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Airtime Records returns with the latest installment of its vinyl-only series, featuring the incredibly talented artist Tommy Chikara and a remix by Just Jam.

The A-side kicks off with "Input", where Tommy Chikara wastes no time unleashing a barrage of garage beats and hypnotic stabs. Layering up rock-solid kicks and steel-sharpened hi-hats, he creates an energetic rave-up that will leave you breathless. Next up, "Output" takes the intensity to another level with its electrifying exploration of sound, captivating listeners with its irresistible groove and infectious bassline.

Flipping over to the B-side, Chikara presents "Make The Thing", a testament to his unparalleled creativity and innovation. With its dreamy melodies and energetic rhythm, this track is to set the tone in the late night scenes. To top of the release, Just Jam delivers a stunning remix of "Input", adding depth and complexity to the original track while retaining its essence.

These tracks have already left an indelible mark on dancefloors around the world, with support from artists like Chris Stussy and Enzo Siragusa.

Limited run, Vinyl Only.

Airrica makes her Crosstown Rebels debut with ‘Hi Speed Lover’, featuring Nick Morgan and KinAhau remixes.

Balancing experimental musical curiosity with her playful take on house and techno, Los Angeles’ Airrica may only be two releases into her blossoming journey as a producer, but she has already showcased her growing sound and vision while aligning with her own powerful DJ sets. Following her collaborative release alongside Ashee on Diplo’s Higher Ground and building on her debut via Crosstown’s sister label Rebellion, Damian Lazarus now welcomes her to Crosstown Rebels for the first time ahead of her appearance alongside the label boss at Hï Ibiza as she unveils her ‘Hi Speed Lover’ EP - accompanied by remixes from Canadian-born DJ/producer Nick Morgan and hotly-tipped talent KinAhau, as both also make their label debuts.

Bumping and trippy, ‘Hi Speed Lover’ is a snaking, bass-heavy cut loaded with energy as warped vocals are accompanied by slinking drums, icy hats and resonant chords and strings, while Nick Morgan’s take brings a stylish, hazy glow to the track as dubby low-ends and delicate keys work amongst the mix. Second original ‘Cherries’ is another impactful production merging metallic drums with further vocal murmurs and an infectious acid-dipped bassline, while KinAhau’s remix strips things back to deliver a classy journey through rich textures with an ethereal trip to close the package.

With releases that have been heavily rooted in Glasgow's Southside, Full Dose take things international for the next release and invite Jamaican dancehall artist I Jahbar (SKRS, Duppy Gun) to showcase their talents over two versatile Brollachan productions.

Smokin' is a celebration of marijuana in the truest sense, with I Jahbar's potent delivery perfectly connecting to the bouncy dance floor riddim.

UFO is an altogether different prospect, the spaced out percussive production serves as a blank canvas for I Jahbar to make a call for peace, unity and love to overpower the corrupt forces at large here in 2023.

To close on either side are dubbed out, free-form remixes from Lvchessi, Full Dose's brother in sound."

Repress!

Next up on Toolroom’s 4-track vinyl sampler series is a tasty collab from label founder, Mark Knight who teams up with rapidly rising talent Crusy for a staunch collaboration ‘Daddy Shhh’. A fiery club heavy cut, focusing on Toolroom’s founder’s speciality of Tribal Tech House, ‘Daddy Shhh’ is a record made for the dance floor specifically. Mixing high energy grooves, Latin percussion and rolling tech bass line that’ll keep you moving until the early hours.

Next up, we’re welcoming UK selector and producer Huxley who drops brand new single, ‘All I Need’. An artist not bound by conventional genres, Huxley’s sound shifts and melds into whatever fits the record, and that is certainly true when listening to ‘All I Need’. Coming through with a lush, Deep House synth vibe and an earworm vocal that melts into the mix before launching into Classic UK House style bass stabs means only one thing, a straight up belter.

Up next is another heater from Liverpudlian DJ and producer ESSEL who returns to the label with ‘Lennon’. An artist well versed in the art of hit-making; ESSEL has been a firm fixture of the Toolroom family over the past few years. A darker take on her typical vibe, ‘Lennon’ is a record that skirts the edge of her sound, tipping over into clubland and we have to say, it’s absolutely class. If there’s ever a glass ceiling above then ESSEL is sure to smash straight through it, she certainly is an exciting new prospect and without doubt one to watch.

Last but not least, we see the return of powerhouse DJ and production duo Leftwing : Kody who team up with fast-rising producer James Hurr on their debut outing ‘Music Is the Medication’. Reggae vocalist I Jah also features, bringing some Ragga styled heat to the record. ‘Music Is The Medication’ is a sublime record, mixing a tough, Tech House focused vibe with UKG styled breaks and a straight to the point Ragga vocal overlayed for maximum delivery means only one thing, a certified banger.

Italian producer Kikko Esse is a talented artist from southern Italy who has been showcasing his skills in producing quality deep house since 2009. Previously prolific, releasing many well-received tracks with respected labels in the underground scene, Kikko Esse makes his debut on the Italian Groovin' Recordings with an EP that sets the bar high. Soul Departure EP is arguably one of his best works to date, where deep house meets intricate melodies and live instrumentation, creating a profound journey into electronic music.

Mood Child Presents 'Various Moods Vol. 2' VA; six multi-mood tracks from artists including DJ Sneak, Antss, Marian (BR), and more.

Mood Child, the brainchild of Manda Moor and Sirus Hood, is back with ‘Various Moods Vol. 2’, a captivating collection of six tunes, each possessing its own distinct mood and power.

The VA kicks off with ‘Pakit Ban’ a timeless percussive and funky anthem. Brazilian talents Marian (BR) and Freenzy join forces to create this highly requested track, which has graced not only Manda and Sirus’ sets but also those of Jamie Jones and The Martinez Brothers.

House legend DJ Sneak returns to Mood Child with ‘Wemen’s Groove’. Prepare to be hooked by Sneak’s bouncy rhythms and to feel a masterclass with the massive buildup and incomparable vibe. Making his debut on the label, Barcelona-based artist Dafgal delivers ‘Gozando’. This high-energy tune features a universal groove and a captivating female vocal that will undoubtedly get anyone in a good mood.

UK rising star Antss drops ‘La La Lala’, a simple yet immensely effective track. Its powerful bassline, combined with playful voices, is tailor-made for electrifying crowds.

Brazilian duo Rokke & Techin present ‘Diamonds’, a shiny gem. Its addictive bass-led loop is complemented by an unforgettable bubbly synth, leading to a drop that etches memories.
Riffel & Jack Baron’s ‘Flute’ boasts an irresistible groove, complete with wonderful flute melodies. It’s auditory candy for discerning listeners.

Daydream is back with its first V/A in almost 3 years. Four tracks crafted by historical talents - Valen and Ali Demir with Valde - alongside two great additions to the crew - Thomas Wood & Venda. Top producers who deliver deep and dubby house filled with dreamy punchy groove.

Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day!

22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done!

Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now!

This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger.

Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records.

On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”.

On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk.

These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.

Splatter is a new vinyl and digital underground techno label from Austrian artists Luca Tresque, Joe Haensn and Rotary Motion.

'Exceed Limits' follows their special prequel EP and launches the label catalogue in style.

Florian Meindl is a Berlin-based artist who runs the FLASH record label and who has appeared outside of his own imprint on labels like Stephan Bodzin's Herzblut to Oliver Koletzki's Stil vor Talent. "Gridlock" is a true jackin' cut with a multitude of mechanical elements and raw analogue energy.

Linear System is a Spanish artist who has released music on esteemed labels like Edit Select, Ben Sims' Symbolism and Dynamic Reflection. "Taurinom" is a moody, rolling groove with gripping suspense and haunting touches from gothic effects and an eerie atmosphere.

Leipzig is the home of JANEIN, a respected artist known for releasing on Index Marcel Fengler, Slam's Soma, Fiedel's Fiedeltwo, Exos' Planet X and Electric Rescue's Skryptom. "Neowise" is punchy and percussive track with a metallic, siren-like hook and infectious energy.

Daniel Heinrich is also from Berlin, and shows himself to be a top talent following his EP's on Elektrotribe to Inherit with remixes by Arnaud Le Texier an Hadone. "Close Your Eyes" has a pacey style with superb stabbing chords that create an old-school feel alongside vocal chants for extra impact.

Stuttgart-based Egotot runs the Schimmer label and also lists BCCO, OECUS and Ketch's SYXT in his quality back catalogue. "Name It As You Want" has a quirky, bouncing beat with Detroit-style stabs and a light-hearted vibe ready for the dance floor.

Subject To Restrictions Discs presents “Abisso” by Tagliabue. Inspired by the immeasurable depths of the abyss, the Milanese DJ and producer creates a dense and intense soundscape that evokes images of a submerged world of cosmic frequencies.

Prepare to dive into “Abisso”, the latest sonic creation by the talented Joseph Tagliabue. An EP that defies the ordinary and captures attention from the very first moment, “Abisso” is a musical journey through four unreleased and completely different tracks. A1 explodes with the power of a mid-tempo bomb, Joseph’s trademark, while B1 amazes with a thrilling break that transforms into a progressive shaker perfect for the dancefloor. B2 restarts with another eruption of broken techno energy, and the EP closes with a post-peak-time electronic mantra that hypnotizes the listener in a suspended dimension. “Abisso” is a work that leaves no one indifferent, a sonic experience to be lived and carried away by.

Warehouse Find - Test Pressing!

Time to welcome Kresy to the label with three original tracks of immaculate left of centre house. With only a clutch of releases his name may be new to many but if you dig deeper you'll find he's definitely moving the right circles. His debut release on John Talabot's Hivern Discs gave some broad exposure, picking up spins from the likes of Four Tet's Keiren Hebden, Jenifer Cardini and Nick Hoppner. Remix requests followed too with releases on Exquisite Pain, Southern Fried and Lovemonk all getting the Kresy treatment.

2014 looks equally busy with material forthcoming on Jay Shepheards Retrofit as well as DJ dates taking in Corsica Studios and Panarama Bar.

On his Freerange debut Kresy kicks off with Sweet Dangerous MC's, a shuffling, raw, 90's inspired cut which treads firmly forward rather than backward. The beats are crunched and jacked to perfection while the pads hiss and fizz all the while punctuated by the sweet dangerous MC in person.

Next up is Last Cocktail Of Stallone where echoes of Studio54 combine with the stomp of jacking Chicago house to produce a fresh fusion for 2014.

Flipping over we have a brilliant reinterpretation of Last Cocktail Of Stallone by west coast house heroes Vin Sol and MATRiXXman. Here the duo clearly had a fun session firing up the hardware drum machines and delays, reworking the rhythm track into a steady yet subtly massive warehouse jam primed for the dancefloor.

Finally, we're treated to the elegant beauty of Midnight In Manhattan where melancholic piano chords lay the foundation for an echoing sax riff to take centre stage. An original, interesting and above all deep slice of house that demonstrates Kresy's diversity and talent perfectly.

Repress!

One of the keys to Nervous’ longevity has been our willingness to take chances on new producers and new sounds. As long as a track contains the essence of House, we encourage producers to experiment with combining House with other musical genres. And if the results are creative and fruitful enough we are always ready, willing and able to create a new sub label and logo to go along with a fresh sound.

In the 90’s we felt a movement toward House being juiced with Jazz elements and we created the Nervous Chill Sub-label. Now all these years later we are once again seeing a new appreciation for the sounds, flow and energy of Jazz on the part of some of the world’s premier House Music Producers, and so we are embarking on a re-launch of the Nervous Chill imprint.

Onboard for the re-launch is the very talented and dynamic producer Felipe Gordon with the two tracks “Elisa” and “Resonant.” Both songs feature the legendary musician Paul Shapiro, who has played a key musical role in many of House Music’s most celebrated tunes including “The Whistle Song” for which he supplied the eponymous “whistle.” “Elisa” features an uplifting and bouncy rhythmic vibe that’s topped and energized with Paul’s jazzy flute, while “Resonant” has a deeper and slightly more aggressive tone that’s propelled with Paul hypnotic and free wheeling sax instrumentation.

Moderna Ignites the Dance Floor with Debut Album "The Future Is Among Us"
Conceived over seven years in Berlin and Mexico City, "The Future Is Among Us" is a sonic tapestry woven from diverse influences. Each track, produced in a different era, retains its unique character while seamlessly blending into a cohesive album experience.
The album ignites with "DIE4U," a powerful homage to Prince's iconic "I Would Die 4 U." Moderna reimagines the timeless sentiment – entirely self-produced and written in Berlin. Layered vocals, a driving bass line, and a pulsating electro beats that create a controlled yet electrifying atmosphere.
The title track, "The Future Is Among Us," embodies the collaborative spirit at the heart of the album.
Originally conceived before the album was complete, bringing bass lines and a percussive energy that feels like a declaration that the future is not something to wait for, but something we are actively creating together on the dance floor.
The album promises a vibrant blend of electronic and dark wave music, showcasing Moderna's ability to weave together infectious dance floor anthems with deeper, more introspective moments.
This depth is evident in tracks like "Lost at Heart," a collaboration with post-punk artist Skelesys that transcends genre with its raw emotional vulnerability. The album's ability to seamlessly shift
between these contrasting styles is a testament to Moderna's artistry and her ability to curate a cohesive listening experience that invites a provocative energy.
Moderna’s impressive career extends beyond this album. Beyond her solo work, she has showcased her remixing talent on tracks for The Matrix 4 soundtrack and Curses' Next Wave Acid Punx compilation, collaborated on four EPs with Mexican artist Theus Mago who also contributes to the album on the dream wave serenade “Blades”.
The album will be released on her ‘Brave New Rave’ imprint which she established in 2019 from her highly recognized radio show on KCRW Berlin.

Streaming Amsterdam’s D Stone and Milion join forces this May for the sixth release on Cinthie’s 803 Crystal Grooves Collective Cuts imprint. Since the inception of the 803 Crystal Grooves imprint in 2018, Cinthie has been steadily unveiling her own material on the main label, while the sub-label Collective Cuts was inaugurated in 2019 as a platform for friends, associates and beloved producers in her circle. The past five releases on the platform have welcomed material from the likes of UC Beatz, Azuni aka Washerman, Anaxander, S3A (Sampling As An Art) and KETTAMA among others, while here the label welcomes some fresh talent from the Dutch capital, namely D Stone and Milion,who’ve been releasing their raw house sound on the likes ofHardlineMoscow Recordsand Cécillerespectivelyin recent years. ‘The Next Morning’ leads the EP, employing classic house tropes with smooth string melodies, twinkling synth chimes and choppy stab sequences, underpinned by a swinging drum groove, bumpy bass line and hooky vocal lines. ‘The Night Before’ follows and retains a similarly classic house aesthetic courtesy of a snaking bass melody, hypnotic spoken word vocals, crunchy saturated percussion and an amalgamation of organ melodies. ‘Floor Call’ then rounds out the release on a darker tip, flipping focus to murky bass swells, and skippy drums, intertwined with gritty stab sequences, Hammond organ tones and a loopy vocal chant.

Next up on Subterranean Odyssey is Braik with Los Dos Caminos. Hailing from Montevideo, Uruguay he shows his versatility and talent as a producer with another well rounded 4 track EP. It has been getting plenty of support and plaudits from top artists before release and will no doubt continue to do so in the coming months. Artwork design by Irene.av.

Reissue

Exciting new EP featuring the collaborative efforts of two talented music producers - Stockholm-based Weirdvin and Lyssna's own Flord King. The EP delivers a unique blend of electronic minimal funk, and atmospheric textures taking sails to the deepness of the Baltic Sea. Weirdvin, who runs his own successful Maraton label, has been a long-time friend and collaborator of Lyssna Records. This EP marks his official debut on the label and showcases his exceptional production skills. LYSSNA!

On the occasion of this first vinyl of the year 2024 and to celebrate its 15th anniversary, Fantastic Friends Recordings sets the bar high by signing 4 new artists on the label among the most talented of the moment which are Daniel Meister, Lukea, M&M and the duo Primarie & Lucide. All the tracks on this EP are rich in texture and catchy melodies. On the A-side, Daniel Meister and Lukea offer you the best of minimal/rominimal sound in its futuristic and acidic orientations, while on the B-side M&M and the duo Primarie & Lucide will delight you with their work on the rhythmic with a deeper side. Either way, it's a "must to have" in your flight cases.

Repress.

One of Stockholm’s finest exports, Elfenberg arrive at Bordello with four slices of synthesizer goodness. The duo open with “Forever Alone”. A cruising arpeggiator steers its way through glistening snares, rolling kicks and classic italo vocals. Night falls in the jungle “Conga Coronation”. The treetops bristle with birdsong, thickets of bongos, toms and rain sticks lead a path to dawning melodies. A wonderfully textured percussive piece, the track is intricately carved and demonstrates the diversity and depth of Elfenberg. The disco dipped futurism of “Sphere Of Missing Out” follows. Echoes of “Conga Coronation” rhythms are countered by beaming synth bars and vocoder lyrics with the Swedish pair pushing for the floor. “Cosmic Tribune” is the curtain close. Astral chords, spiralling key shifts and incising drums coalesce in this space inspired finale. A truly stunning debut from this talented partnership.

Dj Nitro, nos sorprende una vez más con un nuevo lanzamiento bajo el sello discográfico Blue Roots Label. Este artista incansable nos presenta su última creación mussical, un álbum cargado de energía y ritmos que te transportarán a otra dimensión.

Desde sus inicios, ha demostrado ser un talento excepcional. Su pasión por la música electrónica nació desde muy joven y se ha convertido en su vida. Ha logrado conquistar a miles de seguidores en todo el mundo, y ahora, con este nuevo lanzamiento, está listo para llegar a aún más personas.

Este artista eleva la escena Old School con su último lanzamiento.
El vinilo presenta tres pistas emblemáticas que encapsulan la esencia única del sonido de DJ Nitro. La primera, “A – Luminosity “, es un viaje hipnótico a través de capas de ritmos vibrantes, melodías y vocales que tejen una atmósfera de euforia sonora. Esta pista se erige como un faro de creatividad y energía pura, donde los beats trascienden el tiempo y el espacio.

Por otro lado, “B1 – All I Want You” encarna la pasión y el deseo con una fusión cautivadora de ritmos y progresiones melódicas que atrapan los sentidos. Esta pieza es un tributo a su amigo F.EE D.EE y nos demuestra la maestría para combinar la intensidad emocional con la profundidad musical.

El cierre de este excepcional vinilo lo lleva “B2 – Mixed Feelings”, una pista que refleja la versatilidad del DJ al explorar diversos matices sonoros. Esta composición lleva a los oyentes a un viaje emocional donde se entrelazan distintas sensaciones.

Con este nuevo lanzamiento, reafirma su posición como un pionero en el universo de la música electrónica Old School. Su habilidad para fusionar lo clásico con lo contemporáneo y su talento para crear paisajes sonoros únicos han consolidado su lugar en la vanguardia de la escena musical.

El vinilo estará disponible en edición limitada, lo que lo convierte en una joya codiciada para los coleccionistas y amantes de la música por igual. Prepárate para sumergirte en la magia de DJ Nitro con este cautivador lanzamiento en Blue Roots Label.

BRL0001 NITRO – BLUE ROOTS es un verdadero tesoro musical. Cada pista del álbum está cuidadosamente diseñada para llevar al oyente a un viaje sonoro inolvidable. Los pianos acompañados de bonitas vocales y los beats irresistibles te atrapan desde el primer segundo.

Este album sin duda es una combinación perfecta de elementos clásicos y vanguardistas

Standard version on 2LP black vinyl in gatefold sleeve. ‘Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent.



'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.

Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.



2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.

Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.

Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.

Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."

Two powerfully effective club tracks by one of Berlin's most talented Juan Ramos. A clear cut exposé of his vastly amassed knowledge in dancefloor experience throughout over a decade of dedication to the craft of steering some of the most significant contemporary underground dancefloors. Can't really go wrong here, mandatory for any club focused record bag, with an entourage of 125 BPM percussion sample based mayhem on the A side and a slower industrial 115BPM chugger that grows into a tripped out narrative of playfully galloping transient elements.

Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - La Fantastica. This brash, big band Latin orchestra from Brooklyn debuted on Ghetto Records with an underground Salsa album which also contains the beguiling, English-language Psychedelic Soul of "Latin Blues." Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

The VA theme on the LP series under the name Untitled || continues to explore the subject of 8 different minds from different corner of the globe connected by the principle and love for the audio frequencies in line with Exarde. Featuring two artists which already dear to label due to the fact of past releases on it and six new ones who have become instant people of love and admiration for me.

From the more deep and mellow to the higher pressure for the brain this double disc shall meet your demands. The art theme of this one is blobs & globs from space, whether they are emerging, fighting with their own shadow, or just simply floating and co-existing. This shall conclude my rambling for this body of work as I go and put these eight essences through my ear canals once again. Great deal of thanks for the hard work and dedication of these talented conductors.

A resident of Berlin's long-running Gegen, a multifaceted queer techno and performance art event, Samantha Togni has seen her profile rising with appearances on Mixmag's Lab series in London and a heavy release schedule on established and upcoming labels: Stay Up Forever, Noise Manifesto, her own Boudica, and others, quickly accumulating a significant discography since her 2019 debut. Her latest is the Lunaversal EP on Rant & Rave, representing another edgy release from upcoming female techno talent. It leads off with the title track, not exactly as cosmic as implied with buried, indecipherable vocals and buzzsaw synth riffs seesawing between intermittent breakdowns which only serve to increase tension 'Minor Goddess' takes an old school rave approach with abrasive, rising stabs and dissected vocals against a hammering framework of kicks and crushing bass pressure. With its lilting ambient chopped vocal samples slightly counterbalancing the surging forward motion of the rhythm, 'Pit of Truth' hits deeper, but the pit in the title obviously leans more towards dungeon or grave. 'Jesters Have a Heart Too' rubs unstable synth sweeps against blasts of industrial noise and jackhammer percussion, reaching peak intensity in its brutally chopped final run.

DUBFIRE INVITES CHRIS LIEBING, TRUNCATE, CARL CRAIG, DRUMCELL, NADIA STRUIWIGH & MORE TO HIS REMIX ALBUM
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, DEAS, Carl Craig, Truncate, Drumcell, Chris Liebing, and Luke Slater as L.B. Dub Corp who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

Time Splitters is a various artist compilation created and produced by Richmond VA based Deskulling in collaboration with veteran Spanish Town JA artist I Jahbar between 2021 and 2023. This 21 track 50 plus minute Dancehall epic also includes other veteran vocalists such as G Sudden, RDL Shellah, Buddydon, and Darkchild plus newer talents such as Fearless, Longdon, Latty, King Kush and 1 Solar Boss. Alexander West who passed away in 2023 contributes an ethereal and heartfelt album closing performance on “Granny Grenade”. Time Splitters is a sprawling creation that captures a multiplicity of emotions, life complexities, spiritual evocations, and musical dimensions. Deskulling's eclectic productions are rendered to the perfect minimalism and provide a rich and varied platform for vocal performances that move between dark and light, sad and joyful, heavy and soft. A lot of work went into this release over a few years from many people during times of inner and outer complexities, turmoils, and tribulations. This release musically, lyrically, emotionally, represents life's spectrum's fully. Thanks for listening.

The oldest Finnish electronic music organization (est. 1993) is back with another killer vinyl release. Once again they have put out a compilation of 12″ featuring fresh tracks from fresh Finnish talents Funktor, Arre, Doswon and Vapor. Music varies from tight electro tracks to acid house, certain to make every floor burn. Limited and numbered edition of 200pcs on vinyl!

2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.

Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.

Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.

Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.

This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wöllo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.

And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.

The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.

Elsewhere, Olav Wöllo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:

"Olav Wöllo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.

We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."

The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle Époque, alongside the ivory work of Eirik Blåsternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.

As with Belle Époque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.

And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.

Joseph Capriati is firmly established as one of the greatest techno DJs in the world, but growing up in Naples his first connection with electronic dance music was actually in the House Music genre. “Peace And Blessings” feat. Arnold Jarvis is Joseph’s very personal tribute to this genre, where he produced a track that he felt encompassed the vibe and spirituality of House Music. He wanted a song and vocal performance that would equally represent all the best qualities of the genre, and joined with one of the industry’s most iconic and legendary vocal talents Arnold Jarvis to write lyrics and deliver a vocal performance that perfectly complements Joseph’s percussion and synth driven track. Bushwhacka! on board as Mix Engineer on The Groove Mix.

One of the most consistent new labels around, Cyphon Recordings, marks double figures with another standout release that gleans from the past, but faces the future. This time they look to the talents of Emotive Technology, a new alias from Chilean Massiande who provides a five-track EP of machine-wielding, soul-rousing techno from across the spectrum.

Although this may be the first release under his new moniker, Massiande has spent the last decade putting out productions with labels such as Housewax, Phonica, Freerange and Groovin. Firing on all cylinders from the get-go, ‘Rise’ kicks off the Walk Into The Light EP. A hyperspace melding of new beat, Italo and arp-operating techno that opens out into a slice of peak-time revelry.

The swirling textures of ‘It’s On’ follow, pushing you into the next dimension. A hypnotic, entrancing and arresting heads-down powerhouse. Crunchy and considered it's the kind of strobe-stuttering basement jam that turns heads inside out.

Two Detroit-leaning tracks ‘Your Zone’ and ‘Walk IntoThe Light’ are up next. The former is a heavyweight machine workout. Layered synth lines and crisp drum programming transfix, as that grooving low-end powers bodies into bedlam. The latter, a Motor-City-influenced tour de force. One that sees Massiande recode the circuitry to hit with a piano-laden stunner, balancing power and presence, with emotion and nuance.

Closing out proceedings, ‘The Swing’ sucks you in deeper. A resonating world of synth stabs, pulsating basslines and atmospheric electronics.

Doing the Emotive Technology namesake proud, Walk Into The Light is machine music hardwired with a heavy sense of soul.

The King of Miami's Cuban music scene, the late Ray Fernandez, is featured here fronting his enormously talented family band on an album that first brought him into the spotlight.

Heavily influenced by deep funk and Latin music, their psych-tinged creations also incorporated many other kaleidoscopic sound infusions, including soul, calypso, Afro-Cuban and salsa. Fronted by Ray Fernandez, his band included his very talented wife and two sons and proved to be a highly influential group on Miami's Latin music scene in the late 70's. What also made them stand out was their versatility; this group could easily shift from Cuban funk to Reggae in a blink. Their instrumentation was also different to the 'norm', and where a lot of similar sounds were saxophone-led, this band used a bass clarinet. Instead of bongos, Ray and His Court played with the unique Osi drums from Africa.

Sampled heavily by DJs worldwide (including DJ Shadow) On High presents a must have piece of music for any serious Latin, funk, or rare groove collector. Remastered and pressed on audiophile virgin vinyl for your listening pleasure.

To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .

From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .

While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .

On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .

Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .

Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .

Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .

Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .

Whatever the "Source" means for each one . . .

Ukrainian vinyl label ARTREFORM significantly raises the stakes as its important anniversary (a soon-to-be-released 50th record) is gradually approaching. ARR048 is a double record, including three original tracks by Romanian producer Funky Trip and four Barac, Petit Batou, Lorgu, and Lukea remixes. ARTREFORM's founder, Kyiv DJ and sound producer JOSS, obviously trusts and bets on Funky Trip's talents, and this bet looks set to play out big time. Nicolae Catalin Cimpoier (Funky Trip's actual name) is a notable representative of the new
wave of the Romanian electronic scene that catapulted many stars to global fame. Thanks to a series of successful releases on Rawax Music and Stamp Records Paris, this Bucharest musician perfected his recognizable sound of crystal-clear minimal house, embellished with warm emotions and exquisite, shimmering melodies. Now it's high time Funky Trip transitioned to vinyl!

The second part of ARTREFORM's latest double vinyl release captures a new Romanian electronic scene star, Funky Trip, presenting a track called "Magic Woman." Just like femme fatale encounters often tend to, this occasion leaves one too many questions unanswered. Funky Trip's signature minimal house maintains tension through a looped leitmotif while the rhythm section and spacious ambient pads gradually trick the listener in. "Magic Woman" has the appeal of an ideal "second track" in the mix, the one intriguing enough yet leaving space for further narrative development. Funky Trip's delivery is delightfully contrasted by a beautiful remix by Lorgu that brings to the table an atmospheric, groovy house with many small nuances. The next track, "Les Voix," is another collaboration with Mia Zedan and a perfect specimen of ARTREFORM's sound pedigree: a powerful bass line coupled with an energetic and inventive tech house beat. However, its full depth of immersion takes effect via a remix by Lucas Morello, known as Lukea. His sci-fi-infused vibes of cosmic alienation and observation elevate this remix to the adornment of this Romanian-French-Ukrainian fruitful
creative collaboration.

Early support: Barac, NTFO, Lukea, Sam Farsio.

Angatu001 music has been supported by prominent figures in the scene, including Claus Voigtmann and tINI. This release introduces a handful of emerging and talented Brazilian producers. Lucas, with over 10 years of experience in the scene, has carved out his niche in this underground realm.

Minority Retort, a seasoned duo, made waves on Brazilian dance floors last year, and they're set to make their way to Europe soon. To Criminal Issues, Tupã marks his inaugural vinyl release with Nxt2Me(A3), garnering attention on the dance floor.

For the 5th release, Mung Records presents a 12" vinyl Back EP by Denis Kostitsyn with a remix by Marco Pellegrino aka Ancut.

Denis Kostitsyn is a talented musician with an academic conservatory education behind him. In recent years, Denis maintained an active role in the thriving local music scene. His genuine innate feeling of sound contributes to his expeditious advance in electronic music production.

Sounds Of Sirius has the honour of introducing music producer & rising Chilean talent, Santi, for their 8TH release, who brings forth his EP with the Original Track “Donde esta mi parka”, with amazing remixes from Romanian producer Nu Zau , JNJS (duo formed by Jay Nortown and Jacobo Saavedra) and Ukranian Talent IO (Mulen).

Shipwrec have delved into the underbelly of electronics for their latest discovery. Fake Youth Cult is the brand new project of Richard van Kruysdijk, an artist who has been integral to the Dutch music scene. Following releases on Delsin, as well as founding his own Music for Speakers label, this latest undertaking explores the darker hues of Kruysdijk's audio creations. Across six tracks, a realm of shadows and steel is constructed. From the murky tones of "Visitor" to the industrial and blackened "Scorched", a towering sound of punishing percussion looms over the listener. Techno is central message. Despite this, the piercing coldness of electro rises in the incising and stark "Messing." The influence of punk comes to the fore in racing rhythms and lean strings that make up "Smear." BPMs drop in the slow burning EBM stained "Management." The machines take control for the finale. A relentless kick is the motor that drives this seven minute juggernaut to the close. Broad and brutish brilliance from a prodigious talent.

We are happy to present you our 11th record showcasing 3 talented Italian producers and a mysterious Slovenian. Timeless tracks with a nostalgic touch.

This year, we’re dropping the highly anticipated 2nd edition of VARIOUS ARTISTS. Each artist was handpicked to ensure the vinyl delivers a flawless vibe.



We’re excited to welcome these incredible talents to our musical family. Brace yourselves for a release that’s as sensational as it gets!

New Jersey Dub Techno stalwart Eric Louis delivers Rollings Hills, featuring remixes from Thule Records artist OHM, Vuo Records boss Tm Shuffle and Australian rising talent Dan Goul (Mixcult, Berg Audio) on remix duties. Feedback and support from Andrey Pushkarev, Sascha Dive, grad_u, Eric Cloutier. Vinyl only.

LAP records is proud to present a new split EP, available on 12inch vinyl, featuring two very promising combos. The A-side kicks off with “Art Boi Sin<”by Click Click & Najeh, a hard-hitting club gem that pays tribute to the New York gay scene. With its catchy vocal samples and driving acid bassline, this track will make you feel like you are in the middle of a wild night out. The B-side starts with “Tabu Subject” by aitch & Brut, a groovy techno tool that samples alluring phrases. This track is a playful and seductive affair that mixes crisp drums, bouncy bass, and cheeky vocals. This EP is a showcase of a timeless sound and a testament to the talent and passion of LAP records. LAP records is a division of PAL Hamburg.

Under the passionate direction of Fonte, Iceman Records is set to launch in February, spotlighting artists from the '90s and 2000s who, despite their exceptional talent, went unnoticed.

This label aims to resurrect forgotten musical gems, providing a platform for these artists to share their unique creativity. With a vision to blend the classic with the contemporary, Iceman Records promises a thrilling revival in the realm of electronic music.

Vinyl only. Limited

Enter the realm of sonic enchantment with Mixcult Records' latest offering, MCRV015 - VA - Tripping Dubs 3. This exquisite 4-track EP features a diverse array of artists, each contributing their unique vision to create an immersive auditory experience.

Arph kicks off the journey with "Forma Trium" (A1), a hypnotic blend of pulsating rhythms and intricate melodies that set the stage for what's to come. As the music unfolds, listeners are transported to a dancefloor drenched in mood and atmosphere, where every beat is a revelation and every note a moment of pure bliss.

Holm Torrance follows suit with "DP1" (A2), a mesmerizing exploration of deep basslines and ethereal textures that unravel like threads in the fabric of sound. With each passing moment, the music draws listeners deeper into its spell, revealing new layers of emotion and intrigue.

On the B side, Overt's "Square" (B1) injects a burst of energy into the mix, with its sharp beats and infectious grooves igniting the senses and driving the mood to new heights. As the colors of the music dance and intertwine, listeners find themselves swept away by the sheer power and intensity of the track.

Closing out the EP is Martin Aquino's "Apex" (B2), a hauntingly beautiful composition that showcases the artist's impeccable production skills and keen sense of melody. As the music unfolds, listeners are taken on a journey through sonic landscapes that shimmer with emotion and depth, leaving them in awe of the sheer talent on display.

Tripping Dubs 3 is more than just a collection of tracks—it's an invitation to explore the boundless possibilities of sound and rhythm, a testament to the transformative power of music. So step into the groove, and let the journey begin.

Hello roofers, here’s our latest EP, masterfully crafted by the exceptionally talented Guile. This collection is a vibrant journey back to the iconic ‘90s, featuring an exquisite blend of synthesizers and sounds that defined the era. Immerse yourself in the fusion of Progressive Trance and House, enriched with the unique additions of whistles, orchestra hits, and organs, all skillfully mixed to recreate the electrifying energy of electronic music’s golden age. Guile’s artistic prowess shines brightly throughout this EP, demonstrating his remarkable ability to transport us back in time with precision and flair. Each track is a testament to his talent, offering listeners an unparalleled auditory experience that resonates with the spirit of the ‘90s while standing out in today’s music scene.

Since its the very beginning, Chat Noir Tools has been a home for new and upcoming producers with the goal of discovering the future talents of our scene. We’re glad to present a new debut release by French artist Mitsunobu, founder of the Youtube channel Metroid Vibes. With his Neurodancer EP, he shows his love for 90’s influenced house music. Watch out!

This time, they’re featuring another fellow Ukrainian talent – Victor.B. As you may already know, he’s one of the best live acts in Ukraine (in my opinion), so his tracks are always highly anticipated.

The one we’re diving into today, “Robato,” is a minimalist electro piece loaded with A LOT of vocoders. It sounds like a perfect tool to me. I heard it live, and I can guarantee you – on a great soundsystem, it’ll sweep you away for the entire six minutes.

Another B-side gem with a Japanese name, “Yoshimitsu,” continues the vibe perfectly. The buzz in this one might be even more intense than in our premiere. Pick your weapon. On the flip side, “Remember” reveals a different side of Victor.B with its pace and almost trance-like groove, maintaining a gloomy house vibe and no “rave in the forest” elements here. “Bio10,” the final track in this review, is a bit more subdued yet still lively and very dancefloor-driven.

Making his first vinyl appearance on the label, Luuk van Dijk is back releasing his long awaited ‘Take Me For A Ride’. Remixing the title track is Berlin house talent Running Hot. The record is completed with 2 of Luuk’s originals on the B side with the garage influenced ‘Doin’ It’ and groovy ‘Sexy M*therfucker’.

DJ Support: Danny Krivit, Craig Charles (BBC Radio 6 Music), Hallex M, Jazzanova, Delite Radio, Mi Soul, Pointblank, Totally Wired Radio, XFM, Radio Solar, Tony Minvielle, Simon Phillips, Chris Phillips (Jazz FM), KCRW DJs, Ian Friday, Aroop Roy, Samantha Badd (Café Del Mar), Mr. V, Simon Harrison (Basic Soul), Greame Park, Mike Fossati, Timo Mass, Deli G, Servino (Horse Meat Disco), Hyenah.

‘Badly Written Songs’ is, of course, a tongue-in-cheek title. It comprises a carefully structured and well-produced array of songwriting, topped and tailed with live instrumentation, commanding vocal performances and high-end production: the result of years of sound engineering and music production experience. Since the last album, Ross Hillard has continually honed his skills whilst earnestly crafting this sophomore long player. As well as developing a range of audio plugins, Ross also manages recording sessions at his own Paddocks Recording Studios: huge live spaces boast cutting-edge technology, integrated with distinguished analogue kit. The studio is complemented by a collection of prized microphones, together with a fully-restored vintage Raindirk mixing desk.

The opening track and first single from this album is the positively-anthemic gem entitled ‘Good Morning Sunshine’. It tells a forward-looking story promoting the merits of getting back into the driving seat of life. It’s propelled further by superb jazz-inspired drums and live horns that build up to an exhilarating crescendo. Featuring the vocal talents of Sophia Marshall, the story she paints is supported by a wonderful, darkly humorous cartoon video. An animated cadaver hilariously acts out her notions of positive living.
Other tracks also destined for a single release include: ‘Loving You’. It’s a song written around love lost. A bouncing house composition lays the foundations for Sophia Marshall's beautiful vocal that narrates the many facets to be found in loving another person. ‘Better’ again echoes jazz-inspired drums behind Sophia's vocals, drawing attention to how so many people are lost on their devices, missing out on the awesome world around them. A catchy chorus chants the notion behind this song, i.e., that you ‘could be better!’ This single is also supported by another fantastic video featuring the same comical, deceased character introduced through the ‘Good Morning Sunshine’ video.

Retromigration makes a welcome return to WOLF Music following up from Straight Foxin, his debut album on the label. For Cloudin he presents six deep cuts that once again showcase the German producer talents and abilities. Dusty samples sit alongside original compositions, hitting that musical sweet spot. Fans of Retromigration, this might be his best work to date! This one’s for the heads.

Welcome our dear listeners to the second vinyl record from Rewind Ltd!

We never cease to amaze you with our wonderful specialities of music tracks prepared by our talented residents and new names. On this disc you will find beautiful jazzy deep house that will immerse you in an atmosphere of relaxation and meditation. And if you want to dance, we have prepared for you a brilliant disco and groovy house vibe that won't leave anyone indifferent!

Our Rewind Ltd vol.1 compilation is a bright, rich, intense mix of music with shiny synths at the front, disco motifs in the centre, and danceable crunchy vibes at the end. It's a real cocktail for our listeners who love variety and quality music. We have gathered the best guys from all over the country to create this musical masterpiece for you. So don't miss this chance and savour our wonderful specialities of music!



Comes as 180 gram Viny only!

Mit "New Blue Sun" veröffentlicht André 3000 ein unerwartetes, rein instrumentales Album, auf dem Andre Flöte spielt und von anderen talentierten Musikern begleitet wird. Auf dem von Andre 3000 und dem Multiinstrumentalisten Carlos Niño koproduzierten Album "New Blue Sun" spielen Nate Mercereau, Surya Botofasina, Deantoni Parks, Diego Gaeta, Matthewdavid, V.C.R., Diego Gaeta, Jesse Peterson und Mia Doi Todd.

Diese limitierte 3-LP-Vinylauflage ist auf 180 g schweres schwarzes Vinyl gepresst und verfügt über ein ausklappbares Poster, bedruckte Innenhüllen und eine Notiz des Künstlers.

Mode_1 Reclaim EP by DIG Records

Cover // Augmented reality by Omer Avarkan


********************************AUGMENTED REALITY COVER ***********************************

After a stellar debut release in 2023, vinyl-only label Dust in Grooves, sees its anticipated second EP Reclaim, showcasing one of Dublin's gleaming underground talents Mode_1. Establishing DIG as a progressive sonic platform, founder Olivia Mendez is also curating a series of dynamic augmented reality covers for each EP. Adding more layers into the sound experience of the Reclaim vinyl is motion designer and visual artist Omer Avarkan.


Mode_1's dedication to uncovering layers of tough but rhythmic grooves, both as a DJ and a producer, has led him to make a mark on legendary techno imprints such as Knotweed, FiedelTwo, Truncate and Naked Lunch. Staying true to his advancing, dynamic sound laid with dexterous technique, Robert Kavanagh delivers a collection of four ominous tracks, pulsating with incandescent pads and pacey drums.


The EP opens with the relentless and driving Sigma, setting the tone for a swiftly moving ride across the record. With playful shifting of gears and jacking rhythms, the A2 flows into the next track Dusty Room, utilising the bleepy pitches in contrast to the expansive spheric tones, offering an energetic boost of a melodic techno work-out, with hints of sharp dub edges.


Reclaim on B1 highlights the versatility of Mode_1, comprising multi-layered scales, evolving spiral sounds and a build-up of reverberating tones that escalate with poise. As a closing track of the record, Platform 8 is one of those B2 sides that you keep reaching out to. This ultimate big-floor tool is loaded with advancing movement, keys with mystical undertones, and depth of texture that play with the infinite nature of the number eight.


Unlocking the animated cover of the EP and seeing it come to life virtually, adds a new dimension to the classic format of the vinyls. To unlock its motion, follow the riddle on the back.


All tracks mastered by Nihad Tule.


Words by Lora Mateeva, Orb Mag

Jack's House Recordings favourite (Alex Arnout), is back with another 4 track solid EP. This is the 3rd EP with Alex signed to the label. Alex was the first artist to release on the imprint back in 2016 with sell out Confirmation Bias ep followed by the Sync Jam release and further productions on some of the Jacks Tracks VA series. This latest offering with the new Burn EP does not disappoint


This limited vinyl press offers 4 distinctive tracks showcasing Alex's ability and talent to seamlessly blend influences from different genres making his production unique creating his staple sound.


First up is Burn which kicks of with tough tech beats quickly followed by some punchy chords before it develops into a beautiful fusion of an energetic original tech house sound merged with what can only be described as a pure soulful touch with the vocal snippet which occasionally and simply sings the the title track lyric (Burn). You could describe it as Tech soul if that were a thing. Punchy, warm and energising with a touch of a romantic notion in there while maintaining the techy roots, you will have this on repeat.


2nd up is Tribespeople, which takes you into Alex's tougher side. Leading with a full on kick and rounded sound, it is perfectly suited for true underground dance floors at the height of their energy, or to wake it up, this track is made for the committed clubber that really likes to go for it ! The track is laced with subtle fills that will jog your memory and take you back to the original days of rave. This is pure underground bliss.


On the flip side, is the popular Punkadelic. This was originally released back in 2022 on Jacks Tracks VA Vol 5 alongside tracks from Terry Francis, Lex & Legit Trip. It was always intended to be a vinyl release, so by popular demand, it is finally going onto wax, where it deserves to be. Punkadelic is dark with a real techno vibe, but even in here, if you have a good ear, you can hear subtle touches of Jazz in the percussion, which yet again showcases Alex Arnout's unique talent to fuse elements of different genres in an especially classy way.


Last but by no means least, is a slightly different flavour with the track Recall. This is a slightly more laid back number, but still punchy with a good chug to it, and keeping within the sounds of the underground. Vocal snippets are spoken and broken throughout the track laced over some ghostly chords accompanied by swinging hats, claps and a fierce bassline.

Damian Lazarus’ Crosstown Rebels imprint announces, ‘Portrait of the Obscure’, the stunning new album from Oceanvs Orientalis.

Following three superb singles on the label across the past four months, the nine-track LP offers a comprehensive exploration of the Instanbul-based talent’s rich, globally-infused and captivating sound, with the project set for release on 26th April 2024.

Safak Oz Kutle, known as Oceanvs Orientalis, is a producer and live performer based in Istanbul. His musical style intricately weaves together diverse sonic tapestries of wide-spanning genres and cultures, and through his creative fusion of these influences, he crafts an immersive world that takes you far away from the usual club music references. His music serves as a celebration of his musical heritage, and this has never been truer than on his superb new album ‘Portrait of the Obscure’, which again pushes traditional boundaries within the electronic sphere. Set for release on 26th April via Damian Lazarus’ renowned and celebrated Crosstown Rebels imprint, the nine-track LP project features a showcase of solo and collaborative material alongside close friends such as Tooker, Idil Mese and Tilahun Gessesse, delivering a journey into the creative mind of one of
the scene’s most intriguing talents.

The bold and riveting project kicks off with the captivating synthscapes, fluttering strings and plucked bass of the gorgeous ‘Pulse Antique’, before ‘Ministry Of Midnight’ cuts loose on more jumbled rhythms and intricate organic lines warmed with wordless vocals. Next up are two of the lead
singles - the tense and intricate house sonics of ‘Neutrality’ and the haunting atmospheres and ethereal synth lines of ‘IL Lupo’ featuring Tooker, while ‘Conritmo’ continues to bring exotic new string sounds, leftfield melodies and warped bass to this most vibrant exploration of candle-lit house sounds. ‘Soul of Calypso’ blisses out on far-sighted cosmic chords with sonorous bells and late-night spoken word musings that add all-new character to the innovative grooves. Then comes the laid-back, jazz-infused house of ‘Heart Pieces’ feat. Idil Mese, a deep and jazzy jungle shuffler
in ‘Mercury’ and the playful horns and lumpy, dub-wise swagger of ‘Lanchi Biye’.

An album project encompassing its title perfectly, ‘Portrait of the Obscure’ is just that - a magnificent snapshot of the unique musical mind of Oceanvs Orientalis.

repressed !

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, 'Satellite', by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin's Plus8, Sven Vath's Cocoon and of course, Adam Beyer's Drumcode. In his time he has been responsible for underground hits like 'Zoe', 'Polyester' and 'Fire In My Arms', all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, 'Satellite' is Sam's first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

San Francisco dub techno magician is in the game, but wait a minute.. Does anybody know What Robot Says?

Vinyl Only

Introducing the debut EP from the visionary electronic artist Federsen, What Robot Says Records proudly presents a mesmerizing journey into the depths of dub-infused electronic music. Hailing from the vibrant city of San Francisco, Federsen, also known as Chris Kelly, brings forth a sonic landscape rich with the influence of dub reggae recording techniques.

Within this inaugural release, Federsen masterfully melds vintage tape delays and analog equipment to craft a sonic experience unlike any other. Each track within the EP is a testament to Federsen's meticulous attention to detail and his ability to weave intricate melodies with hypnotic rhythms.

Opening the EP is "High Pressure," a seamless blend of precise minimalistic percussion and ethereal melodies, effortlessly drawing listeners into a world of hazy dub textures. Following suit is "Sono," where deeper melodic layers intertwine with Federsen's signature sophistication, creating a timeless elegance that permeates every note.

As the EP unfolds, "Fazed" emerges as a standout track, delivering a powerful groove destined to ignite dancefloors while still maintaining the immersive simplicity of dub soundscapes. Finally, "Quadrata" serves as the perfect conclusion to the journey, offering a sublime fusion of atmospheric elements that evoke a sense of introspection and tranquility.

With this EP, Federsen invites listeners to immerse themselves in a sonic tapestry where tradition meets innovation, where every beat pulses with intention, and where the boundaries between genres blur into oblivion. What Robot Says Records proudly presents Federsen's debut EP, a testament to the boundless creativity and artistry of one of electronic music's most promising talents.

Get ready to hit the dance floor with the Tech-House Remix by DFRST of Michael Jackson’s ‘Thriller’, presented by Deacon Frost Music. This song infuses the classic with fresh and electrifying rhythms, perfect for any party. Celebrate the 40th anniversary of ‘Thriller’ with a remix as fresh as it is nostalgic. Keep the legend alive and your feet moving with more remixes from Deacon Frost Music.

This is the Tech-House Remix by DFRST… First and foremost, this album is a tribute to the pop legend, the incomparable Michael Jackson, on the 40th anniversary of his best-selling album of all time, Thriller. Additionally, I want to express my gratitude to my loved ones for their unwavering support since my return to music production.

Undoubtedly, this is one of my most anticipated projects since I started producing music, although back in 1983, I used to cower in fear to cover up when those Jupiter 8 tracks came on the radio… I would like to express my gratitude to Lenny Jay for believing in my project and delivering an impeccable performance that showcases his talent and devotion to the artist.

Furthermore, I appreciate my engineer and vocal arranger, Austin, from Austin Music Spain, for his exceptional contribution to this track, always inspiring me with his friendship and motivation. It’s impossible not to mention my musical father, mentor, cricket player, and great friend, Mike Platinas.

He not only provided valuable guidance but also recorded the vocals, portraying Vincent Price in earnest. His work is unsurpassed

Beltran and Harvy Valencia team up for their label debut on Hot Creations, unveiling a slick collaboration alongside solo cuts on their three-track ‘Origins’ EP.

Bursting onto the scene as standout talents, Brazilian Beltran and Colombian Harvy Valencia are quickly becoming globally recognised figures in their own right. With releases between them on esteemed labels such as Cuttin’ Headz, Solid Grooves, and Revival New York, the two now forge a new path as they unite for the first time on Hot Creations. Unleashing a trio of vibrant and impactful productions, headed up by their debut collaboration, the pair unveil a collection of cutting-edge sounds across their latest EP, 'Origins'.

Opening with playful bass grooves and crisp, organic drums, title cut ‘Origins (3AM Tusi Mix)’ welcomes a rolling masterclass from the duo. On the B-side, Beltran takes the lead with ‘Tira A Roupa (Putaria Mix)’, delivering punchy beats, funky riffs and crisp percussion, crafting a flawless laid-back groover. To close, Harvy Valencia delivers a powerful dancefloor experience with ‘Brut’, showcasing vibrant vocals, infectious beats and playful phone rings. showcases a deeper, sultry vibe with alluring male vocals at the core.

Oceanvs Orientalis teases his highly anticipated album 'Portrait of the Obscure’ on Crosstown Rebels with the third and penultimate single ‘Neurality’, remixed by 8Bit and Cecile head honcho Nick Curly. Istanbul-based Safak Oz Kutle, aka Oceanvs Orientalis, is a producer and live act who blends the rich sonic cultures of Turkish, Kurdish, Armenian and Arabic music to curate his take on electronic music. The first two singles from his forthcoming album on Damian Lazarus’ legendary Crosstown Rebels have showcased his diverse sound at its fullest, and now the third offering and final single ahead of the LPs release confirms him once again to be a standout talent as he unveils the captivating sonics of ‘Neurality’.

An absorbing and stirring production, ‘Neutrality’ brings a darkly involving groove that is multi-layered and hypnotic, with several shimmering vocals, jangling percussive lines and ethereal pads all locking you in for an enthralling ride. A remixer who needs little introduction, Nick Curly is as integral to the tech house genre as anyone in the scene, heading up key labels such as 8Bit and Cecile while helping to define the genre as we know it today. His interpretation is deep and warm, with slinky drums carefully deployed amongst vocal whispers that bring human soul. An excellent final preview into what’s still to come, ‘Neurality’ delivers another exceptional production, leading perfectly into the release of the full-length project this April.

Voodoos and Taboos unveil their highly anticipated new series with ‘Human Aventura,’ the debut album from promising Corsican producer.

Right from the start, his talent captivates listeners. The record boasts exciting collaborations with fellow artists and friends, including Noiro and Blinkduus Dischetto (Solid State).

With its esoteric and melancholic atmospheres, interwoven with nods to the Chiptune scene, the album seamlessly blends elements of electro and house music. “Defined as ‘libidinous Mediterranean spoken disco,’ the album promises an immersive journey into a unique sonic landscape, where sultry rhythms meet hypnotic melodies.

After several years of showcasing talent and craftsmanship through its podcast series, Forsvarlig Arkiv announces the first release of original music under their label.

Accompanied by a full-blown artwork, 'Arkiv I' presents four crisp tracks on wax by artists that left a mark on the channel in the past, while simultaneously excelling through their productions.

Rhythm Cult is back again as last summer hit ‘PPPPP’ from youANDme gets a second special package of reworkings from a band of meticulously selected remixers from around the globe. This time we welcome the likes of Shed (50 Weapons, Ostgut Ton) and Johannes Albert (Live At Robert Johnson, Renate Schallplatten) to the Cult to provide exciting new iterations breathing their unique spirit into an already memorable track.



First up to the platter is raw techno purveyor Shed in his Head High guise, who serves up a faithful but turbo-charged rework. The original’s ludicrously addictive vocal refrain returns, orbiting endlessly across the soundscape while the drums get serious steroid enhancement creating a weighty groove that hits hard. One of Rhythm Cults' favourite house producers Ian Pooley comes next, returning to deliver a sublime raw house re-take as only he knows how. Filtering and manipulating the vocal cuts and old-school stabs, he creates a bumping excursion into the cavernous depths, complete with lush echoing dub chords and jackin’ percussion. One for the house heads and as always, dancefloor dynamite. The Drunken Diva ‘Scream Mix’ shifts down through the gears to create an almost lilting, off-kilter dub-influenced iteration. Perfect for those hot late-night summer dancefloor moments, this cut takes it deep and dark. Finally, Berliner Johannes Albert swoops in to direct the track into a crunchy minimal 808 territory. His rework is complemented by some slick vocal chopping and frequency-shifted segments elevating the track to a new plateau.



Another fine series of remixes ensures ‘PPPPP’ will be lighting up dancefloors this

summer season and beyond. Rhythm Cult continues its mission to showcase some

of the most talented and forward-thinking producers out there.

Respected Italian talent Francesco Tegazzin, also known as Distilled Noise, has emerged from years of self-exploration in the recording studio with a true passion for house and minimal grooves. His journey culminates in the release of his first Satya 12", "Evolution Of The Mind," a sonic testament to his current musical identity.

In crafting this opus, Distilled Noise immerses himself in experimentation. Reflecting his dynamic approach to music-making, each track on the record serves as a departure from the norm, with intentional alterations to his workflow for every new composition.

A defining hallmark of his artistry lies in the homage paid to his musical roots. Francesco seamlessly integrates guitar-like sounds, electric pianos, and funky basslines into each track, resulting in a unique fusion of diverse elements. His commitment to delivering more than mere utilitarian "tools" is unmistakable, as he endeavors to create compositions that etch a lasting imprint on the listener's mind.

Scheduled for release on March 15, 2024, the EP promises an exhilarating listening and dancing experience for aficionados of groove based house music.

Floating melodies and low swung grooves concoct an atmosphere of pure ecstasy on Moon Chords from Portuguese talent, Vil. Fireground debuts on the label contributing a euphoric, hardgroove interpretation.

Bright Magus is an instrumental quintet born under the influence of Miles Davis' metaphysical electric period, a visceral and magical passion always shared by Giovanni Calella and Leziero Rescigno. Davis' most eclectic and psychedelic period, that of recordings for Columbia from 1969 throughout the 70s. Albums like “In a Silent Way”, “Bitches Brew”, “A tribute to Jack Johnson”, “On The Corner”, “Big Fun” made them immerse themselves in one of the most fascinating experiments that Miles has generated in his long and prolific career. We are talking about music that is difficult to fit into one genre, in these masterpieces you can feel the contemporaneity of that historical period. Electric Jazz, Funk, Psychedelia, Rock, Afrobeat, Ambient, drag you into something absolutely new, mysterious and sometimes furious. Just a year ago Giovanni and Leziero took courage and started recruiting musicians who had to have the right attitude and knowledge. Guitarist Alberto Turra was the first to be interested in the project, then came Mauro Tre, pianist and keyboard player and Gianni Sansone on trumpet. All seduced by Miles and in love with that magical period.

Before making the first album "Jungle Corner", the band did some live shows to amalgamate all the ideas that came out during the improvs recorded by Tullio Treffiletti in the trumpeter's home studio (later baptized Selim Studio). At the Isola Studio in Manuel Agnelli's space and with the help of the very talented Guido Andreani, Bright Magus then recorded in three days live all the material which in the meantime had been enriched with more structured melodic themes and less casual drafts . Mauro's contribution was very important in this. The finalization of the album was then managed by them in the small "Diabolicus Studio" taking care of editing, post production and mixing.

Guest on the album in two songs, Enrico Gabrielle of Calibro 35 on flute and clarinet.

The cover design is a work by Barba Ughi alias BAX.

Faith presents the second volume of ‘Ain’t That A Groove’, a series of 12” pressings collating current and forthcoming productions and remixes from the London label. Originally launched in 1999 by Boy’s Own legend Terry Farley alongside Stuart Patterson and Dave Jarvis, the cult label relaunched in 2020 after renewed interest from house heads and Faith fanzine readers. Opening up this collection, one of Chicago's finest house producers and songwriters Robert Owens and his 2023 collab with Nolan ‘I’ll Be Your Friend’, a bona fide house classic reignited for audiences of today. Hilit Kolet’s ‘POV Siren’ follows, a stomping club cut that received support from the likes of Carl Cox and TSHA. The four-track press also includes New Zealand talent Philippa’s remix of ‘The Night’, originally by Pete Heller & Terry Farley as Roach Motel, as well as Terry’s latest release with frequent collaborator Wade Teo spotlighting Kameelah Waheed on vocals with the TDK 90 Dope Mix of ‘Dancing After Dark’.

Early DJ Support: Marco Carola, Jamie Jones, Chris Stussy, Seth Troxler, Brawther, Raresh, Joseph Capriati, Laurent Garnier, Samuel Deep, Saoirse, Janeret, Richy Ahmed


UK talent ADMNTi makes his FUSE debut and opens the label’s 2024 schedule with ‘Vibrations’, featuring a remix from Vigenere boss Malin Genie. Whether serving up his take on minimal-leaning house across a wealth of the capital’s key venues, or front-left on the dancefloor himself, London’s ADMNTi has been shaping a sound and curating his ear for years to become one of the city’s most well respected emerging tastemakers. A regular at FUSE over the years, with his sound palette harnessing his roots within the city, his releases on Dansu Discs, Beeyou Records and Caposile Music have seen him rack up love from the likes of Petre Inspirescu, Raresh and Voigtmann alongside mentor Enzo Siragusa. And it’s Siragusa who now welcomes him to his iconic FUSE imprint for the very first time as he makes his longawaited label debut to open the 2024 schedule with four originals across his ‘Vibrations’ EP - with Mandar favourite Malin Genie also joining the package on remix duties. Skippy and armed with a menacing bassline at its core, ‘Vibrations’ brings the heat from the off as slinking percussion warps around hazy pads for a lively opener, while ‘Infinite Function’ brings a paired-back and tumbling groove full of squelchy interludes, bright electronics, resonant organ melodies and subtle chords. On the flip, B1 ‘Original Sin’ is a spacey and cosmic trip into acid-tinged soundscapes, before Malin Genie’s remix of the title cut brings a funk-fuelled and deep dive into the early morning hours as he crafts a slinking groove that captures the imagination instantly.

Brownswood Recordings releases the 7th edition of their Future Bubblers Compilation. An expansion of Gilles Peterson's network supported by Arts Council England, the ongoing talent discovery and artist development scheme focuses on developing unsigned talent and building audiences for new left-field music. With support from PRS Foundation as Talent Development Partners, the professional recording, manufacturing and physical release of Future Bubblers 7.0 is made possible. Unlike any other initiatives within music, the compilation acts as a springboard for the musician's careers, with the cooperative model providing direct revenue to the artists by a share of the profits, resulting in a sustainable income to work from. Previous Future Bubblers include artists such as Yazmin Lacey, KinKai, MC Snowy, Forest Law, Victoria Jane, NeOne The Wonderer and Kayla Painter, to name a few.

The 8-track compilation is a musically diverse collection of tracks, fusing genres across Alt-R&B, Dance, Electronic, Jazz, Rap and Trip-Hop. Opening the project, ROMY NOVA flaunts her hypnotic harmonies on a tender offering, 'The Way', whilst Sheffield-born Jackie Moonbather delivers a Funk performance on 'Separate Ways'. Up next, Ney Liqa's 'Blomster' captures a blend of Trip-Hop and Swedish-Pop, fusing her earliest musical influences before Birmingham's very own Landel's cloud-Rap excellence on '2 Many'. Maintaining the ethereal sonic, Petrelli Purple's 'Brisk' is reflective of his ability to curate a "miscellaneous north" sound, followed by MARYSIA OSU's 'Stryder' that highlights her self-coined "harps, beats, and dreams" ethos. Michael Diamond showcases his ability to float between jazz and electronic landscapes on 'Aether' before COEX rounds off the project nicely with 'Reflections'.

Be As One is excited to release the long overdue "Romantic & Dead" LP, the debut Album from one of the most talented artists of the recent generational Techno movement, and the label regular "Kashpitzky".

Being the hyped Berlin based producers most crafted project to date, the Buzzing 11 tracks LP is spread over 2 vinyls, astonishing covered artwork and shiny polished product, and reflecting the different shades of techno from several moments of the night, tailored straight from the mind of the most sought after artist of the recent couple of years.

Lining with the label's raw and old school influenced sound Aesthetics of re defining the term "House influenced Techno", Kashpitzky fits right in as one of the imprint's leading figures, compiling the 5th full length artist album to date from the label, after industry icons such as Kenny Larkin, Samuel L Session, Orbe and the label head Shlomi Aber.

As its title, the Romantic & Dead LP is an excepional abstracted and mixtured techno journey for the heads and collectors both, and marks a significant milestones for the young artist and the established label.

KiNK is back with the ninth release on his Sofia imprint. He unveils his inaugural release of 2024 in collaboration with the talented Rachel Row. This dynamic release comprises three tracks and two engaging DJ acappellas. Showcased in recent live performances, and now unleashed into the wild.

SOFIA: Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it’s a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.

Second chapter for the new VA vinyl trilogy on R3volution Records called

In this edition there are the following artists under our attention:

- PWCCA, label owner of the top labels Hardtools and Inducted Waves and acclaimed world-famous Spanish producer, already distinguished with severeal appearances on our label including the latest release "Programming Language EP" last year;
- PUSHMANN, another top Spanish DJ and producer, making his debut on
- PYRAMIDAL DECODE authentic Italian based talent who, with many appearances on our label, has also found the time to make his music recognized around the world thanks to numerous releases on labels that represent milestones in the international techno scene, such as WarmUp, Mord, Dynamic Reflection, Faut Section, Edit Select...
- JOAQUIN RUIZ, the only non-European artist on this release, has already made many appearances on our label both as a solo release and as a remixer. He is a DJ/producer on the West Side of Buenos Aires. Ambitious and always looking for new challenges and opportunities, Joaquin is definitely one of the newest emerging talents from the techno music scene in Argentina. He runs his label West Rules too and also releases his music on respected labels of the scene such as Devotion, Knotweed, Affekt, Selected, Subsist, just to name a few
- MICHELE MAUSI founder & label owner with another amazing track called Waterloop
- MDMP is Michele's 2nd alias in pair with DANIELE PETRONELLI with a pure BOMB track called Under Armor

Warehouse find!

Infuse return for their first release of 2017 with a fresh new look and talent in the shape of Jack Wickham, who provides a VINYL ONLY 4 tracker of dance floor goodness.
'Exchange' kicks things off with a perky tech houser with an emphasis on groove whilst 'Kotone' delves deeper.
'Cos' keeps the energy high with a kinetic slice of tech-funk and 'Brick' rounds things off nicely with a brisk & sprightly romp.

Broken Techno/Electronica label Theoretical Rhythms is back with another vinyl release. This time it is a 4-track compilation EP called "Confessions". Featuring a carefully curated selection of tracks from diverse artists, "Confessions" takes you on a journey through emotions, melodies, and introspective narratives. Each track serves as a musical confession, laying bare the artists' innermost thoughts and experiences. The compilation opens with Varna's own Virtually J who masterfully sets the tone for the entire collection with his composition. From there, listeners are guided through a sonic landscape that seamlessly blends genres, showcasing the rich tapestry of musical expression. London duo Getae are showcasing their talent with the dance floor filler "Stumble" and Getsu opens the door to another dimension with his story "Otklonenie". With its minimal composition, broken beats and various effects Getsu invites us to divert from our path and experience another world. The EP concludes with Nickel Eye's "Lodi", a story that starts on a darker side with repetitive rhythm to transform to a jazz epos.

"Confessions" is more than just a compilation; it's an exploration of vulnerability and authenticity. Each artist bares their soul through their music, creating a connection with the audience that goes beyond the surface. "We wanted to create a compilation that goes beyond the ordinary, something that resonates on a deep, emotional level," says Nickel Eye, Theoretical Rhythms' head honcho. "This project is about sharing our musical confessions and inviting others to do the same". With its innovative approach to storytelling through sound, "Confessions" promises to be a standout in the music landscape, inviting listeners to immerse themselves in a musical experience that is both intimate and expansive. "Confessions" is a testament to the power of music to connect, inspire, and evoke raw, authentic emotions. Press play and embark on a journey of musical confessions.

Trushmix the now well known underground mix series created by DJ Fett Burger and L.A.2000, and still going strong since 2011, providing underground talent and spreading vibes in a vibrant small community of music lovers. After 13 years of Trushmix, it is about

time to make a record to celebrate this! The initially plan was to make it as a 10 year anniversary release. Now it's 13 years, even better! So Trushwax is born!

A three track 12 " with underground house and techno tracks, recorded and produced by DJ Fett Burger and L.A.2000 between 2010-2021. Three simple, rough and emotional underground cuts in the vein of Trushmix!

"Trush Your Body" The opening track and the newest production of the three. A melodic house track, with the classic 909-groove and some acid! Driving and dreamy at the same time, and also with a melancholy twist. A place where simplicity and emotions meet!

The second track "Hello Awreibody" underground club track based on a live recording from 2010, with a distinct driving bass line, 808 beats and a big deep melody that gives the tack a massive feel! Rough underground club and basement style!

"Quack" the last track on the record, also based on a live recording from 2010, a rough live sounding recorded track with a groovy classic 707 workout, a soft bass line and a strong touch of melodic elements to keep the track deep, mysterious and driving.