under the same name. They dropped just three EPs, with this being the last one in 1994, but the one that proved the most enduring. The newly launched LA RIOT label reissues it, and it sounds as good as ever: 'Post Chaise' is a timbales-laced jam with driving tech house drums and plenty of crowd noise adding to the wild vibes. 'The Bishops Groove' is deep, steamy and tribal in its nature and 'This Groove' then gets more expressive with vocal yelps and surging synths that come on like a rush. The Sunday Fantasy mix is the EP highlight - a more cosmic and soft-edged but still propulsive deep house groove.
San Francisco-based Ross Hogg aka Duppy Ranks has been playing records since the late 90s. Rap, reggae and r&b are his bread and butter and he's also a fine remixer who brings those influences to this new 7" on his own label. Sultry, a smouldering soul queen gets worked into a nice mid tempo, deep, romantic groove on 'The Realest Taboo' while 'Cheeba Is Stronger Than Pride' brings two classics together into one sublime and seductive late night jam that will get anyone hot under the collar. Tastefully done as ever from the Hogg.
For WOLFEP088, we’re welcoming an Italian stallion to the WOLF stable. DJ Soch is a renowned DJ, producer, and label owner whose roots in house music run deep. Beginning his journey behind the decks in the mid-1980s, he has spent more than four decades honing a sound shaped by house, techno, disco, funk, hip-hop, and the timeless influence of Detroit and Chicago. As the founder of Black Angus Records and a resident DJ at the renowned Italian club Serendipity, he has shared lineups with some of the best to ever do it, helping to shape Italy’s underground electronic music scene.
When his tracks hit the WOLF inbox, we knew we were onto something special. The first one we heard, ‘Let Me Tell You’, was an instant yes, must sign moment. There’s skippy drums, warm keys, church organ, a heavy bassline and a pleading, soulful male vocal. One of those tracks that should come with a neck-brace. Soulful, but powerful. There’s also a ‘Power Mix’ version that keeps all the elements we loved, but strips back the vocal and ramps up the church organ. Absolute Holy Ghoster! This is the type of track that would have torn up the dance floor at the Shelter, a real Timmy Regisford tops-off jam.
On the flip, there’s a hypnotic deep house groove entitled, ‘Chewing Gum’. This is proper stuff, heads-down, deep house for the dance floor. We’ve paired it with a remix from Prince Palmer, one of the standout remixers of recent years, and a great group of guys. The Prince has delivered a reinterpretation that gives a nod to 90s US Garage, complete with all the trademark production chops you would expect from a regular on the stellar Bobby Donny label. It’s a track that wouldn’t sound out of place on a peak-period Strictly Rhythm 12”, so that’s all you need to know.
Four belters, all on one record, designed for maximum listening pleasure.
Milan's Dirty Channels bring their polished club sound to RNT with the Jungle Echoes EP, seamlessly marrying influences of various international dance-floor vibes. Guilty and its accompanying Guilty (Dub) have a euphoric energy that feels predestined for Euro festival season, while the uptempo and hypnotic Semliki incorporates elements of South African Kwaito. Rounding out the EP is the deeply brooding title track which evokes the proto house sonics of 90s Chicago and NYC making the Jungle Echoes EP the duos strongest production statement to date and an eminently playable 12 Inch.
DSCI4060 – Danny C & Mike Pears – Listen & Learn EP Release Date: Friday, 24 July 2026 Format: Limited Edition 4-Track 12-Inch Black Vinyl Catalogue Number: DSCI4060 DSCI4 presents Listen & Learn EP, a deep atmospheric drum & bass release from Danny C & Mike Pears, featuring two previously unreleased tracks—Raw Deal and Porn Star—mastered directly from the original DAT master tapes for their first official release. Completing the EP are Cosmik and Deepness, delivering four timeless cuts that capture the unmistakable sound of late-'90s atmospheric drum & bass.
