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Bronze, Silver & Brass swing in horns blazing with their electrifying second 7" vinyl single on Timmion Records. "Renard's Groove" and "Brass In Motion" expand the musical range that can be distilled from a brass band mixed with guitar and funky drums. You are in for a cinematic ride through funk, soul, and jazz-inspired terrain. On the A-side, "Renard's Groove" delivers fast-paced, library soundtrack style funk. Driven by a tight guitar riff and solid breakbeat drums, this instrumental gem stages a high-speed chase though the grimy alleyways of a nameless 1970s metropolis. Flipping the record reveals the B-side, "Brass In Motion", a mellow mid-tempo instrumental that once again tips its hat towards the golden age of independent jazz funk. While maintaining the funky soundtrack mood, its lyrical chorus and unhurried pacing make "Brass In Motion" a perfect pairing for the frenetic energy of its counterpart. With their second release, Bronze, Silver & Brass continue offering fresh sounds for those who have an ear for uncomplicated funky instrumentals. The digital package of the group's singles comes with a digital only bonus track "Boondocks", that reveals another sweaty street funk workout for getting your dance on.

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!

Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. Mystica Tribe is the musical alias of Tokyo-based dub/techno producer Taka (Takafumi) Noda. He collaborated with Vienna's own Vegetable Orchestra on 2020's "Transplants (Mystica Tribe Version)". After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, vibraphone, marimba, djembe, contra-alto clarinet, melodica, Farfisa - all bound together by organic live-drums and dub effects.

Liner notes by Steve Barker

Diagonal celebrates 13 years inbusinessvia a 4 x 12" run featuring label stalwarts and influential collaborators. This is LP2, the second in the series. Like LP1 before it, this 12" comes with a coloured, elastic H band. All four LPs will be accompanied by these meaning customers can combine the records and complete their own 4 x 12" set!

This plate welcomes Regis back tothe label he inspired into existence, this time turning his attention toPowell's "Nomad". The result is techno bliss! Streetwalker (Beau Wanzer & Elon Katz) offer up a gloomy ballad, StabUDown Productions, a label mainstay, delivers the beats we love him for. There's a gripping and unsettling DJ tool from Patino and a beat-fest from Novoline. DIAG050 LP2 has it all.

Motion Detection is the first release of Atlanta–based VOSK Records. Founded by DJ and producer Andrey Ter–Grigorian aka Mawn Lower, the label aims to provide high–quality electronic music on vinyl that is unbound by genres and stylistic constraints yet shares a unified approach to sound with a strong emphasis on concept in every release. The EP explores themes of emerging from an concealed, invisible state under constant surveillance and consists of 4 tracks produced at different times over the span of 10 years.

The million-selling self-titled duet album by Roberta Flack and Donny Hathaway was the breakthrough record for Flack. Donny already enjoyed some commercial success, but their hit singles “You’ve Got a Friend” and “You’ve Lost That Lovin’ Feelin’” put Roberta on the radar. The sensitive and emotional masterpiece can be seen as one of the best duet albums of all time. It was the album’s third single “Where Is the Love” which dominated the US radio for almost a year, and reached the fifth spot in the Billboard Hot 100. The album itself shows a work of great depth and tenderness, with some of the most impressive vocal harmonies you’ll ever hear. After the success of the album Flack and Hathaway recorded sporadically together throughout the ‘70s, until Hathaway’s tragic death in 1979.

Follow-up album to cult-classic debut, Mantra Moderne.

‘Melodi’ is the second album from captivating duo Kit Sebastian (aka Kit Martin and Merve Erdem). Those familiar with the band's cult classic 2019 debut record 'Mantra Moderne' will instantly recognise their unique sound that blurs boundaries of world music, jazz and psychedelia. Not to be content replicating the same album, sonically the feel of ‘Melodi’ is a maturation. It is more diverse and provides glimpses into many different worlds from the Italian Riviera to the mountains of the Caucasus, the beaches of Bahia to the city streets of Istanbul and Paris. This joyous merging of soundscapes evokes a borderless planet with music as an international language, belonging everywhere and nowhere.

‘Melodi’ is imbued with Kit Sebastian's love of vintage records and world cinema, but it is not a retro homage. It celebrates its influences but is very much a modern record, being simultaneously brand new and retro. This is a credit to the duo's craft as musicians and songwriters, presenting their influences as a circular interaction between the present and the past rather than a linear one.

The music was written during the first UK lockdown and recorded that summer, a time of opening up that only briefly existed. In a world with a slower pace than before the Covid crisis, the band were able to spend more time experimenting in the studio. The album’s range of instrumentation has expanded from the previous record to include zithers, harpsichords, congas, bongos, bulbul tarang, and a mock-up choir on top of the synthesizers, balalaikas, organs, and saxophones. Session musicians and friends were also booked to introduce trumpet and string sections giving the album an added depth and orchestral texture. Despite the added complexity, the album was recorded using the same techniques employed for the previous album with various tape machines, bouncing back between cassette and ¼” tape for practicality and sonic abstraction. To pierce through this abstraction, the vocals are intentionally more expressive. Merve took cues from the Turkish singers of her youth, adding a slightly more melancholic, darker and more reflective style than 'Mantra Moderne’. Rooted in observations from everyday life, they speak often about the worlds and thoughts that arise from the end of the night.

Like with many of the best albums, the record seems over all too soon and has you instantly wanting to play it again. On each listen you decide on a track that you think is your favourite from the album only for it to be replaced with a different one on the next listen. The songs and production have hidden depths that seem to evolve and morph the more you devour them. Moments of pure pop, moments to fall in love, moments to contemplate. This journey is rich in musical vitamins and nourishment, but like all the best things still leaves you wanting more.

Repress!

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks.
A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal.

This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Wasia Project's 2nd EP 'Isotope' now available on vinyl with a special etched design and exclusive pull out two-sided 584 x 420 mm poster. The collection is an impressive audio-visual concept that applies their classical training to wide-eyed, genre-bending, jazz-pop. The familiar warmth of nostalgia dovetails with the discomfort of the unknown as the duo process experiences of love, anxiety, confusion and hope through a singular voice: "ultimately a universal concept of all of us sharing the same emotions, but leading different lives".

Karen Souza’s third album ‘Essentials II’ has been a top seller in Music Brokers’ catalog since its release in late 2014. Now, finally it gets its vinyl release.

Dublin's finest, Tommy Holohan, makes his long awaited return to S.C.D.D. with 'Temple Theatre'.

An ode to Dublin's Trance axis, the sky-piercing EP has been subject to much anticipation. Fusing reece-driven breakbeat, trance infused sonics overlayed by chants, rave stabs and orchestral breakdowns, the release is a strong embodiment of Tommy's ability to induce symphonic, rave hysteria.

"Forastero translates to “outsider” or “foreigner”. It is a common reference in Argentina folk music that describes the experience of immigrants and troubadours - bringing up feelings of isolation and solitude, but also the freedom of roaming in nature without borders. It reflects Selasco’s experience as an immigrant - feeling like an outsider both in the United States or Argentina, yet at the same feeling that there is a deeper sense of belonging to the world that is beyond borders.

In Forastero, Terror/Cactus explores themes of identity, memory, perception, and mysticism. Featuring collaborations with artists such as Pahua, Rumbo Tumba, Barrio Lindo, and Corina Lawrence, Forastero encompasses a musical landscape filled with electronic folk, dark cumbia, and psychedelic beats."

Inspired by Dua’s own self-discovery, Radical Optimism is an album that taps into the pure joy and happiness of having clarity in situations that once seemed impossible to face. The hard goodbyes and vulnerable beginnings that previously threatened to crush your soul, become milestones as you choose optimism and start to move with grace through the chaos.

Infused with the energy of Dua’s hometown, London, the attitude of the album embodies the rawness, honesty, confidence and freedom of ‘90s Britpop. Radical Optimism transports its listener to a dreamy pop world rich in musicality, lyrically unapologetic and sonically liberating.

The 3x GRAMMY and 7x Brit Award-winning global pop powerhouse worked with a team of core collaborators throughout the project including Caroline Ailin, Danny L. Harle, Tobias Jesso Jr. and Kevin Parker.

MiraclMiracle Thomas & Rob Hardt are doing it again with the remake, "Sugar Free" originally from 1985, released by Juicy. This team-up brings fresh life to the Boogie Genre with this Neo-Boogie joint .The Sweetheart of Soul, Miracle Thomas and Boogie Funk super producer Rob Hardt re-vitalizing a classic! The funky baseline and held notes over the chorus complementing the chant on the end of the song making it instantly a memorable sing along tune. Miracle’s sexy, cooing upfront perfect vocals over a Soul-Train worthy spotlight dance beat creating a mid-tempo groove monster that does it well for a bar DJ as well as for any and every club warm-up phase. The fit that Miracle and Rob have together is tight and groove heavy. It’s no wonder they keep coming up with these solid Soul Music Hits! They live and breath this music and though this super sweet “Sugar Free” tune will ride high on all DJ lists. DJs need this double up as doubles because the dub version is extra ordinary and suits the vocal side for an exclusive extended mix of your own.

Superb new Berlin Invasion anniversary album...
The meeting between many many oldschool superb artists in the middle of Tribe and Techno skillz... The exact rare speed (140/150 BPM) needed to complete the bridge between Techno and Tekno !

For a double pack we have here a perfect : all bombastic tunes !! wich is rare !!!

Happy birthday Berlin Inv' !

The job of the artist is always to deepen the mystery. Hologram Man present himself as a entity, an entity that work functionally and chirurgically to implement hypnotic minimalism to entirely new depths levels of mind and sonic territories.

2025 repress

Mastering by Paul Mac @ Hardgroove Mastering.

Early support by Alderaan, Charlotte de Witte, Dave Miller (Abstract Division), Dimi Angelis, Dj Almelo, Dustin Zahn, Forkowski, Gareth Wild, Gotshell, Hector Oaks, Joton, Kwartz, Kessell, Kaiser, Lewis Fautzi, Nez, Norman Nodge, Norbak, Phara, Ryuji Takeuchi, Stranger, Takaaki Itoh, Tensal.

Title-cut ‘Tivoli’ opens and sets the tone with twitchy acid lines, murky dub swells, skippy percussion and eerie textural atmospherics. ‘Agree’ follows and shifts gears into deep house realms courtesy of a bright organ hook,

swirling pad lines, tension building strings and oscillating bass drones, all underpinned by a crisp rhythm section.

‘Wonderful Transmission’ kicks off the b-side next with a electro tinged feel, fusing robotic voices and squelchy bass flutters with saturated drums and haunting resonant synth leads. Last up to conclude the EP is ‘Haunted’,

an apt title for the eerie, intricately textured composition featuring heavily processed voices, warbling bass notes and robust drums.

This 12" contains the first sounds from EDM Z album, which will complete Jodey's 'Electric Dance Music' series. Very limited strictly no repress handstamped piece of Braindance. In the realms of imagination and creativity, there exists a man whose life is as diverse and eclectic as the beats he now produces. Born in the picturesque landscapes of Cornwall in 1953, Jodey Kendrick's journey began with the wind-swept cliffs as his backdrop and the crashing waves as his symphony. As a young lad, Jodey was drawn to the world of cinema. Inspired by the likes of Bruce Lee and Jackie Chan, he found solace in the art of martial arts and action-packed storytelling. With determination in his heart and a fire in his eyes, Jodey ventured into the realm of acting, honing his skills on the stages of local theaters before making his mark in the bustling streets of Hong Kong. It was in the neon-lit alleys of Hong Kong that Jodey Kendrick found his true calling. Embracing the vibrant energy of the city, he immersed himself in the world of Hong Kong action films, earning acclaim for his daring stunts and charismatic performances. With each role, he etched his name deeper into the annals of cinematic history, becoming a beloved figure in the hearts of moviegoers across the globe. But as the years passed and the reels of film kept spinning, Jodey felt the stirrings of a new passion within him. Beyond the glitz and glamour of the silver screen, there lay a world of pulsating rhythms and electronic melodies, waiting to be explored. Intrigued by the allure of electronic music, Jodey embarked on a new chapter in his life, one that would see him swap his martial arts moves for the dancefloor beats of Jungle Tekno and Drum and Bass. In the bustling metropolis of Hong Kong, Jodey found himself amidst a thriving music scene, where the streets throbbed with the rhythms of the underground. Fuelled by his love for music and driven by a desire to create, he immersed himself in the world of music production, crafting beats that reverberated through the city's concrete jungle. Today, Jodey Kendrick stands as a testament to the power of reinvention and the boundless possibilities of passion. From the silver screen to the dancefloor, his journey has been one of constant evolution and exploration. With each beat he creates, he pays homage to the winding path that brought him here, a path that weaves together the worlds of cinema and music into a tapestry of creativity and inspiration.

he initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the victims of human rights violations during the military dictatorship led by Augusto Pinochet between 1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a 24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5 months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.

DimDJ makes a welcome return on Gated for a second EP of acid-inflected hardware tracks, showcasing a range of sounds, from mid-tempo arpeggiated opener Next On Next, followed by the faster Detroit electro-influenced The Path, and low-end bothering Cashe on the A side.

The B leads with the rather lovely 10th Of May, which in our book is basically a summer-soaked Balearic house track, followed by the experimental acid techno of Crash, before Ampi 00 Pattern winds down the EP in pensive ambient style.

The second release from the Manchester based label is delivering is the goods again. This time taking us on a nostalgic Tech House trip. An absolute DJ tool and a must have for any fan of the Genre.

The 5th-anniversary release of the renowned vinyl label Artreform marks a significant milestone bridging the past and the future. The label's head, JOSS, a DJ and producer based in Kyiv, continues to unearth talented newcomers. The latest release features a track by a promising Ukrainian newcomer, Wonkie, who is relatively unknown in the electronic music scene. Additionally, the release includes a remix by the European house music superstar IO (Mulen). IO first appeared on Artreform in 2013 with the ghetto banger "Criminal Stuff," leading to multiple collaborations with the label. Two years ago, IO revisited Artreform with a remix of JOSS's single "Justify." IO (Mulen) represents the esteemed history of Artreform while offering a glimpse into its vibrant future.

The new EP showcases a blend of past and future influences. The lead track, "I Meet Somebody," features Artreform's signature minimal house sound with a touch of classic progressive elements. On the other hand, the remix by IO (Mulen) incorporates a modern proto-trance style with hints of old-school UK breaks. "Tubular Bells" is reminiscent of JOSS' mixes, combining sophisticated tech house with trendy dream house vibes. Overall, the release adds new colors and nuances to Artreform's latest work and the label's esteemed back catalog, much like the eye-catching cover of their anniversary record.

This double vinyl contains remixes of the legendary Source Code - I'm Not A Number that was first released on K.N.O.R. records in 1992.

Repress!

Olver Chesler, John Selway : there are people keep going on !!!

And they were there since before you were born maybe ?
Musicians, electronic music, enjoying sound...

Recorded at Selway studio this EP is perfect...

Ninetynine dot ninetynine...

Or not perfect ?

Somehow it's never perfectly one hundered... Whatever it is... Not Techno, not Hardcore, not trance...

A superb repress, and remastered EP, with some re-organisation of the tunes (that's voluntary to get an optimal sound on each side...

And bringing a locked groove for 99.9...99.9...99.9...99.9 infinite effect !

Red sleeve (not the same red at IST17...) in the original Hub color respect.

BIG UP !

Following the two highly-anticipated onesiders, the green one with the LA BUSH TEAM remix of MAYBE TOMORROW and the MINIMALISTIX remix of KALYPSIA, they now come as one release.
A slick ‘golden’ 12” in a high-quality PVC-sleeve.

Bread and Butter Recordings are ready to close a successful year as they continue their tradition by compiling the most talented producers of house and minimal. For the upcoming record, 5 artists who have established a career through their innovative sound and firm perseverance in the scene.

To open the release, Alex Font and Aron team up on a track that perfectly combines soulful percussion and driving synths into a full journey. Next is Beiger with a magical track whose hypnotic groove adds an electrifying energy to the EP.

On the back side, 2 heavyweight Romanians leave their mark. Mihai Pol delivers a warm minimalistic that creates a lovely mood while Iuly.b closes out with a more bouncy and dynamic track.

The London label presents once more an epic release and establishes his versatile trademark on the 9th edition of the V.A. series.

For its ¬rst release, Binding System introduces Acidulant's My Vision Of Space, a ¬ve-track EP that masterfully blends Electro, Acid, and Techno. Hailing from Malta, Acidulant is known for his raw, space-driven soundscapes and highintensity production, which are on full display throughout the EP. Each track is a journey into deep, otherworldly realms, with gritty basslines and sharp synths creating a truly immersive listening experience. The title track, "My Vision Of Space," is the heart of the EP, offering a hypnotic fusion of acid lines and cosmic rhythms. Belaria, the label’s founder, adds her own take with a slower remix that retains the original’s soaring energy, emphasizing its atmospheric depth while giving it a more expansive feel. My Vision Of Space is an ambitious and timeless exploration of sound. Available on vinyl and digital, this release marks a bold start for Binding System

Nomada Records welcomes proudly one of the greatests and finest south america producers; Based in SAO PAULO (BRAZIL); Pedro Zopelar has built a distinguished reputation as a producer in the electronic worldwide scene under his alterego “ZOPELAR” and parallel projects such as “MY GIRLFRIEND” “SPHYNX” and “L’HOMME STATUE”. He has released and edited music on big labels such as APRON, TARTALET RECORDS, SOUL CLAP RECORDS, MOTHER TONGHE, ROYAL OAK, SELVA DISCOS, AXE TRAXX, TECHNO HOUSE CONNOISSEURS and many others.


“HORIZONTE EP” is a five track release where We can enjoy is unique synth funk and deep disco boogie soulful house sound. The A-SIDE starts with “HORIZONTE” an uplifting house track with a flowing chord progression, lush pads and addictive bleep melodies. “LET IT LIVE” is a heavyweight deep House track which is ready to smash dancefloors with its meaningful saxophone solo. On the flip ZOPELAR opens with “PURE HEART” a melancholic and deep synth jazzy house track which is perfect for closing or starting a set at 6 AM. The B-Side Closes with “VENUS” and “SERENA FEAT. PR.A.DO” two surreal balearic summer house tracks where We can experience the musical richness and warmth from zopelar’s compositions

Quentin Tarantino, geboren 1963 in Knoxville, Tennessee, gilt als einer „der einfl ussreichsten Regisseure seiner Generation“ und wurde bisher mit zwei Academy Awards, zwei BAFTA Awards, vier Golden Globe Awards und eine Palm d'Or geehrt. Zu seinen berühmtesten Filmen zählen "Pulp Fiction" (1994), "Jackie Brown" (1997), beide Teile von "Kill Bill" (2003-2004), "Death Proof" (2007), "Inglourious Basterds" (2009), "Django Unchained" (2012), "The Hateful Eight" (2015) und "Once Upon a Time in Hollywood" (2019). Auf vorliegendem Album wird eine Auswahl der besten Songs
vorgestellt, die Tarantino als Soundtrack für einige seiner fi lmischen Meisterwerke gewinnen konnte.

2025 of New Interplanetary Melodies begins with Extra Meta EP signed by ABYSSY, Part 2 of the album EXTRA META .

“Extra Meta was born from the passion for a certain electronic sound ecosystem of the 70s and 80s, a journey that embraces minimalism of the “Berlin school” and extends to the beating heart of the soul/funk of Detroit techno. A journey into the abyss of emotions and the unknown of the human spirit, as the deep darkness of the ocean intertwines with the unfathomable darkness of space. An invitation to explore new sound boundaries, to let yourself be lulled by waves that repeat without ever repeating themselves and to immerse yourself in the reflective mystery of discovery and of evolution, a dance in darkness and light, and where the abyss of emotion merges with the infinity of imagination: ABYSSY.”

Glamouröse Hollywood-Gala mit den besten
oscarprämierten Filmen aus Hollywood
Das Dänische Nationale Symphonieorchester rollt den
roten Teppich für eine funkelnde Hollywood-Gala aus, mit
einem musikalischen Feuerwerk aus den besten
Hollywood-Filmen wie The Bodyguard Moulin Rouge, Die
Regenschirme von Cherbourg, Gladiator, Harriet, A Star
Is Born, Alfie

Repress!

Next up on Accidental Jnr are 2 club ready tracks from Sydney producer Cassius Select that straddle genres somewhere between techno, bassline and hardcore. 90 is a gurgling brutal post-dubstep wobble fest at a house tempo whilst HERD offers up Select's trademark idiosyncratic vocal snippets wrapped up in most broken and shuffled of techno rhythm. Cassius Select lives in the undefined sonic boroughs of the hardcore continuum. His first EP explored the grittier end of techno under Australian label Hunter Gatherer followed by a 12" of unstable rhythm workouts under DJ Haus' UTTU label. The Toronto native is hell bent on inciting movement in the most unorthodox ways. Sonics crush genre-defining sounds into a pastiche of cryptic one liners and side eyes. Drums that invoke an impossible sense of swing and momentum. Most importantly Select's sound defines itself on the mission to deconstruct the world around him,to level out the playing field so everyone can have a bite. This year, Select joins with UK imprint Accidental Jr. to release a two-track fury of sound that snarls with every grimace.

"Slim Media Player returns to Pacific Rhythm with a wonderfully original EP, Quicksand, his first new material since 2016's Rhythms Of The Pacific Volume 3. The EP is the product of Slim Media Player & DJ D.DEE culling through 20+ hours of live jams recorded in Vancouver at Deep Blue Studios from 2016 to 2018.

The EP opens with the records namesake Quicksand, a playful piece of peak-time material that's quirky, uplifting, and dare we say a touch heart-warming. Mouthfeel comes through swinging but plays a touch more koi than the opener, serving as an effective tension-builder on the dancefloor that builds into a thoughtful groover with some light at the end of tunnel.

On the b-side S.M.P explores deeper territory with Memory Bias (Nostalgia Mix), an aquatic roller blanketed with warmth and a contemplative aire that stretches for nearly 9 minutes. The EP fades out with the gentle drift of Tschüs, a warm swaddle that will quell your anxieties and affirm that there are indeed some things that are right in this world, this track being one of them."

‘FAIXA’ is the eponymous debut LP from rural Valencian group FAIXA, emerging from a desire to fuse their curiosity for electronic sounds with experiences of living immersed in the folklore that resonates through the Valencian regions of l’Alcoià and el Comtat.

This atmospheric album speaks to a sound not often heard in the wider Spanish electronic music scene, but reminiscent of other modern revivals of traditional music fused with electronic sounds across Spain right now.

The sound of the album is a constant dialogue between the roots and the future of Valencian generations; traditional vocalists play an essential role in connecting oral traditions such as the “cant de batre” and marches of the “moros i cristians” with leftfield electronic, influenced by sounds typical of dubstep, jungle, or footwork. This historical quality resonates profoundly through songs where vocalists Noelia Llorens “Titana”, Carles Dénia, and Josep Aparicio “Apa” act as channels to a new sonic dimension of traditional music, where the classical and the modern intertwine.

Receiving great feedback across the country in a short period of time, FAIXA’s unique approach to electronic music has gained them mentions and interviews on national and local radio & TV.

If you know anything about me – as in Andrea, the record label’s head – you know I have a thing for Oi since I was a teenage skinhead.

And with Avant! being a coldwave/synthpop label, our next release couldn’t be more special. No Filter are three children of the French region of Dauphiné, active in the black metal scene for 20 years through different projects.

They created No Filter with the aim of exploring punk, Oi and coldwave sounds. They started by singing in English but after their first demo they decided to opt for French to improve their lyrics by singing in their own native language. Themes addressed in their songs are violence, hatred, party nights, the countryside, their roots and friendship. “Synth punk, bagarre et blousons noirs” in their own words. Musically speaking they somehow fit in the current Cold Oi French scene (Bromure, Syndrome 81, Cran, Kronstadt) but they exaggerate the synth/wave element ending up sounding like one unprecedented, fresh as hell mix between New Order and The 4 Skins.

If you think you’ve heard this one before it’s because one year ago they self-released a 10-track cassette called “Sans Filtre” which is exactly what we are pressing now on vinyl for the first time because this was simply too good to stay only on tape forever.

To make this even more special we have recruited Canadian multi-instrumentalist and artist Nakkabre (Conifère, Spleen, Vespéral, HazeHound) to do a brand new artwork and spice things up for the occasion!

Black vinyl LP edition limited to 400 is out 22 November.

Adventus is the Latin word for "Coming", which is a translation of the Greek word "Parousia".

A symbolic title for the introduction of two new artists to the Techno scene Eluna Vex & Olympios.

Both hailing from Greece, they are debuting with a high quality record that is proper, raw and very underground. It defines exactly what Renegade Methodz stands for. Music with the force of future!

Embarking on a 50 minutes journey through the ethereal, TRANSCEND by Moonglade Sound is a meticulously curated double-sided compilation, mixed and compiled by Kirill Matveev, that unveils a realm of sonic exploration.
Featuring a diverse lineup of artists—such as Cousin, Dub Tribe Sound System, Vision of 1994, Nice Girl, Molez, CosineVi, Gyu, VTL One, 99HP, and Angus Mills—the album highlights the allure of the rare and the extraordinary.
Each track radiates a subtle, enigmatic charm, intricately blending avant-garde nuances with deeply resonant soundscapes. The selections are masterfully restrained, yet rich in emotional depth, offering serene moments of reflection alongside vibrant, soul-stirring beats. TRANSCEND delivers an immersive listening experience, bridging the tangible and the transcendent.
This release transcends the boundaries of a traditional compilation; it stands as a musical gem, crafted for discerning collectors who value the exceptional. A true treasure for those looking to elevate their record collection, it serves as a timeless homage to the art of sound.