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Blending shimmering disco grooves, warm analog synths and soulful vocals, Luna Soul bring together the elegance of the 70s and 80s with contemporary disco pop. Formed by German singer Lisa Michèle Lietz and Spanish guitarist Jordi Arnau Rubio, the band creates music that feels equally at home on the dancefloor and during a quiet drive home after midnight.


Following the release of their debut album „First Move“ (2025), Luna Soul have established themselves as an internationally touring live act, performing more than 50 concerts each year across Germany, Spain, France, the Netherlands and Denmark. Airplay and features on radio stations including Deutschlandradio Kultur, Radio Eins, NDR and Bayern 2 introduced the band to a growing European audience.


With their new album „Second Nature“ Luna Soul expand both sonically and emotionally. Written between tours and shaped by constant movement, the record explores themes of change, longing, resilience and the search for genuine connection. Ten new songs unfold like scenes from a midnight movie. Synthesizers, guitars and soulful melodies accompany stories of long journeys, quiet conversations, fading memories and the hope found in new beginnings. The album’s first singles, “Only Human” and “Down The Line” capture the two emotional poles of the record. „Only Human“ embraces vulnerability and acceptance with an uplifting warmth, while „Down The Line“ moves through nocturnal cityscapes, combining cinematic intimacy with the pulse of the dancefloor. Together they introduce an album that feels equally suited to solitary late-night drives and crowded dancefloors.


Live, Luna Soul perform as an multi-national four- to six-piece band, seamlessly moving between disco, sophisticated indie pop, yacht rock and atmospheric slow-burners. Their performances combine musical precision with emotional immediacy, inviting audiences into the same cinematic world that defines „Second Nature“.


„Second Nature“ defines Luna Soul‘s most mature artistic statement to date, a record less concerned with nostalgia than with preserving fleeting moments before they disappear.

Duality makes his debut on Up Ya Archives with a single rooted in the foundations of 90s jungle but shaped distinctly by contemporary sound design, epitomising his unique take on modern junglism. Intricate breakbeats and classic jungle textures are anchored by weighty 808s that guide the flow of the track, while influences from footwork, hardcore and drum & bass sets the track firmly into the space of progressive junglism. When asked on the single, Duality said

“R U Mine is the lead single from my latest project, Brainstorm. It balances luscious pads and playful synth lines with relentless drum breaks and 808s. Topped with ethereal vocals, this is one to open a set with or close out the night”.

A rising star in Bristol’s underground dance scene, Duality is staking a claim within the new wave of jungle.

“‘Brainstorm’ is exactly what the name suggests. A glimpse into the ideas that occur in my brain as a producer. Each track is a different element of my jungle inspirations, from raregroove sample-based production to 4x4 rave stabs. Ready and waiting for the dancefloor!”

Aside from his own productions, he also runs Bristol-based record label and events crew Intaception, which has hosted parties across the UK with iconic figures including Source Direct, Tim Reaper, Double O, and many more. Moving fluidly across production, promotion and musical direction, Duality continues to push the sound and culture of contemporary junglism forward.

Solid and Pumpin ! At the exact banger sound needed !

Clear w/ Red Splatter Vinyl. Originally unleashed in 1985, Master Of Disguise by Los Angeles speed metal pioneers Savage Grace remains a benchmark of high-velocity American heavy metal.

Amazing Album! Following his remix on Massiel's Echoform, Nicolas Barnes returns to Devilish Affair for his first full EP on the label, joining Genning for the label's first double LP. Each producer contributes three original tracks before remixing one another, bringing together eight tracks that showcase two different but complementary approaches to deep electronic music. While Barnes leans into darker, dubby grooves, Genning brings a brighter, more driving energy, giving the record a natural balance from beginning to end. The artwork features a photograph taken by Devilish Affair founder Eric Louis while hiking through The Narrows in Zion National Park. A winding stream cuts between shadow and sunlight beneath towering canyon walls, creating a scene that feels right at home alongside the music. Whether you're listening at home or deep into a late-night set, Through the Narrows is meant to be experienced as a complete journey across four sides of vinyl

„Nowawes2“ marks the second chapter for the label, staying true to its sound without repeating itself. Poul Verner delivers another limited hand-stamped two-tracker built around warm analog textures, organic grooves and understated depth. No unnecessary tricks, no oversized moments. Just two carefully crafted cuts that unfold in their own time. The A-side, „Choose Your Future“, settles into a deep 120 BPM groove, drifting through layers of dub delays, tape noise, subtle pads and restrained chords. Equal parts dub techno and deep house, it leaves plenty of space for atmosphere to do the talking. Flip it over and „Choose Life“ raises the tempo to 130 BPM without sacrificing its hypnotic flow. Stretching across 12 minutes, it builds patiently without ever rushing its destination. More drive, more momentum, yet the same sense of space. Dreamlike, immersive and made for those moments when the dancefloor locks into a rhythm of its own. „Nowawes2“ continues to explore the space between laid back house and organic techno with patience, restraint and an unmistakably analog character. Built for long blends, late hours and selectors who know that the most subtle records often leave the deepest impression.

Spiritualised, easy-grooving and spacious late-seventies roots. Upsetters-style woodblocks, stumpy bass, ace backing harmonies. AT himself is strikingly sincere, determined, hymnal. Jackie Mittoo had a hand in it.

Rohan Lee for his own Rainbow label in 1990. Spirited sufferers, with tasty muted trumpet and lovely, expansive harmony singing. Recorded at Channel One and mixed at Aquarius.

LUST is the second EP in the 7SINS SERIES, produced by Alex Cabrera. A release that reveals a more underground, personal and distinctive side of the artist, exploring new territories without losing the essence of his sound. A collection of varied tracks with their own identity, where rhythms, textures and atmospheres come together to build a darker, more experimental universe. A second sin that embraces stepping outside the established and pushing the sound into new places. No formulas. No limits. Just music.

Nina Wilson, better known as Ninajirachi, is an Australian electronic producer who released her debut album I Love My Computer is a concept record built on her connection with her PC, swiping between genres of EDM, tech-house, speed garage, dubstep, and hyperpop. Wilson builds on the legacy of early-2000s and 2010s Australian electronic artists like PNAU and Flume using technology as a medium, a motif, and a mirror for reflection.

Between remixing Princess Nokia, Deadmau5 & The Neptunes, releasing on Nina Las Vegas’ NLV Records and RL Grime’s Sable Valley, Ninajirachi has performed at Lollapalooza, EDC, Laneway, Listen Out, Splendour, Falls Festival, and more and toured with Mallrat, Charli XCX, Porter Robinson and Cashmere Cat.

Nina Wilson, better known as Ninajirachi, is an Australian electronic producer who released her debut album I Love My Computer is a concept record built on her connection with her PC, swiping between genres of EDM, tech-house, speed garage, dubstep, and hyperpop. Wilson builds on the legacy of early-2000s and 2010s Australian electronic artists like PNAU and Flume using technology as a medium, a motif, and a mirror for reflection.

Between remixing Princess Nokia, Deadmau5 & The Neptunes, releasing on Nina Las Vegas’ NLV Records and RL Grime’s Sable Valley, Ninajirachi has performed at Lollapalooza, EDC, Laneway, Listen Out, Splendour, Falls Festival, and more and toured with Mallrat, Charli XCX, Porter Robinson and Cashmere Cat.

Omar Neri aka Omar J Born & live in Arezzo, Dj Professionist from 1991, play and produced under name PRESSLABOYS with Luigi Gori since 2011. In1996 instead, while they were in his basement during a storm, the study got flooded and they looked like homeless people holding all them instruments. Here born Presslab Records & two Years later Presslaboys Team, after various names used before. Today, never forget but never look back, keep moving forward, it’s time to fly… my creature, Tapemann, who lives the eternal dilemma linked to his nature, of tapa, grappling with the future, progress and the loss of certain values that leave room for AI. So, let’s start this totally hybrid journeys, in sounds ranging from house to prog house contexts (sometimes Deep and Dub) but with a sound and structure that recalls minimal, in the choice of reverbs and lengths of the sounds... all immersed in a decidedly acidic context. A melting pot from an artist who has spanned three decades of music, we couldn't expect anything different.

MALEDICTUS is a Portuguese metal band formed in Lisbon. Bringing together experienced musicians with a shared vision, the band creates dark, powerful and atmospheric heavy music. With a foundation of aggressive riffs, haunting melodies and emotional vocals, the band blends modern heavy metal with darker, more melodic influences.

The group was formed by musicians seeking to explore a heavier and more expressive sound, combining technical musicianship with compelling songwriting and a cinematic atmosphere. Their music strikes a balance between intensity and melody, moving between crushing guitar passages, dynamic rhythms, and dramatic vocal performances. ""Our music reflects who we are and how we process life and our own emotions. Music is life manifested through an artist's soul. We all process life with a sense of dark melancholy”, comments guitarist Ben Stockwell. As history has taught us, Portuguese metal bands are known for their melancholic sound, which reflects their cultural identity.

Since their formation, MALEDICTUS has been focused on creating music that reflects the darker and more emotional aspects of the metal genre. Drawing inspiration from classic and contemporary metal acts, the band aims to create a sound that feels familiar yet distinct, appealing to fans of powerful, atmospheric metal.

Boasting a line-up of seasoned performers and a clear artistic vision, MALEDICTUS is developing new material and establishing its presence in the Portuguese metal scene and beyond. Their debut album, „Lazarvs“, is set to be released on Friday 13th of November. The album title draws heavily on the biblical story of Lazarus in the Gospel of John, in which Jesus performs the great miracle of raising his deceased friend Lazarus from the dead after he had been in the tomb for four days.

With Rez on vocals, the band has an exceptional singer with a distinctive, powerful voice. „He is undoubtedly one of the best out there having power, soul, range and timbre. Everything fits perfectly with our sound. We couldn't have asked for a better voice or frontman"", says the guitarist. Rez’s lyrics are another perfect addition to the band's dark, epic and partly progressive sound. The lyrical themes focus on life's darkest moments. „Death brings an opportunity for renewal, as do our most difficult struggles, which require part of us to die in order to be overcome.

Legendary Children (All of Them Queer)" is a celebrated 1994 dance-pop track by former Frankie Goes to Hollywood frontman Holly Johnson. The song acts as an upbeat LGBTQ+ historical roll-call, honoring historical queer icons from Andy Warhol to Leonardo da Vinci, and was notably performed at London's Gay Pride in 1994. The song is based on the iconic Paris Is Burning and features the brilliant vocals of Helen Terry (Culture Club/2wo Third3). 

Released on the album Soulstream, the song is famous for its spoken-word verses and euphoric chorus celebrating legendary figures like Oscar Wilde, Jean Cocteau, and Joe Orton. The overarching message is captured in its defiant lyric: "The answer is clear, they're all of them queer."

Now 2026 sees brand new versions by Luv Foundation (UK). George from the Sharp Boys, a dear friend of Holly's and Mark Loverush, mentioned to Holly that Luv Foundation (UK) should do the rework. Mark Loverush and Julian Napolitano wanted to capture as much of the original essence as possible, keeping that 90s flavor while giving the remix a big, classic feel reflective of how it would sound today. 

This is a limited edition of 700 pink vinyl, including 2 of the original versions alongside 2 remixes by Luv Foundation (UK).  It comes in brand new artwork by Philip Marshall.

Dylan Atlantis' Insta bio read 'amateur artist' at the start of the year.

Now she's on a billboard in Times Square.

With vocals and lyrics that extend well beyond her young years, Dylan Atlantis is the definition of meteoric rise.

Pitchfork describes her as ""the silky R&B singer, sliding in with the laid-back cool.""

THE PHILIPPINES-BORN, WEST SYDNEY BASED MUSICIAN WAS RAISED on a musical diet of RnB and Hip-Hop by her Mum. Now a self-professed lover of all genres of music (even country), she's out here sharing her innermost thoughts and lyrical experiments with the world. ""I kinda just treat music like a diary but also a science lab where I can experiment expressing myself in different ways until it's awesome enough that I feel compelled to share it.""

Impressed Recordings are proud to present Dylan Atlantis' release - It Starts Again, on limited edition vinyl.

X Clan emerged from Brooklyn, New York as one of the most distinctive and politically charged groups of the early 1990s. The original lineup, Anthony “Sugar Shaft” Hardin, Claude “Paradise” Gray, Jason “Brother J” Hunter, and Lumumba “Professor X” Carson, became the driving force behind the Blackwatch movement, a collective that also included artists such as Lin Que aka Isis and Queen Mother Rage.

Renowned for their Afrocentric vision, militant activism, and unmistakable sonic identity, X Clan quickly rose to prominence. Their 1990 debut album To The East, Blackwards sparked both acclaim and controversy, reaching No. 11 on Billboard’s Top R&B/Hip-Hop Albums and No. 97 on the Billboard 200. The record delivered several standout singles, including “Heed The Word Of The Brother” backed with “Raise The Flag”, “Funkin’ Lesson” backed with “Shaft’s Big Score”, “Grand Verbalizer, What Time Is It?”, and the funk-driven, sample-heavy track “Verbal Milk”.

The group’s original formation dissolved in 1995, and tragically, both Sugar Shaft and Professor X passed away later that year.

To The East, Blackwards is now reissued on vinyl for the first time since 1991, honouring one of hip‑hop’s most influential and culturally resonant albums.

CFUNK 050 is presented as a special collector edition commemorating the 50th Cyberfunk release. The package celebrates more than two decades of the label's music, artwork and visual identity.
The accompanying booklet brings together artwork from across the Cyberfunk catalogue, including labels from some of Quest's biggest and most memorable releases, alongside a personal retrospective from DJ Quest looking back at the creation of the label, the artists who shaped it and the journey back to vinyl.
Dedicated artist pages introduce DJ Quest, Paket, Destroyers, Code BreakerZ and Groovebox, connecting the artists behind release 050 with the wider story of Cyberfunk and the international breakbeat community that continues to support it.
More than simply a four-track 12", CFUNK 050 is designed as a physical celebration of Cyberfunk: its records, its artwork, its artists and the people who have kept the sound alive.


Cyberfunk reaches release number 50. To mark the milestone, DJ Quest opens up the Cyberfunk archives for a special four-track vinyl release featuring new interpretations from Paket, Destroyers, Code BreakerZ and Groovebox.
CFUNK 050 connects the label's original UK Bassline Breaks foundations directly with a new generation of producers. Each artist has been given the freedom to reinterpret classic Quest material in their own style while retaining the character, bass pressure and dancefloor attitude that made the originals unmistakably Cyberfunk.
From Paket's reworking of Muffled Mayhem and Destroyers' take on Cybanet, through to two very different versions of Back To The Old Skool from Code Breakerz and Tech House maestro Groovebox, the release moves across modern breaks, heavyweight club production and rolling groove-led territory.
It is both a celebration of 50 Cyberfunk releases and a statement about what comes next.

A1. DJ Quest feat. Yoof - Muffled Mayhem (Paket Remix)
Spanish breaks heavyweight Paket takes on Muffled Mayhem, retaining the attitude and personality of the original while rebuilding it for contemporary dancefloors with heavyweight drums, powerful bass and the polished low-end pressure that has made him a leading figure in the new generation of Andalusian Breakbeat.
A2. DJ Quest - Cybanet (Destroyers Remix)
Destroyers turns his attention to Cybanet, pushing one of Quest's darker electronic productions firmly into modern club territory. Futuristic electronics, heavyweight rhythm programming and serious dancefloor pressure meet the machine-driven character of the original.
B1. DJ Quest - Back To The Old Skool (Code BreakerZ Remix)
Code BreakerZ completely re-engineer one of Quest's defining tracks for a new generation. Their acid-tinged, hard-hitting approach injects fresh energy into Back To The Old Skool while keeping the hooks and attitude that made the original such an important Quest record.
B2. DJ Quest - Back To The Old Skool (Groovebox Remix)
Groovebox closes the release with a deeper, tech house, groove-led interpretation. Built around movement, rhythm and rolling dancefloor momentum, his remix takes the original somewhere different while preserving the unmistakable old-skool spirit at its core.

Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in NCAA History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "DT" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships.
Additionally to this 45 RPM single release, "Starflight Disco #1 Pt.1&2" has been featured on the "Can You Feel It Vol.5" compilation album.

Tronic return with part 5 of the More Than Machine series going back to our roots, Electro has always been our passion, and we’re here to give it the massive spotlight it deserves. Our new VA brings together iconic producers Christian Smith / Wehbba / Ian O'Donovan and next-gen visionaries Alexander Kowalski / PJay for a master class in modern electro. Every track is a certified weapon, hand-picked to send shockwaves through clubs from Berlin to Tokyo.

Ella Langley, who has redefined the next wave of country music with her magnetic, unmistakable voice, and fearless songwriting, has announced her highly anticipated sophomore album Dandelion, out April 10 on SAWGOD/Columbia Records. Co-produced by Ella, Miranda Lambert and Ben West, this 18-track album, which features her #5 Billboard Hot 100 hit “Choosin’ Texas,” is one about growth, and carries a deeper symbolism of hope, healing, and resilience. In Ella’s own words: "I've thought about this record every single day for the last year and a half, and I'm so excited to finally say: 'Welcome to Dandelion.’"

Celebrate the season with Christmas Hits, a festive collection of modern holiday favourites and timeless classics pressed on beautiful opaque green vinyl. Featuring tracks from Wham!, Mariah Carey, Kelly Clarkson, Whitney Houston, Bruce Springsteen, and more, this essential Christmas soundtrack brings warmth, joy, and holiday spirit to every gathering.

„Me and the Noise“ von Wasuremono ist das bislang ambitionierteste und klanglich vielschichtigste Album von William Southward, auf dem er schimmernden Indie-Pop, mitreißende Hooks und eine euphorische, groß angelegte Produktion mit intimeren und nachdenklichen Momenten verbindet. Nachdem Southward ein Jahrzehnt lang unabhängig in seinem Gartenschuppen in Bradford-on-Avon Musik geschaffen hatte, öffnete er den Produktionsprozess und holte Tony Draper für den Mix sowie Dick Beetham für das Mastering mit ins Boot – das Ergebnis ist ein kühner neuer Sound, der auf seinem melodieorientierten Songwriting aufbaut. Das Album knüpft an eine Reihe von Erfolgen an, darunter über 16 Millionen Streams für „Are You OK?“ sowie die Verwendung seiner Musik in „Heartstopper“ und im Trailer zu „Goodrich“, während Titel wie „No More Dancing“, „Is It Weird or Is It Me?“ und „Sleeping Out“ die Bandbreite seines Songwritings demonstrieren. Die Vinyl-Ausgabe erscheint auf schwarzem Heavyweight-Vinyl, wurde im Half-Speed-Verfahren gemastert und ist in einer Gatefold-Hülle untergebracht – damit ist sie eine hochwertige physische Ausgabe, die ein bedeutendes neues Kapitel für Wasuremono einläutet.

A Six track mini cover album featuring covers of: Raw Power , Slaughter. Pentagram, Repulsion, Death, Dead Kennedys.

These tracks are designed to expose people to hugely influential underground Music.

Includes original sleeve notes by Steven 'Seething' Wells
Limited Edition Pink Vinyl.


Quotes:
Fabulously Ugly – Dave Ling
The Only thing you can count on in life is Birth , Taxes and Napalm Death – Morat

All tracks recorded at ROLL OVER STUDIOS, London. January 2004.

Features 10 Studio tracks including: It Mek, Israelites and Sing A Little Song.

Desmond Adolphus Dacres was born on 16th July 1941 in Saint Andrew Parish, Greater Kingston, Jamaica. As a youngster Desmond regularly attended his local church with his grandmother and aunt. Here would bring him his lifetime religious commitment and his enjoyment for singing.

Dekker moved to parish of St. Mary following his mother’s death as a result of illness. He later moved to St. Thomas, where he took up an apprenticeship as a tailor, before he moved back to Kingston and landed himself a job as a welder.

His co-workers encouraged him to pursue his singing career, he successfully auditioned for Leslie Kong's Beverley's record label and was awarded his first recording contract. As his career took off this was the time he decided to adopt the name Desmond Dekker instead of 'Dacres'.

Tracklist
A1 Daniel Bortz - I Met Her at the City Club
A2 Massimiliano Pagliara – Midnight Mirage
B1 Sam Goku - Unattached Voices
B2 Bostro Pesopeo & Tom Bioly – See You Again
B3 New Jackson – There Will Always Be This Love (OOPS POP Version)

Short Info
The third round of the Permanent Vacation XX series to celebrate the label's 20th anniversary brings together a lot of familiar faces and long-time vacationers. From Daniel Bortz, Massimiliano Pagliara and Sam Goku to New Jackson and the collaboration track between label head Tom Bioly and Bostro Pesopeo. Everyone brings his unique sound to the table, so that the EP offers a broad, yet cohesive variety of music that brings us to the essence of Permanent Vacation.

Belfast artist ffolliott draws on family archive and analogue sounds for debut album full of life and texture.

In a world awash with AI slop, here is the antidote. Written and recorded over five years in a Belfast home studio, ffolliott’s debut album Gree leaves the hiss, crackle and instability of life intact - pairing a deeply personal record with decades of artwork and sketches from his late father’s archive.

Released via Kitto Records, Gree is built from vinyl samples, analogue equipment, and intimate guitar with vocals laced with fragments of childhood memory. The album also features unexpected contributions from Grammy Award winning artist Kaidi Tatham. Gree is just the second release from the idiosyncratic artist ffoliott, following IDKWHY, which was released quietly as part of Rhythm Section's Shouts 2021 compilation, and went on to garner millions of streams and support from tastemakers across KCRW, NTS and BBC Radio.


“I generally found that the more I leaned into anything I didn’t like about my music, the more I would end up writing songs that meant a lot to me.” - ffolliott

‘It opens with hypnotic, dubwise low-end pressure; then Guess What pushes into Bristol techno territory. Next up the syncopated bass mutations of You’d Never Know; before Swollows Sunshine drifts into electro, ambient melancholy.’

Dancefloor Tribe, Pumpin and hardtek old school (specially on the flip)

Celebrating 30 years since ‘Buena Vista Social Club’ was released, this classic will be made available on limited edition pearl vinyl and features the remastered audio and bonus tracks released as part of the album’s 25th Anniversary in 2021.

Masterminded by the trio of Cuban bandleader Juan de Marcos González, American producer and guitarist Ry Cooder, and British producer and label owner Nick Gold, 'Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album they recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at over 8 million copies, outselling any other record in the same genre.

The acclaim of the original album elevated the artists (including Ibrahim Ferrer, Rubén González, Eliades Ochoa, Compay Segundo and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, a Tony Award-Winning Broadway Musical and contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder and Executive Produced by Nick Gold for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this album will go down as one of the landmark recordings of the 20th century.

Dutch producer Kid Sublime presents his first EP on Makin’ Moves, here he teams up with Philly singer/song writer Lady Alma exploring elements of soul, broken beat and house.

The EP kicks off with The Grind a super smooth soulful house track, that catches your attention straight away with its groovy baseline that remains throughout adding to that Alma’s meaningful lyrics demonstrating the power of the music as she uses it as to get herself through the day.
The positivity continues on ‘Can You Feel It’ another quality piece of soulful house as the action moves to the dance floor as the beat and grove winds you in as once again Alma’s lyrics drop perfectly on the track.
The B side shows Kid switch it up on the broken beat production wiith ‘Ready To Meet You’ a touching song about two individuals excited to meet each other for the first time, a sure shot hit for the ‘bruk’ beat and dance heads alike!

Regular contributor Vick Lavender returns to Cataleya Music for a Soulful vocal mission with Angel-A. They have previously worked together on songs like Rain for Lavender's Sophisticado Recordings and G.I.R.L. for Phuture Sole Recordings. Here we have Soul Travel (Day & Nite, Nite & Day). This song is in the same vein and features positive vocals from Angel-A over a stylish key driven groove. The vocal is backed by an Instrumental Mix where the key driven melody and complex percussion rhythms take center stage, assisted by star gazing synths. This is another rich composition from Vick Lavender with uplifting lyrics from Angel-A.

Amsterdam-based Moody Mehran captures the atmosphere of a soft Mediterranean sunset perfectly. Just in time for late summer, the Dutch-Iranian artist debuts on SEVEN with four trance-infused, uplifting cuts, alongside a remix by Maruwa. The EP channels a distinct Balearic-leaning, '90s trance sensibility. Melodic, sun-drenched and emotionally direct. Built for open-air floors and festival moments, these tracks are driven by shimmering synth sequences, rolling basslines, crisp percussion and psychedelic sound design. It’s a sound reminiscent of trance’s golden era reduced to its essence: simple, euphoric, and highly effective.

Bruce Ivery returns to Stilove4music, and we couldn't be happier to welcome him back. A true master of his craft, Bruce has delivered some of the label's most celebrated releases, each one leaving a lasting mark on dancefloors around the world.

Born and raised in Chicago and a key member of the legendary Chuck Brothers collective. Bruce's reputation as both a producer and editor speaks for itself. His latest work, a release on Ryan Elliott's Faith Beat, is further proof of his talent. This new drop is no exception—it will have you questioning your own sanity.

It's disco time once again, and it's Bruce Ivery time on Stilove4music. We're beyond excited to share these tracks, designed to create mayhem on discerning dancefloors.

The complete album + 2 bonus tracks - limited edition pressing on 180g purple coloured vinyl, with album cover image by the late American jazz photographer Bob Willoughby (1927 - 2009)

After years of steadily building momentum within the deeper side of drum & bass, Monika now delivers his long-awaited debut album, How We Saw Forever, landing this August on Spearhead Records.

UK-born and now based in New Zealand, Monika has developed a sound that blends deep rolling grooves, soulful textures, delicate musicality and moments of genuine emotional weight. Across the album he moves effortlessly between late-night introspection, euphoric warmth and darker, more experimental territory, showcasing an artist fully confident in his own sonic identity.

Having already made a strong impression through previous releases on Spearhead and appearances across the label’s 20-year anniversary campaign, How We Saw Forever feels like a major step forward creatively. From the haunting beauty of “What Turns Your World” featuring Oktae, through to the nostalgic rave energy of “Mango Pop” and the weightier pressure of “Syndicate”, the album captures Monika’s ability to balance emotion, atmosphere and dancefloor impact without ever feeling formulaic.

At its core, How We Saw Forever is an album about atmosphere, memory and emotion, music designed equally for solitary headphone moments and packed dancefloors at sunrise. There’s a cinematic thread running throughout the project, but also a raw honesty that gives the album its real depth.

Speaking about the album, Monika says:
“This project became a reflection of so many different seasons of life over the last few years. Some tracks came from really emotional places, others were written purely from joy and escapism, but together they tell the story of where I’ve been creatively and personally. I wanted the album to feel immersive, something people could disappear into.”

Released via BCee’s Spearhead Records — a label long celebrated for championing soulful and emotionally rich drum & bass. How We Saw Forever marks another exciting chapter for both Monika and the wider Spearhead family.

Memoria returns with MEM064, welcoming Brizman to the label for a four-track journey through stripped-back grooves, deep atmospheres and dub-infused minimalism. The A-side sees Brizman on solo duty with Detroit Awareness and That Chord, two subtle but effective club tracks where rolling rhythms, warm chords and hypnotic details do the work. On the flip, Brizman joins forces with Szafran (Oskar Szafraniec) for Reworking The Dub. Spacious, bass-heavy and deeply hypnotic, the track takes the record into distinctly dubby territory. Cirkel Square closes the EP with his remix of Reworking The Dub, reshaping the original into his own tightly-wound interpretation while retaining its deep, soundsystem-minded character. Four cuts covering the space between minimal house, dub and late-night electronics, understated, functional and made for the floor.

Modeight returns with four new cuts from label head Silat Beksi, moving across broken grooves, stripped minimal house and hazy after-hours moods. A1 "Belpaese 3000" opens on a loose summer feel, built around off-centre drums, elastic funk phrasing and a surreal vocal line that feels half-sung, half-invented. Sampled folk details and a crunchy acid twist in the breakdown give the track its own oddball tension. A2 "Alpha Style" keeps things tighter and more direct, locking into a pumping minimal house flow with clipped modular stabs, warm female vocal phrases and light atmospheric drift. It is playful, controlled and built with the floor in mind. On the flip, "For The Heads" goes deeper into late-night territory - reduced, driving and sharply focused, with a rolling pulse and enough pressure to carry a room without overstatement. "Soft Collapse" closes the record on a softer axis, layering blurred vocal tones, textured percussion and a gentle after-hours motion that stretches naturally from the first warm-up hours into the early morning.