Buscar:the future

Swedens #1 techno legend The Source Experience aka Robert Leiner delivers this disturbingly fat acid techno 12'' on Borft that gets into your ears and brain like a locomotive straight from the rave days. On the A-side a crushing stripped down funky repetitive acid stonker that will spank old and young ravers like they were one big ass. B1 continues in a similar fashion but with a almost electro-ish backbeat instead of straight 4/4 and strong hints of classic EBM in the bassline and percussions. The hairs on my arms were standing up at this point. B2 is a weird surprise ending with a downtempo, strangely harmonic, melodic and almost romantic track which somehow reminds me of the Frak classic ''Uttoz gives a song''. If you are into Acid in any form this 12'' is a no brainer, a must have, a future classic. And make sure you have doubles so you can mix together A and B1 and extend them into eternity. 2024-01-18 Joakim Cosmo

On 24th May, 2024, the exact day of its Golden Jubilee, Diamond Dogs will be issued as a limited edition 50th anniversary half-speed mastered LP. The first single from the album, ‘Rebel Rebel’, reached number 5 in the UK and the album would also reach similar heights on both sides of the Atlantic reaching number 1 in the UK and number 5 in the USA.



This new pressing of Diamond Dogs was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios



The writing of the album was influenced by Bowie not being able to secure the rights for a theatrical production of George Orwell’s 1984 and the work of William S. Burroughs, whom Bowie had interviewed for Rolling Stone in November 1973. The songs on the album created an urban apocalyptic scenario with Bowie appearing on the cover as a controversial half-man, half-dog hybrid painted by the Belgian artist Guy Peellaert from photos by the world-renowned photographer Terry O’Neill. Since its release, tracks from Diamond Dogs have been covered by artists such as Beck, Tina Turner, Duran Duran, Def Leppard, Joan As Police Woman, Dead Or Alive and The Struts.

Pitched Peach's inaugural release marks a significant homage to the Bay Area's musical legacy, featuring five tracks from Darwin Chamber, the alter-ego of Mark Greenfield.

Chamber's contributions have been instrumental in shaping the distinctive sound of the ambient house/trip-hop and breakbeat movement that originated in San Francisco during the 1990s. His work offers listeners a timeless experience that represents the essence of electronic music's history. This EP encapsulates the playfulness we seek both as a listening experience and to burn the dance floor, setting the stage for an electrifying future of releases on the label. All tracks have been remastered for the occasion!

2024 Restock

SPACIOUSNESS - Music Without Horizons - 'Spaciousness' is the first volume in a series of releases that seeks to explore the connections, the overlaps, the roots and the future of a music variously referred to as ambient, deep listening, new age and even post classical. Further to this our aim - in association with Strange Attractor Press - is to explore the concept of 'Spaciousness' not just through music but also through writing, still and moving image and through live events. Featuring Abul Mogard, Matthew David, Private Agenda, Cathy Luca, MJ Lallo, Jon Tye & Ulrich Schnauss, India Jordan, Blackwater, Susumu Yokota, Laraaji & Seahawkes, Andras, Teleplasmiste, Yamaneko and Carlos Nino & lasos.

Falling Ethics is back with their first release since 2019 to present a new vision within the label's background. Label owner P.E.A.R.L. comes back at it with 4 tracks of future proof quality techno.

Über drei Jahrzehnte nach ihrer Gründung durch Leslie Mandoki, setzen Mandoki Soulmates mit ihrem Album "A Memory Of Our Future" nicht nur musikalisch neue Maßstäbe, sondern präsentieren ein produktionstechnisches Meisterwerk: Das gesamte Album wurde analog aufgenommen und produziert - vom ersten Ton bis zum fertigen Vinyl. Die Produktion des rund 80-minütigen Konzeptalbums ist ein seltenes Unterfangen in der heutigen Musiklandschaft. Mit durchgehend analoger Signalverarbeitung vom Mikrofon bis zur Vinylpressung ist die Produktion von "A Memory Of Our Future" ein Manifest von Präzision und Leidenschaft, die in jedem Ton des Albums zu spüren ist. Das Mastering des analogen Magnetbandes durch Greg Calbi im renommierten Sterling Sound Studio in New York und der Vinylschnitt in den Emil Berliner Studios sind ein Symbol für die audiophile Exzellenz des Albums. Mit einem Setup, das in der gegenwärtigen Musikproduktion kaum noch zu finden ist, und mit der die Band eine Wärme und Lebendigkeit in ihrer Musik eingefangen hat, die in digitalen Aufnahmen oft verloren geht, haben die Soulmates ein Werk musikalischer Vielfalt geschaffen, das von Prog bis Jazz Rock reicht, und kompositorische Reife, spielerische Leichtigkeit und kunstvolle Solos mit großen Spannungsbögen und tiefgründigen Texten zu gesellschaftspolitischen Themen verbindet. Die generationsübergreifende Supergroup von Rock- und Fusion-Großmeistern mit Ian Anderson (Jethro Tull), Mike Stern, Al di Meola, Randy Brecker, Till Brönner, Bill Evans, John Helliwell (Supertramp), Cory Henry, Richard Bona, Steve Bailey, Simon Phillips (Toto), Leslie Mandoki, Tony Carey (Rainbow), Nick van Eede (Cutting Crew), Jesse Siebenberg und Mark Hart (beide Supertramp) ruft mit dem Album zum Handeln gegen Spaltung und für Menschlichkeit auf. Mit "A Memory Of Our Future" gelingt den Soulmates eine einzigartige Verschmelzung audiophiler Exzellenz und gesellschaftspolitisch relevanter Musik. Dieses Album ist nicht nur für Fans von Prog und Jazz Rock, sondern für alle, die echte Musik zu schätzen wissen.

Revisiting Duncan Forbes’ debut solo album ‘Return Of The Strobelight Kid’ on 49North we now have three wonderfully fresh takes on three different tracks from the album.

First up we have Kassian who tackle ‘Floating’ and they step up to the mark with grace and turn in a peak time, hypnotic, yet melodic, tech house groover that will light up any dancefloor.

Next Borai takes on ‘Another World’ and using the sweeping analogue strings from the original he lets them soar over funk fuelled shuYling hats and clattering snares. He draws you in gently and when the bass drops, buckle up for the ride !

The third and final remix comes from none other than Legowelt. His no holes barred high energy take on ‘Serendipity’ is full of analogue warmth and grabs you right from the start. Layers of electro charged arpeggiated lines fuse with the strings from the original underpinned by a driving rhythm to propel you forward into the future and beyond.

The 49North journey continues..........

After more than 6 years of silence, Abschaum is finally back with a new album, and it was about time because this new opus is sublime!!

‘Shamanic’ Chris (Abschaum’s mastermind), made alone this magnificent piece of Folk, Ambient, Kraut music, that he carefully recorded in the mountains of Jura, experimenting with his guitar and a little electronic set-up, composing beautiful melodies and singing French lyrics with powerful voice to bring us to another level of harmonies, the all merged with special atmospheres that are not without remembering Eno or Froese sometimes. In our opinion, this record could easily been recognise as a timeless masterpiece in the future.

Standard version on 2LP black vinyl in gatefold sleeve. ‘Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent.



'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.

Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.



2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.

Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.

Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.

Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."

Fierce and forlorn, Swarm Intelligence’s “The Shattered Self” delves into the complexities of human existence in an era dominated by technological advancements. In this thought-provoking exploration, the artist challenges listeners to confront the consequences of a near future where physical and mental augmentation are commonplace. In a world where limbs can be upgraded, where consciousness can be uploaded, where memories can be digitally archived and shared on social media, where our AI clones can liberate us from menial tasks… What remains of our selves? Who is our self?

Swarm Intelligence draws influences from black metal, industrial-tinged dub and post rock, splicing these with his distinctive take on techno to devastating effect. "Dejected," the inaugural track, unleashes grinding walls of feedback against a relentless broken beat, its foreboding atmosphere heightened by a menacing low growl of distorted bass that permeates the unease. It's a disquieting overture that sets the stage for the tumultuous journey ahead.

The second track, “Eros” envelops the listener in a visceral soundscape, where haunting atmospheres intertwine with grinding feedback and pounding percussion. Initially tense, the track evolves into an unexpected and almost euphoric climax, adding an unforeseen emotional depth to the sonic narrative. Yet, beneath the surface, an undercurrent of tension remains—an ever-present reminder of the fragility of our self.

On the flip side, "Inciter" channels inner fury through a guttural chant punctuating a Birmingham-styled broken beat, marching forth with unyielding force.

Finally, "Portal" offers a moment of quiet introspection, as haunting pads echo a mournful refrain while micro recordings of whirring machinery are assembled into the percussion section. It serves as a poignant curtain-closer.

Through "The Shattered Self," Swarm Intelligence challenges listeners to reconsider their perceptions of identity, consciousness, and agency in an age where the machine and the human converge. It's a haunting and profound journey—one that invites introspection and contemplation long after the final reverb tails fade into silence.

In spring,
Again.
But it's true this time.

In Spring is the second record by Tara Clerkin Trio, a Bristol-based group who appeared to emerge from below the radar of near-all in early 2020 and in the presence of one of the most captivating records of that year. This latest 23 minute, four song collection, recorded in various stages and locations over the last twelve months, does nothing to detract from those first impressions, refining the woozy and shimmering oddness of their debut into an avant-pop sensibility that is increasingly their own.

If the group did arrive fully formed, what that form was did feel supple and hard to grasp. They were, in a sense, essentially new sounding, or at least ghosts between the established lines, and with this new record have doubled-down on their inherently Delphian instinct. At its heart, In Spring is a record of subtle contrasts, experimental yet familiar in its intimacy, obviously modern though tied to certain lineages, and driven by a pop logic which is also free-form and seemingly improvised. Their approach to sound is perhaps the guiding principle here, less concerned with genre as it is texture and feeling, drawing from jazz, folk, modern composition, trip hop and downtempo electronica, yet evading all of those categorisations. Tara Clerkin Trio are too generous of heart to be ripping up any rulebook, they simply seem oblivious to its need.

Their geography does provide some context. Bristol's progressive sonic heritage inescapably bleeds into these four tracks, the enclave of open-minded artists around Planet Records in the mid 90s perhaps the closest point of comparison. There's that same magpie spirit which is both futuregazing and aware of its past, though is mostly set on finding its own path. This is in essence what defines Tara Clerkin Trio, feeling their way through freedom of instinct and curiosity, forging their own desire lines. Not so much taking the road less trodden, just walked at their own winding pace.

"Done before,
And I'll do it again"
Ringing in my head
While I try
To feel

For the second release of the Back to Back series of Stolen Goods goes for two stables of the scene: label manager and old school pillar of the Italian scene Lele Sacchi and Italo Spanish beat master Bawrut.
After B2B1 saw the funky deep sound of Rogue D feat Joe Le Groove and the raw house grooves of Ruff Stuff got played by Laurent Garnier on his show and by peeps like Jamie Jones and Oliver Dollar in their sets and chosen by Beatport in most of their weekend picks here we are ready for two bangers for clubbing prime time! Bawrut's fame goes a long way back to in the best of Europe's crossover of electronic dancefloor music and indie and urban flavours. An album on Ransome Note, hits for Life & Death, Correspondant and tracks supported by Dixon, Jennifer Cardini, Ricardo Villalobos Sven Bath and playing B2B with Kink and Skream in festival and clubs like Sonar, Nuits Sonores, Fabric, Sub Club, Nitsa, etc. and now this massive hands in the hair, goosebumps in the back monster of retro future rave piece of music!
Lele Sacchi is known to have an ear for bangers having been behind the decks all over the world for nearly 30 years, so whenever and with various aliases he turns into producer is quite normal to find his music out on labels like Snatch, Soul Clap, Nervous, Internasjonal, Crosstown Rebels, Pokerflat, Rebirth and more and more classic underground dance stables. This time he keeps his know funkier deep groove but adds a kille stab in the breakdown to represent a vein of peaktime monster attitude.
Again a message 'From Clubbers to Clubbers' as we love to say here at Stolen Goods records.

G Version III from Kyoto Japan arrives on Digital Sting via a correspondence going back a few years that grew out of mutual musical connections and a deep appreciation for the Jamaican soundsystem diaspora. G Version grew up with a love of Hip Hop, R&B, and Reggae and had a musical revelation at a Lake Biwako sound clash event as a teenager that was formative in spurring a deeper dive into Dancehall and soundsystem culture.

After some time spent studying in the UK and returning to Japan, working at Jet Set records along with meeting heavy weight producer Element the beginnings of her future musical output began to take shape. Downtime during the pandemic provided the time to concentrate on production. G Version's sound has a retro futuristic feel, equal parts Dancehall history and esoteric dub leanings, particularly in tune with the more experimental branches of 80's-90's UK Dub and Steppers. Influences being stated G Versions sound is thoroughly distinct and imaginative, not content to conform to any obvious genre tropes. Also included in this release are two dubs of G Version tracks by Digital Sting mainstays Feel Free Hi Fi.

G Version III- Scenery From Double Glazing DS008 Digital Sting Records

2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.

Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.

Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.

Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.

This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wöllo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.

And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.

The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.

Elsewhere, Olav Wöllo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:

"Olav Wöllo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.

We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."

The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle Époque, alongside the ivory work of Eirik Blåsternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.

As with Belle Époque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.

And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.

2024 repress

Melody As Truth founder Jonny Nash returns to action with his first solo album in four years.

Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.

From the smudged acid-folk bliss of ‘Theories’ and ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.

Point of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.

Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.

Bread & Souls is a new project dreamt up by Italian entrepreneur and music lover Franco Fusari. Franco invited Mark de Clive-Lowe on board to direct and produce an album of collaborations with some of our favorite artists including the likes of Bembé Segué, Vanessa Freeman, Paul Randolph, Rich Medina, Tommaso Cappellato and more.
Chapter 2 EP continues with more future classics, kicking off with the jazz dancefloor workout Never Gonna Leave featuring the Queen of Broken Beat Bembé Segué on vocals and shredding sax solos courtesy Teodross Avery. In classic soulful broken beat fashion, Bembe reunites again with Vanessa Freeman for Technicolor Sunshine – drenched in MdCL’s signature production sound. Two remixes complete this installment with Mr Scruff and Kaidi Tatham’s downtempo reworking Anybody Out There (check out the original version on Chapter 1) and Italy’s G&D coming through

finally repressed !

For the second journey on ´Future Romance´ the french DJ and producer duo ´Esoteric Circle´ from Paris are delivering 2 masterpieces of melodic house & techno music. The two brothers bring their emotions together in a new innovative style, focussing on elaborating synth melodies and minimal percussive sounds, full of energy. As remixer for this brilliant release we could win the renowned italian duo ´Hunter/Game´, wellknown for their successful releases on labels like Kompakt, Afterlife or LNOE, just to name a few.
Early DJ support by Adriatique, Sasha, Dubfire, Fur Coat, Anii, Dave Seaman, Markus Kavka, Dirty Doering, Undercatt, Zoo Brazil, Dr. Motte and more...

One of the most consistent new labels around, Cyphon Recordings, marks double figures with another standout release that gleans from the past, but faces the future. This time they look to the talents of Emotive Technology, a new alias from Chilean Massiande who provides a five-track EP of machine-wielding, soul-rousing techno from across the spectrum.

Although this may be the first release under his new moniker, Massiande has spent the last decade putting out productions with labels such as Housewax, Phonica, Freerange and Groovin. Firing on all cylinders from the get-go, ‘Rise’ kicks off the Walk Into The Light EP. A hyperspace melding of new beat, Italo and arp-operating techno that opens out into a slice of peak-time revelry.

The swirling textures of ‘It’s On’ follow, pushing you into the next dimension. A hypnotic, entrancing and arresting heads-down powerhouse. Crunchy and considered it's the kind of strobe-stuttering basement jam that turns heads inside out.

Two Detroit-leaning tracks ‘Your Zone’ and ‘Walk IntoThe Light’ are up next. The former is a heavyweight machine workout. Layered synth lines and crisp drum programming transfix, as that grooving low-end powers bodies into bedlam. The latter, a Motor-City-influenced tour de force. One that sees Massiande recode the circuitry to hit with a piano-laden stunner, balancing power and presence, with emotion and nuance.

Closing out proceedings, ‘The Swing’ sucks you in deeper. A resonating world of synth stabs, pulsating basslines and atmospheric electronics.

Doing the Emotive Technology namesake proud, Walk Into The Light is machine music hardwired with a heavy sense of soul.

dub & detroit techno-inspired tracks for the dancefloor

The A-side features two timeless tracks by label founder Sub Semantics. "Stay" captivates with melancholic pads, while 'Dub Revolver' is a gentle yet energetic track for situations away
from main time.
The B-side features solo productions by Session Restore and Bernhard Hudalla. The two are known from joint productions on
rauh and soon on Mojuba/ a.r.t.less. With "Jelly", Session Restore delivers reduced, Detroit-inspired techno with highly effective 909-drumming. "Influx" by Bernhard Hudalla rounds off the EP with playful drum clusters and insistent leads.