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Astropolis Records, the label born from the legendary Brest festival, marks a decade of electronic passion with a sprawling, heartfelt anniversary compilation — slightly delayed, but still delivered with flair.
It comes in two EPs, spotlighting the many facets of the Astropolis universe: in-house artists, long-time festival collaborators, and rising stars from France’s ever-bubbling scene. Eighteen artists guide us through a sonic journey where rave heritage, electronic dreamscapes, and collective fervor converge — true to a festival whose DNA has never recognized borders.


The second EP dives into darker territories, spanning original electro, multifaceted techno, and sunlit vibes toward the close.
Astropolis has always thrived on happy collisions, and this EP is a perfect demonstration.


For synth lovers, Legowelt & Cuften revive the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude.
Zaatar & Trunkline inject raw energy on Come Into The Light, a sweaty, visceral banger bridging techno, dark disco, and EBM.
French scene stalwarts Scan X & Electric Rescue deliver a masterclass in elegant techno on Lost In Time.


When Manu Le Malin meets Kmyle, the result is as sharp as it is cinematic: Little Big Man builds dramatic tension, balancing raw emotion with contained fury.


On a more contemplative note, we’re thrilled to unveil one of the first productions from our dear Célélé with Théo Muller: the subtle Drum and Drift, threaded with dubby vibrations and sun-drenched bursts.
This anniversary compilation reaffirms the label’s openness to new generations and recent sonic hybrids while honoring the techno scene that shaped its beginnings. Like the festival itself, it embodies the same sincerity and collective energy: a small manifesto connecting generations, aesthetics, and territories — celebrating roots without nostalgia, and the future without bending to trends.

The first act signed to The Neptunes' newly formed Star Trak label was a Virginia based duo known as the Clipse. The first single “Grindin’” impacted the streets with its bare boned but infectious drum beat in the same way that “Sucker MC’s” did almost 20 years earlier. These brothers - Pusha T and Malice combined with The Neptunes groundbreaking production sent a clear message to the rap world – “we are not the same” (as rapped by Malice on his opening verse on “Cot’ Dam”). Clipse brings an authentic Virginia sound into the game and created a movement, with not only their darkly layered raps but The Neptunes as well. Pharrell Williams and Chad Hugo were able to combine their cyberpunk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer the Virginia hustler's viewpoint with clever, hard-hitting lyrics that is sprinkled throughout the entire album. With so many standout tracks on Lord Willin’ the album starts pulling no punches. On Track 1 simply (or maybe not) titled “Intro” you get a very personal and deep testament of crack and the drug game, a theme that is throughout this album…HEAVY. Songs like “Virginia” or “I’m Not You” (featuring Jadakiss, Styles P and Roscoe P Coldchain), have lyrics that play as a musical notes alongside The Neptunes tailored beats. “Young Boy”, “Comedy Central”… all fit perfectly alongside “When the Last Time” and “Cot Dam” as each song plays its part as chapters to the Lord Wilin’ masterpiece. “Gangsta Lean” (another one of the albums standout tracks) features a slightly lighter feel while paired with Pharrell's trademark falsetto hook. The truth of it is, it’s hard to just pick one track, or point out which is the albums star. Each song on Lord Willin’ is essential to making it the classic that it is. The Neptunes (who were busy turning out every other Pop hit on the radio) crafted an album that was deemed an instant classic, and cemented Clipse as Rap’s newest superstars.

The Mi-Mnemonic EP by Karma is one of those records that preserves a genuine fragment of the Italian electronic scene of the late ’90s. Originally released back then and now reissued in 2025, it carries the raw energy of a time defined by clubs, after-hours, and pure analog experimentation.

Behind the machines were Francesco Passantino and Davide Calì, two young DJs and producers who brought to life legendary nights between Taverna Jory in Aulla and the iconic Club Imperiale in Tirrenia. It was a period when electronic music was more than entertainment — it was a shared language: from the dancefloors to the studio sessions filled with drum machines, sequencers, and analog synthesizers.

The EP is built on hypnotic grooves, deep basslines, and a raw sound that perfectly reflects the spirit of that era: no frills, just pure sonic energy. The 2025 reissue brings back that same freshness, offering a chance to rediscover a record that smells of endless nights, spinning vinyl, and an underground scene that thrived on community and vision.

Today, Mi-Mnemonic is more than just a track from the past: it is living memory, a testimony of a time when analog sound was the driving force of freedom and connection

Produced by Francesco Passantino & Davide Calì

Venice, Italy – 2025 Paolo Mosca, the Italian producer, composer, and DJ acclaimed for his soulful approach to electronic music, unveils his new alias I.O.N with the forthcoming debut EP Signals, set to be released on Ritmotherapy. Known for releases on Slow Life, Altered Circuits, and a recent collaboration with Alex Neri, Mosca now steps into uncharted territory fusing experimental electronics with rock-inspired textures and raw energy for the dancefloor.

Signals is a daring reimagining of 90s sonic aesthetics, drawing inspiration from the breakbeat and hip-hop influences of cult films like Blade & The Matrix. Each track on the EP blurs the line between nostalgia and innovation, layering hypnotic riffs, rolling basslines, and gripping vocal samples with futuristic precision.

The EP kicks off with “Camouflage” , where breakbeat rhythms and hip-hop flavors meet futuristic atmospheres. A grabbing vocal, heavy low-end, and hypnotic riff drive the track into a world of cinematic tension and release.

“Escape” follows with a slower tempo, but its restrained pulse only builds anticipation. Classical violin lines cut through break-driven drums, leading to a long-awaited drop that delivers an overwhelming yet deeply satisfying release.

Next, “Neo” builds momentum with a gritty 303 bassline and sharp synths, locked into a relentless 4x4 rhythm. The track feels like an expedition through acid-soaked landscapes, equal parts raw and refined.

“They Are Looking at You” closes the EP with explosive energy, bursting with hip-hop vocals that command “don’t stop. ” Propelled by a nasty bassline and oriental-inspired synth melodies, it’s a track built to ignite dancefloors and spark spontaneous breakdance energy.

With Signals, I.O.N presents more than just an EP; It's a manifesto for a new era of club music. It’s heavy yet soulful, experimental yet deeply physical, and above all, a fresh signal to the global electronic scene that something new has arrived. Reserved for their official release on Ritmotherapy, the anticipation around this project signals a bold new chapter for both artist and label.

Partisan and PILLZ join forces once again, this time tapping into the innovative sound world of Brazilian live act Lucas. His signature style, twisted beeps, energetic glitches and razor-sharp mechanics, takes centre stage on Sign, a vinyl journey built for the peak hours. Each track is packed with calculated machine funk, emphatic drums and a relentless bassline drive. Lucas’ rising reputation across Europe stems from his electrifying live sets, where he seamlessly shifts between electro, techno and house. This record captures that same kinetic spirit, playful and powerful, built to move the floor.

A rave-ready trip from an artist breaking all the rules.

Aiden Francis steps up with Floral Oceans, a four-track trip of melodic drive and low-end punch. Club gear tackle with a ton of attitude!

Opening with the title track ‘Floral Oceans’, he sets the tone - sweeping progressive synths meet low-end power in a piece built for wakes and peaks alike. Layers fold and rise with effortless tension and release, guided by vocal hooks that hit straight to the chest. The momentum rolls straight into ‘Nelumbo’, where a burst of piano and infectious melody bring a euphoric lift, riding atop a taut groove that demands movement without losing emotional weight.

Flip the disc and ‘Stunnalina’ pushes harder still - a rush of psy/goa-inspired energy, driving drums and layered arps that pull the floor into orbit. Then onto B2, Hybrid Man step in to rework ‘Stunnalina’, steering the original thrust into their own world: a bouncy, analogue workout glowing with resonant growls and a rolling rhythm. Yum!

Life blooms through gentle seasons, and every season needs its moment on the floor.

Texan deep house don Rami is a real deep house favourite from Texas and a regular on this label who was last here with the Someday Will Find You back in June. This new 7" features 'Walk', one of the tunes from that long player. It's a pacey house vibe with soft, fuzzy synth textures and buoyant drums that is rooted to the floor but with its head in the stars. The JT Donaldson remix brings the US producer's signature smooth and effortlessly catchy tech drums to a more light-sounding tune that is nuanced with some spoken words. Two tasteful jams.

MOb return this November with their second album on Veego Records, continuing the adventurous journey they began with their 2023 debut MOb 1. Hailed by the press as one of the boldest and freshest statements in the Greek scene, their first record moved seamlessly between jazz, punk, and electronic forms, creating a sound often described as “an entire orchestra played by just three musicians.”

On their new release, Marios Valinakis (saxophone, effects, synthesizers), Alexandros Delis (bass, double bass), and Panagiotis Kostopoulos (drums) construct an even more intricate and ambitious sonic universe. The compositions range from the explosive energy of “Tipping Point” and the dark atmospheres of “Utu and Sin”, to the radical reimagining of Wayne Shorter’s “Fall” and the polyphonic outburst of “The Listener”, featuring the Kos Choir.

Guest appearances further expand the palette: Phillip “Felipe MC” Manev lends his voice to “Tipping Point” and “Encounters”, while Angelos Polychronou enriches “Encounters” and “The Listener” with his percussions.

The album was produced and recorded by MOb themselves, with Bruno Ellingham handling mixing and mastering for most tracks, while “Utu and Sin” was mixed by Malcolm Catto at the Quatermass Sound Lab. The cover artwork is designed by Apostolos Mitrelis, and the back cover features a photograph by Maciej Moskwa.

If MOb 1 revealed a band capable of fusing free improvisation with rhythm-driven “bangers” that reached audiences beyond Greece, the new album confirms their evolution: more intense, more diverse, and more imaginative. With one foot rooted in tradition and the other firmly in the present, MOb deliver a work that breaks boundaries and builds bridges across genres and audiences, solidifying their reputation as one of the most exciting groups in today’s Greek music scene.

Disco De Jure made a great debut with its first release and now backs that up with more quality for lovers of classic disco with a contemporary twist. It is the rather mysterious Nico Bellari who steps up to edit this into his own vibe. 'If The Music Makes You Feel Like Dancing' gets underway with lush strong stabs, rolling drums and squelchy synth work that will get those hands in the air. The dub De Jure is a glossy version paired back to the groove, and on the flip, the timeless joys of Gloria Estefan's 'Rhythm Of The Night' get a subtle update with more club-ready kicks. A dub concludes this useful package.

Meltdown Deejays Recordings, a long-standing pillar of Finland’s underground scene, continues its beautiful streak with Kitkatone. Known for his stripped yet soulful productions, the Helsinki-based artist delivers four timeless cuts that capture the label’s spirit, honest, functional, and deeply musical.
Four tracks that balance tight drum programming with a dry sense of funk, shaping a sound that’s both stripped and full of motion.
No tricks, no drama, just proper dancefloor tools from start to finish.
Mixners and Slidey Thingys flows effortlessly between house and techno, balancing raw rhythm and subtle groove. A record full of character, made for DJs who appreciate precision, warmth, and that unmistakable Meltdown touch.

schöne leicht jazzige drum & bass tracks !!

Hailing from Stuttgart, Ackermann delivers a no-compromise EP on Safe Space, combining rough-edge techno dynamics with high-tempo house energy and stripped-down hooks. Expect tight, driving drums, textured basslines and raw rhythm-tools built squarely for the dancefloor. Four original cuts, one steady mood: power-packed club action without fluff.

First Contact features CROÍ, Lukey, KAIR, Sahm, and HVSN. Our first release is a compilation of tracks that we’ve been collecting and to seize all the styles and genres which we will deal with in the future.

‘First Contact’ is the first song of the VA, opening with an invitation with a combination of a nostalgic ambience followed by the drums that go along with the vocals pointing to the start for our journey. In Irish, the word "CROÍ" (pronounced KREE) means "heart". ‘Target Lock’ from Lukey, is a track that will definitely surprise you. This song is meant to push you back to the dance floor with a feeling which you don’t get very often from listening to these kinds of songs. Everything is cool with ‘Target Lock’, drums, nice trippy vibes, and how the bass fits there… You should be blown away by this song. In a real old school style! Lukey has previously caught the eye of industry labels like Hot Creations, also his release on Carpet & Snares Records, Into The Wizard's Sleeve, The Void Project was hammered by some of the great DJ’s in the world.

KAIR introduces himself to us in his own way with ‘Let's Get it!’ Because this bomb won’t fail to make you dance and feel good! It’s pure house and joyful music that makes you dance and get lost within the music. Also, ‘Let's Get it!’ is just a preview of the upcoming EP. ‘Rainbown’ is a track which shows us that Sahm knows how to come out with a brilliant house track. A groovy old school house with heavy percussion, comes from a young talented producer from Brazil! This will be the track that you’ll be playing years from now on. And ‘Bust This’, you will hear among the bass, the claps and drums, a high energy that will make you move your body. HVSN presents his vision of how to bring the right emotions of a dance floor full of energy and the connection between the bass, synth, drums and melody is back!

Enjoy, This Is Real Talks Records.

VA – First Contact RTR001 incl CROÍ, Lukey, KAIR, Sahm, HVSN

To celebrate two decades of passion, innovation, and dedication to underground music, Playbeatz Labels Network proudly launches "Tribe", a new compilation project that pays tribute to the artists and sounds that have shaped its journey.
For over 20 years, Playbeatz has been a platform for creative freedom and genre-crossing experimentation—championing independent voices and uncovering unique talents from across the electronic music spectrum. "Tribe Vol. 1" is the first chapter in a special series of releases that reflect the label family’s diversity and forward-thinking spirit.
Kicking off with a limited edition vinyl, Vol. 1 features four carefully curated tracks by long-time Playbeatz affiliates —each bringing their unique sonic identity, from house to melodic textures, tech tools to soulful grooves.

A1. Erly Tepshi – Dreamer Emotionally charged and atmospheric, a deep dive into the melodic house realm, “Dreamer” wraps a haunting male vocal around lush synth lines and hypnotic rhythms.

A2. DJ Simi & Antonio Grassia – Nuestro Fuego With its driving groove and minimal yet powerful arrangement “Nuestro Fuego” is crafted as a peak-time tech and house tool. The track is all about raw energy and club efficiency.

B1. Mind The Gap DJs – Eclipse Of The Soul This old-school house jam delivers uplifting piano riffs, classic drum programming, and a timeless sense of groove. A heartfelt homage to the golden era of house, reimagined for today’s floors.

B2. Giomini & Marcus Raute – Tape Sweat A fresh and summery house cut with shimmering grooves and playful percussion. The track recalls the clean, infectious style of Deetron, blending crisp drums with melodic finesse. A pure dancefloor delight for the warmer seasons.

DJ Support: Raresh, Marco Corola, Jamie Jones, Joseph Capriati, Chris Stussy, DJ Seinfeld, D'Julz, Djebali, Voigtmann, Arapu

For Amsterdam’s Julian Anthony, club culture has always been about movement - between sounds, between scenes, and increasingly, across continents. Rooted in the Dutch underground, his path has taken him from intimate local spaces to international stages, with appearances at institutions such as Berlin’s Hoppetosse, Ibiza’s DC10, and London’s fabric. Along the way, he’s formed close ties with crews such as Slapfunk, VBX, Half Baked, and S.A.S.H, while recent tours across South America and Australia have further widened his reach. His connection with Enzo Siragusa and the FUSE family is longstanding, having previously dropped his track ‘It’s Showtime’ on sister label LOCUS while making appearances at both FUSE and LOCUS events across Europe, including this year at FUSE Malta, during ADE, and November’s fabric takeover. Now, his ‘Missing Pieces’ EP extends that relationship further, marking his fi rst release on FUSE and off ering a natural progression while showcasing his versatility as a producer.

In his productions and his sets, Julian threads together house, techno, and electro infl uences with a playful touch, resulting in a style that feels fl uid yet sharply defi ned. Title track, ‘Missing Pieces’, sets the tone with a heavyweight bassline at its core, coupled with a hypnotic groove and percussive drive, while ‘Endless Echoes’ stretches into more atmospheric territory, weaving rolling rhythms with cosmic textures. On the fl ip, ‘No Sleep’ ups the intensity with zipping synths and sharp drum programming built for peak-time play, before ‘TTS’ closes the record on a captivating note, fusing deeper house nuances and playful rhythms into a late-night trip.

With a growing catalogue across respected imprints such as Dungeon Meat, X-Kalay, and Bee You, and a touring schedule that continues to expand globally, Julian’s first outing for the London favourites highlights his talent for crafting tracks that are simultaneously precise, playful, and built for the club.

2025 Repress

In 2013 Voyage Direct released Tom Trago’s ‘Hidden Heart of Gold’, an expansive trip into intergalactic deep house territory that ranks as one of his most emotionally charged moments to date.

Hidden Heart Of Gold is undeniably special. A typically spacey and quietly soulful dancefloor epic that stretches out majestically over 13 spellbinding minutes. It was a highlight in many of Trago’s club sets for the best part of 12 months prior to release..

Virtual waves of ambient chords shimmer between the speakers, rising and falling as if drifting through time and space. Meanwhile, eyes-closed melodies reminiscent of classic stargazing techno and disembodied vocal samples ride a tough but unfussy machine drum rhythm and addictive bassline. There are well-timed breakdowns and a gradual, enveloping build towards a heart-breaking climax. Many listeners may feel contrasting emotions; a sense of undiluted joy while dancing, perhaps, but also the odd pang of melancholy when listening on headphones. It's that kind of record.

The tracks intergalactic, emotion-rich inspirations are explored further on the flipside Ambient Mix, a winding, beatless excursion brimming with hazy, late night beauty. Gentle and immersive, it offers a grandiose, never-ending world in which to shed your inhibitions. Shorn of the originals dancefloor paraphernalia, Tom's emotive, wide-eyed vision comes to the fore ¿ all sensual chords, far-sighted pads and gentle, outer-space melodies. Like the A-side club version, it may just take your breath away.

The sixth Subetasch release comes from long-time friends and collaborators TakaTuka and vaZdaZ.

Side A opens with Stamina, a hard-hitting tekno track by TakaTuka, the result of his first deep dive into the DFAM synth he’d just gotten his hands on. Track two, Olga by vaZdaZ, hits just as hard - driven by the screams of a free smartphone synth, it sounds like it’s been tearing up proper parties for the past decade.

On Side B, TakaTuka and vaZdaZ join forces on both tracks, diving into their shared love for breaks, ambient and IDM. The first, Teenage Carcrash, is driven by the tiny drum sampler “PO-12,” which also inspired its (hopefully not too controversial) title. But don´t worry, your Car´s Hifi-System isn´t broken, it´s just gritty distortion and a pulsating bass, sweetened with a catchy tune.

The final track, Unknown Food Can, originated in a circuit-bending session with a trashy old electric piano. Starting out calm and melodic, it slowly unfolds - this food can was found in Kamyshovo, who knows what's hiding inside?

Biz brings the heat to Subjekt for a second time here with another textured EP of acid-laced techno. Various different moods and tempos are explored, with 'No Way Back' tapping into the original Chicago jack vibes of the track with the same name with prickly 303s and bristling percussion. 'No Turning Back' is deeper and more roomy with eerie distant bells and molten acid lines, 'Feel The Flow' brings some widescreen synth landscapes that are rather serene but for the menacing acid which gurgles in the foreground and 'Charlotte' cuts loose on a more fluid and uplifting slice of deft groove magic. 'Way Too Hard' closes with a mix of punchy drums and reflective chords that encourage your mind to wander.

LTDBLBL021 marks NicolA’s debut on Limited White Label: a warm, groove-forward blend of Jazz House, Deep House, and atmospheric interludes that lean into beat-driven hip-hop sensibilities. The record moves with an easy confidence — Rhodes chords, swinging drums, and smoky sample work forming a thread through all seven vinyl tracks, plus an additional digital-only bonus cut. Set for a mid-December release, this one lands right in the sweet spot between the club and the living room, carrying Nicolas’ unmistakable feel for melody and rhythm.

Welcome to the first release on Acid Lamour
A sub label for Lamour Records started in 2018 with a focus on techno and acid dedicated DJs. Releases are limited to 303 vinyls, no re-press.
Anders Ilar and John H are no newcomers to the electronic music scene.
Born in 1973, Anders Ilar began his explorations of electronic music in the mid 80s. Growing up in the small town of Ludvika in Sweden, Ilar spent all of his spare time playing with synthesizers, drum machines, keyboards and sequencers, learning the ins and outs of analogue and digital sound and music creation. Inspired by the early industrial and EBM wave he formed several bands with friends, started playing live shows
at smaller local parties, and released several demo tapes in very limited quantities. In the 90's he gradually shifted his creative influences towards ambient techno and acid and also started to DJ. He started using computer software to produce his music around 1999 and his first vinyl EP was released in 2001 on the german label Plong!, soon to be followed by
many more releases on labels such as Shitkatapult, Audio.nl and Echocord.
Developing his own flavor of deep minimal dub techno and ambient he gained critical acclaim with his album Nightwidth (2006) for Narita Records in the USA. Followed by highly appraised album Sworn on the german label Level Records in 2008. Ilar has also made remixes for celebrated artists such as Apparat, Mikkel Metal and Ripperton and has
appeared on numerous compilations and DJ-mixes. He's performed live on stage through-out most European countries and Japan, as well as doing a small tour with Notch Festival in China in 2008.
Up to 2018 Anders Ilar has produced 13 albums and 25 vinyl EP's and performed in over 15 countries.
Born in 1984 and based in Gothenburg. John H has been DJing, as well as producing tracks, since the late 90s, with Anders as his mentor and teacher, giving John early musical influences spanning across a wide range of genres, from Swedish techno to IDM, Cologne acid craziness and
the sound of Chicago house tracks. The musical output of his DJ-sets usually varies between techno, house, acid, electro and everything in between, depending on the time and location. John has performed on several locations all around Sweden, but also done appreciated gigs in other European countries at clubs like Tresor and Culture Box, and his music has been featured in sets by DJs such as Sven Väth, Adam Beyer,
Joris Voorn, Dense & Pika, Cari Lekebusch, Alan Fitzpatrick, Karotte,
Gregor Tresher, The Hacker and many more.
Coming For Your Tongue EP is Anders and John's 4th collab release, after
acclaimed releases on Flight Recorder and New York Haunted, recorded
during a jam session at John's studio in Bergsjön outside of Gothenburg,
Sweden, using a small setup of analogue synths and drum machines such as
the Roland TR-606, TR-808, a Devil Fish modified TB-303, Minimoog Voyager
and the Arturia Microbrute. After recording Anders spiced things up by
cutting and puzzling loops as well as adding extra effects and drums.

Limited edition of 303, no repress. Vinyl exklusive for 3 months