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From a club-friendly chrysalid onto deploying his wings as a full fledged pop artist in recent years, Saint Petersburgs Kito Jempere has enjoyed a journey unlike any other and his newest album, Part Time Chaos Part Time Calmness live-documents the chameleonic changes / game-changing paradox experienced this year between his life both as a musician and as a family man.

Better known for his work as a house producer which has earned him accolades from prominent dance music outlets throughout well over a decade of intense work both into and outwith the limelights, Kito has for all that never been focussed on writing solely discoid material, throwing as much effort over the years into multi-faceted parallel ventures, far and apart from strictly dance floor-oriented functionality. Yet, from this partition between various projects and mindsets, this is through a radical shift towards downtempo pop and out of the 4x4 loop that Kito got to fully assert himself as a musician, embracing the rejoicing variety of tone and mood of his tender loves, secret and not. The movie Ive never made but have the soundtrack for, Part Time Chaos Part Time Calmness is the fruit of change as much as change itself. A return to the simple means of his young self, his old trusty guitar from his late teens serving as the backbone to Killer Line and Love Myself But I Cant Make It Love, and the natural development to last years Green Monster, which
initiated these deep tectonic movements in Kitos approach to his art, PTCPTC is an intimate trip down the kaleidoscope of his present life. Joined up by an impressive cast of artists, including Jimi Tenor, Adam Evald and Hard Ton, Kito didnt just bin his old persona, he took it back to where it belongs. From the low-slung emotional folk of the opener, Killer Line, to the eerie flamenco-jazz hybrid Before Music Dies. via the broken soulfulness of Put Love Into Your Heart and anthemic 80s balearic breaks meets coastal synthwave vibe of Sounds of Love, the album pulsates with a refreshingly genre-unbound vision. To the naive, laid-back sonic bokeh of Footsteps,
succeeds the left-of-centre cinematic narrative of In The Countryside, which includes some fun nods to fictional brands taken from Tarantinos imaginarium (Red Apple cigarettes) or other movies like High Fidelity, after Nick Hornbys eponymous novel.

Freed from gridlocked programming and impersonal tropes, PTCPTC showcases a wide array of songs, beats, grooves old and new, some dating back to 2018 and improvised sessions with his 9-people Kito Jempere Band, all of which were finished within the same timeframe and with this all-inclusive momentum in mind. Through the epic synths of Absent Ascent. in revamping the universal classic Over The Rainbow with Celebrine, on the appeasing ballad Shorespotting feat. Evald or in the waves-ready closing cut Lovers, Jempere tells a tale of hard-earned emancipation and life-affirming freedom.

Is it really into the unknown? Lewis Fautzi is once again with us, in his own imprint, and everytime he is around we feel deeply appreciated. It means that, although there's a guide line that immediately identifies his work as his, he also opens a little bit more to us. Every EP is like a step further into his own mind, a breach to the deepness of his intrusive thoughts and ideas. All the words would be useless if we tried to describe this one. The tracks are self explainable and were meticulously created as that is part of his trademark. And regarding the first question we can only answer yes, it is really into the unknown. Or at least into something of his we have never experienced before. And perhaps after listening to it we'll be able to know him and understand his work a little bit better than before.

Scala Muziek presents its second vinyl EP, Next Horizon, building on the success of the debut release. After a remarkable year of music and events, this EP embodies the spirit of exploration that defines Scala. Produced by label head Pascal Benjamin, the four tracks blend hypnotic grooves with forward-thinking soundscapes—each crafted to leave a lasting impression.

A1: Personallity opens the EP with minimalist, richly textured rhythms. Its bouncy, infectious groove and subtle shifts in bass and melody create a dynamic flow, making it perfect for both dancefloor energy and introspective moments. Pascal’s attention to detail shines through, balancing personal and expansive sounds. A2: Progress delves deeper into rolling rhythms and uplifting sonic layers, with ethereal synths floating above a driving beat. The track unfolds gradually, building momentum with a continuous, evolving motion. B1: On the flip: Shifting Grounds brings a sense of exploration, with gurgling synths and subtle modulations creating a cerebral yet physical experience. It's an atmospheric, groove-laden track perfect for late-night sessions. B2: Far From Clear closes the EP with a moody, introspective energy. Eerie vocal snippets and sharp minimalism weave together to create a haunting, mysterious atmosphere, rounding off the release with a deep dive into uncharted sonic territory. With Next Horizon, Scala Muziek offers a refined selection that showcases Pascal’s artistic growth and the label’s commitment to immersive, forward-thinking music.

Join El Maquinista Hypnotica on a sonic voyage to the bygone era of electronic dance music with his latest release, "Chakra EP". This 4-track collection encapsulates the spirit of the late 80's and early 90's, drawing inspiration from New Beat, Techno, and Acid House.

Infused with the universal energies and the golden ratio concept, each track corresponds to the seven chakras, tapping into the ancient wisdom woven into the fabric of our being.

Utilizing genuine vintage hardware, El Maquinista Hypnotica brings four unadulterated techno sounds, embracing the origins of sonic creation with these timeless and potent machines, delivering a raw energy that echoes the purity of the original techno movement.

Chakra's EP visual approach serve as a testament to the fusion of technology and art. P2T has created an immersive experience that reflects the 'trippy', otherworldly artwork of the era using Bryce 3D (version 2.0), a program that was first commercially available in 1995. This antiquated tool was brought back to life via emulation technology, creating a universe that both musically and visually symbolizes the seven chakras and realigns the human body with it's ideal golden ratio.

El Maquinista Hypnotica is not only a producer, he's a magician, who hypnotically manipulates frequencies to light up dance floors. Every song combines the cosmic with the physical in an audio journey that is an alchemical fusion of the past, present, and future.

Get ready to be enthralled and invigorated by the mystical power of El Maquinista Hypnotica and his Chakra EP.

DLR drops his first album since starting Sofa Sound Bristol - ‘Money Till I Got None’.

The album is a tongue in cheek reflection on modern life, society, politics and of course MONEY. The never ending thirst and need for it; the stress and freedom it can bring; its power, its illusion and all its contradictions.

Drawing on life experiences from a relatively privileged position, but also from travelling and meeting many types of people across the UK and worldwide, the album explores different perspectives about money from varying sections of society.

In the 7 years since his last album, DLR has been through highs and lows, played big shows, struggled, released classic tracks and spent, spent, spent, spent. 'Money Till I Got None' is his journey of frustration and realisation and his first fully solo album in terms of production, but with a stellar lineup of vocalists and musicians to bring invaluable perspectives and experiences to the project.

Established poets, story tellers and MCs such as Fox, Rider Shafique, Jakes and Gusto bring unique insight, upcomers Freddy B & Kathryn Brenna add crucial flavours and we welcome Hal (Snazzback) on keys plus additional musical direction, with further instrumentation from Abbey Neave & Joe Bradford.

Marysia Osu’s debut album, “harp, beats & dreams,” is a captivating journey of self-exploration and emotional expression, blending classical harp with innovative electronic production. A graduate of Brownswood’s ‘Bubblers’ academy and a key member of Levitation Orchestra, Marysia brings a unique background, including a classical music degree from Trinity Laban. The album, entirely homemade, captures intimate moments and raw emotions, featuring notable tracks like “seatime,” which celebrates self-acceptance, and “memento mori,” inspired by stoic philosophy. Collaborations with artists such as Emma Barnaby (cello), YUIS (flute), and Plumm (clarinet) enrich the project, which reflects Marysia’s classical training infused with modern experimental sounds. The album offers an absorbing and elevating listening experience, perfect for those seeking a peaceful, calming sonic sanctuary in an uncertain world

Makhunik Records is thrilled to announce the much anticipated second vinyl only release from the talented DJ, producer, and live performer, Generali Minerali. Known for his distinctive blend of raw electro/break sounds and techno, Generali Minerali has established himself as a prominent figure in the electronic music scene with a string of successful releases on esteemed record labels. With a discography that includes 8 EPs, 1 LP, and numerous contributions to various VA compilations, Generali Minerali brings a wealth of experience and expertise to his music. His productions are characterized by their immersive textures and dynamic rhythms, drawing inspiration from a wide range of electronic dance music genres such as Techno, Electro, Break, and Acid. As a crew member and resident artist of the TES Club, Generali Minerali has solidified his place as a driving force in the electronic music community, captivating audiences with his unparalleled live performances and DJ sets that span a diverse spectrum of sounds and vibes. The upcoming release, Dance In Factory EP, invites listeners to embark on a sonic journey through the depths of the mind. Each track on the EP, from the mesmerizing K Driver to the introspective Phase In Head, is a testament to Generali Mineralis skillful production and innovative approach to sound design. The concept behind Dance In Factory reflects the interconnected nature of humanity, where we are all integral parts of a larger whole, dancing to the rhythms of life. Through tracks like River and Transformer Fox, Generali Minerali invites listeners to explore the depths of their consciousness and experience a world of boundless creativity and imagination.

The Golden Gate Quartett: Various Artists Compilation No.4

This release features four tracks that explore the diverse sounds of Minimal House, Tech House, and Deep House, showcasing distinct styles rooted in the underground scene.

Johnny D's "Dream System" combines soulful melodies with a rhythmic drive, creating a track that balances smooth grooves and steady energy. It’s music designed for those moments where sound takes you somewhere else.

Melina & Jakob Seidensticker present "Welcome to Japan", a playful journey through classic acid-inspired Tech House. Crisp beats and hypnotic acid lines make it a track that invites exploration and movement.

Edgar Peng’s "Synesthesia" offers a deep, immersive experience with lush textures and emotional layers. It’s a piece that holds its ground on the dance floor while inviting introspection.

Ali Demir & Skjærstad close the release with "Mud Pot", a groovy, stripped-back Minimal House track. Its subtle sophistication lies in its simplicity, offering a refined listening experience.

This compilation celebrates the creativity and range of the Golden Gate Club sound, delivering tracks that resonate both in the club and beyond.

Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.

Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.

Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.

Borusiade lands on Dark Entries with their triumphant third LP, THE FALL: A Series of Documented Experiences. The Romanian producer and DJ Miruna Boruzescu aka Borusiade has a track record of genre-bending releases on tastemaking outlets like Cómeme, Pinkman, Cititrax, and of course Dark Entries, who unleashed their stunning 2020 sophomore album Fortunate Isolation. THE FALL builds on Borusiade’s mythos with its 9 brooding and sophisticated tracks investigating the contours of memory and embodiment - the “fragile bridge between body and mind” in Borusiade’s words. Moody basslines and melancholy synths wrestle with muscular rhythms; this is electronic body music for the heart and head. This is their most diaristic work to date, as well, chronicling love and loss through the gauze of reflection. Tracks like “Save Me”, “Recovery and Redemption”, and “The Fall” sprung from painful breakups, periods which Borusiade identifies as some of their most creatively fruitful, finding themselves “making the best music when I was brokenhearted.” There are odes to musical titans we’ve lost: the minimal electro producer Porn Darsteller is comemorated on “Darsteller”, while industrial legends Genesis P-Orrige and Lady Jaye are honored on “Pandrogyne.” THE FALL comes housed in a sleeve using Gautier D'Agoty’s “Essai d'Anatomie,” an anatomical work from 1745, and also includes a lyric sheet. Trauma, from lost love to pandemic isolation, informs THE FALL, situating itself as a gap that can only be accessed through sound and the creation of art. “What can I add? When life gives you drama, make music.”

Santos’ first release for Matt Edwards’ Rekids imprint, the four-track ‘We Were All Kids Once’ EP, is a continuation of the experienced producer’s output on his own Let Me Understand Records, which has seen a staggering amount of support from DJs since it’s launch in 2018.

Traversing rugged, tracky, Relief-influenced House/Techno (‘One Day’), drummy grooves (‘Don’t Touch’ and ‘Rollercoaster’) and cosseting beat-down Deep House (‘Someone’), ‘We Were All Kids Once’ is one of those genuinely essential EPs that provides exceptionally consistent dancefloor ammunition across it’s breadth.

With the likes of Ryan Elliott, Honey Dijon, Ame, Raresh, Luke Slater, Enzo Siragusa, Ben Sims and more supporting his output over the past few years, Santos is in the form of his career. While releases like the breakthrough ‘Camels’ and the anthem ‘Hold Home’ mark Santos as a producer of note at the turn of the century, his four solo albums and, most recently, his Let Me Understand Records EPs have proved he’s an artist that is constantly pushing forward.

Santos’ EPs regularly fall into the ‘if you know, you know’ category of various tastemakers across Disco, House and Techno and ‘We Were All Kids Once’ neatly displays why.

With autumn around the corner, Shiffer is back on Innervisions. His latest EP seamlessly bridges peak-time club anthems and home listening experiences with a softer touch. The lead track, "We Care," highlights his ability to blend emotionally charged sounds with functional elements, driven by the vocals of Berlin’s Paul Brenning. Already featured in Dixon’s recent Cercle set, as well as a couple of other special opportunities, this track is a breath of fresh air and a standout collaboration that sets the tone for the EP. "La Libertad" captures an unmistakable vibe, blending the samples and synthesizer elements with a little bit of dust into a distinctive tool. Known from sets by Kristian and Trikk, "Tasting Darkness" lives up to its name, serving as a true dancefloor powerhouse. The EP concludes with an acoustic rendition of "We Care," gently highlighting Paul’s vocals as the storm slows down. Enjoy

Girolle takes listeners on a dynamic journey through dark, atmospheric landscapes, blending deep basslines, cinematic inspirations, and nostalgic nods to the 90s rave scene. From shadowy depths to uplifting grooves, the EP embodies a fusion of past and present influences, delivering a cohesive yet diverse sonic experience that is as introspective as it is dancefloor-ready."

Layers of fog, hazy synths, solid percussion, and liquid basslines – Esaïa's debut album Mindscapes invites listeners into a dreamlike soundscape. A sonic experience where Berlin’s Berghain meets the vibrant streets of Kingston, Jamaica.

With its cinematic chiaroscuro lined with sub-bass, the album blurs the boundaries between genres. Inspired by the pioneers of dub, Esaïa seamlessly blends hybridisation and experimentation, pushing musical limits to carve out her own sonic space.

An album designed for both the dance floor and introspective listening, 4-to-the-floor techno-driven beats fuse with blissful instrumental flows. Paired with Madame Ipsum’s luminescent visuals, Esaïa’s work creates a multi-sensory experience that sparks the synapses.

Dublin City, 1998. Prepare to be transported back in time to the vivid streets of Dublin. A city in social, economic and artistic transition.Set against an evocative sonic backdrop of jungle, drum and bass and breakbeat, SK83 weaves an elaborate narrative that captures the essence of adolescent life in Dublin in the late 1990’s.Delve into a captivating sonic journey that explores the bevy of emotions and events that colour a teenagers journey to adulthood - from love and loss, first-time experiences, the pitfalls of peer pressure and the unmistakable pull of the city's intoxicating rave culture.''My ambition for SK83 was to create an immersive musical and visual universe that brings the listener on a journey that captures the essence of adolescence. I wanted to reflect and re - live my own teenage experiences, and bring to life what is a shared universal experience for us all - but in this instance is told thru the lens of a young man in Dublin in the late 1990’s.'' — MathMan

Released Summer 2024

Hes part of this new generation of French house artists who brilliantly reinvent the genre by infusing it with various inspirations. After collaborating and playing with several big names of the moment, he is set to unveil his new ALBUM TROUBLE, an 8 track album with double vinyl that promises an immersion into a musical universe skillfully blending jazz, house, garage, and soul, offering a unique sonic experience.

“The upcoming release is about the ‘Interconnection’ between different senses, for example sound and touch: when sound becomes vibration our perception enhances,” says Enrico. “The track creates a metaphor of the concept using a voice and a synthesizer that playfully evolve and merge into each other to become one, while still keeping their distinctive identities. ‘Interconnection’ is a track made for the dancefloor, a place where all our senses come together and go beyond the auditory experience, becoming a multisensory experience where we're all... interconnected.”

As a producer Enrico Sangiuliano has done it all, from remixes of classics to chart topping techno tracks that range from deep and dark to more melodic and euphoric. His creativity knows no bounds and after 'Can U Feel It' explored the connection between auditory perception and physical sensations with fresh and emotive rave sounds, this new sound impresses once more.

The brilliant 'Interconnection' is a pulsating cut that locks dancers into the hypnotic drums as flashes of acid synths spray about up top. Edgy vocal stabs add to the pressure as trance-infused pads change shape through various filters. They range from smooth and smudged to sawtooth and make the trip all the more dynamic. Each element has plenty of room to breath and make its mark and a spine-tingling breakdown offers a moment to set before the groove kicks in and oscillating pads take dancers to the next level.

Enrico Sangiuliano's Interconnection EP is another essential work from this revered talent.

Berlin-based truthspeaker returns with a full-length Album with 9 new tracks. With forcefully driven rhythms and mystifying atmospheres, they have made previous appearances on labels such as PUPPY, Post Hoc, Ectopic, and Massive Gain while also playing worldwide, from Berlin’s Berghain to touring the North American underground, making appearances throughout New York, Los Angeles, Chicago, Providence, Portland, Richmond, Baltimore, and Nashville. The artist has built a reputation for delivering a transcending, occasionally unpredictable, yet intensely immediate listening experience for the dance floor. Citing previous experience in noise and experimental music, truthspeaker is establishing a functional yet disruptive sound, opening up obscure spaces within the confines of the harder edges of dance music.