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A key figure in Chicago’s second wave of influential house and techno producers, Mystic Bill returns to Classic Music Company with ‘Body Moves’, a release with serious club credentials and drenched in authentic NYC, New Jersey and Chicago influences. This 12” package is becoming a firm favourite of in-the-know selectors, no doubt thanks to its party-starting qualities that are sure to captivate floors. Featuring four versions of the track, Bill navigates various different analogue moods, kicking off with the vibing house of the original, as euphoric synth arpeggios and a warm, groovy bass blend for dancefloor magic. The Reprise Mix is another juicy club cut, with a full-throttle bassline that rips through the newly looped vocal. On the B-Side the NYC Mix demonstrates Mystic Bill’s trademark deepness, headsy enough for the darkest recesses of the dancefloors but with buckets full of energy for peaktime sets. The NYC Dub closes out, an essential club tool for any discerning selector. A perfect fit for Luke Solomon’s imprint, Mystic Bill’s ‘Body Moves’ is not one to be slept on.
- A1: Mackjunt - Mira D'ouro 222
- A2: Mackjunt - Sea Walk
- A3: Mackjunt - Pacific Breeze
- A4: Mackjunt - Everlasting Fade
- A5: Mackjunt - Playa Principle
- A6: Tracisgrey - Only U (Interlude)
- A7: Tracisgrey - Enamorado
- A8: Tracisgrey - Pink & Tight
- A9: Tracisgrey - Sweet Thing
- A10: Tracisgrey - Wonderful
- A11: Tracisgrey - You Don't Have To Leave
- B1: Dom - Alphabetical Alchemy
- B2: Dom - Not Like 'Them
- B3: Dom - Strive 2 Survive
- B4: Dom - Sundaynight
- B5: Dom - People Of Da Night
- B6: Lil Creepshow - Eccowax
- B7: Lil Creepshow - Headline Hustler
- B8: Lil Creepshow - Cup Of Earth
- B9: Lil Creepshow - Hustler's Commandments
- B10: Lil Creepshow - Astral2.0
- B11: Lil Creepshow - Styles (Skit)
- 1: Alexandre Desplat – Obituary
- 2: Gene Austin With Candy And Coco – After You've Gone (From Sadie Mckee)
- 3: Alexandre Desplat – Simone, Naked, Cell Block J. Hobby Room
- 4: Gus Viseur – Fiasco
- 5: Alexandre Desplat – Moses Rosenthaler
- 6: Grace Jones – I've Seen That Face Before (Libertango)
- 7: Alexandre Desplat – Mouthwash De Menthe
- 8: Boris Björn Bagger And Detlef Tewes – Sonata For Mandolin And Guitar A-Dur, K. 331 Andante Grazioso Con Variation Vi. Variation 5 - Adagio
- 9: Alexandre Desplat – Cadazio Uncles And Nephew Gallery
- 10: Mario Nascimbene – Inseguimento Al Taxi (The Chase) (From Scent Of Mystery)
- 11: Alexandre Desplat – The Berensen Lectures At The Clampette Collection
- 12: Ennio Morricone – L'ultima Volta (From I Malamondo)
- 13: Chantal Goya – Tu M'as Trop Menti
- 14: Charles Aznavour – J'en Déduis Que Je T'aime
- 15: The Swingle Singers – Fugue No. 2 In C Minor (The Well-Tempered Clavier, Book 2, Bwv 871)
- 16: Georges Delerue – Adagio (From Comptes À Rebours)
- 17: Alexandre Desplat – Police Cooking
- 18: Alexandre Desplat – The Private Dining Room Of The Police Commissioner
- 19: Alexandre Desplat – Kidnappers Lair
- 20: Alexandre Desplat – A Multi-Pronged Battle Plan
- 21: Alexandre Desplat – Blackbird Pie
- 22: Alexandre Desplat – Commandos, Guerillas, Snipers, Climbers And The
- 23: Alexandre Desplat – Animated Car Chase
- 24: Alexandre Desplat – Lt. Nescaffifier (Seeking Something Missing...)
- 25: Jarvis Cocker – Aline
Wes Andersons neuester Film ”The French Dispatch” erweckt eine Sammlung von Geschichten aus der
letzten Ausgabe einer amerikanischen Zeitschrift zum Leben, die in einer fiktiven französischen Stadt des
20. Jahrhunderts erschien.
In den Hauptrollen spielen Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray
und Owen Wilson. Der Film feierte im Juli bei den Filmfestspielen von Cannes 2021 in Frankreich Premiere
und wird am 21./22. Oktober weltweit in die Kinos kommen.
Der ”The French Dispatch” OST wird zeitgleich mit dem Kinostart des Films veröffentlicht. Auf dem
eklektischen Soundtrack sind Jarvis Cocker, Grace Jones, Ennio Morricone, Charles Aznavour und viele
andere zu hören.
ab 11.02.2022 auch als 2LP erhältlich
- 1: Mallory's Legacy
- 2: Fading In The Snow (Amine Bouhafa & Etsuko Chida)
- 3: Habu's Farewell
- 4: Looking For Habu
- 5: The Rope (Amine Bouhafa & Etsuko Chida)
- 6: Ghost Of A Child
- 7: The Mountain Call
- 8: Rambling In The Mountain
- 9: Alone On The Wall
- 10: Through The Khumbu Valley
- 11: An Icefall Journey
- 12: Feeling The Heights
- 13: The Storm
- 14: Finding Mallory
- 15: The Summit
- 16: Epilogue
The Summit of the Gods is a French animated film directed by Patrick Imbert, released in 2021. It is an adaptation of the manga The Summit of the Gods by Jirō Taniguchi, based on the novel by Baku Yumemakura. This journey is set against the backdrop of the fate of a Japanese mountaineer and George Mallory's adventure to the summit of Everest.
International release: November, 30th on Netflix
Festivals:
- Annecy International Animation Film Festival (2020)
- Cannes Film Festival (2021) - Official Selection
- Application for the César and Oscar Awards 2022
Balancing on a double culture that he claims, Amine Bouhafa develops a very personal style by playing with the clichés of orientalism. The quality of his writing and the originality of his style led to his being chosen by the producer Sylvie Pialat and the Mauritanian director Abderrahmane Sissako to compose the music for Timbuktu. The film won seven Césars, including the one for best original music.
More recently, he composed the inspired scores for Tu Mourras À Vingt Ans by Amjad Abu Alala (Golden Lion for the first film - Mostra 2019 / Best Music Award at the Odessa International Film Festival 2020), Un Fils by Mehdi Barsaoui awarded for the best actor (Orizzonti selection - Mostra 2019), Gagarin by Fanny Liatard & Jérémy Trouilh (Official Selection of the Cannes Film Festival 2020 - Best Original Score Award at the Rome Film Festival 2020 and at the Bordeaux International Independent Film Festival (FIFIB), L'Homme Qui Vendu Sa Peau by Kaouther Ben Hania awarded Best Actor (Orizzonti selection - Mostra 2020) and the Star of the Best Arab Film at the El Gouna Festival 2020 and The Summit of the Gods by Patrick Imbert (Official Selection of the Cannes Festival 2021).
Pink Vinyl
Drifting on oceans of thunderous stillness, carried away by endless currents, whipped up by waves of darkness devouring you until you see the light. The first album from Platoo, a collaboration between Michelle Samba and Phil Mills, has an unrelenting cadence that grabs you and refuses to let go. A distinctive combination of calming soundscapes and highly-charged energy fitting any occasion, from dancing like lost souls in the empty halls of ancient barracks to ecstatically tripping on a distant desert planet.
To Phil and Michelle creating Platoo was about being given a sense of freedom and exploration, at once shaking off habits and rediscovering forgotten values. Phil's love of the mesh of ''real'' sounds and electronics, and quest to establish a balance where both would feed off each other saw him abandon convention and standard structures, deviate from the beaten path and let things come to life. Michelle's quest to create, to inspire and be inspired, to draw her conclusions from serendipitous events allowed her to break things open and be at ease with letting herself go to create the breathing space needed for this new sound.
What makes their symbiosis fruitful is a common yearning for the unknown, a search for what works without exactly fathoming why it works. The result is something that indeed meets those needs, a strange and beautiful musical exploration.
- 1: Heat Wave
- 2: Nightfall
- 3: Imperfect Cell
- 4: Turok
- 5: Umbrella
- 6: Bobby Briggs
- 7: Insurance
- 8: 99 'K
- 9: Yuan's Room
- 10: Triforce
- 11: Aya Brea
- 12: William Birkin
- 13: Agent Mulder
- 14: C.s.m
- 15: Agent Doggett
- 16: Curtis Blackburn
- 17: Dan Smith
- 18: Kevin Smith
- 19: Con Smith
- 20: Kaede Smith
- 21: Coyote Smith
- 22: Barry Burton
- 23: Regina
The Seattle Times declared “On The Quarner” as one of the best albums of 2020, saying that “Stas doesn’t so much rap over beats as aerate her misty tracks with the feeling of a dream you’re certain is real.” The title is a nod to "On The Corner," the 1972 jazz classic from trumpeter, bandleader, and composer Miles Davis. Stas chops up the source material, reimagining and recontextualizing it as a single 16-minute musical suite for these pandemic days indoors. Seattle radio station KEXP calls this record a “masterwork that warrants uninterrupted listens”, while describing the former THEESatisfaction member as "a sculpture artist, building statues out of every musical element possible, stacking rhyming sounds and pitch-shifted harmonies, unpacking complex thematic concepts, and rapping circles around even the best of her peers just for the hell of it.” Northwest underground hip-hop label Crane City Music is thrilled to release a deluxe vinyl edition of “On The Quarner” on red wax with an extra 22 minutes of exclusive instrumentals and bonus tracks. This deluxe edition also includes a full-color lyrics booklet and liner notes by Larry Mizell Jr. Only 500 individually numbered copies have been pressed.
These three offerings from Michael James might fit into the minimal/tech bracket comfortably but there's a free flowing, shuffling sense of funkiness that undeniably runs through them all that defies all the usual 'shoulder twitch' stereotypes about the genre. 'Signal Issues' employs a panther-like bass hovering under the radar, with the briefest of breakbeat snippets adding the growing syncopation. 'Still Waiting' continues the technofunk mission, a sea of underplayed bleepery augmenting the groove, while 'Rush Hour' has a breezier and more open vibe and perhaps a more classic techno feel, proper graceful like.
- A1: Hello Baby
- A2: I Got The Rhythm (Feat. Elliott Cole)
- A3: All My Love (Feat. Juliette Ashby)
- A4: (Searching For) Peace & Love
- A5: Take You Home (Feat. Joss Stone)
- A6: Nothing Personal (Feat. Elliott Cole)
- A7: The Bakery Girl Intermission
- B1: One World (Feat. Herbal T)
- B2: Fires Glow (Feat. Emma Noble)
- B3: Magic Together (Feat. Elliott Cole)
- B4: Walk In The Sun (Feat. Professor Elemental)
- B5: Now I Feel Good (Feat. Elliott Cole)
REISSUE!
Multi-instrumentalist, composer, producer and DJ, Adam Gibbons (aka Lack of Afro) is back in considerable style with 'Hello Baby' - his fifth studio record and the first Lack of Afro album to be released on his own LOA Records imprint. 'Hello Baby' is a genre-bending colossus of an album that is packed full of Adam's trademark multi-instrumental goodness, heavy drums, percussion-packed production, and ear for a good tune.
After 30 years living in the US, between Las Vegas and Los Angeles, Matt Goss has decided it’s time to return home to London. Goss’ new solo album “The Beautiful Unknown” will launch an exciting new solo chapter in the British pop music legend’s career, following a resurgence of recognition off the back of 2018’s BAFTA winning documentary After The Screaming Stops.
As one half of BROS, the global chart-topping, cultural pop phenomenon, Matt has amassed 16+ million album sales, with debut album Push going 4x Platinum in the UK as well as hitting #1 in 22 countries. The younger of the BROS siblings, Matt Goss is officially the youngest artist to sell out and headline Wembley Stadium, as well as a joint world record holder for selling out two nights at London’s O2 Arena in just seven seconds.
Matt Goss is a true internationally recognized performing icon, with Las Vegas residences at the world renowned Caesar’s Palace and The Mirage hotels.
- 1: Charmed Life
- 2: National Express
- 3: Norman And Norma
- 4: Something For The Weekend
- 5: Songs Of Love
- 6: The Best Mistakes
- 7: At The Indie Disco
- 8: Bad Ambassador
- 9: A Lady Of A Certain Age
- 10: Becoming More Like Alfie
- 11: Come Home Billy Bird
- 12: Have You Ever Been In Love
- 13: Our Mutual Friend
- 14: Generation Sex
- 15: How Can You Leave Me On My Own
- 16: Perfect Lovesong
- 17: Your Daddy’s Car
- 18: You'll Never Work In This Town Again
- 19: Absent Friends
- 20: Everybody Knows (Except You)
- 21: The Certainty Of Chance
- 22: Sunrise
- 23: To The Rescue
- 24: Tonight We Fly
‘Charmed Life - The Best Of The Divine Comedy’ is a career-spanning
24 track collection of hit singles and fan favourites, including ‘National
Express’, ‘Something For The Weekend’, ‘Songs Of Love’, ‘Our Mutual
Friend’, ‘A Lady Of A Certain Age’, ‘To The Rescue’ and ‘Norman And
Norma’. It also includes a brand-new track, ‘The Best Mistakes’.
Remastered at Abbey Road, the new ‘Best Of’ offers a comprehensive
guide to The Divine Comedy as curated by Neil Hannon himself and is
released on his own Divine Comedy Records.
‘Charmed Life’ follows 2019’s Top Five album ‘Office Politics’ and 2020’s
extensive ‘Venus, Cupid, Folly and Time’ reissues project.
The album is released as a 24-track standard 2CD, coloured
heavyweight double vinyl in a gatefold sleeve, black heavyweight double
vinyl in a gatefold sleeve, and as a deluxe 3CD edition containing the 24-
track ‘Best Of’ plus ‘Super Extra Bonus Album’, a bonus disc of new and
unreleased recordings.
The album cover is taken from a new shoot by acclaimed music
photographer Kevin Westenberg.
The Divine Comedy will play a 19 date UK and Ireland tour in April and
May 2022, including a show at the London Palladium.
The release will be supported by an extensive promo campaign,
including play and appearances on radio and TV plus interviews and
features in music magazines, broadsheet titles and online.
Marketing to support the album will encompass a full cross section of
digital advertising, a substantial outdoor campaign and press advertising
in key titles, plus a fan-driven social media and email database
campaign.
- 1: Charmed Life
- 2: National Express
- 3: Norman And Norma
- 4: Something For The Weekend
- 5: Songs Of Love
- 6: The Best Mistakes
- 7: At The Indie Disco
- 8: Bad Ambassador
- 9: A Lady Of A Certain Age
- 10: Becoming More Like Alfie
- 11: Come Home Billy Bird
- 12: Have You Ever Been In Love
- 13: Our Mutual Friend
- 14: Generation Sex
- 15: How Can You Leave Me On My Own
- 16: Perfect Lovesong
- 17: Your Daddy’s Car
- 18: You'll Never Work In This Town Again
- 19: Absent Friends
- 20: Everybody Knows (Except You)
- 21: The Certainty Of Chance
- 22: Sunrise
- 23: To The Rescue
- 24: Tonight We Fly
‘Charmed Life - The Best Of The Divine Comedy’ is a career-spanning
24 track collection of hit singles and fan favourites, including ‘National
Express’, ‘Something For The Weekend’, ‘Songs Of Love’, ‘Our Mutual
Friend’, ‘A Lady Of A Certain Age’, ‘To The Rescue’ and ‘Norman And
Norma’. It also includes a brand-new track, ‘The Best Mistakes’.
Remastered at Abbey Road, the new ‘Best Of’ offers a comprehensive
guide to The Divine Comedy as curated by Neil Hannon himself and is
released on his own Divine Comedy Records.
‘Charmed Life’ follows 2019’s Top Five album ‘Office Politics’ and 2020’s
extensive ‘Venus, Cupid, Folly and Time’ reissues project.
The album is released as a 24-track standard 2CD, coloured
heavyweight double vinyl in a gatefold sleeve, black heavyweight double
vinyl in a gatefold sleeve, and as a deluxe 3CD edition containing the 24-
track ‘Best Of’ plus ‘Super Extra Bonus Album’, a bonus disc of new and
unreleased recordings.
The album cover is taken from a new shoot by acclaimed music
photographer Kevin Westenberg.
The Divine Comedy will play a 19 date UK and Ireland tour in April and
May 2022, including a show at the London Palladium.
The release will be supported by an extensive promo campaign,
including play and appearances on radio and TV plus interviews and
features in music magazines, broadsheet titles and online.
Marketing to support the album will encompass a full cross section of
digital advertising, a substantial outdoor campaign and press advertising
in key titles, plus a fan-driven social media and email database
campaign.
- 1: Atlas' Push
- 2: Inside Our Perspectives
- 3: Out In Space
- 4: Juno's Quiet Determination
- 5: Jupiter's Intuition
- 6: Juno's Power
- 7: Space's Mystery Road
- 8: In The Magic Of Cosmos
- 9: Juno's Tender Call
- 10: Juno's Echoes
- 11: Juno's Ethereal Breeze
- 12: Jupiter's Veil Of Clouds
- 13: Hera/Juno Queen Of The Gods
- 14: Zeus Almighty
- 15: Jupiter Rex
- 16: Juno's Accomplishments
- 17: Apo 22
- 18: In Serenitatem
The work, inspired by NASA’s ground-breaking mission by the Juno space probe and its ongoing exploration of Jupiter, is a multi-dimensional musical journey featuring the voice of opera superstar Angela Gheorghiu. The album includes sounds from the Juno launch event on earth, from the probe and its surroundings and Juno’s subsequent journey that have been sent back to earth from the probe, which continues to study Jupiter and its moons: 365 million miles away.
- Atlas' Push
- Inside Our Perspectives
- Out In Space
- Juno's Quiet Determination
- Jupiter's Intuition
- Juno's Power
- Space's Mystery Road
- In The Magic Of Cosmos
- Juno's Tender Call
- Juno's Echoes
- Juno's Ethereal Breeze
- Jupiter's Veil Of Clouds
- Hera/Juno Queen Of The Gods
- Zeus Almighty
- Jupiter Rex
- Juno's Accomplishments
- Apo 22
- In Serenitatem
Vangelis, ein Pionier der elektronischen Musik, hat mit seiner sich ständig erweiternden Fantasie und seinen innovativen Experimenten wie niemand zuvor die perfekte Verbindung zwischen der akustischen und der elektronischen Welt geschaffen. Seine Orchestrierungen für das neue Album „Juno to Jupiter“ erweitern erneut die Horizonte der elektronischen Musik und verwischen die Grenze zwischen ihr und der akustischen symphonischen Musik. Das Ergebnis ist eine atemberaubende und gleichzeitig beruhigende musikalische
Reise durch den Weltraum.
Das Werk fand seine Inspiration in der wegweisenden NASA-Mission, der Raumsonde Juno und ihrer laufenden Erkundung des Jupiters. Es handelt sich um eine multidimensionale Musikreise, begleitet von
der Stimme des Opernsuperstars Angela Gheorghiu .Das Album enthält Klänge vom Juno-Start auf der Erde, von der Sonde und ihrer Umgebung sowie von Junos anschließender Reise, die von der Sonde zur Erde zurückgeschickt wurden. Die Sonde untersucht weiterhin den Jupiter und seine Monde: 365 Millionen Meilen entfernt von der Erde an ihrem nächstgelegenen Punkt.
Die NASA hat Vangelis mit ihrer Public Service Medal ausgezeichnet. Außerdem hat das Minor Planet Center der Internationalen Astronomischen Union den Asteroiden 6354, der sich zwischen Jupiter und Mars befindet, ihm zu Ehren „Vangelis“ genannt, um die internationale Wirkung und Wertschätzung seiner Arbeit sowie seine Beziehung zum Universum zu unterstreichen.
Second album from The Datsuns now available on vinyl at a cheaper price. The Datsuns lead the adrenalin-charge into the sheer unadulterated stomach-churning joys of rocking and rolling. The same energy and abandon which pulsed through their eponymous 100k plus selling debut album in 2002 is present and amplified but, with ‘Outta Sight/Outta Mind’, The Datsuns’ take you on a wild and unpredictable rock’n’roll rocket-ride, a ringside seat, if you will, for two years of inspirational madness, guitar wielding in the big wide world.
Limited edition 7” single from 1983 rare one-off project with blind singer Nohemi (who can be nicknamed as the Kate Bush de los Andes) and written by Los Shapis guitarist and composer Jaime Moreira.
Dark cineastic soundscapes meet african Jazz at times reminicent of Mulatu.
Ahmed Malek was one of the most important musicians of the Algerian scene of the 1970s. His sountrack works that were composed for various Algerian movies of the time fuse Arabic influences with jazz, psych and funk influences Original copies of his vinyl releases have been sold for enormous amounts. For this release we combined the strongest tracks from his releases with a selection of unreleased material straight from the families archive. The vinyl edition comes with a 8 page 12' size booklet, the cd version with a 16 page booklet with lot of unseen photos, an interview with the artist from 1978 and an introduction to Algerian cinema.
- A1: Opening - 03 24
- A2: Call Center - 02 22
- A3: End Love - 00 58
- A4: Sister - 01 39
- A5: Mdma - 01 33
- A6: Paris 13Th - 01 52
- A7: Mother - 01 27
- A8: Arrival - 01 43
- B1: Nora - 02 05
- B2: Humiliation - 1 34
- B3: One Month Later - 02 37
- B4: Camille & Emilie - 01 39
- B5: Emilie Dance - 01 54
- B6: Looks - 01 10
- B7: Porno - 2 40
- B8: Nora & Amber - 2 56
Sixteen musical vignettes of electrifying emotion at the crossroads of ambient, modern synthesizer productions and organic orchestral music experimentation, which tint French director Jacques Audiard's new feature film with the illuminated glow of a whole new generation.
Textextext - (add your write up)
When Jacques Audiard contacted him, Rone was just a few weeks away from receiving the Cesar award for best film score for his very first soundtrack "Night Ride", the highest honor in French film for a composer.
Throughout his career, the French director has been able to surprise his audience by playing on the codes of "genre films", while remaining faithful to the aesthetics of "art film". His cinema is both profound and entertaining, sophisticated and accessible, dark and dreamlike.
"Jacques' cinema is physical, sensual, modern", Rone says about the director, "when he asked me to do the music for Paris, 13th District , I immediately accepted, without seeing any images or reading the script. He is simply one of the greatest contemporary filmmakers."
His new feature film deals with youth in general and their sexuality in particular in a way no one may have done before. The story is based on four young characters and their existential questionings, whose destinies intertwined against the backdrop of the Parisian "Olympiades" high rises in the 13th arrondissement.
But time was already running out, as the film was set to be nominated for *Cannes' Palm D'or* at the rescheduled edition of the festival in July 2021. Between the releases of "Rone & Friends" and his remixes for Agnes Obel, Go Go Penguin and Jehnny Beth (who also plays a role in the film), the producer decided to lock himself away in in his brand-new Isola Studio in Cancale, French Brittany. He also invested in a large screen on which he projected loops of the film and started manipulating his gear. "I had Miles Davis in mind and the way he composed "Ascenseur pour l'échafaud" by improvising with his band while watching excerpts from the film."
After a first conclusive test on three scenes of the film which allowed Rone to showcase the skills he had developed in composition in various musical fields, a relationship of trust developed between the musician and the director, which resulted in over 45 minutes of Rone's music used for the final cut.
"There was a lot of music to be made in a short time, but the talks with Jacques were very stimulating. He had a fairly precise idea of what he wanted, while at the same time, I think, having the desire to be surprised, or even a little shaken up."
If the black and white aesthetic recalls the great hours of the "Nouvelle Vague", Rone´s music gives a new layer to the film which fits resolutely with 2020's zeitgeist.
This second soundtrack by Rone is a sonic urban adventure in itself. As it is used in the film, colouring in the lives of Audiard's protagonists, it will have the same impact on us, the listeners, in our own everyday lives.




















