Cerca:t move

Cecil Taylor's solo piano set at the Montreux Jazz Festival in 1974 drew critical acclaim, earning five star reviews from the Rolling Stone Jazz Record Guide and AllMusic's Scott Yanow. The set features Taylor's five-movement work "Silent Tongues', along with two encores. After being out of print for nearly four decades, the classic live album has been remastered at Infrasonic Mastering and pressed on audiophile-grade vinyl at Pallas Group in Germany. Silent Tongues is a must-have for fans of Taylor and collectors of free jazz.

Rudolf Abramov is a duo based in Berlin and Israel, which seem to have been a door opener to unexpected musical encounters, because it's an almost impossible task to sum up their sound in a comprehensible way. In their own words their music is 'a response to a seemingly endless conflict about disgust, acceptance and love.' Now Hoga Nord Rekord is releasing their Mini-LP 'Krass kontrast'.

Rudolf Abramov is Roland 303, programmed drums, oriental samples, eastern mysticism and instrumentation dressed as German machine funk, Disco, Turkish psychedelia, Krautrock, EBM and so on, and so on.. their music is cosmic, beautiful and boundless.

The arpeggio on the track 'Projekt 4' is running on infinite repeat in a parallell reality where 1982 never ended, where Rudolf Abramov move freely through different dimensions and where they are in total control of their unpredictable creation!

See Through is a new collaboration between Aidan Baker (Nadja), Faith Coloccia (Mamiffer, Mara, Sige Records) and renowned percussionist Jon Mueller.

The project was brought to life through Baker exploring textural rhythms created by sampling small, sharp and abrupt sounds on the electric guitar and then sequencing them in a drum machine to form the bedrock of the tracks. Mueller then added his particular, signature brand of intricate, hypnotic percussion to the mix and the compositions began to grow and take shape. The pair agreed that the pieces needed a more human touch and Coloccia was invited onboard, contributing processed vocals via looping, tape manipulation and microphone feedback.

The result is an other-worldly record that seamlessly flows from beginning to end, immersing the listener in waves of ambient movements and soporific beats. There is a trance-inducing aspect to this work, deserving to be consumed in one sitting and allowed to manifest itself for the duration. The trio have crafted a piece of work that stands up to the quality and integrity of their combined back catalogues and indeed adds something completely new for fans to discover and devour.

Transcendence was not only Alice Coltrane's last studio album for Warner Bros., it would also be her last studio work for nearly three decades. While Eternity and Radha-Krsna Nama Sankirtana followed the composer's muse through an exciting range of musical styles and influences, Transcendence is perhaps the most fully realized of the three LPs, synthesizing the best elements of each into a monumental whole.

Side one consists of intimate compositions with Alice's pointillist harp enhanced by intricate string arrangements. At times, the emotional climaxes in "Radhe Shyam" and the title track sound like the score to an epic film. This would be the closest Coltrane ever came to chamber music, yet rendered with her uniquely spiritual tint.

Side two moves into celestial territory with uplifting chants, light handclaps and bluesy organ. These call-and-response chants, featuring members from her Ashram, completely embody both African-American gospel and Hindu devotional traditions, an uncanny fusion that is transformed through Alice's pure spirit.

What runs through the album's two musical halves is a powerful sense of devotion and discovery. At this point in her life, Coltrane was on a journey toward truth through sound, and Transcendence gives the listener a front row seat to this quest.

Emotional Rescue announces the second EP of music from one of the label's favourites as part of a non-defined series where two of their (un)classic songs are remastered, reappraised and reinterpreted with new versions by a contemporary artist for reinterpretation today.

Thomas Leer is a respected and revered musician in both experimental and electronic circles. Having moved from Scotland to London in the late 70s, he moved away from playing in punk based bands, to debut his self-financed 'Private Planes' 7" in 1978, before releasing the cult-album 'The Bridge', with Robert Rental, the following year.

Signing to Cherry Red, he released the heralded '4 Movements' in 1981 and followed with 'All About You' in 1982, and it is from these 2 EPs that this release is sourced. The release starts with Saving Grace from the latter, a long famous "Cosmic classic"; it's mid-tempo, spacey, lifting repetition is the perfect soundtrack for those Baldelli trips straight to the stars.

This is backed with Tight As A Drum, a quintessential Leer production, where Teutonic drums is overlaid with sequencers and synth tones to elevate the song to some kind of disorientating outer-dimensional dub, while his lucid, spoken word vocals instill degradation and reinvention.

Asking Bullion to offer his own take on these two songs was the perfect pairing. A revered artist in his own time, the warmth and depth of his versions takes the originals to his own inner world; sampling, rewiring, reprogramming, resigning and replaying. An EP for the floor, the head and the heart.

Cut by Rashad Becker at Dubplates & Mastering, Berlin, November 2018
Mastering: Mathias Durand

Translations: Valérie Vivancos
Layout: Stephen O'Malley
Photos: Stéphane Ouzounoff, Bernard Bruges-Renard

Coordination GRM: François Bonnet
Executive Production: Peter Rehberg

SIDE A
Contrée (2013), 20'

SIDE B
Allégeance volatile (2002), 8'46
Esquive (2010), 10'10

The mastering of these tracks was done by Mathias Durand at François Lê Xuân's Studio 101, in Paris. I would like to warmly thank him for this.

Allégeance volatile and Esquive each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called "repetitive" music. These are types of high-end music. And it is more about insistence, the obstinacy of an individual who keeps knocking on a door that will never open.

Allégeance's rustic drumming, talkative, acidulous, colourful and overarticulated, with almost clownish desinences, eventually dies out in this very respite. The iterative and puffy shimmering of Esquive with its dull, thin and precise sounds, shifts and is engulfed into another sonic world — which appears as a gaping and collapsed response to this prime insistency.

This is, indeed, a 'volatile allegiance' and 'avoidance' from the sonic to the musical elements: the musical phenomenon anticipated and pursued as the non-sound of sound — or, in other words, the void of sound. This seems to be the lesson of the concrete attitude in music. Such is the kind of questioning that stirs the composer.

He returns with another title: Contrée, which, once again, speaks of a counter-event. Here, the movement is broader, more generous, more confident. Time spreads and stretches out. What seems to be a landscape of entanglements, trajectories, influx, masses and points emerges. "Something" rises and presents itself out of the sounds - these escaping beings, these "relatively short combustion flames " (Schaeffer).

The piece consists of five consecutive and uninterrupted parts: Entrée and Stance I — Véhémence de l'air and Stance II — Grande Allure. It is the central section of an electroacoustic triptych with Sables (2011) as the first and Nil (2017) as the last.

- 180 GRAM AUDIOPHILE VINYL
- PVC PROTECTIVE SLEEVE
- MIKE OLDFIELD'S TUBULAR BELLS IS INSPIRED
BY THIS ALBUM
- FEATURED IN GRAND THEFT AUTO IV ON THE
RADIO STATION 'THE JOURNEY.'
- 50TH ANNIVERSARY LIMITED EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON TRANSPARENT VINYL

Keyboard virtuoso Terry Riley started experimenting with different instruments in the '50s. One of his electronic music landmarks is his third album A Rainbow in Curved Air. Through the use of overdubbing, he recorded all the instruments to feature on the title track. The composition consists of three movements, each representing another part of his musical influences. As the song progresses, its structure goes through frequent changes. It's an colorful, psychedelic, atmospheric and revolutionary song. The second track consists of a loop of saxophones and is the dreamy and calm opposite of the title track. Fans of electronic music, such as Tangerine Dream and Klaus Schulze, would love this record. Taking inspiration from Hindustani classical music and jazz techniques, Riley's masterpiece influenced many musicians, from the likes of Brian Eno to Emeralds.

A Rainbow in Curved Air 50th anniversary limited edition is available as 500 individually numbered copies on transparent vinyl.

For the label's second release, Amsterdam imprint yeyeh has brought together two musicians from vastly different backgrounds to celebrate the far-sighted musical potential of the Theremin on the 100-year anniversary of the instrument's invention.

'Waves' is the product of two weeks of studio collaborations between award-winning composer and Theremin soloist Carolina Eyck and Eversines, an electronic music producer who has previously released music on yeyeh's sister label ninih. It builds on Eyck's work composing for 'Theremin & Voice', with both artists playing a part in processing, modulating, layering and arranging vocal and Theremin sounds to create six breathtaking electronic compositions.

Varied in tone and execution, the album's six tracks are arguably closer to instrumental pop than academic electronic music. Some tracks bear comparison to the cyclical melodic movements associated with the greats of American minimalism, while others recall the alien, otherworldly futurism of the Radiophonic Workshop, classic ambient music and the sun-bright bliss of early '90s IDM. Yet despite these possible perceived parallels, 'Waves' sits on its own as a stunning work crafted from the simplest of musical elements.

From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat... "Electro In The Key Of Detroit: Volume 1"...Proven dance floor dope & record crate staples that provide the hungry ears of masses the groove to move: World-Wide. 'DJ K1's "Erase The Time" (featured on Detroit's WGPR TV "New Dance Show" in the 1990s) rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure. 'Posatronix' mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. A sure-fire stepper that also shared popularity on TV dance show platforms from Techno City. 'Blaktony's tempo-pushing "Holla Holla" , direct from the documentary soundtrack: "AUX88: Portrait Of An Electronic Band" dvd box set (a radio Dj/mix show favorite) sees the light of day on this wax collectable, giving praise to Motor City footwork culture. Also included in this monster EP is the rare 'AUX88' voyage entitled: "Phantom Power"...a gem and collector's choice. Crafted exclusively for the laid-back option away from the party or to enjoy accompanying a night's drive. This collection of re-issued jams and new explorations 'IS' the must-have for the electro/techno & bass aficionado...See it as either a DJ's weapon of choice, or the gift from vault

Honey...rich And Flavorful, Hitting The Deepest Sweet Spot.

Drivetrain (detroit, Usa) - Inside You
Label Founder, Derrick Thompson Sets It Off With A Primetime Floor Filler.
The Gravitational Pull Of The Bass Riff Encapsulates The Vocal Hook As The Keyboard Refrain Perfectly Aligns With An Aggressive Percussion Track.

Rennie Foster (vancouver, Canada) - Detroit City
Demonstrating A Much Deeper Persona, The Sultry Piano Sets A Moody Atmosphere. Luxuriant Strings And Expressive Bell Tones Conjugate As The Vocal Signature Pays Homage To The City Of Inspiration.

Melodymann (ghent, Belgium) - Nobody Else
Explicitly Designed For Maximum Body Movement, A Solid Percussion Theme Is Immediately Established. Soon An Animated Chord Progression Is Introduced,
Then Showered With Kinetic Vocal Samples For Amalgamated Electricity.

Mark Ryal (sitges, Spain) - Imperfect Perfection
This Elegantly Fluid Soiree Debut Parades A Sphere Of Warm Pads Throughout.
Articulated Harmonies, Elastically Weave A Blissful Sonic Terrain Atop An Unyielding Groove Framework.

Limited edition 45 vinyl with two brand new tracks form Juno and Mercury prize nominated Canadian soul Queen Tanika Charles. On the A side "Love Overdue" the 1st taken from the forthcoming new album "The Gumption" is an irresistible R&b/Soul mover that equally pays homage to Amy Winehouse and 60s Club Soul. On the flipside the floorshaking "Remember to Remember" sounds like Diana Ross and The Supremes produced by Drake, explosive contemporary Motown ssound.

Produced by a stable of some of Canada's finest musical minds including DJ Kemo (The Rascalz, Kardinal Offishall), Chin Injeti (DJ Khalil, Eminem, Drake) and Daniel Lee (Hooded Fang, Phedre), "The Gumption" is the awaited new album by Juno Award and Polaris Music Prize-nominated Canadian new star Tanika Charles and it's scheduled for release on May 10.

Watch out 45 is limited to 500 copies worldwide.

To happiness through simplicity. Rendering a very personal tribute to well understood minimalism, the same that is based on simplicity and conceptual refinement and that is adapted to the creation and musical production -respecting that electronic maximum canonical of "less is more" - in terms of its compositional process, instrumentation, mixing, effects, etc. 'Simple Things' can be danced throughout the night. It is a collection of tracks with punch, made from the clarity and personality that characterize Nacho Marco, susceptible to being played at very different times and places. Exhale, from beginning to end, a natural love towards the dancefloor. From the simplicity of the search for this objective, its author -in his Warm Studio in Valencia- has used different rhythm boxes -programmed internally- for each track in order to, also based on a raw mix - especially in percussion and basses - to provide the tracklist with a varied air -between digital and analogue- through which to enjoy traveling through deep-house, nu-disco, acid, etc. and, therefore, in funk, soul, jazz, etc. From Chicago to Valencia, passing through N.Y. and Detroit. And all this avoiding arguments and essays of style. From a maximum freedom of creation and enjoyment. Yes, we are facing a "100% Nacho Marco" job.

Human Potential Movement

After The First Wave Of Artists That Have Broken The Ice With Their Way Of Combining Contemporary Symphonic Music With Electronica And Jazz On The European Side (olafur Arnalds, Nils Frahm, Max Richter) - Now There Is A New Generation Of Young Musician Breaking Boundaries On A New Level. Especially In Germany There Is A New Wave Of Artists That Bring The Thing On A Whole New Level. These 20 - 25 Year Old People Don't Just Imitate What The Bigger Names In The Scene (the Fathers) Have Done But Develop The Style To A Totally Different Level And Add New Ideas Instead Of Just Copying What The Older Guys Did. This New Wave Of Artists Have A Huge Musical Knowledge, Have Studied At The Best Music Academies, Learned To Play "classical" Instruments And Know How To Improvise On A Very High Level. They Have Been Raised In 2 Different World: Studied The History Of (contemporary) Classical Music And Also Been Influenced By What's Happening In Electronica Evolution Of The Last 25 Years. Ralph Heidel Is One Of These New Kids In The German Scene. Coming From Munich, The 25 Year Old Extremely Talented Musician Studied Saxophone And Composition At The Munich Academy Of Music (known For Being The Best Music School In Germany. Think Julliard Or Berklee). He Graduated In 2018.leering Everything About The Music Of 20th Century Composers (charles Ives, Alfred Schnittke, Giöyrgi Ligeti Etc). At The Same Time He Grow Up With The Music Of Electronic Producers Like Alvo Noto, Boards Of Canada, Jon Hopkins, Jan Jelinek, Four Tet Since Early Days. And: He Comes From A Jazz Musicians Family And Has Grown Up By Listening To The Jazz Collection Of His Father. Studied Saxophone Since Age Of 12 With A Big Passion For The More Advanced Jazz. In His Own Music All This Comes Together. "moments Of Resonance" Are Seven Compositions Full Of Brilliant Little Ideas, Harmonic Complexity, Unheard Music Surprises, Clever Citations, Dramatic Evolutions, Big Explosive Moments, Meditative Moments And Euphoric High Points. This Album Is An Extremely Emotional Work Of Art For Strings, Saxophone, Drums, Bass And Electronics. Ralph Heidel And His 7 Piece Ensemble Homo Ludens Connect Contemporary Chamber Music With Electronica, Ambient, Post Rock And Avant-garde Jazz. On A Highest Possible Musical Level - Without Getting Too Abstract And Incomprehensible. Everything Is Composed And Improvised. Nothing Is Sampled. You Find Wild Punk-jazz Parts That Recall John Zorn Or Mahavishnu Orchestra And Romantic Passages That Make You Think About European Impressionistic Composers Like Ravel Or Debussy. But Nothing Is Imitated, Everything Gets Broken Up Through An Expressive New Way Of Using Harmonization And Melodic Composing. Sometimes The Band Flies Through An Ambient And Drone Universe But One Moment Later The Music Evolves Into An Explosive, Impossible To Describe Musical Moment. One Of Heidel's Biggest Ability Is To Melt Electronic And Organic Elements Into A New Unheard Sound.

Bucharest Techno Traxx Vol. 1 - the new series on The Model's own imprint Adult Central. Bridging the gap between classic underground and contemporary sound, the brand new 4-track EP compiles 4 no-nonsense, banging tracks meant to move any techno floor. From pounding beats and acid sounds to dark pads and hypnotic hooks, this record packs serious power and finesse. A multi-faceted techno record that showcases the genre's multiple possibilities.

BT33 drags back Marco Bernardi for his 3rd solo EP on brokntoys.Plat + Form P.F. finds Marco run ragged through time, revisiting his sleeper-project Octogen's lost 3rd (!) album alongside his latest productions Cruising the dystopia, the EP moves through unnerving melodies hung against stuttering rhythms.
Handstamped and with screenprinted sleeve.

For those who will know Baggy Leggins for previous release 'Expensive Sheeeeet'
& 'Disco Lando' this put together Hand Stamped 7" press will pop your joints, the
run is 300 copies hand stamped.
Side A.
Mondo Disco
Heres a fury filled foundation of bongos, beats and bass, with layers of rolling piano
and hypnotic movement of brass, giving nothing else but good time vibes for the
dance floor with plenty of outro for any discerning DJ.
Side B.
Bug Wax
Rewind for vintage 70's retro kitsch ditchsco , rhythmic bass guitar, enchanting flute
and swirling strings, sprinkled with subtle vocals and hints of electronic glitch over a
pumping beat.

Napolitan Techno DJ and heavyweight producer Davide Carbone releases on the French Rave Or Die Records for the very first time! Multiplying records and collaborations just like Mike Tyson was multiplying uppercuts, the co-owner of Repitch Recordings, Cosmo Rhythmatic and 3TH Records and owner of Carbone Records starts with "Dive Or Die" on the A-side: a speedy yet straight to the dancefloor tune based upon trancey acid lines a la Steve Stoll or Leo Anibaldi and aerial melodies. Combined with dark effects, this nostalgic song Made in Italy appears as an authentic Rave anthem from back in the glorious days!

On the flip side, ROD mastermind and dancefloor veteran Umwelt (Voitax, Return To Disorder) delivers a shaking, hefty and tremendous cut. Named with suitability "Tremblements", the jam signs a fascinating ode to smoking warehouses and illegal parties. Metallic pads over no mercy beats fused into industrialized synths and screaming atmospheres characterize this this dark as hell cut interspersed with counter breaks a la The Mover.

Dark, groovy and noisy at the same, two massive absolute bangers with old school roots on ROD twelve release! By the way, if you wonder the significance of the signs on the Rave Or Die logo in the labels, they are taken from the Hobo Code and mean "Keep away, Cops Active, Unsafe Area". You'll be warned.

Jauzas The Shining (Shipwrec, Last Known Trajectory) returns to New Flesh Records, this time accompanied by his compatriot Eliot Forin aka Foreign Sequence (D.KO Records, Concrete Collage). The unexpected duo delivers four unreleased killer cuts of high caliber for your own pleasure. Very Sci-Fi-esque "Talking Machines" takes place in a dystopian future and brings together a collection of powerful electro tracks incorporating elements of rawness, acidity, and melancholy at the focus of this intent.

In overture of the A-side, gloomy "Death By Fuzz" offers an epic collaboration between the two artists: the song fully illustrates the analog brilliance and dancefloor dazzling that they are able to. This heading jam picks things up with solid metallic drums while punishing percussions lift the track even higher until the end. Brainwashing "Painful Headaches" instantly following sees Foreign Sequence in a brilliant solo exercise where he unleashes the acid whereas a solid rhythm leads you to the dancefloor for some robotic and insane movements!

Side B opens with eponymous track "Talkin' Machines", a pulsating journey into processors and computer drivers from the French pair. Characterized by unhealthy melodies, pounding beats and cyborg noises, the cut merges fascinating sequences and dark atmospheres. With its astral pads, Jauzas The Shining's final song "Colombia" takes you on a cosmic trip, traveling at light speed through time and space thanks to mighty distorted FX. A rough ride, deep and intricate to destination unknown, the perfect future funk soundtrack for an no return exploration.

"Talkin' Machines" celebrates the collision of two worlds, two artists with strong universe and personality to become one entity. Rush on it!

Some two years after dropping his debut album, "Broken Knowz", Jay Daniel delivers a follow-up. Interestingly, the fast-rising Detroit producer opted to move away from his usual club sound on "Tala", recently telling Resident Advisor that it was, "an invitation to know me outside of DJing". It's as deep, jazzy and musically rich as you'd expect, with Daniel flitting between jazz-funk/broken beat fusion, spacey ambient soundscapes, head-nodding hip-hop beats, intergalactic R&B instrumentals, super-smooth beatdown fare and the kind of hushed, glassy-eyed grooves that are best enjoyed while lying flat on your back at six in the morning.