Bluegrass band Big Richard makes music for the 21st century’s twisted cultural unease. Their Signature Sounds debut Pet, is a fierce, provocative, rejoinder to what troubles them and the world right now, and was recorded live to tape in order to capture the fervor of their live shows.
“Big Richard is so much about our energetic delivery, and so I think it's been really important for us as a group to figure out how to do that for a record,” says mandolin and guitar player Bonnie Sims. And figure it out they did. Pet delivers, successfully translating the supergroup’s live kinetic harmonies and string virtuosity. Unapologetically outrageous and provocative, the band’s name is a wink to the ‘big dick’ energy Big Richard is reclaiming from male bluegrass bands. Since exploding onto the Colorado scene in 2021, the four women have been on a wild ride, slapping as hard as possible on the festival circuit, working up their stamina on nationwide headlining tours, and leaving a wake of die-hard Big Richard Heads across the country swooning for their honest songwriting, chilling vocals, and fiddle-driven barn-burners.
“Our live performances are so raw and so gritty, and I think that our sound never really flourished in that digital landscape.” GRAMMY and Emmy Award-winning cellist Joy Adams says. “Recording live to tape we were all in the same room together, very close together, with a lot of mic bleed, etc. And the energy was insane. It felt so good to record this way. Even on the first day, we were like ‘wow, this sounds like our band.’ And to do something that's very real and gritty and has little mistakes in it just feels alive and human.”
quête:the dig
Brooklyn based baritone saxophonist Jonah Parzen-Johnson presents his new work "Imagine Giving Up" on Helsinki's We Jazz Records. The album, to be released on 17th January of 2020 sees Parzen-Johnson move into new domains of sound as he uncovers newfound energy and pulse in his music.
In addition to the sonically rich analog synth elements that accompany his earlier solo saxophone work, Jonah has layered heavily sound designed samples of his own saxophone to create truly one of a kind percussive snaps, reverberant basses, and warbling leads. At it's core, the music remains deeply devoted to almost vocal sounding melodic lines and patiently developed compositional ideas.
A compact set of 6 originals, "Imagine Giving Up" is Jonah Parzen-Johnson's most ambitious album yet. While taking a step away from the previous world of "ambient jazz", his new music stems from the use of drone-like sounds for baritone saxophone, a style which is uniquely his own. Electronics are blended in for good measure, creating a coherent vision of abstract jazz with depth. As with all of Parzen-Johnson's releases, the music comes with a deeper narrative which he will continually explore in live performance.
The manifesto for the album reads as follows: "Only a few people can really start over. Everyone else is left to struggle down the path they were assigned. The option to give up, to choose your own path, is power, and, hopefully, a call to action: take a risk to help someone." "Imagine Giving Up" by Jonah Parzen-Johnson, will be available via 'We Jazz Records' on violet and black vinyl versions, CD and digitally.
- A1: Love And Maladies (Feat Joonas Leppänen, Tomi Nikku, Jarno Tikka &Amp; Nathan Francis)
- A2: Impermanence (Feat Jarno Tikka &Amp; Tomi Nikku)
- A3: La Nuit (Feat Joonas Leppänen, Tomi Nikku, Jarno Tikka &Amp; Nathan Francis)
- A4: I Saw It In A Dream (Feat Joonas Leppänen, Tomi Nikku, Jarno Tikka &Amp; Nathan Francis)
- B1: November Ghost (Feat Joonas Leppänen, Tomi Nikku, Jarno Tikka &Amp; Nathan Francis)
- B2: The Gordian Knot (Feat Joonas Leppänen, Tomi Nikku, Jarno Tikka &Amp; Nathan Francis)
- B3: Nathan&Apos;S World (Feat Nathan Francis)
- B4: Ephemeral (Feat Joonas Leppänen, Tomi Nikku, Jarno Tikka, Nathan Francis &Amp; Natalia Castrillon)
Helsinki quartet Alder Ego, led by drummer/composer Joonas Leppänen, returns with their new album "III" on 9 April on We Jazz Records. A follow up to their successful 2018 We Jazz album, "III" finds Leppänen and his bandmates extracting more depth and punch out of their tenor sax + trumpet + double bass + drums setup, which echoes the greats in the game, such as Ornette Coleman, yet adds a readily identifiable edge to it all. Leppänen's writing is evolving, becoming more and more of a signature of the band and sounding delightfully angular yet easily flowing. On "III", Alder Ego features Leppänen on drums, Jarno Tikka (of OK:KO) on tenor sax, Tomi Nikku (of Bowman Trio) on trumpet and the new addition Nathan Francis on bass.
Kicking off with a key track introducing the band's deep sound, "Love And Maladies", "III" moves through a sonic landscape which is constantly surprising yet identifiable as Alder Ego guided by Leppänen's musical vision at all times. This is true even during moments when the composer himself steps aside, namely in the Tikka–Nikku duo cut "Impermanence" and Nathan Davis's highly memorable solo outing "Nathan's World".
The album's many highlights include singles "November Ghost" and "I Saw It In a Dream", plus the stunning closing track "Ephemeral", featuring Natalia Castrillon on harp.
Alder Ego "III" is available on We Jazz Records on as orange and black vinyl editions, digitally, plus as a bundle bringing together "III" and the band's 2018 album "II".
- A1: Rat-Tat-Tat Intro Feat. Akko Gorilla
- A2: Rat-Tat-Tat Feat. Akko Gorilla
- A3: 4U Feat.qn
- A4: East Bird Feat.piano Flava
- A5: Secret Feat.chiyori
- A6: Gas City Feat. Mori
- B1: Trip (Sa113 To Uk130)
- B2: Ibuki (Gqom) Feat.kσito
- B3: The Out Of Africa Hypothesis Feat.荘子It, Tomc
- B4: Metamorphosis
- B5: Far Away As The Stars
From Johannesburg, via Tsukuba. This is Japanese Amapiano.
The pinnacle of Japanese-made Amapiano albums, which took the club scene by storm, is finally available on vinyl!!
audiot909, one of Japan's foremost amapiano producers and DJs, will release his album “JAPANESE AMAPIANO THE ALBUM” on vinyl three years after
its initial digital-only release in 2023.
Featuring 11 tracks domestically interpreted and woven together without losing respect for the Amapiano genre and the culture and background that shaped it.
Stripped of its branches and reduced to the bare trunk, Evigt Morker 6 stands at the threshold where fire becomes voice and light devours the sky. Across six tracks, the music moves through hushed revelation, listening for a call that cannot be refused. Salvation and damnation burn side by side on the horizon, as everything else is consumed by flame. ''Kapa grenarna. Lat stammen sta ren infor slutet. Nar riket oppnas ska rosten tala i lagor, bara for dig. Lyssna, och se hur ljuset ater himlen tills oandligheten skymtar. Kliv in i den negativa elden dar intet vander sig om och blir till.''
Timo Lassy follows up his new album "Trio" on We Jazz Records by sharing two non-album cuts from the same sessions on a new 7" vinyl single / digi release. "Mountain Man Exit" is a stormy number featuring the trio of Lassy (tenor sax), Ville Herrala (bass) and Jaska Lukkarinen (drums) in full flight plus Tuomo Prättälä (of Ilmiliekki Quartet) on synth duties. Album track "Orlo" gets a new treatment, edited for the 7" and taking shape as a tough-as-nails mix breaking new ground here without the string section.
Timo Lassy follows up his new album "Trio" on We Jazz Records by sharing two non-album cuts from the same sessions on a new 7" vinyl single / digi release. "Mountain Man Exit" is a stormy number featuring the trio of Lassy (tenor sax), Ville Herrala (bass) and Jaska Lukkarinen (drums) in full flight plus Tuomo Prättälä (of Ilmiliekki Quartet) on synth duties. Album track "Orlo" gets a new treatment, edited for the 7" and taking shape as a tough-as-nails mix breaking new ground here without the string section.
- A1: Let Us Dance (Movement One)
- A2: Ever New (At Hotel2Tango)
- A3: Laughter In Summer Feat. Elizabeth Glenn-Copeland
- A4: Children's Anthem Feat. Elizabeth Glenn-Copeland
- B1: Harbour (At Hotel2Tango) Feat. Elizabeth Glenn-Copeland
- B2: Middle Island Lament Feat. Elizabeth Glenn-Copeland
- B3: Shenandoah
- B4: Prince Caspian's Dream (At Hotel2Tango)
- B5: Let Us Dance (Movement Two)
Mit Laughter In Summer präsentiert die legendäre Singer-Songwriter-Ikone Beverly Glenn-Copeland (bekannt durch das Kultalbum Keyboard Fantasies) ein zutiefst berührendes neues Werk – entstanden in Zusammenarbeit mit seiner Partnerin, der Künstlerin und Produzentin Elizabeth Copeland. Das Album ist ein musikalischer Liebesbrief, der Erinnerung, Hingabe, Verlust und Freude miteinander vereint.
In neun emotionalen Songs – allesamt in One-Takes aufgenommen – entfaltet sich eine außergewöhnliche Intimität, getragen von Glenns charakteristischer Stimme, warmen Chorarrangements und einem unverwechselbaren Gefühl spiritueller Verbundenheit. Der Sound reicht von kontemplativen Balladen wie „Children’s Anthem“ bis zu leuchtenden, hoffnungsvollen Momenten wie „Let Us Dance (Movement One)“.
Produziert wurde das Album von Elizabeth Copeland und Alex Samaras (Hotel2Tango / Howard Bilerman). Es folgt auf Glenns gefeiertes Album The Ones Ahead (2023) und seine Zusammenarbeit mit Sam Smith für Ever New (2024).
Laughter In Summer erscheint auf rosefarbenem Vinyl, als limitierte Dinked Edition auf milchklarem Vinyl inklusive Bonus-7" mit Coverversionen von Marvin Gaye – „What’s Going On“ / „Save The Children“ – sowie digital und auf CD.
Für Fans von Alice Coltrane, Terry Callier, Joanna Newsom, Sam Amidon und spiritueller Folk-Avantgarde.
Konfiguration: 140g Pink 12" vinyl, 3mm spined sleeve, Gloss machine varnish, 12" printed insert, Gloss machine varnish
- A1: Prelude For All Seekers
- A2: Yerevan Sunrise
- A3: Manifeste
- B1: One Body, One Blood
- B2: Seven Sorrows
- B3: Years Passing (For Akram)
- B4: Dardahan
- C1: War Time Poem
- C2: The Fire Child (Vahagn Is Born)
- C3: Ultradance
- C4: Per Mané (E Flat Venice Song)
- D1: Window From One Heart To Another (For Rumi)
- D2: A Eye (The Digital Leviathan)
- D3: National Repentance Anthem
Der armenische Klaviervirtuose Tigran Hamasyan kehrt mit Manifeste zurück – eine kraftvolle Fusion aus Jazz, Progressive Rock und armenischer Folklore. Das Album wurde in fünf Ländern aufgenommen und verbindet rhythmische Komplexität, kinematografische Tiefe und spirituelle Intensität.
Tigran Hamasyan gilt als einer der einzigartigsten Pianisten und Komponisten seiner Generation, der Jazz und Rock miteinander verbindet. Als Klaviervirtuose mit einem einzigartigen Gespür für Groove verbindet Hamasyan mühelos Jazzimprovisation, Progressive Rock und die reiche Folkloretradition seiner armenischen Heimat.
Preisgekrönt und von Kritikern gefeiert hat sich Tigran Hamasya eine treue Fangemeinde auf der ganzen Welt aufgebaut und die Anerkennung von Herbie Hancock, Brad Mehldau und Chick Corea gewonnen.
- Into
- Narrows
- Edge
- These Walls
- Now Or Never
- Be Still
- Downfall
- Out Of
Bombastic yet delicate, crushing yet ethereal, driving yet dark, Temptress fuse drone, doom, grunge and hardcore into an obliterating molten blend. Temptress are a jigsaw of sonic touchstones with no audible seams. Bombastic yet delicate, crushing yet ethereal, driving yet dark, the trio fuse drone, doom, post-rock, grunge and hardcore into a molten blend that creeps and obliterates like a liquid metal assassin. With 200+ shows played in their relatively short tenure, Temptress' endless ideas and nuances slide perfectly into place thanks to its members' vast live experience. New album hear churns with searing hooks and dissonant grooves in an irresistible confluence of ideas, and fans of multi-voiced, genre-tag resistant bands like Heavy Temple, The Well and Hippie Death Cult should prepare to be drawn in by Temptress' unyielding allure. Multicolored LP (Molten Smoke Ed., pressed on transparent sepia, clear and black marbled vinyl, w/ lyrics sheet) & digipaked CD on offer!
London Symphony Orchestra, Claudio Abbado
Strawinsky: Petruschka (Original Source Series #10)
Petruschka ist eines von drei Balletten, die Igor Strawinsky während seiner „russischen“ Periode komponierte. Mit Petruschka zeigte Strawinsky seine neo-folkloristische Seite und brachte eine bunte Straßenmenge mit einem Zauberer und seinen Puppen, Händlern und Mumien auf die Ballettbühne. Damit zeigte
er der Welt, dass Jahrmarkt und klassische Musik kein Widerspruch sind.
Dies ist eine der wenigen Produktionen der DG, bei der parallel digital auf 2 Spuren und analog auf 8
Spuren aufgenommen wurde. Durch die Verwendung des analogen 8-Spur-Masters ist diese Aufnahme nun
zum ersten Mal in rein analoger Form erhältlich.
Die audiophile Vinyl-Serie The Original Source präsentiert herausragende Aufnahmen der 1970er Jahre
in ganz neuer Klangqualität. Dafür haben die renommierten Emil Berliner Studios die originalen Vier- und
Achtspur-Bänder mit eigens für die Produktion der Serie entwickelten Technologien in 100% analoger Qualität (AAA) neu gemastert und geschnitten. Die klanglichen Unterschiede zu den Originalveröffentlichungen sind beträchtlich: Größere Klarheit, mehr Feinheiten und Verbesserungen im Frequenzgang, zugleich
weniger Nebengeräusche und Verzerrungen ermöglichen ein audiophiles Hörerlebnis wie nie zuvor.
Auf 180g Vinylplatten und in einer Deluxe-Gatefold Edition mit Originalcovers und -texten werden die
Exemplare dieser Serie limitiert und nummeriert veröffentlicht, begleitet von zusätzlichen Fotos und Faksimiles der Aufnahmeprotokolle und Bandkartons.
One more year and a new edition of our ANAØH INVITES vinyl series.
As is tradition, in this third volume, Dig-It and Fixon, hosts of the label, invite two artists to join them and release four original tracks on a special edition 12′ vinyl.
For this new edition, we have two artists whom we truly love and respect.
On one hand, until a few months ago, the mysterious BLK_BETTY an artist with few appearances but undoubtedly a powerful and forward-thinking producer, a true representative of that jacking and energetic sound.
On the other hand, we are honored to welcome the legendary The Advent, a living icon of pure Techno, who has delivered a track that gives us goosebumps and brings back the essence of his early 2000s sound, the most aggressive and powerful The Advent.
We are honored to celebrate 9 years of work with this 12′ vinyl edition alongside artists we deeply admire, and we hope you love it as much as we do.
From México with Love. Fixon & Dig-It
Following his acclaimed releases on Violent Cases 006 VC006 and “Arriving In Nebula” VC10.2, as well as the magnificent launch of the sublabel Mysteries with his track “Ether” on Mysteries #1 [MSTR1], Austrian producer Van Der Wiese returns to Violent Cases with a new chapter in his sonic explorations. “Vestiges” unfolds as a deeply atmospheric EP with four tracks that balance melancholic introspection with subtle euphoria.
Each track feels like a fragment of a memory - traces of rhythm and emotion woven together in a delicate balance. Layered sound textures, immersive basslines, and shimmering harmonies create a mood that is both physical and reflective, inviting the listener to float between pulse and perception.
The release is designed - once again very impressively - by Darkam, who was inspired by the track “Haniwa.”
Her illustration captures the mysterious and organic spirit of the EP and offers a visual counterpart to its haunting emotional depth.
With “Vestiges,” Van Der Wiese defines his unique position within the contemporary Tekno scene - precise yet emotional, restrained yet resonant.
A release that lingers long after the last note has faded away.
And above all, this is because Pozek, as mastering engineer, has succeeded in delivering a very balanced EP.
A must-have for all good collections.
Each EP comes with 2 posters, a digital download code, and 2 artwork stickers.
- A1: Original
- B1: Version
Continuing our Parish series, here's two bad pieces of a killer driving uptempo digi rhythm with the classic '87 sound. Total vibes of the time, with a youthman singjay & deejay both giving you a slice of everyday reality via the tune. One of the best rhythms of this style, both tunes are truly hard to find on originals and both reissued here straight from master tapes, as with all in our Parish series.
“Sleep Walking” and “Just Below The Skyline” is a double header from The Future Sound Of London taken from the archives. Both tracks are previously unreleased and are the first to be part of a new series of limited edition 7” singles
Killer Groove Records proudly presents the debut 45 by Italian cinematic funk trio Atabasca. A syncopated journey where funk, psychedelia, and cinematic groove merge into a timeless narrative suspended between rhythm and vision.
"Cacopoulos" and "Kundela Mawedi" mark the birth of Atabasca's sonic universe: the first two singles from the upcoming self-titled debut album,which will be released on March 27 in limited-edition LP, CD digipack, and digital formats.
On the A-side, "Cacopoulos" is an impetuous, visionary ride that fuses the power of instrumental groove with the evocative imagery of library music and Italian golden-age soundtracks. From the first beat, listeners are drawn into a dry, dusty landscape driven by a primal drum groove and the acid twang of a guitar that evokes the spirit of classic Westerns. Indeed, "Cacopoulos" pays homage to I Quattro dell'Ave Maria (Ace High) and to the legendary Eli Wallach, the sly outlaw who turns deception into revenge, a subtle yet powerful nod that ties the trio's sound to imagery steeped in dust, dreams, and redemption.
On the flip side, the sound of an old lap steel guitar evokes the gentle waves of the sea, opening the doors to "Kundela Mawedi", a dreamy track with exotic tones and heavenly atmospheres. The sonic journey unfolds through hypnotic rhythms and echoes of ancient cultures, where ethereal voices and warm, entrancing bass lines intertwine with psychedelic riffs and evocative guitar melodies, merging into a soundscape rich in warmth and mystery. The chorus, with its unexpected choral chant, adds a spark of magic. An elegant twist that gently stirs the dreamlike mood and transports the listener into a new sonic dimension, steeped in mysticism and tribal vibrations. "Kundela Mawedi" is more than just a song: it's a sensory experience, a musical ritual where tradition meets psychedelia, sand meets sea, and the soul dances upon the waves of time.
Recorded in a single take, the session captures the raw energy and natural atmosphere of the performance. Artistic production was handled by the trio alongside Andrea Fabrizii (digger, musician, producer, and catalogue curator for CAM Sugar), while Riccardo Ricci mastered the tracks at Velvet Room Mastering Studio in Brighton.
A killer double-sider, blending psychedelic and funk moods with percussive, jazzy textures. A must-have gem for every groove-loving DJ.
Like a desert blooming within the evergreen forests of the planet's far north, a unique, alien, disruptive environment: this is the vision behind Atabasca, the project of Luca Mongia (guitars, lap steel, keyboards, vocals), Paolo Mazziotti (bass, keyboards, vocals), and Valerio Pompei (drums, percussion, vocals). Individually active for over twenty years on both national and international scenes, the three musicians came together in 2023 to create a project that merges experience, experimentation, and creative freedom. Their music is imaginative and at times dreamlike, blending the classic concept of the instrumental trio with the worlds of film scoring and sound design.
Atabasca's sound moves through jazz-funk, world, and cinematic territories, weaving together afrobeat, desert, and psychedelic influences into a personal and timeless language. Each piece is a scene; each sound, a fragment of a world, a journey between reality and imagination where groove, texture, and organic timbre merge into a singular sonic ecosystem: a perpetually shifting balance that generates new inner landscapes.
Fans of Khruangbin, Surprise Chef, and instrumental psych-funk, take note!
- A1: Junun
- A2: Roked
- A3: Hu
- B1: Chala Vahi Des
- B2: Kalandar
- B3: Eloah
- C1: Julus
- C2: Allah Elohim
- C3: Ahuvi
- D1: Azov
- D2: Junun Brass
- D3: There Are Birds In The Echo Chamber
- D4: Modeh
Junun is the debut collaborative album by composer Shye Ben Tzur, Radiohead guitarist Jonny Greenwood, and the Indian ensemble the Rajasthan Express. Originally released in November 2015, the album was recorded in a makeshift studio within the 15th-century Mehrangarh Fort in Jodhpur, India. Radiohead's longtime producer Nigel Godrich worked on the album, creating a 2LP/CD release. World Circuit is set to reissue Junun on 16th January 2026, marking the album's 10th anniversary. This special edition will be available as a 2LP Gatefold Yellow & Orange Marble vinyl and a CD digisleeve. The album features Ben Tzur's compositions, which incorporate devotional Sufi qawwal musicians singing in Urdu and Hebrew. Greenwood contributed guitar, bass, keyboards, ondes Martenot, and programming, aiming to use chords sparingly and instead focusing on North Indian ragas. The recording process sought to capture the ""roughness"" of Indian music, avoiding the high fidelity often found in world music recordings. The making of Junun was also documented by acclaimed filmmaker Paul Thomas Anderson, offering an intimate look at the creative process and vibrant daily life during the album’s production. His film, also titled Junun, debuted at the New York Film Festival in October 2015. Junun (an alternate spelling of ""junoon,"" meaning ""mania"" or ""the madness of love"") received widespread critical acclaim—including Album of the Year honors from The Sunday Times, who called it “one of the most inspired releases of the year” and “intriguing, sinuous, and essential listening”. The group also supported Radiohead's 2018 Moon Shaped Pool tour, performing under the name Junun.
Nick Holder’s Iconic ‘Dance, Dance, Dance’ Finally Arrives Digitally with New Remixes from Jason Hodges and Trackheadz.
Definitive Recordings proudly presents a long-awaited milestone: the first-ever digital release of ‘Dance, Dance, Dance’ by Nick Holder’s Fruit
Loops project, originally released in 1995 and repressed countless times on vinyl since. This timeless house anthem, a pure expression of discodriven groove, now returns remastered and refreshed — accompanied by two brand-new remixes from fellow Toronto house legends Jason
Hodges and Trackheadz.
The original version of ‘Dance, Dance, Dance’ captures the raw magic of mid-90s house — a stripped yet irresistible jam that fuses classic 70s
disco sampling with a deep, rolling bassline and a straight house groove. It’s simple, it’s soulful, and it’s pure disco-house sexiness.
Jason Hodges delivers a playful rework that modernizes the cut while keeping its soul intact. His remix adds shuffled percussion, chopped vocals,
and a subtly reworked bassline — injecting a fresh rhythmic twist that stays true to the track’s roots while enhancing its dancefloor punch.
Trackheadz then takes the track into deeper territory, layering lush synth chords, organ lines, and sweeping strings over a steady, hypnotic build
— a masterclass in musicality and atmosphere for the late-night crowd.
A true veteran of Toronto’s house scene, Nick Holder rose to international acclaim in the late ’90s and early 2000s with releases on Definitive,
NRK, Stickmen, and Studio K7, shaping the sound of deep and soulful house. As the founder of DNH Records, he’s been a driving force behind
countless underground classics, including ‘Da Sambafrique’, ‘Trying to Find Myself’, and ‘Summer Daze’.
Jason Hodges, another staple of the Toronto underground, is known for his tough yet groovy sound that bridges New York swing and Chicago
grit. Having remixed the likes of DJ Sneak, Derrick Carter, DJ Heather, and Kaskade, Hodges continues to be a name synonymous with timeless,
floor-filling house. Trackheadz, helmed by Kaje Trackheadz, brings decades of experience in blending sweet strings, soulful brass, and deep club
energy. Responsible for underground staples like ‘Our Music’ and ‘Feel’, he has remixed everyone from Todd Terry to The Sunburst Band, and
continues to expand his vision through Trackheadz Records.
Nearly three decades on, ‘Dance, Dance, Dance’ still grooves as hard as ever — now revitalized for the next generation of house lovers.
- Ascending
- Cascading Crescent (Ft. Geoff Rickly)
- Adrift
- Tending The Embers
FIRST RUN CLUB INDIE EXCLUSIVE[22,65 €]
Pelican war schon immer eine Band, die nicht nur aus Chicago kommt, sondern echt typisch für Chicago ist. Gegründet im Jahr 2000 von den Gitarristen Trevor Shelley de Brauw und Laurent Schroeder-Lebec zusammen mit den Brüdern Bryan und Larry Herweg am Bass und Schlagzeug, hat Pelican seine Wurzeln in der regel- und genreunabhängigen Szene, die man mit dem Fireside Bowl verbindet. Nachdem Schroeder-Lebec nach dem Weggang von Dallas Thomas im Jahr 2022 zur Band zurückgekehrt war, konnte Pelican in dieser wiedervereinigten Besetzung an den Geist ihrer Gründungszeit anknüpfen und mit ihrem 2025 erschienenen Album Flickering Resonance" etwas ganz Neues schaffen. Das Album ist bereits in der dritten Vinyl-Auflage. Sowohl neue als auch alte Fans stöbern wieder im Pelican-Katalog, was auch zu zusätzlichen Neupressungen und Wiederveröffentlichungen ihrer beliebtesten Titel geführt hat. Mit drei Vinyl-Neupressungen allein im ersten Jahr und mehreren Tourneen in den USA und Europa zur Unterstützung des Albums hat Pelican nun eine EP mit vier Titeln aus der Flickering Resonance"-Ära als neue 12"-EP Ascending" neu aufgelegt. Pelican-Fans werden die letzten beiden Tracks Adrift" und Tending the Embers" wiedererkennen, die 2024 digital selbst veröffentlicht wurden und nur auf einer limitierten Anzahl von Kassetten erhältlich waren. Diese 12"-Platte enthält auch eine Gesangsversion der Lead-Single Cascading Crescent" von Flickering Resonance mit Geoff Rickly von Thursday. Diese Version des Tracks war bisher nur auf einer limitierten Anzahl von 7"-Singles erhältlich, sodass sie nun zum ersten Mal digital veröffentlicht und auch in physischer Form allgemein verfügbar ist. Der Titeltrack der EP, Ascending", wurde etwa zur gleichen Zeit wie Flickering Resonance aufgenommen, aber nicht auf dem Album veröffentlicht, da er eher wie ein eigenständiges Werk wirkt. Die Zusammenführung dieser vier Tracks auf einer EP unterstreicht einmal mehr, dass Pelicans regelwidriger Ansatz der Kern dessen ist, was Pelican zu einer festen Größe in allen Genres macht, die sie erkunden.
Black Vinyl[20,59 €]
Pelican war schon immer eine Band, die nicht nur aus Chicago kommt, sondern echt typisch für Chicago ist. Gegründet im Jahr 2000 von den Gitarristen Trevor Shelley de Brauw und Laurent Schroeder-Lebec zusammen mit den Brüdern Bryan und Larry Herweg am Bass und Schlagzeug, hat Pelican seine Wurzeln in der regel- und genreunabhängigen Szene, die man mit dem Fireside Bowl verbindet. Nachdem Schroeder-Lebec nach dem Weggang von Dallas Thomas im Jahr 2022 zur Band zurückgekehrt war, konnte Pelican in dieser wiedervereinigten Besetzung an den Geist ihrer Gründungszeit anknüpfen und mit ihrem 2025 erschienenen Album Flickering Resonance" etwas ganz Neues schaffen. Das Album ist bereits in der dritten Vinyl-Auflage. Sowohl neue als auch alte Fans stöbern wieder im Pelican-Katalog, was auch zu zusätzlichen Neupressungen und Wiederveröffentlichungen ihrer beliebtesten Titel geführt hat. Mit drei Vinyl-Neupressungen allein im ersten Jahr und mehreren Tourneen in den USA und Europa zur Unterstützung des Albums hat Pelican nun eine EP mit vier Titeln aus der Flickering Resonance"-Ära als neue 12"-EP Ascending" neu aufgelegt. Pelican-Fans werden die letzten beiden Tracks Adrift" und Tending the Embers" wiedererkennen, die 2024 digital selbst veröffentlicht wurden und nur auf einer limitierten Anzahl von Kassetten erhältlich waren. Diese 12"-Platte enthält auch eine Gesangsversion der Lead-Single Cascading Crescent" von Flickering Resonance mit Geoff Rickly von Thursday. Diese Version des Tracks war bisher nur auf einer limitierten Anzahl von 7"-Singles erhältlich, sodass sie nun zum ersten Mal digital veröffentlicht und auch in physischer Form allgemein verfügbar ist. Der Titeltrack der EP, Ascending", wurde etwa zur gleichen Zeit wie Flickering Resonance aufgenommen, aber nicht auf dem Album veröffentlicht, da er eher wie ein eigenständiges Werk wirkt. Die Zusammenführung dieser vier Tracks auf einer EP unterstreicht einmal mehr, dass Pelicans regelwidriger Ansatz der Kern dessen ist, was Pelican zu einer festen Größe in allen Genres macht, die sie erkunden.




















