Buscar:the kat

Atuy So Kata is the closing track of Umeko Ando's Ihunke album. It is a poetic dedication to the surface of the ocean. Her voice is especially mesmerizing in this traditional Ainu song, and it perfectly captures all the brittle and enchanting qualities of her vocal art. Patric Catani (aka Candie Hank, aka Ill Till) is an artist of many faces who has already appeared on a couple of Pingipung releases. He is widely known for his recent soundtracks for video games such as Minton and Pit People. His playful remix approaches the Ainu folk song with an offbeat punch, spacing out on delays and dub textures. "Many white waves on the ocean They look like rabbits jumping." After the Iuta Upopo 7'' (Pingipung 058, 2017), the Ihunke re-issue 2LP (Pingipung 060, 2018) and the Ihunke Remixes 12'' (Pingipung 062, 2018), this single is latest step in Pingipung's explorations of Umeko Ando's legacy and contemporary interpretations of her unique music.

Italian directors GUALTIERO JACOPETTI and FRANCO PROSPERI gave birth to a whole new subgenre of 'non-fiction' exploitation movies with their 1962 hit MONDO CANE. After repeated accusations of forgery, unethical behaviors and war crimes, they decided to make a movie about the atrocities of American slavery as an apology of sorts. It was 1971 and the movie was FAREWELL UNCLE TOM (ADDIO ZIO TOM) The famous critic Roger Ebert called the result 'the most disgusting, contemptuous insult to decency ever to masquerade as a documentary' Naked flesh, voyeurism and violence is constantly used but gorgeous photography and a memorable score from Academy Award nominee RIZ ORTOLANI add a sickening slickness to it all: rock- beat tunes mixed with classic big band themes, waltz and funny marches and the beautiful OH MY LOVE, with the vocals from Katyna Ranieri, used, among many others by Winding Refn in his cult movie DRIVE (2011).

FIRST VINYL REISSUE EVER
LIMITED EDITION OF 500 COPIES
COMPLETE EDITION WITH EXTRA TRACKS

Metric Systems is the name of a covert project of over 20 years duration. It has moved across multiple continents, under multiple names. The 8 songs that make up 'People in the Dark' were recorded between 2000 and 2016 in various locations across Sydney, Melbourne and New York. The bright-eyed sci-fi fascination of Australia's Clan Analogue collective intertwines with the more sinister facets of modern technology - echoed voices pepper the album like fragments of a surveillance tape collected by our digital panopticon. A pervasive sense of paranoia and unease winds its way through these 8 tracks that move between techno, downtempo and more abstract strains of electroacoustic experimentation. Fittingly housed in a striking sleeve by American photographer Trevor Paglen, whose MacArthur-winning work revolves around these same themes of omnipresent surveillance and data mining.

'People in the Dark' opens with the wordless vocals of 'Your Room', drifting over the unspooling synthesizer sequence that seems to swell and recede from the foreground like the ebb and flow of a lapping tide, lapsing into dreamy ambience before the drums come back in. The smartly programmed drums are the focus of 'Chinatown Warehouse', whose hip-hop swing gives a distinct 'nod factor' to the otherwise hazy mechanics of the track. On 'Laika', a 303 line weaves its way across the subdued mid-tempo groove, gently recalling the ambient-acid of Susumu Yokota's 'Ebi' project. The penultimate track, 'Stellarwind' starts with a dark, foreboding drone before shining pads arc over like a glimpse of light through the track's murky darkness, the tension between these two poles moving together as the song unfolds.

This record reflect just a small selection from a large archive of recorded materials. All songs written and produced by Kate Crawford and Bo Daley.

We Launch A New Vinyl Series, Strictly Limited To 200 Units, No Repress, On Which We'll Be Releasing The Finest Tracks Released On The Digital Pot (digipot).
For This First Strike, We've Chosen A Oldie But Definitely Goodie, Released Back In 2009 On Digipot18: Katharsys, Gancher & Ruin - Dirt Track Ep.
The Original Release Includes 4 Tracks, We've Taken These 2 For "hard-stuff-on-vinyl" Lovers: Sky From Beyond / I Think Its Done.

We Launch A New Vinyl Series, Strictly Limited To 200 Units, No Repress, On Which We'll Be Releasing The Finest Tracks Released On The Digital Pot (digipot).
For This First Strike, We've Chosen A Oldie But Definitely Goodie, Released Back In 2009 On Digipot18: Katharsys, Gancher & Ruin - Dirt Track Ep.
The Original Release Includes 4 Tracks, We've Taken These 2 For "hard-stuff-on-vinyl" Lovers: Sky From Beyond / I Think Its Done.

The 2nd album from French pop act Yelle gets a long-awaited reissue, the first one since the initial release in 2011! Following her first album 'Pop-Up' (2007) and an unexpected international success which brought Yelle on tour with Katy Perry, 'Safari Disco Club' is an explosive cocktail of rich pop melodies and tribal rythms filled with the peculiar childish energy of singer Julie Budet (aka 'Yelle'). The release of the album was followed by an international tour which included a second appearance at Coachella. This deluxe edition includes the original album featuring productions from Yelle's long-time partners in crime Jean-François Perrier (aka 'Grand Marnier') and Tanguy Destable (aka 'Tepr') and also from German producer Siriusmo. It also includes an additional vinyl compiling on vinyl for the very first time remixes from Madeon, Lo-Fi-Fnk, The Shoes and Logo, among others.

The beating heart of our annual summer gathering, Subsonic Music Festival, is the Paradiso stage from which this EP takes its inspiration. With a soundtrack from some of our favourite underground international & local artists, this EP represents just a slice of that unique place. On the A-side is the always incredible and globally respected Alexkid & the man of the moment who is making huge waves after an amazing year of releases, Stephan Bazbaz. On the B-side we go deeper with some of Australia's finest boy wonder Retza and the sophisticated minimal grooves of Katie Drover.

Originally released in 1980, it was Bush's first number 1 album and was also the first ever album by a British female solo artist to top the UK Albums Chart. It features the UK Top 20 singles 'Breathing', 'Army Dreamers' and 'Babooshka', the latter being one of Bush's biggest hits.

We head into the final quarter of the year with a very
welcome return to First Word from London producer,
musician, engineer and DJ, Eric Lau. Following on
from his acclaimed early 2017 album, 'Examples',
we proudly present the second volume - another
delectable 28-track beats opus.
'Examples Volume Two' is Eric's fourth
instrumental album, and ably continues where he
left off with an assortment of sonics, ranging through
hip hop, jazz, funk, soul & Brazilian beats. An
elaborate sketchpad of ideas and grooves, this again
gives a taste of the genius production skills of 'The
Commissioner', Mr. Lau.
A mixdown perfectionist, his services have been
drafted into service on a number of albums over the
past few years, including Yussef Kamaal's 'Black
Focus', Mansur Brown's 'Shiroi', The Playlist's
'Chasing Goosebumps', DJ Jazzy Jeff's 'M3',
Masego's 'Lady Lady', and Kaidi Tatham's 'It's A
World Before You', released on First Word recently.
It's through these recent collaborations that we have
a few unique ingredients peppered through this
project, the track 'Jeff's Piano' is based on a sample
taken from Eric's iPhone, capturing a moment when
Kaidi was teaching Masego a few chords at Jeff's
studio. Both integral players to the Playlist Retreat,
Eric and Kaidi have also provided remix duties for
Moonchild, Omar and Leon Ware, and Kaidi Kat also
lends his key playing talents to a few tracks here.
Eric has also worked as a producer for artists like
Oddisee, Guilty Simpson, Dego, Tawiah, Rahel and
Fatima, whilst his DJ skills have seen him tour the
globe with luminaries such as Erykah Badu, Robert
Glasper and Questlove. He's received props over the
years from tastemakers across the world, including
Rich Medina, 9th Wonder, Bobbito, Dam Funk, Phonte, Gilles Peterson, James Poyser (The Roots) and Ali Shaheed
Muhammad (A Tribe Called Quest).

Wild Oats proudly presents the new EP from Kyle Hall entitled 'Equanimity'. This release marks the 10 year anniversary of Wild Oats and its only fitting that we celebrate with a release from the label boss himself. Along with the engineering treatment from 'Chicago's very own" (C.V.O.) deep house legend, Glenn Underground, "Equanimity" takes on a new foundational sound and assembly.

Deep Nigerian ''Igbo highlife'', here combining Highlife with the more traditional Igbo music - guitar-based music, with rare characteristic blend of horns and vocal rhythms..
.
The 1970s and 80s saw the rise of the Ukwuani style in Nigerian highlife. A funky fusion of the laidback, mellifluous guitar lines characteristic of Igbo highlife with the rugged, animated rhythm section of Edo dance music, the sound was a sensation that made stars of musicians like Rogana Ottah, Steady Arobby, King Love A.U., Bob Fred and Chief John Okpor. One of the most consistent players in this field, though, was General Franco Lee Ezute, leader of the Harmony Kings International Band.

Bongo Joe presents this deluxe reissue of Onye Kata Obia, one of the Harmony Kings' most underrated albums. Full of electrifying guitar work and intoxicating rhythms, it is sure to keep the crowd dancing!

The Second Testprint.
Mastered By Neel At Enisslab, Rome.
Artwork By Melanie Buddhipala.

* Packaged in re-sealable polybag with A4 artwork insert. Comes with EOC logo sticker and download code.

* Katsunori Sawa returns to his EOC (Enormous O'Clock) alias for Mirae Arts. Hailing from Kyoto (Japan), Katsunori Sawa is the co-founder of 10 Label with techno producer, Yuji Kondo. Currently producing and performing as a solo artist as well as in collaboration with Yuji Kondo (as Steven Porter), Anthone (as BOKEH), and Chafik Chennouf (founder of Leyla Records). EOC debuted on the legendary UK label Ai Records in 2008 with an album called Information Warfare. Katsunori Sawa has since then developed a catalogue of deep techno escapades for labels such as Weevil Neighbourhood, Opal Tapes, Leyla Records, and 10 Label.

* The Path of Untitled Memories is a project grounded in neon excess and delicate balance of modern conformity. Ceaseless wriggles beyond pleasures. Electro excursions for the curious minded.

* Logo and sticker design by Jason Smith (founder of Ai Records). Artwork by Elbert Choi (founder of Mirae Arts).

* Vinyl pressed at the highly reputable Gotta Groove Records, Cleveland, Ohio.

Slender Man Tells The Story Of A Tall, Thin, Horrifying Figure With Unnaturally Long Arms And A Featureless Face, Who Is Reputed To Be Responsible For The Haunting And Disappearance Of Countless Children And Teens. The Album Features The Film's Original Music Composed By Ramin Djawadi (game Of Thrones, Westworld, Iron Man) And Brandon Campbell (the Thinning). The Motifs Are Thin And Sneaky And Not Too Heavy. It Just Fits Perfect In The Dense Tension Of The Storyline. The Classic Horror Sound Is Present At Some Moments, But It's Mostly The Melodies Of String That Pulls The Soundtrack To The Right Direction.
The Slender Man package contains a min-poster and you'll find secret inscriptions in the run-out groove. The album is available as a limited Halloween edition of 666 numbered copies on coloured (transparent & black swirled) vinyl.
-180 GRAM AUDIOPHILE VINYL
-PVC PROTECTIVE SLEEVE
-SCORE BY BRANDON CAMPBELL & RAMIN DJAWADI (GAME OF THRONES / WESTWORLD)
-CONTAINS MINI-POSTER
-SECRET INSCRIPTIONS IN RUN-OUT GROOVE BRAND NEW 2018 HORROR MOVIE
-LIMITED HALLOWEEN EDITION OF 666 NUMBERED COPIES ON COLOURED (TRANSPARENT & BLACK SWIRLED) VINYL

Mit fast 18 Milliarden Streams ist Post Malone der meist gestreamte Newcomer aller Zeiten. Auf Spotify verzeichnet sein zweites Album - beerbongs & bentleys' in den USA vorrübergehend die meisten Streams innerhalb der ersten Woche nach Release - Anfang Mai waren neun Songs in den Top 20 und alle 18 Songs in den Hot 100 in den USA vertreten. Die Single "Rockstar," ft. 21 belegte über 100 Tage Platz 1 der Spotify Global Charts. Nicht ohne Grund ist Post Malone in der Kategorie - Artist Of The Year' bei den diesjährigen American Music Awards nominiert und begeisterte sein Publikum bei einem ausverkauften Konzert in Köln dieses Jahr. Nun erscheint das Erfolgsalbum - beerbongs & bentleys' am 26.10.2018 auch als Vinyl.

Fast-moving Times, In Which Popularity And Quality Are Often Equated Or Commonly Confused With One Another, Aids And Abets This Imitation Game Some Call Conformity, Others Professionalism. In The End, Both Paths Will End Up In Predictability. Here's Where Stathis Kalatzis, Aka Mr. Statik, Comes To Play. The Resident At Athens' Multi-purpose Cultural Space Six D.o.g.s Has Not Only Been One Of The Scene's Pivotal Figures, But Since He Started To Release His First Solo Releases In The Mid-00s, The Now Berlin-based Greek Dj Has Earned A Reputation For Being A Trend-ignoring, Unconventional Producer.

Whether His Output For Bpitch Control, Rotary Cocktail, Or Even Last Year's Debut Ep "rogue
Cherub" For Away - Mr. Statik Enjoys Thinking Outside The Box By Crossing His Diverse Pop-cultural Interests And Pulling In Expertise And Perspective From Beyond The Usual Functional Formulas. After A Decade Of Not Staying In One Comfort Zone Or Sticking To One Musical Direction, He Finds Himself More Comfortable In His Producer Shoes Presenting His Debut Album "metamorphose". Housing A Few Film References In This For Mr. Statik Typical Nebulous Fashion, The Ten Tracks Not Only Carrying The Narrative Potential Of An Imaginary Score, But Primarily Exploring A Versatile Array Of Influences, Themes, And Contradictions (which Mr. Statik As An Illustrator Also United On The Albums' Artwork). Ranging From The Sci-fi Infused Album Opener "insomnia", The First Non-dancefloor Piece He Ever Produced Around 7 Years Ago, Over "atastrophe", An Homage To Ancient Greek Theater, To Collaborate With Others Such As Beatrice Ballabile, Jan Niklas Jansen (locas In Love), And Rbma Alumnus Claude Speeed, Who Contributed Synth Work On "soulfur".

"metamorphose" Succeeds In Constantly Changing Its Tones, While Maintaining An Emotional
Frame, In Which Mr. Statik's Melancholic, Introvert, At Times Hopeful And Euphoric, Bottom End
Inclined Electronic Music Can Elaborate.

Mr. Statik On His Album Debut:

"i Have Always Tried To Approach Producing As Storytelling Exercises. This Allowed Me To
Experiment Finding Myself In Uncharted Territories, More Specifically In Music That Doesn't
Necessarily Fit To A Dance Floor - Unless It's A Very Adventurous One. 'metamorphose'' Is Loyal To That Mindset. I Usually Draw Inspiration From Cinema And Comic Books And Have Always Been Fascinated With Sci-fi, South Asian Culture, Surrealism And The Dreamworld. Initially The Album Was Supposed To Be A Collage Of The Various Influences That Had Shaped My Life, But Ended Up Being Something Very Different. During The Conceptualization And Recording Process A Lot Of Things Around Us Have Changed, Primarily For The Worse. I Became More And More Sensitive And Susceptible To Pessimism And Trendy Visions Of 'dystopian Futurism', So That The Lp Emerged Being An Exercise In Positivity: 'metamorphose' Is A Verb Describing The Act Of
Conversion, But In Greeklish It Is Describes The Urge Towards Others To Start Transforming Their
Environment, In This Case For The Better."

HINOSCH are a duo of Koshiro Hino from Osaka and Stefan Schneider from Düsseldorf, they first (met and) began their collaborative work of musical interaction and exploring contrasting possibilities in 2017. After a number of concerts in the EU and in Japan a debut EP (HINOSCH EP/TAL05) was released in late 2017. Fully instrumental, their first full-length album HANDS offers a more steeply focussed approach than its largely improvised predecessor.

Encouraged by the momentum generated during a number of on-the-spot recordings in Osaka, where Schneider had held a residency in April 2017, the overall sound of the album has been honed down through meticulous studio engineering. One of the outstanding qualities of HANDS certainly is an unprejudiced approach of sound and song structures. The instrumentation is condently reduced to a small range of analogue and digital machines. Snatches of tape-loops deliver lower-pitched vocal and drum machine samples. This characteristic technical set up soon proved ideal in order to dene a tactile vocabulary of fully unsynchronized rhythm patterns. The word tactile perfectly conjures that quality which is the very essence of HANDS. It is the result of the manner in which interdependent threads of rhythm units are deliberately disconnected to form a cohesive, soulful and exible whole. Most tracks on HANDS are devoid of a central motif and examine an unpredictable dialogue. A fantasy of constant change and a search for musical suggestions is the most vital ingredient in this abstract environment.

The album title HANDS refers to physical aspects of electronic music production. Every live concert of Hinosch usually starts out with a hand shake between Hino and Schneider. The general process of collective music making, programming, button pushing, playing, recording, decision making, all demand utmost concentration. The image on the front of the abum sleeve (designed by Takashi Makabe) reects the general approach of HANDS: layers of tuckled fabrics confronting one another to articulate a form for themselves to no other end than their own orchestration.

After having emerged from the ever thrilling Osaka music scene onto the international playgrounds of electronic music just a few years ago Koshiro Hino's solo activities as YPY and his involvement with the band GOAT have already garnered him a very favourable international reception. Stefan Schneider has over the years produced and collaborated with a.o. Joachim Roedelius (Cluster), Arto Lindsay, Klaus Dinger (NEU!), Dieter Moebius (Cluster), Alexander Balanescu, John McEntire (tortoise), Katharina Grosse, Bill Wells and St.Etienne.

With "Rhythmic Conversations" Frisina shifts the coordinates of his music to a more 'raw' soundscape, in which the rhythmic element stands in the foreground. Not just Latin-jazz dancefloor material then, but music with strong percussive and tribal elements. Music is perhaps the only truly effective language that allows people who speak different idioms to communicate with each other, and this is precisely what Gerardo Frisina's "Rhythmic Conversations" are about. Closing the record we have an alternative version of "Camagüey", a very different mix from the original one, in a particular Afro-Cuban music style called "Tumbao".

It's bit special this time cause a side is an early 90s house anthem AKIS produced and on the flip side you have the demo he recorded at Vangelis Katsoulis studio during the late 80s.

Nach Dem Sensationellen Erfolg Des Ersten Albums - oracle Im Letzten Jahr, Erscheint Nun Das Zweite Album Der Deutschen Jazz-supergroup Web Web. - dance Of The Demons Ist Ein Furioser Tanz Mit Den Dämonen - Mal Im Positiven Spirit Soul Jazz Rausch Wie Bei - land Of The Arum Flower , Das Mit Seiner Ergreifenden Melodie An Ethopian Jazz Der 60er Jahre Erinnert, Oder Mal Verrückt, Entfesselt Wie Bei - sandia .

Web Web Spielt Nun Mittlerweile Seit 2 Jahren Intensiv Zusammen, Man Hat Duzende Konzerte Absolviert Und Man Spürt Förmlich Die Geschlossenheit, Intensität Und Kraft, Die Sich Als Homogener Organismus Aus Einem Guß Heraus Zu Einem Phantastischen Sound Zusammenbraut.

Als Einen Besonderen Glücksfall Konnte Die Band Den Berühmten Marrokanischen Sänger Und Gembri-spieler Majid Bekkas Gewinnen, Der In Rabat Beheimatet Ist. Tony Lakatos Arbeitete Mit Majid Und Joachim Kühn In Den Letzten Jahren Immer Wieder Zusammen, Ebenso Roberto Digioia In Zusammenhang Mit Klaus Doldinger. Insofern Lag Es Nahe, Diesen Brillianten Musiker Mit Seinen Nordafrikanischen Wurzeln Mit Dem Ungeschliffenen Konzept Von Web Web Zu Verbinden. In - maroc Blues , Einer Soloperformance Von Majid, Hört Man Den Warmen Klangkörper Der Gembri, Einem Kontrabassartig-klingendem Instrument (dreisaitige Langhalslaute), Sowie Auch Majids Wunderbare Stimme, In Der Sich Die Jahrhunderte Alte Tradition Der Berber Widerspiegelt. - safar Zeigt Ebenso Die Große Improvisatorische Klasse Von Web Web, Vor Allem Wie Sie Auf Allen Ebenen In Die Spirituelle Sprache Eintauchen.
Majid Bekkas Ist Einer Der Bedeutendsten Musiker Und Vertreter Der Gnawa-musik, Die In Der Südlichen Sahara Beheimatet Ist. Am Konservatorium Für Musik Und Tanz In Rabat Studierte Er Seit 1975 Klassische Gitarre Und Oud.
Nach Ersten Erfahrungen Mit Eigenen Bands In Den 80er Jahren Gründete Er 1990 Sein Trio Gnaoua Blues Band, In Dem Er Blues Mit Gnawa-musik Verband. In Den Darauffolgenden Jahren Interessierte Er Sich Zunehmends Für Jazz, Trat Schon Bald Mit Größen Wie Archie Shepp, Louis Sclavis, Peter Brötzmann Oder Hamid Drake Auf.

- dance Of The Demons- Wurde Wie Auch - oracle An Einem Wochenende Live In München Eingespielt
Toningenieur Ist Wie Auch Bei - oracle Jan Krause (beanfield, Poets Of Rhythm U.v.m.)
Das Nächste, Dritte Web Web Album Wird Im Winter 2018 Ebendort In München Aufgenommen, Und Es Werden Wíeder Ein Oder Zwei Hochkarätige Gäste Dazu Eingeladen.

Web Web Sind: Roberto Di Gioia (piano, Synth, Percussion), Tony Lakatos (tenor- Und Sopranosaxophone), Christian Von Kaphengst (upright Bass) Und Peter Gall (drums).

Roberto Di Gioia Arbeitete Mit Zahlreichen Jazz-legenden Zusammen, Wie Z.b. Mit Woody Shaw, Art Farmer, James Moody, Johnny Griffin, Charlie Rouse, Clifford Jordan, Clark Terry, Roy Ayers, Gregory Porter U.v.m.
Anfang 1990 Wurde Er Mitglied In Klaus Doldingers Passport.
Als Pianist Machte Er U.a. Aufnahmen Mit Udo Lindenberg (mtv-unplugged,2011), Charlie Watts (- music Of The Rolling Stones , 2005), Console (- reset The Preset , 2003), The Notwist (- shrink 1998, - neon Golden , 2002).
Seit 2007 Arbeitet Er Zusammen Mit Samon Kawamura Und Max Herre Als Kahedi: Max Herre (- hallo Welt , 2012), Joy Denalane (- gleisdreieck , 2017), U.v.m.
Seine Eigene Band Marsmobil (produziert Von Peter Kruder) Wird Im Herbst Ihr 4.studioalbum Veröffentlichen.

Tony Lakatos Stammt Aus Der Berühmten Lakatos-familie Aus Budapest, Ungarn. Sein Vater War Ein Berühmter Geiger, Ebenso Sein Jüngerer Bruder Roby. Er Begann Mit Dem Saxofon-spiel Als Er 15 Jahre Alt War.
Tony Studierte Auf Dem Bela-bartok-konservatorium In Budapest, Machte Seinen Abschluß 1979 Und Spielte Seither Auf Über 350 Jazzproduktionen Weltweit Mit, U.a. Mit Al Foster, Kirk Lightsey, Randy Brecker, George Mraz, David Witham, Terri Lyne Carrington, Anthony Jackson. Tony War Mitglied Der Band Pili Pili Von Jasper Van´t Hof. Seit 1993 Ist Er Solist In Der Hr Radio-bigband.

Christian Von Kaphengst Bekam Mit 6 Jahren Klassischen Klavierunterricht Im Peter-cornelius-konservatorium In Mainz.
Von 1988 Bis 1995 Studierte Er Jazz-kontrabass Sowie Instrumentalpädagogik An Der Musikhochschule In Köln.
Sein Jazzquartett - cafe Du Sport Absolvierte Im Auftrag Des Goethe-instituts Tourneen Nach Pakistan, Indien, Türkei Und Westafrika. Seit 1999 Ist Er Regelmäßig Bassist Von Patti Austin Sowie Der New York Voices Für Europäische Konzerte.
Von Kaphengst Spielte U.a. Mit Randy Brecker, Nat Adderley, Roy Hargrove, Joe Sample, Charlie Mariano, Katja Ebstein, Xavier Naidoo, Roachford, Yvonne Catterfeld.

Peter Gall Gewann Bereits In Jungen Jahren Erste Preise Bei Jugendjazzt Und Tourte Mit Dem Bundesjazzorchester Unter Leitung Von Peter Herbholzheimer. Er Studierte An Der Berliner Universität Der Künste Und Am Jazz Institut Berlin Bei John Hollenbeck. Gall Absolvierte Sein Masterstudium An Der Manhattan School Of Music Bei John Riley.
Er Arbeitete U.a. Mit Kurt Rosenwinkel, Seamus Blake, Ben Street, Gabriel Rios, Jasmin Tabatabai, Thomas Quasthoff, Peter Fessler.

Feedback - Web Web - oracle :

"oracle Ist Nicht Nur Ungemein Packend, Sondern Klingt Auch Absolut International, Bewegt Sich Auf Einer Ebene Mit Leuten Wie Kamasi Washington Oder Shabaka Hutchings." - Jazzthetik

"ein Wirklich Erstaunliches Erstes Album" - Süddeutsche Zeitung

"sun Ra Wäre Stolz Gewesen Auf Web Web Und Ihr Erstes Album Oracle." - Soultrainonline.de

"...the Album Is Engaging And Fascinating In Equal Measures. ... Sonically, The Album Embraces The Various Late 1960s And '70s Jazz Aesthetics Of Modal, Fusion And Spiritual Jazz Soundscapes, But 'oracle' Isn't A Strata East Or Black Jazz Tribute Record. This Is Very Much A Contemporary Affair With Its Richness Emanating From The Group's Varied Musical Tastes And Sensibilities And It Favours An Entire Listening Experience." - Ukvibe.org

"raise A Glass And Toast This Supremely Enjoyable Recording." - Birdistheworm
"oracle Contains 13 Tracks Of Pure Retro Sounding Perfection. This Is Like A Long Forgotten Treasure. It's Certainly An Album Serious Lovers Of The Genre Will Embrace." - Reviewgraveyard
"wonderful Album!!" - Simon Harrison / Basic Soul

"this Is Amazing. Going To Have To Grab A Vinyl Copy For The Collection" - Kev Beadle

"fantastic Record ! Love It ! We Need More Music Like This !!" - Peter Kruder