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Jorg Kuning - Elvers Pass

Jorg Kuning

Elvers Pass

12inchWSDM028
Wisdom Teeth
27.03.2025

Man-of-the-minute Jorg Kuning returns to Facta & K-LONE’s Wisdom Teeth imprint with ‘Elvers Pass’: a new 6-track exposition of his singular sound, and his most accomplished and comprehensive work to date. By now, the Jorg Kuning trademark is well established. Cherrypicking influences from the wiggiest ends of tech house, electro and bass music, his music is instantly set apart by his totally unique sound palette.

In fact, it’s hard to think of another club artist who has emerged with such a distinct and recognisable voice in recent years. Bubbling and funky with that unmistakable dose of wonk, you can tell a Jorg Kuning tune the minute it enters the mix. Since last appearing on Wisdom Teeth with 2022’s ‘Chosta-del-sol’ EP, the Welshpool-based artist has become a cult name on the global club and festival circuit - his must-see live set turning heads wherever he pitches up. Anybody who frequents the summer circuits around Freerotation, Love International, Gottwood and Dimensions will know exactly what we’re talking about. Along the way he has picked up a number of ardent and outspoken fans, including Lukas Wigflex and Koreless - the latter of whom tapped Jorg for a stellar remix on last year’s ‘Deceltica’ EP on Young. On ‘Elvers Pass’, Jorg manages to ring an exceptionally rich diversity of life from the circuitry of his modular machines.

The record’s melodies flutter and swirl like deep-sea creatures, and his synths ooze as if dredged from some primordial swamp. More so than ever, a host of otherworldly voices have begun to creep into his music: ‘Mercedes’ centres around a fluttering chorus of disembodied vocal chops, while ‘Synthetic Squashies’ rocks back and forth on a looping dialog between two AI chatbots. Across the record, synths mimic animal vocal tones, from the belching bass licks on ‘Skudde’ to the amphibious synth groans on ‘Teen Frogue’. Playful, oddball and in a class of its own, ‘Elvers Pass’ is a welcome New Year offering for ravers and club adventurers worldwide.

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22,27

Ültimo hace: 56 Días
Sonny Boy Williamson - Down And Out Blues
  • Don't Start Me To Talkin
  • Cross My Heart
  • All My Love In Vain
  • The Key (To Your Door)
  • Keep It To Yourself
  • Dissatisfied
  • Your Imagination
  • Nine Below Zero
  • Fattening Frogs For Snakes
  • Wake Up Baby
  • Your Funeral And My Trial / 99
  • I Don't Know
  • Let Me Explain
  • Lonesome Cabin
  • Help Me
  • Stop Right Now

Sonny Boy Williamson (Alex Miller 1912 - 1965) was one of the most inspiring
harmonica players in blues history. Though he took his name from another well-known
harmonica player, no one really sounded like him. Williamson developed his own
signature harmonica style, always showing a metronome like timing and an endlessly
inventive technique.
This release consists of Sonny Boy's complete debut LP, Down And Out Blues ,
originally released in 1959 on the Chess Records subsidiary label, Checker. Featuring
Muddy Waters, Jimmy Rogers, Willie Dixon, and Otis Spann, among others.
Sonny Boy Williamson toured England with American Folk Blues Festival in 1963 and
1965 and appeared on the iconic tv music show Ready Steady Go (8 January 1965)
backed by UK band,The T-Bones with Gary Farr.

Reservar14.03.2025

debe ser publicado en 14.03.2025

23,49
KWARP - The Way I Am and The Way You Yawn

Mirae Arts proudly presents The Way I Am and The Way You Yawn, the debut album from Katsunori Sawa under his KWARP alias. This six-track release explores the fleeting nature of youth and the weariness of aging, blending Sawa’s experimental roots with fresh, modular synthesizer-driven soundscapes.
From the forward-driving hi-hats and alien voices of "Frog FM" to the mechanical aggression of "Ultra," the album offers an imaginative auditory journey. Highlights include the playful chaos of "PlayStation" and the metallic rhythms of "Metal Gear."
About Katsunori Sawa: First emerging on the scene in 2008 as EOC with his debut on the UK-based Ai Records, Sawa has steadily built a reputation for innovation and collaboration within the underground music community. He co-founded the influential 10 Label and has paired his talents with an array of respected artists, including Yuji Kondo (as Steven Porter), Martsman (under the moniker Bokeh), and DJ Nobu (Nobusawa). These alliances have birthed releases on prestigious labels like Kynant Records, SNTS, and Token.
Creating his sound in a hidden studio set within a striking Tadao Ando-designed building, Sawa crafts a sonic landscape that fuses rhythmic noise with pulsating bottom-end rave abstractions. His work reached new heights with an album on Opal Tapes, making him the label’s first Japanese artist and firmly establishing his place in the global music conversation. His tracks have even been woven into the sets of electronic stalwarts such as Aphex Twin.
* Artwork by Jesse Osborne-Lanthier

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18,91

Ültimo hace: 13 Meses
Armin Van Buuren - A State Of Trance Year Mix 2024 LP 3x12"
 
104

f11 FLRNTN, Benjamin Duchenne - "Last Man Standing" (feat Sivan) (1:08)
f12 Nicholas Gunn & Harshil Kamdar - "Here I Am" (feat Alina Renae - Richard Durand remix) (1:08)
f13 DJ TH X TH3 ONE X Sue McLaren - "Everything To Me" (1:08)
f14 Matty Ralph - "Te Adoro" (1:08)
f15 Armin Van Buuren & Vini Vici - "Sarabande" (feat Anna Timofei) (1:08)
f16 Lilly Palmer - "Hare Ram" (1:08)
f17 David Forbes - "Techno Is My Only Drug" (1:08)
f18 Armin Van Buuren - "Blah Blah Blah" (Lilly Palmer remix) (1:08)
f19 Armin Van Buuren - "The Road To Your Destination" (A State Of Trance Year mix 2024 outro) (1:14)

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46,64

Ültimo hace: 10 Meses
AGUSTIN PEREYRA LUCENA QUARTET - La Rana

Far Out Recordings proudly presents Argentinian guitarist Agustín Pereyra Lucena’s 1980 album La Rana. Recorded in Oslo, La Rana features Agustín’s stunning takes on compositions by Ivan Lins, Antonio Carlos Jobim and Agustín’s friend and musical hero Baden Powell. In addition to these, and a number of Agustín’s own compositions including the fifteen-minute masterpiece “Encuentro De Sombras”, the album’s title track is an idiosyncratic version of Joao Donato’s “A Rã” (Eng: The Frog/ Esp: La Rana) from his 1973 album Quem É Quem.

Forming the rest of the quartet are two fellow Argentinians who were also Agustin’s bandmates from the group Candeias: bassist and multi-instrumentalist Guillermo Reuter and flautist Ruben Izarrualde; with Norweigan drummer Finn Sletten on drums and percussion.

Throughout La Rana we hear not only Agustín’s fabled guitar playing, which ascended him to share stages with the likes of Vinicius de Moraes, Dorival Cayymi, Toquinho, Maria Bethania, Chico Buarque and Quarteto Em Cy, but also his talent as a vocalist. He also provided the heartening illustration for the cover art, which perfectly fits the cordial, inviting tone of the music. Inspired in equal measure by South American rhythms and Norweigan glaciers, mountains and waterfalls, La Rana is filled with the warmth, humility and sincerity of a man seizing a joyful moment in life through music.

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27,31

Ültimo hace: 14 Meses
T3AL - Bluish Green EP

Bluish Green was 15 + years in the making, passively percolating bi-coastly in the background of three family members' lives, waiting for the perfect opportunity to present itself. That moment came in January 2024 when Ball Sisters & N1_Sound settled into the Spiritual World home base of Studio Z in Toronto, Canada. What started as three casually blissful days, resulted in a debut album, combining a unique blend of dub, neo soul, ambient & downtempo. Bluish Green sits halfway between a low-key dance floor and late night back room.

The album was almost entirely created live in the studio with very little discussion, conversation or conscious direction. There were no goals or future plans, just mutual appreciation for the moment. Repeat takes were few and far between, with the group moving fluidly from one track to the next. This preservation of emotion and human touch is deeply embedded into the music, allowing the listener to share in the raw moments that were experienced while Bluish Green was organically taking shape.

Sonic themes of the natural world run throughout the five song, 30 minute album. “R U 4 Real” welcomes the listener into T3AL’s unique ecosystem with intimate cicade-esque shakers. A reverberous güiro frog (acquired on a family trip one year ago) and synthesized ocean waves create an ambient wetland on the album's 8 minute instrument track “Frog Legacy ''. Bluish Green comes to a shimmering close on “Flip That Switch” with dubbed out crystalline slide-flute melodies resembling ocean birds that fade into an iridescent horizon.

Digital drum patterns skip & stride around contemplative circular lyrical themes on four of the five album tracks, while spatial flute melodies simultaneously spin just under the surface. The bass guitar on Bluish Green is a continuous harmonic support system, repeating on a different tectonic rotation, much slower and deeper, offering familiar footing that stops the listener from drifting out in the rippling undertow of analogue delay feedback.

“R U 4 Real”?... A question that T3AL revisits frequently when thinking of the surreal weekend that resulted in the trio’s debut album, Bluish Green

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18,45

Ültimo hace: 12 Meses
Lechuga Zafiro - Desde los oídos de un sapo LP

Desde los oídos de un sapo

We are very excited to announce a new chapter in our journey. Here we are blazing a new trail, making our way to document and leave a first-class record of sound design, Field Recording and cutting-edge electronic music made in South America. We present our first album, 'Desde los oídos de un sapo', by our favourite amphibian, a man ahead of his time, the Uruguayan Lechuga Zafiro.

"How could I call it my sound if I had not found it myself?"___

States the artist, who finished forging his outstanding musical identity based on field recordings. Metal, wood, plastic, glass, rock, toads, birds, sea lions, pigs and water (in its various forms) captured in Uruguay, El Salvador, Chile, China, Argentina and Portugal, coexist and exchange harmonic and dynamic properties. By altering, editing, or simply letting the sounds manifest themselves, Lechuga generates a wide and complex rhythmic-timbral universe. These are 7 tracks that never cease to have consistency and a fierce character.

Lechuga's debut album is a milestone in Latin electronic music. This document opens a new territory, one so genuine and challenging, so real and fertile, that we are confident it will be a must-have anywhere on the planet. This collaboration is our new contribution to the mission of contemplation, so please stop, come to this frog's ear, to feel with both Pablo and us.

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22,06

Ültimo hace: 15 Meses
Tycho - Back To Mine LP (2x12")

It has been twenty years since the first Back To Mine release but still the series is going strong. These personal after-hours soundtracks have never sounded more relevant than now, and next up is GRAMMYr Award-nominated, San Francisco-based artist Tycho. It finds him going deeper than one of his famous Burning Man sets as he heads into otherworldly, cinematic headphone territory with tunes from Lancaster, Little Dragon, Octo Octa, Ulrich Schnauss and many more across four fantastic sides of vinyl.

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15,76

Ültimo hace: 12 Meses
Various - Never Let Go OST LP 2x12"
  • 1: Opening Forest
  • 2: Bow
  • 3: Sideration 150
  • 4: Lichen 70
  • 5: Froggy
  • 6: Sideration 180
  • 7: Ombilic 41
  • 8: Sideration 300
  • 9: Mama's Death
  • 10: Sideration
  • 11: Ombilic 44
  • 12: Trapped In The Closet
  • 13: Lichen 14
  • 14: Sideration 110
  • 15: Ombilic 50
  • 16: Never Let Go
  • 17: I Love You Mama
  • 18: She Loves Me More
  • 19: Sideration 420

The Original Soundtrack by ROB

Blood Red & Black Swirled Vinyl with Forest Green and Yellow Splatter
Heavyweight Gatefold Packaging with Matte Satin Coating
Artwork by Creepy Duck Design
11"x11" Art Print
After the successful sell-out soundtrack release of the Oz Perkins (Longlegs) directed GRETEL & HANSEL, Waxwork Records is excited to team back up with composer

Robin Coudet, aka ROB, on his outstanding new score to Never Let Go. Known for his unique electronic compositions including 2012's MANIAC, HORNS, REVENGE, and GRETEL & HANSEL, ROB's career continues to grow in cinema, series, and documentaries with more than 40 original scores composed.

Waxwork Records is excited to release NEVER LET GO Original Motion Picture Soundtrack by ROB as a deluxe vinyl release including Blood Red and Black swirled vinyl with Forest Green and Yellow splatter, heavyweight gatefold packaging, artwork by Creepy Duck Design, and an 11"x11" art print.

Reservar20.12.2024

debe ser publicado en 20.12.2024

45,34
Bliss Street Queens - Deep Hows EP

Pacific Rhythm returns with a heady new offering entitled the “Deep Hows EP" from NYC based Producer and DJ, Arsenii under his Bliss Street Queens moniker. The EP effortlessly trips through the cosmic and psychedelic sounds of the hazy and hopeful 1990's in a refreshing and modern style, all while shining a light on Arsenii’s undeniable ear for rhythm, energy, and feeling on the dance floor.

This one can carry you from the chill-out room to the main stage and is an essential pick-up for all of the Interesting Audio enthusiasts out there looking for machine funk of the highest caliber!

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13,66

Ültimo hace: 11 Meses
Bart Davenport - Game Preserve LP

The last couple of years have seen a renaissance for West Coast singer-songwriters. LA-based youngsters such as Drugdealer and Sylvie have attracted considerable attention releasing warm and mellow records tonally reminiscent of the early 70s. Most fans of this new/old sound are unaware of Bart Davenport's early explorations in the same sonic territory. His now 20-year-old "Game Preserve"album should gain an appreciative new audience with its first ever vinyl release.

In the year 2000, Bay Area troubadour Bart Davenport and several other musicians were recruited by a major tech corporation in Seattle to work on an algorithm-based music matching/search engine. It was what looked like the beginning of a promising career. After a year, however, the project was shelved. Bart and his colleagues were laid off with a healthy severance package... on the 12th of September, 2001. Not only had the musician's life changed, so had the world. Rather than blow the money on a holiday or new car, Bart knew he had to make a record. A proper album that meant something.

Back in Oakland, he entered Wally Sound Studios with former Kinetics bandmate Jon Erickson at the controls, and a swathe of talented local musicians. "With Game Preserve," Bart explains, "Jon and I really wanted to knock it out of the park. I wanted to utilize people from my old bands like Loved Ones drummer John Kent. I also invited my newer indie-pop friends from Call & Response, and a young Nedelle Torrisi. Harmony singing by The Moore Brothers was an essential ingredient on Game Preserve as well."

Both Erickson and Davenport fondly recall growing up in households where the music of The Carpenters, Joni Mitchell and The Eagles soundtracked their young lives. By the early 00s they were ready to reconnect with what is often referred to as the "Laurel Canyon" sound. "I'd buy used tapes at garage sales and play them in the car. "Ladies Of The Canyon" by Joni and Jackson Browne's first album were both in heavy rotation. Jon Erickson was getting deeper into the Steely-Mac-Doobie yacht-rock sound in earnest. A certain amount of childhood nostalgia led a lot of us back to that part of the 70s. I'd flirted with classic soft-rock on my first album, but that record was pretty scattered esthetically. I wanted my next one to be more focused. Jon and I made some ground rules: no electric guitars (except on 'Bar-Code Trees'). No synths. Most importantly, all the songs have an air-tight, super dead, close mic'd drum sound. Putting these sorts of limitations on the sessions will give your record a specific quality. In the case of "Game Preserve"it's mostly about tight drums, acoustic instruments and analog production. We used a 24-track, two-inch tape machine for tracking, then ran the mixes through an analog board straight to a 1/4 inch master tape."

While the album's sonic palette may be firmly planted in 1970, Davenport's songwriting covers a sizable landscape of moods and reflections. From the quasi-flamenco intro of 'Sweetest Game' to the somber Wurlitzer of 'Nowhere Left To Go', to the 12-string shimmer of 'Intertwine', "Game Preserve" tells a story of young love, lost innocence and redemption, crossing borders and oceans along the way.

Released in 2003 on family-run Oakland label Antenna Farm, the ultra-analog sounding "Game Preserve" was only made available on digital formats, including CD. Copies were later pressed by labels in Germany and Spain; the latter being one country the album actually did well in, establishing Bart Davenport with a small but loyal fanbase he still enjoys today. Two European tours as support for Kings of Convenience also helped gain a foothold on the continent. Back in the US, however, Davenport and his sophomore album remained quite obscure.

Limited promotion meant it did little, but for the music lovers that heard it, the album undoubtedly remains a classic of the era, deserving far more. Twenty years on, it now finally receives its vinyl debut. "I personally think it holds up well," says Bart of the album two decades later. "The idea was to make something that could be an homage to late 60s/early 70s West Coast pop but hopefully timeless as well. Years on, I hear it as just that. It was a colorful and brief period of my life that felt at times like it could last forever. I discovered the joy of working in a proper studio with a perfect cast of characters. I'm still very close with all these people and still play music with many of them."

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23,95

Ültimo hace: 16 Meses
Jumbo - Live In Caremma

Jumbo

Live In Caremma

12inchAMSLP175
AMS Records
29.11.2024

The short but intense initial phase of Jumbo’s career, marked by the release of three albums in 1972/1973, revealed their distinctive approach to Italian progressive rock and rapid artistic growth.

“Vietato ai minori di 18 anni?”, released in 1973, represents the peak of this era, showing the band’s evolution from an English beat-related beginning to a more mature and meaningful work for Italian prog fans.

On the occasion of the 50th anniversary of this masterpiece’s release, Jumbo were invited to the prestigious Prog and Frogs festival, where they performed the entire album live, enriching the experience with interesting explanatory introductions for each track. During the show, Jumbo amazed the audience, displaying the same drive and passion as they used to fifty years ago.

Simply put, a must-have for lovers of Italian progressive rock music! Clear orange vinyl edition with gatefold cover.

Reservar29.11.2024

debe ser publicado en 29.11.2024

33,82
Various - Weird Scenes From The Hangout (Freakbeat 1967-82) (LP 2x12")
 
28

Two-Piers präsentiert die nächste Killer-Compilation: "Weird Scenes From The Hangout (Psychedelic & Freakbeat Dancefloor Anthems 1967-1982)", kuratiert von Richard Norris (The Grid, Beyond The Wizard's Sleeve, The Time And Space Machine) und zentriert um seine Liverpooler Clubnacht "The Hangout" in den 1980ern. Dort brachten er und weitere DJs bewusstseinsverändernden Wahnsinn aus Psychedelia und Freakbeat auf die Tanzfläche. Herausragende Songs wie "The Left Banke - I've Got Something On My Mind", "The Turtles - Buzzsaw" oder "Can - Outside Your Door" wurden zu echten Hangout-Hymnen. Man widmete der eher trendy Ausbeute der Spät-Sechziger ebenso viel Zeit wie angesagten Acts, solange der Groove auf dem Dancefloor funktionierte. Das Hangout kam und ging im Nu, aber sein Erbe, psychedelische Fußstampfer auf die Fläche zu bringen, lebt weiter, gemeinsam mit der Liebe zu allem, was mit Beat und Freak zu tun hat.
** Exclusive tracks to Vinyl Format

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42,82

Ültimo hace: 16 Meses
The Mole - High Hopes (LP)

High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie. Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His co lages marry the corporeal world with an updated, digitalized age of reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz (Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.

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20,80

Ültimo hace: 16 Meses
The Mole - High Hopes (MC)

The Mole

High Hopes (MC)

CassetteCCK7002
Circus Company
22.11.2024

High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie. Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His co lages marry the corporeal world with an updated, digitalized age of reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz (Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.

Reservar22.11.2024

debe ser publicado en 22.11.2024

12,56
Devonanon - Richard & John

10 years after their debut, City Of All Times audio-visual enquirers John B McKenna and Richard Greenan re-appear as Devonanon, to share the findings of a decade-long sonic experiment. Like its predecessor, Richard & John is a living, breathing collection of field recordings and compositions, gathered gradually from remote corners of the pair's lives. Familiar waypoints - interwoven microtonal synths, regurgitated live performances, polite whispering, and the gurgling hum of vehicles (land and sea) - all fold into the perpetual stew.

Where City read like a crumpled postcard account of fraternal reportage, Richard & John is a tone poem on something more amorphous, and out of time - a garbled history of human closeness, upheaval and mark-making, that seems to buckle and creak like a tapestry with no beginning or end. No two spoonfuls are the same, as our story reels through kosmische library stylings ('Wilderness Engine'), to cortex-quieting free association ('Generate Countryside'), and baroque instrumentation ('Blood Laughing', which features beautiful turns from Masayoshi Fujita on vibraphone, and Rosa Juritz on bassoon).

Reservar22.11.2024

debe ser publicado en 22.11.2024

20,97
Hiatus Kaiyote - Tawk Tomahawk

Red-Transparent LP + Bonus 7inch

Brainfeeder kündigt für den 16. Dezember 2022 die Wiederveröffentlichung des mittlerweile zu Kultstatus aufgestiegenen Debütalbums der Prog-Jazz-Future-Funkster von Hiatus Kaiyote, „Tawk Tomahawk“! Das Album, das ursprünglich 2013 erschien kommt in seiner Neuauflage auf Rot-transparenten Vinyl dem zusätzlich eine Bonus-7“ mit dem grandiosen Clever Austin Remix von „Boom Child“ und der Klassiker 'Nakamarra feat. Q-Tip' beiliegen.

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27,69

Ültimo hace: 16 Meses
Various - Worm Records 002

Various

Worm Records 002

12inchWORM002
Worm Records
19.11.2024

Worm Records coming back with a number two. Kicking off with a Boulderhead future classic 'In The Cloud', you will have heard 'Bread, Butter, Noodles, Spice' on a dancefloor someplace somewhere, this one is in the same vein but fresh as f. Frenchman Wooka completes the A side with 'Make Yourself Comfortable' which sounds proper on most chunky dancefloors. The B starts off with a track from the legendary DMX Krew who needs appreciation for helping birth this project / label - 'Half Included' is a unit and you’d expect nothing less. The final track on the record is from Jorg Kuning - 'Imbolc' which is typical froggy business from the new hot shot.

All proceeds will support UK Food Banks through the LIVEFORLOVE campaign.

Big thanks to Prime for their incredible support on this project.

Designs by Jay Vaz & Daniel Lovrinov.

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14,24

Ültimo hace: 9 Meses
MAC DEMARCO - OLD DOG DEMOS (TAPE)

Demos of Critically-Acclaimed Album, 'This Old Dog'. Captured Tracks brings listeners a selection of demos - one of which was previously left on the cutting room floor - and instrumentals from Mac DeMarco's latest LP, This Old Dog, as a limited Record Store Day Release. Over the past few years we have watched Mac develop from a cult artist to a standout figure amongst the realm of the indie mainstream. From bedroom sessions to a string of critical accolades, high sales, and sold out tours all over the world, Mac stands as an inspiration for the young musician tinkering with their 4-track tape recorder in a suburban bedroom - a sincere example of humble beginnings and honest hard-earned acclaim. These recordings give an intimate view into the world of Mac DeMarco, taking listeners back to the roots of Mac's writing and recording straight from his own bedroom izz-Jazz' studios. Old Dog Demos, a 15-song LP that is divided into Demos on Side A and Instrumentals on Side B, is sure to have both dedicated and casual Mac collectors alike lining up outside of their local record stores to pick up this truly special release.

Reservar08.11.2024

debe ser publicado en 08.11.2024

14,08
AMOS RODDY - CITIZEN SLEEPER OST LP 2x12"
También disponible

COLOUR IN COLOUR VERSION[69,54 €]


** 2LP BLACK VINYL / 2LP COLOUR IN COLOUR MAILORDER EDITION** In collaboration with composer Amos Roddy and developer Gareth Damian Martin (Jump Over The Age), Stumpy Frog Records has pressed the soundtrack to the critically acclaimed and BAFTA-nominated Citizen Sleeper to 2LP vinyl. Wake up, Sleeper. Studio Jump Over The Age invites you into a world unlike anything you’ve experienced. In Citizen Sleeper, you inhabit a digitized human consciousness in an artificial body, owned by a corporation that wants you back. Inspired by the vast options of tabletop role playing games, developer Gareth Damian Martin set out to create an entirely new world for you to inhabit. Live a life through a game of chance and strategy. Build friendships and discover the stories of spacestation Erlin’s Eye. Gareth Damian Martin’s world isn’t just created through visuals and dialogue. Composer Amos Roddy (In Other Waters, Cloud Gardens, The Wild At Heart) imbues the world of Citizen Sleeper, and its inhabitants, with the sounds of mystery and melancholy, darkness and glimmers of light in the frontiers of the future.

Reservar28.10.2024

debe ser publicado en 28.10.2024

57,56
AMOS RODDY - CITIZEN SLEEPER OST LP 2x12"
También disponible

Black[57,56 €]


** 2LP BLACK VINYL / 2LP COLOUR IN COLOUR MAILORDER EDITION** In collaboration with composer Amos Roddy and developer Gareth Damian Martin (Jump Over The Age), Stumpy Frog Records has pressed the soundtrack to the critically acclaimed and BAFTA-nominated Citizen Sleeper to 2LP vinyl. Wake up, Sleeper. Studio Jump Over The Age invites you into a world unlike anything you’ve experienced. In Citizen Sleeper, you inhabit a digitized human consciousness in an artificial body, owned by a corporation that wants you back. Inspired by the vast options of tabletop role playing games, developer Gareth Damian Martin set out to create an entirely new world for you to inhabit. Live a life through a game of chance and strategy. Build friendships and discover the stories of spacestation Erlin’s Eye. Gareth Damian Martin’s world isn’t just created through visuals and dialogue. Composer Amos Roddy (In Other Waters, Cloud Gardens, The Wild At Heart) imbues the world of Citizen Sleeper, and its inhabitants, with the sounds of mystery and melancholy, darkness and glimmers of light in the frontiers of the future.

Reservar28.10.2024

debe ser publicado en 28.10.2024

69,54
Chancha Via Circuito & El Buho - Tenalach

"“Tenalach - The relationship with the land, the sky, the water and the deep connection that allows you to hear the earth sing and be one with nature”

Following on from their many mutual remixes and first collaborative EP “Pleamar” (Wonderwheel Recordings 2020) Chancha Via Circuito y El Búho return with a new EP “Tenalach"" which sees the duo enter new territories and soundscapes. This mysterious, atmospheric and melancholic EP is like the soundtrack to a videogame that takes place in a strange and wonderful parallel universe.

Imagine Zelda set in the jungles and mountains of Latin America.

Croaking frogs sit next to driving snares on the genre-defying Sapo Cururú, birds float above strobing synths on Oropéndola while Sumay’s epic synth lines melt into Chancha’s trademark percussions on Sumay. Opener El Samurai is perhaps the closest to the pair’s well-known folktronic sound, marrying cowbells with bowing violins and its animal-esque synth line.

While the BPM may have risen, this is neither ‘downtempo’ nor ‘umtempo’ and an EP that cannot easily be pigeon-holed - it is fresh and original. It also reflects a darker side to the pair’s music, a sub-conscious reflection of a changing world, holding in each song a constant tension and the desire to escape to new realities where the connection between humans and nature is blurred and equal."

Reservar25.10.2024

debe ser publicado en 25.10.2024

25,17
Juliet Lawson - Boo! The Early Recording 1971-73 LP
  • A1: Dear Fool (3.27)
  • A2: Igloo (2.42)
  • A3: Nothing New (3.10)
  • A4: I Won't Get My Feet Wet Again (3.21)
  • A5: Who Is India? (3.46)
  • A6: Let Me Not Put You Down (4.53)
  • B1: Only A Week Away (3.24)
  • B2: Playing Is No Song (2.42)
  • B3: You're So Right, September (3.34)
  • B4: The Weeds In The Yard (2.33)
  • B5: Rolling Back (4.16)
  • B6: Frog In The Jam (3.35)

Bonus 7”
A. Rincón de Luna (2.55)*
B. Voices (2.34)*

Singer/Songwriter Juliet Lawson’s album, ‘Boo’, was released on the Sovereign label in the UK in 1972. The album was the confident debut of a young British artist and featured twelve of Lawson’s own compositions.

In the same wave of early 1970s English singer-songwriters such as Nick Drake, Vashti Bunyan, Christine McVie and despite being described at the time as ‘Britain’s answer to Joni Mitchell’ ‘Boo’ was to prove her only major label release with limited commercial success.
Over the next 50 years the album’s reputation has slowly grown and is today an expensive and collectible item. ‘Boo’ is presented here in its entirety.

The first pressing of the vinyl edition of the album also come with a bonus 7-inch single featuring two early demo tracks produced by ex-Yardbirds founder Paul Samwell-Smith, who also produced Carly Simon and Cat Stevens. Special Limited-Edition Album with bonus 7” Single + Download Code.

Includes interview with Juliet Lawson and exclusive photography.

Reservar25.10.2024

debe ser publicado en 25.10.2024

32,35
CHRIS SCHLARB - DROPSY LP 2x12"
También disponible

Colour version 2[54,41 €]


“Dropsy? Now there’s a name I have not heard in a long time…” Well, that makes one of us, because composer Chris Schlarb’s soundtrack hasn’t left my rotation in the years since I first played developer Jay Tholen’s brilliant wordless adventure. I remember the exact moment I decided to reach out to Chris Schlarb about a vinyl release: I was playing the game with my then six year old daughter, scouring the street as Dropsy for clues, as the sultry jazz of Kierkegaard’s Neon Lights guided the tone in the background. My daughter took her hand off the mouse for a second and said, “This music…” she paused, finger to her chin, ”… is really good.” That was good enough for me. Originally released as a 1LP in 2015, the soundtrack has been long since out of print and quite difficult to get your hands on. Especially at a decent price. Believe me, I’ve tried. So I decided to rectify that, and maybe go the extra mile as well, because if there’s a soundtrack that deserves it, Dropsy certainly qualifies. – A deluxe 2LP release of the Dropsy soundtrack – Exclusive liner notes by Clint Basinger, host of the LGR (formerly Lazy Game Reviews) YouTube channel – Side A & B containing 28 tracks of the original soundtrack by Chris Schlarb – Side C containing 17 rare demo tracks from the Dropsy sessions – Side D containing the full Eternal Hug EP by game creator Jay Tholen (Hypnospace Outlaw, Slayers X: Terminal Aftermath: Vengeance of the Slayer), for the first time on vinyl – Cover design by Jay Tholen – 3D art design by Crisppyboat

Reservar18.10.2024

debe ser publicado en 18.10.2024

54,41
CHRIS SCHLARB - DROPSY LP 2x12"
También disponible

Colour version 1[54,41 €]


“Dropsy? Now there’s a name I have not heard in a long time…” Well, that makes one of us, because composer Chris Schlarb’s soundtrack hasn’t left my rotation in the years since I first played developer Jay Tholen’s brilliant wordless adventure. I remember the exact moment I decided to reach out to Chris Schlarb about a vinyl release: I was playing the game with my then six year old daughter, scouring the street as Dropsy for clues, as the sultry jazz of Kierkegaard’s Neon Lights guided the tone in the background. My daughter took her hand off the mouse for a second and said, “This music…” she paused, finger to her chin, ”… is really good.” That was good enough for me. Originally released as a 1LP in 2015, the soundtrack has been long since out of print and quite difficult to get your hands on. Especially at a decent price. Believe me, I’ve tried. So I decided to rectify that, and maybe go the extra mile as well, because if there’s a soundtrack that deserves it, Dropsy certainly qualifies. – A deluxe 2LP release of the Dropsy soundtrack – Exclusive liner notes by Clint Basinger, host of the LGR (formerly Lazy Game Reviews) YouTube channel – Side A & B containing 28 tracks of the original soundtrack by Chris Schlarb – Side C containing 17 rare demo tracks from the Dropsy sessions – Side D containing the full Eternal Hug EP by game creator Jay Tholen (Hypnospace Outlaw, Slayers X: Terminal Aftermath: Vengeance of the Slayer), for the first time on vinyl – Cover design by Jay Tholen – 3D art design by Crisppyboat

Reservar18.10.2024

debe ser publicado en 18.10.2024

54,41
Machine Girl - MG Ultra LP

Machine Girl

MG Ultra LP

12inch8704096280
Future Classics
18.10.2024

The highly acclaimed NYC duo embodies DIY culture, a lo-fi sound w a distinctly hi-fi, maximalist cultural vision. Genre-transcending music for an overstimulated generation. Infamous for cathartic, erratic performances, MG has a rabid following thru sonic maximalism & anime/B-horror visual flair. Anthemic & fast-paced, the new studio album MG Ultra is Machine Girl’s heaviest music to date & also offers a boiling-the-frog intro to MG for new fans. MG lore juxtaposes whether the picture painted is that of reality, a fantastical escape, or a jarring future. Infamous for cathartic, unpredictable performances & genre-agnostic catalog, Machine Girl's vitriolic, organic following has developed through sonic maximalism & anime/B-horror visual flair.

Reservar18.10.2024

debe ser publicado en 18.10.2024

28,15
ED HARRISON - NEOTOKYO LP 4x12"

4LP: Two multicolour gatefold 2LPs in very special sleeve. In collaboration with composer Ed Harrison (Deus Ex: Breach, Tsioque) and art designer Julianne Griepp, Stumpy Frog is proud to release the full OST (GSDF & NSF albums) to the Half Life 2 modification NEOTOKYO° on 4LP limited vinyl. During the period of 2004-2009, Half Life 2 modders TEAM RADI-8 created a multiplayer total conversion focused on two clashing factions in a dystopian cyberpunk future inspired by the works of Masamune Shirow (Ghost in the Shell) & Katsuhiro Otomo (Akira). To bring this world to life, they enlisted the help of a then-23 year old composer from the forums: Ed Harrison aka 0edit. What he created was nothing short of spectacular. Equal parts frantic and solemn, hopeful and angry, this soundtrack is exactly the kind of art Stumpy Frog Records was made to bring to wax. I’ve been listening to this OST for years and I hope this release will become a mainstay on your record player. A diamond, fully formed, that Ed Harrison, Stumpy Frog, and art designer Julianne Griepp poured themselves into to create a release worth your time and hard earned money.

Reservar15.10.2024

debe ser publicado en 15.10.2024

117,23
AURALNAUTS - BEYOND COPPER LP

In collaboration with musicians and parody artists Auralnauts, Stumpy Frog Records has pressed the soundtrack to their ongoing series of ‘As Seen on TV’ parodies known as the ‘Infomercial Wars’. During an unspecified point in time, a faceless dystopian company pushes out products under the guise of improving the quality of life for humanity. The commercials have a sexy presentation to them, designed to lull the viewer into a hypnotic state and gloss over what is really being sold to them: enslavement to an evil entity. The true purpose of these products is clear to anyone with an iron will: to imprison your mind, strip away your humanity and weaponize what remains. Humanity’s only hope is a scrappy group of freedom fighters whose key to success is convincing you to buy their products instead of the enemy’s. May the best infomercial win. Beyond humanity. Beyond Copper. The parody series is made up of real life infomercials with complete audio makeovers. The products themselves vary from one commercial to the next, but a popular trend in these ads is the seemingly unlimited uses for copper, which is taken even further by the parody versions. The bubbly pitchman from the source material has been replaced by a soothing, yet vaguely threatening alien presence. This mysterious voice paints a picture of a world that would make David Cronenberg and James Cameron blush, and all of it is held together by a dystopian soundtrack that is perfect for ushering humanity into the next step of this forced evolution. Side A of the album contains six full length studio versions of the music featured in each ad. 1) 300% More Human 2) Techromancer 3) Full Body Copper System 4) Master of Reality 5) Final Boss (Sock Defense Grid) 6) Beyond Copper Side B features the ads themselves, presented faithfully as they appear on the Auralnauts Youtube channel.

Reservar15.10.2024

debe ser publicado en 15.10.2024

44,33
Cindy - Swan Lake EP

Cindy

Swan Lake EP

12inchTLV173LP
TOUGH LOVE RECORDS
04.10.2024

Cindy is to release a new six song EP called Swan Lake on 4th October via Tough Love. The title isn’t a nod to the folktale or ballet in any real way, but to the fact that it all has ended up in the collective imagination as an object, vaguely recognizable, a little suggestive, and mostly blank. Karina Gill, Cindy’s songwriter, likes to make use of that kind of resonance to connect sound and experience. The six songs on this EP continue the stripped-down habits of previous Cindy releases, while adding a few departures and left-turns. Cindy likes to work at the essentials and the elements here say exactly what’s needed. In other ways, these songs present a soft filigree that’s unusual for their recordings. Oli Lipton (Now, Violent Change) on guitar and Will Smith (Now) on bass play counterpoint melodies to Gill’s structures. Staizsh Rodrigues (Children Maybe Later, Almond Joy, Peace Frog) sings vocal harmonies that both offset and deepen Gill’s voice and delivery. There are playful drums by Mike Ramos (Tony Jay, Sad Eyed Beatniks) and coolly elaborate guitar lines from Stanley Martinez (Famous Mammals, Violent Change, Non Plus Temps). Gill’s songs strike this balance too: almost nonchalant reporting tied up in unexpected knots. A ride in an elevator connects up with questions about peace and/or the nature of things; the title track wonders about associative thinking and associative feeling; The Bell is an account of one of those times when everything makes sense but you can’t explain it; and there’s the scene of a party viewed with admiration for how friends can love each other. As Gill herself says: "People have told me that they can’t quite identify my influences. Me neither. The foundational layers of music of the past and my past have been metabolized like breakfast and turned into more me, sorry to say. But I experience the music of people I’m connected with and it impacts me in the moment. There’s the music I’m around – April Magazine, Sad Eyed Beatniks, Violent Change, Katsy Pline, collaborating with Mike on Flowertown – that I can feel a direct line from. Then there’s music that is being made far away but feels close, like Lewsberg, specifically, for this EP. " CINDY – UK Tour Dates: Oct 31st WOE is 6 @ Walthamstow Trades Hall, London w/ Cuneiform Tabs & Bobby Would. Nov 1st Coventry, UK Just Dropped In Records, 2 Halifax, UK The Grayston Unity, 4 York, UK The Fulford Arms, 5 Gateshead, UK The Central Bar, 6 Glasgow, UK The Glad Café, 7 Manchester, UK Rat & Pigeon, 8 Cambridge, UK NCI Centre.

Reservar04.10.2024

debe ser publicado en 04.10.2024

22,27
Cindy - SWAN LAKE EP

Cindy

SWAN LAKE EP

12inchTLVLP173
TOUGH LOVE RECORDS
04.10.2024

Cindy is to release a new six song EP called Swan Lake on 4th October via Tough Love. The title isn't a nod to the folktale or ballet in any real way, but to the fact that it all has ended up in the collective imagination as an object, vaguely recognizable, a little suggestive, and mostly blank. Karina Gill, Cindy's songwriter, likes to make use of that kind of resonance to connect sound and experience. The six songs on this EP continue the stripped-down habits of previous Cindy releases, while adding a few departures and left-turns. Cindy likes to work at the essentials and the elements here say exactly what's needed. In other ways, these songs present a soft filigree that's unusual for their recordings. Oli Lipton (Now, Violent Change) on guitar and Will Smith (Now) on bass play counterpoint melodies to Gill's structures. Staizsh Rodrigues (Children Maybe Later, Almond Joy, Peace Frog) sings vocal harmonies that both offset and deepen Gill's voice and delivery. There are playful drums by Mike Ramos (Tony Jay, Sad Eyed Beatniks) and coolly elaborate guitar lines from Stanley Martinez (Famous Mammals, Violent Change, Non Plus Temps). Gill's songs strike this balance too: almost nonchalant reporting tied up in unexpected knots. A ride in an elevator connects up with questions about peace and/or the nature of things; the title track wonders about associative thinking and associative feeling; The Bell is an account of one of those times when everything makes sense but you can't explain it; and there's the scene of a party viewed with admiration for how friends can love each other. As Gill herself says: "People have told me that they can't quite identify my influences. Me neither. The foundational layers of music of the past and my past have been metabolized like breakfast and turned into more me, sorry to say. But I experience the music of people I'm connected with and it impacts me in the moment. There's the music I'm around - April Magazine, Sad Eyed Beatniks, Violent Change, Katsy Pline, collaborating with Mike on Flowertown - that I can feel a direct line from. Then there's music that is being made far away but feels close, like Lewsberg, specifically, for this EP. "

Reservar04.10.2024

debe ser publicado en 04.10.2024

21,81
MERMAID CHUNKY - SLIF SLAF SLOF

Mermaid Chunky

SLIF SLAF SLOF

12inchDFALP2714
DFA Records
19.09.2024

Mermaid Chunky. It's all in a name, sometimes. The danceable, costumed, curiosity rich duo of artists Freya Tate and Moina Moin are as imaginative as they profess. Or, to get more to the point, as we all need them to be. Freya and Moina are two visual artists and musicians from Stroud and South London, places where they importantly found communities (Stroud's SVA and the capital's Total Refreshment Centre) of like minded people just as willing to chase down an idea to its possibly illogical conclusion. And it is in the collective and the idea of participation that Mermaid Chunky really clicks. This is a party, a collective dance, made all the better with more: people, ideas, layers, kick drums, recorders, saxophones, frogs. To wit, the album's first track and first single, "Céilí," named after a traditional Scottish or Irish social gathering and dance, which builds from a simple recorder line into a swelling, warm burst of major chord dance music. Goosebumps or check your pulse. Further down the rabbit hole, "Chaperone" is almost boardwalk electro, like Fischerspooner on a ferris wheel; "Frogsporn" and "Nature Girl" are mucky, trippy dirges filled with stalactites of synth and squelch; "Tiny Gymnast" is a kaleidoscopic waltz into the night. Hold onto your seats, ladies and gentlemen. You might be wondering how we, DFA Records, all the way over in cynical Brooklyn, entered the picture. There was a day a few years ago, sun shining in full Springtime splendor, when James heard something while waiting for a coffee down the street from the office. It sounded simple yet deceptively complex: a dance track, but one where the one - that anchoring first beat in a measure - could be heard a thousand different ways. Frustrated and interested, he Shazamd the song, playing at the shop from an episode of Zakia's Questing show on NTS, and brought it back to the office, where we all listened to it about fifty times. (The song was "Friends," from Mermaid Chunky's VEST EP, released in 2020. It led to an invitation to open for LCD at Brixton Academy in 2022. Mermaid Chunky has also played live alongside The Comet Is Coming, Alabastair Deplume, Snapped Ankles, and many others.) Thus began our search for Mermaid Chunky. A quest it has been and a quest it will always be.

Reservar19.09.2024

debe ser publicado en 19.09.2024

23,49
Frankie Stein and His Ghouls - Monster Melodies

After years of visiting graveyards, combing through haunted houses, and pursuing (heh heh) dead ends, we finally tracked down the rights to the legendary Frankie Stein and His Ghouls series! Why did we risk life, limb, and livelihood to find these records? Well, first of all, long-time Real Goners know we LOVE these campy ‘60s takes on horror rock—witness our previous macabre moves into the Zacherle, Munsters and Groovie Goolies franchises. But there’s something extra special about these Frankie Stein and His Ghouls records. You wouldn’t think that Halloween records released by a subsidiary (Power Records) of a children’s specialty label (Peter Pan Records) would be so…er…visceral, but these records are definitely the most out there of their kind. And there might be a reason for that…you see, it has been revealed that the Power label enlisted the aid of some very, very interesting musicians for some of its projects. For instance, the imprint’s 1966 album Batman and Robin by The Sensational Guitars of Dan and Dale was actually produced by Tom Wilson of Bob Dylan, Velvet Underground, and Mothers of Invention fame—and the band was made up free jazz legend Sun Ra and members of The Blues Project! Which has led to all sorts of speculation about who Frankie Stein and His Ghouls actually were; among the names bandied about are guitarist Duane Eddy, jazz saxophonist Max Greger, and, yes, Sun Ra and the Blues Project again. At any rate, prepare yourself for frenetic rock-and-twist workouts punctuated by deranged howls and shattering sound effects. And with a back story like this, it’s no wonder original copies of these albums sell for downright horrifying prices…here come the last two for a truly fiendish finale!

Reservar06.09.2024

debe ser publicado en 06.09.2024

36,93
Klex - Klextasy EP

Klex

Klextasy EP

12inchSTRICT009
Strictly Strictly
06.09.2024

Klex blobbing his first solo EP on Strictly Strictly, pushing forward with his virtually self-titled "Klextasy EP". Entangling techy trance strikers with dreamily warm temperament, Klex offers three strikingly quirky productions on side A, blending surprisingly seamlessly from bouncy to anthemic passages. Accompanied by a strong team of remixers, with Viikatory, Lakehead, and DJ Normal 4 pressing a psy-techy stamp on side B. Digital Bonus: Two extra Remixes from Urte and once again Normal 4. A release like a steamy open-air summer night by the lake.

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14,24

Ültimo hace: 17 Meses
Nick Cave & The Bad Seeds - Wild God LP

Nick Cave & The Bad Seeds melden sich mit ihrem neuen Album 'Wild God' nach fünf Jahren Pause zurück! Auf zehn Tracks tanzt die Band zwischen Konvention und Experiment, indem sie Linkskurven und Umwege macht, die die reiche Bildsprache und Emotion in Caves herzergreifenden Erzählungen verstärken. Es gibt Momente, die liebevoll an die Vergangenheit der Bad Seeds erinnern, aber sie sind flüchtig und dienen nur dazu, dem unerbittlichen und ruhelosen Vorwärtsdrang der Band eine weitere Facette zu geben. Nick Cave sagt über das Album: “It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious.”

Produziert von Cave und Warren Ellis und gemischt von David Fridmann, begann Cave am Neujahrstag 2023 mit dem Schreiben des Albums. Bei Aufnahmen in der Provence und in London fügten die Bad Seeds schließlich ihre einzigartige Alchemie hinzu, mit zusätzlichen Auftritten von Colin Greenwood ( Bass) und Luis Almau (Nylonsaitengitarre, Akustikgitarre).

"Wild God…there’s no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it." - Nick Cave

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25,08

Ültimo hace: 11 Meses
Nick Cave & The Bad Seeds - Wild God LP

- Limited Vinyl Edition + Art Print Bundle: (Transparente Vinyl in Premium Tip-On-Sleeve mit bedruckten Inner-Sleeve plus limitierten 12” Artprint – Prägedruck auf hochwertigem Karton.)


Nick Cave & The Bad Seeds melden sich mit ihrem neuen Album 'Wild God' nach fünf Jahren Pause zurück! Auf zehn Tracks tanzt die Band zwischen Konvention und Experiment, indem sie Linkskurven und Umwege macht, die die reiche Bildsprache und Emotion in Caves herzergreifenden Erzählungen verstärken. Es gibt Momente, die liebevoll an die Vergangenheit der Bad Seeds erinnern, aber sie sind flüchtig und dienen nur dazu, dem unerbittlichen und ruhelosen Vorwärtsdrang der Band eine weitere Facette zu geben. Nick Cave sagt über das Album: “It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious.”

Produziert von Cave und Warren Ellis und gemischt von David Fridmann, begann Cave am Neujahrstag 2023 mit dem Schreiben des Albums. Bei Aufnahmen in der Provence und in London fügten die Bad Seeds schließlich ihre einzigartige Alchemie hinzu, mit zusätzlichen Auftritten von Colin Greenwood ( Bass) und Luis Almau (Nylonsaitengitarre, Akustikgitarre).

"Wild God…there’s no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it." - Nick Cave

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39,08

Ültimo hace: 18 Meses
Jacaszek - Gardenia

Jacaszek

Gardenia

12inchTO117V
Touch
20.08.2024

GARDENIA is an existing land located at the Limpopo province of South Africa, right at the border with Botswana. The place's real name is Mmabolela and it's a private nature reserve covering 6500ha of subtropical savanna and part of Limpopo River.

In November 2019 I had a chance to visit the location and participate in an annual residency for composers and sound artists called 'Sonic Mmabolela', initiated and curated by Francisco López.

We lived in an isolated property in the middle of savanna having a unique opportunity to exist in undisturbed touch with the African wilderness.

For the past decade or so, Polish musician Michal Jacaszek has been exploring a new, resolutely modern chapter in Eastern Europe's long, storied love affair with classical music. His creations are painstakingly crafted collages of electronic textures and baroque instrumentation.

All the natural sounds later used to create Gardenia were captured there — during longtime recording sessions over the virgin interior of Mmabolela Reserve.


The album's field recording content was selected from several hours of birdsong, calls of frogs, insect noises, sounds of trees, bushes, grass as well as non-living natural elements like stones or shells.

These field recordings were later digitally processed and used as part of 9 musical arrangements.

However the recording sources and the location of Gardenia is defined, it was not my intention to document a South African natural soundscape nor create any other kind of strict concept album.

All I do in my work is an affirmation of beauty hidden in various aspects of the Creation. MJ

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26,85

Ültimo hace: 19 Meses
Various - PORTABLIST LOUNGE V1

bring you a 7 inch scratchsafe™ battle record.

A narrow head-gauged deep cut non skip 7" DJ battle tool at 83bpm.

Standard scratch samples with AI generated voices from well known celebrities!


Featuring - Alex Jones, Bart Simpson, Kermit the Frog, Stan Marsh, Angry Male, Adam Sandler, Alan Partridge, Cleveland Brown, Jerry Springer, Rick Sanchez, Snoop Dogg, Donald Trump, Tucker Carlson, Eric Cartman, Stewie Griffin, Greta Thumburg, Arnold Schwarzenegger, Joe Rogan, Limmy, Peter Griffin, Peter Kay & Simon Cowell
Includes an additional x2 Portablist Lounge vinyl marker stickers for easy application
Digital download not available.

Weighing in at 40gms.

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14,71

Ültimo hace: 19 Meses
SUPERSEMPFFT - ROBOTERWERKE LP

Reissue

Nachdem sie uns den technotropischen Pop von Supersempfft durch die Wiederveröffentlichung ihrer zweiten LP "Metaluna" vorgestellt haben, beamen sich die trittsicheren Leute vom Hamburger Bureau B ein paar Jahre zurück, um uns das unverschämte Debüt der Hessen zu präsentieren. Das kollaborative Vehikel karrt durch den Kosmos wie ein Hochleistungsclownsauto, das gewagte Akkordprogressionen, technische Innovationen und einen Haufen Hooks hinter seinem Cartoon-Chassis verbirgt und uns glückliche Hörer auf die Spritztour mitnimmt.

Reservar09.08.2024

debe ser publicado en 09.08.2024

23,49
G.S. Schray - Whispered Something Good LP

Circling guitar lines; the rise of fall of delicate bass; deep, breathy horns: sonic elements that exist in a state of slow, perpetual motion, like ideas sprouting from some kind of cognitive compost. With wonder and charm, G. S. Schray's new solo album, Whispered Something Good, evokes a realm of new growth while offering a fitting soundtrack for its exploration, as if tailor made for both the daydreamer and silly adventurer.


We start in the darkness of "Unlit Center" with elliptical phrases of jazz guitar. A conversation between double bass, synthesiser, and piano plays out on "In Tears Twice A Page" before we're ushered into the reflective zone of "Another Haunted Mirror." There is synth mist which trumpet cuts through decisively like a shaft of light from the sun: warm and clear. As the album proceeds, firmer rhythms coalesce. On "Prelude for Probably," clattering drums lock into a triumphant groove with horns. And then, to close, the instrumental art-pop of "Gone in Amber," probing not necessarily towards a final destination but another stop-off, one of distant birdsong and the faintest flicker of synth. Intimate and inviting, the act of listening to Whispered Something Good is akin to digging through an imagination. It's a place of subliminal melodies blooming into rhizomatic musical shapes, stray musings coalescing as bolts of inspiration — change fostering yet more change.

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