Two all-time undisputed anthems from Robin S, much sampled, oft covered but nothing beats the originals. Champion now reissue both Stonebridge Club Mixes of ‘Show Me Love’ and ‘Luv 4 Luv’ loud and proud on either side of a limited 12 inch housed in a Champion picture sleeve. Impossible not to have a whole crowd belting out the words or smiles straight on their faces from the get go, these are two tracks that every collection needs – regardless of taste. It’s all love baby!
Belgian Kristof "(DJ) 4T4" Michiels has been around for a while, but this is only his second album under this name. It's practically impossible to categorize, since it holds elements of all eras of dance music. It switches effortlessly from new wave to electro, from punk funk to deep house, without ever feeling concocted. This album's got it all, but the main factor these 10 tracks share is soul. You can feel this wasn't thought up in lab, they're are organic sounds made with nothing but love for music, which grants Union Escapade a timeless feel. If you love club music of all ages, and have an open mind, you should check this out.
Straight from the immense shelves of the Full Time Production warehouse, here's a new must-have gem for the italo disco lovers.
Released for the first time in 1980 , eponymous album "Kano " is
remastered for vinyl for the first time since then and is given an
incredible new life through this version pressed on limited edition
hand-numbered vinyl that is deep in grooves and inspiration.
The first successful pioneer and ambassadors of the newly-minted "italo disco", Stefano Pulga and Luciano Ninzatti formed the core of Kano forging a consistent and memorable sound maintened throughout.
This is the sound of an army of buzzing, mini-computers and
thickly-slapped bass guitars igniting neon squares across dancefloors worldwide. As such, it sort of straddles the line between italo disco and synth funk.
Each of the six songs provides 6 to 7 minutes of danceable delights with lengthy instrumental stretches perfect for nightclubs. With vocals that are a mix of natural, falsetto and robotic, this is an album for boys, girls and androids alike. The best of the bunch open and close the set, with "It's a War" marrying a downright deadly bass line with a furiously funky organ and apocalyptic screeching synths and "I'm Ready" providing a veritable celebration of this new sound that would go on to be a big hit in two different decades. "I'm ready" was not only the beginning of Italo Disco but also a starting point for Hip Hop because that track became a classic for breakdance.
"Now Baby Now" provides further thrilling proof of the success of this
sound. The positively boppy "Ahjia" hails its all-encompassing power
with a jubilant refrain of "everything is music!", while the
mostly-instrumental "Cosmic Voyager" acts as an adventurous, triumphant soundtrack for a hero spacecraft. "Super Extra Sexy Sign", meanwhile, grooves through the Zodiac signs in entertaining fashion.
All of this adds up to a very fun listen and a very impressive debut
finally repressed and remastered on limited edition hand-numbered vinyl and out next December 10!
Black Repress !
This one is something unique coming straight from the FullTime Production vaults.
Orlando Johnson steps up to the plate once again with four of his delighting records revisited and completely remastered.
Pure Disco and Soulful House pleasure!
The 1983 special US remix by the iconic and legendary remixer and producer John "Jellybean" Benitex of "Turn The Music On" was Orlando Johnson's greatest hit and opens Side A together with the UK Remix of "If You Come Back" featuring Tony Adam.
On the flip side scalpel maestro Massimo Berardi delivers a new rendition of "Somebody Save Me" together with his remix when in the Harlem Hustlers duo, of "I Got It", taken from Orlando Johnson's "Funky Time" album of 2011.
Limited Edition - Transparent Blue Vinyl
‘Cranes In The Sky,’ was originally written by Beyonce’s baby sister Solange alongside Raphael Saadiq, for her album back in 2016 that was cited by Rolling Stone as one of the most important 500 records of all time. The words exploring a fearless journey inward, pulling up the root of a problem, and the first glimpse of blue sky after the storm has passed.
Fast forward to 2022 - Ross Allen and Andy Thompson’s Foundation Music Productions enlist the expertise of Baltimore club legend, Dj Oji, together with Tracy Hamlin (Pieces Of A Dream), to take Solange’s breakout delivery to the dancefloor. Soulful vocals will heal you, while the mid-tempo moments will mellow the masses, and UK Funky grooves will keep the shuffle moving along way into the early hours. Three remixes come in the form of the ethereal DJ Pope Funkhut Reprise, a signature Joe Goddard groover and the Star One. KDA. Meltdown Dub.
Press:
Gazza Premiere
House Salad Music Premiere
Madoras Premiere
Music Is 4 Lovers Review
Le Visiteur Review
Hot House Picks
Faith In The Defected Basement - Livestream play
DJ Feedback:
FRANCOIS K
Yes! I played the vocal version the other day again.
KAI ALCE
Dope re-interpretation from Baltimore stalwarts OJI, POPE & Tracy!
GREG WILSON
What's not to like? Love the orig Solange jam!
DANNY KRIVIT
Nice, I like a lot of DJ Oji.
SOUL CLAP/ ELI GOLDSTEIN
Fire right here
DAZ I KUE/ BUGZ IN THE ATTIC
Yea I love this one…cool vibes.
THATMANMONKZ
Oh yeah, love the Solange original, and I’m a big Oji fan! That reprise version might come in very useful for the right set!
TERRY FARLEY/ FAITH
Got to be contender for single of the month with that story x
HOT TODDY
Simply beautiful.
CRAIG SMITH/ 6TH BOROUGH PROJECT
Loved the original of this from Solange a few years back, this is a real nice interpretation of it. Liking the reprise and Dub, handy tools
CHARLES WEBSTER
Nice soulful groover. Like this.
FISH GOO DEEP/ GREG DOWLING
Lovely re imagining of one of my favourite tracks of all time
FRANK BOOKER
Love this package. Reprise mix is the one for me. Very cool!
NICK V/ LA MONA
Thanks a lot I actually prefer the dub version :)
JIMPSTER/ FREERANGE
Killer groove on this and really nice to hear a housed up version of Cranes which is such a stunning song in it’s OG form. Def something I’d like to play out.
FELIX JOY/ SWU.FM
Yes ! I flippin love a good reprise mix and this one is doing it for me. Love the original version by Solange and this is a really great rework!
STEVE PARRY / FOR SASHA
Really Smoove love it.
GROOVE ARMADA/ TOM FINDLAY
THIS IS LOVELY!!
RALPH SESSION/ HALF ASSED RECORDS
Wow the dubstrumental really gives it new life.
QUENTIN HARRIS
I love this package.
GRAME PARK/ THE HACIENDA
This is tremendous
HECTOR ROMERO/ DEF MIX
Good to see this one got picked up. I’ve played this a few times since 2018 but will get it back in rotation. Glad to see this song is getting some traction. I look forward to the unreleased versions.
ANDY BUCHAN
What a sun-dappled slice of beauty! Full support on this, what a gorgeous EP. And those drums are ace, really propulsive.
DANIELLE MOORE/ CRAZY P
Yeah I really like this. I mean I love the original but theres something quite interesting about this. Nice yeah x
MARC MEISNERE/ SOL POWER SOUND
Yes please! Can’t wait to play this one!
STEFANO TUCCI/ HELL YEAH
This is one of the best best vocal of recent times, I love It, the crescendo towards half of the track is nothing but gorgeous!
TREVOR FING/ GRAFITTI KINGS
Love these remixes.
MAX P/ HELL YEAH
Yeah, full pack is what I needed !
HORSE MEAT DISCO/ SEVERINO
Really into this!
SEAN JOHNSTON/ ALFOS
I wouldn't play it, but it's a beautiful piece of work
GRAEME PARK/ THE HACIENDA
I’m gonna enjoy playing this its lovely.
NICK V/ LA MONA
Thanks a lot I actually prefer the dub version :)
TREVOR FUNG/ GRAFITTI KINGS
Love this !!
QUENTIN HARRIS
Being a fan of the Original I love everything about this.
ALAN DIXON/ MIDNIGHT MAGIC
Killer!!!!
DAVE JARVIS/ FAITH
This is amazing! Absolutely love xx
NICK V/ LA MONA
This is a fantastic track!
MAX P/ HELL YEAH
Oh yeaahhhh
RICK GILL/ OUTLAWS YACHT CLUB
Beautiful soulful house. Quality production and top draw vocals.
MICKEY JUKES/ 1BTN
Ooof! Such a strong record to step to but i love this. Classy production, vocals are killer. All round winner!
TOMMY TURBO JAZZ/ JAXX MEDICINE
I was a fan of the OG but I really needed this cut!!
RUSSELL FORMAN/ PIKES/ HARRYS KEBABS
This is great .... I'm writing an article on the Coney Island Boardwalk house parties atm.
JIM LISTER/ 1BTN
Loving the reprise and the dub!I'm a big fan of the Solange original, so it's nice to hear a new angle on it
CHRIS DE BEURRE/ THE EAGLE
Gorgeous vocal! And such a deep production - really like this! Infectious x
DAIRMONT/ ROOM WITH A VIEW
Amazing track. Loving it!
STEVE PARRY/ FOR SASHA
Beautiful super smooth.
LES CROASDAILE/ FREIGHT ISLAND
Tune this, reminds of Southport weekender!
Estupendo is an alternative electronic band from Buenos Aires, Argentina, formed in 1993. San Antón presents newly remastered versions and bonus tracks from the pioneering album Bistró Málaga-originally released only on CD in 1994.
“San Antón” is a two-disc mind-bending collection of dystopian sci-fi electronica from the spaciest Buenos Aires-based legends Estupendo, reawakened and curated for the first time on vinyl by “The Pressure Company“. The record features a surreal tapestry of illuminated synthesizer layers, processed guitars, ample use of echo, blended watery pianos, and hypnotic soundscapes.
A perfect storm of catchy melodies along with a whole cosmos of ideas and dance-culture references packaged in a bundle of underground hits.
Estupendo is an alternative electronic band from Buenos Aires, Argentina, formed in 1993. San Antón presents newly remastered versions and bonus tracks from the pioneering album Bistró Málaga-originally released only on CD in 1994.
“San Antón” is a two-disc mind-bending collection of dystopian sci-fi electronica from the spaciest Buenos Aires-based legends Estupendo, reawakened and curated for the first time on vinyl by “The Pressure Company“. The record features a surreal tapestry of illuminated synthesizer layers, processed guitars, ample use of echo, blended watery pianos, and hypnotic soundscapes.
A perfect storm of catchy melodies along with a whole cosmos of ideas and dance-culture references packaged in a bundle of underground hits.
Like every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It’s a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me Up, Here’s to Shutting Up, and Majesty Shredding. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we’ve lost in these harrowing times and more about what we have to be thankful for. (I know something about gratitude.
I’ve been a huge Superchunk fan since the 1990s, around the same time I first found my way to poetry, so the fact that I’m writing these words feels like a minor miracle.) On Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem the “secret ingredient” is surprise. Perhaps the same is
true of songs. Like when the sax comes in on the title track, played by Wye Oak’s Andy Stack, adding a completely new texture to the song. Or when Owen Pallett’s strings come in on “This Night.” But my favorite surprise on Wild Loneliness is when the harmonies of Norman Blake and Raymond McGinley of Teenage Fanclub kick in on “Endless Summer.”
It’s as perfect a pop song as you’ll ever hear sweet, bright, flat-out gorgeous and yet it grapples with the depressing reality of climate change: “Is this the year the leaves don’t lose their color / and hummingbirds, they don’t come back to hover / I don’t mean to be a giant bummer but / I’m not ready / for an endless summer, no / I’m not ready for an endless summer.” I love how the music acts as a kind of counterweight to the lyrics.
Because of COVID, Mac, Laura, Jim, and Jon each recorded separately, but a silver lining is that this method made other long-distance contributions possible, from R.E.M.’s Mike Mills, Sharon Van Etten, Franklin Bruno, and Tracyanne Campbell of Camera Obscura, among others. Some of the songs for the record were written before the pandemic hit, but others, like “Wild Loneliness,” were written from and about isolation.
I’ve been thinking of songs as memory machines. Every time we play a record, we remember when we heard it before, and where we were, and who we were. Music crystallizes memories so well: listening to “Detroit Has a Skyline,” suddenly I’m shout1singing along with it at a show in Detroit twenty years ago; listening to Overflows,” I’m transported back to whisper-singing a slowed-down version of it to my young son, that year it was his most-requested lullaby.
Wild Loneliness is becoming part of my life, part of my memories, too. And it will be part of yours. I can picture people in 20, 50, or 100 years listening to this record and marveling at what these artists created together beauty, possibility, surprise during this alarming (and alarmingly isolated) time. But why wait? Let’s marvel now. - Maggie Smith
One of Alan Vega’s greatest talents was his ability to bring the past and the future together • into a suspended place of timelessness. His groundbreaking duo Suicide was often seen as future primitivism and most of his musical output has exemplified this blending of the primordial human condition and visionary thinking. With Invasion b/w Murder One, the next release from the now infamous Vega Vault following 2021’s Mutator, we see this innate power in full effect.
The two tracks “Invasion” and “Murder One” were recorded two decades apart from one another in New York City. “Invasion” was recorded toward the end of the 2012-2015 studio sessions for the posthumous album IT and was one of his last recordings, while “Murder One” was recorded in 1997-1998, (after the Mutator sessions) and is part of a cluster of material that was recorded but never mixed prior to the sessions for his album 2007, released in 1999. Pairing these two songs together as a release illustrates the timelessness of the 30 plus years of unreleased material that he deemed the Vega Vault.
This release continues the collaboration of Mutator’s mixing and producing team, Liz Lamere and Jared Artaud. Liz provides a bridge to the past, having performed throughout the recording process of “Murder One” and “Invasion” while Jared opens a bridge to the future having been chosen by Alan himself to carry the torch and ensure the vision stays intact. Alan trusted no one more than Liz and Jared, and gave his blessing and encouragement to continue releasing material from the Vault. As Alan stated in the song “Vision” from IT, “If you destroy the vision, you will suffer the whirlwind.”
"This very first release on "Oonops Drops" has its very own story behind it. I planned to found my own label for more than half a year when my wife Lisa worked on her songs and when the idea came to me how this would sound if Japanese Jazz trio Nautilus would arrange some of them. I have known Toshi for six years now, met him personally here in Hanover and he's such a magnificent musician, so the idea became reality and they started working on the first two tracks until a total amount of nine songs was created. I'm so proud to share this very personal project with you (which was finally produced and mastery simultaneous to the foundation of my label by accident) and I hope you like it as much as we do.
For the first single release of the album I directly had the uplifting track "Everytime" in my mind and a remix which should transport the good vibes in a different direction. Pat Van Dyke, a longtime known producer and multi-instrumentalist from New Jersey took his hands on it and created a horns-loaden feel good version of it including a little guest appearance by Brooklyn based lyricist John Robinson.
You can get this release on LP, 7", CD or digital or get the reduced bundle of the LP including the 7".
Yours truly, Oonops."
About Lisa:
Starting with music from an early age, Lisa Decker wrote and pre-recorded some of these nine songs at least 25 years ago when she was a teenager. In the last years the songs got several times reviewed, reworked and complemented with new works by her besides being a full time (music) education teacher. You could describe the final results as a Pop album with many influences from Jazz, Hip Hop, Funk to Reggae surrounded by a Japanese sound spirit. The original demo tapes from back in the days are still alive.
White Vinyl
Greyscale's most personal release and perhaps the most important for label owner grad_u aka Aleksandr Martinkevič. Earlier this year, Alex was diagnosed with cancer. Certainly a horrible thing to hear and there has definitely been some low moments in certain stages of the journey. At just 36 years old, many of us are shocked that such a young person can develop cancer. After some research he found out that younger and younger people are randomly getting cancer studies show. An alarming trend to learn about. However, there has also been a lot of other learning and different new levels of appreciation for the simple things in life as a new higher level of inspiration in making music has manifested. And this new release encapsulates that. Alex has also felt a duty to make things better for others. Focusing on what can be improved as he wants to highlight research, treatment and the overall communication of this disease to more people in the electronic music scene. Part of the proceeds from this new album will be donated to the National Cancer Institute in his homeland of Lithuania.
Alex wants everyone to know that catching these signs early and getting regular checkups are your best chance at beating cancer. Thankfully Alex did this also and his treatments have gone well. Alex plans still stay steadfast with his label and his life. Simplifying things with the love from his family and friends, focusing on his hobbies
along with making sure he makes his health his #1 personal priority.
The name for this full length release is titled 'T2NO'. grad_u's most introspective work yet features 8 emotional tracks overall. The honesty expressed in this album is blunt and to the point. These tracks take you on an audio journey thru grad_u as he expresses his feelings thru the entire process in each stage.
Beginning with two wonderful ambient tracks named 'Genetic Mutation' & 'Carcinogen'. In the opener, Chords rain over you as a beautiful ambient melody peeks out underneath it followed by a more stark and hazy field of interference. From the gentle opener to the more tension filled follower, the personal journey of grad_u is
developing before your ears. The b-side of 'Neoplasm' is a bit more somber but also has a ray of light in it.
Introspective as it can get, this is a true journey through an uncertain future. 'MRI scan' needs no explanation....
The second half of the album begins the understanding of what grad_u was going thru. 'Malignant Transformation' gives off that feeling of the human body working thru the science. Fight or flight becomes the theme for this track. 'Adenocarcinoma' almost gives off the sound of cells rebuilding themselves. Sci-fi meets real life in this epic battle. 'Resection' continues this scientific sounding reflection on the body healing with sounds of movement and time. As if the body is working itself out. Lastly and triumphantly comes the closing
track 'Waking up to a New Life'....
The emotional journey of this album isn't for the faint of heart. It leaves nothing to the imagination. It works thru all the emotions that can come with such and life changing event like having cancer. We want to thank grad_u for sharing his story with us. This story can happen to anyone...
"I would like to take this opportunity to express my great gratitude to doctors A. Dulskas, G. Jurevičienė, V. Sidorov and all staff in Abdominal Surgery and Oncology Department at NCI. Thank you for your expert care and for saving my life.
Also, big big thank you my family and closest friends for all their love and support during this difficult period of time and always being there for me."
Special thanks to Lithuanian Council for Culture, associations AGATA and LATGA for support of this special project.
Part of proceeds from the album will be donated to National Cancer Institute, Lithuania
We are both very pleased to introduce Johannes Brecht to the Siamese family! A highly talented, trained and decorated musician is a fair description of Johannes and we’re proud to call him a friend and sometimes even a mentor.
This record has been in the works for a long time and since all of us wanted to have this EP out on vinyl too it took some time to get everything in place. As expected the three originals show a wide array of Johannes Brecht's world of electronic music. It's about creating something with love and passion rather than staying on safe ground
Please welcome TYSHER, based in the region of Nuremberg with his first vinyl release on his brandnew label, heavenly inspired by artists like Stephan Bodzin, Anna and Innellea.
The Resurrection EP is a world where energy, rhythm and atmosphere combine to create feelings of wonder, euphoria and positivity.
Released as limited vinyl only, so you better get your copy
THE SUMMER HAS PASSED.
WE CAME TOGETHER.
WE FORGOT THE WORLD. WE DANCED AGAIN.
THE FUTURE IS UNCERTAIN.
BELIEVE IN YOU: TIMELESS PIANO ECSTASY FOR TROUBLING TIMES.
WHATEVER THE COLD MONTHS BRING - WE WILL HAVE EACH OTHER.
SISTERHOOD, BROTHERHOOD, FREEDOM, PEACE.
DJ Support: Alan Fitzpatrick, Mousse T, Adam Port, Gerd Janson, Lord Leopard, TSHA, Auntie Flo, Jaguar
Radio Support: Danny Howard, Sarah Story, Blessed Madonna (Guestmix feature)
Matir Gaan is a collaboration between young Bengali migrant, Mohammed After Hussain and Italian electronic artist, Andrea Rusconi (aka Paq). The resulting album delightfully combines the ancient folk songs of Md After's homeland with Paq's cosmic synth exotica.
Mohammed After Hussain escaped Bangladesh in 2015 and arrived in Italy in 2017 after a long and dangerous journey across the Mediterranean from the violence he found in Libya. In Italy he found safety and hospitality as an asylum seeker in Rimini's Associazione Ardea, where Andrea is involved with 'Ardea Recordings' - a project aiming to create an archive of songs, stories and sounds by some of the people who spent some time with Ardea's refugee programme.
Md After was invited to sing and play the folk and village songs he knew on the harmonium and pakhawaj (two headed drum) while Andrea immersed himself in the songs providing a bed of warm Crumar synth and Veena drones to create a finished album of totally uniquela renditions of the mystic Baul folk songs known so well by people across the Bangla speaking regions of India.
The Bauls are a famous group of wandering minstrels from the region of Bengal whose culture is derived from the teachings of the early Sufi mystics and Hindu Fakhirs. The Baul devotees are considered to be mad, or possessed, with the love of God. While transcending religion the Baul compositions celebrate celestial and earthly love and expound the key philosophy of “Deha tatta” or truth in the body, epitomised by the aphorism “whatever is in the universe is in the body”. They reach for divinity here in this world and they seek to access it through music and dance. They seek spirituality in the music, they live fo r the music, wandering from village to village offering ecstatic sound waves in exchange for sustenance. Their presence remains an important part of village life in Bangladesh, and this is why Md After knows the songs despite the fact he would not consider himself part of the Baul ascetic tradition.
We hope you'll enjoy this wonderfully psychedelic album, with its unique interpretations of these ancient mystic songs from the earth.
Comes with a printed inner sleeve featuring sleeve notes and lyric translations by Brian P. Heilman
Piano, synthesizer enthusiast, composer, and arranger, Eric Borders aka Captain Supernova, makes first release under new moniker, E. Lundquist. Pushing the boundaries of funk fusion, it’s as much 70s library music, as it is Pink Floyd and The Flaming Lips at times. It often feels as if the planet is going to unfold.
Borders, born and raised on the westside of Los Angeles, is known for his cinematic and cosmic compositions that push jazz into a different time and space. ‘Multiple Images’, the debut release as E. Lundquist, is the composer's first attempt at making a Library Style record. A genre that lends itself well to the Sci-Fi and Jazz Fusion vibes that Borders has been known for in the past. The music often plays as if it is the soundtrack to something happening both simultaneously in and out of this universe.
“As we finished the record it sort of evolved from a library piece into a full fledged album with a mix of different inspirations from blaxploitation, 70s funk, soundtrack, themes, cinematic, and contemporary jazz-funk. It only felt right to break away from the fictional character and give this music a composer name as if you read it on the back of a KPM record. Then E. Lundquist was born.”
The new name pays homage to old family bloodlines, and is the last name of his biological grandfather. While Eric Borders was his given name, Borders has no actual blood relation to his family, it was the name his father had adopted from his Step-grandfather. The name of the album “Multiple Images” is an ode to one of Lundquist’s favorite Library tracks by Brian Bennett “Images”.
In an interview for The Wire magazine back in January 2012, Spencer Clark claimed that one the most important "lesson" learned while performing with The Skaters was "stay true to your imagination". Taking this life motto at heart, Clark's world today is still a place of wonder and myth, conveyed through a myriad of aliases and invocations like Vodka Soap, Fourth World Magazine or Typhonian Highlife. Always the wide-eyed mystic and searcher of the netherworld, Clark surfaces again on Discrepant sister label Pacific City Discs, straight from the Canary Islands with this not quite but somewhat reissue under his celebrated and celebratory Monopoly Child Star Searchers alias.
Combining visions from two long, long sold out and hardly traceable releases on Clark's own Pacific City label, pressed for the first time ever in wax with a new master by D&M - as it should - 'The Aqueducts Of Channel Island/Prince Of Parrot Shooters' stands as a vital piece in an ever changing and deeply personal mandala-like oeuvre. An hypnotic and appropriately lo-fi flux of bouncy hand percussion loops, nature calls and celestial synth harmonies that weave themselves into trance inducing rituals. Levitating fever-dream recordings from imaginary topographies, or perhaps a gateway to fortean alternate realities just lurking around the corner. Stay true to your imagination indeed.
Alex Attias, El Mustang Project is back with a new album. This second opus features full of new collaborations with on vocals Cecilia Stalin, Rouhangeze and Desney Bailey. Alex worked as well with the keyboardist and instrumentalist genuises Sohan Wilson and Hajime Yoshizawa and with Saxophonist friend Arthur Donnot and Alina Bzhezhinska on Harp.
This Album has been made during a two years period between 2019 and 2021. This is a reflection of the various musical styles Alex was listening at home enjoying producing during the lockdown. The 8 first tracks feature a selection ranging from jazz to disco without the dancefloor in mind. It was a various and distant collaborations for the first time and the result is a selection of 12 tracks “ but only 8 for the limited vinyl album”. The remaing tracks are on the ep “life” that came out late december 2021.
‘Space 1.8’ is Nala Sinephro’s debut album; each
contributing piece is part of a connected,
collaborative and deeply personal body of music.
Performed and recorded at Pink Bird Recordings
in Wanstead and in the comfort of Sinephro’s
bedroom, tracks one through eight allow
experimentation to breathe and borrow from jazz,
electronic and folk influences.
On the LP, Sinephro invites a host of talented
musicians to enjoy its confines, providing a quiet
place to dissolve the edges of London from the
senses.
‘Space 1.8’ is a record for healing, which could not
have arrived at a more needed time.
Printed inner in printed 3mm spine outer with
digital download card insert.
